Jonathan Swift almost defines satire in this biting and brutal pamphlet in which he suggests that poor (Catholic) Irish families should fatten up their children and sell them to the rich (Protestant) land owners, thus solving the twin problems of starving children and poverty in one blow. When the “Proposal” was published in 1729, Swift was quickly attacked, and even accused of barbarity – the exact state the “Proposal” was written to expose.
Gulliver's Travels (1726, amended 1735), officially Travels into Several Remote Nations of the World, is a novel by Jonathan Swift that is both a satire on human nature and a parody of the "travelers' tales" literary sub-genre. It is widely considered Swift's magnum opus and is his most celebrated work, as well as one of the indisputable classics of English literature.
Ambrose Bierce (1842 - 1914?), satirist, critic, poet, short story writer and journalist. His fiction showed a clean economical style often sprinkled with subtle cynical comments on human behaviour. In the Devil's Dictionary, he let his sense of humour and his cynical outlook on life colour a collection of dictionary-like definitions.
Northanger Abbey is a hilarious parody of 18th century gothic novels. The heroine, 17-year old Catherine, has been reading far too many “horrid” gothic novels and would love to encounter some gothic-style terror — but the superficial world of Bath proves hazardous enough.
Mansfield Park features Austen’s frailest and perhaps most scrupulous heroine, Fannie Price. As the eldest daughter in a poor family, Fannie is sent to rich relatives when she’s just old enough to fully appreciate the shame of her circumstances. Without pride or prejudice, Fanny sticks to principles in all matters. And matters certainly put her to the test.
Come and hear the strange tail of The Boss Hank Morgan, a modern day (at the time of publication) Connecticut Yankee who inexplicably finds himself transported to the court of the legendary King Arthur (as the title of the book implies). Hank, or simply, The Boss, as he comes to be most frequently known, quickly uses his modern day knowledge and education to pass himself off as a great magician, to get himself out of all sorts of surprising, (and frequently amusing) situations, as well as to advance the technological and cultural status of the nation in which he finds himself.
In the rather un-subtle sub-text of the story, Twain uses The Boss to express a surprisingly pragmatic and frequently contradictory philosophy. The Boss explores the relative merits of Democracy, and Monarchy, he expresses his views on the “Nature v. Nurture” debate, he frequently speaks forcefully against an established Church, but just as strongly advocates for religion and a variety of churches (just not a compulsory one) and he devotes at least one afternoon to introducing his companions to the concept of inflation. In a far more subtle, yet no less forceful manner, the Boss shares with the reader some views about taxation, slavery (both literal and wage slavery), trade unions, the origins of the German language, the nature of marriage, and probably most powerfully, death.
It is a tall order for a relatively brief text, but Twain manages it all with surprising clarity. No one will agree fully with the Boss on all of these matters, and I would be surprised if Twain himself would. In fact the Boss’s views are so pragmatic, and often contradictory, the reader is left to wonder if Twain himself is alternately speaking through the Boss, and setting him up as a straw man. Either way it is a delightful story and a great piece of American Literature, to say nothing of an excellent argument for education.
Vanity Fair: A Novel without a Hero is a novel by William Makepeace Thackeray that satirizes society in early 19th-century England. Like many novels of the time, Vanity Fair was published as a serial before being sold in book form; it was printed in 20 monthly parts between January 1847 and July 1848.Thackeray meant the book to be not only entertaining but also instructive; this is shown both by the narrator of the book and in Thackeray's private correspondence. The novel is now remembered as a classic of English literature, though some critics claim that it has structural problems; Thackeray sometimes lost track of the huge scope of his work, mixing up characters' names and minor plot details. The number of allusions and references it contains can make it difficult for modern readers to follow.
The Posthumous Papers of the Pickwick Club, better known as The Pickwick Papers, is the first novel by Charles Dickens. Written for publication as a serial, The Pickwick Papers consists of a sequence of loosely-related adventures. Its main literary value and appeal is formed by its numerous unforgettable heroes. Each personage in The Pickwick Papers (just as in many other Dickens' novels) is drawn comically, often with exaggerated features of character.
Dating back to the 6th century BC, Aesop's Fables tell universal truths through the use of simple allegories that are easily understood. Though almost nothing is known of Aesop himself, and some scholars question whether he existed at all, these stories stand as timeless classics known in almost every culture in the world. This is volume 1 of 12.
