Jasper Derry was on a mission. He had left the northern wilderness a few years earlier when he had worked for the Hudson's Bay Company, but in doing so he had also left some unfinished business behind. Now he is on his quest to complete those affairs. We travel with Jasper and his two companions through the rugged, desolate region, and while doing so, we learn a great deal of just how wild and untamed the wilderness was in the mid-19th century. This is an adventure, a series of learning experiences, and a lesson in bonding to ensure survival away in the wilderness.
Fashionably controversial bestseller at the time of appearance (1893), portraying London "society" in the Fin de Siècle. Dodo is a young woman who enjoys belonging to the high society. At the start of the book, she is about to make an advantageous marriage, to a man with money and a title - just what she needs. This audiobook includes Volume 1 & 2 (the complete novel)
The location is the English Lake District and the characters very ordinary people. Mrs. Blencarrow is a widow with five children and control of her late husband's small estate. She is eminently respectable and is involved with the usual round of tea and dinner parties as expected in a quiet town. She is unremarkable, apart from her disdain for scandal, or even gossip of any kind. Imagine the surprise when a stranger describes her as "a woman with a history"? That can only mean a disreputable past or even a scandal, but as she has lived in the community for 18 years, without a hint, what could it possibly be?
This volume completes the story of Hester and her struggle to find her way in the family she belongs to by birth but not by upbringing. The bank that her father once worked for is again threatened, and Hester's response to her suitors is decided.
This is a less known, but not less beautiful, novel by the author of The Secret Garden, A Little Princess, The Lost Prince, Little Lord Fauntleroy, The Shuttle, and many more. There is something different about miss Lysbeth Crespigny. Raised by three maiden aunts and sheltered from the world, she leaves them for the first time in order to explore the world. Yet she is often misunderstood. The world she discovers is more complicated and confusing then she anticipates. She is only 18 when the book starts. However the choices she has to make have consequences which she learns to navigate and become the strong woman she can be.
The story of the mission of two Christmas cards written by a minister’s wife. These cards find their way to two straying sheep from the village fold, who hear through the message in the words, and the little scenes on the cards, the compelling voice of home. There was inspiration and good cheer in the cards, and from them came, in one case reformation, in the other romance. (Summary compiled by Maria Therese from various original 1915 reviews)
Kit Orchardson, an apprentice produce grower in Sunbury, England describes for us a time in his youth in which he fell in love with Kitty, a young lady of higher status, endeavored to secure her love and ventured to solve her mysterious disappearance shortly after they were joined in marriage. Through Kit's perspective, we get a wonderful view of life in 1860 England where people's attitudes were maneuvering between their societal status and their character.
Miss Meredith is not the most talented of her sisters. In fact, she considers herself the typical of them. She has the adventure of a life time when she is offered the post of governess to an ancient noble Italian family. Things become even more complicated when the favorite son of the family falls in love with her. This book reflects the ancient traditions, and shows how things can change and how people from different walks of life react to changes.
Cecilia de Noël is an original and cleverly told ghost story, published in 1891. The story is told, Rashomon-like, from six different viewpoints.
Sir Harry Hotspur’s only son and heir dies young which means that the title goes to a cousin, George Hotspur. Sir Harry wants the ancestral property to go to his daughter, Emily, and hopes that a future husband will adopt the family name.
George is a charmer but also a spendthrift and a gambler. He sets out to win Emily in order to save himself from bankruptcy – and succeeds, despite Emily knowing he is really unworthy. She is convinced she can save him but has also promised she will not marry without her father’s consent – which of course Sir Harry refuses to give.
The book follows their story.
Published two years after Gissing's death, this novel tells the story of Will Warburton. Will loses his money in a failed business venture and has to come to terms with his new job as a grocer. This is a book about acceptance, love, and, of course, the meaning of money and status.
