A. A. Milne (18 January 1882 – 31 January 1956) was an English author, best known for his books about the teddy bear Winnie-the-Pooh and for various poems. 'If I May' is a collection of short essays on desultory subjects that first appeared in The Sphere, The Outlook, The Daily News, The Sunday Express (London) and Vanity Fair (New York). These essays display Milne's vivid imagination and literary ability to elaborate on almost any subject in an engaging manner. Milne's literary style and humor - often self deprecatory - endear him to modern readers as well
A. A. Milne, best known as the creator of Winnie the Pooh, was a prolific author of books, plays, essays and articles. He also spent a number of years editing for Punch Magazine. He even wrote a good detective story -- The Red House Mystery !
In this collection he addresses a vast range of issues, including: the essence of melodrama; the lingering effects of World War I; knowing geography versus owning an atlas; a new kind of haunted house; the inexplicable nature of high finance; the trouble with "experts;" how the life of bees suggests the social importance of artists; the bad influence of theatre critics on good theatre.
All of these short pieces are humorous. Many are informative. Taken together, they will inspire many to navigate over to Milne's five other book-length humorous collections: Happy Days, The Holiday Round, Not That It Matters, Once a Week, and The Sunny Side -- or, perhaps, to The Red House Mystery.
This is a diverse collection of essays by English writer Max Beerbohm, whose circle included such notables as Oscar Wilde, George Bernard Shaw, Ezra Pound, and Somerset Maugham. Much of Beerbohm's work was humorous, including parodies of various aspects of the upper class life into which he was born.
Some of these pieces are humorous, some philosophical, and some even sad. They include, for instance: a frankly self-critical piece on the pomposity and self-importance of his early literary ambitions; a half-eager, half-repining essay on a missing and uncompleted portrait of the great German writer, Johann Wolfgang von Goethe; and a funny, but politically critical essay on "the servant question."
From the pen of the Irish poet and essayist, Robert Lynd, comes a collection of humorous and satirical essays on topics as wide ranging as cats and weed to why we hate insects and morals of beans.
An engaging collection of essays about artists, composers, writers, and, of course, unicorns.
Alice Meynell was an English essayist, critic, and poet who was also a leading suffragist, serving as vice-president of the Women Writers' Suffrage League, She and her husband Wilfrid Meynell were active in publishing and editing literary works including helping to launch the first works of Francis Thompson, author of "Hound of Heaven." The Meynell's later converted to Roman Catholicism. These essays are very evocative for anyone who has, or wants to visit London, capturing the atmosphere of the late nineteenth century.
From the pen of the Irish poet and essayist, Robert Lynd, comes a collection of humorous and satirical essays on topics as wide ranging as stupidity, Christmas, spring fashions, and the beauty of statistics.
I could not let these random notes of a delightful experience go forth into the world without expressing in some way my deep appreciation of the valued services rendered me in my ten years of platform work by my friends of the Lyceum Bureaus. In office and in the field they have labored strenuously, often affectionately, and always loyally, on my behalf. But for their interest some of the most cherished experiences of my life would have been beyond my reach. If sometimes in their zeal to keep me busy they have booked me in Winnipeg on Monday night, in New Orleans on Tuesday night, with little side-trips to San Diego, California, and Presque Isle, Maine, on Wednesday and Thursday, not to mention grand finales at Omaha and Key West on Friday and Saturday, I view that sequence rather as a tribute to my agility than as a matter to be unduly captious about. It is a manifestation of a confidence in my powers to overcome the limitations of time and space that I think upon with an expanding head, if not with a swelling heart, and whether this required annihilation of distance has been wholly agreeable or not it has enabled me to see more of my own country than I otherwise could haveseen, and to that extent, I hope, has made a better American of me.
A collection of essays by American critic Clayton Hamilton concerning theatre & dramatic practices, and the criticism thereof, from an early 20th century perspective.