Dating back to the 6th century BC, Aesop's Fables tell universal truths through the use of simple allegories that are easily understood. Though almost nothing is known of Aesop himself, and some scholars question whether he existed at all, these stories stand as timeless classics known in almost every culture in the world. This is volume 10 of 12.
Dating back to the 6th century BC, Aesop's Fables tell universal truths through the use of simple allegories that are easily understood. Though almost nothing is known of Aesop himself, and some scholars question whether he existed at all, these stories stand as timeless classics known in almost every culture in the world. This is volume 11 of 12.
Dating back to the 6th century BC, Aesop's Fables tell universal truths through the use of simple allegories that are easily understood. Though almost nothing is known of Aesop himself, and some scholars question whether he existed at all, these stories stand as timeless classics known in almost every culture in the world. This is volume 12 of 12.
Dating back to the 6th century BC, Aesop's Fables tell universal truths through the use of simple allegories that are easily understood. Though almost nothing is known of Aesop himself, and some scholars question whether he existed at all, these stories stand as timeless classics known in almost every culture in the world. This is volume 2 of 12.
Dating back to the 6th century BC, Aesop's Fables tell universal truths through the use of simple allegories that are easily understood. Though almost nothing is known of Aesop himself, and some scholars question whether he existed at all, these stories stand as timeless classics known in almost every culture in the world. This is volume 3 of 12.
Dating back to the 6th century BC, Aesop's Fables tell universal truths through the use of simple allegories that are easily understood. Though almost nothing is known of Aesop himself, and some scholars question whether he existed at all, these stories stand as timeless classics known in almost every culture in the world. This is volume 4 of 12.
Dating back to the 6th century BC, Aesop's Fables tell universal truths through the use of simple allegories that are easily understood. Though almost nothing is known of Aesop himself, and some scholars question whether he existed at all, these stories stand as timeless classics known in almost every culture in the world. This is volume 5 of 12.
Dating back to the 6th century BC, Aesop's Fables tell universal truths through the use of simple allegories that are easily understood. Though almost nothing is known of Aesop himself, and some scholars question whether he existed at all, these stories stand as timeless classics known in almost every culture in the world. This is volume 6 of 12.
Dating back to the 6th century BC, Aesop's Fables tell universal truths through the use of simple allegories that are easily understood. Though almost nothing is known of Aesop himself, and some scholars question whether he existed at all, these stories stand as timeless classics known in almost every culture in the world. This is volume 7 of 12.
Dating back to the 6th century BC, Aesop's Fables tell universal truths through the use of simple allegories that are easily understood. Though almost nothing is known of Aesop himself, and some scholars question whether he existed at all, these stories stand as timeless classics known in almost every culture in the world. This is volume 8 of 12.
Dating back to the 6th century BC, Aesop's Fables tell universal truths through the use of simple allegories that are easily understood. Though almost nothing is known of Aesop himself, and some scholars question whether he existed at all, these stories stand as timeless classics known in almost every culture in the world. This is volume 9 of 12.
One of the earliest works of science-fiction (nearly 2,000 years old). It has space travel (including war in space), lunar civilization, and aliens, along with more fantasy elements, such as the afterlife and Greek gods. A satire on contemporary tall tales.
Fenimore Cooper - author of The Deerslayer, The Last of the Mohicans, etc - has often been praised, but just as often been criticised for his writing. Mark Twain wrote a funny, vicious little essay on the subject, in which he states: "In one place in 'Deerslayer,' and in the restricted space of two-thirds of a page, Cooper has scored 114 offences against literary art out of a possible 115."
Very brief, well-crafted stories, many having surprise endings, all steeped in the dye of myth and calling to every reader's neglected imagination.
In one of his later novels, the master storyteller spins a tale of two children switched at infancy. A slave takes on the identity of master and heir while the rightful heir is condemned to live the life of a slave. Twain uses this vehicle to explore themes of nature vs. nurture, racial bigotry and moral relativism. The case of mistaken identity is a theme that Twain explored also in THE PRINCE AND THE PAUPER; in THE TRAGEDY OF PUDD'NHEAD WILSON he turns the theme into a well-crafted detective story. It is unfortunate that this is one of Twain's lesser known works as it is one of his most enjoyable reads.
