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Woman Of Yesterday

Caroline Atwater Mason
Anna is the daughter of a clergyman in a small town in Vermont. She is very happy with her lot. But when she goes to nurse a woman in the big city, she starts to discover the world. She sees new places, meets new people, and falls in love. This will test all the resolutions she once held dear.
Master's Violin

Myrtle Reed
Originally published in 1904, “The Master’s Violin” is the seventh novel by Myrtle Reed. It is set in a German town of Pennsylvania, East Lancaster, giving two characters fairly difficult accents to perform. The story entails a widow, Margaret Irving, and her son, Lynn. Returning to East Lancaster after 20 years they are hoping to further Lynn’s musical career under the tutelage of Herr Kaufmann, the master violinist.

We find the young lady, Iris, brought up by her adopted Aunt Peace, interacting with her new neighbours, as she slowly learns to live on her own. As we get to know Doctor Brinkerhoff we discover who he has grown fond of over the years. The love stories of three couples continue throughout the novel and bring us to the potential they all carried throughout their lives.
Flower of the Dusk

Myrtle Reed
Published in 1908, this is the story of two small families and the agreeable couple who help them. The heartfelt Norths, though clouded by disabilities, maintain the joy of life while struggling through sadness and loss. Their neighbours, the Austins, live comfortably if without much in the way of shared interest. As Eloise Wynne approaches to “bless” the Norths with her amiable fiancé, Doctor Allan Conrad, the two offspring in each family discover a hidden deception and how each parent, that they had grown up without, had met their fatal ends.
Heart of Darkness (version 4)

Joseph Conrad
In this powerful novella based on Joseph Conrad's own experiences in the Belgian Congo, Charles Marlow, an experienced seaman, tells a small group of friends about a profoundly disturbing episode in his life where he was employed by a large colonising enterprise to sail a tinpot steamer up a river into the heart of Africa with a view to bringing out an ivory trader who had gone rogue. Conrad biographer Maya Janasoff has argued that while Marlow's descriptions of Africans are crudely racist, the author binds this racist language with "a potentially radical suggestion. What made the difference between savagery and civilization, Conrad was saying, transcended skin color; it even transcended place. The issue for Conrad wasn’t that 'savages' were inhuman. It was that any human could be a savage."
Portrait of the Artist as a Young Man (version 2)

James Joyce
A Portrait of the Artist as a Young Man is Joyce’s semi-autobiographical first novel. It traces the early life of Stephen Dedalus and his inner struggle with the oppression of Irish society and the Catholic church, ending with his awakening as a poet and writer and self-imposed exile from Ireland.
“Welcome, O life, I go to encounter for the millionth time the reality of experience and to forge in the smithy of my soul the uncreated conscience of my race.”
(Description by T. Hynes, with quote from the book)
Filibusterismo (The Reign of Greed)

José Rizal
The Philippines, still a Spanish colony, are more or less run by the Catholic friars, and with an iron fist.. However, here and there are pockets of insurrection. In the countryside, a group of outlaws takes things in their own hands – including the money of the rich. And the students of Manila petition the government to be taught in Tagalog instead of Spanish.
Follow Basilio, a medical student and his friends as they navigate the difficult climate in Manila, while his fiance struggles with the law in their hometown. Above all this looms the figure of Simoun, a powerful and extremely rich jeweller, who is more than ready to put his immeasurable wealth to use..
Bleak House (version 4)

Charles Dickens
Bleak house is one of Dickens finest achievements. It was written for serialisation in 1853 when Dickens was at the peak of his career. Monthly sales substantially exceeded his previous bestseller David Copperfield.

Dickens' mastery of the English language comes to the fore in this book. It is an energetic book: a complex mystery story revolving around the heroine Esther Summerson and her path from childhood to marriage. During the course of Esther’s narration Dickens introduces some wonderful and unforgettable characters, and at the same time provides a searing indictment of the laws’ corruption and self-serving interests which prevailed during that time. He pokes fun at the languid and landed aristocracy and questions the societal indifference to the poor. Detection, black comedy, farce, and tragic ruin run through the story. Critics at the time were unenthusiastic but the public were enthralled by it!
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Return of Sherlock Holmes (Version 3)

Sir Arthur Conan Doyle
The book was first published in February 1905 by McClure, Phillips & Co. (New York) then on March 7, 1905 by Georges Newnes, Ltd. (London) and was the first Holmes collection since 1893, when Holmes had "died" in The Final Problem. Having published The Hound of the Baskervilles in 1901–1902 (setting it before Holmes' death) Doyle came under intense pressure to revive his famous character.

