<h2><SPAN name="link2H_4_0002" id="link2H_4_0002"></SPAN> II </h2>
<p>She had a belief that her father’s house was nicer than other people’s
houses. It stood off from the high road, in Black’s Lane, at the head of
the town. You came to it by a row of tall elms standing up along Mr.
Hancock’s wall. Behind the last tree its slender white end went straight
up from the pavement, hanging out a green balcony like a bird cage above
the green door.</p>
<p>The lane turned sharp there and went on, and the long brown garden wall
went with it. Behind the wall the lawn flowed down from the white house
and the green veranda to the cedar tree at the bottom. Beyond the lawn was
the kitchen garden, and beyond the kitchen garden the orchard; little
crippled apple trees bending down in the long grass.</p>
<p>She was glad to come back to the house after the walk with Eliza, the
nurse, or Annie, the housemaid; to go through all the rooms looking for
Mimi; looking for Mamma, telling her what had happened.</p>
<p>“Mamma, the red-haired woman in the sweetie shop has got a little baby,
and its hair’s red, too.... Some day I shall have a little baby. I shall
dress him in a long gown——-”</p>
<p>“Robe.”</p>
<p>“Robe, with bands of lace all down it, as long as <i>that</i>; and a white
christening cloak sewn with white roses. Won’t he look sweet?”</p>
<p>“Very sweet.”</p>
<p>“He shall have lots of hair. I shan’t love him if he hasn’t.”</p>
<p>“Oh, yes, you will.”</p>
<p>“No. He must have thick, flossy hair like Mimi, so that I can stroke him.
Which would you rather have, a little girl or a little boy?”</p>
<p>“Well—what do you think——?”</p>
<p>“I think—perhaps I’d rather have a little girl.”</p>
<p>She would be like Mamma, and her little girl would be like herself. She
couldn’t think of it any other way.</p>
<p>The school-treat was held in Mr. Hancock’s field. All afternoon she had
been with the children, playing Oranges and lemons, A ring, a ring of
roses, and Here we come gathering nuts in May, <i>nuts</i> in May, <i>nuts</i>
in May: over and over again. And she had helped her mother to hand cake
and buns at the infants’ table.</p>
<p>The guest-children’s tea was served last of all, up on the lawn under the
immense, brown brick, many windowed house. There wasn’t room for everybody
at the table, so the girls sat down first and the boys waited for their
turn. Some of them were pushing and snatching.</p>
<p>She knew what she would have. She would begin with a bun, and go on
through two sorts of jam to Madeira cake, and end with raspberries and
cream. Or perhaps it would be safer to begin with raspberries and cream.
She kept her face very still, so as not to look greedy, and tried not to
stare at the Madeira cake lest people should see she was thinking of it.
Mrs. Hancock had given her somebody else’s crumby plate. She thought: I’m
not greedy. I’m really and truly hungry. She could draw herself in at the
waist with a flat, exhausted feeling, like the two ends of a concertina
coming together.</p>
<p>She was doing this when she saw her mother standing on the other side of
the table, looking at her and making signs.</p>
<p>“If you’ve finished, Hatty, you’d better get up and let that little boy
have something.”</p>
<p>They were all turning round and looking at her. And there was the crumby
plate before her. They were thinking: “That greedy little girl has gone on
and on eating.” She got up suddenly, not speaking, and left the table, the
Madeira cake and the raspberries and cream. She could feel her skin all
hot and wet with shame.</p>
<p>And now she was sitting up in the drawing-room at home. Her mother had
brought her a piece of seed-cake and a cup of milk with the cream on it.
