Mostly a collection of story-telling poems told by a group of friends in a tavern late one night. "Tales" includes the famous Paul Revere's ride, together with poems of many tales, countries and styles.
This volume covers the age of expansion from the Revolution to the Civil War, including the creation of the Constitution, the Presidency of George Washington, the War of 1812, and the settling of the West, along with tales of Johnny Appleseed, the Alamo, the Gold Rush, the death of Jefferson, and The Wreck of the Hesperus. Authors include Henry Wadsworth Longfellow, Ralph Waldo Emerson, Oliver Wendell Holmes, Francis Scott Key, John Greenleaf Whittier and Lord Byron.
A history through poetry of the American Revolution, from the early days of unrest, through the Boston Tea Party, The Ride of Paul Revere, the campaign at Valley Forge, to the time of peace and the forming of the Nation, including works by Oliver Wendell Holmes, Benjamin Franklin, Thomas Paine, Henry Wadsworth Longfellow, William Cullen Bryant, Bret Harte, Alfred Tennyson, and many more. This is the second of 5 volumes that cover American History through poetry from the Vikings to WWI.
A History through Poetry of the exploration and settling of North American by Europeans. Beginning with Leif Erikson, and continuing through the Age of Exploration to the colonies of Virginia and New Amsterdam, including the arrival of the Puritans, the life of Pocahontas, the persecution of the Quakers, and the horror of the Salem Witch Trials, with works by Henry Wadsworth Longfellow, John Greenleaf Whittier, Edward Everett Hale, Benjamin Franklin, William Wordsworth, Julia Ward Howe, and many, many more. This is the first of 5 volumes that cover American History through poetry from the Vikings to WWI.
This volume is a fascinating reflection on the Civil War years from a perspective in 1908, when many Civil War veterans were still alive, when the wounds to North and South were still fresh, and when no event more cataclysmic had struck the Republic than a Civil War that began less than 100 years after the Revolution for Independence. Poets in this volume include: John Greenleaf Whittier, William Cullen Bryant, Herman Melville, Henry Wadsworth Longfellow, Ralph Waldo Emerson, Bret Harte, Oliver Wendell Holmes, Walt Whitman, and Julia Ward Howe.
"Sara Teasdale sings about love better than any other contemporary American poet."—'The Boston Transcript', 1918.
As the title already gives away, this is a volume of love poetry by Sara Teasdale, the first volume of poetry ever to be awarded the Pulitzer Prize for poetry in 1918.
With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize (a precursor to the Pulitzer Prize for poetry). In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work.
Henry Kendall was the first Australian poet to draw his inspiration from the life, scenery and traditions of the country. In the beginnings of Australian poetry the names of two other men stand with his—Adam Lindsay Gordon, of English parentage and education, and Charles Harpur, born in Australia a generation earlier than Kendall. Harpur's work, though lacking vitality, shows fitful gleams of poetic fire suggestive of greater achievement had the circumstances of his life been more favourable. Kendall, whose lot was scarcely more fortunate, is a true singer; his songs remain, and are likely long to remain, attractive to poetry lovers.
This is a collection of poems by Australian poet Henry Kendall. It is the second volume of his collected poems, and contains some of his most widely-known verses, such as "Bell-Birds", "The Hut by the Black Swamp", and "The Last of His Tribe". This collection is also the work on which Kendall's particular reputation for nature poetry was first based.
This is a volume of late poetry by Australian poet Henry Kendall, published in 1880. The poems in this volume are prime examples of the style for which Kendall was famous, describing the Australian nature and landscape in poetic detail. Wikipedia quotes the Sydney Mail writing: "Sad songs though many of them be, they are full of great thoughts and lofty aspirations. You may dislike them because they are not all chanted in unison with the bright noontide hymn; but you cannot deny that they are all of the music that floats high above the level of earthly grossness, and that sings, if sometimes among clouds, yet always far above the spires and mountains, although these are loftier than the level of the unbroken plains beneath."
This is the short last book in Henry Kendall's collected poems. This book contains miscellaneous poems of the native-born Australian poet, written later in his life, including poems dedicated to other notable Australian writers, such as Adam Lindsay Gordon.
This is a collection of early poetry by Australian poet Henry Kendall. The poems contained in this volume already reflect the particular style for which Kendall became famous later on: his poetry focussing on Australian nature.
