<SPAN name="startofbook"></SPAN>
<h1>HEART OF THE WEST</h1>
<h2 class="no-break">by O. Henry</h2>
<h2>CONTENTS</h2>
<table summary="" >
<tr>
<td> <SPAN href="#chap01">I. Hearts and Crosses</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap02">II. The Ransom of Mack</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap03">III. Telemachus, Friend</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap04">IV. The Handbook of Hymen</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap05">V. The Pimienta Pancakes</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap06">VI. Seats of the Haughty</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap07">VII. Hygeia at the Solito</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap08">VIII. An Afternoon Miracle</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap09">IX. The Higher Abdication</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap10">X. Cupid à la Carte</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap11">XI. The Caballero’s Way</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap12">XII. The Sphinx Apple</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap13">XIII. The Missing Chord</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap14">XIV. A Call Loan</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap15">XV. The Princess and the Puma</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap16">XVI. The Indian Summer of Dry Valley Johnson</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap17">XVII. Christmas by Injunction</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap18">XVIII. A Chaparral Prince</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap19">XIX. The Reformation of Calliope</SPAN></td>
</tr>
</table>
<hr />
<h2>HEART OF THE WEST</h2>
<h2><SPAN name="chap01"></SPAN>I<br/> HEARTS AND CROSSES</h2>
<p>Baldy Woods reached for the bottle, and got it. Whenever Baldy went for
anything he usually—but this is not Baldy’s story. He poured out a
third drink that was larger by a finger than the first and second. Baldy was in
consultation; and the consultee is worthy of his hire.</p>
<p>“I’d be king if I was you,” said Baldy, so positively that
his holster creaked and his spurs rattled.</p>
<p>Webb Yeager pushed back his flat-brimmed Stetson, and made further disorder in
his straw-coloured hair. The tonsorial recourse being without avail, he
followed the liquid example of the more resourceful Baldy.</p>
<p>“If a man marries a queen, it oughtn’t to make him a
two-spot,” declared Webb, epitomising his grievances.</p>
<p>“Sure not,” said Baldy, sympathetic, still thirsty, and genuinely
solicitous concerning the relative value of the cards. “By rights
you’re a king. If I was you, I’d call for a new deal. The cards
have been stacked on you—I’ll tell you what you are, Webb
Yeager.”</p>
<p>“What?” asked Webb, with a hopeful look in his pale-blue eyes.</p>
<p>“You’re a prince-consort.”</p>
<p>“Go easy,” said Webb. “I never blackguarded you none.”</p>
<p>“It’s a title,” explained Baldy, “up among the
picture-cards; but it don’t take no tricks. I’ll tell you, Webb.
It’s a brand they’re got for certain animals in Europe. Say that
you or me or one of them Dutch dukes marries in a royal family. Well, by and by
our wife gets to be queen. Are we king? Not in a million years. At the
coronation ceremonies we march between little casino and the Ninth Grand
Custodian of the Royal Hall Bedchamber. The only use we are is to appear in
photographs, and accept the responsibility for the heir-apparent. That
ain’t any square deal. Yes, sir, Webb, you’re a prince-consort;
and if I was you, I’d start a interregnum or a habeus corpus or
somethin’; and I’d be king if I had to turn from the bottom of the
deck.”</p>
<p>Baldy emptied his glass to the ratification of his Warwick pose.</p>
<p>“Baldy,” said Webb, solemnly, “me and you punched cows in the
same outfit for years. We been runnin’ on the same range, and
ridin’ the same trails since we was boys. I wouldn’t talk about my
family affairs to nobody but you. You was line-rider on the Nopalito Ranch when
I married Santa McAllister. I was foreman then; but what am I now? I
don’t amount to a knot in a stake rope.”</p>
<p>“When old McAllister was the cattle king of West Texas,” continued
Baldy with Satanic sweetness, “you was some tallow. You had as much to
say on the ranch as he did.”</p>
<p>“I did,” admitted Webb, “up to the time he found out I was
tryin’ to get my rope over Santa’s head. Then he kept me out on the
range as far from the ranch-house as he could. When the old man died they
commenced to call Santa the ‘cattle queen.’ I’m boss of the
cattle—that’s all. She ’tends to all the business; she
handles all the money; I can’t sell even a beef-steer to a party of
campers, myself. Santa’s the ‘queen’; and I’m Mr.
Nobody.”</p>
<p>“I’d be king if I was you,” repeated Baldy Woods, the
royalist. “When a man marries a queen he ought to grade up with
her—on the hoof— dressed—dried—corned—any old way
from the chaparral to the packing-house. Lots of folks thinks it’s
funny, Webb, that you don’t have the say-so on the Nopalito. I
ain’t reflectin’ none on Miz Yeager—she’s the finest
little lady between the Rio Grande and next Christmas—but a man ought to
be boss of his own camp.”</p>
<p>The smooth, brown face of Yeager lengthened to a mask of wounded melancholy.
With that expression, and his rumpled yellow hair and guileless blue eyes, he
might have been likened to a schoolboy whose leadership had been usurped by a
youngster of superior strength. But his active and sinewy seventy-two inches,
and his girded revolvers forbade the comparison.</p>
<p>“What was that you called me, Baldy?” he asked. “What kind of
a concert was it?”</p>
<p>“A ‘consort,’” corrected Baldy—“a
‘prince-consort.’ It’s a kind of short-card pseudonym. You
come in sort of between Jack-high and a four-card flush.”</p>
<p>Webb Yeager sighed, and gathered the strap of his Winchester scabbard from the
floor.</p>
<p>“I’m ridin’ back to the ranch to-day,” he said
half-heartedly. “I’ve got to start a bunch of beeves for San Antone
in the morning.”</p>
<p>“I’m your company as far as Dry Lake,” announced Baldy.
“I’ve got a round-up camp on the San Marcos cuttin’ out
two-year-olds.”</p>
<p>The two <i>compañeros</i> mounted their ponies and trotted away from the little
railroad settlement, where they had foregathered in the thirsty morning.</p>
<p>At Dry Lake, where their routes diverged, they reined up for a parting
cigarette. For miles they had ridden in silence save for the soft drum of the
ponies’ hoofs on the matted mesquite grass, and the rattle of the
chaparral against their wooden stirrups. But in Texas discourse is seldom
continuous. You may fill in a mile, a meal, and a murder between your
paragraphs without detriment to your thesis. So, without apology, Webb offered
an addendum to the conversation that had begun ten miles away.</p>
<p>“You remember, yourself, Baldy, that there was a time when Santa
wasn’t quite so independent. You remember the days when old McAllister
was keepin’ us apart, and how she used to send me the sign that she
wanted to see me? Old man Mac promised to make me look like a colander if I
ever come in gun-shot of the ranch. You remember the sign she used to send,
Baldy—the heart with a cross inside of it?”</p>
<p>“Me?” cried Baldy, with intoxicated archness. “You old
sugar-stealing coyote! Don’t I remember! Why, you dad-blamed old
long-horned turtle-dove, the boys in camp was all cognoscious about them
hiroglyphs. The ‘gizzard-and-crossbones’ we used to call it. We
used to see ’em on truck that was sent out from the ranch. They was
marked in charcoal on the sacks of flour and in lead-pencil on the newspapers.
I see one of ’em once chalked on the back of a new cook that old man
McAllister sent out from the ranch—danged if I didn’t.”</p>
<p>“Santa’s father,” explained Webb gently, “got her to
promise that she wouldn’t write to me or send me any word. That
heart-and-cross sign was her scheme. Whenever she wanted to see me in
particular she managed to put that mark on somethin’ at the ranch that
she knew I’d see. And I never laid eyes on it but what I burnt the wind
for the ranch the same night. I used to see her in that coma mott back of the
little horse-corral.”</p>
<p>“We knowed it,” chanted Baldy; “but we never let on. We was
all for you. We knowed why you always kept that fast paint in camp. And when we
see that gizzard-and-crossbones figured out on the truck from the ranch we
knowed old Pinto was goin’ to eat up miles that night instead of grass.
You remember Scurry—that educated horse-wrangler we had— the
college fellow that tangle-foot drove to the range? Whenever Scurry saw that
come-meet-your-honey brand on anything from the ranch, he’d wave his hand
like that, and say, ‘Our friend Lee Andrews will again swim the
Hell’s point to-night.’”</p>
<p>“The last time Santa sent me the sign,” said Webb, “was once
when she was sick. I noticed it as soon as I hit camp, and I galloped Pinto
forty mile that night. She wasn’t at the coma mott. I went to the house;
and old McAllister met me at the door. ‘Did you come here to get
killed?’ says he; ‘I’ll disoblige you for once. I just
started a Mexican to bring you. Santa wants you. Go in that room and see her.
And then come out here and see me.’</p>
<p>“Santa was lyin’ in bed pretty sick. But she gives out a kind of a
smile, and her hand and mine lock horns, and I sets down by the bed— mud
and spurs and chaps and all. ‘I’ve heard you ridin’ across
the grass for hours, Webb,’ she says. ‘I was sure you’d come.
You saw the sign?’ she whispers. ‘The minute I hit camp,’
says I. ‘’Twas marked on the bag of potatoes and onions.’
‘They’re always together,’ says she, soft
like—‘always together in life.’ ‘They go well
together,’ I says, ‘in a stew.’ ‘I mean hearts and
crosses,’ says Santa. ‘Our sign—to love and to
suffer—that’s what they mean.’</p>
<p>“And there was old Doc Musgrove amusin’ himself with whisky and a
palm-leaf fan. And by and by Santa goes to sleep; and Doc feels her forehead;
and he says to me: ‘You’re not such a bad febrifuge. But
you’d better slide out now; for the diagnosis don’t call for you in
regular doses. The little lady’ll be all right when she wakes up.’</p>
<p>“I seen old McAllister outside. ‘She’s asleep,’ says I.
‘And now you can start in with your colander-work. Take your time; for I
left my gun on my saddle-horn.’</p>
<p>“Old Mac laughs, and he says to me: ‘Pumpin’ lead into the
best ranch-boss in West Texas don’t seem to me good business policy. I
don’t know where I could get as good a one. It’s the son-in-law
idea, Webb, that makes me admire for to use you as a target. You ain’t my
idea for a member of the family. But I can use you on the Nopalito if
you’ll keep outside of a radius with the ranch-house in the middle of it.
You go upstairs and lay down on a cot, and when you get some sleep we’ll
talk it over.’”</p>
<p>Baldy Woods pulled down his hat, and uncurled his leg from his saddle-horn.
Webb shortened his rein, and his pony danced, anxious to be off. The two men
shook hands with Western ceremony.</p>
<p>“<i>Adios</i>, Baldy,” said Webb, “I’m glad I seen you
and had this talk.”</p>
<p>With a pounding rush that sounded like the rise of a covey of quail, the riders
sped away toward different points of the compass. A hundred yards on his route
Baldy reined in on the top of a bare knoll, and emitted a yell. He swayed on
his horse; had he been on foot, the earth would have risen and conquered him;
but in the saddle he was a master of equilibrium, and laughed at whisky, and
despised the centre of gravity.</p>
<p>Webb turned in his saddle at the signal.</p>
<p>“If I was you,” came Baldy’s strident and perverting tones,
“I’d be king!”</p>
<p>At eight o’clock on the following morning Bud Turner rolled from his
saddle in front of the Nopalito ranch-house, and stumbled with whizzing rowels
toward the gallery. Bud was in charge of the bunch of beef-cattle that was to
strike the trail that morning for San Antonio. Mrs. Yeager was on the gallery
watering a cluster of hyacinths growing in a red earthenware jar.</p>
<p>“King” McAllister had bequeathed to his daughter many of his strong
characteristics—his resolution, his gay courage, his contumacious
self-reliance, his pride as a reigning monarch of hoofs and horns.
<i>Allegro</i> and <i>fortissimo</i> had been McAllister’s temp and tone.
In Santa they survived, transposed to the feminine key. Substantially, she
preserved the image of the mother who had been summoned to wander in other and
less finite green pastures long before the waxing herds of kine had conferred
royalty upon the house. She had her mother’s slim, strong figure and
grave, soft prettiness that relieved in her the severity of the imperious
McAllister eye and the McAllister air of royal independence.</p>
<p>Webb stood on one end of the gallery giving orders to two or three sub-bosses
of various camps and outfits who had ridden in for instructions.</p>
<p>“Morning,” said Bud briefly. “Where do you want them beeves
to go in town—to Barber’s, as usual?”</p>
<p>Now, to answer that had been the prerogative of the queen. All the reins of
business—buying, selling, and banking—had been held by her capable
fingers. The handling of cattle had been entrusted fully to her husband. In the
days of “King” McAllister, Santa had been his secretary and helper;
and she had continued her work with wisdom and profit. But before she could
reply, the prince-consort spake up with calm decision:</p>
<p>“You drive that bunch to Zimmerman and Nesbit’s pens. I spoke to
Zimmerman about it some time ago.”</p>
<p>Bud turned on his high boot-heels.</p>
<p>“Wait!” called Santa quickly. She looked at her husband with
surprise in her steady gray eyes.</p>
<p>“Why, what do you mean, Webb?” she asked, with a small wrinkle
gathering between her brows. “I never deal with Zimmerman and Nesbit.
Barber has handled every head of stock from this ranch in that market for five
years. I’m not going to take the business out of his hands.” She
faced Bud Turner. “Deliver those cattle to Barber,” she concluded
positively.</p>
<p>Bud gazed impartially at the water-jar hanging on the gallery, stood on his
other leg, and chewed a mesquite-leaf.</p>
<p>“I want this bunch of beeves to go to Zimmerman and Nesbit,” said
Webb, with a frosty light in his blue eyes.</p>
<p>“Nonsense,” said Santa impatiently. “You’d better start
on, Bud, so as to noon at the Little Elm water-hole. Tell Barber we’ll
have another lot of culls ready in about a month.”</p>
<p>Bud allowed a hesitating eye to steal upward and meet Webb’s. Webb saw
apology in his look, and fancied he saw commiseration.</p>
<p>“You deliver them cattle,” he said grimly, “to—”</p>
<p>“Barber,” finished Santa sharply. “Let that settle it. Is
there anything else you are waiting for, Bud?”</p>
<p>“No, m’m,” said Bud. But before going he lingered while a
cow’s tail could have switched thrice; for man is man’s ally; and
even the Philistines must have blushed when they took Samson in the way they
did.</p>
<p>“You hear your boss!” cried Webb sardonically. He took off his hat,
and bowed until it touched the floor before his wife.</p>
<p>“Webb,” said Santa rebukingly, “you’re acting mighty
foolish to-day.”</p>
<p>“Court fool, your Majesty,” said Webb, in his slow tones, which had
changed their quality. “What else can you expect? Let me tell you. I was
a man before I married a cattle-queen. What am I now? The laughing-stock of the
camps. I’ll be a man again.”</p>
<p>Santa looked at him closely.</p>
<p>“Don’t be unreasonable, Webb,” she said calmly. “You
haven’t been slighted in any way. Do I ever interfere in your management
of the cattle? I know the business side of the ranch much better than you do. I
learned it from Dad. Be sensible.”</p>
<p>“Kingdoms and queendoms,” said Webb, “don’t suit me
unless I am in the pictures, too. I punch the cattle and you wear the crown.
All right. I’d rather be High Lord Chancellor of a cow-camp than the
eight-spot in a queen-high flush. It’s your ranch; and Barber gets the
beeves.”</p>
<p>Webb’s horse was tied to the rack. He walked into the house and brought
out his roll of blankets that he never took with him except on long rides, and
his “slicker,” and his longest stake-rope of plaited raw-hide.
These he began to tie deliberately upon his saddle. Santa, a little pale,
followed him.</p>
<p>Webb swung up into the saddle. His serious, smooth face was without expression
except for a stubborn light that smouldered in his eyes.</p>
<p>“There’s a herd of cows and calves,” said he, “near the
Hondo water-hole on the Frio that ought to be moved away from timber. Lobos
have killed three of the calves. I forgot to leave orders. You’d better
tell Simms to attend to it.”</p>
<p>Santa laid a hand on the horse’s bridle, and looked her husband in the
eye.</p>
<p>“Are you going to leave me, Webb?” she asked quietly.</p>
<p>“I am going to be a man again,” he answered.</p>
<p>“I wish you success in a praiseworthy attempt,” she said, with a
sudden coldness. She turned and walked directly into the house.</p>
<p>Webb Yeager rode to the southeast as straight as the topography of West Texas
permitted. And when he reached the horizon he might have ridden on into blue
space as far as knowledge of him on the Nopalito went. And the days, with
Sundays at their head, formed into hebdomadal squads; and the weeks, captained
by the full moon, closed ranks into menstrual companies crying “Tempus
fugit” on their banners; and the months marched on toward the vast
camp-ground of the years; but Webb Yeager came no more to the dominions of his
queen.</p>
<p>One day a being named Bartholomew, a sheep-man—and therefore of little
account—from the lower Rio Grande country, rode in sight of the Nopalito
ranch-house, and felt hunger assail him. <i>Ex consuetudine</i> he was soon
seated at the mid-day dining table of that hospitable kingdom. Talk like water
gushed from him: he might have been smitten with Aaron’s rod—that
is your gentle shepherd when an audience is vouchsafed him whose ears are not
overgrown with wool.</p>
<p>“Missis Yeager,” he babbled, “I see a man the other day on
the Rancho Seco down in Hidalgo County by your name—Webb Yeager was his.
He’d just been engaged as manager. He was a tall, light-haired man, not
saying much. Perhaps he was some kin of yours, do you think?”</p>
<p>“A husband,” said Santa cordially. “The Seco has done well.
Mr. Yeager is one of the best stockmen in the West.”</p>
<p>The dropping out of a prince-consort rarely disorganises a monarchy. Queen
Santa had appointed as <i>mayordomo</i> of the ranch a trusty subject, named
Ramsay, who had been one of her father’s faithful vassals. And there was
scarcely a ripple on the Nopalito ranch save when the gulf-breeze created
undulations in the grass of its wide acres.</p>
<p>For several years the Nopalito had been making experiments with an English
breed of cattle that looked down with aristocratic contempt upon the Texas
long-horns. The experiments were found satisfactory; and a pasture had been set
aside for the blue-bloods. The fame of them had gone forth into the chaparral
and pear as far as men ride in saddles. Other ranches woke up, rubbed their
eyes, and looked with new dissatisfaction upon the long-horns.</p>
<p>As a consequence, one day a sunburned, capable, silk-kerchiefed nonchalant
youth, garnished with revolvers, and attended by three Mexican <i>vaqueros</i>,
alighted at the Nopalito ranch and presented the following business-like
epistle to the queen thereof:</p>
<p class="letter">
Mrs. Yeager—The Nopalito Ranch:<br/>
Dear Madam:<br/>
I am instructed by the owners of the Rancho Seco to purchase 100 head of
two and three-year-old cows of the Sussex breed owned by you. If you can fill
the order please deliver the cattle to the bearer; and a check will be
forwarded to you at once.</p>
<p class="right">
Respectfully,<br/>
Webster Yeager,<br/>
Manager the Rancho Seco.</p>
<p>Business is business, even—very scantily did it escape being written
“especially”—in a kingdom.</p>
<p>That night the 100 head of cattle were driven up from the pasture and penned in
a corral near the ranch-house for delivery in the morning.</p>
<p>When night closed down and the house was still, did Santa Yeager throw herself
down, clasping that formal note to her bosom, weeping, and calling out a name
that pride (either in one or the other) had kept from her lips many a day? Or
did she file the letter, in her business way, retaining her royal balance and
strength?</p>
<p>Wonder, if you will; but royalty is sacred; and there is a veil. But this much
you shall learn:</p>
<p>At midnight Santa slipped softly out of the ranch-house, clothed in something
dark and plain. She paused for a moment under the live-oak trees. The prairies
were somewhat dim, and the moonlight was pale orange, diluted with particles of
an impalpable, flying mist. But the mock-bird whistled on every bough of
vantage; leagues of flowers scented the air; and a kindergarten of little
shadowy rabbits leaped and played in an open space near by. Santa turned her
face to the southeast and threw three kisses thitherward; for there was none to
see.</p>
<p>Then she sped silently to the blacksmith-shop, fifty yards away; and what she
did there can only be surmised. But the forge glowed red; and there was a faint
hammering such as Cupid might make when he sharpens his arrow-points.</p>
<p>Later she came forth with a queer-shaped, handled thing in one hand, and a
portable furnace, such as are seen in branding-camps, in the other. To the
corral where the Sussex cattle were penned she sped with these things swiftly
in the moonlight.</p>
<p>She opened the gate and slipped inside the corral. The Sussex cattle were
mostly a dark red. But among this bunch was one that was milky
white—notable among the others.</p>
<p>And now Santa shook from her shoulder something that we had not seen
before—a rope lasso. She freed the loop of it, coiling the length in her
left hand, and plunged into the thick of the cattle.</p>
<p>The white cow was her object. She swung the lasso, which caught one horn and
slipped off. The next throw encircled the forefeet and the animal fell heavily.
Santa made for it like a panther; but it scrambled up and dashed against her,
knocking her over like a blade of grass.</p>
<p>Again she made her cast, while the aroused cattle milled around the four sides
of the corral in a plunging mass. This throw was fair; the white cow came to
earth again; and before it could rise Santa had made the lasso fast around a
post of the corral with a swift and simple knot, and had leaped upon the cow
again with the rawhide hobbles.</p>
<p>In one minute the feet of the animal were tied (no record-breaking deed) and
Santa leaned against the corral for the same space of time, panting and lax.</p>
<p>And then she ran swiftly to her furnace at the gate and brought the
branding-iron, queerly shaped and white-hot.</p>
<p>The bellow of the outraged white cow, as the iron was applied, should have
stirred the slumbering auricular nerves and consciences of the near-by subjects
of the Nopalito, but it did not. And it was amid the deepest nocturnal silence
that Santa ran like a lapwing back to the ranch-house and there fell upon a cot
and sobbed—sobbed as though queens had hearts as simple ranchmen’s
wives have, and as though she would gladly make kings of prince-consorts,
should they ride back again from over the hills and far away.</p>
<p>In the morning the capable, revolvered youth and his <i>vaqueros</i> set forth,
driving the bunch of Sussex cattle across the prairies to the Rancho Seco.
Ninety miles it was; a six days’ journey, grazing and watering the
animals on the way.</p>
<p>The beasts arrived at Rancho Seco one evening at dusk; and were received and
counted by the foreman of the ranch.</p>
<p>The next morning at eight o’clock a horseman loped out of the brush to
the Nopalito ranch-house. He dismounted stiffly, and strode, with whizzing
spurs, to the house. His horse gave a great sigh and swayed foam-streaked, with
down-drooping head and closed eyes.</p>
<p>But waste not your pity upon Belshazzar, the flea-bitten sorrel. To-day, in
Nopalito horse-pasture he survives, pampered, beloved, unridden, cherished
record-holder of long-distance rides.</p>
<p>The horseman stumbled into the house. Two arms fell around his neck, and
someone cried out in the voice of woman and queen alike: “Webb— oh,
Webb!”</p>
<p>“I was a skunk,” said Webb Yeager.</p>
<p>“Hush,” said Santa, “did you see it?”</p>
<p>“I saw it,” said Webb.</p>
<p>What they meant God knows; and you shall know, if you rightly read the primer
of events.</p>
<p>“Be the cattle-queen,” said Webb; “and overlook it if you
can. I was a mangy, sheep-stealing coyote.”</p>
<p>“Hush!” said Santa again, laying her fingers upon his mouth.
“There’s no queen here. Do you know who I am? I am Santa Yeager,
First Lady of the Bedchamber. Come here.”</p>
<p>She dragged him from the gallery into the room to the right. There stood a
cradle with an infant in it—a red, ribald, unintelligible, babbling,
beautiful infant, sputtering at life in an unseemly manner.</p>
<p>“There’s no queen on this ranch,” said Santa again.
“Look at the king. He’s got your eyes, Webb. Down on your knees and
look at his Highness.”</p>
<p>But jingling rowels sounded on the gallery, and Bud Turner stumbled there again
with the same query that he had brought, lacking a few days, a year ago.</p>
<p>“‘Morning. Them beeves is just turned out on the trail. Shall I
drive ’em to Barber’s, or—”</p>
<p>He saw Webb and stopped, open-mouthed.</p>
<p>“Ba-ba-ba-ba-ba-ba!” shrieked the king in his cradle, beating the
air with his fists.</p>
<p>“You hear your boss, Bud,” said Webb Yeager, with a broad
grin—just as he had said a year ago.</p>
<p>And that is all, except that when old man Quinn, owner of the Rancho Seco, went
out to look over the herd of Sussex cattle that he had bought from the Nopalito
ranch, he asked his new manager:</p>
<p>“What’s the Nopalito ranch brand, Wilson?”</p>
<p>“X Bar Y,” said Wilson.</p>
<p>“I thought so,” said Quinn. “But look at that white heifer
there; she’s got another brand—a heart with a cross inside of it.
What brand is that?”</p>
<h2><SPAN name="chap02"></SPAN>II<br/> THE RANSOM OF MACK</h2>
<p>Me and old Mack Lonsbury, we got out of that Little Hide-and-Seek gold mine
affair with about $40,000 apiece. I say “old” Mack; but he
wasn’t old. Forty-one, I should say; but he always seemed old.</p>
<p>“Andy,” he says to me, “I’m tired of hustling. You and
me have been working hard together for three years. Say we knock off for a
while, and spend some of this idle money we’ve coaxed our way.”</p>
<p>“The proposition hits me just right,” says I. “Let’s be
nabobs for a while and see how it feels. What’ll we do—take in the
Niagara Falls, or buck at faro?”</p>
<p>“For a good many years,” says Mack, “I’ve thought that
if I ever had extravagant money I’d rent a two-room cabin somewhere, hire
a Chinaman to cook, and sit in my stocking feet and read Buckle’s History
of Civilisation.”</p>
<p>“That sounds self-indulgent and gratifying without vulgar
ostentation,” says I; “and I don’t see how money could be
better invested. Give me a cuckoo clock and a Sep Winner’s
Self-Instructor for the Banjo, and I’ll join you.”</p>
<p>A week afterwards me and Mack hits this small town of Piña, about thirty miles
out from Denver, and finds an elegant two-room house that just suits us. We
deposited half-a-peck of money in the Piña bank and shook hands with every one
of the 340 citizens in the town. We brought along the Chinaman and the cuckoo
clock and Buckle and the Instructor with us from Denver; and they made the
cabin seem like home at once.</p>
<p>Never believe it when they tell you riches don’t bring happiness. If you
could have seen old Mack sitting in his rocking-chair with his blue-yarn sock
feet up in the window and absorbing in that Buckle stuff through his specs
you’d have seen a picture of content that would have made Rockefeller
jealous. And I was learning to pick out “Old Zip Coon” on the
banjo, and the cuckoo was on time with his remarks, and Ah Sing was messing up
the atmosphere with the handsomest smell of ham and eggs that ever laid the
honeysuckle in the shade. When it got too dark to make out Buckle’s
nonsense and the notes in the Instructor, me and Mack would light our pipes and
talk about science and pearl diving and sciatica and Egypt and spelling and
fish and trade-winds and leather and gratitude and eagles, and a lot of
subjects that we’d never had time to explain our sentiments about before.</p>
<p>One evening Mack spoke up and asked me if I was much apprised in the habits and
policies of women folks.</p>
<p>“Why, yes,” says I, in a tone of voice; “I know ’em
from Alfred to Omaha. The feminine nature and similitude,” says I,
“is as plain to my sight as the Rocky Mountains is to a blue-eyed burro.
I’m onto all their little side-steps and punctual discrepancies.”</p>
<p>“I tell you, Andy,” says Mack, with a kind of sigh, “I never
had the least amount of intersection with their predispositions. Maybe I might
have had a proneness in respect to their vicinity, but I never took the time. I
made my own living since I was fourteen; and I never seemed to get my
ratiocinations equipped with the sentiments usually depicted toward the sect. I
sometimes wish I had,” says old Mack.</p>
<p>“They’re an adverse study,” says I, “and adapted to
points of view. Although they vary in rationale, I have found ’em quite
often obviously differing from each other in divergences of contrast.”</p>
<p>“It seems to me,” goes on Mack, “that a man had better take
’em in and secure his inspirations of the sect when he’s young and
so preordained. I let my chance go by; and I guess I’m too old now to go
hopping into the curriculum.”</p>
<p>“Oh, I don’t know,” I tells him. “Maybe you better
credit yourself with a barrel of money and a lot of emancipation from a
quantity of uncontent. Still, I don’t regret my knowledge of
’em,” I says. “It takes a man who understands the symptoms
and by-plays of women-folks to take care of himself in this world.”</p>
<p>We stayed on in Piña because we liked the place. Some folks might enjoy their
money with noise and rapture and locomotion; but me and Mack we had had plenty
of turmoils and hotel towels. The people were friendly; Ah Sing got the swing
of the grub we liked; Mack and Buckle were as thick as two body-snatchers, and
I was hitting out a cordial resemblance to “Buffalo Gals, Can’t You
Come Out To-night,” on the banjo.</p>
<p>One day I got a telegram from Speight, the man that was working on a mine I had
an interest in out in New Mexico. I had to go out there; and I was gone two
months. I was anxious to get back to Piña and enjoy life once more.</p>
<p>When I struck the cabin I nearly fainted. Mack was standing in the door; and if
angels ever wept, I saw no reason why they should be smiling then.</p>
<p>That man was a spectacle. Yes; he was worse; he was a spyglass; he was the
great telescope in the Lick Observatory. He had on a coat and shiny shoes and a
white vest and a high silk hat; and a geranium as big as an order of spinach
was spiked onto his front. And he was smirking and warping his face like an
infernal storekeeper or a kid with colic.</p>
<p>“Hello, Andy,” says Mack, out of his face. “Glad to see you
back. Things have happened since you went away.”</p>
<p>“I know it,” says I, “and a sacrilegious sight it is. God
never made you that way, Mack Lonsbury. Why do you scarify His works with this
presumptuous kind of ribaldry?”</p>
<p>“Why, Andy,” says he, “they’ve elected me justice of
the peace since you left.”</p>
<p>I looked at Mack close. He was restless and inspired. A justice of the peace
ought to be disconsolate and assuaged.</p>
<p>Just then a young woman passed on the sidewalk; and I saw Mack kind of half
snicker and blush, and then he raised up his hat and smiled and bowed, and she
smiled and bowed, and went on by.</p>
<p>“No hope for you,” says I, “if you’ve got the Mary-Jane
infirmity at your age. I thought it wasn’t going to take on you. And
patent leather shoes! All this in two little short months!”</p>
<p>“I’m going to marry the young lady who just passed to-night,”
says Mack, in a kind of flutter.</p>
<p>“I forgot something at the post-office,” says I, and walked away
quick.</p>
<p>I overtook that young woman a hundred yards away. I raised my hat and told her
my name. She was about nineteen; and young for her age. She blushed, and then
looked at me cool, like I was the snow scene from the “Two
Orphans.”</p>
<p>“I understand you are to be married to-night,” I said.</p>
<p>“Correct,” says she. “You got any objections?”</p>
<p>“Listen, sissy,” I begins.</p>
<p>“My name is Miss Rebosa Redd,” says she in a pained way.</p>
<p>“I know it,” says I. “Now, Rebosa, I’m old enough to
have owed money to your father. And that old, specious, dressed-up, garbled,
sea-sick ptomaine prancing about avidiously like an irremediable turkey gobbler
with patent leather shoes on is my best friend. Why did you go and get him
invested in this marriage business?”</p>
<p>“Why, he was the only chance there was,” answers Miss Rebosa.</p>
<p>“Nay,” says I, giving a sickening look of admiration at her
complexion and style of features; “with your beauty you might pick any
kind of a man. Listen, Rebosa. Old Mack ain’t the man you want. He was
twenty-two when you was <i>née</i> Reed, as the papers say. This bursting into
bloom won’t last with him. He’s all ventilated with oldness and
rectitude and decay. Old Mack’s down with a case of Indian summer. He
overlooked his bet when he was young; and now he’s suing Nature for the
interest on the promissory note he took from Cupid instead of the cash. Rebosa,
are you bent on having this marriage occur?”</p>
<p>“Why, sure I am,” says she, oscillating the pansies on her hat,
“and so is somebody else, I reckon.”</p>
<p>“What time is it to take place?” I asks.</p>
<p>“At six o’clock,” says she.</p>
<p>I made up my mind right away what to do. I’d save old Mack if I could. To
have a good, seasoned, ineligible man like that turn chicken for a girl that
hadn’t quit eating slate pencils and buttoning in the back was more than
I could look on with easiness.</p>
<p>“Rebosa,” says I, earnest, drawing upon my display of knowledge
concerning the feminine intuitions of reason—“ain’t there a
young man in Piña—a nice young man that you think a heap of?”</p>
<p>“Yep,” says Rebosa, nodding her pansies—“Sure there is!
What do you think! Gracious!”</p>
<p>“Does he like you?” I asks. “How does he stand in the
matter?”</p>
<p>“Crazy,” says Rebosa. “Ma has to wet down the front steps to
keep him from sitting there all the time. But I guess that’ll be all over
after to-night,” she winds up with a sigh.</p>
<p>“Rebosa,” says I, “you don’t really experience any of
this adoration called love for old Mack, do you?”</p>
<p>“Lord! no,” says the girl, shaking her head. “I think
he’s as dry as a lava bed. The idea!”</p>
<p>“Who is this young man that you like, Rebosa?” I inquires.</p>
<p>“It’s Eddie Bayles,” says she. “He clerks in
Crosby’s grocery. But he don’t make but thirty-five a month. Ella
Noakes was wild about him once.”</p>
<p>“Old Mack tells me,” I says, “that he’s going to marry
you at six o’clock this evening.”</p>
<p>“That’s the time,” says she. “It’s to be at our
house.”</p>
<p>“Rebosa,” says I, “listen to me. If Eddie Bayles had a
thousand dollars cash—a thousand dollars, mind you, would buy him a store
of his own—if you and Eddie had that much to excuse matrimony on, would
you consent to marry him this evening at five o’clock?”</p>
<p>The girl looks at me a minute; and I can see these inaudible cogitations going
on inside of her, as women will.</p>
<p>“A thousand dollars?” says she. “Of course I would.”</p>
<p>“Come on,” says I. “We’ll go and see Eddie.”</p>
<p>We went up to Crosby’s store and called Eddie outside. He looked to be
estimable and freckled; and he had chills and fever when I made my proposition.</p>
<p>“At five o’clock?” says he, “for a thousand dollars?
Please don’t wake me up! Well, you <i>are</i> the rich uncle retired from
the spice business in India! I’ll buy out old Crosby and run the store
myself.”</p>
<p>We went inside and got old man Crosby apart and explained it. I wrote my check
for a thousand dollars and handed it to him. If Eddie and Rebosa married each
other at five he was to turn the money over to them.</p>
<p>And then I gave ’em my blessing, and went to wander in the wildwood for a
season. I sat on a log and made cogitations on life and old age and the zodiac
and the ways of women and all the disorder that goes with a lifetime. I passed
myself congratulations that I had probably saved my old friend Mack from his
attack of Indian summer. I knew when he got well of it and shed his infatuation
and his patent leather shoes, he would feel grateful. “To keep old Mack
disinvolved,” thinks I, “from relapses like this, is worth more
than a thousand dollars.” And most of all I was glad that I’d made
a study of women, and wasn’t to be deceived any by their means of conceit
and evolution.</p>
<p>It must have been half-past five when I got back home. I stepped in; and there
sat old Mack on the back of his neck in his old clothes with his blue socks on
the window and the History of Civilisation propped up on his knees.</p>
<p>“This don’t look like getting ready for a wedding at six,” I
says, to seem innocent.</p>
<p>“Oh,” says Mack, reaching for his tobacco, “that was
postponed back to five o’clock. They sent me over a note saying the hour
had been changed. It’s all over now. What made you stay away so long,
Andy?”</p>
<p>“You heard about the wedding?” I asks.</p>
<p>“I operated it,” says he. “I told you I was justice of the
peace. The preacher is off East to visit his folks, and I’m the only one
in town that can perform the dispensations of marriage. I promised Eddie and
Rebosa a month ago I’d marry ’em. He’s a busy lad; and
he’ll have a grocery of his own some day.”</p>
<p>“He will,” says I.</p>
<p>“There was lots of women at the wedding,” says Mack, smoking up.
“But I didn’t seem to get any ideas from ’em. I wish I was
informed in the structure of their attainments like you said you was.”</p>
<p>“That was two months ago,” says I, reaching up for the banjo.</p>
<h2><SPAN name="chap03"></SPAN>III<br/> TELEMACHUS, FRIEND</h2>
<p>Returning from a hunting trip, I waited at the little town of Los Piños, in New
Mexico, for the south-bound train, which was one hour late. I sat on the porch
of the Summit House and discussed the functions of life with Telemachus Hicks,
the hotel proprietor.</p>
<p>Perceiving that personalities were not out of order, I asked him what species
of beast had long ago twisted and mutilated his left ear. Being a hunter, I was
concerned in the evils that may befall one in the pursuit of game.</p>
<p>“That ear,” says Hicks, “is the relic of true
friendship.”</p>
<p>“An accident?” I persisted.</p>
<p>“No friendship is an accident,” said Telemachus; and I was silent.</p>
<p>“The only perfect case of true friendship I ever knew,” went on my
host, “was a cordial intent between a Connecticut man and a monkey. The
monkey climbed palms in Barranquilla and threw down cocoanuts to the man. The
man sawed them in two and made dippers, which he sold for two <i>reales</i>
each and bought rum. The monkey drank the milk of the nuts. Through each being
satisfied with his own share of the graft, they lived like brothers.</p>
<p>“But in the case of human beings, friendship is a transitory art, subject
to discontinuance without further notice.</p>
<p>“I had a friend once, of the entitlement of Paisley Fish, that I imagined
was sealed to me for an endless space of time. Side by side for seven years we
had mined, ranched, sold patent churns, herded sheep, took photographs and
other things, built wire fences, and picked prunes. Thinks I, neither homocide
nor flattery nor riches nor sophistry nor drink can make trouble between me and
Paisley Fish. We was friends an amount you could hardly guess at. We was
friends in business, and we let our amicable qualities lap over and season our
hours of recreation and folly. We certainly had days of Damon and nights of
Pythias.</p>
<p>“One summer me and Paisley gallops down into these San Andrés mountains
for the purpose of a month’s surcease and levity, dressed in the natural
store habiliments of man. We hit this town of Los Piños, which certainly was a
roof-garden spot of the world, and flowing with condensed milk and honey. It
had a street or two, and air, and hens, and a eating-house; and that was enough
for us.</p>
<p>“We strikes the town after supper-time, and we concludes to sample
whatever efficacy there is in this eating-house down by the railroad tracks. By
the time we had set down and pried up our plates with a knife from the red
oil-cloth, along intrudes Widow Jessup with the hot biscuit and the fried
liver.</p>
<p>“Now, there was a woman that would have tempted an anchovy to forget his
vows. She was not so small as she was large; and a kind of welcome air seemed
to mitigate her vicinity. The pink of her face was the <i>in hoc signo</i> of a
culinary temper and a warm disposition, and her smile would have brought out
the dogwood blossoms in December.</p>
<p>“Widow Jessup talks to us a lot of garrulousness about the climate and
history and Tennyson and prunes and the scarcity of mutton, and finally wants
to know where we came from.</p>
<p>“‘Spring Valley,’ says I.</p>
<p>“‘Big Spring Valley,’ chips in Paisley, out of a lot of
potatoes and knuckle-bone of ham in his mouth.</p>
<p>“That was the first sign I noticed that the old <i>fidus Diogenes</i>
business between me and Paisley Fish was ended forever. He knew how I hated a
talkative person, and yet he stampedes into the conversation with his
amendments and addendums of syntax. On the map it was Big Spring Valley; but I
had heard Paisley himself call it Spring Valley a thousand times.</p>
<p>“Without saying any more, we went out after supper and set on the
railroad track. We had been pardners too long not to know what was going on in
each other’s mind.</p>
<p>“‘I reckon you understand,’ says Paisley, ‘that
I’ve made up my mind to accrue that widow woman as part and parcel in and
to my hereditaments forever, both domestic, sociable, legal, and otherwise,
until death us do part.’</p>
<p>“‘Why, yes,’ says I, ‘I read it between the lines,
though you only spoke one. And I suppose you are aware,’ says I,
‘that I have a movement on foot that leads up to the widow’s
changing her name to Hicks, and leaves you writing to the society column to
inquire whether the best man wears a japonica or seamless socks at the
wedding!’</p>
<p>“‘There’ll be some hiatuses in your program,’ says
Paisley, chewing up a piece of a railroad tie. ‘I’d give in to
you,’ says he, ‘in ’most any respect if it was secular
affairs, but this is not so. The smiles of woman,’ goes on Paisley,
‘is the whirlpool of Squills and Chalybeates, into which vortex the good
ship Friendship is often drawn and dismembered. I’d assault a bear that
was annoying you,’ says Paisley, ‘or I’d endorse your note,
or rub the place between your shoulder-blades with opodeldoc the same as ever;
but there my sense of etiquette ceases. In this fracas with Mrs. Jessup we play
it alone. I’ve notified you fair.’</p>
<p>“And then I collaborates with myself, and offers the following
resolutions and by-laws:</p>
<p>“‘Friendship between man and man,’ says I, ‘is an
ancient historical virtue enacted in the days when men had to protect each
other against lizards with eighty-foot tails and flying turtles. And
they’ve kept up the habit to this day, and stand by each other till the
bellboy comes up and tells them the animals are not really there. I’ve
often heard,’ I says, ‘about ladies stepping in and breaking up a
friendship between men. Why should that be? I’ll tell you, Paisley, the
first sight and hot biscuit of Mrs. Jessup appears to have inserted a
oscillation into each of our bosoms. Let the best man of us have her.
I’ll play you a square game, and won’t do any underhanded work.
