The Gilded Age: A Tale of Today is an 1873 novel by Mark Twain and Charles Dudley Warner that satirizes greed and political corruption in post-Civil War America. The term gilded age, commonly given to the era, comes from the title of this book. Twain and Warner got the name from Shakespeare's King John (1595): "To gild refined gold, to paint the lily... is wasteful and ridiculous excess." Gilding a lily, which is already beautiful and not in need of further adornment, is excessive and wasteful, characteristics of the age Twain and Warner wrote about in their novel. Another interpretation of the title, of course, is the contrast between an ideal "Golden Age," and a less worthy "Gilded Age," as gilding is only a thin layer of gold over baser metal, so the title now takes on a pejorative meaning as to the novel's time, events and people.
Although not one of Twain's more well-known works, it has appeared in more than 100 editions since its original publication in 1873. Twain and Warner originally had planned to issue the novel with illustrations by Thomas Nast. The book is remarkable for two reasons–-it is the only novel Twain wrote with a collaborator, and its title very quickly became synonymous with graft, materialism, and corruption in public life.
Originally published in 1873, The Gilded Age: A Tale of Today is the only novel Twain co-wrote (C.D. Warner was a good friend and neighbor of the Clemens family in Hartford, and the collaboration sprang from their wive's challenge and encouragement). The title, "The Gilded Age" became synonymous with graft, materialism and corruption in public life, which are well represented in this work. Like others of his works, this one reflects truths about American Society that remain pertinent today. Many of the characters and incidents that occur in the Gilded Age had their real-life origins in Clemens relatives and history, a fact which he revealed in his newly published (2011) Autobiography.
The Bourgeois Gentleman of the title is a middle-class social climber, assured that by learning all the arts of a true and noble gentleman, he shall truly become one. This enables Moliere to satire both the pretentious middle class and the snobbish aristocracy all at one time. Originally presented in 1670 before the court of Louis the 14th with music by Jean-Baptiste Lully, it was more recently re-choreographed by George Balanchine to music by Strauss. This will be a purely spoken version of the original.
Fascinating and brilliant at many levels, Huxley's spoof of Lady Ottoline Morrell's famous bohemian gatherings is difficult to categorize. The ironic tone and caricaturish rendering of some characters makes it partly entertaining satire, but intertwined with the irony are a very human love story and much poignant social commentary. Denis Stone (Huxley himself) is a young poet hopelessly enamored of the languid Anne Wimbush, who comes to Priscilla Wimbush's Crome estate for several weeks of intellectual and artistic escape. Along the way of his love affair, he engages in or eavesdrops upon conversations with other guests about the War, about eschatology, about future society, about Sex, about Art, about Love. Several of these dialogues directly foreshadow themes of Huxley's later dystopian masterpiece, Brave New World. Others show a tragic prescience of another great European war on its way, an awareness that future tragedy might attempt to complete the unfinished business of the recent Great War. Huxley's first novel, Crome Yellow is well worth reading in its own right, while containing embryonic forms of so much of Huxley's later intellectual themes.
If Jefferson "Parleyvoo" Pickens had appeared in print just a few years later, he might have been the "Gentle Grifter" instead of the "Gentle Grafter", the name O. Henry picked for him. His situation as an ethical graft artist gives Jeff an extra impediment in pursuing his craft, but he never wanted it to be too easy. The result is fourteen delightful tales for us and a number of new partners for him. With those partners (he always has at least one) he works his way through a number of confidence games. Some they win, some they lose, some go into extra innings. They seem never to end just the way you figure they will. In the end he conquers almost all, except for the English language, which often seems to defeat him. (Intro by Leslie Walden)
The Small House at Allington concerns the Dale family, who live in the "Small House", a dower house intended for the widowed mother (Dowager) of the owner of the estate. The landowner, in this instance, is the bachelor Squire of Allington, Christopher Dale. Dale's mother having died, he has allocated the Small House, rent free, to his widowed sister-in-law and her daughters Isabella ("Bell") and Lilian ("Lily").
The Unbearable Bassington was the first novel written by Saki (H. H. Munro). It also contains much of the elegant wit found in his short stories. Comus (The Unbearable) Bassington, is a charming young man about town. His perversity however thwarts all his mother’s efforts to advance his prospects and lands him in hot water. Like many a “black sheep” he ends up being sent off to one of the colonies to fend for himself. This book showcases Saki’s wonderful writing and that ability to be so very funny and terribly sad at the same time.