This is a 1895 collection of christmas-themed short stories and poems by various authors, Charles Dickens himself being the most prominent feature.
"The eagerness with which the first volume of Emily Dickinson's poems has been read shows very clearly that all our alleged modern artificiality does not prevent a prompt appreciation of the qualities of directness and simplicity in approaching the greatest themes,—life and love and death. That "irresistible needle-touch," as one of her best critics has called it, piercing at once the very core of a thought, has found a response as wide and sympathetic as it has been unexpected even to those who knew best her compelling power. This second volume, while open to the same criticism as to form with its predecessor, shows also the same shining beauties."
Birds, Illustrated by Color Photography was a monthly publication of the Nature Study Publishing Company of Chicago. It includes short poems, anecdotes and factual descriptions of birds with accompanying color plates. The magazine was published from 1898-1907 under the various titles, "Birds," "Birds and all Nature," "Nature and Art" and "Birds and Nature." Later issues were expanded to include animals, plants, etc
Spenser explains in the dedication of this volume that the hymns to love and to beauty were written early in his career and their "heavenly" counterparts much later, in response to the dissatisfaction that one of the author's patrons expressed toward the earlier poems, although to a modern sensibility those are in no way offensive except perhaps in focusing upon the sublunary world. However that may be, all four poems are idealistic, expressing the neo-Platonic philosophy that was growing in popularity in Elizabethan England. According to this doctrine, the soul is primary and shapes the body that clothes it. The material world is only a pale reflection of the ideal world, and mortals gradually, through growth from infancy to old age, unfold, or "dilate," the many-dimensioned wholeness of their being as it exists in eternity. Life on earth, a journey to heaven, is conceived of as the pursuit of beauty, the proper object of earthly love, and the quest of love leads the soul back to the source of love and beauty, God. The structure of The Faerie Queene rests upon this concept.
This is a wonderful collection of lyrical poetry and poetry in prose by India's most well-known poet, Rabindranath Tagore, whose book Gitanjali shot him to fame in the west. Originally written in Bengali, the poet himself translated the book into English. Most of the poems in The Crescent Moon focus on the love in a mother-child relationship and its development over the years as the child grows up, with a lot of nature imagery sprinkled in the verses. There are a lot of beautiful visual references to his homeland, India.
A collection of poems by Lowell, one of the Fireside poets with Longfellow, Whittier, Holmes, and Bryant, including a sketch of his life. The collection is composed of the title piece, a retelling of an Arthurian legend, as well as 17 other poems.
This is a volume of poems by Amy Lowell, published in 1914.
"Against the multitudinous array of daily verse our times produce this volume utters itself with a range and brilliancy wholly remarkable. I cannot see that Miss Lowell's use of unrhymed 'vers libre' has been surpassed in English. Read 'The Captured Goddess', 'Music', and 'The Precinct. Rochester', a piece of mastercraft in this kind. A wealth of subtleties and sympathies, gorgeously wrought, full of macabre effects (as many of the poems are) and brilliantly worked out. The things of splendor she has made she will hardly outdo in their kind." (Josephine Preston Peabody, 'The Boston Herald', 1916)
This is a selection of the early poetry of Oscar Wilde, selected by Robert Ross. As he puts it, "It is thought that a selection from Oscar Wilde’s early verses may be of interest to a large public at present familiar only with the always popular Ballad of Reading Gaol, also included in this volume. The poems were first collected by their author when he was twenty-six years old, and though never, until recently, well received by the critics, have survived the test of NINE editions. Readers will be able to make for themselves the obvious and striking contrasts between these first and last phases of Oscar Wilde’s literary activity. The intervening period was devoted almost entirely to dramas, prose, fiction, essays, and criticism."
Hardy claimed poetry as his first love, and published collections until his death in 1928. Although not as well received by his contemporaries as his novels, Hardy's poetry has been applauded considerably in recent years. Most of his poems deal with themes of disappointment in love and life, and mankind's long struggle against indifference to human suffering.
