Walter "Walt" Whitman was an American poet, essayist, and journalist, in addition to publishing his poetry—was a volunteer nurse during the American Civil War. Whitman's major work, Leaves of Grass, was first published in 1855 with his own money. The work was an attempt at reaching out to the common person with an American epic. He continued expanding and revising it until his death in 1892.
Volunteers bring you 13 recordings of Vigil Strange I Kept on the Field One Night.
This was the Fortnightly Poetry project for June 9, 2019.
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This poem about a battlefield death is taken from Whitman's Leaves Of Grass. ( David Lawrence)
Volunteers bring you 18 recordings of "O Captain! My Captain!" This was the Weekly Poetry for the week of August 17, 2014.
"O Captain! My Captain!" is an elegy for Abraham Lincoln written by Walt Whitman, who worked as a clerk and army hospital nurse during the Civil War. The Captain of the poem is Lincoln, and the ship represents the United States, brought safely through the storm of war. In the poem, Whitman juxtaposes the people's joy at the end of the war with his grief at the assassination of the President.
Volunteers bring you 11 recordings of I Saw in Louisiana a Live-Oak Growing by Walt Whitman. This was the Weekly Poetry project for May 26, 2013.
This poem is taken from Book 4 of Leaves of Grass, a collection of poetry which Whitman would continue editing and revising until his death.
Juan, captured by Turkish pirates and sold into slavery is bought by a beautiful Princess as her toy-boy. Dressed as an odalisque, he is smuggled into the Sultan's harem for a steamy assignation. Unbelievably, Byron's publisher almost baulked at this feast of allusive irony, blasphemy (mild), calumny, scorn, lesse-majeste, cross-dressing, bestiality, assassination, circumcision and dwarf-tossing. This was the last Canto published by the stuffy John Murray (who had, however, made a tidy fortune on the earlier parts of the Epic). Although Byron's mood starts, after this, to grow darker and his bitterness at English hypocrisy to grow sharper, his discursive comedy and precise and intriguing rhyme is rarely better than in Canto V.
The Three Musketeers (Les Trois Mousquetaires) is a novel by Alexandre Dumas, père. It recounts the adventures of a young man named d'Artagnan after he leaves home to become a musketeer. D'Artagnan is not one of the musketeers of the title; those are his friends Athos, Porthos, and Aramis -- inseparable friends who live by the motto, "One for all, and all for one".
The Three Musketeers was first published in serial form in the magazine Le Siècle between March and July 1844. Dumas claimed it was based on manuscripts he had discovered in the Bibliothèque Nationale. It was later proven that Dumas had based his work on the book Mémoires de Monsieur D'Artagnan, capitaine lieutenant de la première compagnie des Mousquetaires du Roi (Memoirs of Mister D'Artagnan, Lieutenant Captain of the first company of the King's Musketeers) by Gatien de Courtilz de Sandras (Cologne, 1700).
Dumas' version of the story covers the adventures of D'Artagnan and his friends from 1625 to 1628, as they are involved in intrigues involving the weak King Louis XIII of France, his powerful and cunning advisor Cardinal Richelieu, the beautiful Queen Anne of Austria, her English lover, George Villiers, 1st Duke of Buckingham, and the Siege of La Rochelle. Adding to the intrigue are the mysterious Milady de Winter, and Richelieu's right-hand man, the Comte de Rochefort.
The Tragical History of Doctor Faustus, normally known simply as Doctor Faustus, is a play by Christopher Marlowe, based on the Faust story, in which a man sells his soul to the devil for power and knowledge. Doctor Faustus was first published in 1604, eleven years after Marlowe's death and at least twelve years after the first performance of the play.
In preparing these volumes for the public, I have entered upon the task with the sincere desire to avoid doing injustice to any one, whether on the National or Confederate side, other than the unavoidable injustice of not making mention often where special mention is due. There must be many errors of omission in this work, because the subject is too large to be treated of in two volumes in such way as to do justice to all the officers and men engaged. There were thousands of instances, during the rebellion, of individual, company, regimental and brigade deeds of heroism which deserve special mention and are not here alluded to. The troops engaged in them will have to look to the detailed reports of their individual commanders for the full history of those deeds.