I’ll do all of my courting of her in your presence, so you will have an
equal opportunity. With that arrangement I don’t see why our steamboat of
friendship should fall overboard in the medicinal whirlpools you speak of,
whichever of us wins out.’</p>
<p>“‘Good old hoss!’ says Paisley, shaking my hand. ‘And
I’ll do the same,’ says he. ‘We’ll court the lady
synonymously, and without any of the prudery and bloodshed usual to such
occasions. And we’ll be friends still, win or lose.’</p>
<p>“At one side of Mrs. Jessup’s eating-house was a bench under some
trees where she used to sit in the breeze after the south-bound had been fed
and gone. And there me and Paisley used to congregate after supper and make
partial payments on our respects to the lady of our choice. And we was so
honorable and circuitous in our calls that if one of us got there first we
waited for the other before beginning any gallivantery.</p>
<p>“The first evening that Mrs. Jessup knew about our arrangement I got to
the bench before Paisley did. Supper was just over, and Mrs. Jessup was out
there with a fresh pink dress on, and almost cool enough to handle.</p>
<p>“I sat down by her and made a few specifications about the moral surface
of nature as set forth by the landscape and the contiguous perspective. That
evening was surely a case in point. The moon was attending to business in the
section of sky where it belonged, and the trees was making shadows on the
ground according to science and nature, and there was a kind of conspicuous
hullabaloo going on in the bushes between the bullbats and the orioles and the
jack-rabbits and other feathered insects of the forest. And the wind out of the
mountains was singing like a Jew’s-harp in the pile of old tomato-cans by
the railroad track.</p>
<p>“I felt a kind of sensation in my left side—something like dough
rising in a crock by the fire. Mrs. Jessup had moved up closer.</p>
<p>“‘Oh, Mr. Hicks,’ says she, ‘when one is alone in the
world, don’t they feel it more aggravated on a beautiful night like
this?’</p>
<p>“I rose up off the bench at once.</p>
<p>“‘Excuse me, ma’am,’ says I, ‘but I’ll have
to wait till Paisley comes before I can give a audible hearing to leading
questions like that.’</p>
<p>“And then I explained to her how we was friends cinctured by years of
embarrassment and travel and complicity, and how we had agreed to take no
advantage of each other in any of the more mushy walks of life, such as might
be fomented by sentiment and proximity. Mrs. Jessup appears to think serious
about the matter for a minute, and then she breaks into a species of laughter
that makes the wildwood resound.</p>
<p>“In a few minutes Paisley drops around, with oil of bergamot on his hair,
and sits on the other side of Mrs. Jessup, and inaugurates a sad tale of
adventure in which him and Pieface Lumley has a skinning-match of dead cows in
’95 for a silver-mounted saddle in the Santa Rita valley during the nine
months’ drought.</p>
<p>“Now, from the start of that courtship I had Paisley Fish hobbled and
tied to a post. Each one of us had a different system of reaching out for the
easy places in the female heart. Paisley’s scheme was to petrify
’em with wonderful relations of events that he had either come across
personally or in large print. I think he must have got his idea of subjugation
from one of Shakespeare’s shows I see once called ‘Othello.’
There is a coloured man in it who acquires a duke’s daughter by
disbursing to her a mixture of the talk turned out by Rider Haggard, Lew
Dockstader, and Dr. Parkhurst. But that style of courting don’t work well
off the stage.</p>
<p>“Now, I give you my own recipe for inveigling a woman into that state of
affairs when she can be referred to as ‘<i>née</i> Jones.’ Learn
how to pick up her hand and hold it, and she’s yours. It ain’t so
easy. Some men grab at it so much like they was going to set a dislocation of
the shoulder that you can smell the arnica and hear ’em tearing off
bandages. Some take it up like a hot horseshoe, and hold it off at arm’s
length like a druggist pouring tincture of asafœtida in a bottle. And most of
’em catch hold of it and drag it right out before the lady’s eyes
like a boy finding a baseball in the grass, without giving her a chance to
forget that the hand is growing on the end of her arm. Them ways are all wrong.</p>
<p>“I’ll tell you the right way. Did you ever see a man sneak out in
the back yard and pick up a rock to throw at a tomcat that was sitting on a
fence looking at him? He pretends he hasn’t got a thing in his hand, and
that the cat don’t see him, and that he don’t see the cat.
That’s the idea. Never drag her hand out where she’ll have to take
notice of it. Don’t let her know that you think she knows you have the
least idea she is aware you are holding her hand. That was my rule of tactics;
and as far as Paisley’s serenade about hostilities and misadventure went,
he might as well have been reading to her a time-table of the Sunday trains
that stop at Ocean Grove, New Jersey.</p>
<p>“One night when I beat Paisley to the bench by one pipeful, my friendship
gets subsidised for a minute, and I asks Mrs. Jessup if she didn’t think
a ‘H’ was easier to write than a ‘J.’ In a second her
head was mashing the oleander flower in my button-hole, and I leaned over
and—but I didn’t.</p>
<p>“‘If you don’t mind,’ says I, standing up,
‘we’ll wait for Paisley to come before finishing this. I’ve
never done anything dishonourable yet to our friendship, and this won’t
be quite fair.’</p>
<p>“‘Mr. Hicks,’ says Mrs. Jessup, looking at me peculiar in the
dark, ‘if it wasn’t for but one thing, I’d ask you to hike
yourself down the gulch and never disresume your visits to my house.’</p>
<p>“‘And what is that, ma’am?’ I asks.</p>
<p>“‘You are too good a friend not to make a good husband,’ says
she.</p>
<p>“In five minutes Paisley was on his side of Mrs. Jessup.</p>
<p>“‘In Silver City, in the summer of ’98,’ he begins,
‘I see Jim Batholomew chew off a Chinaman’s ear in the Blue Light
Saloon on account of a crossbarred muslin shirt that—what was that
noise?’</p>
<p>“I had resumed matters again with Mrs. Jessup right where we had left
off.</p>
<p>“‘Mrs. Jessup,’ says I, ‘has promised to make it Hicks.
And this is another of the same sort.’</p>
<p>“Paisley winds his feet round a leg of the bench and kind of groans.</p>
<p>“‘Lem,’ says he, ‘we been friends for seven years.
Would you mind not kissing Mrs. Jessup quite so loud? I’d do the same for
you.’</p>
<p>“‘All right,’ says I. ‘The other kind will do as
well.’</p>
<p>“‘This Chinaman,’ goes on Paisley, ‘was the one that
shot a man named Mullins in the spring of ’97, and that was—’</p>
<p>“Paisley interrupted himself again.</p>
<p>“‘Lem,’ says he, ‘if you was a true friend you
wouldn’t hug Mrs. Jessup quite so hard. I felt the bench shake all over
just then. You know you told me you would give me an even chance as long as
there was any.’</p>
<p>“‘Mr. Man,’ says Mrs. Jessup, turning around to Paisley,
‘if you was to drop in to the celebration of mine and Mr. Hicks’s
silver wedding, twenty-five years from now, do you think you could get it into
that Hubbard squash you call your head that you are <i>nix cum rous</i> in this
business? I’ve put up with you a long time because you was Mr.
Hicks’s friend; but it seems to me it’s time for you to wear the
willow and trot off down the hill.’</p>
<p>“‘Mrs. Jessup,’ says I, without losing my grasp on the
situation as fiancé, ‘Mr. Paisley is my friend, and I offered him a
square deal and a equal opportunity as long as there was a chance.’</p>
<p>“‘A chance!’ says she. ‘Well, he may think he has a
chance; but I hope he won’t think he’s got a cinch, after what
he’s been next to all the evening.’</p>
<p>“Well, a month afterwards me and Mrs. Jessup was married in the Los Piños
Methodist Church; and the whole town closed up to see the performance.</p>
<p>“When we lined up in front and the preacher was beginning to sing out his
rituals and observances, I looks around and misses Paisley. I calls time on the
preacher. ‘Paisley ain’t here,’ says I. ‘We’ve
got to wait for Paisley. A friend once, a friend always—that’s
Telemachus Hicks,’ says I. Mrs. Jessup’s eyes snapped some; but the
preacher holds up the incantations according to instructions.</p>
<p>“In a few minutes Paisley gallops up the aisle, putting on a cuff as he
comes. He explains that the only dry-goods store in town was closed for the
wedding, and he couldn’t get the kind of a boiled shirt that his taste
called for until he had broke open the back window of the store and helped
himself. Then he ranges up on the other side of the bride, and the wedding goes
on. I always imagined that Paisley calculated as a last chance that the
preacher might marry him to the widow by mistake.</p>
<p>“After the proceedings was over we had tea and jerked antelope and canned
apricots, and then the populace hiked itself away. Last of all Paisley shook me
by the hand and told me I’d acted square and on the level with him and he
was proud to call me a friend.</p>
<p>“The preacher had a small house on the side of the street that he’d
fixed up to rent; and he allowed me and Mrs. Hicks to occupy it till the
ten-forty train the next morning, when we was going on a bridal tour to El
Paso. His wife had decorated it all up with hollyhocks and poison ivy, and it
looked real festal and bowery.</p>
<p>“About ten o’clock that night I sets down in the front door and
pulls off my boots a while in the cool breeze, while Mrs. Hicks was fixing
around in the room. Right soon the light went out inside; and I sat there a
while reverberating over old times and scenes. And then I heard Mrs. Hicks call
out, ‘Ain’t you coming in soon, Lem?’</p>
<p>“‘Well, well!’ says I, kind of rousing up. ‘Durn me if
I wasn’t waiting for old Paisley to—’</p>
<p>“But when I got that far,” concluded Telemachus Hicks, “I
thought somebody had shot this left ear of mine off with a forty-five. But it
turned out to be only a lick from a broomhandle in the hands of Mrs.
Hicks.”</p>
<h2><SPAN name="chap04"></SPAN>IV<br/> THE HANDBOOK OF HYMEN</h2>
<p>’Tis the opinion of myself, Sanderson Pratt, who sets this down, that the
educational system of the United States should be in the hands of the weather
bureau. I can give you good reasons for it; and you can’t tell me why our
college professors shouldn’t be transferred to the meteorological
department. They have been learned to read; and they could very easily glance
at the morning papers and then wire in to the main office what kind of weather
to expect. But there’s the other side of the proposition. I am going on
to tell you how the weather furnished me and Idaho Green with an elegant
education.</p>
<p>We was up in the Bitter Root Mountains over the Montana line prospecting for
gold. A chin-whiskered man in Walla-Walla, carrying a line of hope as excess
baggage, had grubstaked us; and there we was in the foothills pecking away,
with enough grub on hand to last an army through a peace conference.</p>
<p>Along one day comes a mail-rider over the mountains from Carlos, and stops to
eat three cans of greengages, and leave us a newspaper of modern date. This
paper prints a system of premonitions of the weather, and the card it dealt
Bitter Root Mountains from the bottom of the deck was “warmer and fair,
with light westerly breezes.”</p>
<p>That evening it began to snow, with the wind strong in the east. Me and Idaho
moved camp into an old empty cabin higher up the mountain, thinking it was only
a November flurry. But after falling three foot on a level it went to work in
earnest; and we knew we was snowed in. We got in plenty of firewood before it
got deep, and we had grub enough for two months, so we let the elements rage
and cut up all they thought proper.</p>
<p>If you want to instigate the art of manslaughter just shut two men up in a
eighteen by twenty-foot cabin for a month. Human nature won’t stand it.</p>
<p>When the first snowflakes fell me and Idaho Green laughed at each other’s
jokes and praised the stuff we turned out of a skillet and called bread. At the
end of three weeks Idaho makes this kind of a edict to me. Says he:</p>
<p>“I never exactly heard sour milk dropping out of a balloon on the bottom
of a tin pan, but I have an idea it would be music of the spears compared to
this attenuated stream of asphyxiated thought that emanates out of your organs
of conversation. The kind of half-masticated noises that you emit every day
puts me in mind of a cow’s cud, only she’s lady enough to keep hers
to herself, and you ain’t.”</p>
<p>“Mr. Green,” says I, “you having been a friend of mine once,
I have some hesitations in confessing to you that if I had my choice for
society between you and a common yellow, three-legged cur pup, one of the
inmates of this here cabin would be wagging a tail just at present.”</p>
<p>This way we goes on for two or three days, and then we quits speaking to one
another. We divides up the cooking implements, and Idaho cooks his grub on one
side of the fireplace, and me on the other. The snow is up to the windows, and
we have to keep a fire all day.</p>
<p>You see me and Idaho never had any education beyond reading and doing “if
John had three apples and James five” on a slate. We never felt any
special need for a university degree, though we had acquired a species of
intrinsic intelligence in knocking around the world that we could use in
emergencies. But, snowbound in that cabin in the Bitter Roots, we felt for the
first time that if we had studied Homer or Greek and fractions and the higher
branches of information, we’d have had some resources in the line of
meditation and private thought. I’ve seen them Eastern college fellows
working in camps all through the West, and I never noticed but what education
was less of a drawback to ’em than you would think. Why, once over on
Snake River, when Andrew McWilliams’ saddle horse got the botts, he sent
a buckboard ten miles for one of these strangers that claimed to be a botanist.
But that horse died.</p>
<p>One morning Idaho was poking around with a stick on top of a little shelf that
was too high to reach. Two books fell down to the floor. I started toward
’em, but caught Idaho’s eye. He speaks for the first time in a
week.</p>
<p>“Don’t burn your fingers,” says he. “In spite of the
fact that you’re only fit to be the companion of a sleeping mud-turtle,
I’ll give you a square deal. And that’s more than your parents did
when they turned you loose in the world with the sociability of a rattle-snake
and the bedside manner of a frozen turnip. I’ll play you a game of
seven-up, the winner to pick up his choice of the book, the loser to take the
other.”</p>
<p>We played; and Idaho won. He picked up his book; and I took mine. Then each of
us got on his side of the house and went to reading.</p>
<p>I never was as glad to see a ten-ounce nugget as I was that book. And Idaho
took at his like a kid looks at a stick of candy.</p>
<p>Mine was a little book about five by six inches called “Herkimer’s
Handbook of Indispensable Information.” I may be wrong, but I think that
was the greatest book that ever was written. I’ve got it to-day; and I
can stump you or any man fifty times in five minutes with the information in
it. Talk about Solomon or the New York <i>Tribune!</i> Herkimer had cases on
both of ’em. That man must have put in fifty years and travelled a
million miles to find out all that stuff. There was the population of all
cities in it, and the way to tell a girl’s age, and the number of teeth a
camel has. It told you the longest tunnel in the world, the number of the
stars, how long it takes for chicken pox to break out, what a lady’s neck
ought to measure, the veto powers of Governors, the dates of the Roman
aqueducts, how many pounds of rice going without three beers a day would buy,
the average annual temperature of Augusta, Maine, the quantity of seed required
to plant an acre of carrots in drills, antidotes for poisons, the number of
hairs on a blond lady’s head, how to preserve eggs, the height of all the
mountains in the world, and the dates of all wars and battles, and how to
restore drowned persons, and sunstroke, and the number of tacks in a pound, and
how to make dynamite and flowers and beds, and what to do before the doctor
comes—and a hundred times as many things besides. If there was anything
Herkimer didn’t know I didn’t miss it out of the book.</p>
<p>I sat and read that book for four hours. All the wonders of education was
compressed in it. I forgot the snow, and I forgot that me and old Idaho was on
the outs. He was sitting still on a stool reading away with a kind of partly
soft and partly mysterious look shining through his tan-bark whiskers.</p>
<p>“Idaho,” says I, “what kind of a book is yours?”</p>
<p>Idaho must have forgot, too, for he answered moderate, without any slander or
malignity.</p>
<p>“Why,” says he, “this here seems to be a volume by Homer K.
M.”</p>
<p>“Homer K. M. what?” I asks.</p>
<p>“Why, just Homer K. M.,” says he.</p>
<p>“You’re a liar,” says I, a little riled that Idaho should try
to put me up a tree. “No man is going ’round signing books with his
initials. If it’s Homer K. M. Spoopendyke, or Homer K. M. McSweeney, or
Homer K. M. Jones, why don’t you say so like a man instead of biting off
the end of it like a calf chewing off the tail of a shirt on a
clothes-line?”</p>
<p>“I put it to you straight, Sandy,” says Idaho, quiet.
“It’s a poem book,” says he, “by Homer K. M. I
couldn’t get colour out of it at first, but there’s a vein if you
follow it up. I wouldn’t have missed this book for a pair of red
blankets.”</p>
<p>“You’re welcome to it,” says I. “What I want is a
disinterested statement of facts for the mind to work on, and that’s what
I seem to find in the book I’ve drawn.”</p>
<p>“What you’ve got,” says Idaho, “is statistics, the
lowest grade of information that exists. They’ll poison your mind. Give
me old K. M.’s system of surmises. He seems to be a kind of a wine agent.
His regular toast is ‘nothing doing,’ and he seems to have a
grouch, but he keeps it so well lubricated with booze that his worst kicks
sound like an invitation to split a quart. But it’s poetry,” says
Idaho, “and I have sensations of scorn for that truck of yours that tries
to convey sense in feet and inches. When it comes to explaining the instinct of
philosophy through the art of nature, old K. M. has got your man beat by
drills, rows, paragraphs, chest measurement, and average annual
rainfall.”</p>
<p>So that’s the way me and Idaho had it. Day and night all the excitement
we got was studying our books. That snowstorm sure fixed us with a fine lot of
attainments apiece. By the time the snow melted, if you had stepped up to me
suddenly and said: “Sanderson Pratt, what would it cost per square foot
to lay a roof with twenty by twenty-eight tin at nine dollars and fifty cents
per box?” I’d have told you as quick as light could travel the
length of a spade handle at the rate of one hundred and ninety-two thousand
miles per second. How many can do it? You wake up ’most any man you know
in the middle of the night, and ask him quick to tell you the number of bones
in the human skeleton exclusive of the teeth, or what percentage of the vote of
the Nebraska Legislature overrules a veto. Will he tell you? Try him and see.</p>
<p>About what benefit Idaho got out of his poetry book I didn’t exactly
know. Idaho boosted the wine-agent every time he opened his mouth; but I
wasn’t so sure.</p>
<p>This Homer K. M., from what leaked out of his libretto through Idaho, seemed to
me to be a kind of a dog who looked at life like it was a tin can tied to his
tail. After running himself half to death, he sits down, hangs his tongue out,
and looks at the can and says:</p>
<p>“Oh, well, since we can’t shake the growler, let’s get it
filled at the corner, and all have a drink on me.”</p>
<p>Besides that, it seems he was a Persian; and I never hear of Persia producing
anything worth mentioning unless it was Turkish rugs and Maltese cats.</p>
<p>That spring me and Idaho struck pay ore. It was a habit of ours to sell out
quick and keep moving. We unloaded our grubstaker for eight thousand dollars
apiece; and then we drifted down to this little town of Rosa, on the Salmon
river, to rest up, and get some human grub, and have our whiskers harvested.</p>
<p>Rosa was no mining-camp. It laid in the valley, and was as free of uproar and
pestilence as one of them rural towns in the country. There was a three-mile
trolley line champing its bit in the environs; and me and Idaho spent a week
riding on one of the cars, dropping off at nights at the Sunset View Hotel.
Being now well read as well as travelled, we was soon <i>pro re nata</i> with
the best society in Rosa, and was invited out to the most dressed-up and
high-toned entertainments. It was at a piano recital and quail-eating contest
in the city hall, for the benefit of the fire company, that me and Idaho first
met Mrs. De Ormond Sampson, the queen of Rosa society.</p>
<p>Mrs. Sampson was a widow, and owned the only two-story house in town. It was
painted yellow, and whichever way you looked from you could see it as plain as
egg on the chin of an O’Grady on a Friday. Twenty-two men in Rosa besides
me and Idaho was trying to stake a claim on that yellow house.</p>
<p>There was a dance after the song books and quail bones had been raked out of
the Hall. Twenty-three of the bunch galloped over to Mrs. Sampson and asked for
a dance. I side-stepped the two-step, and asked permission to escort her home.
That’s where I made a hit.</p>
<p>On the way home says she:</p>
<p>“Ain’t the stars lovely and bright to-night, Mr. Pratt?”</p>
<p>“For the chance they’ve got,” says I, “they’re
humping themselves in a mighty creditable way. That big one you see is
sixty-six million miles distant. It took thirty-six years for its light to
reach us. With an eighteen-foot telescope you can see forty-three millions of
’em, including them of the thirteenth magnitude, which, if one was to go
out now, you would keep on seeing it for twenty-seven hundred years.”</p>
<p>“My!” says Mrs. Sampson. “I never knew that before. How warm
it is! I’m as damp as I can be from dancing so much.”</p>
<p>“That’s easy to account for,” says I, “when you happen
to know that you’ve got two million sweat-glands working all at once. If
every one of your perspiratory ducts, which are a quarter of an inch long, was
placed end to end, they would reach a distance of seven miles.”</p>
<p>“Lawsy!” says Mrs. Sampson. “It sounds like an irrigation
ditch you was describing, Mr. Pratt. How do you get all this knowledge of
information?”</p>
<p>“From observation, Mrs. Sampson,” I tells her. “I keep my
eyes open when I go about the world.”</p>
<p>“Mr. Pratt,” says she, “I always did admire a man of
education. There are so few scholars among the sap-headed plug-uglies of this
town that it is a real pleasure to converse with a gentleman of culture.
I’d be gratified to have you call at my house whenever you feel so
inclined.”</p>
<p>And that was the way I got the goodwill of the lady in the yellow house. Every
Tuesday and Friday evening I used to go there and tell her about the wonders of
the universe as discovered, tabulated, and compiled from nature by Herkimer.
Idaho and the other gay Lutherans of the town got every minute of the rest of
the week that they could.</p>
<p>I never imagined that Idaho was trying to work on Mrs. Sampson with old K.
M.’s rules of courtship till one afternoon when I was on my way over to
take her a basket of wild hog-plums. I met the lady coming down the lane that
led to her house. Her eyes was snapping, and her hat made a dangerous dip over
one eye.</p>
<p>“Mr. Pratt,” she opens up, “this Mr. Green is a friend of
yours, I believe.”</p>
<p>“For nine years,” says I.</p>
<p>“Cut him out,” says she. “He’s no gentleman!”</p>
<p>“Why ma’am,” says I, “he’s a plain incumbent of
the mountains, with asperities and the usual failings of a spendthrift and a
liar, but I never on the most momentous occasion had the heart to deny that he
was a gentleman. It may be that in haberdashery and the sense of arrogance and
display Idaho offends the eye, but inside, ma’am, I’ve found him
impervious to the lower grades of crime and obesity. After nine years of
Idaho’s society, Mrs. Sampson,” I winds up, “I should hate to
impute him, and I should hate to see him imputed.”</p>
<p>“It’s right plausible of you, Mr. Pratt,” says Mrs. Sampson,
“to take up the curmudgeons in your friend’s behalf; but it
don’t alter the fact that he has made proposals to me sufficiently
obnoxious to ruffle the ignominy of any lady.”</p>
<p>“Why, now, now, now!” says I. “Old Idaho do that! I could
believe it of myself, sooner. I never knew but one thing to deride in him; and
a blizzard was responsible for that. Once while we was snow-bound in the
mountains he became a prey to a kind of spurious and uneven poetry, which may
have corrupted his demeanour.”</p>
<p>“It has,” says Mrs. Sampson. “Ever since I knew him he has
been reciting to me a lot of irreligious rhymes by some person he calls Ruby
Ott, and who is no better than she should be, if you judge by her
poetry.”</p>
<p>“Then Idaho has struck a new book,” says I, “for the one he
had was by a man who writes under the <i>nom de plume</i> of K. M.”</p>
<p>“He’d better have stuck to it,” says Mrs. Sampson,
“whatever it was. And to-day he caps the vortex. I get a bunch of flowers
from him, and on ’em is pinned a note. Now, Mr. Pratt, you know a lady
when you see her; and you know how I stand in Rosa society. Do you think for a
moment that I’d skip out to the woods with a man along with a jug of wine
and a loaf of bread, and go singing and cavorting up and down under the trees
with him? I take a little claret with my meals, but I’m not in the habit
of packing a jug of it into the brush and raising Cain in any such style as
that. And of course he’d bring his book of verses along, too. He said so.
Let him go on his scandalous picnics alone! Or let him take his Ruby Ott with
him. I reckon she wouldn’t kick unless it was on account of there being
too much bread along. And what do you think of your gentleman friend now, Mr.
Pratt?”</p>
<p>“Well, ’m,” says I, “it may be that Idaho’s
invitation was a kind of poetry, and meant no harm. May be it belonged to the
class of rhymes they call figurative. They offend law and order, but they get
sent through the mails on the grounds that they mean something that they
don’t say. I’d be glad on Idaho’s account if you’d
overlook it,” says I, “and let us extricate our minds from the low
regions of poetry to the higher planes of fact and fancy. On a beautiful
afternoon like this, Mrs. Sampson,” I goes on, “we should let our
thoughts dwell accordingly. Though it is warm here, we should remember that at
the equator the line of perpetual frost is at an altitude of fifteen thousand
feet. Between the latitudes of forty degrees and forty-nine degrees it is from
four thousand to nine thousand feet.”</p>
<p>“Oh, Mr. Pratt,” says Mrs. Sampson, “it’s such a
comfort to hear you say them beautiful facts after getting such a jar from that
minx of a Ruby’s poetry!”</p>
<p>“Let us sit on this log at the roadside,” says I, “and forget
the inhumanity and ribaldry of the poets. It is in the glorious columns of
ascertained facts and legalised measures that beauty is to be found. In this
very log we sit upon, Mrs. Sampson,” says I, “is statistics more
wonderful than any poem. The rings show it was sixty years old. At the depth of
two thousand feet it would become coal in three thousand years. The deepest
coal mine in the world is at Killingworth, near Newcastle. A box four feet
long, three feet wide, and two feet eight inches deep will hold one ton of
coal. If an artery is cut, compress it above the wound. A man’s leg
contains thirty bones. The Tower of London was burned in 1841.”</p>
<p>“Go on, Mr. Pratt,” says Mrs. Sampson. “Them ideas is so
original and soothing. I think statistics are just as lovely as they can
be.”</p>
<p>But it wasn’t till two weeks later that I got all that was coming to me
out of Herkimer.</p>
<p>One night I was waked up by folks hollering “Fire!” all around. I
jumped up and dressed and went out of the hotel to enjoy the scene. When I see
it was Mrs. Sampson’s house, I gave forth a kind of yell, and I was there
in two minutes.</p>
<p>The whole lower story of the yellow house was in flames, and every masculine,
feminine, and canine in Rosa was there, screeching and barking and getting in
the way of the firemen. I saw Idaho trying to get away from six firemen who
were holding him. They was telling him the whole place was on fire down-stairs,
and no man could go in it and come out alive.</p>
<p>“Where’s Mrs. Sampson?” I asks.</p>
<p>“She hasn’t been seen,” says one of the firemen. “She
sleeps up-stairs. We’ve tried to get in, but we can’t, and our
company hasn’t got any ladders yet.”</p>
<p>I runs around to the light of the big blaze, and pulls the Handbook out of my
inside pocket. I kind of laughed when I felt it in my hands —I reckon I
was some daffy with the sensation of excitement.</p>
<p>“Herky, old boy,” I says to it, as I flipped over the pages,
“you ain’t ever lied to me yet, and you ain’t ever throwed me
down at a scratch yet. Tell me what, old boy, tell me what!” says I.</p>
<p>I turned to “What to do in Case of Accidents,” on page 117. I run
my finger down the page, and struck it. Good old Herkimer, he never overlooked
anything! It said:</p>
<p class="letter">
Suffocation from Inhaling Smoke or Gas.—There is nothing better than
flaxseed. Place a few seed in the outer corner of the eye.</p>
<p>I shoved the Handbook back in my pocket, and grabbed a boy that was running by.</p>
<p>“Here,” says I, giving him some money, “run to the drug store
and bring a dollar’s worth of flaxseed. Hurry, and you’ll get
another one for yourself. Now,” I sings out to the crowd,
“we’ll have Mrs. Sampson!” And I throws away my coat and hat.</p>
<p>Four of the firemen and citizens grabs hold of me. It’s sure death, they
say, to go in the house, for the floors was beginning to fall through.</p>
<p>“How in blazes,” I sings out, kind of laughing yet, but not feeling
like it, “do you expect me to put flaxseed in a eye without the
eye?”</p>
<p>I jabbed each elbow in a fireman’s face, kicked the bark off of one
citizen’s shin, and tripped the other one with a side hold. And then I
busted into the house. If I die first I’ll write you a letter and tell
you if it’s any worse down there than the inside of that yellow house
was; but don’t believe it yet. I was a heap more cooked than the hurry-up
orders of broiled chicken that you get in restaurants. The fire and smoke had
me down on the floor twice, and was about to shame Herkimer, but the firemen
helped me with their little stream of water, and I got to Mrs. Sampson’s
room. She’d lost conscientiousness from the smoke, so I wrapped her in
the bed clothes and got her on my shoulder. Well, the floors wasn’t as
bad as they said, or I never could have done it—not by no means.</p>
<p>I carried her out fifty yards from the house and laid her on the grass. Then,
of course, every one of them other twenty-two plaintiff’s to the
lady’s hand crowded around with tin dippers of water ready to save her.
And up runs the boy with the flaxseed.</p>
<p>I unwrapped the covers from Mrs. Sampson’s head. She opened her eyes and
says:</p>
<p>“Is that you, Mr. Pratt?”</p>
<p>“S-s-sh,” says I. “Don’t talk till you’ve had the
remedy.”</p>
<p>I runs my arm around her neck and raises her head, gentle, and breaks the bag
of flaxseed with the other hand; and as easy as I could I bends over and slips
three or four of the seeds in the outer corner of her eye.</p>
<p>Up gallops the village doc by this time, and snorts around, and grabs at Mrs.
Sampson’s pulse, and wants to know what I mean by any such sandblasted
nonsense.</p>
<p>“Well, old Jalap and Jerusalem oakseed,” says I, “I’m
no regular practitioner, but I’ll show you my authority, anyway.”</p>
<p>They fetched my coat, and I gets out the Handbook.</p>
<p>“Look on page 117,” says I, “at the remedy for suffocation by
smoke or gas. Flaxseed in the outer corner of the eye, it says. I don’t
know whether it works as a smoke consumer or whether it hikes the compound
gastro-hippopotamus nerve into action, but Herkimer says it, and he was called
to the case first. If you want to make it a consultation, there’s no
objection.”</p>
<p>Old doc takes the book and looks at it by means of his specs and a
fireman’s lantern.</p>
<p>“Well, Mr. Pratt,” says he, “you evidently got on the wrong
line in reading your diagnosis. The recipe for suffocation says: ‘Get the
patient into fresh air as quickly as possible, and place in a reclining
position.’ The flaxseed remedy is for ‘Dust and Cinders in the
Eye,’ on the line above. But, after all—”</p>
<p>“See here,” interrupts Mrs. Sampson, “I reckon I’ve got
something to say in this consultation. That flaxseed done me more good than
anything I ever tried.” And then she raises up her head and lays it back
on my arm again, and says: “Put some in the other eye, Sandy dear.”</p>
<p>And so if you was to stop off at Rosa to-morrow, or any other day, you’d
see a fine new yellow house with Mrs. Pratt, that was Mrs. Sampson,
embellishing and adorning it. And if you was to step inside you’d see on
the marble-top centre table in the parlour “Herkimer’s Handbook of
Indispensable Information,” all rebound in red morocco, and ready to be
consulted on any subject pertaining to human happiness and wisdom.</p>
<h2><SPAN name="chap05"></SPAN>V<br/> THE PIMIENTA PANCAKES</h2>
<p>While we were rounding up a bunch of the Triangle-O cattle in the Frio bottoms
a projecting branch of a dead mesquite caught my wooden stirrup and gave my
ankle a wrench that laid me up in camp for a week.</p>
<p>On the third day of my compulsory idleness I crawled out near the grub wagon,
and reclined helpless under the conversational fire of Judson Odom, the camp
cook. Jud was a monologist by nature, whom Destiny, with customary blundering,
had set in a profession wherein he was bereaved, for the greater portion of his
time, of an audience.</p>
<p>Therefore, I was manna in the desert of Jud’s obmutescence.</p>
<p>Betimes I was stirred by invalid longings for something to eat that did not
come under the caption of “grub.” I had visions of the maternal
pantry “deep as first love, and wild with all regret,” and then I
asked:</p>
<p>“Jud, can you make pancakes?”</p>
<p>Jud laid down his six-shooter, with which he was preparing to pound an antelope
steak, and stood over me in what I felt to be a menacing attitude. He further
endorsed my impression that his pose was resentful by fixing upon me with his
light blue eyes a look of cold suspicion.</p>
<p>“Say, you,” he said, with candid, though not excessive, choler,
“did you mean that straight, or was you trying to throw the gaff into me?
Some of the boys been telling you about me and that pancake racket?”</p>
<p>“No, Jud,” I said, sincerely, “I meant it. It seems to me
I’d swap my pony and saddle for a stack of buttered brown pancakes with
some first crop, open kettle, New Orleans sweetening. Was there a story about
pancakes?”</p>
<p>Jud was mollified at once when he saw that I had not been dealing in allusions.
He brought some mysterious bags and tin boxes from the grub wagon and set them
in the shade of the hackberry where I lay reclined. I watched him as he began
to arrange them leisurely and untie their many strings.</p>
<p>“No, not a story,” said Jud, as he worked, “but just the
logical disclosures in the case of me and that pink-eyed snoozer from Mired
Mule Canada and Miss Willella Learight. I don’t mind telling you.</p>
<p>“I was punching then for old Bill Toomey, on the San Miguel. One day I
gets all ensnared up in aspirations for to eat some canned grub that
hasn’t ever mooed or baaed or grunted or been in peck measures. So, I
gets on my bronc and pushes the wind for Uncle Emsley Telfair’s store at
the Pimienta Crossing on the Nueces.</p>
<p>“About three in the afternoon I throwed my bridle rein over a mesquite
limb and walked the last twenty yards into Uncle Emsley’s store. I got up
on the counter and told Uncle Emsley that the signs pointed to the devastation
of the fruit crop of the world. In a minute I had a bag of crackers and a
long-handled spoon, with an open can each of apricots and pineapples and
cherries and greengages beside of me with Uncle Emsley busy chopping away with
the hatchet at the yellow clings. I was feeling like Adam before the apple
stampede, and was digging my spurs into the side of the counter and working
with my twenty-four-inch spoon when I happened to look out of the window into
the yard of Uncle Emsley’s house, which was next to the store.</p>
<p>“There was a girl standing there—an imported girl with fixings
on— philandering with a croquet maul and amusing herself by watching my
style of encouraging the fruit canning industry.</p>
<p>“I slid off the counter and delivered up my shovel to Uncle Emsley.</p>
<p>“‘That’s my niece,’ says he; ‘Miss Willella
Learight, down from Palestine on a visit. Do you want that I should make you
acquainted?’</p>
<p>“‘The Holy Land,’ I says to myself, my thoughts milling some
as I tried to run ’em into the corral. ‘Why not? There was sure
angels in Pales—Why, yes, Uncle Emsley,’ I says out loud,
‘I’d be awful edified to meet Miss Learight.’</p>
<p>“So Uncle Emsley took me out in the yard and gave us each other’s
entitlements.</p>
<p>“I never was shy about women. I never could understand why some men who
can break a mustang before breakfast and shave in the dark, get all left-handed
and full of perspiration and excuses when they see a bold of calico draped
around what belongs to it. Inside of eight minutes me and Miss Willella was
aggravating the croquet balls around as amiable as second cousins. She gave me
a dig about the quantity of canned fruit I had eaten, and I got back at her,
flat-footed, about how a certain lady named Eve started the fruit trouble in
the first free-grass pasture—‘Over in Palestine, wasn’t
it?’ says I, as easy and pat as roping a one-year-old.</p>
<p>“That was how I acquired cordiality for the proximities of Miss Willella
Learight; and the disposition grew larger as time passed. She was stopping at
Pimienta Crossing for her health, which was very good, and for the climate,
which was forty per cent. hotter than Palestine. I rode over to see her once
every week for a while; and then I figured it out that if I doubled the number
of trips I would see her twice as often.</p>
<p>“One week I slipped in a third trip; and that’s where the pancakes
and the pink-eyed snoozer busted into the game.</p>
<p>“That evening, while I set on the counter with a peach and two damsons in
my mouth, I asked Uncle Emsley how Miss Willella was.</p>
<p>“‘Why,’ says Uncle Emsley, ‘she’s gone riding
with Jackson Bird, the sheep man from over at Mired Mule Canada.’</p>
<p>“I swallowed the peach seed and the two damson seeds. I guess somebody
held the counter by the bridle while I got off; and then I walked out straight
ahead till I butted against the mesquite where my roan was tied.</p>
<p>“‘She’s gone riding,’ I whisper in my bronc’s
ear, ‘with Birdstone Jack, the hired mule from Sheep Man’s Canada.
Did you get that, old Leather-and-Gallops?’</p>
<p>“That bronc of mine wept, in his way. He’d been raised a cow pony
and he didn’t care for snoozers.</p>
<p>“I went back and said to Uncle Emsley: ‘Did you say a sheep
man?’</p>
<p>“‘I said a sheep man,’ says Uncle Emsley again. ‘You
must have heard tell of Jackson Bird. He’s got eight sections of grazing
and four thousand head of the finest Merinos south of the Arctic Circle.’</p>
<p>“I went out and sat on the ground in the shade of the store and leaned
against a prickly pear. I sifted sand into my boots with unthinking hands while
I soliloquised a quantity about this bird with the Jackson plumage to his name.</p>
<p>“I never had believed in harming sheep men. I see one, one day, reading a
Latin grammar on hossback, and I never touched him! They never irritated me
like they do most cowmen. You wouldn’t go to work now, and impair and
disfigure snoozers, would you, that eat on tables and wear little shoes and
speak to you on subjects? I had always let ’em pass, just as you would a
jack-rabbit; with a polite word and a guess about the weather, but no stopping
to swap canteens. I never thought it was worth while to be hostile with a
snoozer. And because I’d been lenient, and let ’em live, here was
one going around riding with Miss Willella Learight!</p>
<p>“An hour by sun they come loping back, and stopped at Uncle
Emsley’s gate. The sheep person helped her off; and they stood throwing
each other sentences all sprightful and sagacious for a while. And then this
feathered Jackson flies up in his saddle and raises his little stewpot of a
hat, and trots off in the direction of his mutton ranch. By this time I had
turned the sand out of my boots and unpinned myself from the prickly pear; and
by the time he gets half a mile out of Pimienta, I singlefoots up beside him on
my bronc.</p>
<p>“I said that snoozer was pink-eyed, but he wasn’t. His seeing
arrangement was grey enough, but his eye-lashes was pink and his hair was
sandy, and that gave you the idea. Sheep man?—he wasn’t more than a
lamb man, anyhow—a little thing with his neck involved in a yellow silk
handkerchief, and shoes tied up in bowknots.</p>
<p>“‘Afternoon!’ says I to him. ‘You now ride with a
equestrian who is commonly called Dead-Moral-Certainty Judson, on account of
the way I shoot. When I want a stranger to know me I always introduce myself
before the draw, for I never did like to shake hands with ghosts.’</p>
<p>“‘Ah,’ says he, just like that—‘Ah, I’m
glad to know you, Mr. Judson. I’m Jackson Bird, from over at Mired Mule
Ranch.’</p>
<p>“Just then one of my eyes saw a roadrunner skipping down the hill with a
young tarantula in his bill, and the other eye noticed a rabbit-hawk sitting on
a dead limb in a water-elm. I popped over one after the other with my
forty-five, just to show him. ‘Two out of three,’ says I.
‘Birds just naturally seem to draw my fire wherever I go.’</p>
<p>“‘Nice shooting,’ says the sheep man, without a flutter.
‘But don’t you sometimes ever miss the third shot? Elegant fine
rain that was last week for the young grass, Mr. Judson?’ says he.</p>
<p>“‘Willie,’ says I, riding over close to his palfrey,
‘your infatuated parents may have denounced you by the name of Jackson,
but you sure moulted into a twittering Willie—let us slough off this here
analysis of rain and the elements, and get down to talk that is outside the
vocabulary of parrots. That is a bad habit you have got of riding with young
ladies over at Pimienta. I’ve known birds,’ says I, ‘to be
served on toast for less than that. Miss Willella,’ says I,
‘don’t ever want any nest made out of sheep’s wool by a
tomtit of the Jacksonian branch of ornithology. Now, are you going to quit, or
do you wish for to gallop up against this Dead-Moral-Certainty attachment to my
name, which is good for two hyphens and at least one set of funeral
obsequies?’</p>
<p>“Jackson Bird flushed up some, and then he laughed.</p>
<p>“‘Why, Mr. Judson,’ says he, ‘you’ve got the
wrong idea. I’ve called on Miss Learight a few times; but not for the
purpose you imagine. My object is purely a gastronomical one.’</p>
<p>“I reached for my gun.</p>
<p>“‘Any coyote,’ says I, ‘that would boast of
dishonourable—’</p>
<p>“‘Wait a minute,’ says this Bird, ‘till I explain. What
would I do with a wife? If you ever saw that ranch of mine! I do my own cooking
and mending. Eating—that’s all the pleasure I get out of sheep
raising. Mr. Judson, did you ever taste the pancakes that Miss Learight
makes?’</p>
<p>“‘Me? No,’ I told him. ‘I never was advised that she
was up to any culinary manoeuvres.’</p>
<p>“‘They’re golden sunshine,’ says he,
‘honey-browned by the ambrosial fires of Epicurus. I’d give two
years of my life to get the recipe for making them pancakes. That’s what
I went to see Miss Learight for,’ says Jackson Bird, ‘but I
haven’t been able to get it from her. It’s an old recipe
that’s been in the family for seventy-five years. They hand it down from
one generation to another, but they don’t give it away to outsiders. If I
could get that recipe, so I could make them pancakes for myself on my ranch,
I’d be a happy man,’ says Bird.</p>
<p>“‘Are you sure,’ I says to him, ‘that it ain’t
the hand that mixes the pancakes that you’re after?’</p>
<p>“‘Sure,’ says Jackson. ‘Miss Learight is a mighty nice
girl, but I can assure you my intentions go no further than the
gastro—’ but he seen my hand going down to my holster and he
changed his similitude—‘than the desire to procure a copy of the
pancake recipe,’ he finishes.</p>
<p>“‘You ain’t such a bad little man,’ says I, trying to
be fair. ‘I was thinking some of making orphans of your sheep, but
I’ll let you fly away this time. But you stick to pancakes,’ says
I, ‘as close as the middle one of a stack; and don’t go and mistake
sentiments for syrup, or there’ll be singing at your ranch, and you
won’t hear it.’</p>
<p>“‘To convince you that I am sincere,’ says the sheep man,
‘I’ll ask you to help me. Miss Learight and you being closer
friends, maybe she would do for you what she wouldn’t for me. If you will
get me a copy of that pancake recipe, I give you my word that I’ll never
call upon her again.’</p>
<p>“‘That’s fair,’ I says, and I shook hands with Jackson
Bird. ‘I’ll get it for you if I can, and glad to oblige.’ And
he turned off down the big pear flat on the Piedra, in the direction of Mired
Mule; and I steered northwest for old Bill Toomey’s ranch.</p>
<p>“It was five days afterward when I got another chance to ride over to
Pimienta. Miss Willella and me passed a gratifying evening at Uncle
Emsley’s. She sang some, and exasperated the piano quite a lot with
quotations from the operas. I gave imitations of a rattlesnake, and told her
about Snaky McFee’s new way of skinning cows, and described the trip I
made to Saint Louis once. We was getting along in one another’s
estimations fine. Thinks I, if Jackson Bird can now be persuaded to migrate, I
win. I recollect his promise about the pancake receipt, and I thinks I will
persuade it from Miss Willella and give it to him; and then if I catches Birdie
off of Mired Mule again, I’ll make him hop the twig.</p>
<p>“So, along about ten o’clock, I put on a wheedling smile and says
to Miss Willella: ‘Now, if there’s anything I do like better than
the sight of a red steer on green grass it’s the taste of a nice hot
pancake smothered in sugar-house molasses.’</p>
<p>“Miss Willella gives a little jump on the piano stool, and looked at me
curious.</p>
<p>“‘Yes,’ says she, ‘they’re real nice. What did
you say was the name of that street in Saint Louis, Mr. Odom, where you lost
your hat?’</p>
<p>“‘Pancake Avenue,’ says I, with a wink, to show her that I
was on about the family receipt, and couldn’t be side-corralled off of
the subject. ‘Come, now, Miss Willella,’ I says; ‘let’s
hear how you make ’em. Pancakes is just whirling in my head like wagon
wheels. Start her off, now—pound of flour, eight dozen eggs, and so on.
