<span class="pagenum"><SPAN name="Page_227" id="Page_227">227</SPAN></span></p>
<h3 class="p6">CHAPTER XXXI<br/> FOILED YET AGAIN</h3>
<p class="p2">Mallory had fled from the scene at the first hum
of the minister's words. His fate was like alkali on
his palate. For twelve hundred miles he had ransacked
the world for a minister. When one dropped
on the train like manna through the roof, even this
miracle had to be checkmated by a perverse miracle
that sent to the train an early infatuation, a silly
affair that he himself called puppy-love. And now
Marjorie would never marry him. He did not blame
her. He blamed fate.</p>
<p>He was in solitude in the smoking room. The
place reeked with drifting tobacco smoke and the
malodor of cigar stubs and cigarette ends. His
plans were as useless and odious as cigarette ends.
He dropped into a chair his elbows on his knees and
his head in his hands—Napoleon on St. Helena.</p>
<p>And then, suddenly he heard Marjorie's voice.
He turned and saw her hesitating in the doorway.
He rose to welcome her, but the smile died on his
lips at her chilly speech:
<span class="pagenum"><SPAN name="Page_228" id="Page_228">228</SPAN></span></p>
<p>"May I have a word with you, sir?"</p>
<p>"Of course. The air's rather thick in here," he
apologized.</p>
<p>"Just wait!" she said, ominously, and stalked in
like a young Zenobia. He put out an appealing
hand: "Now, Marjorie, listen to reason. Of course
I know you won't marry me now."</p>
<p>"Oh, you know that, do you?" she said, with a
squared jaw.</p>
<p>"But, really, you ought to marry me—not merely
because I love you—and you're the only girl I
ever——" He stopped short and she almost smiled
as she taunted him: "Go on—I dare you to say it."</p>
<p>He swallowed hard and waived the point: "Well,
anyway, you ought to marry me—for your own
sake."</p>
<p>Then she took his breath away by answering:
"Oh, I'm going to marry you, never fear."</p>
<p>"You are," he cried, with a rush of returning hope.
"Oh, I knew you loved me."</p>
<p>She pushed his encircling arms aside: "I don't
love you, and that's why I'm going to marry you."</p>
<p>"But I don't understand."</p>
<p>"Of course not," she sneered, as if she were a
thousand years old, "you're only a man—and a very
young man."</p>
<p>"You've ceased to love me," he protested, "just
because of a little affair I had before I met you?"</p>
<p>Marjorie answered with world-old wisdom: "A
<span class="pagenum"><SPAN name="Page_229" id="Page_229">229</SPAN></span>
woman can forgive a man anything except what he
did before he met her."</p>
<p>He stared at her with masculine dismay at feminine
logic: "If you can't forgive me, then why do
you marry me?"</p>
<p>"For revenge!" she cried. "You brought me on
this train all this distance to introduce me to a girl
you used to spoon with. And I don't like her. She's
awful!"</p>
<p>"Yes, she is awful," Mallory assented. "I don't
know how I ever——"</p>
<p>"Oh, you admit it!"</p>
<p>"No."</p>
<p>"Well, I'm going to marry you—now—this minute—with
that preacher, then I'm going to get off
at Reno and divorce you."</p>
<p>"Divorce me! Good Lord! On what grounds?"</p>
<p>"On the grounds of Miss Kitty—Katty—Llewellington—or
whatever her name is."</p>
<p>Mallory was groggy with punishment, and the
vain effort to foresee her next blow. "But you can't
name a woman that way," he pleaded, "for just
being nice to me before I ever met you."</p>
<p>"That's the worst kind of unfaithfulness," she
reiterated. "You should have known that some day
you would meet me. You should have saved your
first love for me."</p>
<p>"But last love is best," Mallory interposed,
weakly.
<span class="pagenum"><SPAN name="Page_230" id="Page_230">230</SPAN></span></p>
<p>"Oh, no, it isn't, and if it is, how do I know I'm
to be your last love? No, sir, when I've divorced
you, you can go back to your first love and go round
the world with her till you get dizzy."</p>
<p>"But I don't want her for a wife," Mallory urged,
"I want you."</p>
<p>"You'll get me—but not for long. And one other
thing, I want you to get that bracelet away from that
creature. Do you promise?"</p>
<p>"How can I get it away?"</p>
<p>"Take it away! Do you promise?"</p>
<p>Mallory surrendered completely. Anything to get
Marjorie safely into his arms: "I promise anything,
if you'll really marry me."</p>
<p>"Oh, I'll marry you, sir, but not really."</p>
<p>And while he stared in helpless awe at the cynic
and termagant that jealousy had metamorphosed
this timid, clinging creature into, they heard the conductor's
voice at the rear door of the car: "Hurry
up—we've got to start."</p>
<p>They heard Lathrop's protest: "Hold on there,
conductor," and Selby's plea: "Oh, I say, my good
man, wait a moment, can't you?"</p>
<p>The conductor answered with the gruffness of a
despot: "Not a minute. I've my orders to make
up lost time. All aboard!"</p>
<p>While the minister was tying the last loose ends
of the matrimonial knot, Mallory and Marjorie
were struggling through the crowd to get at him.
<span class="pagenum"><SPAN name="Page_231" id="Page_231">231</SPAN></span>
Just as they were near, they were swept aside by
the rush of the bride and groom, for the parson's
"I pronounce you man and wife," pronounced as he
backed toward the door, was the signal for another
wedding riot.</p>
<p>Once more Ira and Anne were showered with
rice. This time it was their own. Ira darted out
into the corridor, haling his brand-new wife by the
wrist, and the wedding guests pursued them across
the vestibule, through the next car, and on, and on.</p>
<p>Nobody remained to notice what happened to
the parson. Having performed his function, he was
without further interest or use. But to Mallory and
Marjorie he was vitally necessary.</p>
<p>Mallory caught his hand as it turned the knob
of the door and drew him back. Marjorie, equally
determined, caught his other elbow:</p>
<p>"Please don't go," Mallory urged, "until you've
married us."</p>
<p>The Reverend Charles stared at his captors in
amazement:</p>
<p>"But my dear man, the train's moving."</p>
<p>Marjorie clung all the tighter and invited him to
"Come on to the next stop."</p>
<p>"But my dear lady," Selby gasped, "it's impossible."</p>
<p>"You've just got to," Mallory insisted.</p>
<p>"Release me, please."</p>
<p>"Never!"
<span class="pagenum"><SPAN name="Page_232" id="Page_232">232</SPAN></span></p>
<p>"How dare you!" the parson shrieked, and with
a sudden wriggle writhed out of his coat, leaving it
in Marjorie's hands. He darted to the door and
flung it open, with Mallory hot after him.</p>
<p>The train was kicking up a cloud of dust and getting
its stride. The kidnapped clergyman paused a
moment, aghast at the speed with which the ground
was being paid out. Then he climbed the brass rail
and, with a hasty prayer, dropped overboard.</p>
<p>Mallory lunged at him, and seized him by his
reversed collar. But the collar alone remained in
his clutch. The parson was almost lost in the dust
he created as he struck, bounded and rolled till he
came to a stop, with his stars and his prayers to
thank for injuries to nothing worse than his dignity
and other small clothes.</p>
<p>Mallory returned to the observation room and
flung the collar and bib to the floor in a fury of despair,
howling:</p>
<p>"He got away! He got away!"
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