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Cradock Nowell Vol. 1

<h2 class="p4">CHAPTER VIII.</h2> Honours flash in the summer sun, as green corn does in the morning; then they gleam mature and mellow at the time of reaping; they are bagged, perhaps by a womanʼs arm, with a cut “below the knees”; set on their butt for a man to sit under while eating his bread and cheese; then they wither, and are tossed into chaff by a contumelious steam–engine with a leathern strap inflexible. Cradockʼs “Ireland” has gone by, and another has succeeded it, and this has fallen, as most things fall, to the sap of perseverance, steel–tipped with hard self–confidence—this Ireland has fallen to the lot of Brown Balliolensis. Clayton would not go in for it; his pride, or rather vanity, would not allow him to do so. Was he going to take Cradockʼs leavings, and be a year behind him, when he was only two minutes younger? However, he went in for the Hertford, and, what was a great[67] deal more, he got it; for Cradock would not stand; and, even if he had, perhaps the result would have been the same. Viley had made up his mind to win it, and worked very hard indeed; and so won it very easily. Cradock could usually beat him in Greek, but not so often in Latin. And Clayton wrote the prettiest, most tripping, coquettish, neat–ankled hendecasyllables that ever whisked roguishly round a corner, wondering where Catullus was. Ah! light–hearted poet, sensitively sensuous, yet withal deep–hearted, with a vein of golden philosophy, and a pensive tenderness, now–a–days we overlook thee. Horace is more fashionable, more suited to a flippant age, because he has no passion. Early on a sunripe evening in the month of June, “when the sun was shifting the shadows of the hills, and doffed the jaded oxenʼs yoke, distributing the love time from his waning chariot”, a forest dell, soft, clear, and calm, was listening to its thrushes. And more than at the throstleʼs flute, or flageolet of the blackbird, oaks and chestnuts pricked their ears at the voice of a gliding maiden. Where the young fern was pluming itself, arching, lifting, ruffling in filigree, light perspective, and depth of Gothic tracery, freaked by the nip of fairy fingers, tremulous as a coral grove in a crystal under–current, the shyer fronds still nestling home, uncertain of the world as yet, and coiled like catherine–wheels of green; where the cranesbill pushed like Zedekiah, and the succory reared its[68] sky–blue windmill (open for business till 8 P.M.); where the violet now was rolled up in the seed–pod, like a stylite millipede, and the great bindweed, in its crenate horn, piped and fluted spirally, had forgotten the noonday flaunt: here, and over the nibbled sward, where the crisp dew was not risen yet, here came wandering the lightest foot that ever passed, but shook not, the moss–bed of the glow–worm. Under the rigorous oaks (so corded, seamed, and wenned with humps of grey), the stately, sleek, mouse–coloured beech, the dappled, moss–beridden ash, and the birch–tree peeling silverly, beneath the murmuring congress of the sunproof leaves; and again in the open breaks and alleys, where light and shade went see–saw; by and through and under all, feeling for and with every one, glanced, and gleamed, and glistened, and listened the loveliest being where all was love, the pet in the nest of nature. Of all the beauty in that sweet dell, where the foot of man came scarcely once in a year; of all the largesse of earth and heaven; of all the grace which is Natureʼs gratitude to her heavenly Father: there was not one, from the lily–bell to the wild rose and the heather–sprig, fit for a man to put in his bosom, and look at Amy Rosedew. It is told of a certain good manʼs child, whose lineage still is cherished, that when she was asked by her father (half–bantering, half in earnest) to tell him the reason why everybody loved her so, she cast down her eyes with a puzzled air, then opened[69] them wide, as a child does to the sunrise of some great truth—“Father, perhaps it is because I love everybody so”. Lucan has it in a neater form: “amorem quæris amando”. And that was Amy Rosedewʼs secret, by herself undreamed of—lovely, because she could not help loving all our God has made. And of all the fair things He has made, and pronounced to be very good, since sunshine first began to gleam, to glow, and to fade away, what home has beauty found so bright, so rich in varied elegance, so playfully receptive of the light shed through creation—the light of the Makerʼs smile—as a young maiden, pure of heart, natural, true, and trusting? She came to the brink of a forest pool, and looked at herself in the water. Not that she thought more than she could help of the outward thing called “Amy”, but that she wondered how her old favourites, Cradock and Clayton Nowell, would esteem her face and style of dress now she was turned seventeen. Most likely they had seen ever so many girls, both at Oxford and in London, compared with whom poor Amy was but a rustic Phidyle, just fit to pick sticks in the New Forest. The crystal mirror gave her back even the shade on her own sweet face, which fell from the cloud of that simple thought; for she stood where the westering sunshine failed to touch the water, but flushed with rich relief of gold the purity of her figure. Every sapling, dappled hazel, sloughing birch, or glabrous maple, glistened with the[70] plumes of light, and every leaf was twinkling. The columns of the larger trees stood like metal cylinders, whereon the level gleam rules a streak, and glints away round the rounding. Elbows, arms, and old embracings, backed with a body–ground of green, laced with sunsetʼs golden bodkin, ever shifting every eyelet,—branch, and bough, and trunk, and leaves, ruffling and twisting, or staunch and grand, they seemed but a colonnade and arch, for the sun to peep through at the maiden, and tell of her on the calm