How does the catalogue of constituents run?’</p>
<p>“‘Excuse me for a moment, please,’ says Miss Willella, and
she gives me a quick kind of sideways look, and slides off the stool. She
ambled out into the other room, and directly Uncle Emsley comes in in his shirt
sleeves, with a pitcher of water. He turns around to get a glass on the table,
and I see a forty-five in his hip pocket. ‘Great post-holes!’
thinks I, ‘but here’s a family thinks a heap of cooking receipts,
protecting it with firearms. I’ve known outfits that wouldn’t do
that much by a family feud.’</p>
<p>“‘Drink this here down,’ says Uncle Emsley, handing me the
glass of water. ‘You’ve rid too far to-day, Jud, and got yourself
over-excited. Try to think about something else now.’</p>
<p>“‘Do you know how to make them pancakes, Uncle Emsley?’ I
asked.</p>
<p>“‘Well, I’m not as apprised in the anatomy of them as
some,’ says Uncle Emsley, ‘but I reckon you take a sifter of
plaster of Paris and a little dough and saleratus and corn meal, and mix
’em with eggs and buttermilk as usual. Is old Bill going to ship beeves
to Kansas City again this spring, Jud?’</p>
<p>“That was all the pancake specifications I could get that night. I
didn’t wonder that Jackson Bird found it uphill work. So I dropped the
subject and talked with Uncle Emsley for a while about hollow-horn and
cyclones. And then Miss Willella came and said ‘Good-night,’ and I
hit the breeze for the ranch.</p>
<p>“About a week afterward I met Jackson Bird riding out of Pimienta as I
rode in, and we stopped on the road for a few frivolous remarks.</p>
<p>“‘Got the bill of particulars for them flapjacks yet?’ I
asked him.</p>
<p>“‘Well, no,’ says Jackson. ‘I don’t seem to have
any success in getting hold of it. Did you try?’</p>
<p>“‘I did,’ says I, ‘and ’twas like trying to dig a
prairie dog out of his hole with a peanut hull. That pancake receipt must be a
jookalorum, the way they hold on to it.’</p>
<p>“‘I’m most ready to give it up,’ says Jackson, so
discouraged in his pronunciations that I felt sorry for him; ‘but I did
want to know how to make them pancakes to eat on my lonely ranch,’ says
he. ‘I lie awake at nights thinking how good they are.’</p>
<p>“‘You keep on trying for it,’ I tells him, ‘and
I’ll do the same. One of us is bound to get a rope over its horns before
long. Well, so-long, Jacksy.’</p>
<p>“You see, by this time we were on the peacefullest of terms. When I saw
that he wasn’t after Miss Willella, I had more endurable contemplations
of that sandy-haired snoozer. In order to help out the ambitions of his
appetite I kept on trying to get that receipt from Miss Willella. But every
time I would say ‘pancakes’ she would get sort of remote and
fidgety about the eye, and try to change the subject. If I held her to it she
would slide out and round up Uncle Emsley with his pitcher of water and
hip-pocket howitzer.</p>
<p>“One day I galloped over to the store with a fine bunch of blue verbenas
that I cut out of a herd of wild flowers over on Poisoned Dog Prairie. Uncle
Emsley looked at ’em with one eye shut and says:</p>
<p>“‘Haven’t ye heard the news?’</p>
<p>“‘Cattle up?’ I asks.</p>
<p>“‘Willella and Jackson Bird was married in Palestine
yesterday,’ says he. ‘Just got a letter this morning.’</p>
<p>“I dropped them flowers in a cracker-barrel, and let the news trickle in
my ears and down toward my upper left-hand shirt pocket until it got to my
feet.</p>
<p>“‘Would you mind saying that over again once more, Uncle
Emsley?’ says I. ‘Maybe my hearing has got wrong, and you only said
that prime heifers was 4.80 on the hoof, or something like that.’</p>
<p>“‘Married yesterday,’ says Uncle Emsley, ‘and gone to
Waco and Niagara Falls on a wedding tour. Why, didn’t you see none of the
signs all along? Jackson Bird has been courting Willella ever since that day he
took her out riding.’</p>
<p>“‘Then,’ says I, in a kind of yell, ‘what was all this
zizzaparoola he gives me about pancakes? Tell me <i>that</i>.’</p>
<p>“When I said ‘pancakes’ Uncle Emsley sort of dodged and
stepped back.</p>
<p>“‘Somebody’s been dealing me pancakes from the bottom of the
deck,’ I says, ‘and I’ll find out. I believe you know. Talk
up,’ says I, ‘or we’ll mix a panful of batter right
here.’</p>
<p>“I slid over the counter after Uncle Emsley. He grabbed at his gun, but
it was in a drawer, and he missed it two inches. I got him by the front of his
shirt and shoved him in a corner.</p>
<p>“‘Talk pancakes,’ says I, ‘or be made into one. Does
Miss Willella make ’em?’</p>
<p>“‘She never made one in her life and I never saw one,’ says
Uncle Emsley, soothing. ‘Calm down now, Jud—calm down. You’ve
got excited, and that wound in your head is contaminating your sense of
intelligence. Try not to think about pancakes.’</p>
<p>“‘Uncle Emsley,’ says I, ‘I’m not wounded in the
head except so far as my natural cognitive instincts run to runts. Jackson Bird
told me he was calling on Miss Willella for the purpose of finding out her
system of producing pancakes, and he asked me to help him get the bill of
lading of the ingredients. I done so, with the results as you see. Have I been
sodded down with Johnson grass by a pink-eyed snoozer, or what?’</p>
<p>“‘Slack up your grip in my dress shirt,’ says Uncle Emsley,
‘and I’ll tell you. Yes, it looks like Jackson Bird has gone and
humbugged you some. The day after he went riding with Willella he came back and
told me and her to watch out for you whenever you got to talking about
pancakes. He said you was in camp once where they was cooking flapjacks, and
one of the fellows cut you over the head with a frying pan. Jackson said that
whenever you got overhot or excited that wound hurt you and made you kind of
crazy, and you went raving about pancakes. He told us to just get you worked
off of the subject and soothed down, and you wouldn’t be dangerous. So,
me and Willella done the best by you we knew how. Well, well,’ says Uncle
Emsley, ‘that Jackson Bird is sure a seldom kind of a
snoozer.’”</p>
<p>During the progress of Jud’s story he had been slowly but deftly
combining certain portions of the contents of his sacks and cans. Toward the
close of it he set before me the finished product—a pair of red-hot,
rich-hued pancakes on a tin plate. From some secret hoarding he also brought a
lump of excellent butter and a bottle of golden syrup.</p>
<p>“How long ago did these things happen?” I asked him.</p>
<p>“Three years,” said Jud. “They’re living on the Mired
Mule Ranch now. But I haven’t seen either of ’em since. They say
Jackson Bird was fixing his ranch up fine with rocking chairs and window
curtains all the time he was putting me up the pancake tree. Oh, I got over it
after a while. But the boys kept the racket up.”</p>
<p>“Did you make these cakes by the famous recipe?” I asked.</p>
<p>“Didn’t I tell you there wasn’t no receipt?” said Jud.
“The boys hollered pancakes till they got pancake hungry, and I cut this
recipe out of a newspaper. How does the truck taste?”</p>
<p>“They’re delicious,” I answered. “Why don’t you
have some, too, Jud?”</p>
<p>I was sure I heard a sigh.</p>
<p>“Me?” said Jud. “I don’t ever eat ’em.”</p>
<h2><SPAN name="chap06"></SPAN>VI<br/> SEATS OF THE HAUGHTY</h2>
<p>Golden by day and silver by night, a new trail now leads to us across the
Indian Ocean. Dusky kings and princes have found our Bombay of the West; and
few be their trails that do not lead down to Broadway on their journey for to
admire and for to see.</p>
<p>If chance should ever lead you near a hotel that transiently shelters some one
of these splendid touring grandees, I counsel you to seek Lucullus Polk among
the republican tuft-hunters that besiege its entrances. He will be there. You
will know him by his red, alert, Wellington-nosed face, by his manner of
nervous caution mingled with determination, by his assumed promoter’s or
broker’s air of busy impatience, and by his bright-red necktie, gallantly
redressing the wrongs of his maltreated blue serge suit, like a battle standard
still waving above a lost cause. I found him profitable; and so may you. When
you do look for him, look among the light-horse troop of Bedouins that besiege
the picket-line of the travelling potentate’s guards and
secretaries—among the wild-eyed genii of Arabian Afternoons that gather
to make astounding and egregrious demands upon the prince’s coffers.</p>
<p>I first saw Mr. Polk coming down the steps of the hotel at which sojourned His
Highness the Gaekwar of Baroda, most enlightened of the Mahratta princes, who,
of late, ate bread and salt in our Metropolis of the Occident.</p>
<p>Lucullus moved rapidly, as though propelled by some potent moral force that
imminently threatened to become physical. Behind him closely followed the
impetus—a hotel detective, if ever white Alpine hat, hawk’s nose,
implacable watch chain, and loud refinement of manner spoke the truth. A brace
of uniformed porters at his heels preserved the smooth decorum of the hotel,
repudiating by their air of disengagement any suspicion that they formed a
reserve squad of ejectment.</p>
<p>Safe on the sidewalk, Lucullus Polk turned and shook a freckled fist at the
caravansary. And, to my joy, he began to breathe deep invective in strange
words:</p>
<p>“Rides in howdays, does he?” he cried loudly and sneeringly.
“Rides on elephants in howdahs and calls himself a prince!
Kings—yah! Comes over here and talks horse till you would think he was a
president; and then goes home and rides in a private dining-room strapped onto
an elephant. Well, well, well!”</p>
<p>The ejecting committee quietly retired. The scorner of princes turned to me and
snapped his fingers.</p>
<p>“What do you think of that?” he shouted derisively. “The
Gaekwar of Baroda rides in an elephant in a howdah! And there’s old
Bikram Shamsher Jang scorching up and down the pig-paths of Khatmandu on a
motor-cycle. Wouldn’t that maharajah you? And the Shah of Persia, that
ought to have been Muley-on-the-spot for at least three, he’s got the
palanquin habit. And that funny-hat prince from Korea—wouldn’t you
think he could afford to amble around on a milk-white palfrey once in a dynasty
or two? Nothing doing! His idea of a Balaklava charge is to tuck his skirts
under him and do his mile in six days over the hog-wallows of Seoul in a
bull-cart. That’s the kind of visiting potentates that come to this
country now. It’s a hard deal, friend.”</p>
<p>I murmured a few words of sympathy. But it was uncomprehending, for I did not
know his grievance against the rulers who flash, meteor-like, now and then upon
our shores.</p>
<p>“The last one I sold,” continued the displeased one, “was to
that three-horse-tailed Turkish pasha that came over a year ago. Five hundred
dollars he paid for it, easy. I says to his executioner or secretary—he
was a kind of a Jew or a Chinaman—‘His Turkey Gibbets is fond of
horses, then?’</p>
<p>“‘Him?’ says the secretary. ‘Well, no. He’s got a
big, fat wife in the harem named Bad Dora that he don’t like. I believe
he intends to saddle her up and ride her up and down the board-walk in the
Bulbul Gardens a few times every day. You haven’t got a pair of
extra-long spurs you could throw in on the deal, have you?’ Yes, sir;
there’s mighty few real rough-riders among the royal sports these
days.”</p>
<p>As soon as Lucullus Polk got cool enough I picked him up, and with no greater
effort than you would employ in persuading a drowning man to clutch a straw, I
inveigled him into accompanying me to a cool corner in a dim café.</p>
<p>And it came to pass that man-servants set before us brewage; and Lucullus Polk
spake unto me, relating the wherefores of his beleaguering the antechambers of
the princes of the earth.</p>
<p>“Did you ever hear of the S.A. & A.P. Railroad in Texas? Well, that
don’t stand for Samaritan Actor’s Aid Philanthropy. I was down that
way managing a summer bunch of the gum and syntax-chewers that play the
Idlewild Parks in the Western hamlets. Of course, we went to pieces when the
soubrette ran away with a prominent barber of Beeville. I don’t know what
became of the rest of the company. I believe there were some salaries due; and
the last I saw of the troupe was when I told them that forty-three cents was
all the treasury contained. I say I never saw any of them after that; but I
heard them for about twenty minutes. I didn’t have time to look back. But
after dark I came out of the woods and struck the S.A. & A.P. agent for
means of transportation. He at once extended to me the courtesies of the entire
railroad, kindly warning me, however, not to get aboard any of the rolling
stock.</p>
<p>“About ten the next morning I steps off the ties into a village that
calls itself Atascosa City. I bought a thirty-cent breakfast and a ten-cent
cigar, and stood on the Main Street jingling the three pennies in my
pocket—dead broke. A man in Texas with only three cents in his pocket is
no better off than a man that has no money and owes two cents.</p>
<p>“One of luck’s favourite tricks is to soak a man for his last
dollar so quick that he don’t have time to look it. There I was in a
swell St. Louis tailor-made, blue-and-green plaid suit, and an eighteen-carat
sulphate-of-copper scarf-pin, with no hope in sight except the two great Texas
industries, the cotton fields and grading new railroads. I never picked cotton,
and I never cottoned to a pick, so the outlook had ultramarine edges.</p>
<p>“All of a sudden, while I was standing on the edge of the wooden
sidewalk, down out of the sky falls two fine gold watches in the middle of the
street. One hits a chunk of mud and sticks. The other falls hard and flies
open, making a fine drizzle of little springs and screws and wheels. I looks up
for a balloon or an airship; but not seeing any, I steps off the sidewalk to
investigate.</p>
<p>“But I hear a couple of yells and see two men running up the street in
leather overalls and high-heeled boots and cartwheel hats. One man is six or
eight feet high, with open-plumbed joints and a heartbroken cast of
countenance. He picks up the watch that has stuck in the mud. The other man,
who is little, with pink hair and white eyes, goes for the empty case, and
says, ‘I win.’ Then the elevated pessimist goes down under his
leather leg-holsters and hands a handful of twenty-dollar gold pieces to his
albino friend. I don’t know how much money it was; it looked as big as an
earthquake-relief fund to me.</p>
<p>“‘I’ll have this here case filled up with works,’ says
Shorty, ‘and throw you again for five hundred.’</p>
<p>“‘I’m your company,’ says the high man.
‘I’ll meet you at the Smoked Dog Saloon an hour from now.’</p>
<p>“The little man hustles away with a kind of Swiss movement toward a
jewelry store. The heartbroken person stoops over and takes a telescopic view
of my haberdashery.</p>
<p>“‘Them’s a mighty slick outfit of habiliments you have got
on, Mr. Man,’ says he. ‘I’ll bet a hoss you never acquired
the right, title, and interest in and to them clothes in Atascosa City.’</p>
<p>“‘Why, no,’ says I, being ready enough to exchange
personalities with this moneyed monument of melancholy. ‘I had this suit
tailored from a special line of coatericks, vestures, and pantings in St.
Louis. Would you mind putting me sane,’ says I, ‘on this
watch-throwing contest? I’ve been used to seeing time-pieces treated with
more politeness and esteem—except women’s watches, of course, which
by nature they abuse by cracking walnuts with ’em and having ’em
taken showing in tintype pictures.’</p>
<p>“‘Me and George,’ he explains, ‘are up from the ranch,
having a spell of fun. Up to last month we owned four sections of watered
grazing down on the San Miguel. But along comes one of these oil prospectors
and begins to bore. He strikes a gusher that flows out twenty thousand
—or maybe it was twenty million—barrels of oil a day. And me and
George gets one hundred and fifty thousand dollars—seventy-five thousand
dollars apiece—for the land. So now and then we saddles up and hits the
breeze for Atascosa City for a few days of excitement and damage. Here’s
a little bunch of the <i>dinero</i> that I drawed out of the bank this
morning,’ says he, and shows a roll of twenties and fifties as big around
as a sleeping-car pillow. The yellowbacks glowed like a sunset on the gable end
of John D.’s barn. My knees got weak, and I sat down on the edge of the
board sidewalk.</p>
<p>“‘You must have knocked around a right smart,’ goes on this
oil Grease-us. ‘I shouldn’t be surprised if you have saw towns more
livelier than what Atascosa City is. Sometimes it seems to me that there ought
to be some more ways of having a good time than there is here, ’specially
when you’ve got plenty of money and don’t mind spending it.’</p>
<p>“Then this Mother Cary’s chick of the desert sits down by me and we
hold a conversationfest. It seems that he was money-poor. He’d lived in
ranch camps all his life; and he confessed to me that his supreme idea of
luxury was to ride into camp, tired out from a round-up, eat a peck of Mexican
beans, hobble his brains with a pint of raw whisky, and go to sleep with his
boots for a pillow. When this barge-load of unexpected money came to him and
his pink but perky partner, George, and they hied themselves to this clump of
outhouses called Atascosa City, you know what happened to them. They had money
to buy anything they wanted; but they didn’t know what to want. Their
ideas of spendthriftiness were limited to three—whisky, saddles, and gold
watches. If there was anything else in the world to throw away fortunes on,
they had never heard about it. So, when they wanted to have a hot time,
they’d ride into town and get a city directory and stand in front of the
principal saloon and call up the population alphabetically for free drinks.
Then they would order three or four new California saddles from the
storekeeper, and play crack-loo on the sidewalk with twenty-dollar gold pieces.
Betting who could throw his gold watch the farthest was an inspiration of
George’s; but even that was getting to be monotonous.</p>
<p>“Was I on to the opportunity? Listen.</p>
<p>“In thirty minutes I had dashed off a word picture of metropolitan joys
that made life in Atascosa City look as dull as a trip to Coney Island with
your own wife. In ten minutes more we shook hands on an agreement that I was to
act as his guide, interpreter and friend in and to the aforesaid wassail and
amenity. And Solomon Mills, which was his name, was to pay all expenses for a
month. At the end of that time, if I had made good as director-general of the
rowdy life, he was to pay me one thousand dollars. And then, to clinch the
bargain, we called the roll of Atascosa City and put all of its citizens except
the ladies and minors under the table, except one man named Horace Westervelt
St. Clair. Just for that we bought a couple of hatfuls of cheap silver watches
and egged him out of town with ’em. We wound up by dragging the
harness-maker out of bed and setting him to work on three new saddles; and then
we went to sleep across the railroad track at the depot, just to annoy the S.A.
& A.P. Think of having seventy-five thousand dollars and trying to avoid
the disgrace of dying rich in a town like that!</p>
<p>“The next day George, who was married or something, started back to the
ranch. Me and Solly, as I now called him, prepared to shake off our moth balls
and wing our way against the arc-lights of the joyous and tuneful East.</p>
<p>“‘No way-stops,’ says I to Solly, ‘except long enough
to get you barbered and haberdashed. This is no Texas feet shampetter,’
says I, ‘where you eat chili-concarne-con-huevos and then holler
“Whoopee!” across the plaza. We’re now going against the real
high life. We’re going to mingle with the set that carries a Spitz, wears
spats, and hits the ground in high spots.’</p>
<p>“Solly puts six thousand dollars in century bills in one pocket of his
brown ducks, and bills of lading for ten thousand dollars on Eastern banks in
another. Then I resume diplomatic relations with the S.A. & A.P., and we
hike in a northwesterly direction on our circuitous route to the spice gardens
of the Yankee Orient.</p>
<p>“We stopped in San Antonio long enough for Solly to buy some clothes, and
eight rounds of drinks for the guests and employees of the Menger Hotel, and
order four Mexican saddles with silver trimmings and white Angora
<i>suaderos</i> to be shipped down to the ranch. From there we made a big jump
to St. Louis. We got there in time for dinner; and I put our thumb-prints on
the register of the most expensive hotel in the city.</p>
<p>“‘Now,’ says I to Solly, with a wink at myself,
‘here’s the first dinner-station we’ve struck where we can
get a real good plate of beans.’ And while he was up in his room trying
to draw water out of the gas-pipe, I got one finger in the buttonhole of the
head waiter’s Tuxedo, drew him apart, inserted a two-dollar bill, and
closed him up again.</p>
<p>“‘Frankoyse,’ says I, ‘I have a pal here for dinner
that’s been subsisting for years on cereals and short stogies. You see
the chef and order a dinner for us such as you serve to Dave Francis and the
general passenger agent of the Iron Mountain when they eat here. We’ve
got more than Bernhardt’s tent full of money; and we want the nose-bags
crammed with all the Chief Deveries <i>de cuisine</i>. Object is no expense.
Now, show us.’</p>
<p>“At six o’clock me and Solly sat down to dinner. Spread!
There’s nothing been seen like it since the Cambon snack. It was all
served at once. The chef called it <i>dinnay à la poker</i>. It’s a
famous thing among the gormands of the West. The dinner comes in threes of a
kind. There was guinea-fowls, guinea-pigs, and Guinness’s stout; roast
veal, mock turtle soup, and chicken pâté; shad-roe, caviar, and tapioca;
canvas-back duck, canvas-back ham, and cotton-tail rabbit; Philadelphia capon,
fried snails, and sloe-gin—and so on, in threes. The idea was that you
eat nearly all you can of them, and then the waiter takes away the discard and
gives you pears to fill on.</p>
<p>“I was sure Solly would be tickled to death with these hands, after the
bobtail flushes he’d been eating on the ranch; and I was a little anxious
that he should, for I didn’t remember his having honoured my efforts with
a smile since we left Atascosa City.</p>
<p>“We were in the main dining-room, and there was a fine-dressed crowd
there, all talking loud and enjoyable about the two St. Louis topics, the water
supply and the colour line. They mix the two subjects so fast that strangers
often think they are discussing water-colours; and that has given the old town
something of a rep as an art centre. And over in the corner was a fine brass
band playing; and now, thinks I, Solly will become conscious of the spiritual
oats of life nourishing and exhilarating his system. But <i>nong, mong
frang</i>.</p>
<p>“He gazed across the table at me. There was four square yards of it,
looking like the path of a cyclone that has wandered through a stock-yard, a
poultry-farm, a vegetable-garden, and an Irish linen mill. Solly gets up and
comes around to me.</p>
<p>“‘Luke,’ says he, ‘I’m pretty hungry after our
ride. I thought you said they had some beans here. I’m going out and get
something I can eat. You can stay and monkey with this artificial layout of
grub if you want to.’</p>
<p>“‘Wait a minute,’ says I.</p>
<p>“I called the waiter, and slapped ‘S. Mills’ on the back of
the check for thirteen dollars and fifty cents.</p>
<p>“‘What do you mean,’ says I, ‘by serving gentlemen with
a lot of truck only suitable for deck-hands on a Mississippi steamboat?
We’re going out to get something decent to eat.’</p>
<p>“I walked up the street with the unhappy plainsman. He saw a saddle-shop
open, and some of the sadness faded from his eyes. We went in, and he ordered
and paid for two more saddles—one with a solid silver horn and nails and
ornaments and a six-inch border of rhinestones and imitation rubies around the
flaps. The other one had to have a gold-mounted horn, quadruple-plated
stirrups, and the leather inlaid with silver beadwork wherever it would stand
it. Eleven hundred dollars the two cost him.</p>
<p>“Then he goes out and heads toward the river, following his nose. In a
little side street, where there was no street and no sidewalks and no houses,
he finds what he is looking for. We go into a shanty and sit on high stools
among stevedores and boatmen, and eat beans with tin spoons. Yes, sir,
beans—beans boiled with salt pork.</p>
<p>“‘I kind of thought we’d strike some over this way,’
says Solly.</p>
<p>“‘Delightful,’ says I, ‘That stylish hotel grub may
appeal to some; but for me, give me the husky <i>table d’goat</i>.’</p>
<p>“When we had succumbed to the beans I leads him out of the
tarpaulin-steam under a lamp post and pulls out a daily paper with the
amusement column folded out.</p>
<p>“‘But now, what ho for a merry round of pleasure,’ says I.
‘Here’s one of Hall Caine’s shows, and a stock-yard company
in “Hamlet,” and skating at the Hollowhorn Rink, and Sarah
Bernhardt, and the Shapely Syrens Burlesque Company. I should think, now, that
the Shapely—’</p>
<p>“But what does this healthy, wealthy, and wise man do but reach his arms
up to the second-story windows and gape noisily.</p>
<p>“‘Reckon I’ll be going to bed,’ says he;
‘it’s about my time. St. Louis is a kind of quiet place,
ain’t it?’</p>
<p>“‘Oh, yes,’ says I; ‘ever since the railroads ran in
here the town’s been practically ruined. And the building-and-loan
associations and the fair have about killed it. Guess we might as well go to
bed. Wait till you see Chicago, though. Shall we get tickets for the Big Breeze
to-morrow?’</p>
<p>“‘Mought as well,’ says Solly. ‘I reckon all these
towns are about alike.’</p>
<p>“Well, maybe the wise cicerone and personal conductor didn’t fall
hard in Chicago! Loolooville-on-the-Lake is supposed to have one or two things
in it calculated to keep the rural visitor awake after the curfew rings. But
not for the grass-fed man of the pampas! I tried him with theatres, rides in
automobiles, sails on the lake, champagne suppers, and all those little
inventions that hold the simple life in check; but in vain. Solly grew sadder
day by day. And I got fearful about my salary, and knew I must play my trump
card. So I mentioned New York to him, and informed him that these Western towns
were no more than gateways to the great walled city of the whirling dervishes.</p>
<p>“After I bought the tickets I missed Solly. I knew his habits by then; so
in a couple of hours I found him in a saddle-shop. They had some new ideas
there in the way of trees and girths that had strayed down from the Canadian
mounted police; and Solly was so interested that he almost looked reconciled to
live. He invested about nine hundred dollars in there.</p>
<p>“At the depot I telegraphed a cigar-store man I knew in New York to meet
me at the Twenty-third Street ferry with a list of all the saddle-stores in the
city. I wanted to know where to look for Solly when he got lost.</p>
<p>“Now I’ll tell you what happened in New York. I says to myself:
‘Friend Heherezade, you want to get busy and make Bagdad look pretty to
the sad sultan of the sour countenance, or it’ll be the bowstring for
yours.’ But I never had any doubt I could do it.</p>
<p>“I began with him like you’d feed a starving man. I showed him the
horse-cars on Broadway and the Staten Island ferry-boats. And then I piled up
the sensations on him, but always keeping a lot of warmer ones up my sleeve.</p>
<p>“At the end of the third day he looked like a composite picture of five
thousand orphans too late to catch a picnic steamboat, and I was wilting down a
collar every two hours wondering how I could please him and whether I was going
to get my thou. He went to sleep looking at the Brooklyn Bridge; he disregarded
the sky-scrapers above the third story; it took three ushers to wake him up at
the liveliest vaudeville in town.</p>
<p>“Once I thought I had him. I nailed a pair of cuffs on him one morning
before he was awake; and I dragged him that evening to the palm-cage of one of
the biggest hotels in the city—to see the Johnnies and the
Alice-sit-by-the-hours. They were out in numerous quantities, with the fat of
the land showing in their clothes. While we were looking them over, Solly
divested himself of a fearful, rusty kind of laugh—like moving a folding
bed with one roller broken. It was his first in two weeks, and it gave me hope.</p>
<p>“‘Right you are,’ says I. ‘They’re a funny lot of
post-cards, aren’t they?’</p>
<p>“‘Oh, I wasn’t thinking of them dudes and culls on the
hoof,’ says he. ‘I was thinking of the time me and George put
sheep-dip in Horsehead Johnson’s whisky. I wish I was back in Atascosa
City,’ says he.</p>
<p>“I felt a cold chill run down my back. ‘Me to play and mate in one
move,’ says I to myself.</p>
<p>“I made Solly promise to stay in the café for half an hour and I hiked
out in a cab to Lolabelle Delatour’s flat on Forty-third Street. I knew
her well. She was a chorus-girl in a Broadway musical comedy.</p>
<p>“‘Jane,’ says I when I found her, ‘I’ve got a
friend from Texas here. He’s all right, but—well, he carries
weight. I’d like to give him a little whirl after the show this
evening—bubbles, you know, and a buzz out to a casino for the whitebait
and pickled walnuts. Is it a go?’</p>
<p>“‘Can he sing?’ asks Lolabelle.</p>
<p>“‘You know,’ says I, ‘that I wouldn’t take him
away from home unless his notes were good. He’s got pots of
money—bean-pots full of it.’</p>
<p>“‘Bring him around after the second act,’ says Lolabelle,
‘and I’ll examine his credentials and securities.’</p>
<p>“So about ten o’clock that evening I led Solly to Miss
Delatour’s dressing-room, and her maid let us in. In ten minutes in comes
Lolabelle, fresh from the stage, looking stunning in the costume she wears when
she steps from the ranks of the lady grenadiers and says to the king,
‘Welcome to our May-day revels.’ And you can bet it wasn’t
the way she spoke the lines that got her the part.</p>
<p>“As soon as Solly saw her he got up and walked straight out through the
stage entrance into the street. I followed him. Lolabelle wasn’t paying
my salary. I wondered whether anybody was.</p>
<p>“‘Luke,’ says Solly, outside, ‘that was an awful
mistake. We must have got into the lady’s private room. I hope I’m
gentleman enough to do anything possible in the way of apologies. Do you reckon
she’d ever forgive us?’</p>
<p>“‘She may forget it,’ says I. ‘Of course it was a
mistake. Let’s go find some beans.’</p>
<p>“That’s the way it went. But pretty soon afterward Solly failed to
show up at dinner-time for several days. I cornered him. He confessed that he
had found a restaurant on Third Avenue where they cooked beans in Texas style.
I made him take me there. The minute I set foot inside the door I threw up my
hands.</p>
<p>“There was a young woman at the desk, and Solly introduced me to her. And
then we sat down and had beans.</p>
<p>“Yes, sir, sitting at the desk was the kind of a young woman that can
catch any man in the world as easy as lifting a finger. There’s a way of
doing it. She knew. I saw her working it. She was healthy-looking and plain
dressed. She had her hair drawn back from her forehead and face—no curls
or frizzes; that’s the way she looked. Now I’ll tell you the way
they work the game; it’s simple. When she wants a man, she manages it so
that every time he looks at her he finds her looking at him. That’s all.</p>
<p>“The next evening Solly was to go to Coney Island with me at seven. At
eight o’clock he hadn’t showed up. I went out and found a cab. I
felt sure there was something wrong.</p>
<p>“‘Drive to the Back Home Restaurant on Third Avenue,’ says I.
‘And if I don’t find what I want there, take in these
saddle-shops.’ I handed him the list.</p>
<p>“‘Boss,’ says the cabby, ‘I et a steak in that
restaurant once. If you’re real hungry, I advise you to try the
saddle-shops first.’</p>
<p>“‘I’m a detective,’ says I, ‘and I don’t
eat. Hurry up!’</p>
<p>“As soon as I got to the restaurant I felt in the lines of my palms that
I should beware of a tall, red, damfool man, and I was going to lose a sum of
money.</p>
<p>“Solly wasn’t there. Neither was the smooth-haired lady.</p>
<p>“I waited; and in an hour they came in a cab and got out, hand in hand. I
asked Solly to step around the corner for a few words. He was grinning clear
across his face; but I had not administered the grin.</p>
<p>“‘She’s the greatest that ever sniffed the breeze,’
says he.</p>
<p>“‘Congrats,’ says I. ‘I’d like to have my
thousand now, if you please.’</p>
<p>“‘Well, Luke,’ says he, ‘I don’t know that
I’ve had such a skyhoodlin’ fine time under your tutelage and
dispensation. But I’ll do the best I can for you—I’ll do the
best I can,’ he repeats. ‘Me and Miss Skinner was married an hour
ago. We’re leaving for Texas in the morning.’</p>
<p>“‘Great!’ says I. ‘Consider yourself covered with rice
and Congress gaiters. But don’t let’s tie so many satin bows on our
business relations that we lose sight of ’em. How about my
honorarium?’</p>
<p>“‘Missis Mills,’ says he, ‘has taken possession of my
money and papers except six bits. I told her what I’d agreed to give you;
but she says it’s an irreligious and illegal contract, and she
won’t pay a cent of it. But I ain’t going to see you treated
unfair,’ says he. ‘I’ve got eighty-seven saddles on the ranch
what I’ve bought on this trip; and when I get back I’m going to
pick out the best six in the lot and send ’em to you.’”</p>
<p>“And did he?” I asked, when Lucullus ceased talking.</p>
<p>“He did. And they are fit for kings to ride on. The six he sent me must
have cost him three thousand dollars. But where is the market for ’em?
Who would buy one except one of these rajahs and princes of Asia and Africa?
I’ve got ’em all on the list. I know every tan royal dub and smoked
princerino from Mindanao to the Caspian Sea.”</p>
<p>“It’s a long time between customers,” I ventured.</p>
<p>“They’re coming faster,” said Polk. “Nowadays, when one
of the murdering mutts gets civilised enough to abolish suttee and quit using
his whiskers for a napkin, he calls himself the Roosevelt of the East, and
comes over to investigate our Chautauquas and cocktails. I’ll place
’em all yet. Now look here.”</p>
<p>From an inside pocket he drew a tightly folded newspaper with much-worn edges,
and indicated a paragraph.</p>
<p>“Read that,” said the saddler to royalty. The paragraph ran thus:</p>
<p class="letter">
His Highness Seyyid Feysal bin Turkee, Imam of Muskat, is one of the most
progressive and enlightened rulers of the Old World. His stables contain more
than a thousand horses of the purest Persian breeds. It is said that this
powerful prince contemplates a visit to the United States at an early date.</p>
<p>“There!” said Mr. Polk triumphantly. “My best saddle is as
good as sold—the one with turquoises set in the rim of the cantle. Have
you three dollars that you could loan me for a short time?”</p>
<p>It happened that I had; and I did.</p>
<p>If this should meet the eye of the Imam of Muskat, may it quicken his whim to
visit the land of the free! Otherwise I fear that I shall be longer than a
short time separated from my dollars three.</p>
<h2><SPAN name="chap07"></SPAN>VII<br/> HYGEIA AT THE SOLITO</h2>
<p>If you are knowing in the chronicles of the ring you will recall to mind an
event in the early ’nineties when, for a minute and sundry odd seconds, a
champion and a “would-be” faced each other on the alien side of an
international river. So brief a conflict had rarely imposed upon the fair
promise of true sport. The reporters made what they could of it, but, divested
of padding, the action was sadly fugacious. The champion merely smote his
victim, turned his back upon him, remarking, “I know what I done to dat
stiff,” and extended an arm like a ship’s mast for his glove to be
removed.</p>
<p>Which accounts for a trainload of extremely disgusted gentlemen in an uproar of
fancy vests and neck-wear being spilled from their pullmans in San Antonio in
the early morning following the fight. Which also partly accounts for the
unhappy predicament in which “Cricket” McGuire found himself as he
tumbled from his car and sat upon the depot platform, torn by a spasm of that
hollow, racking cough so familiar to San Antonian ears. At that time, in the
uncertain light of dawn, that way passed Curtis Raidler, the Nueces County
cattleman—may his shadow never measure under six foot two.</p>
<p>The cattleman, out this early to catch the south-bound for his ranch station,
stopped at the side of the distressed patron of sport, and spoke in the kindly
drawl of his ilk and region, “Got it pretty bad, bud?”</p>
<p>“Cricket” McGuire, ex-feather-weight prizefighter, tout, jockey,
follower of the “ponies,” all-round sport, and manipulator of the
gum balls and walnut shells, looked up pugnaciously at the imputation cast by
“bud.”</p>
<p>“G’wan,” he rasped, “telegraph pole. I didn’t
ring for yer.”</p>
<p>Another paroxysm wrung him, and he leaned limply against a convenient baggage
truck. Raidler waited patiently, glancing around at the white hats, short
overcoats, and big cigars thronging the platform. “You’re from the
No’th, ain’t you, bud?” he asked when the other was partially
recovered. “Come down to see the fight?”</p>
<p>“Fight!” snapped McGuire. “Puss-in-the-corner! ’Twas a
hypodermic injection. Handed him just one like a squirt of dope, and he’s
asleep, and no tanbark needed in front of his residence. Fight!” He
rattled a bit, coughed, and went on, hardly addressing the cattleman, but
rather for the relief of voicing his troubles. “No more dead sure
t’ings for me. But Rus Sage himself would have snatched at it. Five to
one dat de boy from Cork wouldn’t stay t’ree rounds is what I
invested in. Put my last cent on, and could already smell the sawdust in dat
all-night joint of Jimmy Delaney’s on T’irty-seventh Street I was
goin’ to buy. And den—say, telegraph pole, what a gazaboo a guy is
to put his whole roll on one turn of the gaboozlum!”</p>
<p>“You’re plenty right,” said the big cattleman; “more
’specially when you lose. Son, you get up and light out for a hotel. You
got a mighty bad cough. Had it long?”</p>
<p>“Lungs,” said McGuire comprehensively. “I got it. The croaker
says I’ll come to time for six months longer—maybe a year if I hold
my gait. I wanted to settle down and take care of myself. Dat’s why I
speculated on dat five to one perhaps. I had a t’ousand iron dollars
saved up. If I winned I was goin’ to buy Delaney’s café.
Who’d a t’ought dat stiff would take a nap in de foist
round—say?”</p>
<p>“It’s a hard deal,” commented Raidler, looking down at the
diminutive form of McGuire crumpled against the truck. “But you go to a
hotel and rest. There’s the Menger and the Maverick, and—”</p>
<p>“And the Fi’th Av’noo, and the Waldorf-Astoria,”
mimicked McGuire. “Told you I went broke. I’m on de bum proper.
I’ve got one dime left. Maybe a trip to Europe or a sail in me private
yacht would fix me up— pa-per!”</p>
<p>He flung his dime at a newsboy, got his <i>Express</i>, propped his back
against the truck, and was at once rapt in the account of his Waterloo, as
expanded by the ingenious press.</p>
<p>Curtis Raidler interrogated an enormous gold watch, and laid his hand on
McGuire’s shoulder.</p>
<p>“Come on, bud,” he said. “We got three minutes to catch the
train.”</p>
<p>Sarcasm seemed to be McGuire’s vein.</p>
<p>“You ain’t seen me cash in any chips or call a turn since I told
you I was broke, a minute ago, have you? Friend, chase yourself away.”</p>
<p>“You’re going down to my ranch,” said the cattleman,
“and stay till you get well. Six months’ll fix you good as
new.” He lifted McGuire with one hand, and half-dragged him in the
direction of the train.</p>
<p>“What about the money?” said McGuire, struggling weakly to escape.</p>
<p>“Money for what?” asked Raidler, puzzled. They eyed each other, not
understanding, for they touched only as at the gear of bevelled
cog-wheels—at right angles, and moving upon different axes.</p>
<p>Passengers on the south-bound saw them seated together, and wondered at the
conflux of two such antipodes. McGuire was five feet one, with a countenance
belonging to either Yokohama or Dublin. Bright-beady of eye, bony of cheek and
jaw, scarred, toughened, broken and reknit, indestructible, grisly,
gladiatorial as a hornet, he was a type neither new nor unfamiliar. Raidler was
the product of a different soil. Six feet two in height, miles broad, and no
deeper than a crystal brook, he represented the union of the West and South.
Few accurate pictures of his kind have been made, for art galleries are so
small and the mutoscope is as yet unknown in Texas. After all, the only
possible medium of portrayal of Raidler’s kind would be the
fresco—something high and simple and cool and unframed.</p>
<p>They were rolling southward on the International. The timber was huddling into
little, dense green motts at rare distances before the inundation of the
downright, vert prairies. This was the land of the ranches; the domain of the
kings of the kine.</p>
<p>McGuire sat, collapsed into his corner of the seat, receiving with acid
suspicion the conversation of the cattleman. What was the “game” of
this big “geezer” who was carrying him off? Altruism would have
been McGuire’s last guess. “He ain’t no farmer,”
thought the captive, “and he ain’t no con man, for sure.
W’at’s his lay? You trail in, Cricket, and see how many cards he
draws. You’re up against it, anyhow. You got a nickel and gallopin’
consumption, and you better lay low. Lay low and see w’at’s his
game.”</p>
<p>At Rincon, a hundred miles from San Antonio, they left the train for a
buckboard which was waiting there for Raidler. In this they travelled the
thirty miles between the station and their destination. If anything could, this
drive should have stirred the acrimonious McGuire to a sense of his ransom.
They sped upon velvety wheels across an exhilarant savanna. The pair of Spanish
ponies struck a nimble, tireless trot, which gait they occasionally relieved by
a wild, untrammelled gallop. The air was wine and seltzer, perfumed, as they
absorbed it, with the delicate redolence of prairie flowers. The road perished,
and the buckboard swam the uncharted billows of the grass itself, steered by
the practised hand of Raidler, to whom each tiny distant mott of trees was a
signboard, each convolution of the low hills a voucher of course and distance.
But McGuire reclined upon his spine, seeing nothing but a desert, and receiving
the cattleman’s advances with sullen distrust. “W’at’s
he up to?” was the burden of his thoughts; “w’at kind of a
gold brick has the big guy got to sell?” McGuire was only applying the
measure of the streets he had walked to a range bounded by the horizon and the
fourth dimension.</p>
<p>A week before, while riding the prairies, Raidler had come upon a sick and
weakling calf deserted and bawling. Without dismounting he had reached and
slung the distressed bossy across his saddle, and dropped it at the ranch for
the boys to attend to. It was impossible for McGuire to know or comprehend
that, in the eyes of the cattleman, his case and that of the calf were
identical in interest and demand upon his assistance. A creature was ill and
helpless; he had the power to render aid—these were the only postulates
required for the cattleman to act. They formed his system of logic and the most
of his creed. McGuire was the seventh invalid whom Raidler had picked up thus
casually in San Antonio, where so many thousand go for the ozone that is said
to linger about its contracted streets. Five of them had been guests of Solito
Ranch until they had been able to leave, cured or better, and exhausting the
vocabulary of tearful gratitude. One came too late, but rested very
comfortably, at last, under a ratama tree in the garden.</p>
<p>So, then, it was no surprise to the ranchhold when the buckboard spun to the
door, and Raidler took up his debile <i>protégé</i> like a handful of rags and
set him down upon the gallery.</p>
<p>McGuire looked upon things strange to him. The ranch-house was the best in the
country. It was built of brick hauled one hundred miles by wagon, but it was of
but one story, and its four rooms were completely encircled by a mud floor
“gallery.” The miscellaneous setting of horses, dogs, saddles,
wagons, guns, and cow-punchers’ paraphernalia oppressed the metropolitan
eyes of the wrecked sportsman.</p>
<p>“Well, here we are at home,” said Raidler, cheeringly.</p>
<p>“It’s a h—l of a looking place,” said McGuire promptly,
as he rolled upon the gallery floor in a fit of coughing.</p>
<p>“We’ll try to make it comfortable for you, buddy,” said the
cattleman gently. “It ain’t fine inside; but it’s the
outdoors, anyway, that’ll do you the most good. This’ll be your
room, in here. Anything we got, you ask for it.”</p>
<p>He led McGuire into the east room. The floor was bare and clean. White curtains
waved in the gulf breeze through the open windows. A big willow rocker, two
straight chairs, a long table covered with newspapers, pipes, tobacco, spurs,
and cartridges stood in the centre. Some well-mounted heads of deer and one of
an enormous black javeli projected from the walls. A wide, cool cot-bed stood
in a corner. Nueces County people regarded this guest chamber as fit for a
prince. McGuire showed his eyeteeth at it. He took out his nickel and spun it
up to the ceiling.</p>
<p>“T’ought I was lyin’ about the money, did ye? Well, you can
frisk me if you wanter. Dat’s the last simoleon in the treasury.