Published in book form in April 1857, the novel focuses on a doctor's wife, Emma Bovary, who has adulterous affairs and lives beyond her means in order to escape the banalities and emptiness of provincial life. Though the basic plot is rather simple, even archetypal, the novel's true art lies in its details and hidden patterns. Flaubert was notoriously perfectionist about his writing and claimed to always be searching for le mot juste (the right word)".
When you dive into Mark Twain’s (Samuel Clemens’) The Innocents Abroad, you have to be ready to learn more about the unadorned, ungilded reality of 19th century “touring” than you might think you want to learn. This is a tough, literary journey. It was tough for Twain and his fellow “pilgrims”, both religious and otherwise. They set out, on a June day in 1867, to visit major tourist sites in Europe and the near east, including Greece, Turkey, Lebanon, Syria, “the Holy Land”, and Egypt. What Twain records, in often humorous, sometimes grotesque but always fascinating detail, are the day-to-day ups and downs of discovering the truth about people and places. The truths they learn are often far different than their education and rumor have made them preconceive.
This is a voyage of discovery. It’s long and, in places, tiresome. But it’s revelatory about so much.
The stories, first published in 1902, are fantastic accounts of how various natural phenomena came about. The original editions of Just So Stories were illustrated with woodcuts by Kipling himself. Each story is accompanied by a poem, in a somewhat ballad style. Many of the stories are addressed to “Best Beloved” (they were first written for Kipling’s eldest daughter, Josephine, who had died during an outbreak of influenza in 1899), and throughout they use a comically elevated style inspired by the formal speech of India, full of long and improbable-sounding words, some of them made up. As a result, it is a delight to read them aloud, and easy to memorize passages from them. they have been recorded several times before but I wanted to enjoy rolling those wonderful words around myself. What fun!
The Just So Stories generally have the theme of a particular animal being altered from an original form to its current form by the acts of human kind or some magical being. Whale has a tiny throat because he swallowed a mariner, who tied a raft inside to block the whale from swallowing other men. The Camel has a hump given to him by a djinn as punishment for the camel's refusing to work (the hump allows the camel to work longer between times of eating). And so on throughout the book. A fun collection of stories with something for everyone.
This poem about a child's inquisitiveness, follows the short story The Elephant's Child in Rudyard KIpling's Just So Stories. (1902)
The stories, first published in 1902, are fantastic accounts of how various natural phenomena came about. The original editions of Just So Stories were illustrated with woodcuts by Kipling himself. Read along online and see the illustrations at mainlesson.com. Each story is accompanied by a poem, in a somewhat ballad style. Many of the stories are addressed to "Best Beloved" (they were first written for Kipling's eldest daughter, Josephine, who had died during an outbreak of influenza in 1899), and throughout they use a comically elevated style inspired by the formal speech of India, full of long and improbable-sounding words, some of them made up. As a result, it is a delight to read them aloud, and easy to memorise passages from them.
These whimsical short stories offer fanciful answers to a dozen of childhood's favorite "why" and "how" questions. With their generous sprinkling of nonsense words as well as a delightfully rhythmic storytelling feel, they seem to have been written to be read aloud.
The stories, first published in 1902, are fantastic accounts of how various natural phenomena came about. The original editions of Just So Stories were illustrated with woodcuts by Kipling himself. Read along online and see the illustrations at mainlesson.com. Each story is accompanied by a poem, in a somewhat ballad style. Many of the stories are addressed to "Best Beloved" (they were first written for Kipling's eldest daughter, Josephine, who had died during an outbreak of influenza in 1899), and throughout they use a comically elevated style inspired by the formal speech of India, full of long and improbable-sounding words, some of them made up. As a result, it is a delight to read them aloud, and easy to memorise passages from them.
The Just So Stories for Little Children, first published in 1902, were written by British author Rudyard Kipling. They are a collection of fantastic stories, typically about how various animals came to be the way they are today.
A classic work on military strategy by a veteran of the Napoleonic Wars. The author's style is dialectical: he makes two strong but opposing statements and then draws them together to describe many facets of war. Free of technical jargon, and suitable for modern readers. This audiobook is based on a 1909 English translation.
Le Morte d'Arthur (spelled Le Morte Darthur in the first printing and also in some modern editions, Middle French for la mort d'Arthur, "the death of Arthur") is Sir Thomas Malory's compilation of some French and English Arthurian romances. The book contains some of Malory's own original material (the Gareth story) and retells the older stories in light of Malory's own views and interpretations. First published in 1485 by William Caxton, Le Morte d'Arthur is perhaps the best-known work of English-language Arthurian literature today. Many modern Arthurian writers have used Malory as their source, including T. H. White for his popular The Once and Future King.
