THE HEPTAMERON (here Volume 4 of 5), first published posthumously in 1558, is divided into seven complete days containing 10 stories each, and an eighth day containing only 2 stories. The stories, many of which deal with love and infidelity, resulted in "accusations of looseness" by critics of the day. The author, Margaret of Navarre (also known as Margaret of Angoulême) became an influential woman in the intellectual and cultural circles of the French Renaissance.
From an 1892 essay by the translator George Saintsbury: "In so large a number of stories with so great a variety of subjects, it naturally cannot but be the case that there is a considerable diversity of tone. But that peculiarity at which we have glanced more than once, the combination of voluptuous passion with passionate regret and a mystical devotion, is seldom absent for long together...The question, What is the special virtue of the Heptameron? I have myself little hesitation in answering. There is no book, in prose and of so early a date, which shows to me the characteristic of the time as it influenced the two great literary nations of Europe so distinctly as this book of Margaret of Angoulême…"
A Distinguished Provincial at Paris (Un grand homme de province à Paris, 1839) is the second book in Balzac’s Lost Illusions trilogy, which is part of his sweeping set of novels collectively titled La Comédie Humaine. The story is set in post-Napoleonic France, when the new bourgeoisie was jostling for position alongside the old aristocracy. In the first volume of the trilogy (Two Poets, 1837), we met Lucien Chardon, an aspiring poet who feels stymied by the pettiness of provincial life. In the present volume, Lucien, now using the more aristocratic-sounding surname "de Rubempré," leaves behind his family in order to seek fame and fortune in the literary world of Paris. He is tested by challenges that are literary, social, financial, and ethical. Balzac’s work was hugely influential in the development of realism in fiction. The Lost Illusions trilogy is one of his greatest achievements, and is named in the reference work 1001 Books You Must Read Before You Die. The final volume in the trilogy is Ève and David (1843).
One of May Sinclair’s “uncanny” stories, this novella explores many of Sinclair’s most treasured themes: the bounds of marriage, the conflict between flesh and spirit, the complexity of human emotions in relation to other humans, the practical everyday implications of philosophical Idealism. In the story, when Agatha Verrall enters into an extra-marital affair with Rodney Lanyon, she struggles to keep the relationship on a spiritual plane without falling into the physical passion that she fears. To her astonishment, she discovers that she has an extraordinary paranormal ability to manipulate the psyches and even the physical states of the people around her. At first, she uses it in a way that seems harmless to her, coaxing the oblivious Rodney to visit her whenever she wants him. Before long, she learns that her powers have tremendous potential for good, for healing psychological disorders untouched by ordinary medicine. But the exercise of her Power leads to terrifying dangers for herself and her beneficiaries, proving that it might be beyond her ability to harness without vast harm. ( summary by Expatriate)
Mrs. Warren's Daughter is a continuation, in novel form, of George Bernard Shaw's controversial play, Mrs. Warren's Profession. In the play, Vivie Warren, an emancipated young woman recently graduated from University, disavows her mother Kitty when she learns that Kitty's fortune comes from an ownership share in an international string of brothels, and that Kitty herself was once a prostitute. This novel, written by a world renowned botanist, explorer, and colonial administrator, follows Vivie's personal and political adventures through her involvement in the Suffragist movement and the years leading up to and during World War I.
Edith Wharton's early novella focuses on Kate Orme, who begins the story happily in love with her fiance, only to discover that he hides a terrible secret.
Anthem is a dystopian fiction novella by Russian-American writer Ayn Rand, written in 1937 and first published in 1938 in the United Kingdom. The story takes place at an unspecified future date when mankind has entered another Dark Age. Technological advancement is now carefully planned and the concept of individuality has been eliminated. A young man known as Equality 7-2521 rebels by doing secret scientific research. When his activity is discovered, he flees into the wilderness with the girl he loves. Together they plan to establish a new society based on rediscovered individualism.
