Danny is the proverbial basket-on-the-doorstep baby, found by Hank and Elmira Walters, a childless couple who welcome him into their home because they need a new topic over which to bicker. Bicker they do, and fight just as often, from the day they attempt to settle on a name, to the day eighteen years later, when Danny and Hank come to blows and Danny leaves home in company with Dr. Kirby, bottler and supplier of the miracle elixir, Siwash Indian Sagraw. For years Danny wanders aimlessly--from Illinois to Indiana to Ohio, back to Illinois, then into Tennessee and points south--sometimes in company with Dr. Kirby, sometimes alone; sometimes working as a circus roustabout, wild man from Borneo, or Patagonian cannibal; sometimes only bumming around, but always feeling inextricably bound to Dr. Kirby, as though by fate. At last, as in most comedies, all problems are resolved when Danny finds contentment with his true parents, and Dr. Kirby is helped to find the lost love after which he has quested for the greater portion of his life. --Book Review Digest, 1912
Yes, it's been a couple of years since I quit the ring. . . . I slid into a quiet corner for a month or so, and then I dropped into the only thing I knew how to do, trainin' comers to go against the champs. It ain't like pullin' down your sixty per cent of the gate receipts, but there's worse payin' jobs.
Course, there's times when I finds myself up against it. It was durin' one of them squeezes, not so long ago, that I gets mixed up with Leonidas Dodge, and all that foolishness. Ah, it wa'n't anything worth wastin' breath over. You would? Honest? Well, it won't take long, I guess.
The young Count von Rudloff got himself into so much trouble with the Imperial Family in Berlin, that he sees no other way out of it than to fake his own death. Stumbling through different identities, he finally assumes - quite against his will - the identity of the Prince von Gramberg. At Gramberg Castle, he finds a web of intrigue, which threatens the safety of the young and beautiful Countess Minna. The Count von Rudloff decides to save the girl, but the intrigue is more complicated than it first appeared, and there are old enemies who are still waiting for their revenge...
" A Tempestous Voyage of Four Thousand and Ninety-Six Miles Across the American Continent on a Burro, in 340 Days and 2 Hours - starting without a dollar and earning my way." The journey could be accomplished in 5 days by train, but the author took close to a year to work his way across the country. This is a witty and amusing account of one man (and his donkey)'s adventures crossing the American continent from New York to San Francisco.
Humorous stories of social climbing in America's "classless" society.
Trollope returns in Is He Popenjoy to two of his favorite subjects: property and inheritance. As in "Doctor Thorne," the issues are complicated by the specter of possible illegitimacy. Lord George Germain, a thoroughly respectable, upstanding, if not particularly bright younger son with new wife, rather expects to inherit a title, since his vicious and dissolute elder brother, the Marquis of Brotherton, who lives in Italy, shows no signs of settling down and producing heirs. Then comes a thunderbolt in the form of a letter from the Marquis suddenly claiming that he has, late in life, married an Italian widow and sired a son. This little boy, if he is indeed legitimate, is Lord Popenjoy and the heir to the marquisate.
But is he legitimate? Are his parents in fact properly united in holy wedlock? And were they so at the time of his birth on alien soil? How on earth to find out? The book, which starts almost as a comedy of manners (and perhaps also a comedy of manors), takes on a darker and more sardonic tone with this mystery, and with some other suspected and actual romantic entanglements which are not entirely in the aristocratic Victorian rule-book. Among the large cast of characters are two memorable foreigners: the repellent German feminist Baroness Bannmann, and the rather more attractive American version, Amelia Q. Fleabody (not, of course, to be confused in any way with the real Elizabeth Peabody, who under another name, lies at the heart of Henry James's The Bostonians).
A series of essays offering a humorous look at commonplace items and occurrences.
This is a massive effort, taking place in England and the Middle East, with a cast of thousands... Well, not thousands, fortunately, but certainly a great many. There are three Bertrams present: Sir Lionel, his son George (our hero), and the wealthy uncle. The primary story involves the joining of two couples (following some rocky periods), and the disposal of the uncle's fortune. The more amusing bits focus on peripheral characters in the social settings of a fictional town and in travel on board ship or touring Egypt. Trollope digresses from time to time to lecture us on religion, politics, and eccentricities of the British tourist.
Carleton B. Case is well known for wit and humor, as the title of the book leads one to believe this book will follow suit.