waters. Floating, fleeting, shimmering there, in a frame of stately summer flags, vivid upon the crystal shade, and twinkling every now and then to the plash of a distant moorhen, or the dip of a swallowʼs wing, lay her graceful image, wondering in soft reply to her play of wonder. She took off her light chip hat, and laughed; lo! the courteous picture did the same. She offered, with a mincing air, her little frail of wood–strawberries; and the shadowy Amy put them back with the prettiest grace ever dreamed of. Then she cast the sparkling night of her tresses down the white shoulders and over her breast; and the other Amy was looking at her through a ripple of cloudiness, with the lissom waist retiring. She smoothed her hair like a scarf around her, withdrew her chin on the curving neck, and bowed the shapely forehead, well pleased to see thus the foreshortening undone, and the pure, bright oval shown as in a glass.[71] Then, frightened almost at the lustrous depth of her large grey eyes, deep–fringed with black, she thought of things all beyond herself, and woke, from Natureʼs innocent joy in her own brief luck of beauty, to the bashful consciousness, the down of a maidenʼs dreamings. Bridling next at her mirrored face, with a sudden sense of humour, all the time she watched the red lips, and the glimmer of pearls between them, “Amy”, she cried, “now, after this, donʼt come to me for a character, unless you want one, you pretty dear, for conceit and self–admiration”. So saying, she tossed her light head at herself, and looked round through her flickering cloudlets. What did she see? What made the dark water flame upon the instant with a richer glow than sunset? The delicate cheeks, the fair forehead and neck, even the pearly slope of the shoulders, were flooded with deepest carmine. Her pride fell flat, as the cistus stamen at a touch droops away on the petal. Then she shrank back into a flowering broom, and cowered among the spikelets, and dared not move to wipe away the tears she was so mad with. Oh! the wretched abasement earned by a sweet little bit of vanity! How she hated herself, and the light, and the water, her senseless habit of thinking aloud, above all, her despicable fancy that she was growing—what nonsense!—such a pretty girl! Thenceforth and for ever, she felt quite sure, she never could[72] look in a glass again, unless it were just for a moment, to put her hair to rights, when she got home. “To think of my hair all down my neck, and the way I had turned in the gathers”!—the poor little thing had been making experiments how she would look in a low–necked dress—“Oh! that was the worst thing of all. I might have laughed at it but for that. And now I am sure I can never even peep at his face again. Whatever will he think of me, and what would my papa say”? After crying until she began to laugh, she resolved to go straight home, and confess all her crime to Aunt Eudoxia, John Rosedewʼs maiden sister, who had come to live with him when he lost his wife, three dreary years agone. So Amy rolled up her long hair anyhow, without a bit of pride in it, shrank away and examined herself, to be sure that all was right, and, after one peep, came bravely forth, trying to look as much as possible like her good Aunt Doxy; then she walked at her stateliest, with the basket of strawberries, picked for papa, in one hand, and the other tightly clasped upon the bounding of her heart. But her eyes were glancing right or left, like a fawnʼs when a lion has roared; and even the youngest trees saw quite well that, however rigid with Miss Eudoxia the gliding form might be, it was poised for a dart and a hide behind them at every crossing shadow. But fortune favours the brave. She won her[73] own little sallyport without the rustle of a blackberry–leaf, and thereupon rushed to a hasty and ostrich–like conclusion. She felt quite sure that, after all, none but the waters and winds could tell the tale of her little coquetry. Beyond all doubt, Cradock Nowell was deep in the richest mental metallurgy, tracing the vein of Greek iambics, as he did before his beard grew; and she never, never would call them “stupid iambics” again. Cradock, who had seen her, but turned away immediately (as became a gentleman), did not, for the moment, know his little Amy Rosedew. A year and a half had changed her from a stripling, jumping girl to a shy and graceful maiden, dreadfully afraid of sweethearts. She had not been away from Nowelhurst throughout that year and a half, for her father could not get on without her for more than a month at a time, and all that month he fretted. But the twins had spent the last summer in Germany, with a merry reading (or talking) party; and their Christmas and Easter vacations were dragged away in London, through a strange whim of Sir Cradock Nowell; at least, they thought it strange, but there was some reason for it. Young Cradock Nowell was not such a muff as to be lost in Greek senarii; no trimeter acatalectics of truest balance and purest fall could be half so fair to scan; not “Harmony of the golden hair”, and her nine Pierid daughters round the crystal spring, were worth a glance of[74] the mental eye, when fortune granted bodily vision of our unconscious Amy. But he did not stand there watching mutely, as some youths would have done; for a moment, indeed, he forgot himself in the flush of admiration. The next moment he remembered that he was a gentleman; and he did what a gentleman must have done—whether marquis or labourer: he slipped away through the bushes, feeling as if he had done some injury. Then the maiden, glancing round, caught one startled glimpse, as Nyssia did of the stealthy Gyges, or Diana of Actæon. From that one glimpse she knew him, though he was so like his brother; but he had failed to recognise the Amy of his boyhood. <hr class="chap" /></div> [75] <div class="break"> <div style="break-after:column;"></div>

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