In order to liven up the literary history of Great Britain in the 1890s (as if Oscar Wilde, Stevenson, Kipling, Hardy, etc., were not lively enough) Max Beerbohm wrote short biographies of six imaginary writers. Though their works of course no longer exist, he leaves the impression that the literary world is really none the poorer. It is, of course, the six men themselves (Beerbohm himself is the seventh man of the title) who are worth our attention.
The first part of the book builds the characters of four con men who become interconnected and attempt their schemes on each other. This book is the first of a two part story, the second part is the book Charlotte's Inheritance.
Giovanna and Costantino Ledda are a happily married couple living with their young child in a Sardinian country village close to their extended family. Costantino is wrongly convicted of murdering his wicked uncle and with no way of supporting herself, Giovanna reluctantly divorces him and is driven to marry Brontu Dejas, a wealthy but brutish drunkard who has always lusted after her.
As well as enduring a marriage amounting to slavery, Giovanna is derided by villagers for having two husbands. When Constantino is freed after the real murderer confesses to his crime, he and Giovanna are together again, but this time their relationship is outside the law, and sets both on a path of destruction, at the mercy of religious and social forces they cannot control.
The author, Grazia Deledda, won the Nobel Prize for Literature in 1926, for writings which show passion and sympathy for the people of her native Sardinia, and ‘After the Divorce’ (Dopo il Divorzio) is one of her finest works.
The Grim Smile of the Five Towns (1907) is the second major collection of stories written by Arnold Bennett. (The first is Tales Of The Five Towns, 1905, available at Librivox.).The five towns of the title are the conurbation of Stoke-on-Trent in which much of the writer's best work is set. Later [than initial] critics have been kinder to the collection's key story, with Margaret Drabble calling "Simon Fuge"... one of the greatest short stories in the English language", and John Wain remarking that... "it says as much as a novel, it says easily as much as a novel of a hundred thousand words could say on this theme" and naming it... "the best thing that Arnold Bennett ever did." The stories exhibit Bennett's usual dry wit and belie the word "grim" in the title.
Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.
Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism.
This is a book of stories by Bernard Capes to entertain you if you should find yourself in a cozy chair by the fireplace during the short dark days of winter.
The novel is set among the wealthy of the Northeast in the USA of the early 1900's. A close knit group of about ten couples in high society visit each others homes for dance, drink, conversation and partying. The male members are mostly affiliated with a closely held conglomerate controlling the sugar refinery industry. Robert Kimberly and his brother Charles are the top executives. Robert Kimberly is very highly respected and is seen as the leader; unlike most of the group, he is not married. He cares for his very decrepit oldest brother, with the help of a hired Catholic monk. Alice McBirney and her husband have recently moved from the Midwest to join the group. He has just sold his refinery to the Kimberlys, and is now an officer. Robert Kimberly is soon very attracted to Alice. She tries to avoid any such improprieties; she wants him only as a friend.
The novel has some serious themes, like the sanctity of marriage, the Catholic Church, the relationship of classes in society, labor vs. management, divorce, etc. Robert has the highest of values in most regards, but falls hopelessly in love with Alice. The idea of adultery is a horror to Alice, though her marriage is an unhappy one. She will not consider divorce. The resolutions in the story are not happy ones.
It is most interesting that Frank Spearman should write this novel. He is known for his Westerns; they always concerned the early days of the railroads. He preceded this romance novel with two Westerns; after "Robert Kimberly", all were Westerns. This reader thinks "Robert Kimberly" was this best work.
The main character fears that he will never get married and performs a long pilgrimage whose goal is the perfect companion, the girl God meant for him. On the way he meets many people and encounters many interesting situations till, finally returning home, he ultimately does find his Golden Girl.
If a thing is not sensibly true it may be morally so. If it is not phenomenally true it may be so substantially. And it is possible that one may see substance in the idiom, so to speak, of the senses. That, I take it, is how the Greeks saw thunder-storms and other huge convulsions; that is how they saw meadow, grove and stream—in terms of their own fair humanity. They saw such natural phenomena as shadows of spiritual conflict or of spiritual calm, and within the appearance apprehended the truth. So it may be that I have done. Some such may be the explanation of all fairy experience. Let it be so. It is a fact, I believe, that there is nothing revealed in this book which will not bear a spiritual, and a moral, interpretation; and I venture to say of some of it that the moral implications involved are exceedingly momentous, and timely too. I need not refer to such matters any further. If they don't speak for themselves they will get no help from a preface.