The first in a trilogy of books known together as 'The Little Ottleys', this is a sparkling social comedy set in Edwardian London. Ada Leverson was a great friend and staunch supporter of Oscar Wilde and shared his love for sharp, witty writing. Like Wilde, her work is characterised by a wonderful ear for dialogue and deft characterization. 'Love's Shadow' introduces us to Bruce and Edith Ottley and their friends, who are to all appearances living the bright and carefree lives of the well-to-do. But there are cracks appearing in the facade. Bruce is staggeringly self-obsessed, a hypochondriac and a spendthrift, and Edith must learn to manage her stubborn, exasperating husband. Meanwhile their friends attempt to navigate the rocky rapids of love and marriage with varying degrees of success, and keep us thoroughly entertained along the way. ( Helen Taylor)
Jenkins' most popular fictional creation was Mr. Joseph Bindle, who first appeared in a humorous novel in 1916 and in a number of sequels. In the preface to the books, T. P. O'Connor said that "Bindle is the greatest Cockney that has come into being through the medium of literature since Dickens wrote Pickwick Papers". The stories are based on the comedic drama of life at work, at home and all the adventures that take place along the way.
New York-born John Kendrick Bangs was associate editor and then editor of Life and Harper magazines, eventually finding his way into the Humour department. Here he began to write his own satire and humour. Ghosts I Have Met and Some Others is a delightfully humourous collection of short tales relating encounters with ghosts.
First released in 1893, Coffee And Repartee is a collection of breakfast chats at a gentlemans boarding house run by a Mrs. Smithers. Here these fellows repeatedly face questions and proclaimations of an inhabitant they call The Idiot. The discussions sound friendly under pretense, but are really sly battles of ribald wit and cunning charm, as well as rather offensive remarks during a time period considered by many to favour a height of refined etiquette. The Idiot spars well, but will the other residents get the better of him?
As the New York Times said in 1903, this lesser-known work by Jerome K. Jerome does not display "the wit of Congreve or even the glittering sort Mr. Jerome employs in some of his other books."
It takes the form of imaginary conversations between the writer and a number of un-named characters at the afternoon tea table. The Woman of the World, the Old Maid, the Girton Girl, the Philosopher and the Minor Poet wax lyrical on subjects like marriage, art, society and politics. Frequently they appear to prefer the sound of their own voice to that of others.
Although I couldn't agree with the NY Times that it is the Baedeker guide to conversation, it is certainly an eye-opening glimpse into this now almost extinct art. The participants are already bemoaning the lack of invigorating conversation in society: "Conversation has become a chorus; or, as a writer wittily expressed it, the pursuit of the obvious to no conclusion."
A fictitious account of a "friend" of William Shakespeare, who accompanies him from his birth to his death and beyond, chronicling Shakespeare's life, adventures, speeches, and impromptu bursts of poetry.
Penrod for girls in the form of Florence, the bratty younger cousin of luminous Julia Atwater, enlivens this romantic comedy set in Tarkington's Indiana of the early 20th Century.
Anthony Trollope’s fortieth novel, published in 1881, concerns a respectable Christian boys’ school whose proprietor unknowingly hires a woman who apparently has two husbands: A devoted English scholar and an abusive drunkard from the American south. The book interweaves a sensitive and realistic exploration of Dr. Wortle’s moral dilemma with a humorous look at small-town gossip and--of course--a romance involving the doctor’s beautiful young daughter.
Some humorous, some heartwarming, some heartstring-pulling stories from the newspaper office of a small Kansas town, "in that part of the country called the West by those who live east of the Alleghenies, and referred to lovingly as 'back East' by those who dwell west of the Rockies. It is a country town where, as the song goes, 'you know everybody and they all know you,' and the country newspaper office is the social clearing-house." Published in 1904.
Saltus has been compared to Oscar Wilde for wit and language. His novels are entertaining, yet philosophical, exposing the vagaries of human nature. The publishers promoted Mr. Incoul's Misadventure thus: "A novel which is sure to be condemned by every one who prefers platitude to paradox, or tea and toast to truffles and red pepper."
Herbert Jenkins' most popular fictional creation was Mr. Joseph Bindle, who first appeared in a humorous novel in 1916 and in a number of sequels. In the preface to the books, T. P. O'Connor said that "Bindle is the greatest Cockney that has come into being through the medium of literature since Dickens wrote Pickwick Papers". The stories are based on the comedic drama of life at work, at home and all the adventures that take place along the way. It becomes clear as the stories progress that Bindle would not be who he is without Mrs. Bindle, and this book seeks to tell the stories of the Bindles from the distaff point of view.
