The prophet Al Mustafa, before leaving the city where he has been living twelve years, stops to address the people. They call out for his words of wisdom on many sides of the human condition, and he addresses them in terms of love and care. He has much to offer from his observations of the people, and he illustrates with images they can relate to.The author, Gibran, was influenced by the Maronites, the Sufis, and the Baha’i. His philosophy, though deist, is primarily aimed at the good within ourselves, and the common-sense ways in which we can unlock it. An illustration from his chapter on Friendship:“And let your best be for your friend.If he must know the ebb of your tide, let him know its flood also.For what is your friend that you should seek him with hours to kill?Seek him always with hours to live.”The prophet’s gentle words have inspired their translation into over 108 languages. Listen to them with an open mind. You may find some burdens and frustrations hidden within you eased.
Volunteers bring you eight different readings of Walt Whitman’s A Noiseless Patient Spider, a weekly poetry project.
American poet Walt Whitman’s Leaves of Grass, is a collection of poems notable for its frank delight in and praise of the senses, during a time when such candid displays were considered immoral. Where much previous poetry, especially English, relied on symbolism, allegory, and meditation on the religious and spiritual, Leaves of Grass exalted the body and the material world.
Whitman was inspired to begin Leaves of Grass after reading an essay by Ralph Waldo Emerson which expressed a need for a uniquely American poet. When the book was first published, Whitman sent a copy to Emerson, whose praiseful letter of response helped launch the book to success. Whitman’s hero, Abraham Lincoln, read and enjoyed an early version of Leaves of Grass. Despite such high recommendations, Whitman faced charges of obscenity and immorality for his work, but this only led to increased popularity of the book.
Whitman continually revised and republished Leaves of Grass throughout his lifetime, notably adding the “Drum-Taps” section after Lincoln’s assassination. The book grew from 12 poems in its first publication, which Whitman paid for and typeset himself, to nearly 400 poems in its final, “Death Bed Edition.” This recording is of the final edition.
Volunteers bring you 11 recordings of Old Ireland by Walt Whitman. This was the Fortnightly Poetry project for August 1st, 2010.
Volunteers bring you 11 recordings of Old Chants by Walt Whitman. This was the Fortnightly Poetry project for May 15, 2011.
Walter "Walt" Whitman was an American poet, essayist and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse. His work was very controversial in its time, particularly his poetry collection Leaves of Grass, which was described as obscene for its overt sexuality.
The first edition of Leaves of Grass was very small, collecting only twelve unnamed poems in 95 pages. Whitman continued to expand the editions until the ninth and final edition of almost 400 poems.
Volunteers bring you 16 recordings of A Prairie Sunset by Walt Whitman. This was the Weekly Poetry project for August 28, 2011.
Walt Whitman has been claimed as America's first "poet of democracy", a title meant to reflect his ability to write in a singularly American character. A British friend of Walt Whitman, Mary Smith Whitall Costelloe, wrote: "You cannot really understand America without Walt Whitman, without Leaves of Grass... He has expressed that civilization, 'up to date,' as he would say, and no student of the philosophy of history can do without him."
Juan, captured by Turkish pirates and sold into slavery is bought by a beautiful Princess as her toy-boy. Dressed as an odalisque, he is smuggled into the Sultan's harem for a steamy assignation. Unbelievably, Byron's publisher almost baulked at this feast of allusive irony, blasphemy (mild), calumny, scorn, lesse-majeste, cross-dressing, bestiality, assassination, circumcision and dwarf-tossing. This was the last Canto published by the stuffy John Murray (who had, however, made a tidy fortune on the earlier parts of the Epic). Although Byron's mood starts, after this, to grow darker and his bitterness at English hypocrisy to grow sharper, his discursive comedy and precise and intriguing rhyme is rarely better than in Canto V.
William Blake’s volume of poetry entitled Songs of Innocence and Experience is the embodiment of his belief that innocence and experience were “the two contrary states of the human soul,” and that true innocence was impossible without experience. Songs of Innocence contains poems either written from the perspective of children or written about them. Many of the poems appearing in Songs of Innocence have a counterpart in Songs of Experience, with quite a different perspective of the world.
