Drum Taps is the next collection of poems published by Walt Whitman after his famous Leaves of Grass. This collection is a direct response to Whitman's personal observations of the Civil War, many of which come from his volunteer efforts in wartime hospitals. Despite the miseries of war described, Whitman's poems in Drum Taps assert a steady patriotism in favor of Lincoln's war effort. Interestingly, the 1915 edition used for this reading includes an introduction from the Times Literary Supplement which draws analogies between the Civil War and the current throes of World War I, enlisting Whitman posthumously as a supporter of the Allied campaign against Germany.
The Man from Snowy River and Other Verses (1895) is the first collection of poems by Australian poet Banjo Paterson. It was released in hardback by Angus and Robertson in 1895, and features the poet's widely anthologised poems "The Man from Snowy River", "Clancy of the Overflow", "Saltbush Bill" and "The Man from Ironbark". It also contains the poet's first two poems that featured in The Bulletin Debate, a famous dispute in The Bulletin magazine from 1892-93 between Paterson and Henry Lawson. The collection includes 48 poems by the author that are reprinted from various sources, along with a preface by Rolf Boldrewood, who defined the collection as "the best bush ballads written since the death of Lindsay Gordon"
Mountain Interval is a 1916 poetry collection written by American writer Robert Frost. It is Frost's third poetic volume and was published by Henry Holt. It was republished in 1920. Frost made several alterations in the sequencing of the collection and released a new edition in 1921. Five lyrics of the earlier collection were compiled next under the title "His Wife". In this volume only three poems are written in dramatic monologue
Originally published in 1916 and revised in 1920, Mountain Interval is Robert Frost's third collection of solo poetry. In it, Frost reflects on human tragedies and fears, expresses his reaction to the complexities of life, and ultimately accepts his own personal burdens. The collection prefaces itself with one of Frost's best known poems, "The Road Not Taken."
"I publish these poems, few though they are, because it is not likely that I shall ever be impelled to write much more. I can no longer expect to be revisited by the continuous excitement under which in the early months of 1895 I wrote the greater part of my first book, nor indeed could I well sustain it if it came; and it is best that what I have written should be printed while I am here to see it through the press and control its spelling and punctuation. About a quarter of this matter belongs to the April of the present year, but most of it to dates between 1895 and 1910.September 1922"
Surely everyone knows “Maud”? Isn’t that the Victorian love song, where the man waits by the garden gate for his lover to appear for a secret rendezvous? Well, that may be the song, but Tennyson’s poem is longer and very much darker. It deals not with love but with the obsession of an unstable young man with the seventeen-year-old Maud, and his gradual descent into madness.The poem’s narrator has been excluded from an evening ball being held at Maud’s home, The Hall, and has climbed into her garden uninvited, convincing himself by a misreading the Language of Flowers that she has sent him a love-token in the form of a rose blossom. After the guests have left, Maud and her brother step out into the dawn, and soon the brother is lying mortally wounded at the narrator’s hand. He flees abroad, and later loses his reason after hearing of Maud’s own death. Finally, the narrator insists that he has at last recovered from his “old hysterical mock-disease” and has awakened to a better mind, fighting for his country in the Crimean War. But can he be believed? Many early reviewers took the narrator as stating the poet's own views on war, but Tennyson himself responded that he would hardly have chosen a narrator with an "hereditary vein of insanity" to represent his personal opinions.The collection includes several other well-known Tennyson poems, including “The Brook, an Idyl”, and “The Charge of the Light Brigade”.
A collection of poems by Alfred, Lord Tennyson, his first book of poetry after having become poet laureate in 1850. Among the "other poems" is The Charge of the Light Brigade, the most well-known poem in this collection. However, the bulk of the text is the poem Maud, which explores love, courtship, loss, grief, and purpose through the eyes of the emotionally unstable poet narrator.
Bernard Mandeville's didactic poem praising the virtues that personal vices bestow on society as a whole, along with several treatises and dialogues explaining and defending it. Mandeville's theories were influential in the development of both the moral philosophy of the Scottish Enlightenment and the methodology of modern economics.
This is a collection of the author's short stories and poems where she writes about the collective experience of African American women, and African Americans in general. But she is sharpest when she pushes back against the notion that women must accept and endure a subservient role to men.