Who’s goin’ to pay?”</p>
<p>The cattleman’s clear grey eyes looked steadily from under his grizzly
brows into the huckleberry optics of his guest. After a little he said simply,
and not ungraciously, “I’ll be much obliged to you, son, if you
won’t mention money any more. Once was quite a plenty. Folks I ask to my
ranch don’t have to pay anything, and they very scarcely ever offers it.
Supper’ll be ready in half an hour. There’s water in the pitcher,
and some, cooler, to drink, in that red jar hanging on the gallery.”</p>
<p>“Where’s the bell?” asked McGuire, looking about.</p>
<p>“Bell for what?”</p>
<p>“Bell to ring for things. I can’t—see here,” he
exploded in a sudden, weak fury, “I never asked you to bring me here. I
never held you up for a cent. I never gave you a hard-luck story till you asked
me. Here I am fifty miles from a bellboy or a cocktail. I’m sick. I
can’t hustle. Gee! but I’m up against it!” McGuire fell upon
the cot and sobbed shiveringly.</p>
<p>Raidler went to the door and called. A slender, bright-complexioned Mexican
youth about twenty came quickly. Raidler spoke to him in Spanish.</p>
<p>“Ylario, it is in my mind that I promised you the position of
<i>vaquero</i> on the San Carlos range at the fall <i>rodeo</i>.”</p>
<p>“<i>Si, señor</i>, such was your goodness.”</p>
<p>“Listen. This <i>señorito</i> is my friend. He is very sick. Place yourself at
his side. Attend to his wants at all times. Have much patience and care with
him. And when he is well, or—and when he is well, instead of <i>vaquero</i> I
will make you <i>mayordomo</i> of the Rancho de las Piedras.
<i>Esta bueno?</i>”</p>
<p>“<i>Si, si—mil gracias, señor</i>.” Ylario tried to kneel
upon the floor in his gratitude, but the cattleman kicked at him benevolently,
growling, “None of your opery-house antics, now.”</p>
<p>Ten minutes later Ylario came from McGuire’s room and stood before
Raidler.</p>
<p>“The little <i>señor</i>,” he announced, “presents his
compliments” (Raidler credited Ylario with the preliminary) “and
desires some pounded ice, one hot bath, one gin feez-z, that the windows be all
closed, toast, one shave, one Newyorkheral’, cigarettes, and to send one
telegram.”</p>
<p>Raidler took a quart bottle of whisky from his medicine cabinet. “Here,
take him this,” he said.</p>
<p>Thus was instituted the reign of terror at the Solito Ranch. For a few weeks
McGuire blustered and boasted and swaggered before the cow-punchers who rode
in for miles around to see this latest importation of Raidler’s. He was
an absolutely new experience to them. He explained to them all the intricate
points of sparring and the tricks of training and defence. He opened to their
minds’ view all the indecorous life of a tagger after professional
sports. His jargon of slang was a continuous joy and surprise to them. His
gestures, his strange poses, his frank ribaldry of tongue and principle
fascinated them. He was like a being from a new world.</p>
<p>Strange to say, this new world he had entered did not exist to him. He was an
utter egoist of bricks and mortar. He had dropped out, he felt, into open space
for a time, and all it contained was an audience for his reminiscences. Neither
the limitless freedom of the prairie days nor the grand hush of the
close-drawn, spangled nights touched him. All the hues of Aurora could not win
him from the pink pages of a sporting journal. “Get something for
nothing,” was his mission in life; “Thirty-seventh” Street
was his goal.</p>
<p>Nearly two months after his arrival he began to complain that he felt worse. It
was then that he became the ranch’s incubus, its harpy, its Old Man of
the Sea. He shut himself in his room like some venomous kobold or
flibbertigibbet, whining, complaining, cursing, accusing. The keynote of his
plaint was that he had been inveigled into a gehenna against his will; that he
was dying of neglect and lack of comforts. With all his dire protestations of
increasing illness, to the eye of others he remained unchanged. His
currant-like eyes were as bright and diabolic as ever; his voice was as
rasping; his callous face, with the skin drawn tense as a drum-head, had no
flesh to lose. A flush on his prominent cheek bones each afternoon hinted that
a clinical thermometer might have revealed a symptom, and percussion might have
established the fact that McGuire was breathing with only one lung, but his
appearance remained the same.</p>
<p>In constant attendance upon him was Ylario, whom the coming reward of the
<i>mayordomo</i>ship must have greatly stimulated, for McGuire chained him to a
bitter existence. The air—the man’s only chance for life—he
commanded to be kept out by closed windows and drawn curtains. The room was
always blue and foul with cigarette smoke; whosoever entered it must sit,
suffocating, and listen to the imp’s interminable gasconade concerning
his scandalous career.</p>
<p>The oddest thing of all was the relation existing between McGuire and his
benefactor. The attitude of the invalid toward the cattleman was something like
that of a peevish, perverse child toward an indulgent parent. When Raidler
would leave the ranch McGuire would fall into a fit of malevolent, silent
sullenness. When he returned, he would be met by a string of violent and
stinging reproaches. Raidler’s attitude toward his charge was quite
inexplicable in its way. The cattleman seemed actually to assume and feel the
character assigned to him by McGuire’s intemperate accusations—the
character of tyrant and guilty oppressor. He seemed to have adopted the
responsibility of the fellow’s condition, and he always met his tirades
with a pacific, patient, and even remorseful kindness that never altered.</p>
<p>One day Raidler said to him, “Try more air, son. You can have the
buckboard and a driver every day if you’ll go. Try a week or two in one
of the cow camps. I’ll fix you up plumb comfortable. The ground, and the
air next to it—them’s the things to cure you. I knowed a man from
Philadelphy, sicker than you are, got lost on the Guadalupe, and slept on the
bare grass in sheep camps for two weeks. Well, sir, it started him getting
well, which he done. Close to the ground—that’s where the medicine
in the air stays. Try a little hossback riding now. There’s a gentle
pony—”</p>
<p>“What’ve I done to yer?” screamed McGuire. “Did I ever
doublecross yer? Did I ask you to bring me here? Drive me out to your camps if
you wanter; or stick a knife in me and save trouble. Ride! I can’t lift
my feet. I couldn’t sidestep a jab from a five-year-old kid. That’s
what your d—d ranch has done for me. There’s nothing to eat,
nothing to see, and nobody to talk to but a lot of Reubens who don’t know
a punching bag from a lobster salad.”</p>
<p>“It’s a lonesome place, for certain,” apologised Raidler
abashedly. “We got plenty, but it’s rough enough. Anything you
think of you want, the boys’ll ride up and fetch it down for you.”</p>
<p>It was Chad Murchison, a cow-puncher from the Circle Bar outfit, who first
suggested that McGuire’s illness was fraudulent. Chad had brought a
basket of grapes for him thirty miles, and four out of his way, tied to his
saddle-horn. After remaining in the smoke-tainted room for a while, he emerged
and bluntly confided his suspicions to Raidler.</p>
<p>“His arm,” said Chad, “is harder’n a diamond. He
interduced me to what he called a shore-perplexus punch, and ’twas like
being kicked twice by a mustang. He’s playin’ it low down on you,
Curt. He ain’t no sicker’n I am. I hate to say it, but the
runt’s workin’ you for range and shelter.”</p>
<p>The cattleman’s ingenuous mind refused to entertain Chad’s view of
the case, and when, later, he came to apply the test, doubt entered not into
his motives.</p>
<p>One day, about noon, two men drove up to the ranch, alighted, hitched, and came
in to dinner; standing and general invitations being the custom of the country.
One of them was a great San Antonio doctor, whose costly services had been
engaged by a wealthy cowman who had been laid low by an accidental bullet. He
was now being driven back to the station to take the train back to town. After
dinner Raidler took him aside, pushed a twenty-dollar bill against his hand,
and said:</p>
<p>“Doc, there’s a young chap in that room I guess has got a bad case
of consumption. I’d like for you to look him over and see just how bad he
is, and if we can do anything for him.”</p>
<p>“How much was that dinner I just ate, Mr. Raidler?” said the doctor
bluffly, looking over his spectacles. Raidler returned the money to his pocket.
The doctor immediately entered McGuire’s room, and the cattleman seated
himself upon a heap of saddles on the gallery, ready to reproach himself in the
event the verdict should be unfavourable.</p>
<p>In ten minutes the doctor came briskly out. “Your man,” he said
promptly, “is as sound as a new dollar. His lungs are better than mine.
Respiration, temperature, and pulse normal. Chest expansion four inches. Not a
sign of weakness anywhere. Of course I didn’t examine for the bacillus,
but it isn’t there. You can put my name to the diagnosis. Even cigarettes
and a vilely close room haven’t hurt him. Coughs, does he? Well, you tell
him it isn’t necessary. You asked if there is anything we could do for
him. Well, I advise you to set him digging post-holes or breaking mustangs.
There’s our team ready. Good-day, sir.” And like a puff of
wholesome, blustery wind the doctor was off.</p>
<p>Raidler reached out and plucked a leaf from a mesquite bush by the railing, and
began chewing it thoughtfully.</p>
<p>The branding season was at hand, and the next morning Ross Hargis, foreman of
the outfit, was mustering his force of some twenty-five men at the ranch, ready
to start for the San Carlos range, where the work was to begin. By six
o’clock the horses were all saddled, the grub wagon ready, and the
cow-punchers were swinging themselves upon their mounts, when Raidler bade them
wait. A boy was bringing up an extra pony, bridled and saddled, to the gate.
Raidler walked to McGuire’s room and threw open the door. McGuire was
lying on his cot, not yet dressed, smoking.</p>
<p>“Get up,” said the cattleman, and his voice was clear and brassy,
like a bugle.</p>
<p>“How’s that?” asked McGuire, a little startled.</p>
<p>“Get up and dress. I can stand a rattlesnake, but I hate a liar. Do I
have to tell you again?” He caught McGuire by the neck and stood him on
the floor.</p>
<p>“Say, friend,” cried McGuire wildly, “are you bug-house?
I’m sick— see? I’ll croak if I got to hustle. What’ve I
done to yer?”—he began his chronic whine—“I never asked
yer to—”</p>
<p>“Put on your clothes,” called Raidler in a rising tone.</p>
<p>Swearing, stumbling, shivering, keeping his amazed, shining eyes upon the now
menacing form of the aroused cattleman, McGuire managed to tumble into his
clothes. Then Raidler took him by the collar and shoved him out and across the
yard to the extra pony hitched at the gate. The cow-punchers lolled in their
saddles, open-mouthed.</p>
<p>“Take this man,” said Raidler to Ross Hargis, “and put him to
work. Make him work hard, sleep hard, and eat hard. You boys know I done what I
could for him, and he was welcome. Yesterday the best doctor in San Antone
examined him, and says he’s got the lungs of a burro and the constitution
of a steer. You know what to do with him, Ross.”</p>
<p>Ross Hargis only smiled grimly.</p>
<p>“Aw,” said McGuire, looking intently at Raidler, with a peculiar
expression upon his face, “the croaker said I was all right, did he? Said
I was fakin’, did he? You put him onto me. You t’ought I
wasn’t sick. You said I was a liar. Say, friend, I talked rough, I know,
but I didn’t mean most of it. If you felt like I did—aw! I
forgot—I ain’t sick, the croaker says. Well, friend, now I’ll
go work for yer. Here’s where you play even.”</p>
<p>He sprang into the saddle easily as a bird, got the quirt from the horn, and
gave his pony a slash with it. “Cricket,” who once brought in Good
Boy by a neck at Hawthorne—and a 10 to 1 shot—had his foot in the
stirrups again.</p>
<p>McGuire led the cavalcade as they dashed away for San Carlos, and the
cow-punchers gave a yell of applause as they closed in behind his dust.</p>
<p>But in less than a mile he had lagged to the rear, and was last man when they
struck the patch of high chaparral below the horse pens. Behind a clump of this
he drew rein, and held a handkerchief to his mouth. He took it away drenched
with bright, arterial blood, and threw it carefully into a clump of prickly
pear. Then he slashed with his quirt again, gasped “G’wan” to
his astonished pony, and galloped after the gang.</p>
<p>That night Raidler received a message from his old home in Alabama. There had
been a death in the family; an estate was to divide, and they called for him to
come. Daylight found him in the buckboard, skimming the prairies for the
station. It was two months before he returned. When he arrived at the ranch
house he found it well-nigh deserted save for Ylario, who acted as a kind of
steward during his absence. Little by little the youth made him acquainted with
the work done while he was away. The branding camp, he was informed, was still
doing business. On account of many severe storms the cattle had been badly
scattered, and the branding had been accomplished but slowly. The camp was now
in the valley of the Guadalupe, twenty miles away.</p>
<p>“By the way,” said Raidler, suddenly remembering, “that
fellow I sent along with them—McGuire—is he working yet?”</p>
<p>“I do not know,” said Ylario. “Mans from the camp come verree
few times to the ranch. So plentee work with the leetle calves. They no say.
Oh, I think that fellow McGuire he dead much time ago.”</p>
<p>“Dead!” said Raidler. “What you talking about?”</p>
<p>“Verree sick fellow, McGuire,” replied Ylario, with a shrug of his
shoulder. “I theenk he no live one, two month when he go away.”</p>
<p>“Shucks!” said Raidler. “He humbugged you, too, did he? The
doctor examined him and said he was sound as a mesquite knot.”</p>
<p>“That doctor,” said Ylario, smiling, “he tell you so? That
doctor no see McGuire.”</p>
<p>“Talk up,” ordered Raidler. “What the devil do you
mean?”</p>
<p>“McGuire,” continued the boy tranquilly, “he getting drink
water outside when that doctor come in room. That doctor take me and pound me
all over here with his fingers”—putting his hand to his
chest—“I not know for what. He put his ear here and here and here,
and listen— I not know for what. He put little glass stick in my mouth.
He feel my arm here. He make me count like whisper—so—twenty,
<i>treinta</i>, <i>cuarenta</i>. Who knows,” concluded Ylario, with a
deprecating spread of his hands, “for what that doctor do those verree
droll and such-like things?”</p>
<p>“What horses are up?” asked Raidler shortly.</p>
<p>“Paisano is grazing out behind the little corral, <i>señor</i>.”</p>
<p>“Saddle him for me at once.”</p>
<p>Within a very few minutes the cattleman was mounted and away. Paisano, well
named after that ungainly but swift-running bird, struck into his long lope
that ate up the ground like a strip of macaroni. In two hours and a quarter
Raidler, from a gentle swell, saw the branding camp by a water hole in the
Guadalupe. Sick with expectancy of the news he feared, he rode up, dismounted,
and dropped Paisano’s reins. So gentle was his heart that at that moment
he would have pleaded guilty to the murder of McGuire.</p>
<p>The only being in the camp was the cook, who was just arranging the hunks of
barbecued beef, and distributing the tin coffee cups for supper. Raidler evaded
a direct question concerning the one subject in his mind.</p>
<p>“Everything all right in camp, Pete?” he managed to inquire.</p>
<p>“So, so,” said Pete, conservatively. “Grub give out twice.
Wind scattered the cattle, and we’ve had to rake the brush for forty
mile. I need a new coffee-pot. And the mosquitos is some more hellish than
common.”</p>
<p>“The boys—all well?”</p>
<p>Pete was no optimist. Besides, inquiries concerning the health of cow-punchers
were not only superfluous, but bordered on flaccidity. It was not like the boss
to make them.</p>
<p>“What’s left of ’em don’t miss no calls to grub,”
the cook conceded.</p>
<p>“What’s left of ’em?” repeated Raidler in a husky
voice. Mechanically he began to look around for McGuire’s grave. He had
in his mind a white slab such as he had seen in the Alabama church-yard. But
immediately he knew that was foolish.</p>
<p>“Sure,” said Pete; “what’s left. Cow camps change in
two months. Some’s gone.”</p>
<p>Raidler nerved himself.</p>
<p>“That—chap—I sent
along—McGuire—did—he—”</p>
<p>“Say,” interrupted Pete, rising with a chunk of corn bread in each
hand, “that was a dirty shame, sending that poor, sick kid to a cow camp.
A doctor that couldn’t tell he was graveyard meat ought to be skinned
with a cinch buckle. Game as he was, too—it’s a scandal among
snakes—lemme tell you what he done. First night in camp the boys started
to initiate him in the leather breeches degree. Ross Hargis busted him one
swipe with his chaparreras, and what do you reckon the poor child did? Got up,
the little skeeter, and licked Ross. Licked Ross Hargis. Licked him good. Hit
him plenty and everywhere and hard. Ross’d just get up and pick out a
fresh place to lay down on agin.</p>
<p>“Then that McGuire goes off there and lays down with his head in the
grass and bleeds. A hem’ridge they calls it. He lays there eighteen hours
by the watch, and they can’t budge him. Then Ross Hargis, who loves any
man who can lick him, goes to work and damns the doctors from Greenland to
Poland Chiny; and him and Green Branch Johnson they gets McGuire into a tent,
and spells each other feedin’ him chopped raw meat and whisky.</p>
<p>“But it looks like the kid ain’t got no appetite to git well, for
they misses him from the tent in the night and finds him rootin’ in the
grass, and likewise a drizzle fallin’. ‘G’wan,’ he
says, ‘lemme go and die like I wanter. He said I was a liar and a fake
and I was playin’ sick. Lemme alone.’</p>
<p>“Two weeks,” went on the cook, “he laid around, not
noticin’ nobody, and then—”</p>
<p>A sudden thunder filled the air, and a score of galloping centaurs crashed
through the brush into camp.</p>
<p>“Illustrious rattlesnakes!” exclaimed Pete, springing all ways at
once; “here’s the boys come, and I’m an assassinated man if
supper ain’t ready in three minutes.”</p>
<p>But Raidler saw only one thing. A little, brown-faced, grinning chap, springing
from his saddle in the full light of the fire. McGuire was not like that, and
yet—</p>
<p>In another instant the cattleman was holding him by the hand and shoulder.</p>
<p>“Son, son, how goes it?” was all he found to say.</p>
<p>“Close to the ground, says you,” shouted McGuire, crunching
Raidler’s fingers in a grip of steel; “and dat’s where I
found it—healt’ and strengt’, and tumbled to what a cheap
skate I been actin’. T’anks fer kickin’ me out, old man.
And—say! de joke’s on dat croaker, ain’t it? I looked
t’rough the window and see him playin’ tag on dat Dago kid’s
solar plexus.”</p>
<p>“You son of a tinker,” growled the cattleman, “whyn’t
you talk up and say the doctor never examined you?”</p>
<p>“Ah—g’wan!” said McGuire, with a flash of his old
asperity, “nobody can’t bluff me. You never ast me. You made your
spiel, and you t’rowed me out, and I let it go at dat. And, say, friend,
dis chasin’ cows is outer sight. Dis is de whitest bunch of sports I ever
travelled with. You’ll let me stay, won’t yer, old man?”</p>
<p>Raidler looked wonderingly toward Ross Hargis.</p>
<p>“That cussed little runt,” remarked Ross tenderly, “is the
Jo-dartin’est hustler—and the hardest hitter in anybody’s cow
camp.”</p>
<h2><SPAN name="chap08"></SPAN>VIII<br/> AN AFTERNOON MIRACLE</h2>
<p>At the United States end of an international river bridge, four armed rangers
sweltered in a little ’dobe hut, keeping a fairly faithful espionage upon
the lagging trail of passengers from the Mexican side.</p>
<p>Bud Dawson, proprietor of the Top Notch Saloon, had, on the evening previous,
violently ejected from his premises one Leandro Garcia, for alleged violation
of the Top Notch code of behaviour. Garcia had mentioned twenty-four hours as a
limit, by which time he would call and collect a painful indemnity for personal
satisfaction.</p>
<p>This Mexican, although a tremendous braggart, was thoroughly courageous, and
each side of the river respected him for one of these attributes. He and a
following of similar bravoes were addicted to the pastime of retrieving towns
from stagnation.</p>
<p>The day designated by Garcia for retribution was to be further signalised on
the American side by a cattlemen’s convention, a bull fight, and an old
settlers’ barbecue and picnic. Knowing the avenger to be a man of his
word, and believing it prudent to court peace while three such gently social
relaxations were in progress, Captain McNulty, of the ranger company stationed
there, detailed his lieutenant and three men for duty at the end of the bridge.
Their instructions were to prevent the invasion of Garcia, either alone or
attended by his gang.</p>
<p>Travel was slight that sultry afternoon, and the rangers swore gently, and
mopped their brows in their convenient but close quarters. For an hour no one
had crossed save an old woman enveloped in a brown wrapper and a black
mantilla, driving before her a burro loaded with kindling wood tied in small
bundles for peddling. Then three shots were fired down the street, the sound
coming clear and snappy through the still air.</p>
<p>The four rangers quickened from sprawling, symbolic figures of indolence to
alert life, but only one rose to his feet. Three turned their eyes beseechingly
but hopelessly upon the fourth, who had gotten nimbly up and was buckling his
cartridge-belt around him. The three knew that Lieutenant Bob Buckley, in
command, would allow no man of them the privilege of investigating a row when
he himself might go.</p>
<p>The agile, broad-chested lieutenant, without a change of expression in his
smooth, yellow-brown, melancholy face, shot the belt strap through the guard of
the buckle, hefted his sixes in their holsters as a belle gives the finishing
touches to her toilette, caught up his Winchester, and dived for the door.
There he paused long enough to caution his comrades to maintain their watch
upon the bridge, and then plunged into the broiling highway.</p>
<p>The three relapsed into resigned inertia and plaintive comment.</p>
<p>“I’ve heard of fellows,” grumbled Broncho Leathers,
“what was wedded to danger, but if Bob Buckley ain’t committed
bigamy with trouble, I’m a son of a gun.”</p>
<p>“Peculiarness of Bob is,” inserted the Nueces Kid, “he
ain’t had proper trainin’. He never learned how to git skeered.
Now, a man ought to be skeered enough when he tackles a fuss to hanker after
readin’ his name on the list of survivors, anyway.”</p>
<p>“Buckley,” commented Ranger No. 3, who was a misguided Eastern man,
burdened with an education, “scraps in such a solemn manner that I have
been led to doubt its spontaneity. I’m not quite onto his system, but he
fights, like Tybalt, by the book of arithmetic.”</p>
<p>“I never heard,” mentioned Broncho, “about any of
Dibble’s ways of mixin’ scrappin’ and cipherin’.”</p>
<p>“Triggernometry?” suggested the Nueces infant.</p>
<p>“That’s rather better than I hoped from you,” nodded the
Easterner, approvingly. “The other meaning is that Buckley never goes
into a fight without giving away weight. He seems to dread taking the slightest
advantage. That’s quite close to foolhardiness when you are dealing with
horse-thieves and fence-cutters who would ambush you any night, and shoot you
in the back if they could. Buckley’s too full of sand. He’ll play
Horatius and hold the bridge once too often some day.”</p>
<p>“I’m on there,” drawled the Kid; “I mind that bridge
gang in the reader. Me, I go instructed for the other chap—Spurious
Somebody—the one that fought and pulled his freight, to fight ’em
on some other day.”</p>
<p>“Anyway,” summed up Broncho, “Bob’s about the gamest
man I ever see along the Rio Bravo. Great Sam Houston! If she gets any hotter
she’ll sizzle!” Broncho whacked at a scorpion with his four-pound
Stetson felt, and the three watchers relapsed into comfortless silence.</p>
<p>How well Bob Buckley had kept his secret, since these men, for two years his
side comrades in countless border raids and dangers, thus spake of him, not
knowing that he was the most arrant physical coward in all that Rio Bravo
country! Neither his friends nor his enemies had suspected him of aught else
than the finest courage. It was purely a physical cowardice, and only by an
extreme, grim effort of will had he forced his craven body to do the bravest
deeds. Scourging himself always, as a monk whips his besetting sin, Buckley
threw himself with apparent recklessness into every danger, with the hope of
some day ridding himself of the despised affliction. But each successive test
brought no relief, and the ranger’s face, by nature adapted to
cheerfulness and good-humour, became set to the guise of gloomy melancholy.
Thus, while the frontier admired his deeds, and his prowess was celebrated in
print and by word of mouth in many camp-fires in the valley of the Bravo, his
heart was sick within him. Only himself knew of the horrible tightening of the
chest, the dry mouth, the weakening of the spine, the agony of the strung
nerves—the never-failing symptoms of his shameful malady.</p>
<p>One mere boy in his company was wont to enter a fray with a leg perched
flippantly about the horn of his saddle, a cigarette hanging from his lips,
which emitted smoke and original slogans of clever invention. Buckley would
have given a year’s pay to attain that devil-may-care method. Once the
debonair youth said to him: “Buck, you go into a scrap like it was a
funeral. Not,” he added, with a complimentary wave of his tin cup,
“but what it generally is.”</p>
<p>Buckley’s conscience was of the New England order with Western
adjustments, and he continued to get his rebellious body into as many
difficulties as possible; wherefore, on that sultry afternoon he chose to drive
his own protesting limbs to investigation of that sudden alarm that had
startled the peace and dignity of the State.</p>
<p>Two squares down the street stood the Top Notch Saloon. Here Buckley came upon
signs of recent upheaval. A few curious spectators pressed about its front
entrance, grinding beneath their heels the fragments of a plate-glass window.
Inside, Buckley found Bud Dawson utterly ignoring a bullet wound in his
shoulder, while he feelingly wept at having to explain why he failed to drop
the “blamed masquerooter,” who shot him. At the entrance of the
ranger Bud turned appealingly to him for confirmation of the devastation he
might have dealt.</p>
<p>“You know, Buck, I’d ’a’ plum got him, first rattle, if
I’d thought a minute. Come in a-masque-rootin’, playin’
female till he got the drop, and turned loose. I never reached for a gun,
thinkin’ it was sure Chihuahua Betty, or Mrs. Atwater, or anyhow one of
the Mayfield girls comin’ a-gunnin’, which they might, liable as
not. I never thought of that blamed Garcia until—”</p>
<p>“Garcia!” snapped Buckley. “How did he get over here?”</p>
<p>Bud’s bartender took the ranger by the arm and led him to the side door.
There stood a patient grey burro cropping the grass along the gutter, with a
load of kindling wood tied across its back. On the ground lay a black shawl and
a voluminous brown dress.</p>
<p>“Masquerootin’ in them things,” called Bud, still resisting
attempted ministrations to his wounds. “Thought he was a lady till he
gave a yell and winged me.”</p>
<p>“He went down this side street,” said the bartender. “He was
alone, and he’ll hide out till night when his gang comes over. You ought
to find him in that Mexican lay-out below the depot. He’s got a girl down
there—Pancha Sales.”</p>
<p>“How was he armed?” asked Buckley.</p>
<p>“Two pearl-handled sixes, and a knife.”</p>
<p>“Keep this for me, Billy,” said the ranger, handing over his
Winchester. Quixotic, perhaps, but it was Bob Buckley’s way. Another
man—and a braver one—might have raised a posse to accompany him. It
was Buckley’s rule to discard all preliminary advantage.</p>
<p>The Mexican had left behind him a wake of closed doors and an empty street, but
now people were beginning to emerge from their places of refuge with assumed
unconsciousness of anything having happened. Many citizens who knew the ranger
pointed out to him with alacrity the course of Garcia’s retreat.</p>
<p>As Buckley swung along upon the trail he felt the beginning of the suffocating
constriction about his throat, the cold sweat under the brim of his hat, the
old, shameful, dreaded sinking of his heart as it went down, down, down in his
bosom.</p>
<hr />
<p>The morning train of the Mexican Central had that day been three hours late,
thus failing to connect with the I. & G.N. on the other side of the river.
Passengers for <i>Los Estados Unidos</i> grumblingly sought entertainment in
the little swaggering mongrel town of two nations, for, until the morrow, no
other train would come to rescue them. Grumblingly, because two days later
would begin the great fair and races in San Antone. Consider that at that time
San Antone was the hub of the wheel of Fortune, and the names of its spokes
were Cattle, Wool, Faro, Running Horses, and Ozone. In those times cattlemen
played at crack-loo on the sidewalks with double-eagles, and gentlemen backed
their conception of the fortuitous card with stacks limited in height only by
the interference of gravity. Wherefore, thither journeyed the sowers and the
reapers—they who stampeded the dollars, and they who rounded them up.
Especially did the caterers to the amusement of the people haste to San Antone.
Two greatest shows on earth were already there, and dozens of smallest ones
were on the way.</p>
<p>On a side track near the mean little ’dobe depot stood a private car,
left there by the Mexican train that morning and doomed by an ineffectual
schedule to ignobly await, amid squalid surroundings, connection with the next
day’s regular.</p>
<p>The car had been once a common day-coach, but those who had sat in it and
gringed to the conductor’s hat-band slips would never have recognised it
in its transformation. Paint and gilding and certain domestic touches had
liberated it from any suspicion of public servitude. The whitest of lace
curtains judiciously screened its windows. From its fore end drooped in the
torrid air the flag of Mexico. From its rear projected the Stars and Stripes
and a busy stovepipe, the latter reinforcing in its suggestion of culinary
comforts the general suggestion of privacy and ease. The beholder’s eye,
regarding its gorgeous sides, found interest to culminate in a single name in
gold and blue letters extending almost its entire length—a single name,
the audacious privilege of royalty and genius. Doubly, then, was this arrogant
nomenclature here justified; for the name was that of “Alvarita, Queen of
the Serpent Tribe.” This, her car, was back from a triumphant tour of the
principal Mexican cities, and now headed for San Antonio, where, according to
promissory advertisement, she would exhibit her “Marvellous Dominion and
Fearless Control over Deadly and Venomous Serpents, Handling them with Ease as
they Coil and Hiss to the Terror of Thousands of Tongue-tied Tremblers!”</p>
<p>One hundred in the shade kept the vicinity somewhat depeopled. This quarter of
the town was a ragged edge; its denizens the bubbling froth of five nations;
its architecture tent, <i>jacal</i>, and ’dobe; its distractions the
hurdy-gurdy and the informal contribution to the sudden stranger’s store
of experience. Beyond this dishonourable fringe upon the old town’s jowl
rose a dense mass of trees, surmounting and filling a little hollow. Through
this bickered a small stream that perished down the sheer and disconcerting
side of the great cañon of the Rio Bravo del Norte.</p>
<p>In this sordid spot was condemned to remain for certain hours the impotent
transport of the Queen of the Serpent Tribe.</p>
<p>The front door of the car was open. Its forward end was curtained off into a
small reception-room. Here the admiring and propitiatory reporters were wont to
sit and transpose the music of Señorita Alvarita’s talk into the more
florid key of the press. A picture of Abraham Lincoln hung against a wall; one
of a cluster of school-girls grouped upon stone steps was in another place; a
third was Easter lilies in a blood-red frame. A neat carpet was under foot. A
pitcher, sweating cold drops, and a glass stood on a fragile stand. In a willow
rocker, reading a newspaper, sat Alvarita.</p>
<p>Spanish, you would say; Andalusian, or, better still, Basque; that compound,
like the diamond, of darkness and fire. Hair, the shade of purple grapes viewed
at midnight. Eyes, long, dusky, and disquieting with their untroubled
directness of gaze. Face, haughty and bold, touched with a pretty insolence
that gave it life. To hasten conviction of her charm, but glance at the stacks
of handbills in the corner, green, and yellow, and white. Upon them you see an
incompetent presentment of the señorita in her professional garb and pose.
Irresistible, in black lace and yellow ribbons, she faces you; a blue racer is
spiralled upon each bare arm; coiled twice about her waist and once about her
neck, his horrid head close to hers, you perceive Kuku, the great eleven-foot
Asian python.</p>
<p>A hand drew aside the curtain that partitioned the car, and a middle-aged,
faded woman holding a knife and a half-peeled potato looked in and said:</p>
<p>“Alviry, are you right busy?”</p>
<p>“I’m reading the home paper, ma. What do you think! that pale,
tow-headed Matilda Price got the most votes in the <i>News</i> for the
prettiest girl in Gallipo—<i>lees</i>.”</p>
<p>“Shush! She wouldn’t of done it if <i>you’d</i> been home,
Alviry. Lord knows, I hope we’ll be there before fall’s over.
I’m tired gallopin’ round the world playin’ we are dagoes,
and givin’ snake shows. But that ain’t what I wanted to say. That
there biggest snake’s gone again. I’ve looked all over the car and
can’t find him. He must have been gone an hour. I remember hearin’
somethin’ rustlin’ along the floor, but I thought it was
you.”</p>
<p>“Oh, blame that old rascal!” exclaimed the Queen, throwing down her
paper. “This is the third time he’s got away. George never
<i>will</i> fasten down the lid to his box properly. I do believe he’s
<i>afraid</i> of Kuku. Now I’ve got to go hunt him.”</p>
<p>“Better hurry; somebody might hurt him.”</p>
<p>The Queen’s teeth showed in a gleaming, contemptuous smile. “No
danger. When they see Kuku outside they simply scoot away and buy bromides.
There’s a crick over between here and the river. That old scamp’d
swap his skin any time for a drink of running water. I guess I’ll find
him there, all right.”</p>
<p>A few minutes later Alvarita stopped upon the forward platform, ready for her
quest. Her handsome black skirt was shaped to the most recent proclamation of
fashion. Her spotless shirt-waist gladdened the eye in that desert of sunshine,
a swelling oasis, cool and fresh. A man’s split-straw hat sat firmly on
her coiled, abundant hair. Beneath her serene, round, impudent chin a
man’s four-in-hand tie was jauntily knotted about a man’s high,
stiff collar. A parasol she carried, of white silk, and its fringe was lace,
yellowly genuine.</p>
<p>I will grant Gallipolis as to her costume, but firmly to Seville or Valladolid
I am held by her eyes; castanets, balconies, mantillas, serenades, ambuscades,
escapades—all these their dark depths guaranteed.</p>
<p>“Ain’t you afraid to go out alone, Alviry?” queried the
Queen-mother anxiously. “There’s so many rough people about. Mebbe
you’d better—”</p>
<p>“I never saw anything I was afraid of yet, ma. ’Specially people.
And men in particular. Don’t you fret. I’ll trot along back as soon
as I find that runaway scamp.”</p>
<p>The dust lay thick upon the bare ground near the tracks. Alvarita’s eye
soon discovered the serrated trail of the escaped python. It led across the
depot grounds and away down a smaller street in the direction of the little
cañon, as predicted by her. A stillness and lack of excitement in the
neighbourhood encouraged the hope that, as yet, the inhabitants were unaware
that so formidable a guest traversed their highways. The heat had driven them
indoors, whence outdrifted occasional shrill laughs, or the depressing whine of
a maltreated concertina. In the shade a few Mexican children, like vivified
stolid idols in clay, stared from their play, vision-struck and silent, as
Alvarita came and went. Here and there a woman peeped from a door and stood
dumb, reduced to silence by the aspect of the white silk parasol.</p>
<p>A hundred yards and the limits of the town were passed, scattered chaparral
succeeding, and then a noble grove, overflowing the bijou cañon. Through this a
small bright stream meandered. Park-like it was, with a kind of cockney
ruralness further endorsed by the waste papers and rifled tins of picnickers.
Up this stream, and down it, among its pseudo-sylvan glades and depressions,
wandered the bright and unruffled Alvarita. Once she saw evidence of the
recreant reptile’s progress in his distinctive trail across a spread of
fine sand in the arroyo. The living water was bound to lure him; he could not
be far away.</p>
<p>So sure was she of his immediate proximity that she perched herself to idle for
a time in the curve of a great creeper that looped down from a giant water-elm.
To reach this she climbed from the pathway a little distance up the side of a
steep and rugged incline. Around her chaparral grew thick and high. A
late-blooming ratama tree dispensed from its yellow petals a sweet and
persistent odour. Adown the ravine rustled a seductive wind, melancholy with
the taste of sodden, fallen leaves.</p>
<p>Alvarita removed her hat, and undoing the oppressive convolutions of her hair,
began to slowly arrange it in two long, dusky plaits.</p>
<p>From the obscure depths of a thick clump of evergreen shrubs five feet away,
two small jewel-bright eyes were steadfastly regarding her. Coiled there lay
Kuku, the great python; Kuku, the magnificent, he of the plated muzzle, the
grooved lips, the eleven-foot stretch of elegantly and brilliantly mottled
skin. The great python was viewing his mistress without a sound or motion to
disclose his presence. Perhaps the splendid truant forefelt his capture, but,
screened by the foliage, thought to prolong the delight of his escapade. What
pleasure it was, after the hot and dusty car, to lie thus, smelling the running
water, and feeling the agreeable roughness of the earth and stones against his
body! Soon, very soon the Queen would find him, and he, powerless as a worm in
her audacious hands, would be returned to the dark chest in the narrow house
that ran on wheels.</p>
<p>Alvarita heard a sudden crunching of the gravel below her. Turning her head she
saw a big, swarthy Mexican, with a daring and evil expression, contemplating
her with an ominous, dull eye.</p>
<p>“What do you want?” she asked as sharply as five hairpins between
her lips would permit, continuing to plait her hair, and looking him over with
placid contempt. The Mexican continued to gaze at her, and showed his teeth in
a white, jagged smile.</p>
<p>“I no hurt-y you, Señorita,” he said.</p>
<p>“You bet you won’t,” answered the Queen, shaking back one
finished, massive plait. “But don’t you think you’d better
move on?”</p>
<p>“Not hurt-y you—no. But maybeso take one <i>beso</i>—one
li’l kees, you call him.”</p>
<p>The man smiled again, and set his foot to ascend the slope. Alvarita leaned
swiftly and picked up a stone the size of a cocoanut.</p>
<p>“Vamoose, quick,” she ordered peremptorily, “you
<i>coon!</i>”</p>
<p>The red of insult burned through the Mexican’s dark skin.</p>
<p>“<i>Hidalgo, Yo!</i>” he shot between his fangs. “I am not
neg-r-ro! <i>Diabla bonita</i>, for that you shall pay me.”</p>
<p>He made two quick upward steps this time, but the stone, hurled by no weak arm,
struck him square in the chest. He staggered back to the footway, swerved half
around, and met another sight that drove all thoughts of the girl from his
head. She turned her eyes to see what had diverted his interest. A man with
red-brown, curling hair and a melancholy, sunburned, smooth-shaven face was
coming up the path, twenty yards away. Around the Mexican’s waist was
buckled a pistol belt with two empty holsters. He had laid aside his
sixes—possibly in the <i>jacal</i> of the fair Pancha—and had
forgotten them when the passing of the fairer Alvarita had enticed him to her
trail. His hands now flew instinctively to the holsters, but finding the
weapons gone, he spread his fingers outward with the eloquent, abjuring,
deprecating Latin gesture, and stood like a rock. Seeing his plight, the
newcomer unbuckled his own belt containing two revolvers, threw it upon the
ground, and continued to advance.</p>
<p>“Splendid!” murmured Alvarita, with flashing eyes.</p>
<p class="p2">
As Bob Buckley, according to the mad code of bravery that his sensitive
conscience imposed upon his cowardly nerves, abandoned his guns and closed in
upon his enemy, the old, inevitable nausea of abject fear wrung him. His breath
whistled through his constricted air passages. His feet seemed like lumps of
lead. His mouth was dry as dust. His heart, congested with blood, hurt his ribs
as it thumped against them. The hot June day turned to moist November. And
still he advanced, spurred by a mandatory pride that strained its uttermost
against his weakling flesh.</p>
<p>The distance between the two men slowly lessened. The Mexican stood, immovable,
waiting. When scarce five yards separated them a little shower of loosened
gravel rattled down from above to the ranger’s feet. He glanced upward
with instinctive caution. A pair of dark eyes, brilliantly soft, and fierily
tender, encountered and held his own. The most fearful heart and the boldest
one in all the Rio Bravo country exchanged a silent and inscrutable
communication. Alvarita, still seated within her vine, leaned forward above the
breast-high chaparral. One hand was laid across her bosom. One great dark braid
curved forward over her shoulder. Her lips were parted; her face was lit with
what seemed but wonder—great and absolute wonder. Her eyes lingered upon
Buckley’s. Let no one ask or presume to tell through what subtle medium
the miracle was performed. As by a lightning flash two clouds will accomplish
counterpoise and compensation of electric surcharge, so on that eyeglance the
man received his complement of manhood, and the maid conceded what enriched her
womanly grace by its loss.</p>
<p>The Mexican, suddenly stirring, ventilated his attitude of apathetic waiting by
conjuring swiftly from his bootleg a long knife. Buckley cast aside his hat,
and laughed once aloud, like a happy school-boy at a frolic. Then,
empty-handed, he sprang nimbly, and Garcia met him without default.</p>
<p>So soon was the engagement ended that disappointment imposed upon the
ranger’s warlike ecstasy. Instead of dealing the traditional downward
stroke, the Mexican lunged straight with his knife. Buckley took the precarious
chance, and caught his wrist, fair and firm. Then he delivered the good Saxon
knock-out blow—always so pathetically disastrous to the fistless Latin
races—and Garcia was down and out, with his head under a clump of prickly
pears. The ranger looked up again to the Queen of the Serpents.</p>
<p>Alvarita scrambled down to the path.</p>
<p>“I’m mighty glad I happened along when I did,” said the
ranger.</p>
<p>“He—he frightened me so!” cooed Alvarita.</p>
<p>They did not hear the long, low hiss of the python under the shrubs. Wiliest of
the beasts, no doubt he was expressing the humiliation he felt at having so
long dwelt in subjection to this trembling and colouring mistress of his whom
he had deemed so strong and potent and fearsome.</p>
<p>Then came galloping to the spot the civic authorities; and to them the ranger
awarded the prostrate disturber of the peace, whom they bore away limply across
the saddle of one of their mounts. But Buckley and Alvarita lingered.</p>
<p>Slowly, slowly they walked. The ranger regained his belt of weapons. With a
fine timidity she begged the indulgence of fingering the great .45’s,
with little “Ohs” and “Ahs” of new-born, delicious
shyness.</p>
<p>The <i>cañoncito</i> was growing dusky. Beyond its terminus in the river bluff
they could see the outer world yet suffused with the waning glory of sunset.</p>
<p>A scream—a piercing scream of fright from Alvarita. Back she cowered, and
the ready, protecting arm of Buckley formed her refuge. What terror so dire as
to thus beset the close of the reign of the never-before-daunted Queen?</p>
<p>Across the path there crawled a <i>caterpillar</i>—a horrid, fuzzy,
two-inch caterpillar! Truly, Kuku, thou went avenged. Thus abdicated the Queen
of the Serpent Tribe—<i>viva la reina!</i></p>
<h2><SPAN name="chap09"></SPAN>IX<br/> THE HIGHER ABDICATION</h2>
<p>Curly the tramp sidled toward the free-lunch counter. He caught a fleeting
glance from the bartender’s eye, and stood still, trying to look like a
business man who had just dined at the Menger and was waiting for a friend who
had promised to pick him up in his motor car. Curly’s histrionic powers
were equal to the impersonation; but his make-up was wanting.</p>
<p>The bartender rounded the bar in a casual way, looking up at the ceiling as
though he was pondering some intricate problem of kalsomining, and then fell
upon Curly so suddenly that the roadster had no excuses ready. Irresistibly,
but so composedly that it seemed almost absendmindedness on his part, the
dispenser of drinks pushed Curly to the swinging doors and kicked him out, with
a nonchalance that almost amounted to sadness. That was the way of the
Southwest.</p>
<p>Curly arose from the gutter leisurely. He felt no anger or resentment toward
his ejector. Fifteen years of tramphood spent out of the twenty-two years of
his life had hardened the fibres of his spirit. The slings and arrows of
outrageous fortune fell blunted from the buckler of his armoured pride. With
especial resignation did he suffer contumely and injury at the hands of
bartenders. Naturally, they were his enemies; and unnaturally, they were often
his friends. He had to take his chances with them. But he had not yet learned
to estimate these cool, languid, Southwestern knights of the bungstarter, who
had the manners of an Earl of Pawtucket, and who, when they disapproved of your
presence, moved you with the silence and despatch of a chess automaton
advancing a pawn.</p>
<p>Curly stood for a few moments in the narrow, mesquite-paved street. San Antonio
puzzled and disturbed him. Three days he had been a non-paying guest of the
town, having dropped off there from a box car of an I. & G.N. freight,
because Greaser Johnny had told him in Des Moines that the Alamo City was manna
fallen, gathered, cooked, and served free with cream and sugar. Curly had found
the tip partly a good one. There was hospitality in plenty of a careless,
liberal, irregular sort. But the town itself was a weight upon his spirits
after his experience with the rushing, business-like, systematised cities of
the North and East. Here he was often flung a dollar, but too frequently a
good-natured kick would follow it. Once a band of hilarious cowboys had roped
him on Military Plaza and dragged him across the black soil until no
respectable rag-bag would have stood sponsor for his clothes. The winding,
doubling streets, leading nowhere, bewildered him. And then there was a little
river, crooked as a pot-hook, that crawled through the middle of the town,
crossed by a hundred little bridges so nearly alike that they got on
Curly’s nerves. And the last bartender wore a number nine shoe.</p>
<p>The saloon stood on a corner. The hour was eight o’clock. Homefarers and
outgoers jostled Curly on the narrow stone sidewalk. Between the buildings to
his left he looked down a cleft that proclaimed itself another thoroughfare.