The disastrous end of the French Revolution caused Blake to lose faith in the goodness of mankind, explaining much of the despair found in Songs of Experience. Blake also believed that children lost their innocence through exploitation and from a religious community which put dogma before mercy. He did not, however, believe that children should be kept from becoming experienced entirely. In truth, he believed that children should indeed become experienced but through their own discoveries, which is reflected in a number of these poems.
Volunteers bring you six different readings of The Voice of the Ancient Bard, by William Blake.
"The road of excess leads to the palace of wisdom."
The Marriage of Heaven & Hell is William Blake’s masterpiece – a piously blasphemous reimagining of the duality of good and evil as an eternal dance of equally essential polarities.
Good, in Blake’s complex cosmology, is defined by a blind deference to the external, rational order embodied by the tyrant and the priest. Evil is the chaotic and revolutionary impulse that defies all reason and authority.
While Blake’s sympathies are clearly with the Romantic revolutionary, he argues for the necessity of both sides, which create balance through their eternal opposition.
Poem XXI: "A Book", read by the wonderful podcasters at the Podcasters Across Borders 2006 conference, in Kingston, Ontario, June 23-24, 2006.
Volunteers bring you 12 recordings of If I Can Stop One Heart From Breaking by Emily Dickinson. This was the Weekly Poetry project for June 27th, 2010.
Volunteers bring you 16 recordings of The Railway Train by Emily Dickinson. This was the Weekly Poetry project for May 28, 2011.
Although Dickinson was a prolific private poet, fewer than a dozen of her nearly eighteen hundred poems were published during her lifetime. The work that was published during her lifetime was usually altered significantly by the publishers to fit the conventional poetic rules of the time. Dickinson's poems are unique for the era in which she wrote; they contain short lines, typically lack titles, and often use slant rhyme as well as unconventional capitalization and punctuation. Many of her poems deal with themes of death and immortality, two recurring topics in letters to her friends.
Volunteers bring you 27 recordings of The Lovers by Emily Dickinson. This was the Weekly Poetry project for May 27, 2012.
The verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"—something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and the unconventional utterance of daring thoughts. In the case of the present author, there was absolutely no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without setting her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a very few friends; and it was with great difficulty that she was persuaded to print, during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiously indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness.
The scene of the following Poem is laid chiefly in the vicinity of Loch Katrine, in the Western Highlands of Perthshire. The time of Action includes Six Days, and the transactions of each Day occupy a Canto.
This is a lovely collection of melodic poems, many melancholy in tone, many featuring Housman's constant theme of living this short life to the fullest.
The Waste Land is T. S. Eliot's Modernist masterpiece, first published in 1920. Rich in allusions to Shakespeare, Dante, Baudelaire, the Bible, Marvell, Buddha, and the folklore of the Holy Grail, among other sources, the poem emphasizes the fundamental fragmentation and lack of connection that characterizes modern life and relationships.
The Waste Land is a highly influential 433-line modernist poem by T. S. Eliot. It is perhaps the most famous and most written-about long poem of the 20th century, dealing with the decline of civilization and the impossibility of recovering meaning in life. Despite the alleged obscurity of the poem—its shifts between satire and prophecy, its abrupt and unannounced changes of speaker, location and time, its elegiac but intimidating summoning up of a vast and dissonant range of cultures and literatures—the poem has nonetheless become a familiar touchstone of modern literature. Among its famous phrases are “April is the cruelest month” (its first line); “I will show you fear in a handful of dust”; and “Shantih shantih shantih” (its last line). The title is sometimes mistakenly written as “The Wasteland”.
"Rubaiyat of Omar Khayyam. The Rubáiyát is a collection of poems, originally written in the Persian language and of which there are about a thousand, attributed to the Persian mathematician and astronomer Omar Khayyám (1048 – 1123). "Rubaiyat" (derived from the Arabic root word for 4) means "quatrains": verses of four lines."