Kenneth Grahame wrote a classic children’s tale in 1908 - he penned The Wind in the Willows. He wrote of the English countryside and the beauty of it, but more than that, he showed how even the most commonplace can be extraordinary and rare. Wind in the Willows is a tale of friendship, of adventure, of foolishness and wisdom, of travel and change as well as peace and predictability; but most of all, it is a story of friendship - friendship that crosses species, ages, and professions. We all could do far worse than remember in this changing world that what changes least is that which is most true.
Tess of the d'Urbervilles: A Pure Woman Faithfully Presented is a novel by Thomas Hardy. It initially appeared in a censored and serialised version, published by the British illustrated newspaper The Graphic in 1891,[1] then in book form in three volumes in 1891, and as a single volume in 1892. Though now considered a major 19th-century English novel, even Hardy's fictional masterpiece, Tess of the d'Urbervilles received mixed reviews when it first appeared, in part because it challenged the sexual morals of late Victorian England. Tess was portrayed as a fighter not only for her rights, but also for the rights of others.
This much-loved story follows a group of animal friends in the English countryside as they pursue adventure … and as adventure pursues them! The chief characters - Mole, Rat, and Toad - generally lead upbeat and happy lives, but their tales are leavened with moments of terror, homesickness, awe, madcap antics, and derring-do.
Although classed as children’s literature, The Wind in the Willows holds a gentle fascination for adults too. The vocabulary is decidedly not “Dick and Jane”, and a reader with a love of words will find new ones to treasure, even if well-equipped for the journey. Parents will appreciate the themes of loyalty, manners, self-restraint, and comradeship which are evident throughout the book. When the characters err, they are prompt to acknowlege it, and so a reading of this book can model good behavior to children, who will otherwise be enchanted with the many ways in which the lives of these bucolic characters differ from modern life.
This book was so successful that it enabled the author to retire from banking and take up a country life somewhat like that of his creations. It has been adapted for screen, stage, and even a ride at the original Disneyland.
This much-loved story follows a group of animal friends in the English countryside as they pursue adventure ... and as adventure pursues them! The chief characters - Mole, Rat, and Toad - generally lead upbeat and happy lives, but their tales are leavened with moments of terror, homesickness, awe, madcap antics, and derring-do.
Although classed as children's literature, The Wind in the Willows holds a gentle fascination for adults too. The vocabulary is decidedly not "Dick and Jane", and a reader with a love of words will find new ones to treasure, even if well-equipped for the journey. Parents will appreciate the themes of loyalty, manners, self-restraint, and comradeship which are evident throughout the book. When the characters err, they are prompt to acknowlege it, and so a reading of this book can model good behavior to children, who will otherwise be enchanted with the many ways in which the lives of these bucolic characters differ from modern life.
This book was so successful that it enabled the author to retire from banking and take up a country life somewhat like that of his creations. It has been adapted for screen, stage, and even a ride at the original Disneyland.
The classic story of how Rat, Mole, and the other river-bankers saved Toad from his excesses. This book has it all: excitement, sentiment, destruction of private property (plenty of that), paganism, and a happy ending. The prose is beautiful and occasionally requires the use of a dictionary - I had to look up “asperities.” Written as a children’s story, The Wind in the Willows is enjoyed by many grown-ups who relish Grahame’s ability to evoke the long summer days of childhood.
The story revolves around Judith, a daring and beautiful widow, who is upset with her Jewish countrymen for being unwilling to engage their foreign conquerors. She goes with her loyal if reluctant maid Abra to the camp of the enemy general, Holofernes, to whom she slowly ingratiates herself, promising him both sexual favors and information on the Israelites. Gaining his trust (though not having delivered on either promise), she is allowed access to his tent one night as he lies in a drunken stupor. She decapitates him, then takes his head back to her fearful countrymen. The Assyrians, having lost their leader, disperse, and Israel is saved. Though she is courted by many, she remains unmarried for the rest of her life.
The book tells the alleged story of a righteous Israelite of the Tribe of Naphtali named Tobit living in Nineveh after the deportation of the northern tribes of Israel to Assyria in 721 BC under Sargon II.