The first story is set in 1894 and has Holmes returning in London and explaining the period from 1891–94, a period called "The Great Hiatus" by Sherlockian enthusiasts. Also of note is Watson's statement in the last story of the cycle that Holmes has retired, and forbids him to publish any more stories.
Swann's Way (Version 2)

Marcel Proust
"Swann's Way" is the first of the seven parts of Marcel Proust's great autobiographical novel "In Search of Lost Time." From the very first page the reader is drawn into the many facets of memory, memory as prompted by all the human senses. "Swann's Way (Du côté de chez Swann, sometimes translated as The Way by Swann's) (1913) was rejected by a number of publishers, including Fasquelle, Ollendorff, and the Nouvelle Revue Française (NRF). André Gide was famously given the manuscript to read to advise NRF on publication, and leafing through the seemingly endless collection of memories and philosophizing or melancholic episodes, came across a few minor syntactic errors, which made him decide to turn the work down in his audit. Proust eventually arranged with the publisher Grasset to pay the cost of publication himself. When published it was advertised as the first of a three-volume novel (Bouillaguet and Rogers, 316-7). Du côté de chez Swann is divided into four parts: "Combray I" (sometimes referred to in English as the "Overture"), "Combray II," "Un Amour de Swann," and "Noms de pays: le nom." ('Names of places: the name'). A third-person novella within Du côté de chez Swann, "Un Amour de Swann" is sometimes published as a volume by itself. As it forms the self-contained story of Charles Swann's love affair with Odette de Crécy and is relatively short, it is generally considered a good introduction to the work and is often a set text in French schools. "Combray I" is also similarly excerpted; it ends with the famous madeleine cake episode, introducing the theme of involuntary memory. In early 1914, André Gide, who had been involved in NRF's rejection of the book, wrote to Proust to apologize and to offer congratulations on the novel. "For several days I have been unable to put your book down.... The rejection of this book will remain the most serious mistake ever made by the NRF and, since I bear the shame of being very much responsible for it, one of the most stinging and remorseful regrets of my life."
Frankenstein, or The Modern Prometheus (Edition 1831)

Mary Wollstonecraft Shelley
A mentally unstable genius, Victor Frankenstein, inspired by the dreams of ancient alchemists and empowered by modern science, creates a humanoid but fails to nurture and educate it after it comes to life. It wanders alone into a hostile world, where fear of its size and ugliness subjects it to violence and ostracism, which in time it learns to blame upon its maker. As compensation for its suffering, it demands that he create a companion with whom to share its outcast life. Moved by the creature's account of its sufferings, the scientist agrees, but a long period of procrastination awakens doubts that ultimately cause him to break his promise. In retaliation, the creature begins a campaign of vengeance. Although its serious crimes are limited to those which will wound his maker's heart, Victor imagines much more widespread harm, supposing the human race itself to be the creature's intended victim. There then follows a chase into the frozen north, which the creature prolongs so as to destroy his pursuer by exposure and exhaustion.This story, narrated by Victor, forms a frame surrounding the creature's tale of its wanderings, education, and unhappy encounters with human beings. Victor's narrative is itself framed within a series of letters written by the young mariner who rescues him from an iceberg while engaged in his own ambitious scientific endeavor, searching for the North Pole.

This novel was begun while the author and her lover, Percy Shelley, were in hiding from her father and Percy's wife on the shores of Lake Geneva, where they were the frequent house guests of Lord Byron. The young people all began to write "ghost" stories, but only Mary's was destined to enjoy success. The novel was published in 1818. Percy contributed a preface and later made extensive emendations. After his death Mary herself thoroughly revised the text and published it again in 1831. This is the text read in this project.
Woman in White - version 2

Wilkie Collins
Possibly Wilkie Collins' most famous novel, The Woman In White remade the Gothic Horror novel by taking its characters and tropes and setting them in commonplace surroundings among "people like us", Featuring unforgettable characters such as the incomparable Count Fosco and the redoubtable Marion Halcombe (a woman for whom male Victorian readers politely inquired of Wilkie the address as they wanted to marry her), The Woman In White with its compassionate treatment of those suffering mental distress ought to be credited with having put the cause of mental health care a hundred years ahead - had not Jane Eyre with its madwoman in the attic been generally credited with the reverse. Read it for the female doubling central plot device alone - a rare feature in the writing of men about women.
Mill on the Floss (Version 2)