Alice Meynell was an English essayist, critic, and poet who was also a leading suffragist, serving as vice-president of the Women Writers' Suffrage League, She and her husband Wilfrid Meynell were active in publishing and editing literary works including helping to launch the first works of Francis Thompson, author of "Hound of Heaven." This is a collection of her essays on children. The opening line for the first essay sets the stage. "To attend to a living child is to be baffled in your humour, disappointed of your pathos, and set freshly free from all the pre-occupations. You cannot anticipate him."
People learn from other people, and races have forever learned from other races. Herein we are treated to an in-depth understanding of categorized social characteristics of the Native American peoples, primarily those of the western U.S. as they existed at the time of book publication (1908). 'In dealing with [the Native Americans] as a race, a people, therefore, I do as I would with my own race, I take what to me seem to be racial characteristics, or in other words, the things that are manifested in the lives of the best men and women, and which seem to represent their habitual aims, ambitions, and desires.'
Born in rural Vermont in 1833, and nearly unknown to today's readers, Rowland Evans Robinson was once one of Vermont's best-known writers. A talented artist, he drew cartoons in New York City for the “funny papers" before returning to Vermont, where he authored nearly a dozen widely-read books on nature and rural farm life. Poor vision progressed to blindness between the ages of 44 and 60, yet he continued to write with the aid of his wife, Anna. This collection of short essays follows New England's changing seasons and moods in all its natural beauty.
Alice Meynell was an English essayist, critic, and poet who was also a leading suffragist, serving as vice-president of the Women Writers' Suffrage League, She and her husband Wilfrid Meynell were active in publishing and editing literary works including helping to launch the first works of Francis Thompson, author of "Hound of Heaven." The Meynell's later converted to Roman Catholicism. These essays are very evocative for anyone who has, or wants to visit London, capturing the atmosphere of the late nineteenth century In "Ceres' Runaway," she covers topics ranging through travel, literature and children.
This is a collection of essays by English poet and author Alice Meynell. The essays in this volume share a dream-like quality, as they explore in few words an idea or a phenomenon observed by the author.
A collection of 51 short essays by George William Foote, who in May 1881 founded the magazine "The Freethinker", which is still published (online) today. In the first issue, Foote writes: The Freethinker is an anti-Christian organ, and must therefore be chiefly aggressive. It will wage relentless war against superstition in general, and against Christian superstition in particular.
The essays of this collection were previously published in "The Freethinker" over more than 10 years, and detail Foote's views on religion and Christianity. He writes about as diverse topics as specific stories from the Bible, the devil, blasphemy and heretics, miracles, the weather, and the view of Christianity on women. What unites these essays is Foote's conviction that atheism is the logical and natural position with respect to religion and gods.
Enoch Arnold Bennett (1867 – 1931) was an English writer. He is best known as a novelist, but he also worked in other fields such as journalism, propaganda and film. In 1911 Bennett paid a financially rewarding visit to the US, which he later recorded in this 1912 book Those United States in England; titled Your United States in America. He is a keen observer with an entertaining dry wit.
In this collection of 17 short essays, Charles S. Brooks (1878-1934), with the usual panache and wit, which he also displays in his comedies, describes funny incidents that can happen to people on holidays or in everyday life.
His two "frightful" comedies, "Wappin' Wharf" and "At the Sign of the Greedy Pig", are already in our catalogue as full-cast stage plays.
The Freethinker, founded in 1881 was one of the first secular humanist magazines, and also one of the oldest surviving one, moving online only in 2014. It was founded by G. W. Foote, who was its chief editor for 34 years and stated the magazine's purpose as
The Freethinker is an anti-Christian organ, and must therefore be chiefly aggressive. It will wage relentless war against superstition in general, and against Christian superstition in particular. It will do its best to employ the resources of Science, Scholarship, Philosophy and Ethics against the claims of the Bible as a Divine Revelation; and it will not scruple to employ for the same purpose any weapons of ridicule or sarcasm that may be borrowed from the armoury of Common Sense.