Mamma’s soft eyes kissed her as they watched her eating her cake with
short crumbly bites, like a little cat. Mamma’s eyes made her feel so
good, so good.</p>
<p>“Why didn’t you tell me you hadn’t finished?”</p>
<p>“Finished? I hadn’t even begun.”</p>
<p>“Oh-h, darling, why didn’t you <i>tell</i> me?”</p>
<p>“Because I—I don’t know.”</p>
<p>“Well, I’m glad my little girl didn’t snatch and push. It’s better to go
without than to take from other people. That’s ugly.”</p>
<p>Ugly. Being naughty was just that. Doing ugly things. Being good was being
beautiful like Mamma. She wanted to be like her mother. Sitting up there
and being good felt delicious. And the smooth cream with the milk running
under it, thin and cold, was delicious too.</p>
<p>Suddenly a thought came rushing at her. There was God and there was Jesus.
But even God and Jesus were not more beautiful than Mamma. They couldn’t
be.</p>
<p>“You mustn’t say things like that, Hatty; you mustn’t, really. It might
make something happen.”</p>
<p>“Oh, no, it won’t. You don’t suppose they’re listening all the time.”</p>
<p>Saying things like that made you feel good and at the same time naughty,
which was more exciting than only being one or the other. But Mamma’s
frightened face spoiled it. What did she think—what did she think
God would do?</p>
<p>Red campion——</p>
<p>At the bottom of the orchard a door in the wall opened into Black’s Lane,
below the three tall elms.</p>
<p>She couldn’t believe she was really walking there by herself. It had come
all of a sudden, the thought that she <i>must</i> do it, that she <i>must</i>
go out into the lane; and when she found the door unlatched, something
seemed to take hold of her and push her out. She was forbidden to go into
Black’s Lane; she was not even allowed to walk there with Annie.</p>
<p>She kept on saying to herself: “I’m in the lane. I’m in the lane. I’m
disobeying Mamma.”</p>
<p>Nothing could undo that. She had disobeyed by just standing outside the
orchard door. Disobedience was such a big and awful thing that it was
waste not to do something big and awful with it. So she went on, up and
up, past the three tall elms. She was a big girl, wearing black silk
aprons and learning French. Walking by herself. When she arched her back
and stuck her stomach out she felt like a tall lady in a crinoline and
shawl. She swung her hips and made her skirts fly out. That was her
grown-up crinoline, swing-swinging as she went.</p>
<p>At the turn the cow’s parsley and rose campion began; on each side a long
trail of white froth with the red tops of the campion pricking through.
She made herself a nosegay.</p>
<p>Past the second turn you came to the waste ground covered with old boots
and rusted, crumpled tins. The little dirty brown house stood there behind
the rickety blue palings; narrow, like the piece of a house that has been
cut in two. It hid, stooping under the ivy bush on its roof. It was not
like the houses people live in; there was something queer, some secret,
frightening thing about it.</p>
<p>The man came out and went to the gate and stood there. <i>He</i> was the
frightening thing. When he saw her he stepped back and crouched behind the
palings, ready to jump out.</p>
<p>She turned slowly, as if she had thought of something. She mustn’t run.
She must <i>not</i> run. If she ran he would come after her.</p>
<p>Her mother was coming down the garden walk, tall and beautiful in her
silver-gray gown with the bands of black velvet on the flounces and the
sleeves; her wide, hooped skirts swung, brushing the flower borders.</p>
<p>She ran up to her, crying, “Mamma, I went up the lane where you told me
not to.”</p>
<p>“No, Hatty, no; you didn’t.”</p>
<p>You could see she wasn’t angry. She was frightened.</p>
<p>“I did. I did.”</p>
<p>Her mother took the bunch of flowers out of her hand and looked at it.