The alley was dark except for one patch of light. Where there was light there
were sure to be human beings. Where there were human beings after nightfall in
San Antonio there might be food, and there was sure to be drink. So Curly
headed for the light.</p>
<p>The illumination came from Schwegel’s Café. On the sidewalk in front of
it Curly picked up an old envelope. It might have contained a check for a
million. It was empty; but the wanderer read the address, “Mr. Otto
Schwegel,” and the name of the town and State. The postmark was Detroit.</p>
<p>Curly entered the saloon. And now in the light it could be perceived that he
bore the stamp of many years of vagabondage. He had none of the tidiness of the
calculating and shrewd professional tramp. His wardrobe represented the
cast-off specimens of half a dozen fashions and eras. Two factories had
combined their efforts in providing shoes for his feet. As you gazed at him
there passed through your mind vague impressions of mummies, wax figures,
Russian exiles, and men lost on desert islands. His face was covered almost to
his eyes with a curly brown beard that he kept trimmed short with a
pocket-knife, and that had furnished him with his <i>nom de route</i>.
Light-blue eyes, full of sullenness, fear, cunning, impudence, and fawning,
witnessed the stress that had been laid upon his soul.</p>
<p>The saloon was small, and in its atmosphere the odours of meat and drink
struggled for the ascendancy. The pig and the cabbage wrestled with hydrogen
and oxygen. Behind the bar Schwegel laboured with an assistant whose epidermal
pores showed no signs of being obstructed. Hot weinerwurst and sauerkraut were
being served to purchasers of beer. Curly shuffled to the end of the bar,
coughed hollowly, and told Schwegel that he was a Detroit cabinet-maker out of
a job.</p>
<p>It followed as the night the day that he got his schooner and lunch.</p>
<p>“Was you acquainted maybe with Heinrich Strauss in Detroit?” asked
Schwegel.</p>
<p>“Did I know Heinrich Strauss?” repeated Curly, affectionately.
“Why, say, ’Bo, I wish I had a dollar for every game of pinochle me
and Heine has played on Sunday afternoons.”</p>
<p>More beer and a second plate of steaming food was set before the diplomat. And
then Curly, knowing to a fluid-drachm how far a “con” game would
go, shuffled out into the unpromising street.</p>
<p>And now he began to perceive the inconveniences of this stony Southern town.
There was none of the outdoor gaiety and brilliancy and music that provided
distraction even to the poorest in the cities of the North. Here, even so
early, the gloomy, rock-walled houses were closed and barred against the murky
dampness of the night. The streets were mere fissures through which flowed grey
wreaths of river mist. As he walked he heard laughter and the chink of coin and
chips behind darkened windows, and music coming from every chink of wood and
stone. But the diversions were selfish; the day of popular pastimes had not yet
come to San Antonio.</p>
<p>But at length Curly, as he strayed, turned the sharp angle of another lost
street and came upon a rollicking band of stockmen from the outlying ranches
celebrating in the open in front of an ancient wooden hotel. One great
roisterer from the sheep country who had just instigated a movement toward the
bar, swept Curly in like a stray goat with the rest of his flock. The princes
of kine and wool hailed him as a new zoological discovery, and uproariously
strove to preserve him in the diluted alcohol of their compliments and regards.</p>
<p>An hour afterward Curly staggered from the hotel barroom dismissed by his
fickle friends, whose interest in him had subsided as quickly as it had risen.
Full—stoked with alcoholic fuel and cargoed with food, the only question
remaining to disturb him was that of shelter and bed.</p>
<p>A drizzling, cold Texas rain had begun to fall—an endless, lazy,
unintermittent downfall that lowered the spirits of men and raised a reluctant
steam from the warm stones of the streets and houses. Thus comes the
“norther” dousing gentle spring and amiable autumn with the
chilling salutes and adieux of coming and departing winter.</p>
<p>Curly followed his nose down the first tortuous street into which his
irresponsible feet conducted him. At the lower end of it, on the bank of the
serpentine stream, he perceived an open gate in a cemented rock wall. Inside he
saw camp fires and a row of low wooden sheds built against three sides of the
enclosing wall. He entered the enclosure. Under the sheds many horses were
champing at their oats and corn. Many wagons and buckboards stood about with
their teams’ harness thrown carelessly upon the shafts and doubletrees.
Curly recognised the place as a wagon-yard, such as is provided by merchants
for their out-of-town friends and customers. No one was in sight. No doubt the
drivers of those wagons were scattered about the town “seeing the
elephant and hearing the owl.” In their haste to become patrons of the
town’s dispensaries of mirth and good cheer the last ones to depart must
have left the great wooden gate swinging open.</p>
<p>Curly had satisfied the hunger of an anaconda and the thirst of a camel, so he
was neither in the mood nor the condition of an explorer. He zigzagged his way
to the first wagon that his eyesight distinguished in the semi-darkness under
the shed. It was a two-horse wagon with a top of white canvas. The wagon was
half filled with loose piles of wool sacks, two or three great bundles of grey
blankets, and a number of bales, bundles, and boxes. A reasoning eye would have
estimated the load at once as ranch supplies, bound on the morrow for some
outlying hacienda. But to the drowsy intelligence of Curly they represented
only warmth and softness and protection against the cold humidity of the night.
After several unlucky efforts, at last he conquered gravity so far as to climb
over a wheel and pitch forward upon the best and warmest bed he had fallen upon
in many a day. Then he became instinctively a burrowing animal, and dug his way
like a prairie-dog down among the sacks and blankets, hiding himself from the
cold air as snug and safe as a bear in his den. For three nights sleep had
visited Curly only in broken and shivering doses. So now, when Morpheus
condescended to pay him a call, Curly got such a strangle hold on the
mythological old gentleman that it was a wonder that anyone else in the whole
world got a wink of sleep that night.</p>
<p class="p2">
Six cowpunchers of the Cibolo Ranch were waiting around the door of the ranch
store. Their ponies cropped grass near by, tied in the Texas
fashion—which is not tied at all. Their bridle reins had been dropped to
the earth, which is a more effectual way of securing them (such is the power of
habit and imagination) than you could devise out of a half-inch rope and a
live-oak tree.</p>
<p>These guardians of the cow lounged about, each with a brown cigarette paper in
his hand, and gently but unceasingly cursed Sam Revell, the storekeeper. Sam
stood in the door, snapping the red elastic bands on his pink madras
shirtsleeves and looking down affectionately at the only pair of tan shoes
within a forty-mile radius. His offence had been serious, and he was divided
between humble apology and admiration for the beauty of his raiment. He had
allowed the ranch stock of “smoking” to become exhausted.</p>
<p>“I thought sure there was another case of it under the counter,
boys,” he explained. “But it happened to be catterdges.”</p>
<p>“You’ve sure got a case of happenedicitis,” said Poky
Rodgers, fence rider of the Largo Verde <i>potrero</i>. “Somebody ought
to happen to give you a knock on the head with the butt end of a quirt.
I’ve rode in nine miles for some tobacco; and it don’t appear
natural and seemly that you ought to be allowed to live.”</p>
<p>“The boys was smokin’ cut plug and dried mesquite leaves mixed when
I left,” sighed Mustang Taylor, horse wrangler of the Three Elm camp.
“They’ll be lookin’ for me back by nine. They’ll be
settin’ up, with their papers ready to roll a whiff of the real thing
before bedtime. And I’ve got to tell ’em that this pink-eyed,
sheep-headed, sulphur-footed, shirt-waisted son of a calico broncho, Sam
Revell, hasn’t got no tobacco on hand.”</p>
<p>Gregorio Falcon, Mexican vaquero and best thrower of the rope on the Cibolo,
pushed his heavy, silver-embroidered straw sombrero back upon his thicket of
jet black curls, and scraped the bottoms of his pockets for a few crumbs of the
precious weed.</p>
<p>“Ah, Don Samuel,” he said, reproachfully, but with his touch of
Castilian manners, “escuse me. Dthey say dthe jackrabbeet and dthe sheep
have dthe most leetle <i>sesos</i>—how you call dthem—brain-es? Ah
don’t believe dthat, Don Samuel—escuse me. Ah dthink people
w’at don’t keep esmokin’ tobacco, dthey—bot you weel
escuse me, Don Samuel.”</p>
<p>“Now, what’s the use of chewin’ the rag, boys,” said
the untroubled Sam, stooping over to rub the toes of his shoes with a
red-and-yellow handkerchief. “Ranse took the order for some more
smokin’ to San Antone with him Tuesday. Pancho rode Ranse’s hoss
back yesterday; and Ranse is goin’ to drive the wagon back himself. There
wa’n’t much of a load—just some woolsacks and blankets and
nails and canned peaches and a few things we was out of. I look for Ranse to
roll in to-day sure. He’s an early starter and a hell-to-split driver,
and he ought to be here not far from sundown.”</p>
<p>“What plugs is he drivin’?” asked Mustang Taylor, with a
smack of hope in his tones.</p>
<p>“The buckboard greys,” said Sam.</p>
<p>“I’ll wait a spell, then,” said the wrangler. “Them
plugs eat up a trail like a road-runner swallowin’ a whip snake. And you
may bust me open a can of greengage plums, Sam, while I’m waitin’
for somethin’ better.”</p>
<p>“Open me some yellow clings,” ordered Poky Rodgers.
“I’ll wait, too.”</p>
<p>The tobaccoless punchers arranged themselves comfortably on the steps of the
store. Inside Sam chopped open with a hatchet the tops of the cans of fruit.</p>
<p>The store, a big, white wooden building like a barn, stood fifty yards from the
ranch-house. Beyond it were the horse corrals; and still farther the wool sheds
and the brush-topped shearing pens—for the Rancho Cibolo raised both
cattle and sheep. Behind the store, at a little distance, were the
grass-thatched <i>jacals</i> of the Mexicans who bestowed their allegiance upon
the Cibolo.</p>
<p>The ranch-house was composed of four large rooms, with plastered adobe walls,
and a two-room wooden ell. A twenty-feet-wide “gallery”
circumvented the structure. It was set in a grove of immense live-oaks and
water-elms near a lake—a long, not very wide, and tremendously deep lake
in which at nightfall, great gars leaped to the surface and plunged with the
noise of hippopotamuses frolicking at their bath. From the trees hung garlands
and massive pendants of the melancholy grey moss of the South. Indeed, the
Cibolo ranch-house seemed more of the South than of the West. It looked as if
old “Kiowa” Truesdell might have brought it with him from the
lowlands of Mississippi when he came to Texas with his rifle in the hollow of
his arm in ’55.</p>
<p>But, though he did not bring the family mansion, Truesdell did bring something
in the way of a family inheritance that was more lasting than brick or stone.
He brought one end of the Truesdell-Curtis family feud. And when a Curtis
bought the Rancho de los Olmos, sixteen miles from the Cibolo, there were
lively times on the pear flats and in the chaparral thickets off the Southwest.
In those days Truesdell cleaned the brush of many a wolf and tiger cat and
Mexican lion; and one or two Curtises fell heirs to notches on his rifle stock.
Also he buried a brother with a Curtis bullet in him on the bank of the lake at
Cibolo. And then the Kiowa Indians made their last raid upon the ranches
between the Frio and the Rio Grande, and Truesdell at the head of his rangers
rid the earth of them to the last brave, earning his sobriquet. Then came
prosperity in the form of waxing herds and broadening lands. And then old age
and bitterness, when he sat, with his great mane of hair as white as the
Spanish-dagger blossoms and his fierce, pale-blue eyes, on the shaded gallery
at Cibolo, growling like the pumas that he had slain. He snapped his fingers at
old age; the bitter taste to life did not come from that. The cup that stuck at
his lips was that his only son Ransom wanted to marry a Curtis, the last
youthful survivor of the other end of the feud.</p>
<p class="p2">
For a while the only sounds to be heard at the store were the rattling of the
tin spoons and the gurgling intake of the juicy fruits by the cowpunchers, the
stamping of the grazing ponies, and the singing of a doleful song by Sam as he
contentedly brushed his stiff auburn hair for the twentieth time that day
before a crinkly mirror.</p>
<p>From the door of the store could be seen the irregular, sloping stretch of
prairie to the south, with its reaches of light-green, billowy mesquite flats
in the lower places, and its rises crowned with nearly black masses of short
chaparral. Through the mesquite flat wound the ranch road that, five miles
away, flowed into the old government trail to San Antonio. The sun was so low
that the gentlest elevation cast its grey shadow miles into the green-gold sea
of sunshine.</p>
<p>That evening ears were quicker than eyes.</p>
<p>The Mexican held up a tawny finger to still the scraping of tin against tin.</p>
<p>“One waggeen,” said he, “cross dthe Arroyo Hondo. Ah hear
dthe wheel. Verree rockee place, dthe Hondo.”</p>
<p>“You’ve got good ears, Gregorio,” said Mustang Taylor.
“I never heard nothin’ but the song-bird in the bush and the zephyr
skallyhootin’ across the peaceful dell.”</p>
<p>In ten minutes Taylor remarked: “I see the dust of a wagon risin’
right above the fur end of the flat.”</p>
<p>“You have verree good eyes, señor,” said Gregorio, smiling.</p>
<p>Two miles away they saw a faint cloud dimming the green ripples of the
mesquites. In twenty minutes they heard the clatter of the horses’ hoofs:
in five minutes more the grey plugs dashed out of the thicket, whickering for
oats and drawing the light wagon behind them like a toy.</p>
<p>From the <i>jacals</i> came a cry of: “<i>El Amo! El Amo!</i>” Four
Mexican youths raced to unharness the greys. The cowpunchers gave a yell of
greeting and delight.</p>
<p>Ranse Truesdell, driving, threw the reins to the ground and laughed.</p>
<p>“It’s under the wagon sheet, boys,” he said. “I know
what you’re waiting for. If Sam lets it run out again we’ll use
those yellow shoes of his for a target. There’s two cases. Pull ’em
out and light up. I know you all want a smoke.”</p>
<p>After striking dry country Ranse had removed the wagon sheet from the bows and
thrown it over the goods in the wagon. Six pair of hasty hands dragged it off
and grabbled beneath the sacks and blankets for the cases of tobacco.</p>
<p>Long Collins, tobacco messenger from the San Gabriel outfit, who rode with the
longest stirrups west of the Mississippi, delved with an arm like the tongue of
a wagon. He caught something harder than a blanket and pulled out a fearful
thing—a shapeless, muddy bunch of leather tied together with wire and
twine. From its ragged end, like the head and claws of a disturbed turtle,
protruded human toes.</p>
<p>“Who-ee!” yelled Long Collins. “Ranse, are you
a-packin’ around of corpuses? Here’s a—howlin’
grasshoppers!”</p>
<p>Up from his long slumber popped Curly, like some vile worm from its burrow. He
clawed his way out and sat blinking like a disreputable, drunken owl. His face
was as bluish-red and puffed and seamed and cross-lined as the cheapest round
steak of the butcher. His eyes were swollen slits; his nose a pickled beet; his
hair would have made the wildest thatch of a Jack-in-the-box look like the
satin poll of a Cléo de Mérode. The rest of him was scarecrow done to the life.</p>
<p>Ranse jumped down from his seat and looked at his strange cargo with wide-open
eyes.</p>
<p>“Here, you maverick, what are you doing in my wagon? How did you get in
there?”</p>
<p>The punchers gathered around in delight. For the time they had forgotten
tobacco.</p>
<p>Curly looked around him slowly in every direction. He snarled like a Scotch
terrier through his ragged beard.</p>
<p>“Where is this?” he rasped through his parched throat.
“It’s a damn farm in an old field. What’d you bring me here
for—say? Did I say I wanted to come here? What are you Reubs
rubberin’ at—hey? G’wan or I’ll punch some of yer
faces.”</p>
<p>“Drag him out, Collins,” said Ranse.</p>
<p>Curly took a slide and felt the ground rise up and collide with his shoulder
blades. He got up and sat on the steps of the store shivering from outraged
nerves, hugging his knees and sneering. Taylor lifted out a case of tobacco and
wrenched off its top. Six cigarettes began to glow, bringing peace and
forgiveness to Sam.</p>
<p>“How’d you come in my wagon?” repeated Ranse, this time in a
voice that drew a reply.</p>
<p>Curly recognised the tone. He had heard it used by freight brakemen and large
persons in blue carrying clubs.</p>
<p>“Me?” he growled. “Oh, was you talkin’ to me? Why, I
was on my way to the Menger, but my valet had forgot to pack my pyjamas. So I
crawled into that wagon in the wagon-yard—see? I never told you to bring
me out to this bloomin’ farm—see?”</p>
<p>“What is it, Mustang?” asked Poky Rodgers, almost forgetting to
smoke in his ecstasy. “What do it live on?”</p>
<p>“It’s a galliwampus, Poky,” said Mustang. “It’s
the thing that hollers ‘willi-walloo’ up in ellum trees in the low
grounds of nights. I don’t know if it bites.”</p>
<p>“No, it ain’t, Mustang,” volunteered Long Collins.
“Them galliwampuses has fins on their backs, and eighteen toes. This here
is a hicklesnifter. It lives under the ground and eats cherries. Don’t
stand so close to it. It wipes out villages with one stroke of its prehensile
tail.”</p>
<p>Sam, the cosmopolite, who called bartenders in San Antone by their first name,
stood in the door. He was a better zoologist.</p>
<p>“Well, ain’t that a Willie for your whiskers?” he commented.
“Where’d you dig up the hobo, Ranse? Goin’ to make an
auditorium for inbreviates out of the ranch?”</p>
<p>“Say,” said Curly, from whose panoplied breast all shafts of wit
fell blunted. “Any of you kiddin’ guys got a drink on you? Have
your fun. Say, I’ve been hittin’ the stuff till I don’t know
straight up.”</p>
<p>He turned to Ranse. “Say, you shanghaied me on your d—d old prairie
schooner—did I tell you to drive me to a farm? I want a drink. I’m
goin’ all to little pieces. What’s doin’?”</p>
<p>Ranse saw that the tramp’s nerves were racking him. He despatched one of
the Mexican boys to the ranch-house for a glass of whisky. Curly gulped it
down; and into his eyes came a brief, grateful glow—as human as the
expression in the eye of a faithful setter dog.</p>
<p>“Thanky, boss,” he said, quietly.</p>
<p>“You’re thirty miles from a railroad, and forty miles from a
saloon,” said Ranse.</p>
<p>Curly fell back weakly against the steps.</p>
<p>“Since you are here,” continued the ranchman, “come along
with me. We can’t turn you out on the prairie. A rabbit might tear you to
pieces.”</p>
<p>He conducted Curly to a large shed where the ranch vehicles were kept. There he
spread out a canvas cot and brought blankets.</p>
<p>“I don’t suppose you can sleep,” said Ranse, “since
you’ve been pounding your ear for twenty-four hours. But you can camp
here till morning. I’ll have Pedro fetch you up some grub.”</p>
<p>“Sleep!” said Curly. “I can sleep a week. Say, sport, have
you got a coffin nail on you?”</p>
<p class="p2">
Fifty miles had Ransom Truesdell driven that day. And yet this is what he did.</p>
<p>Old “Kiowa” Truesdell sat in his great wicker chair reading by the
light of an immense oil lamp. Ranse laid a bundle of newspapers fresh from town
at his elbow.</p>
<p>“Back, Ranse?” said the old man, looking up.</p>
<p>“Son,” old “Kiowa” continued, “I’ve been
thinking all day about a certain matter that we have talked about. I want you
to tell me again. I’ve lived for you. I’ve fought wolves and
Indians and worse white men to protect you. You never had any mother that you
can remember. I’ve taught you to shoot straight, ride hard, and live
clean. Later on I’ve worked to pile up dollars that’ll be yours.
You’ll be a rich man, Ranse, when my chunk goes out. I’ve made you.
I’ve licked you into shape like a leopard cat licks its cubs. You
don’t belong to yourself —you’ve got to be a Truesdell first.
Now, is there to be any more nonsense about this Curtis girl?”</p>
<p>“I’ll tell you once more,” said Ranse, slowly. “As I am
a Truesdell and as you are my father, I’ll never marry a Curtis.”</p>
<p>“Good boy,” said old “Kiowa.” “You’d better
go get some supper.”</p>
<p>Ranse went to the kitchen at the rear of the house. Pedro, the Mexican cook,
sprang up to bring the food he was keeping warm in the stove.</p>
<p>“Just a cup of coffee, Pedro,” he said, and drank it standing. And
then:</p>
<p>“There’s a tramp on a cot in the wagon-shed. Take him something to
eat. Better make it enough for two.”</p>
<p>Ranse walked out toward the <i>jacals</i>. A boy came running.</p>
<p>“Manuel, can you catch Vaminos, in the little pasture, for me?”</p>
<p>“Why not, señor? I saw him near the <i>puerta</i> but two hours past. He
bears a drag-rope.”</p>
<p>“Get him and saddle him as quick as you can.”</p>
<p>“<i>Prontito, señor</i>.”</p>
<p>Soon, mounted on Vaminos, Ranse leaned in the saddle, pressed with his knees,
and galloped eastward past the store, where sat Sam trying his guitar in the
moonlight.</p>
<p>Vaminos shall have a word—Vaminos the good dun horse. The Mexicans, who
have a hundred names for the colours of a horse, called him <i>gruyo</i>. He
was a mouse-coloured, slate-coloured, flea-bitten roan-dun, if you can conceive
it. Down his back from his mane to his tail went a line of black. He would live
forever; and surveyors have not laid off as many miles in the world as he could
travel in a day.</p>
<p>Eight miles east of the Cibolo ranch-house Ranse loosened the pressure of his
knees, and Vaminos stopped under a big ratama tree. The yellow ratama blossoms
showered fragrance that would have undone the roses of France. The moon made
the earth a great concave bowl with a crystal sky for a lid. In a glade five
jack-rabbits leaped and played together like kittens. Eight miles farther east
shone a faint star that appeared to have dropped below the horizon. Night
riders, who often steered their course by it, knew it to be the light in the
Rancho de los Olmos.</p>
<p>In ten minutes Yenna Curtis galloped to the tree on her sorrel pony Dancer. The
two leaned and clasped hands heartily.</p>
<p>“I ought to have ridden nearer your home,” said Ranse. “But
you never will let me.”</p>
<p>Yenna laughed. And in the soft light you could see her strong white teeth and
fearless eyes. No sentimentality there, in spite of the moonlight, the odour of
the ratamas, and the admirable figure of Ranse Truesdell, the lover. But she
was there, eight miles from her home, to meet him.</p>
<p>“How often have I told you, Ranse,” she said, “that I am your
half-way girl? Always half-way.”</p>
<p>“Well?” said Ranse, with a question in his tones.</p>
<p>“I did,” said Yenna, with almost a sigh. “I told him after
dinner when I thought he would be in a good humour. Did you ever wake up a
lion, Ranse, with the mistaken idea that he would be a kitten? He almost tore
the ranch to pieces. It’s all up. I love my daddy, Ranse, and I’m
afraid—I’m afraid of him too. He ordered me to promise that
I’d never marry a Truesdell. I promised. That’s all. What luck did
you have?”</p>
<p>“The same,” said Ranse, slowly. “I promised him that his son
would never marry a Curtis. Somehow I couldn’t go against him. He’s
mighty old. I’m sorry, Yenna.”</p>
<p>The girl leaned in her saddle and laid one hand on Ranse’s, on the horn
of his saddle.</p>
<p>“I never thought I’d like you better for giving me up,” she
said ardently, “but I do. I must ride back now, Ranse. I slipped out of
the house and saddled Dancer myself. Good-night, neighbour.”</p>
<p>“Good-night,” said Ranse. “Ride carefully over them badger
holes.”</p>
<p>They wheeled and rode away in opposite directions. Yenna turned in her saddle
and called clearly:</p>
<p>“Don’t forget I’m your half-way girl, Ranse.”</p>
<p>“Damn all family feuds and inherited scraps,” muttered Ranse
vindictively to the breeze as he rode back to the Cibolo.</p>
<p>Ranse turned his horse into the small pasture and went to his own room. He
opened the lowest drawer of an old bureau to get out the packet of letters that
Yenna had written him one summer when she had gone to Mississippi for a visit.
The drawer stuck, and he yanked at it savagely—as a man will. It came out
of the bureau, and bruised both his shins—as a drawer will. An old,
folded yellow letter without an envelope fell from somewhere—probably
from where it had lodged in one of the upper drawers. Ranse took it to the lamp
and read it curiously.</p>
<p>Then he took his hat and walked to one of the Mexican <i>jacals</i>.</p>
<p>“Tia Juana,” he said, “I would like to talk with you a
while.”</p>
<p>An old, old Mexican woman, white-haired and wonderfully wrinkled, rose from a
stool.</p>
<p>“Sit down,” said Ranse, removing his hat and taking the one chair
in the <i>jacal</i>. “Who am I, Tia Juana?” he asked, speaking
Spanish.</p>
<p>“Don Ransom, our good friend and employer. Why do you ask?”
answered the old woman wonderingly.</p>
<p>“Tia Juana, who am I?” he repeated, with his stern eyes looking
into hers.</p>
<p>A frightened look came in the old woman’s face. She fumbled with her
black shawl.</p>
<p>“Who am I, Tia Juana?” said Ranse once more.</p>
<p>“Thirty-two years I have lived on the Rancho Cibolo,” said Tia
Juana. “I thought to be buried under the coma mott beyond the garden
before these things should be known. Close the door, Don Ransom, and I will
speak. I see in your face that you know.”</p>
<p>An hour Ranse spent behind Tia Juana’s closed door. As he was on his way
back to the house Curly called to him from the wagon-shed.</p>
<p>The tramp sat on his cot, swinging his feet and smoking.</p>
<p>“Say, sport,” he grumbled. “This is no way to treat a man
after kidnappin’ him. I went up to the store and borrowed a razor from
that fresh guy and had a shave. But that ain’t all a man needs.
Say—can’t you loosen up for about three fingers more of that booze?
I never asked you to bring me to your d—d farm.”</p>
<p>“Stand up out here in the light,” said Ranse, looking at him
closely.</p>
<p>Curly got up sullenly and took a step or two.</p>
<p>His face, now shaven smooth, seemed transformed. His hair had been combed, and
it fell back from the right side of his forehead with a peculiar wave. The
moonlight charitably softened the ravages of drink; and his aquiline,
well-shaped nose and small, square cleft chin almost gave distinction to his
looks.</p>
<p>Ranse sat on the foot of the cot and looked at him curiously.</p>
<p>“Where did you come from—have you got any home or folks
anywhere?”</p>
<p>“Me? Why, I’m a dook,” said Curly. “I’m Sir
Reginald—oh, cheese it. No; I don’t know anything about my
ancestors. I’ve been a tramp ever since I can remember. Say, old pal, are
you going to set ’em up again to-night or not?”</p>
<p>“You answer my questions and maybe I will. How did you come to be a
tramp?”</p>
<p>“Me?” answered Curly. “Why, I adopted that profession when I
was an infant. Case of had to. First thing I can remember, I belonged to a big,
lazy hobo called Beefsteak Charley. He sent me around to houses to beg. I
wasn’t hardly big enough to reach the latch of a gate.”</p>
<p>“Did he ever tell you how he got you?” asked Ranse.</p>
<p>“Once when he was sober he said he bought me for an old six-shooter and
six bits from a band of drunken Mexican sheep-shearers. But what’s the
diff? That’s all I know.”</p>
<p>“All right,” said Ranse. “I reckon you’re a maverick
for certain. I’m going to put the Rancho Cibolo brand on you. I’ll
start you to work in one of the camps to-morrow.”</p>
<p>“Work!” sniffed Curly, disdainfully. “What do you take me
for? Do you think I’d chase cows, and hop-skip-and-jump around after
crazy sheep like that pink and yellow guy at the store says these Reubs do?
Forget it.”</p>
<p>“Oh, you’ll like it when you get used to it,” said Ranse.
“Yes, I’ll send you up one more drink by Pedro. I think
you’ll make a first-class cowpuncher before I get through with
you.”</p>
<p>“Me?” said Curly. “I pity the cows you set me to chaperon.
They can go chase themselves. Don’t forget my nightcap, please,
boss.”</p>
<p>Ranse paid a visit to the store before going to the house. Sam Rivell was
taking off his tan shoes regretting and preparing for bed.</p>
<p>“Any of the boys from the San Gabriel camp riding in early in the
morning?” asked Ranse.</p>
<p>“Long Collins,” said Sam briefly. “For the mail.”</p>
<p>“Tell him,” said Ranse, “to take that tramp out to camp with
him and keep him till I get there.”</p>
<p>Curly was sitting on his blankets in the San Gabriel camp cursing talentedly
when Ranse Truesdell rode up and dismounted on the next afternoon. The
cowpunchers were ignoring the stray. He was grimy with dust and black dirt. His
clothes were making their last stand in favour of the conventions.</p>
<p>Ranse went up to Buck Rabb, the camp boss, and spoke briefly.</p>
<p>“He’s a plumb buzzard,” said Buck. “He won’t
work, and he’s the low-downest passel of inhumanity I ever see. I
didn’t know what you wanted done with him, Ranse, so I just let him set.
That seems to suit him. He’s been condemned to death by the boys a dozen
times, but I told ’em maybe you was savin’ him for the
torture.”</p>
<p>Ranse took off his coat.</p>
<p>“I’ve got a hard job before me, Buck, I reckon, but it has to be
done. I’ve got to make a man out of that thing. That’s what
I’ve come to camp for.”</p>
<p>He went up to Curly.</p>
<p>“Brother,” he said, “don’t you think if you had a bath
it would allow you to take a seat in the company of your fellow-man with less
injustice to the atmosphere.”</p>
<p>“Run away, farmer,” said Curly, sardonically. “Willie will
send for nursey when he feels like having his tub.”</p>
<p>The <i>charco</i>, or water hole, was twelve yards away. Ranse took one of
Curly’s ankles and dragged him like a sack of potatoes to the brink. Then
with the strength and sleight of a hammer-throw he hurled the offending member
of society far into the lake.</p>
<p>Curly crawled out and up the bank spluttering like a porpoise.</p>
<p>Ranse met him with a piece of soap and a coarse towel in his hands.</p>
<p>“Go to the other end of the lake and use this,” he said.
“Buck will give you some dry clothes at the wagon.”</p>
<p>The tramp obeyed without protest. By the time supper was ready he had returned
to camp. He was hardly to be recognised in his new shirt and brown duck
clothes. Ranse observed him out of the corner of his eye.</p>
<p>“Lordy, I hope he ain’t a coward,” he was saying to himself.
“I hope he won’t turn out to be a coward.”</p>
<p>His doubts were soon allayed. Curly walked straight to where he stood. His
light-blue eyes were blazing.</p>
<p>“Now I’m clean,” he said meaningly, “maybe you’ll
talk to me. Think you’ve got a picnic here, do you? You clodhoppers think
you can run over a man because you know he can’t get away. All right.
Now, what do you think of that?”</p>
<p>Curly planted a stinging slap against Ranse’s left cheek. The print of
his hand stood out a dull red against the tan.</p>
<p>Ranse smiled happily.</p>
<p>The cowpunchers talk to this day of the battle that followed.</p>
<p>Somewhere in his restless tour of the cities Curly had acquired the art of
self-defence. The ranchman was equipped only with the splendid strength and
equilibrium of perfect health and the endurance conferred by decent living. The
two attributes nearly matched. There were no formal rounds. At last the fibre
of the clean liver prevailed. The last time Curly went down from one of the
ranchman’s awkward but powerful blows he remained on the grass, but
looking up with an unquenched eye.</p>
<p>Ranse went to the water barrel and washed the red from a cut on his chin in the
stream from the faucet.</p>
<p>On his face was a grin of satisfaction.</p>
<p>Much benefit might accrue to educators and moralists if they could know the
details of the curriculum of reclamation through which Ranse put his waif
during the month that he spent in the San Gabriel camp. The ranchman had no
fine theories to work out—perhaps his whole stock of pedagogy embraced
only a knowledge of horse-breaking and a belief in heredity.</p>
<p>The cowpunchers saw that their boss was trying to make a man out of the strange
animal that he had sent among them; and they tacitly organised themselves into
a faculty of assistants. But their system was their own.</p>
<p>Curly’s first lesson stuck. He became on friendly and then on intimate
terms with soap and water. And the thing that pleased Ranse most was that his
“subject” held his ground at each successive higher step. But the
steps were sometimes far apart.</p>
<p>Once he got at the quart bottle of whisky kept sacredly in the grub tent for
rattlesnake bites, and spent sixteen hours on the grass, magnificently drunk.
But when he staggered to his feet his first move was to find his soap and towel
and start for the <i>charco</i>. And once, when a treat came from the ranch in
the form of a basket of fresh tomatoes and young onions, Curly devoured the
entire consignment before the punchers reached the camp at supper time.</p>
<p>And then the punchers punished him in their own way. For three days they did
not speak to him, except to reply to his own questions or remarks. And they
spoke with absolute and unfailing politeness. They played tricks on one
another; they pounded one another hurtfully and affectionately; they heaped
upon one another’s heads friendly curses and obloquy; but they were
polite to Curly. He saw it, and it stung him as much as Ranse hoped it would.</p>
<p>Then came a night that brought a cold, wet norther. Wilson, the youngest of the
outfit, had lain in camp two days, ill with fever. When Joe got up at daylight
to begin breakfast he found Curly sitting asleep against a wheel of the grub
wagon with only a saddle blanket around him, while Curly’s blankets were
stretched over Wilson to protect him from the rain and wind.</p>
<p>Three nights after that Curly rolled himself in his blanket and went to sleep.
Then the other punchers rose up softly and began to make preparations. Ranse
saw Long Collins tie a rope to the horn of a saddle. Others were getting out
their six-shooters.</p>
<p>“Boys,” said Ranse, “I’m much obliged. I was hoping you
would. But I didn’t like to ask.”</p>
<p>Half a dozen six-shooters began to pop—awful yells rent the
air—Long Collins galloped wildly across Curly’s bed, dragging the
saddle after him. That was merely their way of gently awaking their victim.
Then they hazed him for an hour, carefully and ridiculously, after the code of
cow camps. Whenever he uttered protest they held him stretched over a roll of
blankets and thrashed him woefully with a pair of leather leggings.</p>
<p>And all this meant that Curly had won his spurs, that he was receiving the
puncher’s accolade. Nevermore would they be polite to him. But he would
be their “pardner” and stirrup-brother, foot to foot.</p>
<p>When the fooling was ended all hands made a raid on Joe’s big coffee-pot
by the fire for a Java nightcap. Ranse watched the new knight carefully to see
if he understood and was worthy. Curly limped with his cup of coffee to a log
and sat upon it. Long Collins followed and sat by his side. Buck Rabb went and
sat at the other. Curly—grinned.</p>
<p>And then Ranse furnished Curly with mounts and saddle and equipment, and turned
him over to Buck Rabb, instructing him to finish the job.</p>
<p>Three weeks later Ranse rode from the ranch into Rabb’s camp, which was
then in Snake Valley. The boys were saddling for the day’s ride. He
sought out Long Collins among them.</p>
<p>“How about that bronco?” he asked.</p>
<p>Long Collins grinned.</p>
<p>“Reach out your hand, Ranse Truesdell,” he said, “and
you’ll touch him. And you can shake his’n, too, if you like, for
he’s plumb white and there’s none better in no camp.”</p>
<p>Ranse looked again at the clear-faced, bronzed, smiling cowpuncher who stood at
Collins’s side. Could that be Curly? He held out his hand, and Curly
grasped it with the muscles of a bronco-buster.</p>
<p>“I want you at the ranch,” said Ranse.</p>
<p>“All right, sport,” said Curly, heartily. “But I want to come
back again. Say, pal, this is a dandy farm. And I don’t want any better
fun than hustlin’ cows with this bunch of guys. They’re all to the
merry-merry.”</p>
<p>At the Cibolo ranch-house they dismounted. Ranse bade Curly wait at the door of
the living room. He walked inside. Old “Kiowa” Truesdell was
reading at a table.</p>
<p>“Good-morning, Mr. Truesdell,” said Ranse.</p>
<p>The old man turned his white head quickly.</p>
<p>“How is this?” he began. “Why do you call me
‘Mr.—’?”</p>
<p>When he looked at Ranse’s face he stopped, and the hand that held his
newspaper shook slightly.</p>
<p>“Boy,” he said slowly, “how did you find it out?”</p>
<p>“It’s all right,” said Ranse, with a smile. “I made Tia
Juana tell me. It was kind of by accident, but it’s all right.”</p>
<p>“You’ve been like a son to me,” said old “Kiowa,”
trembling.</p>
<p>“Tia Juana told me all about it,” said Ranse. “She told me
how you adopted me when I was knee-high to a puddle duck out of a wagon train
of prospectors that was bound West. And she told me how the kid—your own
kid, you know—got lost or was run away with. And she said it was the same
day that the sheep-shearers got on a bender and left the ranch.”</p>
<p>“Our boy strayed from the house when he was two years old,” said
the old man. “And then along came those emigrant wagons with a youngster
they didn’t want; and we took you. I never intended you to know, Ranse.
We never heard of our boy again.”</p>
<p>“He’s right outside, unless I’m mighty mistaken,” said
Ranse, opening the door and beckoning.</p>
<p>Curly walked in.</p>
<p>No one could have doubted. The old man and the young had the same sweep of
hair, the same nose, chin, line of face, and prominent light-blue eyes.</p>
<p>Old “Kiowa” rose eagerly.</p>
<p>Curly looked about the room curiously. A puzzled expression came over his face.
He pointed to the wall opposite.</p>
<p>“Where’s the tick-tock?” he asked, absent-mindedly.</p>
<p>“The clock,” cried old “Kiowa” loudly. “The
eight-day clock used to stand there. Why—”</p>
<p>He turned to Ranse, but Ranse was not there.</p>
<p>Already a hundred yards away, Vaminos, the good flea-bitten dun, was bearing
him eastward like a racer through dust and chaparral towards the Rancho de los
Olmos.</p>
<h2><SPAN name="chap10"></SPAN>X<br/> CUPID À LA CARTE</h2>
<p>“The dispositions of woman,” said Jeff Peters, after various
opinions on the subject had been advanced, “run, regular, to diversions.
What a woman wants is what you’re out of. She wants more of a thing when
it’s scarce. She likes to have souvenirs of things that never happened.
She likes to be reminded of things she never heard of. A one-sided view of
objects is disjointing to the female composition.</p>
<p>“’Tis a misfortune of mine, begotten by nature and travel,”
continued Jeff, looking thoughtfully between his elevated feet at the grocery
stove, “to look deeper into some subjects than most people do. I’ve
breathed gasoline smoke talking to street crowds in nearly every town in the
United States. I’ve held ’em spellbound with music, oratory,
sleight of hand, and prevarications, while I’ve sold ’em jewelry,
medicine, soap, hair tonic, and junk of other nominations. And during my
travels, as a matter of recreation and expiation, I’ve taken cognisance
some of women. It takes a man a lifetime to find out about one particular
woman; but if he puts in, say, ten years, industrious and curious, he can
acquire the general rudiments of the sex. One lesson I picked up was when I was
working the West with a line of Brazilian diamonds and a patent fire kindler
just after my trip from Savannah down through the cotton belt with
Dalby’s Anti-explosive Lamp Oil Powder. ’Twas when the Oklahoma
country was in first bloom. Guthrie was rising in the middle of it like a lump
of self-raising dough. It was a boom town of the regular kind—you stood
in line to get a chance to wash your face; if you ate over ten minutes you had
a lodging bill added on; if you slept on a plank at night they charged it to
you as board the next morning.</p>
<p>“By nature and doctrines I am addicted to the habit of discovering choice
places wherein to feed. So I looked around and found a proposition that exactly
cut the mustard. I found a restaurant tent just opened up by an outfit that had
drifted in on the tail of the boom. They had knocked together a box house,
where they lived and did the cooking, and served the meals in a tent pitched
against the side. That tent was joyful with placards on it calculated to redeem
the world-worn pilgrim from the sinfulness of boarding houses and pick-me-up
hotels. ‘Try Mother’s Home-Made Biscuits,’
‘What’s the Matter with Our Apple Dumplings and Hard Sauce?’
‘Hot Cakes and Maple Syrup Like You Ate When a Boy,’ ‘Our
Fried Chicken Never Was Heard to Crow’— there was literature doomed
to please the digestions of man! I said to myself that mother’s wandering
boy should munch there that night. And so it came to pass. And there is where I
contracted my case of Mame Dugan.</p>
<p>“Old Man Dugan was six feet by one of Indiana loafer, and he spent his
time sitting on his shoulder blades in a rocking-chair in the shanty
memorialising the great corn-crop failure of ’96. Ma Dugan did the
cooking, and Mame waited on the table.</p>
<p>“As soon as I saw Mame I knew there was a mistake in the census reports.
There wasn’t but one girl in the United States. When you come to
specifications it isn’t easy. She was about the size of an angel, and she
had eyes, and ways about her. When you come to the kind of a girl she was,
you’ll find a belt of ’em reaching from the Brooklyn Bridge west as
far as the courthouse in Council Bluffs, Ia. They earn their own living in
stores, restaurants, factories, and offices. They’re chummy and honest
and free and tender and sassy, and they look life straight in the eye.
They’ve met man face to face, and discovered that he’s a poor
creature. They’ve dropped to it that the reports in the Seaside Library
about his being a fairy prince lack confirmation.</p>
<p>“Mame was that sort. She was full of life and fun, and breezy; she passed
the repartee with the boarders quick as a wink; you’d have smothered
laughing. I am disinclined to make excavations into the insides of a personal
affection. I am glued to the theory that the diversions and discrepancies of
the indisposition known as love should be as private a sentiment as a
toothbrush. ’Tis my opinion that the biographies of the heart should be
confined with the historical romances of the liver to the advertising pages of
the magazines. So, you’ll excuse the lack of an itemised bill of my
feelings toward Mame.</p>
<p>“Pretty soon I got a regular habit of dropping into the tent to eat at
irregular times when there wasn’t so many around. Mame would sail in with
a smile, in a black dress and white apron, and say: ‘Hello, Jeff
—why don’t you come at mealtime? Want to see how much trouble you
can be, of course.