Flowers of Freethought is a collection of Foote's articles for the Freethinker; this second series contains 55 of them.
In 1915, as the "Great War" (World War 1) entered its second year Rudyard Kipling made a journalistic tour of the front, visiting French armed forces. By then he was already winner of the Nobel Prize for Literature (the first writer in English to be so honoured). He published his observations in articles in the Daily Telegraph in England, and in the New York Sun. At that stage of the war nationalistic sentiments were running high but the true cost of war was beginning to be understood "at home".
The collection of journalistic pieces is preceded by a poem, "France", that had been published before the outbreak of war (in 1913) which has a more overblown jingoistic feel to it than the reflections on war itself. The poem does, though, show Kipling's love of France, as well as his sense of the destiny of imperial dreams.
Kipling himself was an ardent and effective writer of propaganda directed primarily against German treatment of civilians. The "rape of Belgium" in 1914 and the sinking of the Lusitania earlier in 1915 were particularly shocking. In Kipling's eyes such "total war" was a renunciation of civilisation. The heat of his reaction is associated with his militarism. Although not a soldier, Kipling was educated at the United Services College (a school for the sons of officers which prepared students to enter Sandhurst and Dartmouth - the British army and navy officers training establishments). His writing is deeply imbued with notions of military service as honorable and, among civilised people, restrained and governed by rules.
Kipling encouraged his son John to enlist, and perhaps used his connections to get John enlisted despite poor eyesight and two earlier refusals. John died on 27th September 1915, just ten days after these articles were published (6th -17th September 1915).
Thus Kipling's account (not least in view of his reputation today as a supporter of British imperialism, and his jingoism) is still interesting one hundred years later as we try to understand our ancestors' experience.
Gilbert Keith Chesterton (1874–1936) has been called the “prince of paradox.” Time magazine observed of his writing style: “Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.” His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction.
The title of Chesteron’s 1910 collection of essays was inspired by a title given to him two years earlier by The Times newspaper, which had asked a number of authors to write on the topic: “What’s wrong with the world?”. Chesterton’s answer at that time was the shortest of those submitted - he simply wrote: “Dear Sirs, I am. Sincerely yours, G.K. Chesterton”. In this collection he gives a fuller treatment of the question, with his characteristic conservative wit.
Schopenhauer is considered to be one of the most influential philosophers of all times. Many of his ideas and quotes have been quoted largely and have now become almost commonplace. The essays in this collection are a proof of his breakthrough contributions to Reason, Logic, Progress and Linguistics.
'Pragmatism' contains a series of public lectures held by William James in Boston 1906–7. James provides a popularizing outline of his view of philosophical pragmatism while making highly rhetorical and entertaining lashes towards rationalism and other competing schools of thought. James is especially concerned with the pragmatic view of truth. True beliefs should be defined as, according to James, beliefs that can successfully assist people in their everyday life. This is claimed to not be relativism. That reality exists is argued to be a fact true beyond the human subject. James argues, nevertheless, that people select which parts of reality are made relevant and how they are understood to relate to each other. Charles Sanders Peirce, widely considered to be the founder of pragmatism, eventually chose to separate himself intellectually from James, renaming his own theory to ‘pragmaticism’.
Thirty three essays by more or less well-known authors of Britain, the United States, and Canada, each fronted by an introductory paragraph. Early twentieth or late nineteenth centuries. “I think I can offer you, in this parliament of philomaths [lover of learning], entertainment of the most genuine sort;…as brilliant and sincere work is being done to-day in the essay as in any period of our literature. Accordingly the pieces reprinted here are very diverse. There is the grand manner; there is foolery; there is straightforward literary criticism; there is pathos, politics, and the picturesque. But every selection is, in its own way, a work of art. And I would call the reader's attention to this: that the greater number of these essays were written not by retired æsthetes, but by practising journalists in the harness of the daily or weekly press.” The listener is alerted to the fact that some of the essays have been edited from the original, some lightly, others quite heavily. Published in 1921.( Author's Preface and david wales)
"What Is Man?", published by Mark Twain in 1906, is a dialogue between a young man and an older man jaded to the world. It involves ideas of destiny and free will, as well as of psychological egoism. The Old Man asserted that the human being is merely a machine, and nothing more. The Young Man objects, and asks him to go into particulars and furnish his reasons for his position. This collection of short stories covers a wide range of Twain's interests: the serious, the political and the ironically humorous.