Also known as the "Roman Elegies," Erotica Romana is von Goethe's literary tribute to human sexuality and eroticism. Written in 24 elegies to emulate classical Roman elegy writers such as Tibullus, Propertius, and Catullus, von Goethe creates a lyrical work of art that has often been subject to censorship.
The play begins years after Oedipus has taken the throne of Thebes. The Theban chorus cries out to him for salvation from the plague sent by the gods in response to Laius's murder. Oedipus searches for the murderer, unaware that he himself is guilty of that crime.
The blind prophet Teiresias is called upon to aid the search, but, after his warning against following through with it, Oedipus oppugns him as the murderer, even though he is blind and aged. In response, an angry Tiresias tells Oedipus that he is looking for himself, causing the king to become enraged in incredulity. He then accuses the prophet of conspiring with Creon, Jocasta's brother, to overthrow him.
Oedipus calls for one of Laius's former servants, the only surviving witness of the murder, who fled the city when Oedipus became king in order to avoid being the one to reveal the truth. Soon a messenger from Corinth arrives to inform the king of the death of Polybus, whom Oedipus still believes to be his real father. At this point, the messenger informs him that he was in fact adopted and that his true parentage is unknown. In the subsequent discussions between Oedipus, Jocasta, the servant and the messenger, the second-mentioned surmises the truth and runs away in shame.
Volunteers bring you 12 different recordings of Sonnet 28 by William Shakespeare. This was the weekly poetry project for the week of August 26th, 2007.
Volunteers bring you 32 recordings of Sonnet 29 by William Shakespeare.
This was the Fortnightly Poetry project for April 23, 2019.
A perennial Shakespeare favorite. The sober, almost depressed beginning ends with the sun shining through.
The Divine Comedy (Italian: Commedia, later christened "Divina" by Giovanni Boccaccio), written by Dante Alighieri between 1308 and his death in 1321, is widely considered the central epic poem of Italian literature, the last great work of literature of the Middle Ages and the first great work of the Renaissance. A culmination of the medieval world-view of the afterlife, it establishes the Tuscan dialect in which it is written as the Italian standard, and is seen as one of the greatest works of world literature. - The Divine Comedy is composed of three canticas (or "cantiche") — Inferno (Hell), Purgatorio (Purgatory), and Paradiso (Paradise) — composed each of 33 cantos (or "canti"). The very first canto serves as an introduction to the poem and is generally not considered to be part of the first cantica, bringing the total number of cantos to 100. - The poet tells in the first person his travel through the three realms of the dead, lasting during the Easter Triduum in the spring of 1300.
Volunteers bring you 8 recordings of To Autumn by John Keats. This was the Fortnightly Poetry project for November 21st, 2010.
To Autumn" is the final work in a group of poems known as Keats's "1819 odes".
He composed "To Autumn" after a walk near Winchester one autumnal evening. The work marks the end of his poetic career as he needed to earn money and could no longer devote himself to the lifestyle of a poet. A little over a year following the publication of "To Autumn", Keats died in Rome.
"To Autumn" has been regarded by critics as one of the most perfect short poems in the English language and it is one of the most anthologised English lyric poems.
Robert Frost preferred to describe the New England countryside using everyday language. He used both as tools to explore world views and life philosophies. A Boy's Will was his first poetry anthology.
This is the epic of Finland. It is the combined folk tales of the Finnish nation starting with the birth of the world from the egg of a seabird and continuing to the birth of the Kaleva District, the lands of Finland.
Volunteers bring you 14 recordings of The Journey of Life by William Cullen Bryant. This was the Weekly Poetry project for December 23, 2012.
William Cullen Bryant was an American romantic poet, journalist, and long-time editor of the New York Evening Post. His poetry has been described as being "of a thoughtful, meditative character, and makes but slight appeal to the mass of readers."
Sonnets from the Portuguese chronicles one of the most famous romances in history. The renowned Victorian poet Elizabeth Barrett wrote the sonnet sequence during her courtship by Robert Browning, and later presented them to him as a wedding gift. Robert was astounded by the quality of the poetry, and encouraged her to publish, but Elizabeth objected on the grounds that the content was too personal. At last, Robert prevailed, and Elizabeth published her sonnets. The title of the book comes from a joke between Robert and Elizabeth Browning. Elizabeth was too embarrassed to publish the sonnets as a personal chronicle, so she decided to pretend they were a translation from a foreign language. Robert’s nickname for her was “My Little Portuguese” due to her dark hair and olive complexion, and so the sequence was forever known as “Sonnets from the Portugese.”