This is a letter written from prison in 1897 by Oscar Wilde to Lord Alfred Douglas, in which he recounts how he came to be in prison and charts his spiritual development.
This short work of Wilde's was written during his two year incarceration for "gross indecency". This work is a letter which sorts out his life, and his love toward Lord Alfred Douglas. Wilde wrote this as a farewell letter to Douglas.
Mansfield Park features Austen’s frailest and perhaps most scrupulous heroine, Fannie Price. As the eldest daughter in a poor family, Fannie is sent to rich relatives when she’s just old enough to fully appreciate the shame of her circumstances. Without pride or prejudice, Fanny sticks to principles in all matters. And matters certainly put her to the test.
Mansfield Park is Jane Austen's 1814 novel focusing on Fanny Price, the daughter of a poor Portsmouth family, who is taken to live with her aunt and uncle Bertram's family on their estate at the age of ten. Surrounded by her wealthy and privileged cousins, and continually reminded of her lower status by her bullying Aunt Norris, Fanny grows up timid and shy, but with a strong sense of ethics, partly instilled by her kindly cousin Edmund. Fanny's gratitude and friendship for Edmund gradually grow into love, but the introduction of Mary and Henry Crawford, a captivating sister and brother, into the neighborhood of Mansfield Park, confuses and complicates the affections of the Bertram household. In this recording, Volunteers lend their voices to the colorful cast of characters in Austen's classic novel.
Miss Frances, the youngest Ward sister, "married, in the common phrase, to disoblige her family, and by fixing on a lieutenant of marines, without education, fortune, or connexions, did it very thoroughly. She could hardly have made a more untoward choice." Some years later, pregnant with her ninth child, Mrs. Price appeals to her family, namely to her eldest sister and her husband, Sir Thomas Bertram, for help with her over-large family. Sir Thomas provides assistance in helping his nephews into lines of work suitable to their education, and takes his eldest niece, Fanny Price, then ten years old, into his home to raise with his own children. It is Fanny's story we follow in Mansfield Park.
The extraordinary child-adult Prince Myshkin, confined for several years in a Swiss sanatorium suffering from severe epilepsy, returns to Russia to claim his inheritance and to find a place in healthy human society. The teeming St Petersburg community he enters is far from receptive to an innocent like himself, despite some early successes and relentless pursuit by grotesque fortune-hunters. His naive gaucheries give rise to extreme reactions among his new acquaintance, ranging from anguished protectiveness to mockery and contempt. But even before reaching the city, during the memorable train journey that opens the novel, he has encountered the demonic Rogozhin, the son of a wealthy merchant – who is in thrall to the equally doomed Nastasia Filippovna: beautiful, capricious and destructively neurotic, she joins with the two weirdly contrasted men in a spiraling dance of death…
The extraordinary child-adult Prince Myshkin, confined for several years in a Swiss sanatorium suffering from severe epilepsy, returns to Russia to claim his inheritance and to find a place in healthy human society.
The teeming St Petersburg community he enters is far from receptive to an innocent like himself, despite some early successes and relentless pursuit by grotesque fortune-hunters. His naive gaucheries give rise to extreme reactions among his new acquaintance, ranging from anguished protectiveness to mockery and contempt.
But even before reaching the city, during the memorable train journey that opens the novel, he has encountered the demonic Rogozhin, the son of a wealthy merchant who is in thrall to the equally doomed Natasha Filippovna: beautiful, capricious and destructively neurotic, she joins with the two weirdly contrasted men in a spiralling dance of death...
The Chancery Court had jurisdiction over all matters of equity, including administration of estates, the guardianship of orphans, and disputed property disbursement. In Dickens’ time, some cases could take years to be settled, changing the lives of those involved.
Esther Summerson, a young woman raised in a tough and unloving atmosphere, is unexpectedly requested to be a companion to two teenage orphans, Richard Carstone and Ada Clare, for whom the court has appointed as guardian, John Jarndyce. They take up residence at Mr. Jarndyce’s home, Bleak House. The story of their lives and fortunes is the main thrust of the novel, and is related at times through the eyes of Esther, whose gentle point of view gives the reader a different and more intimate perspective.