A Carmelite convent in Kentucky in the nineteenth century. A beautiful immature nun. A handsome immature visitor. A chance meeting. Whither? One might want to compare this story (1890) with an earlier one with a similar theme by the same author, The White Cowl (1888). ( david wales)
Described as the Great Book of Wonders by Arthur Miller, this everyday tale of fraternal affection, sibling rivalry, obsession, lust, parricide, family intrigue, spiritual faith, death by economic deprivation and ultimate salvation in the soul, boasts (among other wonders) the perfect role for Marilyn Monroe, had Arthur only ever written the play. Madness, murder, mayhem and the courtroom drama to end all courtroom dramas it may be, but it is also (strangely) hilariously funny. It's all in the point of view.
Written over a century and a half ago, Madame Bovary is still an extraordinarily fresh, exciting and shockingly frank novel, at once an acute psychological study of a woman drawn into adultery through circumstances we can partly understand, and a sharply-observed comedy that offers a fascinating glimpse of the social and cultural divisions running through French provincial society in the mid nineteenth century. This translation is by Eleanor Marx-Aveling, a prominent social activist and literary translator. She was the youngest daughter of Karl Marx.
The novel details the lives of Tom and Maggie Tulliver, a brother and sister growing up on the river Floss near the village of St. Oggs, evidently in the 1820’s, after the Napoleonic Wars but prior to the first Reform Bill (1832). The novel spans a period of 10-15 years, from Tom and Maggie’s childhood up until their deaths in a flood on the Floss. The book is fictional autobiography in part, reflecting the disgrace that George Eliot (Mary Ann Evans) herself had while in a lengthy relationship with a married man, George Henry Lewes.
Maggie Tulliver holds the central role in the book, as both her relationship with her older brother Tom, and her romantic relationships with Philip Wakem, a hunchbacked, but sensitive and intellectual, friend, and with Stephen Guest, a vivacious young socialite in St. Oggs and fiance of Maggie’s cousin Lucy Deane, constitute the most significant narrative threads.
A quiet, self-reliant, intelligent, 23-year-old woman, Lucy has, as Miss Ginevra Fanshawe asserts, "no attractive accomplishments – no beauty." She seems to have no living relatives.Though usually reserved and emotionally self-controlled, Lucy has strong feelings and affections for those whom she really values. She even sincerely cares for the giddy Ginevra, albeit in a blunt, curmudgeonly fashion. She is a firm Protestant and denounces Roman Catholicism as false ("God is not with Rome"). The novel is initially set in the English countryside, and later follows Lucy Snowe to the fictional Belgian town of Villette, a Gothic town where the majority of the action takes place. Villette is modelled upon the city of Brussels and is set in the fictional kingdom of Labassecour (modelled on Belgium). "Labassecour" is the French word for farmyard..
This is a collection of short stories written by Fyodor Dostoyevsky (Dostoevsky), who is arguably better-known for his lengthy, contemplative novels. Several of his trademark philosophical, political and religious themes are interwoven throughout these short stories, for example: "Dream of a Ridiculous Man" critiques European nihilism; "The Crocodile" has notes of Russian political commentary; and "Bobok" is critically acclaimed as top-rate Menippean satire. Dostoevsky also provides a Christmas story ("The Heavenly Christmas Tree") with a biting social commentary.