The epigram to this work from Christoher Marlowe applies to the plot of this story: "My men like satyrs grazing on the lawns / Shall with their goat-feet dance the antic hay." The plot follows Huxley and his cohorts in a search for meaning and hope and love in post WWI London.
The five-volume work chronicling the adventures of father Gargantua and son Pantagruel is a vehicle for Rabelais' satire of sixteenth-century European society. It is lively, outrageous, and, at times, bawdy. This the third of the five volumes--all are translated by Thomas Urquhart and Peter Motteux
The teaching profession, science and politics in late 19th century England. H. G. Wells’ humorous early novel, drawing on his own life, shows how these – as well as involvement in spiritualism – have to compete with love.
A collection containing a parody on Problem Plays, as well as humorous anecdotes from Canadian humourist Stephen Leacock.
An other-worldly creature visits a small English village, and H. G. Wells uses humour and satire to convey some of the imperfections of Victorian society, as ‘angel’ and humans view each other with equal incomprehension.( summary by Mary Bard)
The world’s most confident, most chaos-creating eleven year old boy is at it again in these fourteen glorious and funny 1924 short stories.
The House with the Green Shutters is a novel by the Scottish writer George Douglas Brown, first published in 1901 by John MacQueen. Set in mid-19th century Ayrshire, in the fictitious town of Barbie which is based on his native Ochiltree, it consciously violates the conventions of the sentimental kailyard school, and is sometimes quoted as an influence on the Scottish Renaissance.
The novel describes the struggles of a proud and taciturn carrier, John Gourlay, against the spiteful comments and petty machinations of the envious and idle villagers of Barbie (the "bodies").
Satiric comedy from 1915 about a nouveau riche British family and their nanny who get whisked off to Maerchenland ('the land of Fairy Tales') one evening in a car drawn by storks. The matron of the family, a thorough snob, is crowned Queen of the country by mistake. She is quick to accept her new position and is determined to introduce British social niceties in her realm. And this really is the land of Fairy Tales, with gnomes, giants, a dragon, magic, a fairy godmother and more. Trouble quickly starts to brew as the royal couple and their son introduce things like capitalism and golf. When gradually a few people find out who should actually have been the new ruler, things get more and more complicated. A bit of romance is thrown into this mixture as well. You'll have to listen to find out whether everyone lives happily ever after.
In the preface and epilogue, the author won't let his audience forget the troubled times in the real world, in the heat of World War I.
Dubliners is a collection of 15 short stories by James Joyce, first published in 1914. They form a naturalistic depiction of Irish middle class life in and around Dublin in the early years of the 20th century. The stories were written when Irish nationalism was at its peak and a search for a national identity and purpose was raging; at a crossroads of history and culture, Ireland was jolted by various converging ideas and influences. They centre on Joyce's idea of an epiphany: a moment where a character experiences self-understanding or illumination. Many of the characters in Dubliners later appear in minor roles in Joyce's novel Ulysses. The initial stories in the collection are narrated by child protagonists, and as the stories continue, they deal with the lives and concerns of progressively older people. This is in line with Joyce's tripartite division of the collection into childhood, adolescence, and maturity.
Guy de Maupassant was, and is to this day, one of the world's most celebrated short story writers. He famously tackled topics like the Franco-Prussian War and the disillusionment of life and relationships. This collection of his works, containing famous stories like "Boule de Suif" and "The Diamond Necklace" show off his lyrical and engaging style. The book is written in accessible language without being simple and is sure to delight a modern audience.
Hard Times, the shortest of Dickens's full-length novels, is set in the fictitious Victorian-England city of Coketown, where facts are the rule and all fancy is to be stamped out. The plot centers around the men and women of the town, some of whom are beaten down by the city's utilitarian ideals and some of whom manage to rise above it. The novel was written in 1854 and was a scathing attack on then-current ideas of utilitarianism, which Dickens viewed as a selfish and at times oppressive philosophy. Perhaps the novel's best features are its clever, ironic narration and the larger-than-life characters that push the plot forward, such as the upper-class banker and hypocritical braggart, Josiah Bounderby, and the fact-driven schoolmaster, Thomas Gradgrind.