George Eliot
The Mill on the Floss is George Eliot’s second novel, and was published in 1860, only a year after her first, Adam Bede. It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear. In large measure, their lives are dominated by their father, a successful miller brought down by his inability to resist settling arguments in a court of law. Character differences between Tom and Maggie - he dour and rigid of thought, she lively and impulsive - seem to matter little in childhood, but eventually strain their relationship beyond breaking point. It is Maggie, however, who is the dominant character of the book, arguably one of the great characters of 19th century literature. Each of her relationships is vital to the narrative: with her parents, with Tom above all, but on a romantic level with Philip Wakem, the sensitive hunchbacked son of her father’s (and Tom’s) bitterest enemy, and with charming and urbane Stephen Guest, fiance of Maggie’s cousin Lucy Deane. Maggie’s life is changed utterly by an impulsive elopement which she turns back from, but too late to stop the inevitable abuse and contempt. This is a semi-autobiographical reflection of the vilification which George Eliot (Mary Ann Evans) herself had to endure while openly living with a married man, a time when her brother was willing to communicate with her only through lawyers. Eliot writes of character and relationships with an insight and sharp detail that few authors have ever equaled. It’s a long book, but you will appreciate it for its depth.
Silas Marner (Version 3)

George Eliot
Silas Marner is a hermit-style weaver who keeps to himself and is eyed with suspicion by those in the nearby town of Raveloe. Dispelled from his religious community as a young man after being accused of a crime, Marner finds solace in weaving and in gold. But the disappearance of his treasure and the appearance of a small child change the apparent course of his life entirely.
Daisy Miller: A Study in Two Parts (version 2 dramatic reading)

Henry James
Daisy Miller is an 1878 novella by Henry James first appearing in Cornhill Magazine in June–July 1879, and in book form the following year. It portrays the courtship of the beautiful American girl Daisy Miller by Frederick Winterbourne, a sophisticated compatriot of hers. His pursuit of her is hampered by her own flirtatiousness, which is frowned upon by the other expatriates when they meet in Switzerland and Italy.
Crocodile (Version 2)

Fyodor Dostoyevsky
Fyodor Dostoevesky's "The Crocodile," first published in 1865 in the magazine "Epoch," is the story of Ivan Matveitch, a young man who gets swallowed by a crocodile, and survives. What will life be like for him, inside the crocodile? How will his marriage with Elena Ivanovna fare?
Short Stories (Version 2)

Fyodor Dostoyevsky
This is a collection of short stories written by Fyodor Dostoyevsky (Dostoevsky), who is arguably better-known for his lengthy, contemplative novels. Several of his trademark philosophical, political and religious themes are interwoven throughout these short stories, for example: "Dream of a Ridiculous Man" critiques European nihilism; "The Crocodile" has notes of Russian political commentary; and "Bobok" is critically acclaimed as top-rate Menippean satire. Dostoevsky also provides a Christmas story ("The Heavenly Christmas Tree") with a biting social commentary.
Beautiful and Damned (Version 2)

F. Scott Fitzgerald
This 1922 novel by F. Scott Fitzgerald chronicles the life of Anthony Patch, the only heir of millionaire Adam Patch, his grandfather. Anthony is young, handsome and well-educated. He marries the ravishingly beautiful Gloria, and together they plan for the day that Anthony receives his inheritance. But what will they make of themselves in the meantime as they look forward to a life of wealth and idle leisure? What is the role of purpose in a well-lived life? Fitzgerald explores these questions in a book that is at the same time humorous, sad and tragic. (Mark Nelson)
Father Goriot

Honoré de Balzac
One of Balzac's most popular works, set around 1815 during the re-ascendancy of the Bourbon kings following the defeat of Napoleon. Said to have been an inspiration to Charles Dickens and Henry James as well as others, the novel seeks to portray the realism of scenes and people. It is also a commentary upon the changing social strata and mores of the day.
Father Goriot (version 2)

Honoré de Balzac
Father Goriot (Le Père Goriot), published in 1835, is widely considered to be Balzac's finest and most popular novel. It is set in Paris in 1819, after Napoleon's defeat and the restoration of the Bourbon monarchy. France was undergoing massive social upheaval, as the new bourgeoisie jockeyed for position alongside the old aristocracy. Against this backdrop, we follow the lives of Goriot, an old man who irrationally dotes on his daughters; Vautrin, a shadowy criminal mastermind; and Rastignac, a young man from the provinces who studies how to navigate the complexities and climb the ladder of Parisian society. Balzac's masterful use of physical and psychological detail makes this book a landmark in the development of realism in western literature.
Dombey and Son (version 3)

Charles Dickens
To Paul Dombey, the business is everything, and he must have a son who will learn the business and eventually inherit it. Will his newborn, but sickly son be the fulfillment of his hopes and dreams? And what about his daughter Florence, who made the mistake of being born a girl?
Dream of the Red Chamber Book I