Washington Irving is one of early America's most treasured writers. He is best known for his wit and satirical voice. Irving had the extraordinary ability to paint a picture in words on the canvas of the printed page. Irving spent time in England where he wrote some of his best work. This collection includes two of his most famous works: "Rip Van Winkle" and "The Legend of Sleepy Hollow." In these two classics, set in New York, Irving brings the legends and daily goings on of the early settlers to life in vivid color and detail. Additionally, two of Irving's essays about England, both rural and metropolitan, round out his Trans-Atlantic descriptions of life in a bygone era. (Greg Giordano)
The novel tells the story of Agnes Grey, the daughter of a minister, whose family comes to financial ruin. Desperate to earn the money to care for herself, she takes one of the few jobs allowed to respectable women in the early Victorian era – the role of governess to the children of the wealthy. In working with two different families (the Bloomfields and the Murrays), she comes to learn about the troubles that face a young woman who must try to rein in unruly, spoiled children for a living, and about the ability of wealth and status to destroy social values. After her father's death, Agnes opens a small school with her mother and finds happiness with a man who loves her for herself. They have three children at the end of the novel, Edward, Agnes and Mary (Wikipedia)
The title of the novella is almost an adequate summary in itself. The "boy-meets-girl-then-loses-her" story is universal but not, I think, banal - despite a surprise ending which notoriously turns out to be very little of a surprise. First Love is given its originality and poignancy by Turgenev's mastery of the piercing turning-point (akin to Joyce's "epiphanies") that transforms the character's whole being, making a tragic outcome inevitable. Even the nature symbolism is rescued from triteness by lovely poetic similes - e.g. "but at that point my attention was arrested by the appearance of a speckled woodpecker who busily climbed up the slender stem of a birch-tree and peeped out uneasily from behind it, first to the right, then to the left, like a musician behind the bass-viol."
Mary Barton is the first novel by English author Elizabeth Gaskell, published in 1848. The story is set in the English city of Manchester during the 1830s and 1840s and deals heavily with the difficulties faced by the Victorian lower class.
The novel begins in Manchester, where we are introduced to the Bartons and the Wilsons, two working class families. John Barton reveals himself to be a great questioner of the distribution of wealth and the relation between the rich and the poor. He also relates how his sister-in-law Esther has disappeared after she ran away from home.
Soon afterwards Mrs Barton dies, and John is left with his daughter Mary to cope in the harsh world around them. Having already been deeply affected by the loss of his son Tom at a young age, after the death of his wife, Barton tackles depression and begins to involve himself in the Chartist movement connected with the trade unions.
"Mary Barton: A Tale of Manchester Life" was Mrs Gaskell's first full-length novel. It was published anonymously in that tumultuous year of political change, 1848 - only a few months after the Communist Manifesto co-authored by her fellow Manchester-resident, Friedrich Engels. Engels's experience as agent in his father's cotton-spinning factory motivated him to write "The Condition of the Working Class in England", a classic account of the sufferings of the poor under the factory-system.
Elizabeth Gaskell's own personal contact with the plight of the poor cotton workers of Lancashire also compelled her to a compassionate examination of their lives; but as a middle-class woman, married to a Unitarian minister, her approach to her subject took on a more emotionally complex significance; influenced by religious faith but also by more personal considerations.
In the brief preface to the novel, Mrs Gaskell hints at her initial impulse. The loss of a beloved child in infancy led her to seek a therapeutic outlet, but one which left her uncertain of her capacity to contextualize her public, writerly response to the tragedies occurring in the surrounding society of Manchester's poorest classes: "I know nothing of Political Economy, or the theories of trade..." She was, however, determined to portray, in novelistic form, the intimate connection between the private experience of her characters and the social forces of her time. The success of the novel led her to proclaim her authorship and move on to further works of fiction, which have secured her in our times a mounting reputation as one of the leading novelists of the mid-Victorian period.
Certainly the novel features numerous death-scenes, all conveyed with a depth of sympathy that contrasts with the queasy iambics with which Dickens orchestrated the notorious demise of Little Nell. Mrs Gaskell was not, like Dickens, a London-based novelist observing the sufferings of the provincial poor with a journalistic detachment - as evidenced in his own admirable, Lancashire-based novel "Hard Times". Gaskell lived among the people whose attenuated lives she chronicled - and however hesitantly, as a début novelist, she rendered their experience in literary terms, her writing presents us with a true insight into the sufferings of individuals at a point in history when the mass of human beings fell casualty to the forms of economic progress following upon the Industrial Revolution. Most impressively she called into question the political and social cost of creating a resentful proletariat despairing of survival in (to quote Karl Marx) a "heartless world".