Satiric comedy from 1915 about a nouveau riche British family and their nanny who get whisked off to Maerchenland ('the land of Fairy Tales') one evening in a car drawn by storks. The matron of the family, a thorough snob, is crowned Queen of the country by mistake. She is quick to accept her new position and is determined to introduce British social niceties in her realm. And this really is the land of Fairy Tales, with gnomes, giants, a dragon, magic, a fairy godmother and more. Trouble quickly starts to brew as the royal couple and their son introduce things like capitalism and golf. When gradually a few people find out who should actually have been the new ruler, things get more and more complicated. A bit of romance is thrown into this mixture as well. You'll have to listen to find out whether everyone lives happily ever after.
In the preface and epilogue, the author won't let his audience forget the troubled times in the real world, in the heat of World War I.
Semi-autobiographical series of incidents in the life of an intellectual American family in the late 19th - early 20th Century as seen by favored daughter, Sylvia Marshall. Her father is an economics professor in a Midwestern state university and she is following in his inquisitive footsteps. Canfield writes this in a matter-of-fact manner with Tarkingtonesque good humor.
A pre-eminent legal firm gets far more than it bargained for when it hires the son of its late senior partner, Hopkins Toppleton, Sr., simply to retain the illustrious family name on the company masthead. Knowing Jr. is a loose cannon, their strategy is to pack him off to the UK to head up a European branch of the firm - a branch they have no intention of sending work. The unwitting Hopkins Toppleton, Jr. is, however, determined to make his mark.
Willie Spence may have been a bit eccentric by most standards, but he had a knack for creating gadgets in his small workshop at his home on Cape Cod. Whenever he was 'ketched' by an 'idee' he had to see it to completion, and always did. His small cottage on the Cape had become a labyrinth of string and wires tacked here and there so as to make life a bit challenging for his housekeeper Celestina. But she and most everyone else among the coastal towns and villages loved the old man for all his eccentricities as Willie spent his waning years just waiting for his ship to come in.
In this collection of 17 short essays, Charles S. Brooks (1878-1934), with the usual panache and wit, which he also displays in his comedies, describes funny incidents that can happen to people on holidays or in everyday life.
His two "frightful" comedies, "Wappin' Wharf" and "At the Sign of the Greedy Pig", are already in our catalogue as full-cast stage plays.
This begins with an odd inheritance at the end of a honeymoon, both parties being inexperienced. Then someone comes to visit, then another, until we've got a chaotic bedlam of New England's tragically off the wall odd-ball relations. Our protagonists may not communicate efficiently at first but at least they've got a sense of humours. The humourous style keeps up as well as some moments of lustre and rich feeling about the printed word itself.
This collection of eleven short stories is packed with Henry Wallace Phillips' offbeat humor. You will find a trolley car driver, bored with his route, who decides to drive around town instead. There are a couple of men unfamiliar with the basic properties of a canoe. And watch out for the curse of the chewing gum. Fun to read. Fun to record ( Tom Penn)
The Man With Two Left Feet, and Other Stories is a collection of short stories by P. G. Wodehouse, first published in the United Kingdom on March 8, 1917 by Methuen & Co., London, and in the United States in 1933 by A.L. Burt and Co., New York. All the stories had previously appeared in periodicals, usually the Strand in the UK and the Red Book magazine or the Saturday Evening Post in the US. It is a fairly miscellaneous collection — most of the stories concern relationships, sports and household pets, and do not feature any of Wodehouse's regular characters; one, however, "Extricating Young Gussie", is notable for the first appearance in print of two of Wodehouse's best-known characters, Jeeves and his master Bertie Wooster (although Bertie's surname isn't given and Jeeves's role is very small), and Bertie's fearsome Aunt Agatha.(Wikipedia)
Richard Brinsley Sheridan's comedy was first performed in 1777 and focuses on the intrigues and scandals of the British upper classes. Lady Sneerwell wants to marry Charles Surface, while Joseph Surface wants to marry Maria, an heiress and ward of Sir Peter Teazle. Maria, however, prefers Charles over Joseph. In order to detach her from Charles, Lady Sneerwell and Joseph spread rumors about an affair between Charles and Lady Teazle, Sir Peter's new young wife. Meanwhile, Sir Oliver Surface, newly returned from the East Indies, assumes various disguises to test his nephews' characters. Misunderstandings, mistaken identities, gossip, and bad behavior abound in this uproarious comedy.
