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<h2> CHAPTER VII. </h2>
<p class="pfirst">
<span class="dropcap" style="font-size: 4.00em">A</span>t Crome all the
beds were ancient hereditary pieces of furniture. Huge beds, like
four-masted ships, with furled sails of shining coloured stuff. Beds
carved and inlaid, beds painted and gilded. Beds of walnut and oak, of
rare exotic woods. Beds of every date and fashion from the time of Sir
Ferdinando, who built the house, to the time of his namesake in the late
eighteenth century, the last of the family, but all of them grandiose,
magnificent.</p>
<p>The finest of all was now Anne’s bed. Sir Julius, son to Sir Ferdinando,
had had it made in Venice against his wife’s first lying-in. Early
seicento Venice had expended all its extravagant art in the making of it.
The body of the bed was like a great square sarcophagus. Clustering roses
were carved in high relief on its wooden panels, and luscious putti
wallowed among the roses. On the black ground-work of the panels the
carved reliefs were gilded and burnished. The golden roses twined in
spirals up the four pillar-like posts, and cherubs, seated at the top of
each column, supported a wooden canopy fretted with the same carved
flowers.</p>
<p>Anne was reading in bed. Two candles stood on the little table beside her,
in their rich light her face, her bare arm and shoulder took on warm hues
and a sort of peach-like quality of surface. Here and there in the canopy
above her carved golden petals shone brightly among profound shadows, and
the soft light, falling on the sculptured panel of the bed, broke
restlessly among the intricate roses, lingered in a broad caress on the
blown cheeks, the dimpled bellies, the tight, absurd little posteriors of
the sprawling putti.</p>
<p>There was a discreet tap at the door. She looked up. “Come in, come in.” A
face, round and childish, within its sleek bell of golden hair, peered
round the opening door. More childish-looking still, a suit of mauve
pyjamas made its entrance.</p>
<p>It was Mary. “I thought I’d just look in for a moment to say good-night,”
she said, and sat down on the edge of the bed.</p>
<p>Anne closed her book. “That was very sweet of you.”</p>
<p>“What are you reading?” She looked at the book. “Rather second-rate, isn’t
it?” The tone in which Mary pronounced the word “second-rate” implied an
almost infinite denigration. She was accustomed in London to associate
only with first-rate people who liked first-rate things, and she knew that
there were very, very few first-rate things in the world, and that those
were mostly French.</p>
<p>“Well, I’m afraid I like it,” said Anne. There was nothing more to be
said. The silence that followed was a rather uncomfortable one. Mary
fiddled uneasily with the bottom button of her pyjama jacket. Leaning back
on her mound of heaped-up pillows, Anne waited and wondered what was
coming.</p>
<p>“I’m so awfully afraid of repressions,” said Mary at last, bursting
suddenly and surprisingly into speech. She pronounced the words on the
tail-end of an expiring breath, and had to gasp for new air almost before
the phrase was finished.</p>
<p>“What’s there to be depressed about?”</p>
<p>“I said repressions, not depressions.”</p>
<p>“Oh, repressions; I see,” said Anne. “But repressions of what?”</p>
<p>Mary had to explain. “The natural instincts of sex...” she began
didactically. But Anne cut her short.</p>
<p>“Yes, yes. Perfectly. I understand. Repressions! old maids and all the
rest. But what about them?”</p>
<p>“That’s just it,” said Mary. “I’m afraid of them. It’s always dangerous to
repress one’s instincts. I’m beginning to detect in myself symptoms like
the ones you read of in the books. I constantly dream that I’m falling
down wells; and sometimes I even dream that I’m climbing up ladders. It’s
most disquieting. The symptoms are only too clear.”</p>
<p>“Are they?”</p>
<p>“One may become a nymphomaniac if one’s not careful. You’ve no idea how
serious these repressions are if you don’t get rid of them in time.”</p>
<p>“It sounds too awful,” said Anne. “But I don’t see that I can do anything
to help you.”</p>
<p>“I thought I’d just like to talk it over with you.”</p>
<p>“Why, of course; I’m only too happy, Mary darling.”</p>
<p>Mary coughed and drew a deep breath. “I presume,” she began sententiously,
“I presume we may take for granted that an intelligent young woman of
twenty-three who has lived in civilised society in the twentieth century
has no prejudices.”</p>
<p>“Well, I confess I still have a few.”</p>
<p>“But not about repressions.”</p>
<p>“No, not many about repressions; that’s true.”</p>
<p>“Or, rather, about getting rid of repressions.”</p>
<p>“Exactly.”</p>
<p>“So much for our fundamental postulate,” said Mary. Solemnity was
expressed in every feature of her round young face, radiated from her
large blue eyes. “We come next to the desirability of possessing
experience. I hope we are agreed that knowledge is desirable and that
ignorance is undesirable.”</p>
<p>Obedient as one of those complaisant disciples from whom Socrates could
get whatever answer he chose, Anne gave her assent to this proposition.</p>
<p>“And we are equally agreed, I hope, that marriage is what it is.”</p>
<p>“It is.”</p>
<p>“Good!” said Mary. “And repressions being what they are...”</p>
<p>“Exactly.”</p>
<p>“There would therefore seem to be only one conclusion.”</p>
<p>“But I knew that,” Anne exclaimed, “before you began.”</p>
<p>“Yes, but now it’s been proved,” said Mary. “One must do things logically.