Our reader Tony Foster is a resident of Manchester and a near-neighbour of Mrs Gaskell (allowing for their separation in time). His superb narration renders the native speech of her characters with an authenticity which ideally conveys the spirit of this book. A truly moving experience awaits everyone who gives ear to this 'Tale of Manchester Life'.
The novel has two main plots; one set in the real world at the time the book was published (the Victorian era), the other in the fictional world of Fairyland. While the latter plot is a fairy tale with many nonsense elements and poems, similar to Carroll's most famous children's book Alice's Adventures in Wonderland, the story set in Victorian Britain is a social novel, with its characters discussing various concepts and aspects of religion, society, philosophy and morality.
Mary Elizabeth Braddon's first novel, Lady Audley's Secret, was one of the most popular English novels of its day. Published serially in 1862, it tells the story of the lovely Lucy Graham, who becomes Lady Audley at the beginning of the novel, and who conceals a scandalous secret from her new husband and his family. The plot, which includes madness, bigamy, attempted murder, and seduction, made this a shocking but highly successful story for Victorian audiences. It remains one of the best examples of 19th century sensational fiction, and is a wonderfully absorbing book. (Summary written by gloriana).
First published as a serial in Fraser's Magazine in 1844 as The Luck of Barry Lyndon, The Memoirs of Barry Lyndon, Esq is a picaresque novel, narrated (occasionally charmingly, always unreliably) by a member of the 18th-century Irish gentry. Redmond Barry, later Barry Lyndon, describes his rise to - and inevitable fall from - the top of the English aristocracy. Romantic, military and political intrigue, as well as satire and pathos, follow. Editorial notes, courtesy of Thackeray's fictitious alter ego, G. S. FitzBoodle, interject further levels of irony, humour and detachment.
Thackeray, who based the novel in part on the life and exploits of the Anglo-Irish rake and fortune-hunter Andrew Robinson Stoney, among other historical sources, significantly revised and reissued the book in 1856 under its current title.
Its unreliable, morally dubious narrator, metafictional editor, and multiple layers of interpretive possibility make it a fascinating precursor to the modern novel, while Thackeray's characteristic interest in the specifics of 18th-century life ensures a rich and engaging backdrop.
In 1975, Stanley Kubrick adapted the book for his film Barry Lyndon, since widely regarded as one of the finest films ever made.
This audiobook was read from a 1902 edition edited by Walter Jerrold, who provides a brief introduction.
This is a satirical novel written by Edwin A. Abbott, first published in 1884. Abbott uses a two-dimensional world, with himself as the protagonist, known simply as "A Square", to deride the Victorian aristocracy and its hierarchies. But the book has retained its value throughout the years for its unique portrayal of a two-dimensional world, and how a Sphere introduces the Square to the incomprehensible possibility of a third dimension. Once the square fully understands the third dimension, he suggests to the Sphere that even a fourth, fifth, or sixth dimension could exist. But the Sphere sends the square back to his two-dimensional world, where he cannot convince anyone of the existence of a three dimensional world.
Most men who with some earnestness of mind examine into the mysteries of our social state will perhaps pass through that stage of self-education in which this Novel was composed. The contrast between conventional frauds, received as component parts of the great system of civilization, and the less deceptive invasions of the laws which discriminate the meum from the tuum, is tempting to a satire that is not without its justice. The tragic truths which lie hid in what I may call the Philosophy of Circumstance strike through our philanthropy upon our imagination. We see masses of our fellow-creatures the victims of circumstances over which they had no control,—contaminated in infancy by the example of parents, their intelligence either extinguished or turned against them, according as the conscience is stifled in ignorance or perverted to apologies for vice. A child who is cradled in ignominy, whose schoolmaster is the felon, whose academy is the House of Correction,—who breathes an atmosphere in which virtue is poisoned, to which religion does not pierce,—becomes less a responsible and reasoning human being than a wild beast which we suffer to range in the wilderness, till it prowls near our homes, and we kill it in self-defence.
