While the novel is humorous (one instance has the King sitting on top of an omnibus and speaking to it as to a horse: "Forward, my beauty, my Arab," he said, patting the omnibus encouragingly, "fleetest of all thy bounding tribe"), it is also an adventure story: Chesterton is not afraid to let blood be drawn in his battles, fought with sword and halberd in the London streets, and Wayne thinks up a few ingenious strategies; and, finally, the novel is philosophical, considering the value of one man's actions and the virtue of respect for one's enemies.
News from Nowhere (1890) is a classic work combining utopian socialism and soft science fiction written by the artist, designer and socialist pioneer William Morris. In the book, the narrator, William Guest, falls asleep after returning from a meeting of the Socialist League and awakes to find himself in a future society based on common ownership and democratic control of the means of production. In this society there is no private property, no big cities, no authority, no monetary system, no divorce, no courts, no prisons, and no class systems. This agrarian society functions simply because the people find pleasure in nature, and therefore they find pleasure in their work. In the novel, Morris tackles one of the most common criticisms of socialism; the supposed lack of incentive to work in a communistic society. Morris' response is that all work should be creative and pleasurable.
Andrew Lang’s Olive Fairy Book (1907) was a beautifully produced and illustrated edition of fairy tales that has become a classic. This was followed by many other collections of fairy tales, collectively known as Andrew Lang’s Fairy Books.
The Water-Babies, A Fairy Tale for a Land Baby is a novel by the Reverend Charles Kingsley, first published in its entirety in 1863. Though some of the author's opinions are very dated now, the journey of a little chimney-sweep water-baby through rivers and storms, under sea and over iceberg, is still a classic, wonderful children's adventure.
Summary by Cori Samuel. Music from Berlioz's Roman Carnival Overture at musopen.org
The Adventures of Maya the Bee is an exciting tale for children of all ages. Themes of growth and development of courage and wisdom are found, as well as the extreme joy and satisfaction that Maya experiences in the beauty of creation and all creatures. Her ultimate and innate loyalty to her Nation of Bees is acted out in the final heroic scenes. This story gives us the delightful sense of having seen a small segment of the world through a Bee's eyes.
Jefferies' novel can be seen as an early example of "post-apocalyptic fiction." After some sudden and unspecified catastrophe has depopulated England, the countryside reverts to nature, and the few survivors to a quasi-medieval way of life.
The first part of the book, "The Relapse into Barbarism", is the account by some later historian of the fall of civilisation and its consequences, with a loving description of nature reclaiming England. The second part, "Wild England", is an adventure set many years later in the wild landscape and society.
The book is not without its flaws (notably the abrupt and unsatisfying ending) but is redeemed by the quality of the writing, particularly the unnervingly prophetic descriptions of the post-apocalyptic city and countryside.
The Mysteries of Paris (French: Les Mystères de Paris) is a novel by Eugène Sue which was published serially in Journal des débats from June 19, 1842 until October 15, 1843. Les Mystères de Paris singlehandedly increased the circulation of Journal des débats.
There has been lots of talk on the origins of the French novel of the 19th century: Stendhal, Balzac, Dumas, Gautier, Sand or Hugo. One often forgets Eugène Sue. Still, The Mysteries of Paris occupies a unique space in the birth of this literary genre: it entranced thousands of readers for more than a year (even illiterates who had episodes read to them) and was also a major work in the formation of a certain form of social consciousness. One often hears that the 1848 revolution was partly born in the pages of the Mysteries of Paris or, more appropriately, that the Mysteries of Paris helped create a climate which allowed the 1848 revolution to occur.
The hero of the novel is the mysterious and distinguished Rodolphe, who is really the Grand Duke of Gérolstein (a fictional country) but is disguised as a Parisian worker. Rodolphe can speak in argot, is extremely strong and a good fighter. Yet he also shows great compassion for the lower classes, good judgment, and a brilliant mind. He can navigate all layers of society in order to understand their problems, and to understand how the different social classes are linked.
Rodolphe is accompanied by his friends Sir Walter Murph, an Englishman, and David, a gifted black doctor, formerly a slave.
The first figures they meet are Le Chourineur and La Goualeuse. Rodolphe saves La Goualeuse from Le Chourineur's brutality, and saves Le Chourineur from himself, knowing that the man still has some good in him. La Goualeuse is a prostitute, and Le Chourineur is a former butcher who has served 15 years in prison for murder. Both characters are grateful for Rodolphe's assistance, as are many other characters in the novel.