Satyricon (or Satyrica) is a Latin work of fiction in a mixture of prose and poetry. It is believed to have been written by Gaius Petronius, though the manuscript tradition identifies the author as a certain Titus Petronius. As with the Metamorphoses of Apuleius, classical scholars often describe it as a "Roman novel", without necessarily implying continuity with the modern literary form.
The surviving portions of the text detail the misadventures of the narrator, Encolpius, and his lover, a handsome sixteen-year-old boy named Giton. Throughout the novel, Encolpius has a hard time keeping his lover faithful to him as he is constantly being enticed away by others. Encolpius's friend Ascyltus (who seems to have previously been in a relationship with Encolpius) is another major character. It is a rare example of a Roman novel, the only other surviving example (quite different in style and plot) being Metamorphoses written by Lucius Apuleius. It is also extremely important evidence for the reconstruction of what everyday life must have been like for the lower classes during the early Roman Empire.
(Summary taken from Wikipedia)
This dialogue brings Socrates face to face with the famous sophist Gorgias and his followers. It is a work likely completed around the time of "Republic" and illuminates many of the spiritual ideas of Plato. The spirituality, as Jowett points out in his wonderful introduction, has many ideas akin to Christianity, but is more generous as it reserves damnation only for the tyrants of the world. Some of the truths of Socrates, as presented by Plato, shine forth in this wonderful work on sophistry and other forms of persuasion or cookery.
"The Battle of the Books" depicts a literal battle between books in the King's Library (housed in St James's Palace at the time of the writing), as ideas and authors struggle for supremacy. Because of the satire, "The Battle of the Books" has become a term for the Quarrel of the Ancients and the Moderns. It is one of his earliest well-known works. (Wikipedia)
Ivan Matveich, the most ordinary person you might hope to meet, is swallowed alive by a crocodile at a sideshow. Finding life inside the belly of the beast quite comfortable, he makes a home for himself there. His disquisitions on the state of the world from inside the crocodile make him quite a name for himself; while all the while the discussion rages outside as to whether the beast is going to be cut open to release him or not, its value as a sideshow attraction having massively increased owing to the presence of the human voice buried inside it. One of Jorge Luis Borges' seven most favourite stories.
This is a collection of short stories written by Fyodor Dostoyevsky (Dostoevsky), who is arguably better-known for his lengthy, contemplative novels. Several of his trademark philosophical, political and religious themes are interwoven throughout these short stories, for example: "Dream of a Ridiculous Man" critiques European nihilism; "The Crocodile" has notes of Russian political commentary; and "Bobok" is critically acclaimed as top-rate Menippean satire. Dostoevsky also provides a Christmas story ("The Heavenly Christmas Tree") with a biting social commentary.
Jane Austen demonstrated her mastery of the epistolary novel genre in Lady Susan, which she wrote in 1795 but never published. Although the primary focus of this short novel is the selfish behavior of Lady Susan as she engages in affairs and searches for suitable husbands for herself and her young daughter, the actual action shares its importance with Austen’s manipulation of her characters' behavior by means of their reactions to the letters that they receive. The heroine adds additional interest by altering the tone of her own letters based on the recipient of the letter. Thus, the character of Lady Susan is developed through many branches as Austen suggests complications of identity and the way in which that identity is based on interaction rather than on solitary constructions of personality. Lady Susan’s character is also built by the descriptions of the other letter-writers; but even though their opinions of this heroine coincide with the image that develops from her own letters, Austen demonstrates the subjectivity of the opinions by presenting them – primarily – in the letters of one woman to another, thereby suggesting the established literary motifs of feminine gossip and jealousy. Readers recognize these subjective motifs and examine all of the idiosyncrasies of the characters in order to create their own opinion of Lady Susan – as they would of any real acquaintance.
"What Is Man?", published by Mark Twain in 1906, is a dialogue between a young man and an older man jaded to the world. It involves ideas of destiny and free will, as well as of psychological egoism. The Old Man asserted that the human being is merely a machine, and nothing more. The Young Man objects, and asks him to go into particulars and furnish his reasons for his position. This collection of short stories covers a wide range of Twain's interests: the serious, the political and the ironically humorous.