In this respect the Novel of “Paul Clifford” is a loud cry to society to amend the circumstance,—to redeem the victim. It is an appeal from Humanity to Law. And in this, if it could not pretend to influence or guide the temper of the times, it was at least a foresign of a coming change. Between the literature of imagination, and the practical interests of a people, there is a harmony as complete as it is mysterious. The heart of an author is the mirror of his age. The shadow of the sun is cast on the still surface of literature long before the light penetrates to law; but it is ever from the sun that the shadow falls, and the moment we see the shadow we may be certain of the light. ( Adapted from the Preface)
Émile François Zola (French pronunciation: [emil z?'la]) (2 April 1840 – 29 September 1902) was an influential French writer, the most important exemplar of the literary school of naturalism.
More than half of Zola's novels were part of a set of twenty novels about a family under the Second Empire collectively known as Les Rougon-Macquart.
L'Assommoir (1877) is the seventh novel in the series. Usually considered one of Zola's masterpieces, the novel—a harsh and uncompromising study of alcoholism and poverty in the working-class districts of Paris—was a huge commercial success and established Zola's fame and reputation throughout France and the world.
The life of a young heir, Pierre is altered when he meets a mysterious woman who claims to be his sister.
"The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synomynous with hack literature; as an institution, Grub Street itself no longer existed in Gissing's time. Its two central characters are a sharply contrasted pair of writers:
Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and unscrupulous about writing and its purpose in the modern (i.e. late Victorian) world".
George Eliot’s 1859 novella, The Lifted Veil, departs radically from the grounded realism of her longer and better known works, such as Middlemarch and Daniel Deronda. Its tone calls to mind the works of middlebrow Sensationists, like Wilkie Collins (The Moonstone), and of some of the better known authors of Victorian era horror writings, such as Bram Stoker (Dracula) and Mary Shelley (Frankenstein).
Eliot here explores mystical themes, considering the world of phenomena which are felt but not seen. Yet in doing so she suggests that the apparent clairvoyance of her main character, Latimer, may in fact be, at least in part, psychological expressions of his early life experiences. This view is supported by the fact that most of Latimer’s vision-based predictions of how people will behave and events unfold do not, in the end, turn out as he had foretold.
Much of this work’s power and complexity lie in Latimer’s relationship with Bertha, whom he ultimately, unhappily, marries. Bertha is the one person whose thoughts and feelings he is not able to read, raising the question: What is it about Bertha that renders her inaccessible to his psychic penetration – and what does this tell us about her, and about him.
This novel is subtitled The Mellstock Quire, A Rural Painting of the Dutch School. The Quire is the group of musicians who accompany the hymns at the local church and we follow the fortunes of one member, Dick Dewy, who falls in love with the new school mistress, Fancy Day. Another element of the book is the battle between the traditional musicians of the Quire and the local vicar, Parson Maybold, who installs a church organ. This battle illustrates the developing technology being introduced in the Victorian era and its threat to traditional country ways. The novel was published anonymously in 1872 and is often seen as Thomas Hardy's most gentle and pastoral novel. In 2005 Under the Greenwood Tree was adapted for a television version by Ashley Pharoah.
Listeners who like to plunge straight into a story would do well to skip the lengthy preamble. Here, Balzac the virtuoso satirist depicts the levels of Parisian society as a version of the Inferno of Dante - but perhaps keeps the reader waiting too long for the first act of his operatic extravaganza.
Our beautiful, androgynous hero, Henri de Marsay, is one of the bastard offspring of a depraved Regency milord and himself practises the cynical arts of the libertine. His quarry is the exotic Paquita Valdes, she of the golden eyes.
But there is a mysterious third person in this liaison...
The shocking truth of their interrelationships marks this out at once as one of those French novels that Lady Bracknell would instantly ban from the house.
The Father is a naturalistic drama by Swedish playwright August Strindberg. The central conflict is between the Captain and his wife Laura about their daughter Bertha's future. In order to gain sole custody of her daughter, Laura tries to convince the Captain that he has gone mad.