The Marble Faun is Hawthorne's most unusual romance. Writing on the eve of the American Civil War, Hawthorne set his story in a fantastical Italy. The romance mixes elements of a fable, pastoral, gothic novel, and travel guide. In the spring of 1858, Hawthorne was inspired to write his romance when he saw the Faun of Praxiteles in a Roman sculpture gallery. The theme, characteristic of Hawthorne, is guilt and the Fall of Man. The four main characters are Miriam, a beautiful painter who is compared to Eve, Beatrice Cenci, Lady Macbeth, Judith, and Cleopatra, and is being pursued by a mysterious, threatening Model; Hilda, an innocent copyist who is compared to the Virgin Mary; Kenyon, a sculptor, who represents rationalist humanism; and Donatello, the Count of Monti Beni, who is compared to Adam, resembles the Faun of Praxiteles, and is probably only half human.
The Wood beyond the World is a fantasy novel by William Morris, perhaps the first modern fantasy writer to unite an imaginary world with the element of the supernatural, and thus the precursor of much of present-day fantasy literature. His use of archaic language has been seen by some modern readers as making his fiction difficult to read, but brings a wonderful atmosphere to the telling.
Morris considered his fantasies a revival of the medieval tradition of chivalrous romances. In consequence, they tend to have sprawling plots of strung-together adventures. In this story, Walter leaves his father and his own unfaithful wife and sets sail in search of adventure. This he finds aplenty, encountering love, treachery and magic in the Wood of the title and in travelling through the Mountains of the Folk of the Bears. But can he find happiness and peace by means of his Quest?
Read by Cori Samuel
William Morris (1834-1896) was a writer, illustrator and medievalist from the Romantic period and associated with other renowned authors of the time such as Dante Rossetti. His fascination with ancient Germanic and Norse people dominated his writings, the first to be set in an entirely invented fantasy world and which helped to establish the fantasy genre.
The House of Wolfings (1890), some argue, is a demonstration of Morris' socialism as the society described, though not an utopia, is clan-based, elects leaders and makes decisions in clan tribal meetings. Notwithstanding, it tells the story of how Thiodolf and his clan - the Wolfings - fight and vanquish the Roman invaders. The book is built with Morris' knowledge of the historical period and his own idealistic views, which allow him to combine facts and mythical elements. Thiodolf is protected by a dwarfish coat of mail, given to him by his lover Wood Sun, herself one of the Vala, the immortals. But things are not what they seem and what is meant to protect him, is also a curse...
A collection of King Arthur's adventures, from his ascent to King of Britain to his death. This book includes some of the crucial Arthurian legends about Sir Lancelot, the Knights of the Round Table, Queen Guinevere, and the search for the Holy Grail.
The endeavour of small Greek historians to add interest to their work by magnifying the exploits of their countrymen, and piling wonder upon wonder, Lucian first condemned in his Instructions for Writing History, and then caricatured in his True History, wherein is contained the account of a trip to the moon, a piece which must have been enjoyed by Rabelais, which suggested to Cyrano de Bergerac his Voyages to the Moon and to the Sun, and insensibly contributed, perhaps, directly or through Bergerac, to the conception of Gulliver’s Travels. The Icaro-Menippus Dialogue describes another trip to the moon, though its satire is more especially directed against the philosophers.
The "forgotten" planet had been seeded for life, first with microbes and later with plants and insects. A third expedition, intended to complete the seeding with animals, never occurred. Over the millennia the insects and plants grew to gigantic sizes. The action of the novel describes the fight for survival by descendants of a crashed spaceship as they battle wolf-sized ants, flies the size of chickens, and gigantic flying wasps.
"This comical children's tale about the funny adventures of a funny pig written by an unknown author. The publisher has hired authors to write children's tales, and gave them "house names". The "name" of the author who wrote this tale is Richard Barnum. It became very successful, the most well known of Richard Barnum's tales. So, if you want to laugh a little, even if you are not a child, read this book"
One pleasant summer day, as the fairy-tale lover sat reading a book beneath the low spreading branches of an oak tree, he heard a hum of wings, and looking up startled from his book, he discovered the Fairy Goldenwand standing close by. "Are you still seeking new fairy tales?" said the Fairy Goldenwand. "Yes," said the reader. "Will you write them down if I tell you some really new ones?" said the Fairy. "Oh yes, indeed," said the reader. "And I'll put them into a book;..." "Oh, that will be fine!" said the Fairy Goldenwand. "I knew you wouldn't mind my appearing so suddenly. Ever so many things have happened in Fairyland since the last books were written, and we all think it's a dreadful shame that children have n't heard about them. Just imagine boys and girls not knowing about the adventures of the Prince in Lantern Land! Shall I tell you the story?" And that's the way the author heard about the Shepherd of Clouds, Florian, Marianna, Giles, Bobo, and all the other new friends. That you may long enjoy their adventures is the wish of the author. And so we have it on good authority that these new fairy tales come directly from the ever truthful lips of the Fairy Goldenwand. What more could anyone want?