Lesley Castle is a melodramatic epistolary novelette written by Jane Austen when she was sixteen years old. Although the novels Austen became known for were not published until she was in her thirties, she was an active writer from the age of twelve, frequently composing epistolary works such as Lesley Castle. Austen eventually compiled 29 of her early writings in three notebooks that became known as the Juvenilia and that she called “Volume the First”, “Volume the Second”, and “Volume the Third”, including Lesley Castle in “Volume the Second”.
Lesley Castle is set contemporaneously to Austen’s writing and consists of a series of ten letters by five characters, all of whom are women of high society living in Great Britain. In this short work, Austen employs a mock serious tone to humorously critique her peers on subjects such as self-absorption and jealousy. Austen acknowledged in a prefatory note that she left Lesley Castle unfinished; it includes several interconnected storylines, but no overarching plot or clear conclusion.
Old Martin Chuzzlewit has heaps of money that has never brought him anything but misery. Estranged from his grandson and namesake, when word gets out that he is ill, he finds himself surrounded by a throng of relatives that he despises, all hoping to get a piece of the pie. He allows himself to be taken under the wing of his obsequious and hypocritical cousin, Seth Pecksniff, who is more than happy to shelter him and kowtow to him and to keep all other relatives away. Will this vulture be the one to inherit the old man’s fortune, or is there more going on than meets the eye?
Treachery, mayhem, and possibly murder, along with some genuine love and compassion are skillfully intertwined in this book, along with Dickens’ classic wit and brilliantly created characters. His villains are odious, his good guys are delightful, and those that fall in between truly deserve to be called “Characters.”
Erewhon, or Over the Range is a novel by Samuel Butler, published anonymously in 1872. The title is also the name of a country, supposedly discovered by the protagonist. In the novel, it is not revealed in which part of the world Erewhon is, but it is clear that it is a fictional country. Butler meant the title to be read as the word Nowhere backwards, even though the letters "h" and "w" are transposed. It is likely that he did this to protect himself from accusations of being unpatriotic, although Erewhon is obviously a satire of Victorian society.
The Voyage Out is the first novel by Virginia Woolf, published in 1915 by Duckworth; and published in the U.S. in 1920 by Doran. One of Woolf's wittiest social satires.
Rachel Vinrace embarks for South America on her father's ship and is launched on a course of self-discovery in a kind of modern mythical voyage. The mismatched jumble of passengers provide Woolf with an opportunity to satirize Edwardian life. The novel introduces Clarissa Dalloway, the central character of Woolf's later novel, Mrs. Dalloway.
E. M. Forster described it as "... a strange, tragic, inspired book whose scene is a South America not found on any map and reached by a boat which would not float on any sea, an America whose spiritual boundaries touch Xanadu and Atlantis... It is absolutely unafraid... Here at last is a book which attains unity as surely as Wuthering Heights, though by a different path."
(Introduction from Wikipedia)
This is a satirical novel written by Edwin A. Abbott, first published in 1884. Abbott uses a two-dimensional world, with himself as the protagonist, known simply as "A Square", to deride the Victorian aristocracy and its hierarchies. But the book has retained its value throughout the years for its unique portrayal of a two-dimensional world, and how a Sphere introduces the Square to the incomprehensible possibility of a third dimension. Once the square fully understands the third dimension, he suggests to the Sphere that even a fourth, fifth, or sixth dimension could exist. But the Sphere sends the square back to his two-dimensional world, where he cannot convince anyone of the existence of a three dimensional world.
The Confidence-Man: His Masquerade was the last major novel by Herman Melville, the American writer and author of Moby-Dick. Published on April 1, 1857 (presumably the exact day of the novel's setting), The Confidence-Man was Melville's tenth major work in eleven years. The novel portrays a Canterbury Tales-style group of steamboat passengers whose interlocking stories are told as they travel down the Mississippi River toward New Orleans. The novel is written as cultural satire, allegory, and metaphysical treatise, dealing with themes of sincerity, identity, morality, religiosity, economic materialism, irony, and cynicism. Many critics have placed The Confidence-Man alongside Melville's Moby-Dick and "Bartleby the Scrivener" as a precursor to 20th-century literary preoccupations with nihilism, existentialism, and absurdism.