Published in 1866, Battle-Pieces and Aspects of the War is a collection of poems about the Civil War by Herman Melville. Many of the poems are inspired by second- and third-hand accounts from print news sources (especially the Rebellion Record) and from family and friends. A handful of trips Melville took before, during, and after the war provide additional angles of vision into the battles, the personalities, and the moods of war. In an opening note, Melville describes his project not so much as a systematic chronicle (though many of the individual poems refer to specific events) but as a kind of memory piece of national experience. The “aspects” to which he refers in the title are as diverse as “the moods of involuntary meditation—moods variable, and at times widely at variance.” Much of the verse is stylistically conventional (more so than modern readers perhaps expect from the author of Moby-Dick), but the shifting subjectivities and unresolved traumas that unfold in the collection merit repeated contemplation. Melville’s Battle-Pieces do not offer a neatly versified narrative of the Civil War but rather kaleidoscopic glimpses of shifting emotions and ambivalent reflections of post-war America.(Professor Meredith Neuman)
The fifty poems here brought together under the title ‘Poems of Nature’ are perhaps two-thirds of those which Thoreau preserved. Many of them were printed by him, in whole or in part, among his early contributions to Emerson’s Dial, or in his own two volumes, The Week and Walden, which were all that were issued in his lifetime. Others were given to Mr. Sanborn for publication, by Sophia Thoreau, the year after her brother’s death (several appeared in the Boston Commonwealth in 1863); or have been furnished from time to time by Mr. Blake, his literary executor.
Most of Thoreau’s poems were composed early in his life, before his twenty-sixth year,
Dorothy Parker was a poet, writer and satirist of the foibles of the early 20th century (not least, of Prohibition), and a founding member of New York’s Algonquin Round Table, a group of prominent artistic and social critics, actors and wits.
This is a short collection of humorously critical descriptions of various men on the periphery of her “inner circle,” which explain why they are men she is not married to.
Rupert Chawner Brooke (August 3, 1887 – April 23, 1915) was an English poet known for his idealistic War Sonnets written during the First World War (especially The Soldier), as well as for his poetry written outside of war, especially The Old Vicarage, Grantchester and The Great Lover. He was also known for his boyish good looks, which prompted the Irish poet William Butler Yeats to describe him as "the handsomest young man in England".
A collection of poems from the mid-career of this renowned Irish poet, the title poem referring to the estate of his friend and mentor, Lady Gregory. The poems display Yeats' use of symbols (cat, hare, moon, etc), his attachment to the supernatural and Irish folklore, and his recourse to alter egos (Aherne and Robartes). They also exemplify his distinctive style of expression.
This is a volume of poems by Giacomo Leopardi.
English village life and villagers in the east of England in the late 1700’s and early 1800s—is the subject of The Borough. George Crabbe was an English poet, surgeon, and clergyman. He is best known for his early use of the realistic narrative form and his descriptions of middle and working-class life and people. Lord Byron, an avowed admirer of Crabbe's poetry, described him as "nature's sternest painter, yet the best." Crabbe's poetry was predominantly in the form of heroic couplets, and has been described as unsentimental in its depiction of provincial life and society. Modern critic Frank Whitehead has said that "Crabbe, in his verse tales in particular, is an important–indeed, a major–poet whose work has been and still is seriously undervalued." A borough is an administrative division in various countries. In principle, the term borough designates a self-governing township although, in practice, official use of the term varies widely. Benjamin Britten took the story of Peter Grimes (Letter 22) for his opera of the same name, though Britten changed the import of the story.
The first of two volumes of collected poetry by this revered and highly influential English restoration poet and playwright. The poems, many quite long and elaborate, reflect the poet's role in contemporary society, as political and religious commentator (religion, politics and royalty being closely associated at the period). The works include panegyrics to prominent and regal personages, extended allegories (as in "The Hind and the Panther"), and a few biting satires including a lampooning of a fellow playwright in "Mac Flecknoe". "Annus Mirabilis" is a sort of historical roundup. ( Peter Tucker)
A collection of poetry by Thomas Hardy, some of which were previously published or adapted into his prose works.
This is a collection of lyrical poems, sonnets and verses for children by Amy Lowell.
"For quaint pictorial exactitude and bizarrerie of color these poems remind one of Flemish masters and Dutch tulip gardens; again, they are fine and fantastic, like Venetian glass; and they are all curiously flooded with the moonlight of dreams. . . . Miss Lowell has a remarkable gift of what one might call the dramatic-decorative. Her decorative imagery is intensely dramatic, and her dramatic pictures are in themselves vivid and fantastic decorations." (Richard Le Gallienne, 'New York Times Book Review', 1916)
Sappho lived six centuries before Christ, at a period when lyric poetry was peculiarly esteemed and cultivated at the centres of Greek life. The metropolis of this lyric realm was Mitylene of Lesbos, where, amid the myrtle groves and temples, Beauty and Love in their young warmth could fuse the most rigid forms to fluency. Here Sappho was the acknowledged queen of song.