This is a collection of short stories written by Fyodor Dostoyevsky (Dostoevsky), who is arguably better-known for his lengthy, contemplative novels. Several of his trademark philosophical, political and religious themes are interwoven throughout these short stories, for example: "Dream of a Ridiculous Man" critiques European nihilism; "The Crocodile" has notes of Russian political commentary; and "Bobok" is critically acclaimed as top-rate Menippean satire. Dostoevsky also provides a Christmas story ("The Heavenly Christmas Tree") with a biting social commentary.
Jane Austen demonstrated her mastery of the epistolary novel genre in Lady Susan, which she wrote in 1795 but never published. Although the primary focus of this short novel is the selfish behavior of Lady Susan as she engages in affairs and searches for suitable husbands for herself and her young daughter, the actual action shares its importance with Austen’s manipulation of her characters' behavior by means of their reactions to the letters that they receive. The heroine adds additional interest by altering the tone of her own letters based on the recipient of the letter. Thus, the character of Lady Susan is developed through many branches as Austen suggests complications of identity and the way in which that identity is based on interaction rather than on solitary constructions of personality. Lady Susan’s character is also built by the descriptions of the other letter-writers; but even though their opinions of this heroine coincide with the image that develops from her own letters, Austen demonstrates the subjectivity of the opinions by presenting them – primarily – in the letters of one woman to another, thereby suggesting the established literary motifs of feminine gossip and jealousy. Readers recognize these subjective motifs and examine all of the idiosyncrasies of the characters in order to create their own opinion of Lady Susan – as they would of any real acquaintance.
A collection of six short stories by American writer Herman Melville, published in May 1856. Except for the newly written title story, "The Piazza," all of the stories had appeared in Putnam's Monthly between 1853 and 1855. The collection includes what has long been regarded as three of Melville's most important achievements in the genre of short fiction, "Bartleby, the Scrivener", "Benito Cereno", and "The Encantadas", his sketches of the Galápagos Islands. (Billy Budd, arguably his greatest piece of short fiction, would remain unpublished in his lifetime.) One should note that the era's prevalent racism occasionally surfaces, as in describing blacks as "indisputable inferiors", to be found in "Benito Cereno".
Don Quixote is a Spanish novel by Miguel de Cervantes Saavedra. Published in two volumes, in 1605 and 1615, Don Quixote is considered the most influential work of literature from the Spanish Golden Age and the entire Spanish literary canon. As a founding work of modern Western literature and one of the earliest canonical novels, it regularly appears high on lists of the greatest works of fiction ever published.... The story follows the adventures of a hidalgo named Mr. Alonso Quixano who reads so many chivalric romances that he loses his sanity and decides to set out to revive chivalry, undo wrongs, and bring justice to the world, under the name Don Quixote de la Mancha. He recruits a simple farmer, Sancho Panza, as his squire, who often employs a unique, earthy wit in dealing with Don Quixote's rhetorical orations on antiquated knighthood. Don Quixote, in the first part of the book, does not see the world for what it is and prefers to imagine that he is living out a knightly story. Throughout the novel, Cervantes uses such literary techniques as realism, metatheatre, and intertextuality. It had a major influence on the literary community, as evidenced by direct references in Alexandre Dumas' The Three Musketeers (1844), Mark Twain's Adventures of Huckleberry Finn (1884) and Edmond Rostand's Cyrano de Bergerac (1897), as well as the word "quixotic" and the epithet "Lothario." Arthur Schopenhauer cited Don Quixote as one of the four greatest novels ever written, along with Tristram Shandy, La Nouvelle Héloïse and Wilhelm Meister.
Martin Chuzzlewit was Dickens 6th novel, serially published in 1843 - 44. Irrespective of the fact that Dickens considered - "Chuzzlewit is in 100 points immeasurably the best of my stories"- it failed to resonate with, or capture the public's imagination as many of its predecessors had done. However by the1850s its popularity had risen and it eventually found recognition as the great novel that it is.
The beginning is somewhat protracted but the prose is magnificent throughout. The theme of the story is about selfishness and obstinacy. The callow eponymous hero Martin Chuzzlewit is estranged from his grandfather (Martin Chuzzlewit the elder) for having the temerity to fall in love with his grandfather's ward — Mary Graham. The Chuzzlewit family are all placed under the microscope as Martin journeys on a voyage of what can only be termed as "self-discovery". His journeying takes him to America, where his experiences change him forever and he returns a far better man.