This is a collection of well-written engaging short stories written by "Q", the pen name of the prolific and eccentric Sir Arthur Thomas Quiller-Couch.
Pinafore’s sublimely silly story is made even sillier by this (ostensibly for children) 1908 story version of the 1878 Gilbert and Sullivan operetta. Gilbert, the author of the operetta’s lyrics, writes this version of the story with his tongue planted firmly in his cheek. Most adults and children will find this version vastly amusing.
Walpole’s first novel (1909), The Wooden Horse is the story of the Trojans, a family which accepted tranquilly the belief that they were the people for whom the world was created. But when Harry Trojan came home after twenty years in New Zealand, with the democracy learned by working his hands, he was the "wooden horse" who boldly carried into the Trojan walls a whole army of alien ideals, which made of that egotistic family a group of human beings content to be human. Interesting are his struggles against stubborn prejudice; dreamlike the pictures of the old Trojan house, rising from the edge of the gray Cornish cliff like an older cliff, yet surrounded by fragrant rose gardens; but what most distinguishes The Wooden Horse is its passionate adoration of the sea, the cliffs, the weather-worn old Cornish houses, where bearded men tell of haunted moors and the winds of the deep.
The following slight and unelaborated sketch of a very commonplace and everyday tragedy will, I am aware, meet with the unqualified disapproval of the 'superior' sex. They will assert, with much indignant emphasis, that the character of 'Lord Carlyon' is an impossible one, and that such a 'cad' as he is shown to be never existed. Anticipating these remarks, I have to say in reply that the two chief personages in my story, namely, 'Lord Carlyon' and his wife, are drawn strictly from the life; and, that though both the originals have some years since departed from this scene of earthly contest and misunderstanding, so that my delineation of their characters can no longer grieve or offend either, the 'murder of Delicia' was consummated at the hands of her husband precisely in the way I have depicted it.
William Dean Howells is at his iconoclastic best in this exploration of bourgeois values, particularly in the clash between respectable society and the dubious bohemian world of Art and Poetry. Cornelia Saunders has everything going for her in her middle-class world: comfort, good looks, attentive young men. She seems willing to risk it all for the sake of what might be an artistic Gift, venturing with great trepidation to put her foot over the line into Bohemia to see if it might be the thing for her. Skewering the conventions of sentimental literature as usual, Howells keeps the reader guessing to the end as to the fate of Cornelia and her Gift.
Humphrey Scriven is a fine, genial, mercantile man, left widowed to raise three daughters and a son. Two of the daughters marry well although happiness is not enduring. The other defers her marriage, knowing her father disapproves of her choice. The son is a disappointment to his father -- his character is not as generous or kind. However, in time, this son inherits the business, with the exception of a portion left to a trusted clerk, Mr. Hayley. But there is a secret side to Mr. Hayley and maybe he is not quite the right man to guide the novice merchant. The two part ways acrimoniously and the clerk is driven to actions for which his son pays dearly.
Upon publication of “The Untempered Wind” in 1894, Joanna Wood quickly rose to international prominence, becoming in the next few years the most highly paid fiction-writer in Canada. In this novel, we find a detailed picture of village life. The narrative weaves through a variety of character types: the refined and the coarse, the humble and the self-righteous, the virtuous and the vicious. All these types are measured according to their treatment of Myron Holder, a young unwed mother — a “fallen woman” in the eyes of this “spiteful, narrow-minded village.”An early reviewer extolled Wood as Canada’s Charlotte Brontë, because of her sympathetic treatment of a disadvantaged woman trying to forge an independent life. An even more apt comparison might be to Thomas Hardy: like Hardy's characters, Myron is buffeted by cruel, relentless Fate — the “untempered wind” of the title.In “Silenced Sextet” (a 1993 study of once-popular Canadian women writers who subsequently dropped out of the public eye), Joanna Wood is seen as an important figure in the development of realism in Canadian literature: “No nineteenth-century writer better presents the sound, smell, and feel of day-to-day village life in this country.”