Sappho's poetry was venerated for a thousand years, but almost all has been lost to us; only two small odes and a few scintillating fragments surviving.
Mr. Carman seems to have imagined each lost lyric as discovered, then to translate it.
In the opinion of the reader of these poems, they approach "real poetry", which according to Robert Graves (in "The White Goddess"), constricts the throat and makes a shiver run down the spine.
Isaac Watts was a poet, hymn-writer and musician. He wrote many of what we regard as "classical hymns" such as "Joy to the World" and "When I survey the wondrous cross". His translations of the Psalms are therefore poetical and musical, as they were designed to be sung. He captures in elegant English the feel of the original Psalms as they would have been heard by the Israelites thousands of years ago.
In one hundred lyrical poems Carman strives to recreate the Lost Songs of Sappho, a task he fulfills both with imaginative freedom and great attention to the original fragments
This is a collection of long poems and short stories by Amy Lowell.
Published in 1914, this is a compilation of 107 poems by Thomas Hardy (1840-1928), who is probably better known as the author of such famous novels as Tess of the d'Urbervilles and Far from the Madding Crowd.
Similar to his novels, the underlying themes of the majority of the poems in this collection are death, departure and unfulfilled love, while the central piece is comprised of the 15 short "Satires of Circumstance," funny poems with a bittersweet touch.
The poems have been recorded by our trio of readers John Burlinson, Tomas Peter and Sonia. As an interesting touch, some poems can be considered short dramatic readings, and as such have been performed as dialogues.
This poem, read by 16 Librivox Volunteers, describes the ups and downs and emotional frenzy of The Rubinstein Staccato Etude. The author, R. Nathaniel Dett, was a composer, organist, pianist and music professor. While born in Canada, he spent most of his professional career in the United States. During his lifetime he was a leading Black composer, known for his use of African-American folk songs and spirituals as the basis for choral and piano compositions in the 19th century Romantic style of Classical music.
Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. The Star-Treader and Other Poems, published at the age of 19, was his first volume of poetry and his breakout hit
He lived simply, loved his walks and craved the company of fellow poetical wits as they craved his company in return. With his pal Dr. Sheridan, for one, Jonathan Swift delighted in the 18th century equivalent of a rap off – going back and forth in dueling verse repartee. This second volume is a cornucopia of biting, iconoclastic humor and earnest criticism of injustice. Poems herein concerning Wood’s Halfpence are the companion to his famous Drapier’s Letters and trumpet his achievement in stirring up sufficient outcry to spare Ireland from damaging monetary debasement. He knew what real money was: “For in all the leases that ever we hold We must pay our rent in good silver and gold, And not in brass tokens of such a base mould.” And he didn’t think much of monetary debasement’s evil twin, fractional reserve banking, either: “We want our money on the nail The Banker’s ruin’d if he pays”. There’s a healthy smattering here of bums and urination references too – just so you know these are genuine Swift poems -- and all manner of other topics too. In Death and Daphne, written for a favorite grisette, we learn of Death’s sagging libido due to the skinniness of his human bride. And the last poem excoriating Sheridan for comparing base women to noble clouds is a heavenly coup de grâce for any challenger who would dare to top his politically incorrect and thunderous wit:
Some critic may object, perhaps,
That clouds are blamed for giving claps;
But what, alas! are claps ethereal,
Compared for mischief to venereal?
With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work.
Robert Louis Stevenson’s A Child's Garden of Verses is one of the most popular and loved collections of children’s verse of the 19th century. This recital of all 64 poems is designed for children’s listening, especially sections 1–6.
"The eagerness with which the first volume of Emily Dickinson's poems has been read shows very clearly that all our alleged modern artificiality does not prevent a prompt appreciation of the qualities of directness and simplicity in approaching the greatest themes,—life and love and death. That "irresistible needle-touch," as one of her best critics has called it, piercing at once the very core of a thought, has found a response as wide and sympathetic as it has been unexpected even to those who knew best her compelling power. This second volume, while open to the same criticism as to form with its predecessor, shows also the same shining beauties."
Toru Dutt was an Indian poet, writing in English. Born in 1856, she travelled to England and France, and being a polyglot became fluent in French and English, later in Sanskrit as well. Her works gained popularity and success posthumously. This collection of her poems, Ancient Ballads and Legends of Hindustan, was published by her father after her death in 1877. This collection is divided into 2 parts: the 1st part contains long poems about the ancient legends of her native land of India, which had been passed on to her orally in Sanskrit and which held much fascination for her, and also implied her desire to return to India. The 2nd part is a collection of Dutt's miscellaneous poems, clearly influenced by her travels in Europe and includes the memorable 'Our Casuarina Tree'.