Volunteers bring you 23 different recordings of Sonnet 43 by Elizabeth Barrett Browning. This was the weekly poetry project for the week of February 4th, 2007.
Sonnets from the Portuguese, written ca. 1845–1846 and first published in 1850, is a collection of forty-four love sonnets written by Elizabeth Barrett Browning. The poems largely chronicle the period leading up to her 1846 marriage to Robert Browning. The collection was acclaimed and popular even in the poet's lifetime and it remains so today. Elizabeth was initially hesitant to publish the poems, feeling that they were too personal. However, Robert insisted that they were the best sequence of English-language sonnets since Shakespeare's time and urged her to publish them. To offer the couple some privacy, she decided that she might publish them under a title disguising the poems as translations of foreign sonnets. Therefore, the collection was first to be known as Sonnets from the Bosnian, until Robert suggested that she change their imaginary original language to Portuguese, probably after his nickname for her: "my little Portuguese."
Sonnets from the Portuguese, written ca. 1845–1846 and first published in 1850, is a collection of forty-four love sonnets written by Elizabeth Barrett Browning. The poems largely chronicle the period leading up to her 1846 marriage to Robert Browning. The collection was acclaimed and popular even in the poet's lifetime and it remains so today. Elizabeth was initially hesitant to publish the poems, feeling that they were too personal. However, Robert insisted that they were the best sequence of English-language sonnets since Shakespeare's time and urged her to publish them. To offer the couple some privacy, she decided that she might publish them under a title disguising the poems as translations of foreign sonnets. Therefore, the collection was first to be known as Sonnets from the Bosnian, until Robert suggested that she change their imaginary original language to Portuguese, probably after his nickname for her: "my little Portuguese."
Volunteers bring you 15 different recordings of A Dream within a Dream by Edgar Allan Poe. This was the weekly poetry project for the week of April 15th, 2007.
Volunteers bring you 10 recordings of Song by Edgar Allan Poe. This was the Weekly Poetry project for July 10, 2011.
Edgar Allan Poe was an American author, poet, editor and literary critic, considered part of the American Romantic Movement. Best known for his tales of mystery and the macabre, Poe was one of the earliest American practitioners of the short story and is considered the inventor of the detective fiction genre. He is further credited with contributing to the emerging genre of science fiction. He was the first well-known American writer to try to earn a living through writing alone, resulting in a financially difficult life and career.
The Princess is a serio-comic blank verse narrative poem, written by Alfred Tennyson, published in 1847. The poem tells the story of an heroic princess who forswears the world of men and founds a women's university where men are forbidden to enter. The prince to whom she was betrothed in infancy enters the university with two friends, disguised as women students. They are discovered and flee, but eventually they fight a battle for the princess's hand.
For killing an albatross, the mariner and his crew are punished with drought and death. Amidst a series of supernatural events, the mariner's life alone is spared and he repents, but he must wander the earth and tell his tale with the lesson that "all things great and small" are important.
Spirits in Bondage is C.S. Lewis’s first book and the first of his works to be available in the public domain. It was released in 1919 under the pseudonym of Clive Hamilton and was written in a period of darker thought for C.S. Lewis than was later evidenced in his Christian apologist writings.
The darkness of the verse is most evident in Part One (The Prison House), begins to change in the short transitional Part Two (Hesitation) and attains a more hopeful tone in the final Part Three (Escape). Yet a dreamy effect, influenced by Celtic and Druid mythology, persists throughout.
Spirits in Bondage consists of forty poems that provide an intriguing insight into the youthful heart of C.S. Lewis and occasionally provides interesting lyrical foreshadowing of some of the landscapes portrayed in his famous Chronicles of Narnia series.