Xueqin Cao
The Dream of the Red Chamber (also known as The Story of the Stone) is one of the Four Great Classical Novels of China, and considered the greatest of them all. Almost 40 main characters and some 500 minor characters tell the fortunes of the Chia family; the book details mainly the life of Chia Pao-yü, the heir apparent, who is described as very intelligent, but also as carefree and self-indulging. The already wealthy Chia family rises to new heights when Pao-yü's elder sister becomes an imperial consort. On her first visit home, a lush garden is built, where much of the rest of the story takes place. The intrigues surrounding Pao-yü and his cousins, especially Lin Tai-yü who he loves, and Hsüeh Pao-ch'ai who he is finally tricked into marrying, make up a large part of the story. The decline of the Chia family begins with the death of the imperial consort, and when they fall into disfavour with the emperor, their mansions and the garden are eventually destroyed.

The whole book has 120 chapters, only 80 of which were written by Cao Xueqin before his death in 1764. Cheng Weiyuan and Gao E claimed to have access to Cao's papers, and published what is now known as the Cheng-Gao version in 1791. Henry Bencraft Joly translated only part of the book written by Cao. Book I contains the first 24 chapters, Book II ends abruptly with chapter 56; a Book III was never published.
Death in Venice

Thomas Mann
Thomas Mann, author of Death in Venice (German: Der Tod in Venedig) was a winner of the Nobel Prize for literature. The main character in this novella is Gustav von Aschenbach, a famous author in his early 50s who was widowed at an early age. In poor health, he visits Venice and becomes increasingly obsessed by the sight of a stunningly beautiful lad of 14. This book has been acclaimed a masterpiece and in 1971 was adapted as a film starring Dirk Bogarde.
Oliver Twist (version 5 Dramatic Reading)

Charles Dickens
When orphaned Oliver Twist asks for more food, the workhouse board are horrified and immediately pack him off to work for an undertaker, who treats him badly. Oliver runs away and finds himself in the streets of London, where he meets the Artful Dodger and is lured into a gang of young pickpockets, led by the evil Fagin. Even amidst his horrible surroundings, Oliver escapes and finds his way into a loving home. But Fagin's gang are determined to steal him back to their life of crime, coming closer and closer...

Dickens' classic tale of an orphan boy who has adventures with pickpockets and thieves, is here brought to life in a dramatised reading with a full cast! Scheming Fagin, cruel Bill Sykes and innocent Oliver tell their stories in their own voices, as dramatically as Dickens intended. Oliver Twist has been made into several movies and a musical, as the themes of social justice and the triumph of goodness over evil are perennially appealing.
Benito Cereno

Herman Melville
On an island off the coast of Chile, Captain Amaso Delano, sailing an American sealer, sees the San Dominick, a Spanish slave ship, in obvious distress. Capt. Delano boards the San Dominick, providing needed supplies, and tries to learn from her aloof and disturbed captain, Benito Cereno, the story of how this ship came to be where she is. Dealing with racism, the slave trade, madness, the tension between representation and reality, and featuring at least one unreliable narrator, Melville's novella has both captivated and frustrated critics for decades.
Rainbow (Version 3)

D. H. Lawrence
The Rainbow is the story of three generations of the Brangwen family, a sexual and religious collection of incidents that eventually shows the inertia of an individual consciousness to outgrow the commonplace and embrace the reality that lies beyond it. Throughout the novel, including its setting, the characters are being isolated because of their deviation from a conformist English society in a changing, steadily industrializing world.
Nostromo (Version 2)

Joseph Conrad
In Nostromo, Joseph Conrad has transformed an apocryphal anecdote about a sailor who got away with stealing a boat loaded with silver into a grandly panoramic, yet deeply unsettling, narrative that sees every conceivable type of political person — from the laughably oafish and brutal to various shades of the well-meaning — caught up in an episode of revolutionary upheaval in the fictional South American country of Costaguana. Who, if anyone, will emerge from this dreadful saga with a shred of dignity left intact?
Don Quixote, Vol. 2 (Ormsby Translation)