Birds, Illustrated by Color Photography was a monthly publication of the Nature Study Publishing Company of Chicago. It includes short poems, anecdotes and factual descriptions of birds with accompanying color plates. The magazine was published from 1897-1907 under the various titles, "Birds," "Birds and all Nature," "Nature and Art" and "Birds and Nature." Later issues were expanded to include animals, plants, etc
"Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore—While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping — rapping at my chamber door. "Tis some visitor," I muttered, "tapping at my chamber door — Only this and nothing more."". Those sonorous and somber words of Edgar Allan Poe that begin The Raven are part of most everyone's fond educational memories. Beautiful and haunting to hear and even more fun to read aloud. In this recording I have just attempted to express my enjoyment of the beauty in some favorite Poe poems. Beside The Raven, there are Alone; A Dream Within A Dream; Annabel Lee; City In the Sea; The Bells; A Dream Within a Dream; Annabel Lee; Dreamland; Evening Star; Lenore; Eldorado; A Valentine and "The Happiest Day". Hopefully listeners will enjoy hearing them half as much as I enjoyed the selfish pleasure of recording them.
Flawlessly hammered out, as if from eternal bronze—"aere perennius"—The Odes of Horace are the consummate expression of the pride, the reserve, the tragic playfulness, the epicurean calm, the absolute distinction of the Imperial Roman spirit. A few lines taken at random and learned by heart would act as a talisman in all hours to drive away the insolent pressure of the vulgar and common crowd. - John Cowper Powys (1916)
In the Seven Woods (1904) is Yeats's first twentieth-century poetry collection. Its fourteen poems show him moving steadily away from the decisively Romantic diction of his earlier work. Here we hear a poetic voice that is at once more individual, colloquial and dramatic than previously. In addition, several poems sound a note of bitter lamentation over the marriage in 1903 of Maud Gonne, Yeats's great love and muse, to John MacBride.
Written in a purgative frenzy of pure imagination (“They came, and I wrote them, that’s all”), Stephen Crane’s The Black Riders and Other Lines is a strange, enigmatic, and sparsely-written collection of free verse that bristles with Old Testament fury, seethes with cosmic cynicism, and touches on themes of lost faith and existential terror.
Subtitled "Songs of Scotland of the Past Half-Century, with Memoirs of the Poets, and Sketches and Specimens in English Verse of the Most Celebrated Modern Gaelic Bards."
This collection of hymns have been translated from the poetry to the Latin church, arranged in the order of the Christian year. "This volume is intended for hours of devotion, and the vast storehouse of sacred poetry of the Latin Church has been put under tribute to supply the material," writes the author, Reverend John Brownlie, in the preface. The collection includes hymns for Christmas, Easter, All Saints' Day, Advent, and more.
Nothing seems to be known about Mr and Mrs William Platt, the writers of Stories of the Scottish Border. What they produced is an eccentric guidebook and history, seen partly through the ballads of the region. The book recounts the military stratagems, treachery and courage of those who struggled for control of the Border lands and of the whole country, and tells of the triumphs or tragic fate of those who took part on both sides. It also tells us stories of the Border Reivers, raiders who lived by riding out and stealing their neighbours’ livestock. Their lives were governed for several hundred years by a form of rough justice, and they showed an even rougher wit. While their adventures, though cloaked by the writers in romance and chivalry, were often petty and bloodthirsty, the ballads which distill their experience are, at their best, haunting and intensely moving. The Borders and Northumberland have changed little in aspect over the centuries, and I suggest following the book with a map and images of the places described, to give some idea of the wild remoteness and imaginative power of this Border land.
While Portuguese author Fernando Pessoa is internationally now known mostly for his masterpiece The Book of Disquiet, he was also an outstanding poet. 35 of his sonnets are collected in this volume.
James Russell Lowell's extensive poetic work also includes a series of Sonnets. Some of those have already been included in the volumes Early Poems and Miscellaneous Poems, but 27 of his Sonnets are collected in this volume.
This is the third part of the collected poems of James Russell Lowell, comprising his Memorial Verses and his celebrated poem L'Envoi.