Woven around the theme of the book are some of Dickens most finely drawn characters, ranging from the comic: Seth Pecksniff, an oily unctuous hypocrite, Mrs Gamp a nurse with a propensity for strong liquor and a delightful way of mangling the English language: to the macabre Jonas Chuzzlewit a dark brooding murderer. There are plots within plots, deception and artifice abound, confidence tricksters on both sides of the Atlantic, and a vicious murder.
This is a satirical novel, particularly when Martin is in America and Dickens, who never shirked from social criticism, utilized that portion of the book to express his feelings on his experiences during his visit to America in1842. It is a comical novel, humour being prevalent throughout, witness Mrs Gamp "Rich folk may ride on camels, but it ain't so easy for em to see out of the needles eye". The irrepressible and precocious young Bailey strutting and posing in his Footman's livery. The deeply melancholic Augustus Moddle, desperate to be run over but finding no takers! and doomed to marry the wrong sister.
A Woman of No Importance is a play by Irish playwright Oscar Wilde. The play premièred on 19 April 1893 at London's Haymarket Theatre. It is a testimony of Wilde's wit and his brand of dark comedy. It looks in particular at English upper class society and has been reproduced on stages in Europe and North America since his death in 1900.
While the novel is humorous (one instance has the King sitting on top of an omnibus and speaking to it as to a horse: "Forward, my beauty, my Arab," he said, patting the omnibus encouragingly, "fleetest of all thy bounding tribe"), it is also an adventure story: Chesterton is not afraid to let blood be drawn in his battles, fought with sword and halberd in the London streets, and Wayne thinks up a few ingenious strategies; and, finally, the novel is philosophical, considering the value of one man's actions and the virtue of respect for one's enemies.
This is a collection of numerous lesser known poems by Lewis Carroll, with a tendency towards entertaining nonsense verses and unusual approaches to subject matter. Some of the poems are rather meta or introspective in content. Overall, this is a light-hearted book of poetry which is comparatively accessible compared to other classic poetry. ( Rosslyn Carlyle)
This is a satirical novel written by Edwin A. Abbott, first published in 1884. Abbott uses a two-dimensional world, with himself as the protagonist, known simply as "A Square", to deride the Victorian aristocracy and its hierarchies. But the book has retained its value throughout the years for its unique portrayal of a two-dimensional world, and how a Sphere introduces the Square to the incomprehensible possibility of a third dimension. Once the square fully understands the third dimension, he suggests to the Sphere that even a fourth, fifth, or sixth dimension could exist. But the Sphere sends the square back to his two-dimensional world, where he cannot convince anyone of the existence of a three dimensional world.
When the absent-minded Earl of Emsworth wanders off with the pride of his scarab collection, American millionaire J. Preston Peters is willing to pay $5000 to the person who can get it back for him. Discretion is necessary since Peters’ daughter is engaged to Emsworth’s son. Joan Valentine and Ashe Marson both decide to go after the reward—she as Aline Peter’s ladies maid, and he as Mr. Peter’s valet—and they all end up at Blandings Castle. But is it possible for anyone to steal back the scarab with The Efficient Baxter ever vigilant? This is, IMHO, one of Wodehouse’s funniest novels. –Debra Lynn
A miscellaneous collection of short stories, not featuring any of Wodehouse's regular characters, most concern love and romance and, being Wodehouse, all are amusing.
After the bizarre textual antics of "Tristram Shandy", this book would seem to require a literary health warning. Sure enough, it opens in mid-conversation upon a subject never explained; meanders after a fashion through a hundred pages, then fizzles out in mid-sentence - so, a plotless novel lacking a beginning, a middle or an end. Let us say: an exercise in the infinitely comic.
"There is not a secret so aiding to the progress of sociality, as to get master of this short hand, and to be quick in rendering the several turns of looks and limbs with all their inflections and delineations, into plain words."
Sterne calls his fine sensitivity to body language (as we now term it) "translation". Much of the pleasure to be had from this wonderfully engaging book comes from his unmatched ability to extract random details from the chaos of experience to create comic turns imbued with Feeling. His Parson Yorick is the Sentimental Traveller: certainly a Man of Feeling, but one in whom "Nature has so wove her web of kindness, that some threads of love and desire are entangled with the piece..."