"1601," wrote Mark Twain, "is a supposititious conversation which takes place in Queen Elizabeth's closet in that year, between the Queen, Ben Jonson, Beaumont, Sir Walter Raleigh, the Duchess of Bilgewater, and one or two others ... If there is a decent word findable in it, it is because I overlooked it." 1601 depicts a highfalutin and earthy discussion between the Queen and her court about farting and a variety of sexual peccadillos, narrated disapprovingly and sanctimoniously by the Queen's Cup-Bearer, an eyewitness at "the Social Fireside."
Crome Yellow, published in 1921 was Aldous Huxley’s first novel. In it he satirizes the fads and fashions of the time. It is the witty story of a house party at ‘Crome’ where there is a gathering of bright young things. We hear some of the history of the house from Henry Wimbush, its owner and self appointed historian; Apocylapse is prophesied, virginity is lost, and inspirational aphorisms are gained in a trance. Our hero, Denis, tries to capture it all in poetry and is disappointed in love.
The author, Aldous Huxley, was born in 1894 and began writing poetry and short stories in his early twenties; this was his first novel and established his literary reputation.
Also known simply as "1601", this is a humorously risque work by Mark Twain, first published anonymously in 1880, and finally acknowledged by the author in 1906.
The Expedition of Humphry Clinker was the last of the picaresque novels of Tobias Smollett, and is considered by many to be his best and funniest work.
Published in London on 17 June 1771, it is an epistolary novel, presented in the form of letters written by six different characters: Matthew Bramble, a Welsh Squire; his sister Tabitha; their niece and nephew, Jery and Lydia Melford; Tabitha's maid Winifred Jenkins; and Lydia's suitor, Wilson.
Much of the comedy arises from differences in the descriptions of the same events by different participants. Attributions of motives and descriptions of behavior show wild variation and reveal much about the character of the teller. The setting, amidst the high-society spa towns and seaside resorts of the 18th century provides his characters with many opportunities for satirical observations on English life and manners.
This is another collection of O. Henry short stories.
'A wickedly funny 1911 satire on undergraduate life in Edwardian Oxford' in which the entire student body of Oxford university including the young, handsome aristocrat the Duke of Dorset falls hopelessly in love with Zuleika who is visiting her grandfather, the warden of Judas college, and ultimately commit mass suicide at the end of 'Eights Week'
The novel (original French title -- L'Île des Pingouins) is a satire on human nature. The first publication was in 1908. These penguins are mistaken for humans by the 97-year-old priest, Father Mael, because of his bad eyesight. He baptizes them, and once baptized, they have no choice but to become human. They take on human traits (build civilizations, go to war, etc.). The book is very funny and powerful.
Deep in the fens of the British coast sits the gloomy mansion that goes by the name Nightmare Abbey. It is inhabited by persons of very low opinion of the human race, and in fact they pride themselves in the depths of their detestation. Others of its denizens believe the ultimate exercise and product of the human mind ought to be chaos.
Now let the young master of the house get snared by the wiles of a beautiful young lady. And for good measure, toss in another beautiful young lady. Now Scythrop (named in honor of an ancestor who became bored with life and hanged himself) is about to find that two such make too much of a good thing!
Peacock wrote Nightmare Abbey as a satire, and he has folded in allusions to or quotations from literally dozens of other works. He makes use of many long, impressive-sounding words (some of which he very possibly made up!). Ignore these and his occasional Latin phrase, treat the rest as a farce, and you're on track for a fun listen!(Summary be Mark F. Smith)
Orley Farm is Trollope at his best (as good as the Barsetshire series), which means some of the best characterizations in the English language. Trollope's people are real; the beleaguered Lady Mason, charged with forging a will; the aged lover Sir Peregrine Orme; Madeleine Stavely, deeply but practically in love; the shallow, fickle Sophia Furnival and others are 3-dimensional figures that live and breathe. His satire of the so-called "justice" system is the best kind of satire: he just describes the court proceedings as they really are. The result is as up-to-date as today's newspaper.