Friedchickenbeefsteakporkchopshamandeggspotpie’—and so on. She
called me Jeff, but there was no significations attached. Designations was all
she meant. The front names of any of us she used as they came to hand.
I’d eat about two meals before I left, and string ’em out like a
society spread where they changed plates and wives, and josh one another
festively between bites. Mame stood for it, pleasant, for it wasn’t up to
her to take any canvas off the tent by declining dollars just because they were
whipped in after meal times.</p>
<p>“It wasn’t long until there was another fellow named Ed Collier got
the between-meals affliction, and him and me put in bridges between breakfast
and dinner, and dinner and supper, that made a three-ringed circus of that
tent, and Mame’s turn as waiter a continuous performance. That Collier
man was saturated with designs and contrivings. He was in well-boring or
insurance or claim-jumping, or something—I’ve forgotten which. He
was a man well lubricated with gentility, and his words were such as
recommended you to his point of view. So, Collier and me infested the grub tent
with care and activity. Mame was level full of impartiality. ’Twas like a
casino hand the way she dealt out her favours—one to Collier and one to
me and one to the board, and not a card up her sleeve.</p>
<p>“Me and Collier naturally got acquainted, and gravitated together some on
the outside. Divested of his stratagems, he seemed to be a pleasant chap, full
of an amiable sort of hostility.</p>
<p>“‘I notice you have an affinity for grubbing in the banquet hall
after the guests have fled,’ says I to him one day, to draw his
conclusions.</p>
<p>“‘Well, yes,’ says Collier, reflecting; ‘the tumult of
a crowded board seems to harass my sensitive nerves.’</p>
<p>“‘It exasperates mine some, too,’ says I. ‘Nice little
girl, don’t you think?’</p>
<p>“‘I see,’ says Collier, laughing. ‘Well, now that you
mention it, I have noticed that she doesn’t seem to displease the optic
nerve.’</p>
<p>“‘She’s a joy to mine,’ says I, ‘and I’m
going after her. Notice is hereby served.’</p>
<p>“‘I’ll be as candid as you,’ admits Collier, ‘and
if the drug stores don’t run out of pepsin I’ll give you a run for
your money that’ll leave you a dyspeptic at the wind-up.’</p>
<p>“So Collier and me begins the race; the grub department lays in new
supplies; Mame waits on us, jolly and kind and agreeable, and it looks like an
even break, with Cupid and the cook working overtime in Dugan’s
restaurant.</p>
<p>“’Twas one night in September when I got Mame to take a walk after
supper when the things were all cleared away. We strolled out a distance and
sat on a pile of lumber at the edge of town. Such opportunities was seldom, so
I spoke my piece, explaining how the Brazilian diamonds and the fire kindler
were laying up sufficient treasure to guarantee the happiness of two, and that
both of ’em together couldn’t equal the light from somebody’s
eyes, and that the name of Dugan should be changed to Peters, or reasons why
not would be in order.</p>
<p>“Mame didn’t say anything right away. Directly she gave a kind of
shudder, and I began to learn something.</p>
<p>“‘Jeff,’ she says, ‘I’m sorry you spoke. I like
you as well as any of them, but there isn’t a man in the world I’d
ever marry, and there never will be. Do you know what a man is in my eye?
He’s a tomb. He’s a sarcophagus for the interment of
Beafsteakporkchopsliver’nbaconham-andeggs. He’s that and nothing
more. For two years I’ve watched men eat, eat, eat, until they represent
nothing on earth to me but ruminant bipeds. They’re absolutely nothing
but something that goes in front of a knife and fork and plate at the table.
They’re fixed that way in my mind and memory. I’ve tried to
overcome it, but I can’t. I’ve heard girls rave about their
sweethearts, but I never could understand it. A man and a sausage grinder and a
pantry awake in me exactly the same sentiments. I went to a matinée once to see
an actor the girls were crazy about. I got interested enough to wonder whether
he liked his steak rare, medium, or well done, and his eggs over or straight
up. That was all. No, Jeff; I’ll marry no man and see him sit at the
breakfast table and eat, and come back to dinner and eat, and happen in again
at supper to eat, eat, eat.’</p>
<p>“‘But, Mame,’ says I, ‘it’ll wear off.
You’ve had too much of it. You’ll marry some time, of course. Men
don’t eat always.’</p>
<p>“‘As far as my observation goes, they do. No, I’ll tell you
what I’m going to do.’ Mame turns, sudden, to animation and bright
eyes. ‘There’s a girl named Susie Foster in Terre Haute, a chum of
mine. She waits in the railroad eating house there. I worked two years in a
restaurant in that town. Susie has it worse than I do, because the men who eat
at railroad stations gobble. They try to flirt and gobble at the same time.
Whew! Susie and I have it all planned out. We’re saving our money, and
when we get enough we’re going to buy a little cottage and five acres we
know of, and live together, and grow violets for the Eastern market. A man
better not bring his appetite within a mile of that ranch.’</p>
<p>“‘Don’t girls ever—’ I commenced, but Mame heads
me off, sharp.</p>
<p>“‘No, they don’t. They nibble a little bit sometimes;
that’s all.’</p>
<p>“‘I thought the confect—’</p>
<p>“‘For goodness’ sake, change the subject,’ says Mame.</p>
<p>“As I said before, that experience puts me wise that the feminine
arrangement ever struggles after deceptions and illusions. Take
England—beef made her; wieners elevated Germany; Uncle Sam owes his
greatness to fried chicken and pie, but the young ladies of the Shetalkyou
schools, they’ll never believe it. Shakespeare, they allow, and
Rubinstein, and the Rough Riders is what did the trick.</p>
<p>“’Twas a situation calculated to disturb. I couldn’t bear to
give up Mame; and yet it pained me to think of abandoning the practice of
eating. I had acquired the habit too early. For twenty-seven years I had been
blindly rushing upon my fate, yielding to the insidious lures of that deadly
monster, food. It was too late. I was a ruminant biped for keeps. It was
lobster salad to a doughnut that my life was going to be blighted by it.</p>
<p>“I continued to board at the Dugan tent, hoping that Mame would relent. I
had sufficient faith in true love to believe that since it has often outlived
the absence of a square meal it might, in time, overcome the presence of one. I
went on ministering to my fatal vice, although I felt that each time I shoved a
potato into my mouth in Mame’s presence I might be burying my fondest
hopes.</p>
<p>“I think Collier must have spoken to Mame and got the same answer, for
one day he orders a cup of coffee and a cracker, and sits nibbling the corner
of it like a girl in the parlour, that’s filled up in the kitchen,
previous, on cold roast and fried cabbage. I caught on and did the same, and
maybe we thought we’d made a hit! The next day we tried it again, and out
comes old man Dugan fetching in his hands the fairy viands.</p>
<p>“‘Kinder off yer feed, ain’t ye, gents?’ he asks,
fatherly and some sardonic. ‘Thought I’d spell Mame a bit,
seein’ the work was light, and my rheumatiz can stand the strain.’</p>
<p>“So back me and Collier had to drop to the heavy grub again. I noticed
about that time that I was seized by a most uncommon and devastating appetite.
I ate until Mame must have hated to see me darken the door. Afterward I found
out that I had been made the victim of the first dark and irreligious trick
played on me by Ed Collier. Him and me had been taking drinks together uptown
regular, trying to drown our thirst for food. That man had bribed about ten
bartenders to always put a big slug of Appletree’s Anaconda Appetite
Bitters in every one of my drinks. But the last trick he played me was hardest
to forget.</p>
<p>“One day Collier failed to show up at the tent. A man told me he left
town that morning. My only rival now was the bill of fare. A few days before he
left Collier had presented me with a two-gallon jug of fine whisky which he
said a cousin had sent him from Kentucky. I now have reason to believe that it
contained Appletree’s Anaconda Appetite Bitters almost exclusively. I
continued to devour tons of provisions. In Mame’s eyes I remained a mere
biped, more ruminant than ever.</p>
<p>“About a week after Collier pulled his freight there came a kind of
side-show to town, and hoisted a tent near the railroad. I judged it was a sort
of fake museum and curiosity business. I called to see Mame one night, and Ma
Dugan said that she and Thomas, her younger brother, had gone to the show. That
same thing happened for three nights that week. Saturday night I caught her on
the way coming back, and got to sit on the steps a while and talk to her. I
noticed she looked different. Her eyes were softer, and shiny like. Instead of
a Mame Dugan to fly from the voracity of man and raise violets, she seemed to
be a Mame more in line as God intended her, approachable, and suited to bask in
the light of the Brazilians and the Kindler.</p>
<p>“‘You seem to be right smart inveigled,’ says I, ‘with
the Unparalleled Exhibition of the World’s Living Curiosities and
Wonders.’</p>
<p>“‘It’s a change,’ says Mame.</p>
<p>“‘You’ll need another,’ says I, ‘if you keep on
going every night.’</p>
<p>“‘Don’t be cross, Jeff,’ says she; ‘it takes my
mind off business.’</p>
<p>“‘Don’t the curiosities eat?’ I ask.</p>
<p>“‘Not all of them. Some of them are wax.’</p>
<p>“‘Look out, then, that you don’t get stuck,’ says I,
kind of flip and foolish.</p>
<p>“Mame blushed. I didn’t know what to think about her. My hopes
raised some that perhaps my attentions had palliated man’s awful crime of
visibly introducing nourishment into his system. She talked some about the
stars, referring to them with respect and politeness, and I drivelled a
quantity about united hearts, homes made bright by true affection, and the
Kindler. Mame listened without scorn, and I says to myself, ‘Jeff, old
man, you’re removing the hoodoo that has clung to the consumer of
victuals; you’re setting your heel upon the serpent that lurks in the
gravy bowl.’</p>
<p>“Monday night I drop around. Mame is at the Unparalleled Exhibition with
Thomas.</p>
<p>“‘Now, may the curse of the forty-one seven-sided sea cooks,’
says I, ‘and the bad luck of the nine impenitent grasshoppers rest upon
this self-same sideshow at once and forever more. Amen. I’ll go to see it
myself to-morrow night and investigate its baleful charm. Shall man that was
made to inherit the earth be bereft of his sweetheart first by a knife and fork
and then by a ten-cent circus?’</p>
<p>“The next night before starting out for the exhibition tent I inquire and
find out that Mame is not at home. She is not at the circus with Thomas this
time, for Thomas waylays me in the grass outside of the grub tent with a scheme
of his own before I had time to eat supper.</p>
<p>“‘What’ll you give me, Jeff,’ says he, ‘if I tell
you something?’</p>
<p>“‘The value of it, son,’ I says.</p>
<p>“‘Sis is stuck on a freak,’ says Thomas, ‘one of the
side-show freaks. I don’t like him. She does. I overheard ’em
talking. Thought maybe you’d like to know. Say, Jeff, does it put you
wise two dollars’ worth? There’s a target rifle up town
that—’</p>
<p>“I frisked my pockets and commenced to dribble a stream of halves and
quarters into Thomas’s hat. The information was of the pile-driver system
of news, and it telescoped my intellects for a while. While I was leaking small
change and smiling foolish on the outside, and suffering disturbances
internally, I was saying, idiotically and pleasantly:</p>
<p>“‘Thank you, Thomas—thank you—er—a freak, you
said, Thomas. Now, could you make out the monstrosity’s entitlements a
little clearer, if you please, Thomas?’</p>
<p>“‘This is the fellow,’ says Thomas, pulling out a yellow
handbill from his pocket and shoving it under my nose. ‘He’s the
Champion Faster of the Universe. I guess that’s why Sis got soft on him.
He don’t eat nothing. He’s going to fast forty-nine days. This is
the sixth. That’s him.’</p>
<p>“I looked at the name Thomas pointed out—‘Professor Eduardo
Collieri.’ ‘Ah!’ says I, in admiration, ‘that’s
not so bad, Ed Collier. I give you credit for the trick. But I don’t give
you the girl until she’s Mrs. Freak.’</p>
<p>“I hit the sod in the direction of the show. I came up to the rear of the
tent, and, as I did so, a man wiggled out like a snake from under the bottom of
the canvas, scrambled to his feet, and ran into me like a locoed bronco. I
gathered him by the neck and investigated him by the light of the stars. It is
Professor Eduardo Collieri, in human habiliments, with a desperate look in one
eye and impatience in the other.</p>
<p>“‘Hello, Curiosity,’ says I. ‘Get still a minute and
let’s have a look at your freakship. How do you like being the
willopus-wallopus or the bim-bam from Borneo, or whatever name you are
denounced by in the side-show business?’</p>
<p>“‘Jeff Peters,’ says Collier, in a weak voice. ‘Turn me
loose, or I’ll slug you one. I’m in the extremest kind of a large
hurry. Hands off!’</p>
<p>“‘Tut, tut, Eddie,’ I answers, holding him hard; ‘let
an old friend gaze on the exhibition of your curiousness. It’s an eminent
graft you fell onto, my son. But don’t speak of assaults and battery,
because you’re not fit. The best you’ve got is a lot of nerve and a
mighty empty stomach.’ And so it was. The man was as weak as a vegetarian
cat.</p>
<p>“‘I’d argue this case with you, Jeff,’ says he,
regretful in his style, ‘for an unlimited number of rounds if I had half
an hour to train in and a slab of beefsteak two feet square to train with.
Curse the man, I say, that invented the art of going foodless. May his soul in
eternity be chained up within two feet of a bottomless pit of red-hot hash.
I’m abandoning the conflict, Jeff; I’m deserting to the enemy.
You’ll find Miss Dugan inside contemplating the only living mummy and the
informed hog. She’s a fine girl, Jeff. I’d have beat you out if I
could have kept up the grubless habit a little while longer. You’ll have
to admit that the fasting dodge was aces-up for a while. I figured it out that
way. But say, Jeff, it’s said that love makes the world go around. Let me
tell you, the announcement lacks verification. It’s the wind from the
dinner horn that does it. I love that Mame Dugan. I’ve gone six days
without food in order to coincide with her sentiments. Only one bite did I
have. That was when I knocked the tattooed man down with a war club and got a
sandwich he was gobbling. The manager fined me all my salary; but salary
wasn’t what I was after. ’Twas that girl. I’d give my life
for her, but I’d endanger my immortal soul for a beef stew. Hunger is a
horrible thing, Jeff. Love and business and family and religion and art and
patriotism are nothing but shadows of words when a man’s starving!’</p>
<p>“In such language Ed Collier discoursed to me, pathetic. I gathered the
diagnosis that his affections and his digestions had been implicated in a
scramble and the commissary had won out. I never disliked Ed Collier. I
searched my internal admonitions of suitable etiquette to see if I could find a
remark of a consoling nature, but there was none convenient.</p>
<p>“‘I’d be glad, now,’ says Ed, ‘if you’ll
let me go. I’ve been hard hit, but I’ll hit the ration supply
harder. I’m going to clean out every restaurant in town. I’m going
to wade waist deep in sirloins and swim in ham and eggs. It’s an awful
thing, Jeff Peters, for a man to come to this pass—to give up his girl
for something to eat—it’s worse than that man Esau, that swapped
his copyright for a partridge— but then, hunger’s a fierce thing.
You’ll excuse me, now, Jeff, for I smell a pervasion of ham frying in the
distance, and my legs are crying out to stampede in that direction.’</p>
<p>“‘A hearty meal to you, Ed Collier,’ I says to him,
‘and no hard feelings. For myself, I am projected to be an unseldom
eater, and I have condolence for your predicaments.’</p>
<p>“There was a sudden big whiff of frying ham smell on the breeze; and the
Champion Faster gives a snort and gallops off in the dark toward fodder.</p>
<p>“I wish some of the cultured outfit that are always advertising the
extenuating circumstances of love and romance had been there to see. There was
Ed Collier, a fine man full of contrivances and flirtations, abandoning the
girl of his heart and ripping out into the contiguous territory in the pursuit
of sordid grub. ’Twas a rebuke to the poets and a slap at the best-paying
element of fiction. An empty stomach is a sure antidote to an overfull heart.</p>
<p>“I was naturally anxious to know how far Mame was infatuated with Collier
and his stratagems. I went inside the Unparalleled Exhibition, and there she
was. She looked surprised to see me, but unguilty.</p>
<p>“‘It’s an elegant evening outside,’ says I. ‘The
coolness is quite nice and gratifying, and the stars are lined out, first
class, up where they belong. Wouldn’t you shake these by-products of the
animal kingdom long enough to take a walk with a common human who never was on
a programme in his life?’</p>
<p>“Mame gave a sort of sly glance around, and I knew what that meant.</p>
<p>“‘Oh,’ says I, ‘I hate to tell you; but the curiosity
that lives on wind has flew the coop. He just crawled out under the tent. By
this time he has amalgamated himself with half the delicatessen truck in
town.’</p>
<p>“‘You mean Ed Collier?’ says Mame.</p>
<p>“‘I do,’ I answers; ‘and a pity it is that he has gone
back to crime again. I met him outside the tent, and he exposed his intentions
of devastating the food crop of the world. ’Tis enormously sad when
one’s ideal descends from his pedestal to make a seventeen-year locust of
himself.’</p>
<p>“Mame looked me straight in the eye until she had corkscrewed my
reflections.</p>
<p>“‘Jeff,’ says she, ‘it isn’t quite like you to
talk that way. I don’t care to hear Ed Collier ridiculed. A man may do
ridiculous things, but they don’t look ridiculous to the girl he does
’em for. That was one man in a hundred. He stopped eating just to please
me. I’d be hard-hearted and ungrateful if I didn’t feel kindly
toward him. Could you do what he did?’</p>
<p>“‘I know,’ says I, seeing the point, ‘I’m
condemned. I can’t help it. The brand of the consumer is upon my brow.
Mrs. Eve settled that business for me when she made the dicker with the snake.
I fell from the fire into the frying-pan. I guess I’m the Champion
Feaster of the Universe.’ I spoke humble, and Mame mollified herself a
little.</p>
<p>“‘Ed Collier and I are good friends,’ she said, ‘the
same as me and you. I gave him the same answer I did you—no marrying for
me. I liked to be with Ed and talk with him. There was something mighty
pleasant to me in the thought that here was a man who never used a knife and
fork, and all for my sake.’</p>
<p>“‘Wasn’t you in love with him?’ I asks, all
injudicious. ‘Wasn’t there a deal on for you to become Mrs.
Curiosity?’</p>
<p>“All of us do it sometimes. All of us get jostled out of the line of
profitable talk now and then. Mame put on that little lemon <i>glacé</i> smile
that runs between ice and sugar, and says, much too pleasant:
‘You’re short on credentials for asking that question, Mr. Peters.
Suppose you do a forty-nine day fast, just to give you ground to stand on, and
then maybe I’ll answer it.’</p>
<p>“So, even after Collier was kidnapped out of the way by the revolt of his
appetite, my own prospects with Mame didn’t seem to be improved. And then
business played out in Guthrie.</p>
<p>“I had stayed too long there. The Brazilians I had sold commenced to show
signs of wear, and the Kindler refused to light up right frequent on wet
mornings. There is always a time, in my business, when the star of success
says, ‘Move on to the next town.’ I was travelling by wagon at that
time so as not to miss any of the small towns; so I hitched up a few days later
and went down to tell Mame good-bye. I wasn’t abandoning the game; I
intended running over to Oklahoma City and work it for a week or two. Then I
was coming back to institute fresh proceedings against Mame.</p>
<p>“What do I find at the Dugans’ but Mame all conspicuous in a blue
travelling dress, with her little trunk at the door. It seems that sister
Lottie Bell, who is a typewriter in Terre Haute, is going to be married next
Thursday, and Mame is off for a week’s visit to be an accomplice at the
ceremony. Mame is waiting for a freight wagon that is going to take her to
Oklahoma, but I condemns the freight wagon with promptness and scorn, and
offers to deliver the goods myself. Ma Dugan sees no reason why not, as Mr.
Freighter wants pay for the job; so, thirty minutes later Mame and I pull out
in my light spring wagon with white canvas cover, and head due south.</p>
<p>“That morning was of a praiseworthy sort. The breeze was lively, and
smelled excellent of flowers and grass, and the little cottontail rabbits
entertained themselves with skylarking across the road. My two Kentucky bays
went for the horizon until it come sailing in so fast you wanted to dodge it
like a clothesline. Mame was full of talk and rattled on like a kid about her
old home and her school pranks and the things she liked and the hateful ways of
those Johnson girls just across the street, ‘way up in Indiana. Not a
word was said about Ed Collier or victuals or such solemn subjects. About noon
Mame looks and finds that the lunch she had put up in a basket had been left
behind. I could have managed quite a collation, but Mame didn’t seem to
be grieving over nothing to eat, so I made no lamentations. It was a sore
subject with me, and I ruled provender in all its branches out of my
conversation.</p>
<p>“I am minded to touch light on explanations how I came to lose the way.
The road was dim and well grown with grass; and there was Mame by my side
confiscating my intellects and attention. The excuses are good or they are not,
as they may appear to you. But I lost it, and at dusk that afternoon, when we
should have been in Oklahoma City, we were seesawing along the edge of nowhere
in some undiscovered river bottom, and the rain was falling in large, wet
bunches. Down there in the swamps we saw a little log house on a small knoll of
high ground. The bottom grass and the chaparral and the lonesome timber crowded
all around it. It seemed to be a melancholy little house, and you felt sorry
for it. ’Twas that house for the night, the way I reasoned it. I
explained to Mame, and she leaves it to me to decide. She doesn’t become
galvanic and prosecuting, as most women would, but she says it’s all
right; she knows I didn’t mean to do it.</p>
<p>“We found the house was deserted. It had two empty rooms. There was a
little shed in the yard where beasts had once been kept. In a loft of it was a
lot of old hay. I put my horses in there and gave them some of it, for which
they looked at me sorrowful, expecting apologies. The rest of the hay I carried
into the house by armfuls, with a view to accommodations. I also brought in the
patent kindler and the Brazilians, neither of which are guaranteed against the
action of water.</p>
<p>“Mame and I sat on the wagon seats on the floor, and I lit a lot of the
kindler on the hearth, for the night was chilly. If I was any judge, that girl
enjoyed it. It was a change for her. It gave her a different point of view. She
laughed and talked, and the kindler made a dim light compared to her eyes. I
had a pocketful of cigars, and as far as I was concerned there had never been
any fall of man. We were at the same old stand in the Garden of Eden. Out there
somewhere in the rain and the dark was the river of Zion, and the angel with
the flaming sword had not yet put up the keep-off-the-grass sign. I opened up a
gross or two of the Brazilians and made Mame put them on—rings, brooches,
necklaces, eardrops, bracelets, girdles, and lockets. She flashed and sparkled
like a million-dollar princess until she had pink spots in her cheeks and
almost cried for a looking-glass.</p>
<p>“When it got late I made a fine bunk on the floor for Mame with the hay
and my lap robes and blankets out of the wagon, and persuaded her to lie down.
I sat in the other room burning tobacco and listening to the pouring rain and
meditating on the many vicissitudes that came to a man during the seventy years
or so immediately preceding his funeral.</p>
<p>“I must have dozed a little while before morning, for my eyes were shut,
and when I opened them it was daylight, and there stood Mame with her hair all
done up neat and correct, and her eyes bright with admiration of existence.</p>
<p>“‘Gee whiz, Jeff!’ she exclaims, ‘but I’m hungry.
I could eat a—’</p>
<p>“I looked up and caught her eye. Her smile went back in and she gave me a
cold look of suspicion. Then I laughed, and laid down on the floor to laugh
easier. It seemed funny to me. By nature and geniality I am a hearty laugher,
and I went the limit. When I came to, Mame was sitting with her back to me, all
contaminated with dignity.</p>
<p>“‘Don’t be angry, Mame,’ I says, ‘for I
couldn’t help it. It’s the funny way you’ve done up your
hair. If you could only see it!’</p>
<p>“‘You needn’t tell stories, sir,’ said Mame, cool and
advised. ‘My hair is all right. I know what you were laughing about. Why,
Jeff, look outside,’ she winds up, peeping through a chink between the
logs. I opened the little wooden window and looked out. The entire river bottom
was flooded, and the knob of land on which the house stood was an island in the
middle of a rushing stream of yellow water a hundred yards wide. And it was
still raining hard. All we could do was to stay there till the doves brought in
the olive branch.</p>
<p>“I am bound to admit that conversations and amusements languished during
that day. I was aware that Mame was getting a too prolonged one-sided view of
things again, but I had no way to change it. Personally, I was wrapped up in
the desire to eat. I had hallucinations of hash and visions of ham, and I kept
saying to myself all the time, ‘What’ll you have to eat,
Jeff?—what’ll you order now, old man, when the waiter comes?’
I picks out to myself all sorts of favourites from the bill of fare, and
imagines them coming. I guess it’s that way with all hungry men. They
can’t get their cogitations trained on anything but something to eat. It
shows that the little table with the broken-legged caster and the imitation
Worcester sauce and the napkin covering up the coffee stains is the paramount
issue, after all, instead of the question of immortality or peace between
nations.</p>
<p>“I sat there, musing along, arguing with myself quite heated as to how
I’d have my steak—with mushrooms, or <i>à la créole</i>. Mame was
on the other seat, pensive, her head leaning on her hand. ‘Let the
potatoes come home-fried,’ I states in my mind, ‘and brown the hash
in the pan, with nine poached eggs on the side.’ I felt, careful, in my
own pockets to see if I could find a peanut or a grain or two of popcorn.</p>
<p>“Night came on again with the river still rising and the rain still
falling. I looked at Mame and I noticed that desperate look on her face that a
girl always wears when she passes an ice-cream lair. I knew that poor girl was
hungry—maybe for the first time in her life. There was that anxious look
in her eye that a woman has only when she has missed a meal or feels her skirt
coming unfastened in the back.</p>
<p>“It was about eleven o’clock or so on the second night when we sat,
gloomy, in our shipwrecked cabin. I kept jerking my mind away from the subject
of food, but it kept flopping back again before I could fasten it. I thought of
everything good to eat I had ever heard of. I went away back to my kidhood and
remembered the hot biscuit sopped in sorghum and bacon gravy with partiality
and respect. Then I trailed along up the years, pausing at green apples and
salt, flapjacks and maple, lye hominy, fried chicken Old Virginia style, corn
on the cob, spareribs and sweet potato pie, and wound up with Georgia Brunswick
stew, which is the top notch of good things to eat, because it comprises
’em all.</p>
<p>“They say a drowning man sees a panorama of his whole life pass before
him. Well, when a man’s starving he sees the ghost of every meal he ever
ate set out before him, and he invents new dishes that would make the fortune
of a chef. If somebody would collect the last words of men who starved to
death, they’d have to sift ’em mighty fine to discover the
sentiment, but they’d compile into a cook book that would sell into the
millions.</p>
<p>“I guess I must have had my conscience pretty well inflicted with
culinary meditations, for, without intending to do so, I says, out loud, to the
imaginary waiter, ‘Cut it thick and have it rare, with the French fried,
and six, soft-scrambled, on toast.’</p>
<p>“Mame turned her head quick as a wing. Her eyes were sparkling and she
smiled sudden.</p>
<p>“‘Medium for me,’ she rattles out, ‘with the Juliennes,
and three, straight up. Draw one, and brown the wheats, double order to come.
Oh, Jeff, wouldn’t it be glorious! And then I’d like to have a half
fry, and a little chicken curried with rice, and a cup custard with ice cream,
and—’</p>
<p>“‘Go easy,’ I interrupts; ‘where’s the chicken
liver pie, and the kidney <i>sauté</i> on toast, and the roast lamb,
and—’</p>
<p>“‘Oh,’ cuts in Mame, all excited, ‘with mint sauce, and
the turkey salad, and stuffed olives, and raspberry tarts, and—’</p>
<p>“‘Keep it going,’ says I. ‘Hurry up with the fried
squash, and the hot corn pone with sweet milk, and don’t forget the apple
dumpling with hard sauce, and the cross-barred dew-berry pie—’</p>
<p>“Yes, for ten minutes we kept up that kind of restaurant repartee. We
ranges up and down and backward and forward over the main trunk lines and the
branches of the victual subject, and Mame leads the game, for she is apprised
in the ramifications of grub, and the dishes she nominates aggravates my
yearnings. It seems that there is a feeling that Mame will line up friendly
again with food. It seems that she looks upon the obnoxious science of eating
with less contempt than before.</p>
<p>“The next morning we find that the flood has subsided. I geared up the
bays, and we splashed out through the mud, some precarious, until we found the
road again. We were only a few miles wrong, and in two hours we were in
Oklahoma City. The first thing we saw was a big restaurant sign, and we piled
into there in a hurry. Here I finds myself sitting with Mame at table, with
knives and forks and plates between us, and she not scornful, but smiling with
starvation and sweetness.</p>
<p>“’Twas a new restaurant and well stocked. I designated a list of
quotations from the bill of fare that made the waiter look out toward the wagon
to see how many more might be coming.</p>
<p>“There we were, and there was the order being served. ’Twas a
banquet for a dozen, but we felt like a dozen. I looked across the table at
Mame and smiled, for I had recollections. Mame was looking at the table like a
boy looks at his first stem-winder. Then she looked at me, straight in the
face, and two big tears came in her eyes. The waiter was gone after more grub.</p>
<p>“‘Jeff,’ she says, soft like, ‘I’ve been a
foolish girl. I’ve looked at things from the wrong side. I never felt
this way before. Men get hungry every day like this, don’t they?
They’re big and strong, and they do the hard work of the world, and they
don’t eat just to spite silly waiter girls in restaurants, do they, Jeff?
You said once—that is, you asked me—you wanted me to—well,
Jeff, if you still care—I’d be glad and willing to have you always
sitting across the table from me. Now give me something to eat, quick,
please.’</p>
<p>“So, as I’ve said, a woman needs to change her point of view now
and then. They get tired of the same old sights—the same old dinner
table, washtub, and sewing machine. Give ’em a touch of the
various—a little travel and a little rest, a little tomfoolery along with
the tragedies of keeping house, a little petting after the blowing-up, a little
upsetting and a little jostling around—and everybody in the game will
have chips added to their stack by the play.”</p>
<h2><SPAN name="chap11"></SPAN>XI<br/> THE CABALLERO’S WAY</h2>
<p>The Cisco Kid had killed six men in more or less fair scrimmages, had murdered
twice as many (mostly Mexicans), and had winged a larger number whom he
modestly forbore to count. Therefore a woman loved him.</p>
<p>The Kid was twenty-five, looked twenty; and a careful insurance company would
have estimated the probable time of his demise at, say, twenty-six. His habitat
was anywhere between the Frio and the Rio Grande. He killed for the love of
it—because he was quick-tempered— to avoid arrest—for his own
amusement—any reason that came to his mind would suffice. He had escaped
capture because he could shoot five-sixths of a second sooner than any sheriff
or ranger in the service, and because he rode a speckled roan horse that knew
every cow-path in the mesquite and pear thickets from San Antonio to Matamoras.</p>
<p>Tonia Perez, the girl who loved the Cisco Kid, was half Carmen, half Madonna,
and the rest—oh, yes, a woman who is half Carmen and half Madonna can
always be something more—the rest, let us say, was humming-bird. She
lived in a grass-roofed <i>jacal</i> near a little Mexican settlement at the
Lone Wolf Crossing of the Frio. With her lived a father or grandfather, a
lineal Aztec, somewhat less than a thousand years old, who herded a hundred
goats and lived in a continuous drunken dream from drinking <i>mescal</i>. Back
of the <i>jacal</i> a tremendous forest of bristling pear, twenty feet high at
its worst, crowded almost to its door. It was along the bewildering maze of
this spinous thicket that the speckled roan would bring the Kid to see his
girl. And once, clinging like a lizard to the ridge-pole, high up under the
peaked grass roof, he had heard Tonia, with her Madonna face and Carmen beauty
and humming-bird soul, parley with the sheriff’s posse, denying knowledge
of her man in her soft <i>mélange</i> of Spanish and English.</p>
<p>One day the adjutant-general of the State, who is, <i>ex offico</i>, commander
of the ranger forces, wrote some sarcastic lines to Captain Duval of Company X,
stationed at Laredo, relative to the serene and undisturbed existence led by
murderers and desperadoes in the said captain’s territory.</p>
<p>The captain turned the colour of brick dust under his tan, and forwarded the
letter, after adding a few comments, per ranger Private Bill Adamson, to ranger
Lieutenant Sandridge, camped at a water hole on the Nueces with a squad of five
men in preservation of law and order.</p>
<p>Lieutenant Sandridge turned a beautiful <i>couleur de rose</i> through his
ordinary strawberry complexion, tucked the letter in his hip pocket, and chewed
off the ends of his gamboge moustache.</p>
<p>The next morning he saddled his horse and rode alone to the Mexican settlement
at the Lone Wolf Crossing of the Frio, twenty miles away.</p>
<p>Six feet two, blond as a Viking, quiet as a deacon, dangerous as a machine gun,
Sandridge moved among the <i>Jacales</i>, patiently seeking news of the Cisco
Kid.</p>
<p>Far more than the law, the Mexicans dreaded the cold and certain vengeance of
the lone rider that the ranger sought. It had been one of the Kid’s
pastimes to shoot Mexicans “to see them kick”: if he demanded from
them moribund Terpsichorean feats, simply that he might be entertained, what
terrible and extreme penalties would be certain to follow should they anger
him! One and all they lounged with upturned palms and shrugging shoulders,
filling the air with “<i>quien sabes</i>” and denials of the
Kid’s acquaintance.</p>
<p>But there was a man named Fink who kept a store at the Crossing—a man of
many nationalities, tongues, interests, and ways of thinking.</p>
<p>“No use to ask them Mexicans,” he said to Sandridge.
“They’re afraid to tell. This <i>hombre</i> they call the
Kid—Goodall is his name, ain’t it?—he’s been in my
store once or twice. I have an idea you might run across him at—but I
guess I don’t keer to say, myself. I’m two seconds later in pulling
a gun than I used to be, and the difference is worth thinking about. But this
Kid’s got a half-Mexican girl at the Crossing that he comes to see. She
lives in that <i>jacal</i> a hundred yards down the arroyo at the edge of the
pear. Maybe she—no, I don’t suppose she would, but that
<i>jacal</i> would be a good place to watch, anyway.”</p>
<p>Sandridge rode down to the <i>jacal</i> of Perez. The sun was low, and the
broad shade of the great pear thicket already covered the grass-thatched hut.
The goats were enclosed for the night in a brush corral near by. A few kids
walked the top of it, nibbling the chaparral leaves. The old Mexican lay upon a
blanket on the grass, already in a stupor from his mescal, and dreaming,
perhaps, of the nights when he and Pizarro touched glasses to their New World
fortunes—so old his wrinkled face seemed to proclaim him to be. And in
the door of the <i>jacal</i> stood Tonia. And Lieutenant Sandridge sat in his
saddle staring at her like a gannet agape at a sailorman.</p>
<p>The Cisco Kid was a vain person, as all eminent and successful assassins are,
and his bosom would have been ruffled had he known that at a simple exchange of
glances two persons, in whose minds he had been looming large, suddenly
abandoned (at least for the time) all thought of him.</p>
<p>Never before had Tonia seen such a man as this. He seemed to be made of
sunshine and blood-red tissue and clear weather. He seemed to illuminate the
shadow of the pear when he smiled, as though the sun were rising again. The men
she had known had been small and dark. Even the Kid, in spite of his
achievements, was a stripling no larger than herself, with black, straight hair
and a cold, marble face that chilled the noonday.</p>
<p>As for Tonia, though she sends description to the poorhouse, let her make a
millionaire of your fancy. Her blue-black hair, smoothly divided in the middle
and bound close to her head, and her large eyes full of the Latin melancholy,
gave her the Madonna touch. Her motions and air spoke of the concealed fire and
the desire to charm that she had inherited from the <i>gitanas</i> of the
Basque province. As for the humming-bird part of her, that dwelt in her heart;
you could not perceive it unless her bright red skirt and dark blue blouse gave
you a symbolic hint of the vagarious bird.</p>
<p>The newly lighted sun-god asked for a drink of water. Tonia brought it from the
red jar hanging under the brush shelter. Sandridge considered it necessary to
dismount so as to lessen the trouble of her ministrations.</p>
<p>I play no spy; nor do I assume to master the thoughts of any human heart; but I
assert, by the chronicler’s right, that before a quarter of an hour had
sped, Sandridge was teaching her how to plaint a six-strand rawhide stake-rope,
and Tonia had explained to him that were it not for her little English book
that the peripatetic <i>padre</i> had given her and the little crippled
<i>chivo</i>, that she fed from a bottle, she would be very, very lonely
indeed.</p>
<p>Which leads to a suspicion that the Kid’s fences needed repairing, and
that the adjutant-general’s sarcasm had fallen upon unproductive soil.</p>
<p>In his camp by the water hole Lieutenant Sandridge announced and reiterated his
intention of either causing the Cisco Kid to nibble the black loam of the Frio
country prairies or of haling him before a judge and jury. That sounded
business-like. Twice a week he rode over to the Lone Wolf Crossing of the Frio,
and directed Tonia’s slim, slightly lemon-tinted fingers among the
intricacies of the slowly growing lariata. A six-strand plait is hard to learn
and easy to teach.</p>
<p>The ranger knew that he might find the Kid there at any visit. He kept his
armament ready, and had a frequent eye for the pear thicket at the rear of the
<i>jacal</i>. Thus he might bring down the kite and the humming-bird with one
stone.</p>
<p>While the sunny-haired ornithologist was pursuing his studies the Cisco Kid was
also attending to his professional duties. He moodily shot up a saloon in a
small cow village on Quintana Creek, killed the town marshal (plugging him
neatly in the centre of his tin badge), and then rode away, morose and
unsatisfied. No true artist is uplifted by shooting an aged man carrying an
old-style .38 bulldog.</p>
<p>On his way the Kid suddenly experienced the yearning that all men feel when
wrong-doing loses its keen edge of delight. He yearned for the woman he loved
to reassure him that she was his in spite of it. He wanted her to call his
bloodthirstiness bravery and his cruelty devotion. He wanted Tonia to bring him
water from the red jar under the brush shelter, and tell him how the
<i>chivo</i> was thriving on the bottle.</p>
<p>The Kid turned the speckled roan’s head up the ten-mile pear flat that
stretches along the Arroyo Hondo until it ends at the Lone Wolf Crossing of the
Frio. The roan whickered; for he had a sense of locality and direction equal to
that of a belt-line street-car horse; and he knew he would soon be nibbling the
rich mesquite grass at the end of a forty-foot stake-rope while Ulysses rested
his head in Circe’s straw-roofed hut.</p>
<p>More weird and lonesome than the journey of an Amazonian explorer is the ride
of one through a Texas pear flat. With dismal monotony and startling variety
the uncanny and multiform shapes of the cacti lift their twisted trunks, and
fat, bristly hands to encumber the way. The demon plant, appearing to live
without soil or rain, seems to taunt the parched traveller with its lush grey
greenness. It warps itself a thousand times about what look to be open and
inviting paths, only to lure the rider into blind and impassable spine-defended
“bottoms of the bag,” leaving him to retreat, if he can, with the
points of the compass whirling in his head.</p>
<p>To be lost in the pear is to die almost the death of the thief on the cross,
pierced by nails and with grotesque shapes of all the fiends hovering about.</p>
<p>But it was not so with the Kid and his mount. Winding, twisting, circling,
tracing the most fantastic and bewildering trail ever picked out, the good roan
lessened the distance to the Lone Wolf Crossing with every coil and turn that
he made.</p>
<p>While they fared the Kid sang. He knew but one tune and sang it, as he knew but
one code and lived it, and but one girl and loved her. He was a single-minded
man of conventional ideas. He had a voice like a coyote with bronchitis, but
whenever he chose to sing his song he sang it. It was a conventional song of
the camps and trail, running at its beginning as near as may be to these words:</p>
<p class="poem">
Don’t you monkey with my Lulu girl<br/>
Or I’ll tell you what I’ll do—</p>
<p>and so on. The roan was inured to it, and did not mind.</p>
<p>But even the poorest singer will, after a certain time, gain his own consent to
refrain from contributing to the world’s noises. So the Kid, by the time
he was within a mile or two of Tonia’s <i>jacal</i>, had reluctantly
allowed his song to die away—not because his vocal performance had become
less charming to his own ears, but because his laryngeal muscles were aweary.</p>
<p>As though he were in a circus ring the speckled roan wheeled and danced through
the labyrinth of pear until at length his rider knew by certain landmarks that
the Lone Wolf Crossing was close at hand. Then, where the pear was thinner, he
caught sight of the grass roof of the <i>jacal</i> and the hackberry tree on
the edge of the arroyo. A few yards farther the Kid stopped the roan and gazed
intently through the prickly openings. Then he dismounted, dropped the
roan’s reins, and proceeded on foot, stooping and silent, like an Indian.
The roan, knowing his part, stood still, making no sound.</p>
<p>The Kid crept noiselessly to the very edge of the pear thicket and reconnoitred
between the leaves of a clump of cactus.</p>
<p>Ten yards from his hiding-place, in the shade of the <i>jacal</i>, sat his
Tonia calmly plaiting a rawhide lariat. So far she might surely escape
condemnation; women have been known, from time to time, to engage in more
mischievous occupations. But if all must be told, there is to be added that her
head reposed against the broad and comfortable chest of a tall red-and-yellow
man, and that his arm was about her, guiding her nimble fingers that required
so many lessons at the intricate six-strand plait.</p>
<p>Sandridge glanced quickly at the dark mass of pear when he heard a slight
squeaking sound that was not altogether unfamiliar. A gun-scabbard will make
that sound when one grasps the handle of a six-shooter suddenly. But the sound
was not repeated; and Tonia’s fingers needed close attention.</p>
<p>And then, in the shadow of death, they began to talk of their love; and in the
still July afternoon every word they uttered reached the ears of the Kid.</p>
<p>“Remember, then,” said Tonia, “you must not come again until
I send for you. Soon he will be here. A <i>vaquero</i> at the <i>tienda</i>
said to-day he saw him on the Guadalupe three days ago. When he is that near he
always comes. If he comes and finds you here he will kill you. So, for my sake,
you must come no more until I send you the word.”</p>
<p>“All right,” said the stranger. “And then what?”</p>
<p>“And then,” said the girl, “you must bring your men here and
kill him. If not, he will kill you.”</p>
<p>“He ain’t a man to surrender, that’s sure,” said
Sandridge. “It’s kill or be killed for the officer that goes up
against Mr. Cisco Kid.”</p>
<p>“He must die,” said the girl. “Otherwise there will not be
any peace in the world for thee and me. He has killed many. Let him so die.
Bring your men, and give him no chance to escape.”</p>
<p>“You used to think right much of him,” said Sandridge.</p>
<p>Tonia dropped the lariat, twisted herself around, and curved a lemon-tinted
arm over the ranger’s shoulder.</p>
<p>“But then,” she murmured in liquid Spanish, “I had not beheld
thee, thou great, red mountain of a man! And thou art kind and good, as well as
strong. Could one choose him, knowing thee? Let him die; for then I will not be
filled with fear by day and night lest he hurt thee or me.”</p>
<p>“How can I know when he comes?” asked Sandridge.</p>
<p>“When he comes,” said Tonia, “he remains two days, sometimes
three. Gregorio, the small son of old Luisa, the <i>lavendera</i>, has a swift
pony. I will write a letter to thee and send it by him, saying how it will be
best to come upon him. By Gregorio will the letter come. And bring many men
with thee, and have much care, oh, dear red one, for the rattlesnake is not
quicker to strike than is ‘<i>El Chivato</i>,’ as they call him, to
send a ball from his <i>pistola</i>.”</p>
<p>“The Kid’s handy with his gun, sure enough,” admitted
Sandridge, “but when I come for him I shall come alone. I’ll get
him by myself or not at all. The Cap wrote one or two things to me that make me
want to do the trick without any help. You let me know when Mr. Kid arrives,
and I’ll do the rest.”</p>
<p>“I will send you the message by the boy Gregorio,” said the girl.