A saucy little poem commenting upon all men that Ms. Parker didn't marry, perhaps implying (it's a bit ambiguous) that upon marrying, the husband becomes far more special than all the other men in the world. It's sort of the same theme embodied in Saint-Exupéry's The Little Prince, who was saddened to discover that his rose was like any other rose, except when he further realized that his rose depended upon him alone for her care, and was the only rose that belonged to him. ~ Summary by Michele Fry
Birds, Illustrated by Color Photography was a monthly publication of the Nature Study Publishing Company of Chicago. It includes short poems, anecdotes and factual descriptions of birds with accompanying color plates. The magazine was published from 1897-1907 under the various titles, "Birds," "Birds and all Nature," "Nature and Art" and "Birds and Nature." Later issues were expanded to include animals, plants, etc
This is the second part of James Russell Lowell's collected poems: the Miscellaneous Poems. This series of poems covers, as the title implies, a wide range of topics, shaped into Lowell's beautiful poetry.
A comic rendering in verse of well-loved Fairy Tales of the Brothers Grimm, each ending with a moral and full of puns. The titles of the tales themselves make another verse.
This is a collection of poems by Australian poet Banjo Paterson. This collection contains some of Paterson's most famous poems, such as Rio Grande's Last Race, and poems featuring Saltbush Bill.
This is an interesting mix of recipes and poetry about cookery and food. The author has written this book during and in the aftermath of the civil war in the United States. The recipes are sound and can be used still today, and the poetry is an interesting collection of short excerpts and poems by all famous poets.
This is a volume of poetry by Robert Herrick. The volume "Chrysomela" was arranged by Francis Turner Palgrave. The 17th century English poet is continuing to inspire readers of his poetry.
This is a volume of poetry by Robert Herrick. The volume "Idyllica" was arranged by Francis Turner Palgrave. The 17th century English poet is continuing to inspire readers of his poetry.
A collection of poems by Edna St. Vincent Millay.
This is another volume of Ella Wheeler Wicox's famous series. This time, the topic is Experience. The short play The New Hawaiian Girl is included in this volume.
Known for her whimsical verse and rhythmic, lilting poems Nathalia Crane was a child prodigy who published her first volume of poetry at the age of 10. There was nothing in her poems that indicated her age. Her delightful verse, and her maturity and insightfulness in poems such as The History of Honey, The Army Laundress, The Reading Boy, The Three Cornered Lot, and The Commonplace, won her recognition among poets.
Liber Amoris is unlike anything Hazlitt wrote and probably like nothing you've come across before. On the face of it it tells the story of Hazlitt's infatuation with his landlords daughter. Hazlitt was middle aged and she young and pretty, a bit of a coquette from the sound of it. It turned out badly for Hazlitt and the book tells the story of this doomed love. Critics have always been divided about the merit of the piece. Even those who see its merit often feel more comfortable with his polished literary works, and perhaps rightly so. This is not a work to make you feel comfortable.
I'd like to propose though that there is more to this as a work of art. It was the beginning of the era of the auto-biography that was arguably started by Rousseau in his Confessions. Going beyond Rousseau's mild self criticism, Hazlitt gives a ruthless self portrait (as well as an unsparing portrait of the object of his affections) of the weakness and mental turmoil that he experienced during the love affair. In this it is much closer to the theatre of cruelty of Antonin Artaud in which a pure artisitc truth is revealed through 'shattering a false reality that lies like a shroud over our perceptions'. Hazlitt had this in spades.
So if you are looking for a polished stroll through the romantic sensibility this is not for you. This is about a close as you'll get to participating in a romantic car crash. A work of great art.
Notes: Nick Duncan
A collection of poetry by American poet Sara Teasdale. Her lyrical poems of love, nature's beauty, and death were much loved during the early nineteenth century.
This is a 1920 collection of poetry by American poet Sara Teasdale. The collection comprises 92 poems, which are grouped together into 12 sets.
This is Sara Teasdale's third published collection of poetry. The collection was published in 1915, and contains the famous poem "I Shall Not Care", the melancholy and dark tone of which is often connected with her suicide in 1933.
"I have had nor rhyme nor reason" is inscribed on the cover page of this book. These poems are then also some of the most phantastic poems published by Lewis Carroll, including such famous verses as Phantasmagoria and The Hunting of the Snark.
Sara Teasdale never disappoints. This lovely book of lyrical poems reminds us of the eternal verities of love, loss and life.
The pieces gathered into this volume were, with two exceptions, written for the entertainment of a private circle, without any view to publication. The editor would express her thanks to the writers, who, at her solicitation, have allowed them to be printed. They are published with the hope of aiding a work of charity,—the establishment of an Agency for the benefit of the poor in Cambridge,—to which the proceeds of the sale will be devoted.