A Tale of a Tub was the first major work written by Jonathan Swift, composed between 1694 and 1697, that was eventually published in 1704. It is arguably his most difficult satire, and perhaps his most masterly. The Tale is a prose parody which is divided into sections of "digression" and a "tale" of three brothers, each representing one of the main branches of western Christianity. A Tale was long regarded as a satire on religion itself, and has famously been attacked for that, starting with William Wotton. The "tale" presents a consistent satire of religious excess, while the digressions are a series of parodies of contemporary writing in literature, politics, theology, Biblical exegesis, and medicine. The overarching parody is of enthusiasm, pride, and credulity. At the time it was written, politics and religion were still linked very closely in England, and the religious and political aspects of the satire can often hardly be separated. "The work made Swift notorious, and was widely misunderstood, especially by Queen Anne herself who mistook its purpose for profanity." "It effectively disbarred its author from proper preferment within the church," but is considered one of Swift's best allegories, even by himself. It was enormously popular, but Swift believed it damaged his prospect of advancement in the Church of England.
Washington Irving, an author, biographer, historian, and diplomat, completed his first major work, a satire of contemporary local history and politics entitled A History of New-York from the Beginning of the World to the End of the Dutch Dynasty, by Diedrich Knickerbocker in 1809. Prior to its publication, Irving started a promotional hoax (not unlike some modern-day publicity stunts?) by placing fake missing persons advertisements in local newspapers asking for help in locating Diedrich Knickerbocker. As a continuation of the hoax, Irving also published a notice purported to be written by the proprietor of the hotel where Knickerbocker was staying, in which he threatened to publish a manuscript “left behind” by Knickerbocker if the hotel bill was not paid. From “The Author’s Apology”: “The main object of my work, in fact, had a bearing wide from the sober aim of history, but one which, I trust, will meet with some indulgence from poetic minds. It was to embody the traditions of our city in an amusing form; to illustrate its local humors, customs and peculiarities; to clothe home scenes and places and familiar names with those imaginative and whimsical associations so seldom met with in our new country, but which live like charms and spells about the cities of the old world, binding the heart of the native inhabitant to his home.” -
Washington Irving, an author, biographer, historian, and diplomat, completed his first major work, a satire of contemporary local history and politics entitled A History of New-York from the Beginning of the World to the End of the Dutch Dynasty, by Diedrich Knickerbocker in 1809. Prior to its publication, Irving started a promotional hoax (not unlike some modern-day publicity stunts?) by placing fake missing persons advertisements in local newspapers asking for help in locating Diedrich Knickerbocker. As a continuation of the hoax, Irving also published a notice purported to be written by the proprietor of the hotel where Knickerbocker was staying, in which he threatened to publish a manuscript “left behind” by Knickerbocker if the hotel bill was not paid. From “The Author’s Apology”: “The main object of my work, in fact, had a bearing wide from the sober aim of history, but one which, I trust, will meet with some indulgence from poetic minds. It was to embody the traditions of our city in an amusing form; to illustrate its local humors, customs and peculiarities; to clothe home scenes and places and familiar names with those imaginative and whimsical associations so seldom met with in our new country, but which live like charms and spells about the cities of the old world, binding the heart of the native inhabitant to his home.”
"The range of subjects treated in this book is wonderful, even to me. It is a library of universal knowledge, and the facts contained in it are different from any other facts now in use. I have carefully guarded, all the way through, against using hackneyed and moth-eaten facts. As a result, I am able to come before the people with a set of new and attractive statements, so fresh and so crisp that an unkind word would wither them in a moment."
Zadig, ou La Destinée, ("Zadig, or The Book of Fate") (1747) is a famous novel written by the French Enlightenment philosopher Voltaire. It tells the story of Zadig, a philosopher in ancient Babylonia. The author does not attempt any historical accuracy, and some of the problems Zadig faces are thinly disguised references to social and political problems of Voltaire's own day.
The book is philosophical in nature, and presents human life as in the hands of a destiny beyond human control. It is a story of religious and metaphysical orthodoxy, both of which Voltaire challenges with his presentation of the moral revolution taking place in Zadig himself. Voltaire's skillful use of the literary devices of contradiction and juxtaposition are shown in beautiful form in this prose. Behind Candide, it is considered one of his most celebrated works.