Miguel de Cervantes Saavedra
Don Quixote is a Spanish novel by Miguel de Cervantes Saavedra. Published in two volumes, in 1605 and 1615, Don Quixote is considered the most influential work of literature from the Spanish Golden Age and the entire Spanish literary canon. As a founding work of modern Western literature and one of the earliest canonical novels, it regularly appears high on lists of the greatest works of fiction ever published.... The story follows the adventures of a hidalgo named Mr. Alonso Quixano who reads so many chivalric romances that he loses his sanity and decides to set out to revive chivalry, undo wrongs, and bring justice to the world, under the name Don Quixote de la Mancha. He recruits a simple farmer, Sancho Panza, as his squire, who often employs a unique, earthy wit in dealing with Don Quixote's rhetorical orations on antiquated knighthood. Don Quixote, in the first part of the book, does not see the world for what it is and prefers to imagine that he is living out a knightly story. Throughout the novel, Cervantes uses such literary techniques as realism, metatheatre, and intertextuality. It had a major influence on the literary community, as evidenced by direct references in Alexandre Dumas' The Three Musketeers (1844), Mark Twain's Adventures of Huckleberry Finn (1884) and Edmond Rostand's Cyrano de Bergerac (1897), as well as the word "quixotic" and the epithet "Lothario." Arthur Schopenhauer cited Don Quixote as one of the four greatest novels ever written, along with Tristram Shandy, La Nouvelle Héloïse and Wilhelm Meister.
Martin Chuzzlewit (Version 3)

Charles Dickens
Dickens portrayal of selfishness, in this case in the Chuzzlewit family. Old Martin has a great fortune, and everyone wants in on it, especially distant cousin Seth Pecksniff. Meanwhile, his grandson, young Martin, has fallen in love with his grandfather's ward Mary and is disinherited, sending young Martin on an adventure in America from which he will return a changed man. Will he win Mary? Also featuring the dastardly villain Jonas Chuzzlewit, young Martin's cousin, and the hilarious nurse/midwife Sarah Gamp, who is usually found in a state of intoxication.
Life and Adventures of Martin Chuzzlewit (version 2)

Charles Dickens
Martin Chuzzlewit was Dickens 6th novel, serially published in 1843 - 44. Irrespective of the fact that Dickens considered - "Chuzzlewit is in 100 points immeasurably the best of my stories"- it failed to resonate with, or capture the public's imagination as many of its predecessors had done. However by the1850s its popularity had risen and it eventually found recognition as the great novel that it is.

The beginning is somewhat protracted but the prose is magnificent throughout. The theme of the story is about selfishness and obstinacy. The callow eponymous hero Martin Chuzzlewit is estranged from his grandfather (Martin Chuzzlewit the elder) for having the temerity to fall in love with his grandfather's ward — Mary Graham. The Chuzzlewit family are all placed under the microscope as Martin journeys on a voyage of what can only be termed as "self-discovery". His journeying takes him to America, where his experiences change him forever and he returns a far better man.

Woven around the theme of the book are some of Dickens most finely drawn characters, ranging from the comic: Seth Pecksniff, an oily unctuous hypocrite, Mrs Gamp a nurse with a propensity for strong liquor and a delightful way of mangling the English language: to the macabre Jonas Chuzzlewit a dark brooding murderer. There are plots within plots, deception and artifice abound, confidence tricksters on both sides of the Atlantic, and a vicious murder.

This is a satirical novel, particularly when Martin is in America and Dickens, who never shirked from social criticism, utilized that portion of the book to express his feelings on his experiences during his visit to America in1842. It is a comical novel, humour being prevalent throughout, witness Mrs Gamp "Rich folk may ride on camels, but it ain't so easy for em to see out of the needles eye". The irrepressible and precocious young Bailey strutting and posing in his Footman's livery. The deeply melancholic Augustus Moddle, desperate to be run over but finding no takers! and doomed to marry the wrong sister.
Agnes Grey (dramatic reading)

Brontë, Anne
Agnes Grey is the daughter of a minister, whose family comes to financial ruin. Desperate to earn money to care for herself, she takes one of the few jobs allowed to respectable women in the early Victorian era, as a governess to the children of the wealthy. In working with two different families, the Bloomfields and the Murrays, she comes to learn about the troubles that face a young woman who must try to rein in unruly, spoiled children for a living, and about the ability of wealth and status to destroy social values. After her father's death, Agnes opens a small school with her mother and finds happiness with a man who loves her for herself.
Shirley (version 2)

Charlotte Brontë
This work, Charlotte Bronte's second, is set in the England of the early 1800's, which was beset with political and social changes, represented by the Industrial Revolution and the Napoleonic Wars. And there is much to do with those changes in values from those of the past. But at its core, this novel is about romance. And the plot primarily follows the struggles and triumphs of two couples, the two brothers Moore, Louis and Robert, and Caroline Helstone and Shirley Keeldar. The final scenes capture the essence of the change in this world, and one hopes for the more philanthropic and egalitarian world pictured there, but at the same time one laments the loss of a world of magic and of a respect for natural beauty.
Èmile

Jean-Jacques Rousseau
Emile, or On Education or Émile, or Treatise on Education (French: Émile, ou De l’éducation) was published in 1762 in French and German and in 1763 in English. The significance of Rousseau in education as well as in politics must be found in his revolutionary attitude toward established institutions. Some of his biographers relate the story that when the Academy of Dijon, in 1749, offered a prize for an essay on the question whether the progress of the arts and sciences has tended to the purification of morals and manners, he followed the suggestion of Diderot, who reminded him of the greater notoriety which he could gain by advocating the negative side. The Archbishop of Paris, Christophe de Beaumont (1703-1781), saw in it a dangerous, mischievous work, and gave himself the trouble of writing a long encyclical letter in order to point out the book to the reprobation of the faithful. This was due to the Fourth Book, Confessions of a Savoyard Priest.