“Yes,” she said, “that’s where the dark-red campion grows.”</p>
<p>She was holding the flowers up to her face. It was awful, for you could
see her mouth thicken and redden over its edges and shake. She hid it
behind the flowers. And somehow you knew it wasn’t your naughtiness that
made her cry. There was something more.</p>
<p>She was saying in a thick, soft voice, “It was wrong of you, my darling.”</p>
<p>Suddenly she bent her tall straightness. “Rose campion,” she said, parting
the stems with her long, thin fingers. “Look, Hatty, how <i>beautiful</i>
they are. Run away and put the poor things in water.”</p>
<p>She was so quiet, so quiet, and her quietness hurt far more than if she
had been angry.</p>
<p>She must have gone straight back into the house to Papa. Harriett knew,
because he sent for her. He was quiet, too.... That was the little, hiding
voice he told you secrets in.... She stood close up to him, between his
knees, and his arm went loosely round her to keep her there while he
looked into her eyes. You could smell tobacco, and the queer, clean man’s
smell that came up out of him from his collar. He wasn’t smiling; but
somehow his eyes looked kinder than if they had smiled.</p>
<p>“Why did you do it, Hatty?”</p>
<p>“Because—I wanted to see what it would feel like.”</p>
<p>“You mustn’t do it again. Do you hear?—you mustn’t do it.”</p>
<p>“Why?”</p>
<p>“Why? Because it makes your mother unhappy. That’s enough why.”</p>
<p>But there was something more. Mamma had been frightened. Something to do
with the frightening man in the lane.</p>
<p>“Why does it make her?”</p>
<p>She knew; she knew; but she wanted to see what he would say.</p>
<p>“I said that was enough.... Do you know what you’ve been guilty of?”</p>
<p>“Disobedience.”</p>
<p>“More than that. Breaking trust. Meanness. It was mean and dishonorable of
you when you knew you wouldn’t be punished.”</p>
<p>“Isn’t there to be a punishment?”</p>
<p>“No. People are punished to make them remember. We want you to forget.”
His arm tightened, drawing her closer. And the kind, secret voice went on.
“Forget ugly things. Understand, Hatty, nothing is forbidden. We don’t
forbid, because we trust you to do what we wish. To behave beautifully....
There, there.”</p>
<p>She hid her face on his breast against his tickly coat, and cried.</p>
<p>She would always have to do what they wanted; the unhappiness of not doing
it was more than she could bear. All very well to say there would be no
punishment; <i>their</i> unhappiness was the punishment.</p>
<p>It hurt more than anything. It kept on hurting when she thought about it.</p>
<p>The first minute of to-morrow she would begin behaving beautifully; as
beautifully as she could. They wanted you to; they wanted it more than
anything because they were so beautiful. So good. So wise.</p>
<p>But three years went before Harriett understood how wise they had been,
and why her mother took her again and again into Black’s Lane to pick red
campion, so that it was always the red campion she remembered. They must
have known all the time about Black’s Lane; Annie, the housemaid, used to
say it was a bad place; something had happened to a little girl there.
Annie hushed and reddened and wouldn’t tell you what it was. Then one day,
when she was thirteen, standing by the apple tree, Connie Hancock told
her. A secret... Behind the dirty blue palings... She shut her eyes,
squeezing the lids down, frightened. But when she thought of the lane she
could see nothing but the green banks, the three tall elms, and the red
campion pricking through the white froth of the cow’s parsley; her mother
stood on the garden walk in her wide, swinging gown; she was holding the
red and white flowers up to her face and saying, “Look, how <i>beautiful</i>
they are.”</p>
<p>She saw her all the time while Connie was telling her the secret. She
wanted to get up and go to her. Connie knew what it meant when you
stiffened suddenly and made yourself tall and cold and silent. The cold
silence would frighten her and she would go away. Then, Harriett thought,
she could get back to her mother and Longfellow.</p>
<p>Every afternoon, through the hours before her father came home, she sat in
the cool, green-lighted drawing-room reading <i>Evangeline</i> aloud to
her mother. When they came to the beautiful places they looked at each
other and smiled.</p>
<p>She passed through her fourteenth year sedately, to the sound of <i>Evangeline</i>.
Her upright body, her lifted, delicately obstinate, rather wistful face
expressed her small, conscious determination to be good. She was silent
with emotion when Mrs. Hancock told her she was growing like her mother.</p>
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