“I knew you were braver than that small slayer of men who never smiles.
How could I ever have thought I cared for him?”</p>
<p>It was time for the ranger to ride back to his camp on the water hole. Before
he mounted his horse he raised the slight form of Tonia with one arm high from
the earth for a parting salute. The drowsy stillness of the torpid summer air
still lay thick upon the dreaming afternoon. The smoke from the fire in the
<i>jacal</i>, where the <i>frijoles</i> blubbered in the iron pot, rose
straight as a plumb-line above the clay-daubed chimney. No sound or movement
disturbed the serenity of the dense pear thicket ten yards away.</p>
<p>When the form of Sandridge had disappeared, loping his big dun down the steep
banks of the Frio crossing, the Kid crept back to his own horse, mounted him,
and rode back along the tortuous trail he had come.</p>
<p>But not far. He stopped and waited in the silent depths of the pear until half
an hour had passed. And then Tonia heard the high, untrue notes of his
unmusical singing coming nearer and nearer; and she ran to the edge of the pear
to meet him.</p>
<p>The Kid seldom smiled; but he smiled and waved his hat when he saw her. He
dismounted, and his girl sprang into his arms. The Kid looked at her fondly.
His thick, black hair clung to his head like a wrinkled mat. The meeting
brought a slight ripple of some undercurrent of feeling to his smooth, dark
face that was usually as motionless as a clay mask.</p>
<p>“How’s my girl?” he asked, holding her close.</p>
<p>“Sick of waiting so long for you, dear one,” she answered.
“My eyes are dim with always gazing into that devil’s pincushion
through which you come. And I can see into it such a little way, too. But you
are here, beloved one, and I will not scold. <i>Que mal muchacho!</i> not to
come to see your <i>alma</i> more often. Go in and rest, and let me water your
horse and stake him with the long rope. There is cool water in the jar for
you.”</p>
<p>The Kid kissed her affectionately.</p>
<p>“Not if the court knows itself do I let a lady stake my horse for
me,” said he. “But if you’ll run in, <i>chica</i>, and throw
a pot of coffee together while I attend to the <i>caballo</i>, I’ll be a
good deal obliged.”</p>
<p>Besides his marksmanship the Kid had another attribute for which he admired
himself greatly. He was <i>muy caballero</i>, as the Mexicans express it, where
the ladies were concerned. For them he had always gentle words and
consideration. He could not have spoken a harsh word to a woman. He might
ruthlessly slay their husbands and brothers, but he could not have laid the
weight of a finger in anger upon a woman. Wherefore many of that interesting
division of humanity who had come under the spell of his politeness declared
their disbelief in the stories circulated about Mr. Kid. One shouldn’t
believe everything one heard, they said. When confronted by their indignant men
folk with proof of the <i>caballero’s</i> deeds of infamy, they said
maybe he had been driven to it, and that he knew how to treat a lady, anyhow.</p>
<p>Considering this extremely courteous idiosyncrasy of the Kid and the pride he
took in it, one can perceive that the solution of the problem that was
presented to him by what he saw and heard from his hiding-place in the pear
that afternoon (at least as to one of the actors) must have been obscured by
difficulties. And yet one could not think of the Kid overlooking little matters
of that kind.</p>
<p>At the end of the short twilight they gathered around a supper of
<i>frijoles</i>, goat steaks, canned peaches, and coffee, by the light of a
lantern in the <i>jacal</i>. Afterward, the ancestor, his flock corralled,
smoked a cigarette and became a mummy in a grey blanket. Tonia washed the few
dishes while the Kid dried them with the flour-sacking towel. Her eyes shone;
she chatted volubly of the inconsequent happenings of her small world since the
Kid’s last visit; it was as all his other home-comings had been.</p>
<p>Then outside Tonia swung in a grass hammock with her guitar and sang sad
<i>canciones de amor</i>.</p>
<p>“Do you love me just the same, old girl?” asked the Kid, hunting
for his cigarette papers.</p>
<p>“Always the same, little one,” said Tonia, her dark eyes lingering
upon him.</p>
<p>“I must go over to Fink’s,” said the Kid, rising, “for
some tobacco. I thought I had another sack in my coat. I’ll be back in a
quarter of an hour.”</p>
<p>“Hasten,” said Tonia, “and tell me—how long shall I
call you my own this time? Will you be gone again to-morrow, leaving me to
grieve, or will you be longer with your Tonia?”</p>
<p>“Oh, I might stay two or three days this trip,” said the Kid,
yawning. “I’ve been on the dodge for a month, and I’d like to
rest up.”</p>
<p>He was gone half an hour for his tobacco. When he returned Tonia was still
lying in the hammock.</p>
<p>“It’s funny,” said the Kid, “how I feel. I feel like
there was somebody lying behind every bush and tree waiting to shoot me. I
never had mullygrubs like them before. Maybe it’s one of them
presumptions. I’ve got half a notion to light out in the morning before
day. The Guadalupe country is burning up about that old Dutchman I plugged down
there.”</p>
<p>“You are not afraid—no one could make my brave little one
fear.”</p>
<p>“Well, I haven’t been usually regarded as a jack-rabbit when it
comes to scrapping; but I don’t want a posse smoking me out when
I’m in your <i>jacal</i>. Somebody might get hurt that oughtn’t
to.”</p>
<p>“Remain with your Tonia; no one will find you here.”</p>
<p>The Kid looked keenly into the shadows up and down the arroyo and toward the
dim lights of the Mexican village.</p>
<p>“I’ll see how it looks later on,” was his decision.</p>
<p class="p2">
At midnight a horseman rode into the rangers’ camp, blazing his way by
noisy “halloes” to indicate a pacific mission. Sandridge and one or
two others turned out to investigate the row. The rider announced himself to be
Domingo Sales, from the Lone Wolf Crossing. he bore a letter for Señor
Sandridge. Old Luisa, the <i>lavendera</i>, had persuaded him to bring it, he
said, her son Gregorio being too ill of a fever to ride.</p>
<p>Sandridge lighted the camp lantern and read the letter. These were its words:</p>
<p class="letter">
<i>Dear One:</i> He has come. Hardly had you ridden away when he came out of
the pear. When he first talked he said he would stay three days or more. Then
as it grew later he was like a wolf or a fox, and walked about without rest,
looking and listening. Soon he said he must leave before daylight when it is
dark and stillest. And then he seemed to suspect that I be not true to him. He
looked at me so strange that I am frightened. I swear to him that I love him,
his own Tonia. Last of all he said I must prove to him I am true. He thinks
that even now men are waiting to kill him as he rides from my house. To escape
he says he will dress in my clothes, my red skirt and the blue waist I wear and
the brown mantilla over the head, and thus ride away. But before that he says
that I must put on his clothes, his <i>pantalones</i> and <i>camisa</i> and
hat, and ride away on his horse from the <i>jacal</i> as far as the big road
beyond the crossing and back again. This before he goes, so he can tell if I am
true and if men are hidden to shoot him. It is a terrible thing. An hour before
daybreak this is to be. Come, my dear one, and kill this man and take me for
your Tonia. Do not try to take hold of him alive, but kill him quickly. Knowing
all, you should do that. You must come long before the time and hide yourself
in the little shed near the <i>jacal</i> where the wagon and saddles are kept.
It is dark in there. He will wear my red skirt and blue waist and brown
mantilla. I send you a hundred kisses. Come surely and shoot quickly and
straight.</p>
<p class="right">
T<small>HINE</small> O<small>WN</small> T<small>ONIA</small>.</p>
<p>Sandridge quickly explained to his men the official part of the missive. The
rangers protested against his going alone.</p>
<p>“I’ll get him easy enough,” said the lieutenant. “The
girl’s got him trapped. And don’t even think he’ll get the
drop on me.”</p>
<p>Sandridge saddled his horse and rode to the Lone Wolf Crossing. He tied his big
dun in a clump of brush on the arroyo, took his Winchester from its scabbard,
and carefully approached the Perez <i>jacal</i>. There was only the half of a
high moon drifted over by ragged, milk-white gulf clouds.</p>
<p>The wagon-shed was an excellent place for ambush; and the ranger got inside it
safely. In the black shadow of the brush shelter in front of the <i>jacal</i>
he could see a horse tied and hear him impatiently pawing the hard-trodden
earth.</p>
<p>He waited almost an hour before two figures came out of the <i>jacal</i>. One,
in man’s clothes, quickly mounted the horse and galloped past the
wagon-shed toward the crossing and village. And then the other figure, in
skirt, waist, and mantilla over its head, stepped out into the faint moonlight,
gazing after the rider. Sandridge thought he would take his chance then before
Tonia rode back. He fancied she might not care to see it.</p>
<p>“Throw up your hands,” he ordered loudly, stepping out of the
wagon-shed with his Winchester at his shoulder.</p>
<p>There was a quick turn of the figure, but no movement to obey, so the ranger
pumped in the bullets—one—two—three—and then twice
more; for you never could be too sure of bringing down the Cisco Kid. There was
no danger of missing at ten paces, even in that half moonlight.</p>
<p>The old ancestor, asleep on his blanket, was awakened by the shots. Listening
further, he heard a great cry from some man in mortal distress or anguish, and
rose up grumbling at the disturbing ways of moderns.</p>
<p>The tall, red ghost of a man burst into the <i>jacal</i>, reaching one hand,
shaking like a <i>tule</i> reed, for the lantern hanging on its nail. The other
spread a letter on the table.</p>
<p>“Look at this letter, Perez,” cried the man. “Who wrote
it?”</p>
<p>“<i>Ah, Dios!</i> it is Señor Sandridge,” mumbled the old man,
approaching. “<i>Pues, señor</i>, that letter was written by ‘<i>El
Chivato</i>,’ as he is called—by the man of Tonia. They say he is a
bad man; I do not know. While Tonia slept he wrote the letter and sent it by
this old hand of mine to Domingo Sales to be brought to you. Is there anything
wrong in the letter? I am very old; and I did not know. <i>Valgame Dios!</i> it
is a very foolish world; and there is nothing in the house to drink—
nothing to drink.”</p>
<p>Just then all that Sandridge could think of to do was to go outside and throw
himself face downward in the dust by the side of his humming-bird, of whom not
a feather fluttered. He was not a <i>caballero</i> by instinct, and he could
not understand the niceties of revenge.</p>
<p>A mile away the rider who had ridden past the wagon-shed struck up a harsh,
untuneful song, the words of which began:</p>
<p class="poem">
Don’t you monkey with my Lulu girl<br/>
Or I’ll tell you what I’ll do—</p>
<h2><SPAN name="chap12"></SPAN>XII<br/> THE SPHINX APPLE</h2>
<p>Twenty miles out from Paradise, and fifteen miles short of Sunrise City, Bildad
Rose, the stage-driver, stopped his team. A furious snow had been falling all
day. Eight inches it measured now, on a level. The remainder of the road was
not without peril in daylight, creeping along the ribs of a bijou range of
ragged mountains. Now, when both snow and night masked its dangers, further
travel was not to be thought of, said Bildad Rose. So he pulled up his four
stout horses, and delivered to his five passengers oral deductions of his
wisdom.</p>
<p>Judge Menefee, to whom men granted leadership and the initiatory as upon a
silver salver, sprang from the coach at once. Four of his fellow-passengers
followed, inspired by his example, ready to explore, to objurgate, to resist,
to submit, to proceed, according as their prime factor might be inclined to
sway them. The fifth passenger, a young woman, remained in the coach.</p>
<p>Bildad had halted upon the shoulder of the first mountain spur. Two
rail-fences, ragged-black, hemmed the road. Fifty yards above the upper fence,
showing a dark blot in the white drifts, stood a small house. Upon this house
descended—or rather ascended—Judge Menefee and his cohorts with
boyish whoops born of the snow and stress. They called; they pounded at window
and door. At the inhospitable silence they waxed restive; they assaulted and
forced the pregnable barriers, and invaded the premises.</p>
<p>The watchers from the coach heard stumblings and shoutings from the interior of
the ravaged house. Before long a light within flickered, glowed, flamed high
and bright and cheerful. Then came running back through the driving flakes the
exuberant explorers. More deeply pitched than the clarion—even orchestral
in volume—the voice of Judge Menefee proclaimed the succour that lay in
apposition with their state of travail. The one room of the house was
uninhabited, he said, and bare of furniture; but it contained a great
fireplace, and they had discovered an ample store of chopped wood in a lean-to
at the rear. Housing and warmth against the shivering night were thus assured.
For the placation of Bildad Rose there was news of a stable, not ruined beyond
service, with hay in a loft, near the house.</p>
<p>“Gentlemen,” cried Bildad Rose from his seat, swathed in coats and
robes, “tear me down two panels of that fence, so I can drive in. That is
old man Redruth’s shanty. I thought we must be nigh it. They took him to
the foolish house in August.”</p>
<p>Cheerfully the four passengers sprang at the snow-capped rails. The exhorted
team tugged the coach up the slant to the door of the edifice from which a
mid-summer madness had ravished its proprietor. The driver and two of the
passengers began to unhitch. Judge Menefee opened the door of the coach, and
removed his hat.</p>
<p>“I have to announce, Miss Garland,” said he, “the enforced
suspension of our journey. The driver asserts that the risk in travelling the
mountain road by night is too great even to consider. It will be necessary to
remain in the shelter of this house until morning. I beg that you will feel
that there is nothing to fear beyond a temporary inconvenience. I have
personally inspected the house, and find that there are means to provide
against the rigour of the weather, at least. You shall be made as comfortable
as possible. Permit me to assist you to alight.”</p>
<p>To the Judge’s side came the passenger whose pursuit in life was the
placing of the Little Goliath windmill. His name was Dunwoody; but that matters
not much. In travelling merely from Paradise to Sunrise City one needs little
or no name. Still, one who would seek to divide honours with Judge Madison L.
Menefee deserves a cognomenal peg upon which Fame may hang a wreath. Thus
spake, loudly and buoyantly, the aerial miller:</p>
<p>“Guess you’ll have to climb out of the ark, Mrs. McFarland. This
wigwam isn’t exactly the Palmer House, but it turns snow, and they
won’t search your grip for souvenir spoons when you leave.
<i>We’ve</i> got a fire going; and <i>we’ll</i> fix you up with dry
Tilbys and keep the mice away, anyhow, all right, all right.”</p>
<p>One of the two passengers who were struggling in a <i>melée</i> of horses,
harness, snow, and the sarcastic injunctions of Bildad Rose, called loudly from
the whirl of his volunteer duties: “Say! some of you fellows get Miss
Solomon into the house, will you? Whoa, there! you confounded brute!”</p>
<p>Again must it be gently urged that in travelling from Paradise to Sunrise City
an accurate name is prodigality. When Judge Menefee— sanctioned to the
act by his grey hair and widespread repute—had introduced himself to the
lady passenger, she had, herself, sweetly breathed a name, in response, that
the hearing of the male passengers had variously interpreted. In the not
unjealous spirit of rivalry that eventuated, each clung stubbornly to his own
theory. For the lady passenger to have reasseverated or corrected would have
seemed didactic if not unduly solicitous of a specific acquaintance. Therefore
the lady passenger permitted herself to be Garlanded and McFarlanded and
Solomoned with equal and discreet complacency. It is thirty-five miles from
Paradise to Sunrise City. <i>Compagnon de voyage</i> is name enough, by the
gripsack of the Wandering Jew! for so brief a journey.</p>
<p>Soon the little party of wayfarers were happily seated in a cheerful arc before
the roaring fire. The robes, cushions, and removable portions of the coach had
been brought in and put to service. The lady passenger chose a place near the
hearth at one end of the arc. There she graced almost a throne that her
subjects had prepared. She sat upon cushions and leaned against an empty box
and barrel, robe bespread, which formed a defence from the invading draughts.
She extended her feet, delectably shod, to the cordial heat. She ungloved her
hands, but retained about her neck her long fur boa. The unstable flames half
revealed, while the warding boa half submerged, her face— a youthful
face, altogether feminine, clearly moulded and calm with beauty’s
unchallenged confidence. Chivalry and manhood were here vying to please and
comfort her. She seemed to accept their devoirs—not piquantly, as one
courted and attended; nor preeningly, as many of her sex unworthily reap their
honours; not yet stolidly, as the ox receives his hay; but concordantly with
nature’s own plan—as the lily ingests the drop of dew foreordained
to its refreshment.</p>
<p>Outside the wind roared mightily, the fine snow whizzed through the cracks, the
cold besieged the backs of the immolated six; but the elements did not lack a
champion that night. Judge Menefee was attorney for the storm. The weather was
his client, and he strove by special pleading to convince his companions in
that frigid jury-box that they sojourned in a bower of roses, beset only by
benignant zephyrs. He drew upon a fund of gaiety, wit, and anecdote,
sophistical, but crowned with success. His cheerfulness communicated itself
irresistibly. Each one hastened to contribute his own quota toward the general
optimism. Even the lady passenger was moved to expression.</p>
<p>“I think it is quite charming,” she said, in her slow, crystal
tones.</p>
<p>At intervals some one of the passengers would rise and humorously explore the
room. There was little evidence to be collected of its habitation by old man
Redruth.</p>
<p>Bildad Rose was called upon vivaciously for the ex-hermit’s history. Now,
since the stage-driver’s horses were fairly comfortable and his
passengers appeared to be so, peace and comity returned to him.</p>
<p>“The old didapper,” began Bildad, somewhat irreverently,
“infested this here house about twenty year. He never allowed nobody to
come nigh him. He’d duck his head inside and slam the door whenever a
team drove along. There was spinning-wheels up in his loft, all right. He used
to buy his groceries and tobacco at Sam Tilly’s store, on the Little
Muddy. Last August he went up there dressed in a red bedquilt, and told Sam he
was King Solomon, and that the Queen of Sheba was coming to visit him. He
fetched along all the money he had—a little bag full of silver—and
dropped it in Sam’s well. ‘She won’t come,’ says old
man Redruth to Sam, ‘if she knows I’ve got any money.’</p>
<p>“As soon as folks heard he had that sort of a theory about women and
money they knowed he was crazy; so they sent down and packed him to the foolish
asylum.”</p>
<p>“Was there a romance in his life that drove him to a solitary
existence?” asked one of the passengers, a young man who had an Agency.</p>
<p>“No,” said Bildad, “not that I ever heard spoke of. Just
ordinary trouble. They say he had had unfortunateness in the way of love
derangements with a young lady when he was young; before he contracted red
bed-quilts and had his financial conclusions disqualified. I never heard of no
romance.”</p>
<p>“Ah!” exclaimed Judge Menefee, impressively; “a case of
unrequited affection, no doubt.”</p>
<p>“No, sir,” returned Bildad, “not at all. She never married
him. Marmaduke Mulligan, down at Paradise, seen a man once that come from old
Redruth’s town. He said Redruth was a fine young man, but when you kicked
him on the pocket all you could hear jingle was a cuff-fastener and a bunch of
keys. He was engaged to this young lady—Miss Alice— something was
her name; I’ve forgot. This man said she was the kind of girl you like to
have reach across you in a car to pay the fare. Well, there come to the town a
young chap all affluent and easy, and fixed up with buggies and mining stock
and leisure time. Although she was a staked claim, Miss Alice and the new entry
seemed to strike a mutual kind of a clip. They had calls and coincidences of
going to the post office and such things as sometimes make a girl send back the
engagement ring and other presents—‘a rift within the loot,’
the poetry man calls it.</p>
<p>“One day folks seen Redruth and Miss Alice standing talking at the gate.
Then he lifts his hat and walks away, and that was the last anybody in that
town seen of him, as far as this man knew.”</p>
<p>“What about the young lady?” asked the young man who had an Agency.</p>
<p>“Never heard,” answered Bildad. “Right there is where my lode
of information turns to an old spavined crowbait, and folds its wings, for
I’ve pumped it dry.”</p>
<p>“A very sad—” began Judge Menefee, but his remark was
curtailed by a higher authority.</p>
<p>“What a charming story!” said the lady passenger, in flute-like
tones.</p>
<p>A little silence followed, except for the wind and the crackling of the fire.</p>
<p>The men were seated upon the floor, having slightly mitigated its inhospitable
surface with wraps and stray pieces of boards. The man who was placing Little
Goliath windmills arose and walked about to ease his cramped muscles.</p>
<p>Suddenly a triumphant shout came from him. He hurried back from a dusky corner
of the room, bearing aloft something in his hand. It was an apple—a
large, red-mottled, firm pippin, pleasing to behold. In a paper bag on a high
shelf in that corner he had found it. It could have been no relic of the
lovewrecked Redruth, for its glorious soundness repudiated the theory that it
had lain on that musty shelf since August. No doubt some recent bivouackers,
lunching in the deserted house, had left it there.</p>
<p>Dunwoody—again his exploits demand for him the honours of
nomenclature—flaunted his apple in the faces of his fellow-marooners.
“See what I found, Mrs. McFarland!” he cried, vaingloriously. He
held the apple high up in the light of the fire, where it glowed a still richer
red. The lady passenger smiled calmly—always calmly.</p>
<p>“What a charming apple!” she murmured, clearly.</p>
<p>For a brief space Judge Menefee felt crushed, humiliated, relegated. Second
place galled him. Why had this blatant, obtrusive, unpolished man of windmills
been selected by Fate instead of himself to discover the sensational apple? He
could have made of the act a scene, a function, a setting for some impromptu,
fanciful discourse or piece of comedy—and have retained the role of
cynosure. Actually, the lady passenger was regarding this ridiculous Dunboddy
or Woodbundy with an admiring smile, as if the fellow had performed a feat! And
the windmill man swelled and gyrated like a sample of his own goods, puffed up
with the wind that ever blows from the chorus land toward the domain of the
star.</p>
<p>While the transported Dunwoody, with his Aladdin’s apple, was receiving
the fickle attentions of all, the resourceful jurist formed a plan to recover
his own laurels.</p>
<p>With his courtliest smile upon his heavy but classic features, Judge Menefee
advanced, and took the apple, as if to examine it, from the hand of Dunwoody.
In his hand it became Exhibit A.</p>
<p>“A fine apple,” he said, approvingly. “Really, my dear Mr.
Dudwindy, you have eclipsed all of us as a forager. But I have an idea. This
apple shall become an emblem, a token, a symbol, a prize bestowed by the mind
and heart of beauty upon the most deserving.”</p>
<p>The audience, except one, applauded. “Good on the stump, ain’t
he?” commented the passenger who was nobody in particular to the young
man who had an Agency.</p>
<p>The unresponsive one was the windmill man. He saw himself reduced to the ranks.
Never would the thought have occurred to him to declare his apple an emblem. He
had intended, after it had been divided and eaten, to create diversion by
sticking the seeds against his forehead and naming them for young ladies of his
acquaintance. One he was going to name Mrs. McFarland. The seed that fell off
first would be—but ’twas too late now.</p>
<p>“The apple,” continued Judge Menefee, charging his jury, “in
modern days occupies, though undeservedly, a lowly place in our esteem. Indeed,
it is so constantly associated with the culinary and the commercial that it is
hardly to be classed among the polite fruits. But in ancient times this was not
so. Biblical, historical, and mythological lore abounds with evidences that the
apple was the aristocrat of fruits. We still say ‘the apple of the
eye’ when we wish to describe something superlatively precious. We find
in Proverbs the comparison to ‘apples of silver.’ No other product
of tree or vine has been so utilised in figurative speech. Who has not heard of
and longed for the ‘apples of the Hesperides’? I need not call your
attention to the most tremendous and significant instance of the apple’s
ancient prestige when its consumption by our first parents occasioned the fall
of man from his state of goodness and perfection.”</p>
<p>“Apples like them,” said the windmill man, lingering with the
objective article, “are worth $3.50 a barrel in the Chicago
market.”</p>
<p>“Now, what I have to propose,” said Judge Menefee, conceding an
indulgent smile to his interrupter, “is this: We must remain here,
perforce, until morning. We have wood in plenty to keep us warm. Our next need
is to entertain ourselves as best we can, in order that the time shall not pass
too slowly. I propose that we place this apple in the hands of Miss Garland. It
is no longer a fruit, but, as I said, a prize, in award, representing a great
human idea. Miss Garland, herself, shall cease to be an individual—but
only temporarily, I am happy to add”—(a low bow, full of the
old-time grace). “She shall represent her sex; she shall be the
embodiment, the epitome of womankind—the heart and brain, I may say, of
God’s masterpiece of creation. In this guise she shall judge and decide
the question which follows:</p>
<p>“But a few minutes ago our friend, Mr. Rose, favoured us with an
entertaining but fragmentary sketch of the romance in the life of the former
professor of this habitation. The few facts that we have learned seem to me to
open up a fascinating field for conjecture, for the study of human hearts, for
the exercise of the imagination—in short, for story-telling. Let us make
use of the opportunity. Let each one of us relate his own version of the story
of Redruth, the hermit, and his lady-love, beginning where Mr. Rose’s
narrative ends—at the parting of the lovers at the gate. This much should
be assumed and conceded—that the young lady was not necessarily to blame
for Redruth’s becoming a crazed and world-hating hermit. When we have
done, Miss Garland shall render the J<small>UDGEMENT OF</small>
W<small>OMAN</small>. As the Spirit of her Sex she shall decide which version
of the story best and most truly depicts human and love interest, and most
faithfully estimates the character and acts of Redruth’s betrothed
according to the feminine view. The apple shall be bestowed upon him who is
awarded the decision. If you are all agreed, we shall be pleased to hear the
first story from Mr. Dinwiddie.”</p>
<p>The last sentence captured the windmill man. He was not one to linger in the
dumps.</p>
<p>“That’s a first-rate scheme, Judge,” he said, heartily.
“Be a regular short-story vaudeville, won’t it? I used to be
correspondent for a paper in Springfield, and when there wasn’t any news
I faked it. Guess I can do my turn all right.”</p>
<p>“I think the idea is charming,” said the lady passenger, brightly.
“It will be almost like a game.”</p>
<p>Judge Menefee stepped forward and placed the apple in her hand impressively.</p>
<p>“In olden days,” he said, orotundly, “Paris awarded the
golden apple to the most beautiful.”</p>
<p>“I was at the Exposition,” remarked the windmill man, now cheerful
again, “but I never heard of it. And I was on the Midway, too, all the
time I wasn’t at the machinery exhibit.”</p>
<p>“But now,” continued the Judge, “the fruit shall translate to
us the mystery and wisdom of the feminine heart. Take the apple, Miss Garland.
Hear our modest tales of romance, and then award the prize as you may deem it
just.”</p>
<p>The lady passenger smiled sweetly. The apple lay in her lap beneath her robes
and wraps. She reclined against her protecting bulwark, brightly and cosily at
ease. But for the voices and the wind one might have listened hopefully to hear
her purr. Someone cast fresh logs upon the fire. Judge Menefee nodded suavely.
“Will you oblige us with the initial story?” he asked.</p>
<p>The windmill man sat as sits a Turk, with his hat well back on his head on
account of the draughts.</p>
<p>“Well,” he began, without any embarrassment, “this is about
the way I size up the difficulty: Of course Redruth was jostled a good deal by
this duck who had money to play ball with who tried to cut him out of his girl.
So he goes around, naturally, and asks her if the game is still square. Well,
nobody wants a guy cutting in with buggies and gold bonds when he’s got
an option on a girl. Well, he goes around to see her. Well, maybe he’s
hot, and talks like the proprietor, and forgets that an engagement ain’t
always a lead-pipe cinch. Well, I guess that makes Alice warm under the lacy
yoke. Well, she answers back sharp. Well, he—”</p>
<p>“Say!” interrupted the passenger who was nobody in particular,
“if you could put up a windmill on every one of them ‘wells’
you’re using, you’d be able to retire from business, wouldn’t
you?”</p>
<p>The windmill man grinned good-naturedly.</p>
<p>“Oh, I ain’t no <i>Guy de Mopassong</i>,” he said,
cheerfully. “I’m giving it to you in straight American. Well, she
says something like this: ‘Mr. Gold Bonds is only a friend,’ says
she; ‘but he takes me riding and buys me theatre tickets, and
that’s what you never do. Ain’t I to never have any pleasure in
life while I can?’ ‘Pass this chatfield-chatfield thing
along,’ says Redruth;—‘hand out the mitt to the Willie with
creases in it or you don’t put your slippers under my wardrobe.’</p>
<p>“Now that kind of train orders don’t go with a girl that’s
got any spirit. I bet that girl loved her honey all the time. Maybe she only
wanted, as girls do, to work the good thing for a little fun and caramels
before she settled down to patch George’s other pair, and be a good wife.
But he is glued to the high horse, and won’t come down. Well, she hands
him back the ring, proper enough; and George goes away and hits the booze. Yep.
That’s what done it. I bet that girl fired the cornucopia with the fancy
vest two days after her steady left. George boards a freight and checks his bag
of crackers for parts unknown. He sticks to Old Booze for a number of years;
and then the aniline and aquafortis gets the decision. ‘Me for the
hermit’s hut,’ says George, ‘and the long whiskers, and the
buried can of money that isn’t there.’</p>
<p>“But that Alice, in my mind, was on the level. She never married, but
took up typewriting as soon as the wrinkles began to show, and kept a cat that
came when you said ‘weeny—weeny—weeny!’ I got too much
faith in good women to believe they throw down the fellow they’re stuck
on every time for the dough.” The windmill man ceased.</p>
<p>“I think,” said the lady passenger, slightly moving upon her lowly
throne, “that that is a char—”</p>
<p>“Oh, Miss Garland!” interposed Judge Menefee, with uplifted hand,
“I beg of you, no comments! It would not be fair to the other
contestants. Mr.—er—will you take the next turn?” The Judge
addressed the young man who had the Agency.</p>
<p>“My version of the romance,” began the young man, diffidently
clasping his hands, “would be this: They did not quarrel when they
parted. Mr. Redruth bade her good-by and went out into the world to seek his
fortune. He knew his love would remain true to him. He scorned the thought that
his rival could make an impression upon a heart so fond and faithful. I would
say that Mr. Redruth went out to the Rocky Mountains in Wyoming to seek for
gold. One day a crew of pirates landed and captured him while at work,
and—”</p>
<p>“Hey! what’s that?” sharply called the passenger who was
nobody in particular—“a crew of pirates landed in the Rocky
Mountains! Will you tell us how they sailed—”</p>
<p>“Landed from a train,” said the narrator, quietly and not without
some readiness. “They kept him prisoner in a cave for months, and then
they took him hundreds of miles away to the forests of Alaska. There a
beautiful Indian girl fell in love with him, but he remained true to Alice.
After another year of wandering in the woods, he set out with the
diamonds—”</p>
<p>“What diamonds?” asked the unimportant passenger, almost with
acerbity.</p>
<p>“The ones the saddlemaker showed him in the Peruvian temple,” said
the other, somewhat obscurely. “When he reached home, Alice’s
mother led him, weeping, to a green mound under a willow tree. ‘Her heart
was broken when you left,’ said her mother. ‘And what of my
rival—of Chester McIntosh?’ asked Mr. Redruth, as he knelt sadly by
Alice’s grave. ‘When he found out,’ she answered, ‘that
her heart was yours, he pined away day by day until, at length, he started a
furniture store in Grand Rapids. We heard lately that he was bitten to death by
an infuriated moose near South Bend, Ind., where he had gone to try to forget
scenes of civilisation.’ With which, Mr. Redruth forsook the face of
mankind and became a hermit, as we have seen.</p>
<p>“My story,” concluded the young man with an Agency, “may lack
the literary quality; but what I wanted it to show is that the young lady
remained true. She cared nothing for wealth in comparison with true affection.
I admire and believe in the fair sex too much to think otherwise.”</p>
<p>The narrator ceased, with a sidelong glance at the corner where reclined the
lady passenger.</p>
<p>Bildad Rose was next invited by Judge Menefee to contribute his story in the
contest for the apple of judgment. The stage-driver’s essay was brief.</p>
<p>“I’m not one of them lobo wolves,” he said, “who are
always blaming on women the calamities of life. My testimony in regards to the
fiction story you ask for, Judge, will be about as follows: What ailed Redruth
was pure laziness. If he had up and slugged this Percival De Lacey that tried
to give him the outside of the road, and had kept Alice in the grape-vine swing
with the blind-bridle on, all would have been well. The woman you want is sure
worth taking pains for.</p>
<p>“‘Send for me if you want me again,’ says Redruth, and hoists
his Stetson, and walks off. He’d have called it pride, but the
nixycomlogical name for it is laziness. No woman don’t like to run after
a man. ‘Let him come back, hisself,’ says the girl; and I’ll
be bound she tells the boy with the pay ore to trot; and then spends her time
watching out the window for the man with the empty pocket-book and the tickly
moustache.</p>
<p>“I reckon Redruth waits about nine year expecting her to send him a note
by a nigger asking him to forgive her. But she don’t. ‘This game
won’t work,’ says Redruth; ‘then so won’t I.’ And
he goes in the hermit business and raises whiskers. Yes; laziness and whiskers
was what done the trick. They travel together. You ever hear of a man with long
whiskers and hair striking a bonanza? No. Look at the Duke of Marlborough and
this Standard Oil snoozer. Have they got ’em?</p>
<p>“Now, this Alice didn’t never marry, I’ll bet a hoss. If
Redruth had married somebody else she might have done so, too. But he never
turns up. She has these here things they call fond memories, and maybe a lock
of hair and a corset steel that he broke, treasured up. Them sort of articles
is as good as a husband to some women. I’d say she played out a lone
hand. I don’t blame no woman for old man Redruth’s abandonment of
barber shops and clean shirts.”</p>
<p>Next in order came the passenger who was nobody in particular. Nameless to us,
he travels the road from Paradise to Sunrise City.</p>
<p>But him you shall see, if the firelight be not too dim, as he responds to the
Judge’s call.</p>
<p>A lean form, in rusty-brown clothing, sitting like a frog, his arms wrapped
about his legs, his chin resting upon his knees. Smooth, oakum-coloured hair;
long nose; mouth like a satyr’s, with upturned, tobacco-stained corners.
An eye like a fish’s; a red necktie with a horseshoe pin. He began with a
rasping chuckle that gradually formed itself into words.</p>
<p>“Everybody wrong so far. What! a romance without any orange blossoms! Ho,
ho! My money on the lad with the butterfly tie and the certified checks in his
trouserings.</p>
<p>“Take ’em as they parted at the gate? All right. ‘You never
loved me,’ says Redruth, wildly, ‘or you wouldn’t speak to a
man who can buy you the ice-cream.’ ‘I hate him,’ says she.
‘I loathe his side-bar buggy; I despise the elegant cream bonbons he
sends me in gilt boxes covered with real lace; I feel that I could stab him to
the heart when he presents me with a solid medallion locket with turquoises and
pearls running in a vine around the border. Away with him! ’Tis only you
I love.’ ‘Back to the cosy corner!’ says Redruth. ‘Was
I bound and lettered in East Aurora? Get platonic, if you please. No jack-pots
for mine. Go and hate your friend some more. For me the Nickerson girl on
Avenue B, and gum, and a trolley ride.’</p>
<p>“Around that night comes John W. Croesus. ‘What! tears?’ says
he, arranging his pearl pin. ‘You have driven my lover away,’ says
little Alice, sobbing: ‘I hate the sight of you.’ ‘Marry me,
then,’ says John W., lighting a Henry Clay. ‘What!’ she cries
indignantly, ‘marry you! Never,’ she says, ‘until this blows
over, and I can do some shopping, and you see about the licence. There’s
a telephone next door if you want to call up the county clerk.’”</p>
<p>The narrator paused to give vent to his cynical chuckle.</p>
<p>“Did they marry?” he continued. “Did the duck swallow the
June-bug? And then I take up the case of Old Boy Redruth. There’s where
you are all wrong again, according to my theory. What turned him into a hermit?
One says laziness; one says remorse; one says booze. I say women did it. How
old is the old man now?” asked the speaker, turning to Bildad Rose.</p>
<p>“I should say about sixty-five.”</p>
<p>“All right. He conducted his hermit shop here for twenty years. Say he
was twenty-five when he took off his hat at the gate. That leaves twenty years
for him to account for, or else be docked. Where did he spend that ten and two
fives? I’ll give you my idea. Up for bigamy. Say there was the fat blonde
in Saint Jo, and the panatela brunette at Skillet Ridge, and the gold tooth
down in the Kaw valley. Redruth gets his cases mixed, and they send him up the
road. He gets out after they are through with him, and says: ‘Any line
for me except the crinoline. The hermit trade is not overdone, and the
stenographers never apply to ’em for work. The jolly hermit’s life
for me. No more long hairs in the comb or dill pickles lying around in the
cigar tray.’ You tell me they pinched old Redruth for the noodle villa
just because he said he was King Solomon? Figs! He <i>was</i> Solomon.
That’s all of mine. I guess it don’t call for any apples. Enclosed
find stamps. It don’t sound much like a prize winner.”</p>
<p>Respecting the stricture laid by Judge Menefee against comments upon the
stories, all were silent when the passenger who was nobody in particular had
concluded. And then the ingenious originator of the contest cleared his throat
to begin the ultimate entry for the prize. Though seated with small comfort
upon the floor, you might search in vain for any abatement of dignity in Judge
Menefee. The now diminishing firelight played softly upon his face, as clearly
chiselled as a Roman emperor’s on some old coin, and upon the thick waves
of his honourable grey hair.</p>
<p>“A woman’s heart!” he began, in even but thrilling
tones—“who can hope to fathom it? The ways and desires of men are
various. I think that the hearts of all women beat with the same rhythm, and to
the same old tune of love. Love, to a woman, means sacrifice. If she be worthy
of the name, no gold or rank will outweigh with her a genuine devotion.</p>
<p>“Gentlemen of the—er—I should say, my friends, the case of
Redruth <i>versus</i> love and affection has been called. Yet, who is on trial?
Not Redruth, for he has been punished. Not those immortal passions that clothe
our lives with the joy of the angels. Then who? Each man of us here to-night
stands at the bar to answer if chivalry or darkness inhabits his bosom. To
judge us sits womankind in the form of one of its fairest flowers. In her hand
she holds the prize, intrinsically insignificant, but worthy of our noblest
efforts to win as a guerdon of approval from so worthy a representative of
feminine judgment and taste.</p>
<p>“In taking up the imaginary history of Redruth and the fair being to whom
he gave his heart, I must, in the beginning, raise my voice against the
unworthy insinuation that the selfishness or perfidy or love of luxury of any
woman drove him to renounce the world. I have not found woman to be so
unspiritual or venal. We must seek elsewhere, among man’s baser nature
and lower motives for the cause.</p>
<p>“There was, in all probability, a lover’s quarrel as they stood at
the gate on that memorable day. Tormented by jealousy, young Redruth vanished
from his native haunts. But had he just cause to do so? There is no evidence
for or against. But there is something higher than evidence; there is the
grand, eternal belief in woman’s goodness, in her steadfastness against
temptation, in her loyalty even in the face of proffered riches.</p>
<p>“I picture to myself the rash lover, wandering, self-tortured, about the
world. I picture his gradual descent, and, finally, his complete despair when
he realises that he has lost the most precious gift life had to offer him. Then
his withdrawal from the world of sorrow and the subsequent derangement of his
faculties becomes intelligible.</p>
<p>“But what do I see on the other hand? A lonely woman fading away as the
years roll by; still faithful, still waiting, still watching for a form and
listening for a step that will come no more. She is old now. Her hair is white
and smoothly banded. Each day she sits at the door and gazes longingly down the
dusty road. In spirit she is waiting there at the gate, just as he left
her—his forever, but not here below. Yes; my belief in woman paints that
picture in my mind. Parted forever on earth, but waiting! She in anticipation
of a meeting in Elysium; he in the Slough of Despond.”</p>
<p>“I thought he was in the bughouse,” said the passenger who was
nobody in particular.</p>
<p>Judge Menefee stirred, a little impatiently. The men sat, drooping, in
grotesque attitudes. The wind had abated its violence; coming now in fitful,
virulent puffs. The fire had burned to a mass of red coals which shed but a dim
light within the room. The lady passenger in her cosy nook looked to be but a
formless dark bulk, crowned by a mass of coiled, sleek hair and showing but a
small space of snowy forehead above her clinging boa.</p>
<p>Judge Menefee got stiffly to his feet.</p>
<p>“And now, Miss Garland,” he announced, “we have concluded. It
is for you to award the prize to the one of us whose argument—especially,
I may say, in regard to his estimate of true womanhood—approaches nearest
to your own conception.”</p>
<p>No answer came from the lady passenger. Judge Menefee bent over solicitously.
The passenger who was nobody in particular laughed low and harshly. The lady
was sleeping sweetly. The Judge essayed to take her hand to awaken her. In
doing so he touched a small, cold, round, irregular something in her lap.</p>
<p>“She has eaten the apple,” announced Judge Menefee, in awed tones,
as he held up the core for them to see.</p>
<h2><SPAN name="chap13"></SPAN>XIII<br/> THE MISSING CHORD</h2>
<p>I stopped overnight at the sheep-ranch of Rush Kinney, on the Sandy Fork of the
Nueces. Mr. Kinney and I had been strangers up to the time when I called
“Hallo!” at his hitching-rack; but from that moment until my
departure on the next morning we were, according to the Texas code, undeniable
friends.</p>
<p>After supper the ranchman and I lugged our chairs outside the two-room house,
to its floorless gallery roofed with chaparral and sacuista grass. With the
rear legs of our chairs sinking deep into the hardpacked loam, each of us
reposed against an elm pillar of the structure and smoked El Toro tobacco,
while we wrangled amicably concerning the affairs of the rest of the world.</p>
<p>As for conveying adequate conception of the engaging charm of that prairie
evening, despair waits upon it. It is a bold chronicler who will undertake the
description of a Texas night in the early spring. An inventory must suffice.</p>
<p>The ranch rested upon the summit of a lenient slope. The ambient prairie,
diversified by arroyos and murky patches of brush and pear, lay around us like
a darkened bowl at the bottom of which we reposed as dregs. Like a turquoise
cover the sky pinned us there. The miraculous air, heady with ozone and made
memorably sweet by leagues of wild flowerets, gave tang and savour to the
breath. In the sky was a great, round, mellow searchlight which we knew to be
no moon, but the dark lantern of summer, who came to hunt northward the
cowering spring. In the nearest corral a flock of sheep lay silent until a
groundless panic would send a squad of them huddling together with a drumming
rush. For other sounds a shrill family of coyotes yapped beyond the
shearing-pen, and whippoorwills twittered in the long grass. But even these
dissonances hardly rippled the clear torrent of the mocking-birds’ notes
that fell from a dozen neighbouring shrubs and trees. It would not have been
preposterous for one to tiptoe and essay to touch the stars, they hung so
bright and imminent.</p>
<p>Mr. Kinney’s wife, a young and capable woman, we had left in the house.