Rousseau created an imaginary child named Emile and became his tutor. As tutor, he was careful to keep the passions in check while developing the mind. Then he created an imaginary mate for Emile named Sophy.

The book was reviewed in The Monthly Review 1763 printed by Ralph Griffiths. "Rousseau says man is born twice, first to exist, then to live; once to a species and again with regard to sex. At the age of puberty commences the second birth, when he is truly born to live, and enters into full possession of the powers of human nature. Tho' nature points out the time when youth emerges from infancy this period may be either accelerated or retarded by education." It was originally translated into English as early as 1768.

William H. Payne (1836–1907) translated Emile in 1895. This reading is from Barbara Foxley's 1912 translation from Gutenberg.org.
Scarlet Letter (version 2)

Nathaniel Hawthorne
This book tells the story of Hester Prynne, a young woman who conceives a child while her husband is missing at sea. The Puritan Elders of the New England settlement of Boston, where she lives, condemn her to wear a scarlet letter A to signify her adultery. She refuses to name her lover, and he too keeps his silence, but with a terrible cost.

The tale is prefaced with an account of the Salem Custom-house where Nathaniel Hawthorne was working when he began writing The Scarlet Letter
Good Soldier (Version 2)

Ford Madox Ford
First published in 1915, The Good Soldier might be characterised as a melodrama of English upper class infidelities, cut into little pieces, then retold out of sequence by a narrator who occasionally appears to be half asleep. That is not wholly wrong, yet many have seen in this novel's beguiling voice, innovative narrative technique, and acute depiction of erotic repression a literary masterpiece. In 2015, the BBC ranked The Good Soldier 13th on its list of the 100 greatest British novels.
Nigger of the "Narcissus" (Version 2)

Joseph Conrad
Today, we're likely to react to the title of this novella, on whose 'sincerity of expression' Conrad was willing to stake his artisitic reputation, with visceral disgust. There is a sad irony in this, for Conrad's title originally alluded to a rather complex set of meanings, implying that, by virtue of our human nature, we all carry within the fragile vessel that is our idealised image of ourselves a darker being we find troubling, even despicable, but with whom we must eventually come to terms. Indeed, in the couse of this tale of a traumatic sea voyage from Bombay to London, Conrad suggests that in projecting their loathing of their own ambivalent feelings onto their (possibly dying) black shipmate James Wait, the crew of the Narcissus have considerable difficulty seeing the real James Wait behind their confused emotional reactions at all. The novella is remarkable for its knitting together of a stunningly well-realised physical drama involving an imperilled ship with a most discomforting psychodrama that draws in all twenty-six men who sail her.
House of the Dead

Fyodor Dostoyevsky
The House of the Dead is a novel published in 1861 by Russian author Fyodor Dostoyevsky, which portrays the life of convicts in a Siberian prison camp. Dostoyevsky himself spent four years in exile in such a camp following his conviction for involvement in the Petrashevsky Circle. This experience allowed him to describe with great authenticity the conditions of prison life and the characters of the convicts. The narrator, Aleksandr Petrovich Goryanchikov, has been sentenced to penalty deportation to Siberia and ten years of hard labour. Life in prison is particularly hard for Aleksandr Petrovich, since he is a "gentleman" and suffers the malice of the other prisoners, nearly all of whom belong to the peasantry. Gradually Goryanchikov overcomes his revulsion at his situation and his fellow convicts, undergoing a spiritual re-awakening that culminates with his release from the camp. It is a work of great humanity; Dostoyevsky portrays the inmates of the prison with sympathy for their plight, and also expresses admiration for their energy, ingenuity and talent. He concludes that the existence of the prison, with its absurd practices and savage corporal punishments is a tragic fact, both for the prisoners and for Russia itself.
Memoirs of Barry Lyndon, Esq.

William Makepeace Thackeray
First published as a serial in Fraser's Magazine in 1844 as The Luck of Barry Lyndon, The Memoirs of Barry Lyndon, Esq is a picaresque novel, narrated (occasionally charmingly, always unreliably) by a member of the 18th-century Irish gentry. Redmond Barry, later Barry Lyndon, describes his rise to - and inevitable fall from - the top of the English aristocracy. Romantic, military and political intrigue, as well as satire and pathos, follow. Editorial notes, courtesy of Thackeray's fictitious alter ego, G. S. FitzBoodle, interject further levels of irony, humour and detachment.