A series of letters written by Scott on the history of witchcraft and other supernatural events in England and other locations. He documents stories and discredits them with natural causes.
The noblest and most extensive defense of freedom of the press in English. Although Milton was sufficiently practical to serve as a censor of books himself when his opposition to this practice was ignored by the government, he never lost his conviction that the best way to battle falsehood was to let it have its say and be defeated by the superior power of truth. Strangling infants in the cradle was simply not his style. In this long essay, in the form of a five-part Classical oration addressed to Parliament (the counterpart of the Areopagus or council of elders in ancient Athens), he brings to bear on this subject a wide variety of arguments, including antique precedents, philosophical and religious considerations, and his own experience as a published author. The document presents the portrait of the idealistic core of the British republic struggling against the political expediency that upholds the government.
Emma Goldman, the most famous anarchist in American history, shows the whole range of her iconoclastic thought in this collection of essays. Drawing from a wealth of illustrative material, including the examples of fellow anarchists and radicals of her own acquaintance, modern martyrs, dissident playwrights, poets, and authors, etc., she delineates the main themes of her philosophy with incisiveness and evangelical passion. Included among these themes are: a definition of decentralized anarchism itself; the ambiguous morality of direct action; the curse of modern patriotism; the horrors of early twentieth-century prisons; the need for an entirely new kind of education; the relationship of legal marriage to true love; the insidious danger of Puritanical thought within feminism itself; the deadly spread of sex trafficking; the limitations or even undesirability of woman suffrage; and the extraordinary revolutionary potential of modern theatre. Sadly, none of these themes seem obsolete even to a modern reader; every one of them has direct application to twenty-first century society.
Most Eugenists are Euphemists. I mean merely that short words startle them, while long words soothe them. And they are utterly incapable of translating the one into the other, however obviously they mean the same thing. Say to them "The persuasive and even coercive powers of the citizen should enable him to make sure that the burden of longevity in the previous generation does not become disproportionate and intolerable, especially to the females"; say this to them and they will sway slightly to and fro like babies sent to sleep in cradles. Say to them "Murder your mother," and they sit up quite suddenly. Yet the two sentences, in cold logic, are exactly the same."
A collection of essays by Virginia Woolf, some of which originally appeared in the Times Literary Supplement or the Dial, and others were originally published for the first time in this volume.
"Anything that Virginia Woolf may have to say about letters is of more than ordinary interest, for her peculiar intelligence and informed attitude set her somewhat apart. She possesses the happy faculty simultaneously of enjoying and accepting the work of Daniel De Foe and James Joyce, of Joseph Addison and T.S. Eliot, of Jane Austen and Marcel Proust. Many of these essays are excellent examples of that type of writing which reveals the reactions, nuances, twisting and adventuring threads of thought and surmise which spring from the perusal and spiritual acquisition of other work."