Volunteers bring you nine different readings of Clement C. Moore's 'Twas the Night Before Christmas, a weekly poetry project.
Elizabeth Drury, daughter of Donne's patron, Sir Robert Drury, died in 1610. A year later Donne laments her hyperbolically as the soul of the created universe. In "An Anatomy of the World: The First Anniversary," he poetically scrutinizes that year-old corpse, the world, as if he were performing an autopsy (an "anatomy"). He finds it corrupt in every part, the dead woman having carried with her every spark of goodness it once contained. To commemorate the second anniversary of Miss Drury's death, Donne's "Progress of the Soul" (1612) celebrates her liberation from this world, urges readers to follow her example, and performs a cheerful spiritual meditation upon the process of death, burial, and corruption—cheerful because death frees us from the inconveniences of this life and serves as a portal to the next. Each poem is introduced by an encomium that, though purporting to be written by another hand, appears to be the poet's own work.
Beowulf. [Translated by Francis Barton Gummere].This is a short but beautiful book, and the Gummere translation really captures the feel of the Old English. Beowulf tells the story of a mysterious young warrior who saves the Spear-Danes from the terrible monster Grendel and his venomous mother. Long a mainstay of English Literature 101 courses at universities around the world, it is not only one of the oldest, but one of the most exciting English folktales ever invented.
Volunteers bring you 10 recordings of To...As when with downcast eyes by Alfred Lord Tennyson. This was the Weekly Poetry project for August 15th, 2010.
The Congo is one of the best-known poems by American poet Vachel Lindsay (1879-1931). It was revolutionary in its use of sounds and rhythms — as sounds and rhythms — and includes elaborate annotations to guide its spoken performance. Lindsay categorized The Congo as “higher Vaudeville” and was famous for his exuberant performances of it. The poem’s imagery is racist, but Lindsay was a product of his time — born 14 years after the end of the American Civil War in Abraham Lincoln’s hometown, he revered Lincoln and viewed himself as a friend and supporter of African-American culture.
One of the first collections of poetry by Robert Frost, published in 1914.
Volunteers bring you 41 different recordings of Good Hours by Robert Frost. This was the weekly poetry project for the week of September 9th, 2007.
Volunteers bring you 3 different recordings of Old and New Year Ditties by Christina Rossetti.
Volunteers bring you 18 recordings of Echo by Christina Rossetti. This was the weekly poetry project for April 12th, 2009.
Volunteers bring you 13 recordings of Spring by Christina Georgina Rossetti. This was the Fortnightly Poetry Poetry project for March 25, 2012.
Christina Georgina Rossetti was an English poet who wrote a variety of romantic, devotional, and children's poems. She is best known for her long poem Goblin Market, her love poem Remember, and for the words of the Christmas carol In the Bleak Midwinter.
Volunteers bring you 16 recordings of Are The Children at Home? by Margaret Elizabeth Sangster. This was the Fortnightly Poetry project for August 5, 2012.
Margaret Elizabeth Sangster was an American poet, author, and editor. She was popular in the late 19th and early 20th century. Among Sangster's prose works are several volumes of stories for children, and of these, Little Jamie was written when she was seventeen years old. Hours with Girls and Winsome Womanhood were her most popular works. Her volumes of poetry include, Poems of the Household, Home Fairies and Heart Flowers, On the Road Home and Easter Bells.
The Hunting of the Snark is a long nonsense poem by Lewis Carroll describing the adventures of ten weirdly assorted characters as they pursue an elusive creature known as a snark.
Chamber Music is a collection of poems by James Joyce, first published in May of 1907. The collection originally comprised thirty-four love poems, but two further poems were added before publication ("All day I hear the noise of waters" and "I hear an army charging upon the land").
Although the poems did not sell well, they received some critical acclaim. Ezra Pound admired the "delicate temperament" of these early poems, while Yeats described "I hear an army charging upon the land" as "a technical and emotional masterpiece". In 1909, Joyce wrote to his wife, "When I wrote [Chamber Music], I was a lonely boy, walking about by myself at night and thinking that one day a girl would love me."
Summary adapted from Wikipedia by Annie Coleman