Spenser explains in the dedication of this volume that the hymns to love and to beauty were written early in his career and their "heavenly" counterparts much later, in response to the dissatisfaction that one of the author's patrons expressed toward the earlier poems, although to a modern sensibility those are in no way offensive except perhaps in focusing upon the sublunary world. However that may be, all four poems are idealistic, expressing the neo-Platonic philosophy that was growing in popularity in Elizabethan England. According to this doctrine, the soul is primary and shapes the body that clothes it. The material world is only a pale reflection of the ideal world, and mortals gradually, through growth from infancy to old age, unfold, or "dilate," the many-dimensioned wholeness of their being as it exists in eternity. Life on earth, a journey to heaven, is conceived of as the pursuit of beauty, the proper object of earthly love, and the quest of love leads the soul back to the source of love and beauty, God. The structure of The Faerie Queene rests upon this concept.
"A Song of the Guns was written under what are probably the most remarkable conditions in which a poem has ever been composed. The author, who is now serving in Flanders, was present at the battle of Loos, and during a lull in the fighting--when the gunners, who had been sleepless for five nights, were resting like tired dogs under their guns--he jotted down the main theme of the poem. After the battle the artillery brigade to which he was attached was ordered to Ypres, and it was during the long trench warfare in this district, within sight of the ruined tower of Ypres Cathedral, that the poem was finally completed. The last three stanzas were written at midnight in Brigade Headquarters with the German shells screaming over into the ruined town."
Amores is one of D. H. Lawrence's earliest works of poetry, published in 1916, was a precursor to his delving in free verse in later collections. The poems in this collection are characterized by haunting and dark themes, sensuousness and his controversial dealing with sexual topics. (Anusha Iyer)
This is a wonderful collection of lyrical poetry and poetry in prose by India's most well-known poet, Rabindranath Tagore, whose book Gitanjali shot him to fame in the west. Originally written in Bengali, the poet himself translated the book into English. Most of the poems in The Crescent Moon focus on the love in a mother-child relationship and its development over the years as the child grows up, with a lot of nature imagery sprinkled in the verses. There are a lot of beautiful visual references to his homeland, India.
Silverpoints is the first collection of poems by John Gray. Some saw Gray as a protégé of Oscar Wilde, who agreed to underwrite the publication of Silverpoints. It includes Gray's original poems and his translations from the French of Verlaine, Mallarmé, Rimbaud, and Baudelaire.
Siegfried Sassoon was one of the first to write poetry about the brutal reality of war, based on his real-life experiences in the trenches. He served in World War I on the Western Front and was awarded the Military Cross for bravery under fire. However, he later became a convicted pacifist, threw his Military Cross into the Mersey river, and continued to write and publish poems and political statements against the war. His poems capture the despair he felt towards the war overall, and he paints vivid word pictures that make the reader "pray you'll never know, the hell where youth and laughter go".
"Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore—While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping — rapping at my chamber door. "Tis some visitor," I muttered, "tapping at my chamber door — Only this and nothing more."". Those sonorous and somber words of Edgar Allan Poe that begin The Raven are part of most everyone's fond educational memories. Beautiful and haunting to hear and even more fun to read aloud. In this recording I have just attempted to express my enjoyment of the beauty in some favorite Poe poems. Beside The Raven, there are Alone; A Dream Within A Dream; Annabel Lee; City In the Sea; The Bells; A Dream Within a Dream; Annabel Lee; Dreamland; Evening Star; Lenore; Eldorado; A Valentine and "The Happiest Day". Hopefully listeners will enjoy hearing them half as much as I enjoyed the selfish pleasure of recording them.
Lucan's only surviving work, De Bello Civili, more generally known as the Pharsalia, is an epic poem about the civil war between Julius Caesar and Pompey the Great. The title given by posterity to the poem refers to the Battle of Pharsalus, which took place in 48 BC near the city of Pharsalus, in Thessaly. The work is important as an example of Roman Historic Epic, since divine intervention plays little part in the narrative and very few supernatural occurrences happen in the story. Lucan's Civil War is considered a major expression of literature from the Neronian times, and has attracted renewed scholarly attention in the past decades. The work remains unfinished, due to the untimely death of its author.