As a simple story told, "The Romantic" is one of Sinclair’s tightest and most compelling. Charlotte Redhead, a young British secretary, finds herself in a degrading extra-marital affair with her boss. In reaction, she renounces Sex and links herself platonically to a handsome young Bohemian (John Conway) she meets by chance, tramping in the fields. Together, under a powerful romantic excitement, the two rush off to Belgium in the early weeks of World War I, having organized their own little volunteer ambulance corps. The romance of the adventure begins to break down when the various ambulance corps start to back-stab each other, each selfishly seeking to one-up the others for glory. The real crisis comes when the central characters begin to reveal the true human characters behind their romantic delusions, in the end turning the attention back to the genuine human suffering that was the real story of the hideous Great War. An indictment of the author’s own thrill-seeking past, as revealed in her "Journal of Impressions in Belgium," and showing some of the concerns of the so-called Lost Generation that included Hemingway and Dos Passos and Woolf, "The Romantic" weaves together a number of fascinating themes, re-interpreting with Sinclair’s inimitable frankness post-war attitudes about sex, war, patriotism, and even the new psychology.
Waverley is set during the Jacobite Rebellion of 1745, which sought to restore the Stuart dynasty in the person of Charles Edward Stuart (or 'Bonnie Prince Charlie'). It relates the story of a young dreamer and English soldier, Edward Waverley, who was sent to Scotland in 1745. He journeys North from his aristocratic family home, Waverley-Honour, in the south of England first to the Scottish Lowlands and the home of family friend Baron Bradwardine, then into the Highlands and the heart of the 1745 Jacobite uprising and aftermath.
May Sinclair’s 1921 novel tells the story of the ridiculous Mr. Horatio Bysshe Waddington, a pompous, self-deluded poser making his way through life caring only for the impressions he makes on others. His long-suffering wife Fanny, his secretary Barbara, and the young scapegrace Ralph watch his daily performances with delighted, affectionate fascination as if they are spectators watching a play or scientists observing a new species, wondering every day how far he will go to fulfill his outrageous pretensions. As usual, Sinclair’s light, deceptively innocent prose camouflages a tale of sexual passions and human foibles with philosophical implications about her post-war world.
Waverley is set during the Jacobite Rebellion of 1745, which sought to restore the Stuart dynasty in the person of Charles Edward Stuart (or 'Bonnie Prince Charlie'). It relates the story of a young dreamer and English soldier, Edward Waverley, who was sent to Scotland in 1745. He journeys North from his aristocratic family home, Waverley-Honour, in the south of England first to the Scottish Lowlands and the home of family friend Baron Bradwardine, then into the Highlands and the heart of the 1745 Jacobite uprising and aftermath.
Written in an era of cheap, formulaic romantic fiction, the nuanced, seditious, quietly erotic novels of May Sinclair stand out like literature from another era entirely. There is romance in “Anne Severn & the Fieldings,” but it’s romance of the best and profoundest kind, set in the context of authentic human personalities and tragic historical events. The motherless Anne Severn is adopted into the Fielding family and grows up in intimate friendship with the three Fielding sons, all of whom love her. World War I explodes into their lives with hideous effect, sending all three sons back damaged in one way or another. Anne herself sees the horrors of war as an ambulance driver, meeting along the way (in a whimsical little self-referential sentence) a “queer little middle-aged lady out for a job at the front” whom we recognize as May Sinclair herself, who volunteered for just such an adventure in 1914. Sinclair always was half-Victorian, half-modern, so it is no surprise to find her using subtle, lovely, dreamlike, decorous prose to undermine social conventions on all sides. Most startling, perhaps, is the unambiguous sexuality that complicates the lives of her characters, troubling marriages and consummating true love. She creates personalities about whom we care much more than we care about proprieties and social boundaries, and Anne Severn stands as one of Sinclair’s most courageous and compelling heroines.