Bleak House is the ninth novel by Charles Dickens, published in 20 monthly parts between March 1852 and September 1853. It is widely held to be one of Dickens' finest and most complete novels, containing one of the most vast, complex and engaging arrays of minor characters and sub-plots in his entire canon. Dickens tells all of these both through the narrative of the novel's heroine, Esther Summerson, and as an omniscient narrator. Memorable characters include the menacing lawyer Tulkinghorn, the friendly but depressive John Jarndyce and the childish Harold Skimpole. The plot concerns a long-running legal dispute (Jarndyce and Jarndyce) which has far-reaching consequences for all involved.
Frances Hodgson Burnett's classic children's novel is about orphaned Mary Lennox, who is sent to live with her uncle at Misslethwaite Manor in Yorkshire. Initially a sour, bad-tempered child, Mary begins to bloom under the influence of nature when she discovers a long-abandoned garden on the grounds of her uncle's estate. Burnett's novel is brought to life by Volunteers who lend their voices to her characters.
An important, controversial, and often cited work on public education. Dewey discusses the role of public education in a democracy and the different methods for achieving quality in education. After its initial publication, this book began a revolution in educational thinking; one that emphasized growth, experience, and activity as key elements in promoting democratic qualities in students and educators alike.
It is the end of the 19th century. Like thousands of others, the Rudkus family has emigrated from Lithuania to America in search of a better life. As they settle into the Packingtown neighborhood of Chicago, they find their dreams are unlikely to be realized. In fact, just the opposite is quite likely to occur. Jurgis, the main character of the novel, has brought his father Antanas, his fiancée Ona, her stepmother Teta Elzbieta, Teta Elzbieta's brother Jonas and her six children, and Ona's cousin Marija Berczynskas along. The family, naïve to the ways of Chicago, quickly falls prey to con men and makes a series of bad decisions that lead them into wretched poverty and terrible living conditions. All are forced to find jobs in dismal working conditions for their very survival. Jurgis, broken and discouraged, eventually finds solace in the American Socialist movement.
This novel was written during a period in American history when “Trusts” were formed by multiple corporations to establish monopolies that stifled competition and fixed prices. Unthinkable working conditions and unfair business practices were the norm. The Jungle’s author, Upton Sinclair, was an ardent Socialist of the time. Sinclair was commissioned by the “Appeal To Reason”, a Socialist journal of the period, to write a fictional expose on the working conditions of the immigrant laborers in the meat packing industry in Chicago. Going undercover, Sinclair spent seven weeks inside the meatpacking plants gathering details for his novel.
Anthem is a dystopic science fiction story taking place at some unspecified future date. Mankind has entered another dark age as a result of what Rand saw as the weaknesses of socialistic thinking and economics. Technological advancement is now carefully planned (when it is allowed to occur, if at all) and the concept of individuality has been eliminated (for example, the word "I" has disappeared from the language). As is common in her work, Rand draws a clear distinction between the "socialist/communal" values of equality and brotherhood and the "productive/capitalist" values of achievement and individuality.
A Connecticut Yankee in King Arthur's Court is an 1889 novel by American humorist and writer Mark Twain. The work is a very early example of time travel in literature, anticipating by six years H. G. Wells' The Time Machine of 1895 (however, unlike Wells, Twain does not give any real explanation of his protagonist's traveling in time). Some early editions are entitled A Yankee at the Court of King Arthur.
Come and hear the strange tail of The Boss Hank Morgan, a modern day (at the time of publication) Connecticut Yankee who inexplicably finds himself transported to the court of the legendary King Arthur (as the title of the book implies). Hank, or simply, The Boss, as he comes to be most frequently known, quickly uses his modern day knowledge and education to pass himself off as a great magician, to get himself out of all sorts of surprising, (and frequently amusing) situations, as well as to advance the technological and cultural status of the nation in which he finds himself.
In the rather un-subtle sub-text of the story, Twain uses The Boss to express a surprisingly pragmatic and frequently contradictory philosophy. The Boss explores the relative merits of Democracy, and Monarchy, he expresses his views on the “Nature v. Nurture” debate, he frequently speaks forcefully against an established Church, but just as strongly advocates for religion and a variety of churches (just not a compulsory one) and he devotes at least one afternoon to introducing his companions to the concept of inflation. In a far more subtle, yet no less forceful manner, the Boss shares with the reader some views about taxation, slavery (both literal and wage slavery), trade unions, the origins of the German language, the nature of marriage, and probably most powerfully, death.