Considering that Billy Pringle, or Fine Billy, as his good-natured friends called him, was only an underbred chap, he was as good an imitation of a Swell as ever we saw. He had all the airy dreaminess of a hereditary high flyer, while his big talk and off-hand manner strengthened the delusion.
It was only when you came to close quarters with him and found that though he talked in pounds he acted in pence, and marked his fine dictionary words and laboured expletives, that you came to the conclusion that he was “painfully gentlemanly.” So few people, however, agree upon what a gentleman is, that Billy was well calculated to pass muster with the million. Fine shirts, fine ties, fine talk, fine trinkets, go a long way towards furnishing the character with many. Billy was liberal, not to say prodigal, in all these. The only infallible rule we know is, that the man who is always talking about being a gentleman never is one. Just as the man who is always talking about honour, morality, fine feeling, and so on never knows anything of these qualities but the name. - Summary From The Book
This is a sequel to Kidnapped. Many thought Kidnapped ended quite abruptly. The reason is Stevenson planned on writing a sequel. Catriona takes up the story of David Balfour on the same day Kidnapped ends. He must now try to clear his name and the name of James Stewart of the Appin murder. This will not be easy because the Campbells want James Stewart to hang.
"Catriona: Being Memoirs of the Further Adventures of David Balfour at Home and Abroad, in which are set forth his misfortunes anent the Appin Murder, his troubles with Lord Advocate Grant: captivity on the Bass Rock, Journey into Holland and France, and singular relations with James More Drummond or MacGregor, a son of the notorious Rob Roy, and his daughter Catriona: written by himself, and now set forth by Robert Louis Stevenson."
The Mysteries of London was a best-selling novel in mid-Victorian England, published in four volumes. This is the fourth and final volume. Initially serialized in weekly installments, they were the forerunners of today's soap operas. Known as "Penny Dreadfuls", they had no claim to literary brilliance but offered readers entertainment and excitement in the form of vice, poverty, wealth, virtue, mystery, romance and scandal in every combination and reached a mass audience.
A ruthless squire becomes obsessed with a younger woman and conspires against her lover, George Fielding, so that the squire can win her. With the squire's financial pressure turned up on his family, George goes to Australia to earn money enough to marry his girl. In the meantime, a young man named Tom Robinson is sent to prison for stealing. For his somewhat minor offense, he suffers severe mistreatment in prison. "It Is Never Too Late to Mend" was written in the 1850s to shed light on abuses in British prison discipline and the treatment of criminals, but is also an adventure yarn set in the gold fields of Australia.
A Country Doctor is a fiction novel by American author Sarah Orne Jewett. The book, which was first published in 1884, was based on the relationship between Jewett and her physician father. The main character of A Country Doctor, Nan, is a young woman who encounters much strife when she decides to go against the traditional values of the day and become a doctor. The book has been listed as an example of the shift in the perception of the role of women in society, with the main character of Nan choosing to pursue her career in medicine rather than a marriage and family
Scenes from a Courtesan's Life is one of the last great works completed by Balzac for his huge novel series entitled The Human Comedy. Sections of this book, in various groupings and with various titles, were published between 1838 and 1847. It eventually settled into the four sections found in the present edition. The French title — Splendeurs et misères des courtesanes — literally, Splendors and Miseries of Courtesans — has also been translated as A Harlot High and Low. The story picks up at the end of Lost Illusions (1843), an earlier novel by Balzac. At the end of that book, Lucien de Rubempré (born Lucien Chardon), a young provincial poet with great ambitions but feeble moral will, was heading for Paris in the company of a mysterious Spanish priest. In the present book, we quickly discover that the "Spanish priest" is actually Jacques Collin, alias "Vautrin," a master criminal first introduced to readers in Balzac's Father Goriot (1835). Lucien develops a relationship with Esther van Gobseck, a prostitute (the "courtesan" of the title). With these three main figures — Lucien, Vautrin, and Esther — Balzac explores the corruption of the aristocracy, the world of prostitution, the courts, and the prisons of 19th-century Paris. With masterful depictions of society and individual psychology, Balzac is considered a father of realism in fiction.