The Green Carnation, first published anonymously in 1894, was a scandalous novel by Robert Hichens whose lead characters are closely based on Oscar Wilde and Lord Alfred Douglas - also known as 'Bosie', whom the author personally knew. It was an instant succès de scandale on both sides of the Atlantic. The book features the characters of 'Esmé Amarinth' (Wilde), and 'Lord Reginald (Reggie) Hastings' (Douglas). The words put in the mouths of the hero and his young friend in the story are mostly gathered from the sayings of their originals. Robert Hichens spent nearly a year "in the company of the men" and was able to accurately recreate the atmosphere and relationship between Oscar and Bosie. The book was withdrawn from circulation in 1895, but by that time the damage had been done. Wilde soon stood three consecutive trials for Gross Indecency and was sentenced to two years at hard labor. The Green Carnation was one of the works used against him by the prosecution.
A young idealistic civil servant, Arvid Falk, leaves the drudgery of bureaucracy to become a journalist and author. As he explores various social activities — politics, publishing, theatre, philanthropy, and business — he finds more hypocrisy and corruption than he thought possible. He takes refuge with a group of "bohemians", who meet in a red dining room in Berns Salonger to discuss these matters. (Introduction adopted from Wikipedia)
John Kendrick Bangs (May 27, 1862 – January 21, 1922) was an American author and satirist, and the creator of modern Bangasian Fantasy, the school of fantasy writing that sets the plot wholly or partially in the afterlife. (Wikipedia)
Plot summary: J K Bangs has taken Alice from Lewis Carroll's “Alice in Wonderland” and lets her on a boring day travel with the Mad Hatter, the March Hare, the Cheshire Cat and the other of Carroll's familiar characters to Blunderland. The story is a well written Satire, a witty, humorous tale of adventure and city politics, a tale of Alice in a land where nothing is as it should be.
Niels Klim's Underground Travels, originally published in Latin as "Nicolai Klimii Iter Subterraneum" (1741) is a satirical science-fiction/fantasy novel written by Ludvig Holberg, a Norwegian-Danish dramatist, historian, and essayist, born in Bergen, Norway. It was his first and only novel. It describes a utopian society from an outsider's point of view, and often pokes fun at diverse cultural and social topics such as moral, science, sexual equality, religion, governments, and philosophy.
The Idiot is anything but, yet his fellow boarders at Mrs. Smithers-Pedagog’s home for single gentlemen see him as such. His brand of creative thought is dismissed as foolishness yet it continues to get under their skin, because when you’re beneath contempt you can say what you please. – This is the first of John Kendrick Bang’s “Idiot” books and was published by Harper and Brothers in 1895.
The estimable gentleman, Chunder Bindabun Bhosh, ESQ., B.A., travels from his native India to England, with his impeccable English and manners, which immediately mark him as a foreigner, and embarks on an enviable program of escapades. These stories are the product of the fertile imagination of Hurry Bungsho Jabberjee, B.A., a nom de plume for the humorist F. Anstey, which is a further nom de plume for Thomas Anstey Guthrie. Whether rescuing a nubile maiden from a charging bull or falling in love with said nubile maiden, Mr. Bosh, B. A. cannot help but perform with the requisite humor to engage our attention.
This satire on the U.S.A.'s myth of being the "Home of the Oppressed, where all men are free and equal", is unrelenting in its pursuit of justice through exposure. It draws a scathingly shameful portrait of how Chinese immigrants were treated in 19th century San Francisco.
A satirical look at early biblical events from the point of view of someone who was there to witness most of them: the oldest man in recorded history.
Clarence and Emmeline Mumford are in for a real treat when they take in the young, outspoken Miss Louise Derrick as their guest. Shedding a light on class struggles in the Victorian era, The Paying Guest offers a look at just what "proper society" expects.
Billed as a satire concerning the dishonest advertising and business practices of the day, it tells the tale of an upstart clothing business doomed from the get-go to utter failure. Its senior partner (the elderly Brown, who provides the investment) is far too timid for business. His son-in-law (Jones, who runs the store) is stealing from the till, and the junior partner, Robinson (who writes advertisements for the store) is so obsessed with the idea that advertising alone will drive the business, he uses up every last penny of the capital investment in a series of increasingly ludicrous ad campaigns and publicity stunts.