"there is no Evil under the Sun, but some Good proceeds from it:" -- this quote from this novel sums it up. One of Voltaire's most celebrated works, Zagig follows the plight of a young man, Zadig, as he embarks on matrimony. This tale is somewhat philosophical, suggesting that no matter how we act, we are confronted by bigotry, injustice and betrayal. Although set in Babylon, there is no attempt at historical accuracy.
A collection of poetry and some other short works by suffragist Alice Duer MIller. Many of these satirical works were first published in the New York Times. The work consists of five sections: Treacherous Texts, Campaign Material (For Both Sides), Women's Sphere, A Masque of Teachers, and The Unconscious Suffragists.
"One of the most inspired chronicles written in English" was the verdict of William Butler Yeats on the novel Castle Rackrent by Maria Edgeworth which was first published in 1800. It is recognised as the first true historical novel in English as well as the first Big-House novel. Written at the time when there was much debate about the Act of Union which proposed to unite Great Britain with Ireland, the book satirised the mismanagement of their Irish estates by Anglo-Irish landlords. Maria Edgeworth's writing is wonderful - informative, entertaining and amusing by turns. Just before publication, extensive footnotes, a glossary and a preface were added, to counteract any negative impact that the Edgeworth family feared it might have on The Act of Union. This 1895 Edition includes a wonderful Introduction by Anne Thackeray Ritchie.
The novel is set in early 1780's Ireland and is narrated by Honest Thady, loyal steward to generations of the Rackrent family. These are: The generous Sir Patrick, the tight fisted Sir Murtagh (married into the Skinflint family), the cruel Sir Kit who locked his wealthy wife up in her room for seven years and the amiable spendthrift Sir Condy, who has no head for business and a fondness for whisky punch. Together, they have run the estate into debt and disaster. Jason Quirk, Thady's astute son sorts everything out in the end to his satisfaction but much to Thady's dismay.
A. A. MILNE:…was best known for the perennially popular Pooh (Winnie the), arguably one of his lesser contributions to the literature of his day. He was highly acclaimed for dozens of popular plays. Moreover, he was both a contributor to and editor of Britain’s famous Punch Magazine; and for Punch, The Atlantic Monthly and dozens of other internationally acclaimed journals he wrote hundreds of essay, sketches and poems.
THE WORLD WARS:Milne argued aggressively against the many enemy atrocities characterizing both World Wars, and also fought in both. All four years of the Great War he spent primarily in the trenches, sustaining the greatest dangers of the new warfare at close range. His war experiences are forcibly captured in some of the poems in this collection and others.
INFLUENCE ON THE STYLE OF BRITISH HUMOR:His immense popularity doubtless helped influenced the very basis of British wit and humor: His gentle, often self-deprecatory but always kind style of humor lured readers and publishers away from the more ironic, cynical, and acerbic humorous works of recent decades.
This book, the fiend’s delight, was published in 1873, during the lifetime of author Ambrose Bierce, 1842-1914, pseudonym Dod Grile.It is a collection of short stories which cover many subjects. Dependent upon the reader the stories may seem callous, entertaining or some of the stories even just weird. The author has been known to have a penchant for being macabre as some of his works have displayed. Ambrose Bierce served in the Civil War so he did have personal experience with having seen just how horrid some lives were. He also had a family: a wife whom he divorced in 1904 and 3 children, 2 sons and a daughter. Difficult times followed for him as the sons died before Ambrose died, with his ex wife dying 1 year after their divorce. Ambrose himself was known to have had lifelong asthma & brain injuries from the war which caused him to faint & become irritable. His daughter did live 65 years, dying in 1940. She spent time searching for her father, whom she did not think was dead. Possibly his family is why some of his writings were not so macabre? Unfortunately that answer is not known.Leaving to visit his civil war grounds had him traveling into Mexico were there was revolution in 1913. There he joined Pancho Villa’s army as an observer where he disappeared. Many theories existed as to how his disappearance happened, most of which were unreliable. It was determined his final fate was unknown & referred to as a mystery.April Reynolds
The line between sanity and insanity is blurred in this classic novella by Anton Chekhov. The disillusioned idealist Dr. Rabin is in charge of a provincial lunatic asylum, overseeing with weary, dubious policies a motley group of patients, a group that mirrors in microcosm all of human and especially Russian society. Seeking answers to profound questions, Dr. Rabin enters into dialogues with both staff members and patients, trying to make sense out of what has become of his life, until it becomes less and less clear who is the doctor and who is the patient. Written with obvious reformist concerns about the dehumanization of "lunatics," the story is also a harrowing parable about the meaning of human existence
Do remember reading a panic-mongering news story a while back about genetically engineered “Frankengrass” “escaping” from the golf course where it had been planted? That news story was foreshadowed decades previously in the form of prophetic fiction wherein a pushy salesman, a cash-strapped scientist, and a clump of crabgrass accidentally merge forces with apocalyptic consequences. A triple-genre combo of science fiction, horror, and satire, Greener Than You Think is a forgotten classic that resonates beautifully with modern times. This is a faithful reading of a 1947 first edition text.