Excerpts from the New York Times Book Review of The Common Reader, May 31, 1925
“Let me begin my American impressions with two impressions I had before I went to America. One was an incident and the other an idea; and when taken together they illustrate the attitude I mean. The first principle is that nobody should be ashamed of thinking a thing funny because it is foreign; the second is that he should be ashamed of thinking it wrong because it is funny.” (Gilbert Keith Chesterton)
The Hunter Thompson of the 19th Century, de Quincey is best known for his Confessions of an English Opium Eater (an activity shared with his hero, Samuel Coleridge, much to Wordsworth’s dismay). However, de Quincey’s literary genius is best captured in his essays, which, according to Wikipedia: His immediate influence extended to Edgar Allan Poe, Fitz Hugh Ludlow and Charles Baudelaire, but even major 20th century writers such as Jorge Luis Borges admired and claimed to be partly influenced by his work. (written by TTM)
Devotions upon Emergent Occasions is a 1624 prose work by the English theologian and writer John Donne, Dean of St. Paul’s Cathedral in London. It is a series of reflections that were written as Donne recovered from a serious illness. The work consists of twenty-three parts ('devotions') describing each stage of the sickness. Each part is further divided into a Meditation, an Expostulation (or objection) , and a Prayer. The work is an excellent example of seventeenth century English spirituality and sometimes feels a bit dated. Yet much solid nourishment can be found. “Death’s Duel” is Donne’s last sermon prepared for presentation before the King during Lent; it is commonly seen as Donne’s own funeral oration. The biographical material is from Izaak Walton’s Lives. The most famous part of the Devotions is number XVII (17), containing these lines: No man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were: any man's death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bells tolls; it tolls for thee.
Friendship. Old Age. Marcus Tullius Cicero (106 BC - 43 BC) was a Roman statesman, orator, lawyer, and philosopher. He is considered one of Rome’s greatest orators and prose stylists. One commentator has written, “The influence of Cicero upon the history of European literature and ideas greatly exceeds that of any other prose writer in any language.”
This book contains a critical essay on Shakespeare by Leo Tolstoy. It is followed by another essay named "Shakespeare's attitude to the working classes" by Ernest Crosby and extracts of a letter by George Bernard Shaw.
This is a collection of essays, edited by Booker T. Washington, representative of what historians have characterized as "racial uplift ideology." These and other similar narratives of the time were a reaction to the gradual erosion of the African-American's civil rights across the United States that began during Reconstruction.
"Some succeed while others fail. This is a recognized fact; yet history tells us that seven-tenths of our most successful men began life poor." A selection of mini-biographies teaches us how some successful men have overcome odds to make their mark on history.
Early in his life Samuel Butler began to carry a note-book and to write down in it anything he wanted to remember; it might be something he heard some one say, more commonly it was something he said himself. In one of these notes he gives a reason for making them:
“One’s thoughts fly so fast that one must shoot them; it is no use trying to put salt on their tails.”
So he bagged as many as he could hit and preserved them, re-written on loose sheets of paper which constituted a sort of museum stored with the wise, beautiful, and strange creatures that were continually winging their way across the field of his vision. As he became a more expert marksman his collection increased and his museum grew so crowded that he wanted a catalogue. In 1874 he started an index, and this led to his reconsidering the notes, destroying those that he remembered having used in his published books and re-writing the remainder. The re-writing shortened some but it lengthened others and suggested so many new ones that the index was soon of little use and there seemed to be no finality about it. In 1891 he attached the problem afresh and made it a rule to spend an hour every morning re-editing his notes and keeping his index up to date. At his death, in 1902, he left five bound volumes, with the contents dated and indexed, about 225 pages of closely written sermon paper to each volume, and more than enough unbound and unindexed sheets to made a sixth volume of equal size.
Mencken sharpens his pen and in a collection of short essays delivers acerbic opinions on issues and persons of the time. Among his targets in this volume (the first of six) are critics, H.G. Wells Thorstein Veblen, Arnold Bennett, William Dean Howells, Irvin S. Cobb. Mencken's critiques are delivered against a background of his own well known ethnic, racial, religious, and sectional prejudices. (It is said that the only thing Mencken loved about the Southern United States was his wife, who hailed from Alabama.) Not for the faint of heart, Mencken's prickly, yet unapologetic, prose reveals a window into American attitudes at the time they were written and their influences on the larger American culture.