It is a tall order for a relatively brief text, but Twain manages it all with surprising clarity. No one will agree fully with the Boss on all of these matters, and I would be surprised if Twain himself would. In fact the Boss’s views are so pragmatic, and often contradictory, the reader is left to wonder if Twain himself is alternately speaking through the Boss, and setting him up as a straw man. Either way it is a delightful story and a great piece of American Literature, to say nothing of an excellent argument for education.
William Blake was an English poet, painter and printmaker. Largely unrecognized during his lifetime, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age.
He was considered mad by contemporaries for his idiosyncratic views, Blake is held in high regard by later critics for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work
Volunteers bring you six different readings of The Voice of the Ancient Bard, by William Blake.
William Blake’s volume of poetry entitled Songs of Innocence and Experience is the embodiment of his belief that innocence and experience were “the two contrary states of the human soul,” and that true innocence was impossible without experience. Songs of Innocence contains poems either written from the perspective of children or written about them. Many of the poems appearing in Songs of Innocence have a counterpart in Songs of Experience, with quite a different perspective of the world.
The disastrous end of the French Revolution caused Blake to lose faith in the goodness of mankind, explaining much of the despair found in Songs of Experience. Blake also believed that children lost their innocence through exploitation and from a religious community which put dogma before mercy. He did not, however, believe that children should be kept from becoming experienced entirely. In truth, he believed that children should indeed become experienced but through their own discoveries, which is reflected in a number of these poems.
One of the great literary tragedies of all time, The Hunchback of Notre Dame features some of the most well-known characters in all of fiction - Quasimodo, the hideously deformed bellringer of Notre-Dame de Paris, his master the evil priest Claude Frollo, and Esmeralda, the beautiful gypsy condemned for a crime she did not commit.
When a young lady approaches Sherlock Holmes looking for help in finding out what happened to her father when he disappeared 10 years earlier, both Holmes and Watson are sent on a mission involving stolen treasure, service in colonial India and a secret pact among four ex-convicts.
When Tocqueville visited America in the 1830s he found a thriving democracy of a kind he had not seen anywhere else. Many of his insightful observations American society and political system, found in the two volume book he published after his visit, still remain surprisingly relevant today.
Ever since 1759, when Voltaire wrote "Candide" in ridicule of the notion that this is the best of all possible worlds, this world has been a gayer place for readers. Voltaire wrote it in three days, and five or six generations have found that its laughter does not grow old.
D’Artagnan, son of a poor Gascon aristocrat, travels to Paris to seek his fortune. His family connections enable him to obtain a position in a Guard regiment. His provincial ingenuousness and his hot-headed sense of honor earn him three duels in as many hours. Thankfully, his preparation with the sword is sufficient to recommend himself to his Musketeer antagonists, and they – Athos, Porthos, and Aramis – become his fast friends.
But fate also crosses D’Artagnan’s path with some dangerous people who become his opponents: a mysterious “man from Meung” and a woman who styles herself Milady, who has formidable seduction skills and a heart that is mean and violent. Fate also inserts D’Artagnan and his Musketeer friends squarely in the middle of a love triangle of heroic proportions – between Anne of Austria (the Queen of France), George Villiers (the Duke of Buckingham, France’s enemy), and the great spymaster, his Eminence the Cardinal Richelieu. Both of these gentlemen can command the armed forces of their respective countries to battle simply for the pleasure of beating the other. And the Musketeers must serve and risk life and limb at the siege of La Rochelle, a place where the Duke and the Cardinal have chosen to match wills.
In this age it was common for young cavaliers to live off the gifts of rich mistresses, and the four friends are certainly, it seems, bereft otherwise, although all are respectably employed as guardsmen to the King himself. Their love connections weave a further web about them which often seems to sidetrack their duty to King and country.
It takes all the efforts of the four to fend off the lethal consequences of mixing in the affairs of their betters and the slings and arrows (not to mention the musket and cannon balls!) of their outrageous fortunes. (Mark F. Smith)
Tess of the d'Urbervilles subtitled, "A Pure Woman," is the story of a young working woman named Tess Durbeyfield who is sent by her father to visit wealthy relatives. Her encounter with Alec d'Urberville changes her life forever, and brings about a doom that no one could have foreseen.