Civilization, Immortality, the Death Penalty, these are just a few of the essays enclosed in this collection, A Cynic Looks At Life. Written by Ambrose Bierce, these essays continue to be thought provoking, offering a valid outlook on life
From Galileo to Grover Cleveland, from wasps to cattle, from dinosaurs to the railroad, Bill Nye's wide ranging wit pokes gentle fun at everything and everybody. This book is another wonderful collection of his thoughts on late 19th century America.
This novel is sometimes thought of as [Fielding's] first because he almost certainly began composing it before he wrote Shamela and Joseph Andrews. It is a satire of Walpole that draws a parallel between Walpole and Jonathan Wild, the infamous gang leader and highwayman. He implicitly compares the Whig party in Parliament with a gang of thieves being run by Walpole, whose constant desire to be a "Great Man" (a common epithet for Walpole) should culminate only in the antithesis of greatness: being hanged.
It's a cold and foggy night in London. A man is horribly murdered in his bedroom, the door locked and bolted on the inside. Scotland Yard is stumped. Yet the seemingly unsolvable case has, as Inspector Grodman says, "one sublimely simple solution" that is revealed in a final chapter full of revelations and a shocking denouement. Detective fiction afficionados will be happy to learn that all the evidence to solve the case is provided. One of the earliest “locked room” mystery stories, The Big Bow Mystery is also a satire of late Victorian society.
In his novel Indian Summer, William Dean Howells presents a mellow but realistic story that has the complete feel of that delightful time of the year, although the plot actually spans several seasons. The Indian summer aspect applies to a sophisticated gentleman, Theodore Colville, who has just entered his middle years as he returns to a scene, Florence, Italy, that played an important part in his early manhood. It was here twenty years earlier that he first fell in love, seemingly successfully until a sudden and harsh rejection. Now, after a once profitable career as a newspaper editor has ended, he is barely ensconced in the Italian city when he meets a lady from his past, a close friend of his lost love. Lina Bowen, now a widow with a young daughter, is an attractive and charming socialite among the American and English residents of Florence. Also living with her at this time as a temporary ward is a beautiful young girl just blossoming into womanhood, Imogene Graham.
Colville, although he still hides a shy nature, has become an exceedingly witty and entertaining conversationalist. He quickly becomes a favorite with young Effie Bowen and Imogene Graham. Miss Graham indicates a disdain for the shallow young men that she has met and is highly attracted to the urbane, intelligent Mr. Colville. Mrs. Bowen invites Colville to become a regular guest in her home, and for a time the little coterie is delightfully congenial, but then an emotional triangle begins to develop. Imogene seems to be too devoted to this older gentleman, and Colville does not discourage her. Mrs. Bowen, who apparently is captivated by his charm as well, begins to feel overshadowed by her lovely young ward. This is the core of the intriguing plot.
Howells’ characters are totally believable in their thoughts, their motivations, their words, and their actions. The dialogue is delightful, both in the lighter conversations and in the more passionate speeches. Aided by the social milieu of expatriates in a historic city of art and culture, the story moves at first slowly and pleasantly, but begins to build inexorably toward an emotional crisis. As the whole plot unwinds before us, we can eventually see that there is really no other way that the events could realistically move. This novel is a very engrossing and satisfying tale of people that we become truly interested in.
A Deal with the Devil is a classic tale with a humorous twist. We find that on the night preceeding his 100th birthday Grandpapa, a cantankerous yet loveable sort, has made a deal with the devil, which his granddaughter, in part, will pay.