Thackeray, who based the novel in part on the life and exploits of the Anglo-Irish rake and fortune-hunter Andrew Robinson Stoney, among other historical sources, significantly revised and reissued the book in 1856 under its current title.

Its unreliable, morally dubious narrator, metafictional editor, and multiple layers of interpretive possibility make it a fascinating precursor to the modern novel, while Thackeray's characteristic interest in the specifics of 18th-century life ensures a rich and engaging backdrop.

In 1975, Stanley Kubrick adapted the book for his film Barry Lyndon, since widely regarded as one of the finest films ever made.

This audiobook was read from a 1902 edition edited by Walter Jerrold, who provides a brief introduction.
Golden Bowl, The

James, Henry
The Golden Bowl is a 1904 novel by Henry James. Set in England, this complex, intense study of marriage and adultery completes what some critics have called the "major phase" of James' career. The Golden Bowl explores the tangle of interrelationships between a father and daughter and their respective spouses. The novel focuses deeply and almost exclusively on the consciousness of the central characters, with sometimes obsessive detail but also with powerful insight.
Hero of Our Time (Version 2)

Mikhail Yurevich Lermontov
One of the iconic characters of all Russian literature, Grigori Aleksandrovich Pechorin is the ultimate “superfluous man.” An aristocratic rake who loves the game of manipulating the lives of those around him, he callously kidnaps a Chechen teenager to be his bride, wagers the life of an inveterate gambler in a kind of philosophical Russian roulette, and engages in dangerous games with Crimean smugglers. “A Hero of Our Time” is really a collection of stories rather than a novel, culminating in the brilliant psychological novella “Princess Mary,” in which Pechorin toys tragically with the loves of two fragile women and sacrifices the life of his own friend for the sake of his own sociopathic amusement. In the process, he dissects his own motives with a kind of ruthless, surgical precision through which occasionally we see the human soul of a man in agony, who might not really want to be what he has become and who grieves over the loss of his own capacity for love and compassion.
Germinal (English)

Émile Zola
This epic about French coal miners and the burgeoning labor movement is considered one of Zola's finest novels.
Hunger

Hamsun, Knut
Hunger (Norwegian: Sult) is a novel by the Norwegian author Knut Hamsun and was published in its final form in 1890. The novel has been hailed as the literary opening of the 20th century and an outstanding example of modern, psychology-driven literature. It hails the irrationality of the human mind in an intriguing and sometimes humorous novel. Written after Hamsun's return from an ill-fated tour of America, Hunger is loosely based on the author's own impoverished life before his breakthrough in 1890. Set in late 19th century Kristiania, the novel recounts the adventures of a starving young man whose sense of reality is giving way to a delusionary existence on the darker side of a modern metropolis. While he vainly tries to maintain an outer shell of respectability, his mental and physical decay are recounted in detail. His ordeal, enhanced by his inability or unwillingness to pursue a professional career, which he deems unfit for someone of his abilities, is pictured in a series of encounters which Hamsun himself described as 'a series of analyses.' In many ways, the protagonist of the novel displays traits reminiscent of Raskolnikov, whose creator, Fyodor Dostoevsky, was one of Hamsun's main influences. The influence of naturalist authors such as Emile Zola is apparent in the novel, as is his rejection of the realist tradition.
Library of the World's Best Literature, Ancient and Modern, volume 11

Various
The Library of the World's Best Literature, Ancient and Modern, is a work of enormous proportions. Setting out with the simple goal of offering "American households a mass of good reading", the editors drew from literature of all times and all kinds what they considered the best pieces of human writing, and compiled an ambitious collection of 45 volumes (with a 46th being an index-guide). Besides the selection and translation of a huge number of poems, letters, short stories and sections of books, the collection offers, before each chapter, a short essay about the author or subject in question. In many cases, chapters contemplate not one author, but certain groups of works, organized by nationality, subject or period; there is, thus, a chapter on Accadian-Babylonian literature, one on the Holy Grail, and one on Chansons, for example.The result is a collection that holds the interest, for the variety of subjects and forms, but also as a means of first contact with such famous and important authors that many people have heard of, but never read, such as Abelard, Dante or Lord Byron. According to the editor Charles Dudley Warner, this collection "is not a library of reference only, but a library to be read."This eleventh volume contains chapters from "Dana" to "Dickens".
Library of the World's Best Literature, Ancient and Modern, volume 13

Various
The Library of the World's Best Literature, Ancient and Modern, is a work of enormous proportions. Setting out with the simple goal of offering "American households a mass of good reading", the editors drew from literature of all times and all kinds what they considered the best pieces of human writing, and compiled an ambitious collection of 45 volumes (with a 46th being an index-guide). Besides the selection and translation of a huge number of poems, letters, short stories and sections of books, the collection offers, before each chapter, a short essay about the author or subject in question. In many cases, chapters contemplate not one author, but certain groups of works, organized by nationality, subject or period; there is, thus, a chapter on Accadian-Babylonian literature, one on the Holy Grail, and one on Chansons, for example.