Sit back and listen to these light-hearted witty rhymes and see the world Jonathan Swift saw -- and maybe recognize your own. Think there is such a thing as corrupt rich guys who pretend they're God's gift to the world? So did Swift. Think some of these types strut around as if calls of nature don't apply to them? So did Swift. In one hilarious poem, he even describes gold diggers fighting over the loaded gentleman's gaseous offerings! His poem On Poetry, A Rhapsody, censored for treasonous mocking of the royal family, is in its rare uncensored form here. As free as he himself is with his sharp tongue against the blackened rich and corrupt , he knows others might have to kiss up to eat. So he includes many verses of advice on how to go about lying for a living, for example, "Your interest lies to learn the knack Of whitening what before was black." Despite the decay and hypocrisy he sees all around him he stays upbeat throughout -- even making fun out of his own tragic onset of deafness. You already know this giant of English literature for the great feast of prose he left us. Think of these delicious poems here as your sinful dessert.
Also known for his "Brownies" books, Canadian humorist Palmer Cox give us a delightful collection of humorous verse and short prose vignettes. From the publisher's preface, "thrice happy is the man who, having seen, can tell the fun; and having told, can picture it for others’ eyes and so roll on the rollicking humor, for the brightening of a world already far too sad."
A collection of love poems.
Japan
An old courtyard
Hidden away
In the afternoon.
Grey walks,
Mossy stones,
Copper carp swimming lazily,
And beyond,
A faint toneless hissing echo of rain
That tears at my heart.
John Gould Fletcher offers a brief history of Japanese poetry, as well as a short, yet vivid, compilation of his own Japanese-inspired poems.
Lullaby-Land: Songs of Childhood is a book of children’s poetry by Eugene Field. Within the poems in this volume you will find some of his well-known works including The Duel, Wynken, Blynken and Nod, and Little Boy Blue.
This is a volume of the early poems by James Russell Lowell, including a brief biographical sketch by Nathan Haskell Dole.
The House of Dust is a poem written in the four-movement format of a classical symphony. Hauntingly beautiful despite its bleak post-World War I depictions of human mortality and loss, the poem develops its movements around central images such as Japanese ukiyo-e ("floating world") woodblock prints, touching the reader's senses with endlessly evocative allusions to wind, sea, and weather. In this underlying Japanese sensibility and dependence on central perceptual images, Aiken's poem is similar to poetry of Imagists of the time such as Amy Lowell. Also deeply influenced by the concepts of modern psychology, Aiken delved deeply into individual human identity and emotion.
This volume of poems was published in 1923, the year Edna St. Vincent Millay became the third woman to win the Pulitzer Prize for poetry. It was perhaps the lead poem in this volume, Renascence, published in 1918 in a literary contest that first won her widespread recognition. Her works also included drama and prose, and in 1943 became the second woman to win the Robert Frost Prize for poetry. This volume is divided into three sections of lyric poems, including sonnets, a poetic form of which she was a master.
John Gould Fletcher (1886 – 1950) is considered by many literary scholars to be among the most innovative twentieth-century poets. He enjoyed an international reputation for much of his long career and earned the Pulitzer Prize in poetry in 1939. Fletcher lived in England from 1909 to 1932 and while in Europe he associated closely with Amy Lowell, Ezra Pound, and other Imagist poets. In addition to being an adherent of Imagism, which used free verse and was dedicated to replacing traditional poetics with new rhythms, concise use of language, and a concrete rather than symbolic treatment of subject, Fletcher also wrote poetry that drew from such varied sources as French Symbolism, Oriental art and philosophy, and music. The 1st part of this book, "Ghosts of an Old House," evoke, out of the furniture and surroundings of a certain old house, emotions and childish terror which the poet had concerning them. In the "Symphonies," which form the second part of this volume, the poet narrates certain important phases of the emotional and intellectual development—in short, the life—of an artist.
A collection of poems by Edna St. Vincent Millay.
This fantastic adventure into the realms of the imagination is a superb example of the incomparable skill of poet Walter de la Mare. In this collection the poet explores the intersection of reality and fantasy within the context of an earth-centeredness that extends far beyond our knowing present - an exploration garnered from dreams, from mindful awakening, indeed from ephemeral ventures into the hitherto unknown.
In this series of related but diverse poems de la Mare appeals to our thoughtful consideration of his work based not solely on its subject matter but from an element of the supernatural interwoven within each verse. The poet's work thus both unites and at times divides our previously familiar concepts and long-held beliefs with a component of the mystical progression of life itself as we each venture along a path in some ways familiar yet in other ways oddly disjointed and exotic.
Prepare to be amazed at the journey on which Walter de la Mare, this exceptional poet, is about to take us. Prepare to depart on an adventure to the realms of this master poet's Sunken Garden, a "green and darkling spot" where perhaps "a distant dreamer dreams." Prepare to share in those universal reveries of prescience that bring wonder and amazement to us all.