Thrown into this mix are the two daughters of Brown, who are equally cold and calculating. The elder (married to Jones) is constantly trying to wring money out of the old man, and the younger, Maryanne, spends the entire novel playing off of two potential suitors, Robinson, or Brisket the butcher (one of Trollope's wonderful examples of ironic character naming). (above summary by Steve Forsyth, Texas)
Nevertheless, Trollope shows considerable sympathy for the risks faced by small businessmen (and also notes the vulnerability of writers to over-ready critics); Robinson is to publish his experiences in the Cornhill Magazine, a prominent journal for over 100 years, in which many Victorians serialized novels (including this one). In the final chapter there is a surprising ennoblement of Robinson, and a very positive ending (final comments by Arnold Banner)
This 1910 short work is by the English-born American humorist, satirist, and illustrator Oliver Herford, aided by another caricaturist and illustrator, John Cecil Clay. Herford’s books were usually short and quite popular in their time. He is a master of the witty remark and joke, i.e., “Many are called but few get up” and “Only the young die good”. Cupid’s Cyclopedia is a jesting alphabetical list of words and their definitions dealing with the course of true love; the book closes with an essay on the same subject entitled “Amoria,” a tongue-in-cheek imaginative travelogue on “the most ancient and honorable country upon the earth’s surface.” The text has many illustrations that make the author’s thoughts more entertaining and often clearer. There is an appendix, but the text indicates that it has been removed.
Another frank May Sinclair exploration of fin de siècle English love and sex, marriage and adultery, "The Tysons" is the story of the caddish Nevill Tyson and his beautiful but frivolous young wife Molly. Sinclair uses a different narrative voice than we hear in much of her fiction, a sort of witty Jane Austen archness as she dissects the characters of the provincial village Drayton Parva. As always, she demonstrates an intriguing mixture of Victorian prudishness and modern free-thinking, particularly in her rendering of the sexual escapades of her characters. The step-by-step fragmentation of the Tyson marriage seems predestined from the start, but the novel reveals, as Sinclair's novels always do, a passion for profound understanding of the human comedy and why we do what we do. Even though the story is told from the perspectives of mostly masculine characters, Sinclair uses their voices to shine a stark light on the many ways in which women were victimized at the time by being the chattel of the men in their lives, in particular the denigration of the female intellect in favor of the merely decorative feminine beauty which existed only for the male ego.
May Sinclair was a prolific author, literary critic, and feminist activist, famous in Britain and the US in the 1910’s and 20’s. The Judgment of Eve, like most of her novels, uses irony and understatement to expose the hypocrisy of the social order by revealing the tragic social reality of women’s powerlessness within it.
Aggie is by far the best looking, and the best educated young woman in her small, isolated village of Queningford. Should she marry the strong, confident, and successful –- but not intellectual -- farmer, John? Or would her life be happier with the relatively poor, but sensitive, poetic and intellectual lawyer’s clerk, Arthur? She chooses Arthur, and their life in London, though impoverished, begins in a whirlwind of lectures, debates and museums. Both are thrilled by the birth of their first child, though his arrival puts an end, temporarily, to their cultural activities. Ever desirous of fulfilling her husband’s wishes, Aggie bears another child every year, for 6 years. The story exposes the very different ways in which Aggie and Arthur experience and manage the crowding out of their early intellectual dreams by the increasingly grim realities – the poverty, illness and estrangement – imposed by the life they have chosen to create.
The consequences of letting your irritation get the better of you are humorously portrayed in this story of a self-important man who fires a shotgun at an annoying cat on his fence.. and hits a man skulking in the bushes. What did the cat do to enrage him? Why was the man in the bushes? And how can the whole matter be covered up and done away with before the neighbors start gossiping?
Satirizes the rise of a young novelist (thought to be Richard Harding Davis, but denied as such by Churchill).
First published in 1917, The Glugs of Gosh satirizes Australian life at the start of the twentieth century - but the absurdities it catalogs seem just as prevalent at the start of the twenty-first. The foolishness of kings, the arrogance of the elite, the gullibility of crowds, the pride of the self-righteous, the unthinking following of tradition - all find themselves the targets of C. J. Dennis' biting wit.
Written just before Prohibition to entail the possible troubles that might happen en route. Both sides of the argument, or battle as the case may be, strike out with various over-top methods like legislating most fruits and vegetables as unsafe or intoxicating large groups with breathable alcohol.