Uncle Remus, that genial old storyteller, knows how to spin these wonderful tales about the 'criteers' that the little 6 year old boy (and many of us adults!) love to listen to. Yet the 'Brer Rabbit and 'Brer Fox and the others sound a lot like the people all around us. They tell stories about personalities and faults and virtues in a way that is unique to Uncle Remus. As the shadows grow longer outside, draw up a rocking chair next to the little boy, settle back and listen to the wise old man tell these stories. These 17 stories were specially chosen from Uncle Remus: His Songs and Sayings and include The Wonderful Tar-Baby Story, Miss Cow falls a Victim to Mr. Rabbit; Mr. Fox and the Deceitful Frogs; Mr. Rabbit grossly deceives Mr. Fox and lots of others.
After The Three Muskateers and Twenty Years After the adventurous story of Athos, Porthos, Aramis and D'Artagnan continues!
The Vicomte of Bragelonne: Ten Years Later (French: Le Vicomte de Bragelonne ou Dix ans plus tard) is the last of the Musketeer novels. It is usually divided into four volumes and this first volume contains chapters 1-75.
Also published as "Three Men and a Maid". The maid of the title is red-haired, dog-loving Wilhelmina "Billie" Bennet, and the three men are Bream Mortimer, a long-time friend and admirer of Billie, Eustace Hignett, a lily-livered poet who is engaged to Billie at the opening of the tale, and Sam Marlowe, Eustace's dashing cousin, who falls for Billie at first sight. All four find themselves on an ocean liner headed for England together, along with a capable young woman called Jane Hubbard who is smitten with Eustace, and typically Wodehousian romantic shenanigans ensue.
"The range of subjects treated in this book is wonderful, even to me. It is a library of universal knowledge, and the facts contained in it are different from any other facts now in use. I have carefully guarded, all the way through, against using hackneyed and moth-eaten facts. As a result, I am able to come before the people with a set of new and attractive statements, so fresh and so crisp that an unkind word would wither them in a moment."
Robert Chambers was a contemporary of Lovecraft, and this book consists of "weird supernatural tales" in a somewhat similar manner, except that the emphasis is on humor rather than horror. The narrator works for the newly opened Bronx Zoo in New York. He describes his adventures trying to obtain various rare specimens for the zoo's collection, animals that range from the merely extinct to the considerably more unusual. Along the way, he invariably finds a beautiful woman to fall in love with.
Possibly as relevant today as it ever was, this story tells the tale of an English village, Huckley, that is beguiled into voting the Earth was flat. How? And why? That is what this beguiling tale of Kipling's sets out to tell us; how the local Huckley squire, Sir Thomas Ingell, having lured two newspaper proprietors, a reporter and an MP into committing a speeding violation, has the tables turned on him by their making his village (and, thereby, him) an international laughing stock - with the help of Bat Masquerier, music hall proprietor, example of The Totally Amoral Soul and Personal Devil (to quote one of his co-conspirators). The dancing of the Gubby, the totally imaginary Huckley village dance, in the Houses of Parliament serves as a climax and a high spot of the tale. This story can be found in the Kipling collection "A Diversity of Creatures". ( Tony Addison)
A. A. MILNE:…was best known for the perennially popular Pooh (Winnie the), arguably one of his lesser contributions to the literature of his day. He was highly acclaimed for dozens of popular plays. Moreover, he was both a contributor to and editor of Britain’s famous Punch Magazine; and for Punch, The Atlantic Monthly and dozens of other internationally acclaimed journals he wrote hundreds of essay, sketches and poems.
THE WORLD WARS:Milne argued aggressively against the many enemy atrocities characterizing both World Wars, and also fought in both. All four years of the Great War he spent primarily in the trenches, sustaining the greatest dangers of the new warfare at close range. His war experiences are forcibly captured in some of the poems in this collection and others.
INFLUENCE ON THE STYLE OF BRITISH HUMOR:His immense popularity doubtless helped influenced the very basis of British wit and humor: His gentle, often self-deprecatory but always kind style of humor lured readers and publishers away from the more ironic, cynical, and acerbic humorous works of recent decades.
Join the Oldest Member...whether you like it or not...and be carried on a magic carpet ride through the world of golf, love, and...aunts...as seen through the eyes of the creator of Jeeves and Wooster and Blandings Castle, the inimitable Pelham (Plum) Grenville Wodehouse.
Get the true story of Adam and Eve, straight from the source. This humorous text is a day-to-day account of Adam’s life from happiness in the “GARDEN-OF-EDEN” to their fall from grace and the events thereafter. Learn how Eve caught the infant Cain, and Adam takes some time to learn exactly what it is.