The book starts with a young heroine telling her story of coping with a debilitating illness that includes depression and thoughts of suicide. Her doctor is unable to help her and sends her off on a holiday where she meets a mystical character by the name of Raffaello Cellini, an Italian artist. Cellini offers her a strange potion which immediately puts her into a tranquil slumber, in which she experiences divine visions. This is the beginning of her journey to health, both spiritual and physical.
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Prince Inga lives a happy life on the island of Pingaree until one day invaders from the north enslave every person on the island, including his parents. Inga, who escaped unnoticed in an apple tree, visiting King Rinkitink who had fallen in a well, and surly talking donkey Bilbil embark on a quest to save the Pingareeans.
Armed only with three magic pearls that imbue strength, invincibility, and wisdom, the three take on the open sea, the military might of the islands of Regos and Coregos, and the Nome King.
The premise of the book is that everyone who has ever died (up until the time in which the book is set, which seems to be about the time of its publication) has gone to Styx. This does not appear to be the conventional Hell described by Dante in The Inferno, but rather the Hades described in Greek myth (both of which had Styxes): a universal collecting pot for dead souls, regardless of their deeds in life.
The book begins with Charon, ferryman of the Styx (in The Inferno, he was the ferryman of the river Acheron) being startled—and annoyed—by the arrival of a house boat on the Styx. At first afraid that the boat will put him out of business, he later finds out that he is actually to be appointed the boat's janitor.
What follows are eleven more stories (for a total of twelve) which are set on the house boat. There is no central theme, and the purpose of the book appears to be as a literary thought experiment to see what would happen if various famous dead people were put in the same room with each other. Each chapter is a short story featuring various souls from history and mythology. (Wikipedia)
"Being a collection of some of the OLD TALES told in those Western Parts of Britain served by the GREAT WESTERN RAILWAY, now retold by LYONESSE"
This group project is a collection of 43 fairy tales (both old and new), folk lore, myths and real life stories by a variety of authors, brought together by writer Fanny E Coe. They are mostly short and are fun to read and tell to children and most teach valuable lessons about life.
These Five Stories were written by Alan Edward Nourse, an American science fiction (SF) author and physician. He wrote both juvenile and adult science fiction, as well as nonfiction works about medicine and science. His SF works generally focused on medicine and/or psionics. Psionics refers to the practice, study, or psychic ability of using the mind to induce paranormal phenomena. Examples of this include telepathy, telekinesis, and other workings of the outside world through the psyche. ( Summary compiled from Wikipedia.org )
The novel is a humorous oriental romance and allegory written in the style of the Arabian Nights. Like its model, it includes a number of stories within the story, along with poetic asides.
This is a collection of the following short stories: The Ninth Vibration -- The Interpreter : A Romance of the East -- The Incomparable Lady : A Story of China with a Moral -- The Hatred of the Queen : A Story of Burma -- Fire of Beauty -- The Building of the Taj Majal -- How Great is the Glory of Kwannon! -- The Round-Faced Beauty. Many of them are romantic, some of them are fantasy and others are occult fiction.
Lee Anthony finds himself and two of his friends kidnapped and taken on a strange voyage.
Ernst Theodor Wilhelm Hoffmann (1776 – 1822), better known by his pen name E.T.A. Hoffmann (Ernst Theodor Amadeus Hoffmann), was a German Romantic author of fantasy and horror, a jurist, composer, music critic, draftsman and caricaturist. Hoffmann's stories were very influential during the 19th century, and he is one of the major authors of the Romantic movement.
He is the subject and hero of Jacques Offenbach's famous but fictional opera The Tales of Hoffmann, and the author of the novelette The Nutcracker and the Mouse King, on which the famous ballet The Nutcracker is based. The ballet Coppelia is based on two other stories that Hoffmann wrote. Also Schumann's Kreisleriana is based on one of Hoffmann's characters.
Master Flea was published in 1822.
A novel, The Dragon of Wantley, was written by Owen Wister (best known as the author of The Virginian) in 1892. Published by Lipincott Press, the story is a comic "burlesque" (in the author's words), concerning the "true" story of the Dragon. It is a romantic story set at Christmastime in the early 13th century. The book was a surprise success, going through four editions over the next ten years. This is the 1895 edition.
Jean Ingelow (1820 – 1897) was one of the more famous poets of the period, indeed many people suggested that she should succeed Alfred, Lord Tennyson as the first female Poet Laureate when he died in 1892. Mopsa the Fairy, written in 1869 is one of her more enduring stories. It is a delightful fantasy about a young boy who discovers a nest of young fairies and tells of their adventures together.
A jolly romp, which could be described as Gulliver's Travels Through Our Solar System and Beyond, as written by C. S. Lewis on a rainy Sunday afternoon after one too many mugs of cocoa.