Discursive ramblings of a generous mind, no-one would know from Lamb's conversational button-holing of you and telling you whatever is on his mind that his sister had killed their mother and he had spent his life looking after her; had collaborated with her, in fact, on their Tales From Shakespeare. This world was made by God, he once remarked, but He has left it for humanity to bustle about in. These are Lamb's reflections on said bustlings. He once said of his close friend Coleridge that the man was hungry for eternity; but Lamb was hungry for humanity. He satisfies this hunger admirably in these Last Essays.
Culture and Anarchy is a series of periodical essays by Matthew Arnold, first published in Cornhill Magazine 1867-68 and collected as a book in 1869. The preface was added in 1875. Arnold's famous piece of writing on culture established his High Victorian cultural agenda which remained dominant in debate from the 1860s until the 1950s. According to his view advanced in the book, "Culture [...] is a study of perfection". He further wrote that: "[Culture] seeks to do away with classes; to make the best that has been thought and known in the world current everywhere; to make all men live in an atmosphere of sweetness and light [...]". His often quoted phrase "[culture is] the best which has been thought and said" comes from the Preface to Culture and Anarchy: The whole scope of the essay is to recommend culture as the great help out of our present difficulties; culture being a pursuit of our total perfection by means of getting to know, on all the matters which most concern us, the best which has been thought and said in the world, and, through this knowledge, turning a stream of fresh and free thought upon our stock notions and habits, which we now follow staunchly but mechanically, vainly imagining that there is a virtue in following them staunchly which makes up for the mischief of following them mechanically.
A short, semi-autobiographical work by American humorist Mark Twain. It explores the controversy over the authorship of the Shakespearean literary canon via satire, anecdote, and extensive quotation of contemporary authors on the subject.In the book, Twain expounds the view that Shakespeare of Stratford was not the author of the canon, and lends tentative support to the Baconian theory. The book opens with a scene from his early adulthood, where he was trained to be a steamboat pilot by an elder who often argued with him over the controversy.Twain's arguments include the following points:That little was known about Shakespeare's life, and the bulk of his biographies were based on conjecture.That a number of eminent British barristers and judges found Shakespeare's plays permeated with precise legal thought, and that the author could only have been a veteran legal professional.That in contrast, Shakespeare of Stratford had never held a legal position or office, and had only been in court over petty lawsuits late in life.That small towns lionize and celebrate their famous authors for generations, but this had not happened in Shakespeare's case. He described his own fame in Hannibal as a case in point.Twain draws parallels and analogies from the pretensions of modern religious figures and commentators on the nature of Satan. He compares the believers in Shakespeare to adherents of Arthur Orton and Mary Baker Eddy.
On Thursday, November 19, 1863, Abraham Lincoln gave a brief address at the dedication of the Soldier's National Cemetery in Gettysburg, Pennsylvania. This speech is now considered one of the greatest in American history and one of the finest examples of English public oratory. To mark its 150th anniversary, Volunteers bring you 15 recordings of the Gettysburg Address. (from Wikipedia and LA Walden)
More of the witty, wry, and deliciously wicked essays and articles written by Milne. Most people know him as the creator of Winnie The Pooh, but he worked for many years as editor of Punch Magazine and these are some of his best. Not That It Matters is a collection of over 40 of these short stories and articles. Not That It Matters collects his columns for Punch, which include poems, essays and short stories, from 1912 to 1920. Most of his writing pokes fun, both gentle and not so gentle at a variety of topics. They vary greatly in length so there should be something for everyone. Milne wrote in a thoroughly British atmosphere and for a thoroughly British audience so some of his references may need a bit of research for those 'not of the Empire' (like me) to understand.
A. A. MILNE:…was best known for the perennially popular Pooh (Winnie the), arguably one of his lesser contributions to the literature of his day. He was highly acclaimed for dozens of popular plays. Moreover, he was both a contributor to and editor of Britain’s famous Punch Magazine; and for Punch, The Atlantic Monthly and dozens of other internationally acclaimed journals he wrote hundreds of essay, sketches and poems.