The result is a collection that holds the interest, for the variety of subjects and forms, but also as a means of first contact with such famous and important authors that many people have heard of, but never read, such as Abelard, Dante or Lord Byron. According to the editor Charles Dudley Warner, this collection "is not a library of reference only, but a library to be read."

This thirteenth volume contains chapters from "Dutt" to "Emerson".
Eugénie Grandet

Honoré de Balzac
Eugénie Grandet, first published in 1833, is one of Honoré de Balzac's finest novels, and one of the first works in what would become his large novel series titled La Comédie Humaine. Set in a provincial town in post-Revolutionary France, the story deals with money, avarice, love, and obsession. A wealthy old miser must manage the passion of his innocent daughter, who later has to navigate on her own the treacherous ways of a world in which money is "the only god." Balzac's meticulous use of psychological and physical detail influenced the development of 19th-century literary realism, in the hands of writers such as Dickens, Dostoyevsky, Flaubert, and Henry James.
Trembling of a Leaf

W. Somerset Maugham
A collection of short stories on the South Sea Islands, among which are the famous "Red," "Rain," and "The Fall of Edward Barnard," the last of which contains the basic story of what came to be one of the most well-known among W. Somerset Maugham's novels, The Razor's Edge.
Weird Tales, Volume 1

E. T. A. Hoffmann
These stories form the first volume of the renowned Tales of Hoffman. They are fantasies with hints of the supernatural—quintessential Romanticism. Writers of the Romantic period typically seek to lift the spirit to awe, wonder, love, horror, or other extremes of emotion. Hoffmann is drawn to such experiences, particularly as they relate to the creative process. Although he occasionally arouses them in the reader, he more often examines them critically or, in the case of hysterical excesses, especially infatuation, satirizes them.
Within a Budding Grove

Marcel Proust
"In the Shadow of Young Girls in Flower" (bowdlerized by Scottish translator Scott Moncrieff as "Within a Budding Grove") is the second volume of Proust's heptalogy, "In Search of Lost Time" (called after a Shakespeare line "Remembrance of Things Past" by Scott Moncrieff). Shadow insightfully deals with adolescent longing, and continues Proust's profound meditation on the nature of memory. The original French version was awarded the prestigious Prix Goncourt in 1919.

NOTE: This book contains language that would have been considered appropriate at the time and which may not be appropriate today.
Magic Skin

Honoré de Balzac
Something along the lines of Dorian Gray as part of the Comedies Humane Philosophique, this is Balzac's first successful novel. He even wrote "criticisms" of the writing himself in promotion of the book, in addition to hyping the work before it even came out. It is a criticism of materialism and French bourgeoisie as so many of his compiled works seek to be. Some same characters reappear.
Temptation Of St. Anthony

Gustave Flaubert
An extraordinary work of the aesthetic imagination, cast in the form of a psycho-drama detailing the events of one night in the life of the aged hermit, later Saint, Anthony, in the course of which his claims to sainthood are severely tested by, among other things, Gods, Magicians, Science, Food, Monstres, Lust and Death. Beautifully translated by Lafcadio Hearn, justly celebrated for his eerie re-tellings of Japanese ghost stories and legends, it boasts equally extraordinary printworks (for those who follow the link to the Online Text) by renowned symbolist artist Odilon Redon.
Sons and Lovers (Version 2)

D. H. Lawrence
Lawrence summarised the plot of Sons and Lovers in a letter to Edward Garnett in 1912:

“It follows this idea: a woman of character and refinement goes into the lower class, and has no satisfaction in her own life. She has had a passion for her husband, so her children are born of passion, and have heaps of vitality. But as her sons grow up she selects them as lovers — first the eldest, then the second. These sons are urged into life by their reciprocal love of their mother — urged on and on. But when they come to manhood, they can't love, because their mother is the strongest power in their lives, and holds them...”

The present reader tells the story in his authentic regional English, featuring the East Midlands dialect used by Lawrence in the more intimate exchanges between characters. (Summary prepared by Martin Geeson.)
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