This 3rd volume of the Marie Antoinette Romances begins a decade after the close of "The Mesmerist’s Victim” and is based on a real scandal in Louis XVI’s court, commonly called “The Diamond Necklace Affair.” In this volume, the plotting of a powerful occultist, Count Cogliostro (or “Balsamo”), collides with the long-festering resentments of a previous royal house, Jeanne de Valois (de la Motte), a growing popular movement for sociopolitical reform, and a shrinking supply of bread. It is easy to see how converging sociopolitical challenges can threaten the monarchy, but how can the court of Louis XVI overcome these challenges amidst a famine? After all, in the words of his economic advisor, Turgot de l'Aulnes, “Ne vous mêlez pas du pain” (One must not meddle with bread)!
The elderly Brothers Owen, Morgan and Griffith live a quiet, retired life in the countryside, which is turned upside-down by Griffith's ward, the young Jessie Yelverton. Originally, her visit to them was to last only six weeks, but for a very certain reason, the gentlemen must find a way to prolong her visit and get Jessie to stay for ten more days. To make her stay, they promise to tell her an entertaining and exciting story each night...
Pan tells the story Lieutenant Glahn and his summer in a forest north in Norway. He lives in a hut with his dog Aesop and they spend their days to hunting and fishing. In poetic language, Hamsun paints troubled souls in this gem of a book.The text is devoted to the nature in Nordland as well as the people Glahn meets there, as they deal with love, jealousy, and power struggles. We meet two (equally unreliable) narrators, Lieutenant Glahn in the book itself and a hunting companion in the epilogue, consisting of the last five chapters.
An unscrupulous baronet is left a widower and couldn't care less what happens to his ugly newborn heir. But when an icy stepmother moves in and the child is stolen away by his loving nurse, what can unfold but a riveting account of the years of mystery, drama, love and lessons for which MacDonald's writings are known.
Rudin is the first and perhaps least known novel by Ivan Turgenev, a famous Russian writer best known for his short stories and the novel Fathers and Sons. The story focuses on a romantic involvement between Rudin and Natalya, a serious, intelligent young woman. The topic of the “superfluous man” and his inability to act, which was a major theme of Turgenev's literary work, is explored.
In “The Country House”, John Galsworthy explores many of the themes he would later expand upon in his better known, nine-novel, “The Forsyth Saga”. This is a novel of English society as 1900 approaches. A divorce is being threatened in the Pendyce family, whose members are of the landed gentry. Such an event would be an enormous scandal. There is little action. The story paints, in exquisite language, the feelings of each of the six or so main characters. These feelings concern the necessity for family honor and the horror of scandal; the stifling effect of the social mores of the time; the ridiculous complications of the law; and, the threat of the many changes in the social order which seem to be coming. Galsworthy was himself of this privileged class. While he was extremely critical of the social structure of the time, he shows sympathy for those caught in it. Each is constrained to his or her niche; only by major changes in the social code will that be changed. Gaslworthy was very much a social activist in life, as well as on the printed page. He was quite successful in showing the reader how it must have felt to live in one of those social niches.
The novel titled in Russian "?????????? ??????" (Dvoryanskoye Gnezdo, sometimes translated as Home of the Gentry, A Nest of the Gentlefolk, A Nest of the Gentry) is considered a sequel to "Rudin". It is the story of the protagonist Fyodor Ivanych Lavretsky, a son of a nobleman and a serf, brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother, who was known for her cruelty.
This book brings together eleven stories, each a case of intrigue where more is going on than seems at first.
Smoke is an 1867 novel by the highly acclaimed Russian writer Ivan Turgenev (1818–1883) that tells the gripping story of a secret love affair between a young betrothed Russian man and a young married Russian woman, while also delivering in the opening chapters the author's criticism of Russia and Russians of the period. The story takes place largely in the German resort town of Baden-Baden.