The question is now...”</p>
<p>“But where does the question come in? You’ve reached your only possible
conclusion—logically, which is more than I could have done. All that
remains is to impart the information to someone you like—someone you
like really rather a lot, someone you’re in love with, if I may express
myself so baldly.”</p>
<p>“But that’s just where the question comes in,” Mary exclaimed. “I’m not in
love with anybody.”</p>
<p>“Then, if I were you, I should wait till you are.”</p>
<p>“But I can’t go on dreaming night after night that I’m falling down a
well. It’s too dangerous.”</p>
<p>“Well, if it really is TOO dangerous, then of course you must do something
about it; you must find somebody else.”</p>
<p>“But who?” A thoughtful frown puckered Mary’s brow. “It must be somebody
intelligent, somebody with intellectual interests that I can share. And it
must be somebody with a proper respect for women, somebody who’s prepared
to talk seriously about his work and his ideas and about my work and my
ideas. It isn’t, as you see, at all easy to find the right person.”</p>
<p>“Well” said Anne, “there are three unattached and intelligent men in the
house at the present time. There’s Mr. Scogan, to begin with; but perhaps
he’s rather too much of a genuine antique. And there are Gombauld and
Denis. Shall we say that the choice is limited to the last two?”</p>
<p>Mary nodded. “I think we had better,” she said, and then hesitated, with a
certain air of embarrassment.</p>
<p>“What is it?”</p>
<p>“I was wondering,” said Mary, with a gasp, “whether they really were
unattached. I thought that perhaps you might...you might...”</p>
<p>“It was very nice of you to think of me, Mary darling,” said Anne, smiling
the tight cat’s smile. “But as far as I’m concerned, they are both
entirely unattached.”</p>
<p>“I’m very glad of that,” said Mary, looking relieved. “We are now
confronted with the question: Which of the two?”</p>
<p>“I can give no advice. It’s a matter for your taste.”</p>
<p>“It’s not a matter of my taste,” Mary pronounced, “but of their merits. We
must weigh them and consider them carefully and dispassionately.”</p>
<p>“You must do the weighing yourself,” said Anne; there was still the trace
of a smile at the corners of her mouth and round the half-closed eyes. “I
won’t run the risk of advising you wrongly.”</p>
<p>“Gombauld has more talent,” Mary began, “but he is less civilised than
Denis.” Mary’s pronunciation of “civilised” gave the word a special and
additional significance. She uttered it meticulously, in the very front of
her mouth, hissing delicately on the opening sibilant. So few people were
civilised, and they, like the first-rate works of art, were mostly French.
“Civilisation is most important, don’t you think?”</p>
<p>Anne held up her hand. “I won’t advise,” she said. “You must make the
decision.”</p>
<p>“Gombauld’s family,” Mary went on reflectively, “comes from Marseilles.
Rather a dangerous heredity, when one thinks of the Latin attitude towards
women. But then, I sometimes wonder whether Denis is altogether
serious-minded, whether he isn’t rather a dilettante. It’s very difficult.
What do you think?”</p>
<p>“I’m not listening,” said Anne. “I refuse to take any responsibility.”</p>
<p>Mary sighed. “Well,” she said, “I think I had better go to bed and think
about it.”</p>
<p>“Carefully and dispassionately,” said Anne.</p>
<p>At the door Mary turned round. “Good-night,” she said, and wondered as she
said the words why Anne was smiling in that curious way. It was probably
nothing, she reflected. Anne often smiled for no apparent reason; it was
probably just a habit. “I hope I shan’t dream of falling down wells again
to-night,” she added.</p>
<p>“Ladders are worse,” said Anne.</p>
<p>Mary nodded. “Yes, ladders are much graver.”</p>
<p><br/><br/></p>
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