THE WORLD WARS:Milne argued aggressively against the many enemy atrocities characterizing both World Wars, and also fought in both. All four years of the Great War he spent primarily in the trenches, sustaining the greatest dangers of the new warfare at close range. His war experiences are forcibly captured in some of the poems in this collection and others.
INFLUENCE ON THE STYLE OF BRITISH HUMOR:His immense popularity doubtless helped influenced the very basis of British wit and humor: His gentle, often self-deprecatory but always kind style of humor lured readers and publishers away from the more ironic, cynical, and acerbic humorous works of recent decades.
This is a collection of short essays on literature. Various subjects are discussed, such as libraries, critics, the classics, and all sorts of things which, in the opinion of Mr. Disraeli, a writer or a reader can do right or wrong. Any bibliophile may expect to be entertained and edified by Mr. Disraeli's musings.
Mabel Elizabeth Wotton, an author herself, moved in the literary circles of the late nineteenth century establishing many close friendships, She presents for us here, not literary criticism nor biographical sketches, but "word portraits," shore vignettes of a persons physical appearance and elements of behavior or personality. These are all drawn from many sources -- biographies, newspapers, or personal friends of the authors. Some descriptions are based on paintings or drawings, but the majority are derived from personal acquaintance. Thus, we have a unique view of these famous artists that we seldom read.
The Uncommercial Traveller is a collection of literary sketches and reminiscences written by Charles Dickens. In 1859 Dickens founded a new journal called All the Year Round and the Uncommercial Traveller articles would be among his main contributions. He seems to have chosen the title and persona of the Uncommercial Traveller as a result of a speech he gave on the 22 December 1859 to the Commercial Travellers' School London in his role as honorary chairman and treasurer. The persona sits well with a writer who liked to travel, not only as a tourist, but also to research and report what he found; visiting Europe, America and giving book readings throughout Britain. He does not seem content to rest late in his career when he had attained wealth and comfort and continued travelling locally, walking the streets of London in the mould of the flâneur, a 'gentleman stroller of city streets'. He often suffered from insomnia and his night-time wanderings gave him an insight into some of the hidden aspects of Victorian London, details of which he also incorporated into his novels.
This is another of the popular books that Lafcadio Hearn wrote on various Japanese subjects. The first part "Stories From Strange Books" is a collection of Japanese tales about ghosts and strange occurrences. In the second part "Japanese Studies", Hearn discourses on cicadae, girl's names, and Japanese songs. The third part "Fantasies" are stories and essays on various topics written by Hearn himself.
“Now I have said again and again (and I shall continue to say again and again on all the most inappropriate occasions) that we must hit Capitalism, and hit it hard, for the plain and definite reason that it is growing stronger. Most of the excuses which serve the capitalists as masks are, of course, the excuses of hypocrites. They lie when they claim philanthropy; they no more feel any particular love of men than Albu felt an affection for Chinamen. They lie when they say they have reached their position through their own organising ability. They generally have to pay men to organise the mine, exactly as they pay men to go down it. They often lie about the present wealth, as they generally lie about their past poverty. But when they say that they are going in for a "constructive social policy," they do not lie. They really are going in for a constructive social policy. And we must go in for an equally destructive social policy; and destroy, while it is still half-constructed, the accursed thing which they construct.”
William Cobbett: 1763-1835 English farmer, journalist and politician. His book Rural Rides collects together the articles published in his Political Register between 1822 and 1826, reflecting conditions of farmers and labourers in the English countryside, together with his views on the necessary actions for remedy and the shortcomings of government in this regard. Although this sounds amazingly dry, his forthright personality, original views and conversational tone, as well as the startling relevance of many of his topics to current political and social issues, give Rural Rides the immediacy and liveliness of a 19th century blog.