She remained to busy herself with the domestic round of duties, in which I had
observed that she seemed to take a buoyant and contented pride. In one room we
had supped. Presently, from the other, as Kinney and I sat without, there burst
a volume of sudden and brilliant music. If I could justly estimate the art of
piano-playing, the construer of that rollicking fantasia had creditably
mastered the secrets of the keyboard. A piano, and one so well played, seemed
to me to be an unusual thing to find in that small and unpromising ranch-house.
I must have looked my surprise at Rush Kinney, for he laughed in his soft,
Southern way, and nodded at me through the moonlit haze of our cigarettes.</p>
<p>“You don’t often hear as agreeable a noise as that on a
sheep-ranch,” he remarked; “but I never see any reason for not
playing up to the arts and graces just because we happen to live out in the
brush. It’s a lonesome life for a woman; and if a little music can make
it any better, why not have it? That’s the way I look at it.”</p>
<p>“A wise and generous theory,” I assented. “And Mrs. Kinney
plays well. I am not learned in the science of music, but I should call her an
uncommonly good performer. She has technic and more than ordinary power.”</p>
<p>The moon was very bright, you will understand, and I saw upon Kinney’s
face a sort of amused and pregnant expression, as though there were things
behind it that might be expounded.</p>
<p>“You came up the trail from the Double-Elm Fork,” he said
promisingly. “As you crossed it you must have seen an old deserted
<i>jacal</i> to your left under a comma mott.”</p>
<p>“I did,” said I. “There was a drove of <i>javalis</i> rooting
around it. I could see by the broken corrals that no one lived there.”</p>
<p>“That’s where this music proposition started,” said Kinney.
“I don’t mind telling you about it while we smoke. That’s
where old Cal Adams lived. He had about eight hundred graded merinos and a
daughter that was solid silk and as handsome as a new stake-rope on a
thirty-dollar pony. And I don’t mind telling you that I was guilty in the
second degree of hanging around old Cal’s ranch all the time I could
spare away from lambing and shearing. Miss Marilla was her name; and I had
figured it out by the rule of two that she was destined to become the
chatelaine and lady superior of Rancho Lomito, belonging to R. Kinney, Esq.,
where you are now a welcome and honoured guest.</p>
<p>“I will say that old Cal wasn’t distinguished as a sheepman. He was
a little, old stoop-shouldered <i>hombre</i> about as big as a gun scabbard,
with scraggy white whiskers, and condemned to the continuous use of language.
Old Cal was so obscure in his chosen profession that he wasn’t even hated
by the cowmen. And when a sheepman don’t get eminent enough to acquire
the hostility of the cattlemen, he is mighty apt to die unwept and considerably
unsung.</p>
<p>“But that Marilla girl was a benefit to the eye. And she was the most
elegant kind of a housekeeper. I was the nearest neighbour, and I used to ride
over to the Double-Elm anywhere from nine to sixteen times a week with fresh
butter or a quarter of venison or a sample of new sheep-dip just as a frivolous
excuse to see Marilla. Marilla and me got to be extensively inveigled with each
other, and I was pretty sure I was going to get my rope around her neck and
lead her over to the Lomito. Only she was so everlastingly permeated with
filial sentiments toward old Cal that I never could get her to talk about
serious matters.</p>
<p>“You never saw anybody in your life that was as full of knowledge and had
less sense than old Cal. He was advised about all the branches of information
contained in learning, and he was up to all the rudiments of doctrines and
enlightenment. You couldn’t advance him any ideas on any of the parts of
speech or lines of thought. You would have thought he was a professor of the
weather and politics and chemistry and natural history and the origin of
derivations. Any subject you brought up old Cal could give you an abundant
synopsis of it from the Greek root up to the time it was sacked and on the
market.</p>
<p>“One day just after the fall shearing I rides over to the Double-Elm with
a lady’s magazine about fashions for Marilla and a scientific paper for
old Cal.</p>
<p>“While I was tying my pony to a mesquite, out runs Marilla,
‘tickled to death’ with some news that couldn’t wait.</p>
<p>“‘Oh, Rush,’ she says, all flushed up with esteem and
gratification, ‘what do you think! Dad’s going to buy me a piano.
Ain’t it grand? I never dreamed I’d ever have one.”</p>
<p>“‘It’s sure joyful,’ says I. ‘I always admired
the agreeable uproar of a piano. It’ll be lots of company for you.
That’s mighty good of Uncle Cal to do that.’</p>
<p>“‘I’m all undecided,’ says Marilla, ‘between a
piano and an organ. A parlour organ is nice.’</p>
<p>“‘Either of ’em,’ says I, ‘is first-class for
mitigating the lack of noise around a sheep-ranch. For my part,’ I says,
‘I shouldn’t like anything better than to ride home of an evening
and listen to a few waltzes and jigs, with somebody about your size sitting on
the piano-stool and rounding up the notes.’</p>
<p>“‘Oh, hush about that,’ says Marilla, ‘and go on in the
house. Dad hasn’t rode out to-day. He’s not feeling well.’</p>
<p>“Old Cal was inside, lying on a cot. He had a pretty bad cold and cough.
I stayed to supper.</p>
<p>“‘Going to get Marilla a piano, I hear,’ says I to him.</p>
<p>“‘Why, yes, something of the kind, Rush,’ says he.
‘She’s been hankering for music for a long spell; and I allow to
fix her up with something in that line right away. The sheep sheared six pounds
all round this fall; and I’m going to get Marilla an instrument if it
takes the price of the whole clip to do it.’</p>
<p>“‘<i>Star wayno</i>,’ says I. ‘The little girl deserves
it.’</p>
<p>“‘I’m going to San Antone on the last load of wool,’
says Uncle Cal, ‘and select an instrument for her myself.’</p>
<p>“‘Wouldn’t it be better,’ I suggests, ‘to take
Marilla along and let her pick out one that she likes?’</p>
<p>“I might have known that would set Uncle Cal going. Of course, a man like
him, that knew everything about everything, would look at that as a reflection
on his attainments.</p>
<p>“‘No, sir, it wouldn’t,’ says he, pulling at his white
whiskers. ‘There ain’t a better judge of musical instruments in the
whole world than what I am. I had an uncle,’ says he, ‘that was a
partner in a piano-factory, and I’ve seen thousands of ’em put
together. I know all about musical instruments from a pipe-organ to a
corn-stalk fiddle. There ain’t a man lives, sir, that can tell me any
news about any instrument that has to be pounded, blowed, scraped, grinded,
picked, or wound with a key.’</p>
<p>“‘You get me what you like, dad,’ says Marilla, who
couldn’t keep her feet on the floor from joy. ‘Of course you know
what to select. I’d just as lief it was a piano or a organ or
what.’</p>
<p>“‘I see in St. Louis once what they call a orchestrion,’ says
Uncle Cal, ‘that I judged was about the finest thing in the way of music
ever invented. But there ain’t room in this house for one. Anyway, I
imagine they’d cost a thousand dollars. I reckon something in the piano
line would suit Marilla the best. She took lessons in that respect for two
years over at Birdstail. I wouldn’t trust the buying of an instrument to
anybody else but myself. I reckon if I hadn’t took up sheep-raising
I’d have been one of the finest composers or piano-and-organ
manufacturers in the world.’</p>
<p>“That was Uncle Cal’s style. But I never lost any patience with
him, on account of his thinking so much of Marilla. And she thought just as
much of him. He sent her to the academy over at Birdstail for two years when it
took nearly every pound of wool to pay the expenses.</p>
<p>“Along about Tuesday Uncle Cal put out for San Antone on the last
wagonload of wool. Marilla’s uncle Ben, who lived in Birdstail, come over
and stayed at the ranch while Uncle Cal was gone.</p>
<p>“It was ninety miles to San Antone, and forty to the nearest
railroad-station, so Uncle Cal was gone about four days. I was over at the
Double-Elm when he came rolling back one evening about sundown. And up there in
the wagon, sure enough, was a piano or a organ—we couldn’t tell
which—all wrapped up in woolsacks, with a wagon-sheet tied over it in
case of rain. And out skips Marilla, hollering, ‘Oh, oh!’ with her
eyes shining and her hair a-flying. ‘Dad—dad,’ she sings out,
‘have you brought it—have you brought it?’—and it right
there before her eyes, as women will do.</p>
<p>“‘Finest piano in San Antone,’ says Uncle Cal, waving his
hand, proud. ‘Genuine rosewood, and the finest, loudest tone you ever
listened to. I heard the storekeeper play it, and I took it on the spot and
paid cash down.’</p>
<p>“Me and Ben and Uncle Cal and a Mexican lifted it out of the wagon and
carried it in the house and set it in a corner. It was one of them upright
instruments, and not very heavy or very big.</p>
<p>“And then all of a sudden Uncle Cal flops over and says he’s mighty
sick. He’s got a high fever, and he complains of his lungs. He gets into
bed, while me and Ben goes out to unhitch and put the horses in the pasture,
and Marilla flies around to get Uncle Cal something hot to drink. But first she
puts both arms on that piano and hugs it with a soft kind of a smile, like you
see kids doing with their Christmas toys.</p>
<p>“When I came in from the pasture, Marilla was in the room where the piano
was. I could see by the strings and woolsacks on the floor that she had had it
unwrapped. But now she was tying the wagon-sheet over it again, and there was a
kind of solemn, whitish look on her face.</p>
<p>“‘Ain’t wrapping up the music again, are you, Marilla?’
I asks. ‘What’s the matter with just a couple of tunes for to see
how she goes under the saddle?’</p>
<p>“‘Not to-night, Rush,’ says she. ‘I don’t want to
play any to-night. Dad’s too sick. Just think, Rush, he paid three
hundred dollars for it —nearly a third of what the wool-clip
brought!’</p>
<p>“‘Well, it ain’t anyways in the neighbourhood of a third of
what you are worth,’ I told her. ‘And I don’t think Uncle Cal
is too sick to hear a little agitation of the piano-keys just to christen the
machine.</p>
<p>“‘Not to-night, Rush,’ says Marilla, in a way that she had
when she wanted to settle things.</p>
<p>“But it seems that Uncle Cal was plenty sick, after all. He got so bad
that Ben saddled up and rode over to Birdstail for Doc Simpson. I stayed around
to see if I’d be needed for anything.</p>
<p>“When Uncle Cal’s pain let up on him a little he called Marilla and
says to her: ‘Did you look at your instrument, honey? And do you like
it?’</p>
<p>“‘It’s lovely, dad,’ says she, leaning down by his
pillow; ‘I never saw one so pretty. How dear and good it was of you to
buy it for me!’</p>
<p>“‘I haven’t heard you play on it any yet,’ says Uncle
Cal; ‘and I’ve been listening. My side don’t hurt quite so
bad now—won’t you play a piece, Marilla?’</p>
<p>“But no; she puts Uncle Cal off and soothes him down like you’ve
seen women do with a kid. It seems she’s made up her mind not to touch
that piano at present.</p>
<p>“When Doc Simpson comes over he tells us that Uncle Cal has pneumonia the
worst kind; and as the old man was past sixty and nearly on the lift anyhow,
the odds was against his walking on grass any more.</p>
<p>“On the fourth day of his sickness he calls for Marilla again and wants
to talk piano. Doc Simpson was there, and so was Ben and Mrs. Ben, trying to do
all they could.</p>
<p>“‘I’d have made a wonderful success in anything connected
with music,’ says Uncle Cal. ‘I got the finest instrument for the
money in San Antone. Ain’t that piano all right in every respect,
Marilla?’</p>
<p>“‘It’s just perfect, dad,’ says she. ‘It’s
got the finest tone I ever heard. But don’t you think you could sleep a
little while now, dad?’</p>
<p>“‘No, I don’t,’ says Uncle Cal. ‘I want to hear
that piano. I don’t believe you’ve even tried it yet. I went all
the way to San Antone and picked it out for you myself. It took a third of the
fall clip to buy it; but I don’t mind that if it makes my good girl
happier. Won’t you play a little bit for dad, Marilla?’</p>
<p>“Doc Simpson beckoned Marilla to one side and recommended her to do what
Uncle Cal wanted, so it would get him quieted. And her uncle Ben and his wife
asked her, too.</p>
<p>“‘Why not hit out a tune or two with the soft pedal on?’ I
asks Marilla. ‘Uncle Cal has begged you so often. It would please him a
good deal to hear you touch up the piano he’s bought for you. Don’t
you think you might?’</p>
<p>“But Marilla stands there with big tears rolling down from her eyes and
says nothing. And then she runs over and slips her arm under Uncle Cal’s
neck and hugs him tight.</p>
<p>“‘Why, last night, dad,’ we heard her say, ‘I played it
ever so much. Honest—I have been playing it. And it’s such a
splendid instrument, you don’t know how I love it. Last night I played
“Bonnie Dundee” and the “Anvil Polka” and the
“Blue Danube”—and lots of pieces. You must surely have heard
me playing a little, didn’t you, dad? I didn’t like to play loud
when you was so sick.’</p>
<p>“‘Well, well,’ says Uncle Cal, ‘maybe I did. Maybe I
did and forgot about it. My head is a little cranky at times. I heard the man
in the store play it fine. I’m mighty glad you like it, Marilla. Yes, I
believe I could go to sleep a while if you’ll stay right beside me till I
do.’</p>
<p>“There was where Marilla had me guessing. Much as she thought of that old
man, she wouldn’t strike a note on that piano that he’d bought her.
I couldn’t imagine why she told him she’d been playing it, for the
wagon-sheet hadn’t ever been off of it since she put it back on the same
day it come. I knew she could play a little anyhow, for I’d once heard
her snatch some pretty fair dance-music out of an old piano at the Charco Largo
Ranch.</p>
<p>“Well, in about a week the pneumonia got the best of Uncle Cal. They had
the funeral over at Birdstail, and all of us went over. I brought Marilla back
home in my buckboard. Her uncle Ben and his wife were going to stay there a few
days with her.</p>
<p>“That night Marilla takes me in the room where the piano was, while the
others were out on the gallery.</p>
<p>“‘Come here, Rush,’ says she; ‘I want you to see this
now.’</p>
<p>“She unties the rope, and drags off the wagon-sheet.</p>
<p>“If you ever rode a saddle without a horse, or fired off a gun that
wasn’t loaded, or took a drink out of an empty bottle, why, then you
might have been able to scare an opera or two out of the instrument Uncle Cal
had bought.</p>
<p>“Instead of a piano, it was one of the machines they’ve invented to
play the piano with. By itself it was about as musical as the holes of a flute
without the flute.</p>
<p>“And that was the piano that Uncle Cal had selected; and standing by it
was the good, fine, all-wool girl that never let him know it.</p>
<p>“And what you heard playing a while ago,” concluded Mr. Kinney,
“was that same deputy-piano machine; only just at present it’s
shoved up against a six-hundred-dollar piano that I bought for Marilla as soon
as we was married.”</p>
<h2><SPAN name="chap14"></SPAN>XIV<br/> A CALL LOAN</h2>
<p>In those days the cattlemen were the anointed. They were the grandees of the
grass, kings of the kine, lords of the lea, barons of beef and bone. They might
have ridden in golden chariots had their tastes so inclined. The cattleman was
caught in a stampede of dollars. It seemed to him that he had more money than
was decent. But when he had bought a watch with precious stones set in the case
so large that they hurt his ribs, and a California saddle with silver nails and
Angora skin <i>suaderos</i>, and ordered everybody up to the bar for
whisky—what else was there for him to spend money for?</p>
<p>Not so circumscribed in expedient for the reduction of surplus wealth were
those lairds of the lariat who had womenfolk to their name. In the breast of
the rib-sprung sex the genius of purse lightening may slumber through years of
inopportunity, but never, my brothers, does it become extinct.</p>
<p>So, out of the chaparral came Long Bill Longley from the Bar Circle Branch on
the Frio—a wife-driven man—to taste the urban joys of success.
Something like half a million dollars he had, with an income steadily
increasing.</p>
<p>Long Bill was a graduate of the camp and trail. Luck and thrift, a cool head,
and a telescopic eye for mavericks had raised him from cowboy to be a cowman.
Then came the boom in cattle, and Fortune, stepping gingerly among the cactus
thorns, came and emptied her cornucopia at the doorstep of the ranch.</p>
<p>In the little frontier city of Chaparosa, Longley built a costly residence.
Here he became a captive, bound to the chariot of social existence. He was
doomed to become a leading citizen. He struggled for a time like a mustang in
his first corral, and then he hung up his quirt and spurs. Time hung heavily on
his hands. He organised the First National Bank of Chaparosa, and was elected
its president.</p>
<p>One day a dyspeptic man, wearing double-magnifying glasses, inserted an
official-looking card between the bars of the cashier’s window of the
First National Bank. Five minutes later the bank force was dancing at the beck
and call of a national bank examiner.</p>
<p>This examiner, Mr. J. Edgar Todd, proved to be a thorough one.</p>
<p>At the end of it all the examiner put on his hat, and called the president, Mr.
William R. Longley, into the private office.</p>
<p>“Well, how do you find things?” asked Longley, in his slow, deep
tones. “Any brands in the round-up you didn’t like the looks
of?”</p>
<p>“The bank checks up all right, Mr. Longley,” said Todd; “and
I find your loans in very good shape—with one exception. You are carrying
one very bad bit of paper—one that is so bad that I have been thinking
that you surely do not realise the serious position it places you in. I refer
to a call loan of $10,000 made to Thomas Merwin. Not only is the amount in
excess of the maximum sum the bank can loan any individual legally, but it is
absolutely without endorsement or security. Thus you have doubly violated the
national banking laws, and have laid yourself open to criminal prosecution by
the Government. A report of the matter to the Comptroller of the
Currency—which I am bound to make—would, I am sure, result in the
matter being turned over to the Department of Justice for action. You see what
a serious thing it is.”</p>
<p>Bill Longley was leaning his lengthy, slowly moving frame back in his swivel
chair. His hands were clasped behind his head, and he turned a little to look
the examiner in the face. The examiner was surprised to see a smile creep about
the rugged mouth of the banker, and a kindly twinkle in his light-blue eyes. If
he saw the seriousness of the affair, it did not show in his countenance.</p>
<p>“Of course, you don’t know Tom Merwin,” said Longley, almost
genially. “Yes, I know about that loan. It hasn’t any security
except Tom Merwin’s word. Somehow, I’ve always found that when a
man’s word is good it’s the best security there is. Oh, yes, I know
the Government doesn’t think so. I guess I’ll see Tom about that
note.”</p>
<p>Mr. Todd’s dyspepsia seemed to grow suddenly worse. He looked at the
chaparral banker through his double-magnifying glasses in amazement.</p>
<p>“You see,” said Longley, easily explaining the thing away,
“Tom heard of 2000 head of two-year-olds down near Rocky Ford on the Rio
Grande that could be had for $8 a head. I reckon ’twas one of old Leandro
Garcia’s outfits that he had smuggled over, and he wanted to make a quick
turn on ’em. Those cattle are worth $15 on the hoof in Kansas City. Tom
knew it and I knew it. He had $6,000, and I let him have the $10,000 to make
the deal with. His brother Ed took ’em on to market three weeks ago. He
ought to be back ’most any day now with the money. When he comes
Tom’ll pay that note.”</p>
<p>The bank examiner was shocked. It was, perhaps, his duty to step out to the
telegraph office and wire the situation to the Comptroller. But he did not. He
talked pointedly and effectively to Longley for three minutes. He succeeded in
making the banker understand that he stood upon the border of a catastrophe.
And then he offered a tiny loophole of escape.</p>
<p>“I am going to Hilldale’s to-night,” he told Longley,
“to examine a bank there. I will pass through Chaparosa on my way back.
At twelve o’clock to-morrow I shall call at this bank. If this loan has
been cleared out of the way by that time it will not be mentioned in my report.
If not—I will have to do my duty.”</p>
<p>With that the examiner bowed and departed.</p>
<p>The President of the First National lounged in his chair half an hour longer,
and then he lit a mild cigar, and went over to Tom Merwin’s house.
Merwin, a ranchman in brown duck, with a contemplative eye, sat with his feet
upon a table, plaiting a rawhide quirt.</p>
<p>“Tom,” said Longley, leaning against the table, “you heard
anything from Ed yet?”</p>
<p>“Not yet,” said Merwin, continuing his plaiting. “I guess
Ed’ll be along back now in a few days.”</p>
<p>“There was a bank examiner,” said Longley, “nosing around our
place to-day, and he bucked a sight about that note of yours. You know I know
it’s all right, but the thing <i>is</i> against the banking laws. I was
pretty sure you’d have paid it off before the bank was examined again,
but the son-of-a-gun slipped in on us, Tom. Now, I’m short of cash myself
just now, or I’d let you have the money to take it up with. I’ve
got till twelve o’clock to-morrow, and then I’ve got to show the
cash in place of that note or—”</p>
<p>“Or what, Bill?” asked Merwin, as Longley hesitated.</p>
<p>“Well, I suppose it means be jumped on with both of Uncle Sam’s
feet.”</p>
<p>“I’ll try to raise the money for you on time,” said Merwin,
interested in his plaiting.</p>
<p>“All right, Tom,” concluded Longley, as he turned toward the door;
“I knew you would if you could.”</p>
<p>Merwin threw down his whip and went to the only other bank in town, a private
one, run by Cooper & Craig.</p>
<p>“Cooper,” he said, to the partner by that name, “I’ve
got to have $10,000 to-day or to-morrow. I’ve got a house and lot there
that’s worth about $6,000 and that’s all the actual collateral. But
I’ve got a cattle deal on that’s sure to bring me in more than that
much profit within a few days.”</p>
<p>Cooper began to cough.</p>
<p>“Now, for God’s sake don’t say no,” said Merwin.
“I owe that much money on a call loan. It’s been called, and the
man that called it is a man I’ve laid on the same blanket with in
cow-camps and ranger-camps for ten years. He can call anything I’ve got.
He can call the blood out of my veins and it’ll come. He’s got to
have the money. He’s in a devil of a—Well, he needs the money, and
I’ve got to get it for him. You know my word’s good, Cooper.”</p>
<p>“No doubt of it,” assented Cooper, urbanely, “but I’ve
a partner, you know. I’m not free in making loans. And even if you had
the best security in your hands, Merwin, we couldn’t accommodate you in
less than a week. We’re just making a shipment of $15,000 to Myer
Brothers in Rockdell, to buy cotton with. It goes down on the narrow-gauge
to-night. That leaves our cash quite short at present. Sorry we can’t
arrange it for you.”</p>
<p>Merwin went back to his little bare office and plaited at his quirt again.
About four o’clock in the afternoon he went to the First National Bank
and leaned over the railing of Longley’s desk.</p>
<p>“I’ll try to get that money for you to-night—I mean
to-morrow, Bill.”</p>
<p>“All right, Tom,” said Longley quietly.</p>
<p>At nine o’clock that night Tom Merwin stepped cautiously out of the small
frame house in which he lived. It was near the edge of the little town, and few
citizens were in the neighbourhood at that hour. Merwin wore two six-shooters
in a belt, and a slouch hat. He moved swiftly down a lonely street, and then
followed the sandy road that ran parallel to the narrow-gauge track until he
reached the water-tank, two miles below the town. There Tom Merwin stopped,
tied a black silk handkerchief about the lower part of his face, and pulled his
hat down low.</p>
<p>In ten minutes the night train for Rockdell pulled up at the tank, having come
from Chaparosa.</p>
<p>With a gun in each hand Merwin raised himself from behind a clump of chaparral
and started for the engine. But before he had taken three steps, two long,
strong arms clasped him from behind, and he was lifted from his feet and
thrown, face downward upon the grass. There was a heavy knee pressing against
his back, and an iron hand grasping each of his wrists. He was held thus, like
a child, until the engine had taken water, and until the train had moved, with
accelerating speed, out of sight. Then he was released, and rose to his feet to
face Bill Longley.</p>
<p>“The case never needed to be fixed up this way, Tom,” said Longley.
“I saw Cooper this evening, and he told me what you and him talked about.
Then I went down to your house to-night and saw you come out with your guns on,
and I followed you. Let’s go back, Tom.”</p>
<p>They walked away together, side by side.</p>
<p>“’Twas the only chance I saw,” said Merwin presently.
“You called your loan, and I tried to answer you. Now, what’ll you
do, Bill, if they sock it to you?”</p>
<p>“What would you have done if they’d socked it to you?” was
the answer Longley made.</p>
<p>“I never thought I’d lay in a bush to stick up a train,”
remarked Merwin; “but a call loan’s different. A call’s a
call with me. We’ve got twelve hours yet, Bill, before this spy jumps
onto you. We’ve got to raise them spondulicks somehow. Maybe we
can—Great Sam Houston! do you hear that?”</p>
<p>Merwin broke into a run, and Longley kept with him, hearing only a rather
pleasing whistle somewhere in the night rendering the lugubrious air of
“The Cowboy’s Lament.”</p>
<p>“It’s the only tune he knows,” shouted Merwin, as he ran.
“I’ll bet—”</p>
<p>They were at the door of Merwin’s house. He kicked it open and fell over
an old valise lying in the middle of the floor. A sunburned, firm-jawed youth,
stained by travel, lay upon the bed puffing at a brown cigarette.</p>
<p>“What’s the word, Ed?” gasped Merwin.</p>
<p>“So, so,” drawled that capable youngster. “Just got in on the
9:30. Sold the bunch for fifteen, straight. Now, buddy, you want to quit
kickin’ a valise around that’s got $29,000 in greenbacks in its
in’ards.”</p>
<h2><SPAN name="chap15"></SPAN>XV<br/> THE PRINCESS AND THE PUMA</h2>
<p>There had to be a king and queen, of course. The king was a terrible old man
who wore six-shooters and spurs, and shouted in such a tremendous voice that
the rattlers on the prairie would run into their holes under the prickly pear.
Before there was a royal family they called the man “Whispering
Ben.” When he came to own 50,000 acres of land and more cattle than he
could count, they called him O’Donnell “the Cattle King.”</p>
<p>The queen had been a Mexican girl from Laredo. She made a good, mild,
Colorado-claro wife, and even succeeded in teaching Ben to modify his voice
sufficiently while in the house to keep the dishes from being broken. When Ben
got to be king she would sit on the gallery of Espinosa Ranch and weave rush
mats. When wealth became so irresistible and oppressive that upholstered chairs
and a centre table were brought down from San Antone in the wagons, she bowed
her smooth, dark head, and shared the fate of the Danae.</p>
<p>To avoid <i>lèse-majesté</i> you have been presented first to the king and
queen. They do not enter the story, which might be called “The Chronicle
of the Princess, the Happy Thought, and the Lion that Bungled his Job.”</p>
<p>Josefa O’Donnell was the surviving daughter, the princess. From her
mother she inherited warmth of nature and a dusky, semi-tropic beauty. From Ben
O’Donnell the royal she acquired a store of intrepidity, common sense,
and the faculty of ruling. The combination was one worth going miles to see.
Josefa while riding her pony at a gallop could put five out of six bullets
through a tomato-can swinging at the end of a string. She could play for hours
with a white kitten she owned, dressing it in all manner of absurd clothes.
Scorning a pencil, she could tell you out of her head what 1545 two-year-olds
would bring on the hoof, at $8.50 per head. Roughly speaking, the Espinosa
Ranch is forty miles long and thirty broad—but mostly leased land.
Josefa, on her pony, had prospected over every mile of it. Every cow-puncher on
the range knew her by sight and was a loyal vassal. Ripley Givens, foreman of
one of the Espinosa outfits, saw her one day, and made up his mind to form a
royal matrimonial alliance. Presumptuous? No. In those days in the Nueces
country a man was a man. And, after all, the title of cattle king does not
presuppose blood royalty. Often it only signifies that its owner wears the
crown in token of his magnificent qualities in the art of cattle stealing.</p>
<p>One day Ripley Givens rode over to the Double Elm Ranch to inquire about a
bunch of strayed yearlings. He was late in setting out on his return trip, and
it was sundown when he struck the White Horse Crossing of the Nueces. From
there to his own camp it was sixteen miles. To the Espinosa ranch it was
twelve. Givens was tired. He decided to pass the night at the Crossing.</p>
<p>There was a fine water hole in the river-bed. The banks were thickly covered
with great trees, undergrown with brush. Back from the water hole fifty yards
was a stretch of curly mesquite grass—supper for his horse and bed for
himself. Givens staked his horse, and spread out his saddle blankets to dry. He
sat down with his back against a tree and rolled a cigarette. From somewhere in
the dense timber along the river came a sudden, rageful, shivering wail. The
pony danced at the end of his rope and blew a whistling snort of comprehending
fear. Givens puffed at his cigarette, but he reached leisurely for his
pistol-belt, which lay on the grass, and twirled the cylinder of his weapon
tentatively. A great gar plunged with a loud splash into the water hole. A
little brown rabbit skipped around a bunch of catclaw and sat twitching his
whiskers and looking humorously at Givens. The pony went on eating grass.</p>
<p>It is well to be reasonably watchful when a Mexican lion sings soprano along
the arroyos at sundown. The burden of his song may be that young calves and fat
lambs are scarce, and that he has a carnivorous desire for your acquaintance.</p>
<p>In the grass lay an empty fruit can, cast there by some former sojourner.
Givens caught sight of it with a grunt of satisfaction. In his coat pocket tied
behind his saddle was a handful or two of ground coffee. Black coffee and
cigarettes! What ranchero could desire more?</p>
<p>In two minutes he had a little fire going clearly. He started, with his can,
for the water hole. When within fifteen yards of its edge he saw, between the
bushes, a side-saddled pony with down-dropped reins cropping grass a little
distance to his left. Just rising from her hands and knees on the brink of the
water hole was Josefa O’Donnell. She had been drinking water, and she
brushed the sand from the palms of her hands. Ten yards away, to her right,
half concealed by a clump of sacuista, Givens saw the crouching form of the
Mexican lion. His amber eyeballs glared hungrily; six feet from them was the
tip of the tail stretched straight, like a pointer’s. His hind-quarters
rocked with the motion of the cat tribe preliminary to leaping.</p>
<p>Givens did what he could. His six-shooter was thirty-five yards away lying on
the grass. He gave a loud yell, and dashed between the lion and the princess.</p>
<p>The “rucus,” as Givens called it afterward, was brief and somewhat
confused. When he arrived on the line of attack he saw a dim streak in the air,
and heard a couple of faint cracks. Then a hundred pounds of Mexican lion
plumped down upon his head and flattened him, with a heavy jar, to the ground.
He remembered calling out: “Let up, now—no fair gouging!” and
then he crawled from under the lion like a worm, with his mouth full of grass
and dirt, and a big lump on the back of his head where it had struck the root
of a water-elm. The lion lay motionless. Givens, feeling aggrieved, and
suspicious of fouls, shook his fist at the lion, and shouted: “I’ll
rastle you again for twenty—” and then he got back to himself.</p>
<p>Josefa was standing in her tracks, quietly reloading her silver-mounted .38.
It had not been a difficult shot. The lion’s head made an easier mark
than a tomato-can swinging at the end of a string. There was a provoking,
teasing, maddening smile upon her mouth and in her dark eyes. The
would-be-rescuing knight felt the fire of his fiasco burn down to his soul.
Here had been his chance, the chance that he had dreamed of; and Momus, and not
Cupid, had presided over it. The satyrs in the wood were, no doubt, holding
their sides in hilarious, silent laughter. There had been something like
vaudeville—say Signor Givens and his funny knockabout act with the
stuffed lion.</p>
<p>“Is that you, Mr. Givens?” said Josefa, in her deliberate,
saccharine contralto. “You nearly spoilt my shot when you yelled. Did you
hurt your head when you fell?”</p>
<p>“Oh, no,” said Givens, quietly; “that didn’t
hurt.” He stooped ignominiously and dragged his best Stetson hat from
under the beast. It was crushed and wrinkled to a fine comedy effect. Then he
knelt down and softly stroked the fierce, open-jawed head of the dead lion.</p>
<p>“Poor old Bill!” he exclaimed mournfully.</p>
<p>“What’s that?” asked Josefa, sharply.</p>
<p>“Of course you didn’t know, Miss Josefa,” said Givens, with
an air of one allowing magnanimity to triumph over grief. “Nobody can
blame you. I tried to save him, but I couldn’t let you know in
time.”</p>
<p>“Save who?”</p>
<p>“Why, Bill. I’ve been looking for him all day. You see, he’s
been our camp pet for two years. Poor old fellow, he wouldn’t have hurt a
cottontail rabbit. It’ll break the boys all up when they hear about it.
But you couldn’t tell, of course, that Bill was just trying to play with
you.”</p>
<p>Josefa’s black eyes burned steadily upon him. Ripley Givens met the test
successfully. He stood rumpling the yellow-brown curls on his head pensively.
In his eye was regret, not unmingled with a gentle reproach. His smooth
features were set to a pattern of indisputable sorrow. Josefa wavered.</p>
<p>“What was your pet doing here?” she asked, making a last stand.
“There’s no camp near the White Horse Crossing.”</p>
<p>“The old rascal ran away from camp yesterday,” answered Givens
readily. “It’s a wonder the coyotes didn’t scare him to
death. You see, Jim Webster, our horse wrangler, brought a little terrier pup
into camp last week. The pup made life miserable for Bill—he used to
chase him around and chew his hind legs for hours at a time. Every night when
bedtime came Bill would sneak under one of the boy’s blankets and sleep
to keep the pup from finding him. I reckon he must have been worried pretty
desperate or he wouldn’t have run away. He was always afraid to get out
of sight of camp.”</p>
<p>Josefa looked at the body of the fierce animal. Givens gently patted one of the
formidable paws that could have killed a yearling calf with one blow. Slowly a
red flush widened upon the dark olive face of the girl. Was it the signal of
shame of the true sportsman who has brought down ignoble quarry? Her eyes grew
softer, and the lowered lids drove away all their bright mockery.</p>
<p>“I’m very sorry,” she said humbly; “but he looked so
big, and jumped so high that—”</p>
<p>“Poor old Bill was hungry,” interrupted Givens, in quick defence of
the deceased. “We always made him jump for his supper in camp. He would
lie down and roll over for a piece of meat. When he saw you he thought he was
going to get something to eat from you.”</p>
<p>Suddenly Josefa’s eyes opened wide.</p>
<p>“I might have shot you!” she exclaimed. “You ran right in
between. You risked your life to save your pet! That was fine, Mr. Givens. I
like a man who is kind to animals.”</p>
<p>Yes; there was even admiration in her gaze now. After all, there was a hero
rising out of the ruins of the anti-climax. The look on Givens’s face
would have secured him a high position in the S.P.C.A.</p>
<p>“I always loved ’em,” said he; “horses, dogs, Mexican
lions, cows, alligators—”</p>
<p>“I hate alligators,” instantly demurred Josefa; “crawly,
muddy things!”</p>
<p>“Did I say alligators?” said Givens. “I meant antelopes, of
course.”</p>
<p>Josefa’s conscience drove her to make further amends. She held out her
hand penitently. There was a bright, unshed drop in each of her eyes.</p>
<p>“Please forgive me, Mr. Givens, won’t you? I’m only a girl,
you know, and I was frightened at first. I’m very, very sorry I shot
Bill. You don’t know how ashamed I feel. I wouldn’t have done it
for anything.”</p>
<p>Givens took the proffered hand. He held it for a time while he allowed the
generosity of his nature to overcome his grief at the loss of Bill. At last it
was clear that he had forgiven her.</p>
<p>“Please don’t speak of it any more, Miss Josefa. ’Twas enough
to frighten any young lady the way Bill looked. I’ll explain it all right
to the boys.”</p>
<p>“Are you really sure you don’t hate me?” Josefa came closer
to him impulsively. Her eyes were sweet—oh, sweet and pleading with
gracious penitence. “I would hate anyone who would kill my kitten. And
how daring and kind of you to risk being shot when you tried to save him! How
very few men would have done that!” Victory wrested from defeat!
Vaudeville turned into drama! Bravo, Ripley Givens!</p>
<p>It was now twilight. Of course Miss Josefa could not be allowed to ride on to
the ranch-house alone. Givens resaddled his pony in spite of that
animal’s reproachful glances, and rode with her. Side by side they
galloped across the smooth grass, the princess and the man who was kind to
animals. The prairie odours of fruitful earth and delicate bloom were thick and
sweet around them. Coyotes yelping over there on the hill! No fear. And
yet—</p>
<p>Josefa rode closer. A little hand seemed to grope. Givens found it with his
own. The ponies kept an even gait. The hands lingered together, and the owner
of one explained:</p>
<p>“I never was frightened before, but just think! How terrible it would be
to meet a really wild lion! Poor Bill! I’m so glad you came with
me!”</p>
<p>O’Donnell was sitting on the ranch gallery.</p>
<p>“Hello, Rip!” he shouted—“that you?”</p>
<p>“He rode in with me,” said Josefa. “I lost my way and was
late.”</p>
<p>“Much obliged,” called the cattle king. “Stop over, Rip, and
ride to camp in the morning.”</p>
<p>But Givens would not. He would push on to camp. There was a bunch of steers to
start off on the trail at daybreak. He said good-night, and trotted away.</p>
<p>An hour later, when the lights were out, Josefa, in her night-robe, came to her
door and called to the king in his own room across the brick-paved hallway:</p>
<p>“Say, pop, you know that old Mexican lion they call the
‘Gotch-eared Devil’—the one that killed Gonzales, Mr.
Martin’s sheep herder, and about fifty calves on the Salado range? Well,
I settled his hash this afternoon over at the White Horse Crossing. Put two
balls in his head with my .38 while he was on the jump. I knew him by the slice
gone from his left ear that old Gonzales cut off with his machete. You
couldn’t have made a better shot yourself, daddy.”</p>
<p>“Bully for you!” thundered Whispering Ben from the darkness of the
royal chamber.</p>
<h2><SPAN name="chap16"></SPAN>XVI<br/> THE INDIAN SUMMER OF DRY VALLEY JOHNSON</h2>
<p>Dry Valley Johnson shook the bottle. You have to shake the bottle before using;
for sulphur will not dissolve. Then Dry Valley saturated a small sponge with
the liquid and rubbed it carefully into the roots of his hair. Besides sulphur
there was sugar of lead in it and tincture of nux vomica and bay rum. Dry
Valley found the recipe in a Sunday newspaper. You must next be told why a
strong man came to fall a victim to a Beauty Hint.</p>
<p>Dry Valley had been a sheepman. His real name was Hector, but he had been
rechristened after his range to distinguish him from “Elm Creek”
Johnson, who ran sheep further down the Frio.</p>
<p>Many years of living face to face with sheep on their own terms wearied Dry
Valley Johnson. So, he sold his ranch for eighteen thousand dollars and moved
to Santa Rosa to live a life of gentlemanly ease. Being a silent and melancholy
person of thirty-five—or perhaps thirty-eight—he soon became that
cursed and earth-cumbering thing—an elderlyish bachelor with a hobby.
Some one gave him his first strawberry to eat, and he was done for.</p>
<p>Dry Valley bought a four-room cottage in the village, and a library on
strawberry culture. Behind the cottage was a garden of which he made a
strawberry patch. In his old grey woolen shirt, his brown duck trousers, and
high-heeled boots he sprawled all day on a canvas cot under a live-oak tree at
his back door studying the history of the seductive, scarlet berry.</p>
<p>The school teacher, Miss De Witt, spoke of him as “a fine, presentable
man, for all his middle age.” But, the focus of Dry Valley’s eyes
embraced no women. They were merely beings who flew skirts as a signal for him
to lift awkwardly his heavy, round-crowned, broad-brimmed felt Stetson whenever
he met them, and then hurry past to get back to his beloved berries.</p>
<p>And all this recitative by the chorus is only to bring us to the point where
you may be told why Dry Valley shook up the insoluble sulphur in the bottle. So
long-drawn and inconsequential a thing is history—the anamorphous shadow
of a milestone reaching down the road between us and the setting sun.</p>
<p>When his strawberries were beginning to ripen Dry Valley bought the heaviest
buggy whip in the Santa Rosa store. He sat for many hours under the live oak
tree plaiting and weaving in an extension to its lash. When it was done he
could snip a leaf from a bush twenty feet away with the cracker. For the
bright, predatory eyes of Santa Rosa youth were watching the ripening berries,
and Dry Valley was arming himself against their expected raids. No greater care
had he taken of his tender lambs during his ranching days than he did of his
cherished fruit, warding it from the hungry wolves that whistled and howled and
shot their marbles and peered through the fence that surrounded his property.</p>
<p>In the house next to Dry Valley’s lived a widow with a pack of children
that gave the husbandman frequent anxious misgivings. In the woman there was a
strain of the Spanish. She had wedded one of the name of O’Brien. Dry
Valley was a connoisseur in cross strains; and he foresaw trouble in the
offspring of this union.</p>
<p>Between the two homesteads ran a crazy picket fence overgrown with morning
glory and wild gourd vines. Often he could see little heads with mops of black
hair and flashing dark eyes dodging in and out between the pickets, keeping
tabs on the reddening berries.</p>
<p>Late one afternoon Dry Valley went to the post office. When he came back, like
Mother Hubbard he found the deuce to pay. The descendants of Iberian bandits
and Hibernian cattle raiders had swooped down upon his strawberry patch. To the
outraged vision of Dry Valley there seemed to be a sheep corral full of them;
perhaps they numbered five or six. Between the rows of green plants they were
stooped, hopping about like toads, gobbling silently and voraciously his finest
fruit.</p>
<p>Dry Valley slipped into the house, got his whip, and charged the marauders. The
lash curled about the legs of the nearest—a greedy
ten-year-old—before they knew they were discovered. His screech gave
warning; and the flock scampered for the fence like a drove of <i>javelis</i>
flushed in the chaparral. Dry Valley’s whip drew a toll of two more elfin
shrieks before they dived through the vine-clad fence and disappeared.</p>
<p>Dry Valley, less fleet, followed them nearly to the pickets. Checking his
useless pursuit, he rounded a bush, dropped his whip and stood, voiceless,
motionless, the capacity of his powers consumed by the act of breathing and
preserving the perpendicular.</p>
<p>Behind the bush stood Panchita O’Brien, scorning to fly. She was
nineteen, the oldest of the raiders. Her night-black hair was gathered back in
a wild mass and tied with a scarlet ribbon. She stood, with reluctant feet, yet
nearer the brook than to the river; for childhood had environed and detained
her.</p>
<p>She looked at Dry Valley Johnson for a moment with magnificent insolence, and
before his eyes slowly crunched a luscious berry between her white teeth. Then
she turned and walked slowly to the fence with a swaying, conscious motion,
such as a duchess might make use of in leading a promenade. There she turned
again and grilled Dry Valley Johnson once more in the dark flame of her
audacious eyes, laughed a trifle school-girlishly, and twisted herself with
pantherish quickness between the pickets to the O’Brien side of the wild
gourd vine.</p>
<p>Dry Valley picked up his whip and went into his house. He stumbled as he went
up the two wooden steps. The old Mexican woman who cooked his meals and swept
his house called him to supper as he went through the rooms. Dry Valley went
on, stumbled down the front steps, out the gate and down the road into a
mesquite thicket at the edge of town. He sat down in the grass and laboriously
plucked the spines from a prickly pear, one by one. This was his attitude of
thought, acquired in the days when his problems were only those of wind and
wool and water.</p>
<p>A thing had happened to the man—a thing that, if you are eligible, you
must pray may pass you by. He had become enveloped in the Indian Summer of the
Soul.</p>
<p>Dry Valley had had no youth. Even his childhood had been one of dignity and
seriousness. At six he had viewed the frivolous gambols of the lambs on his
father’s ranch with silent disapproval. His life as a young man had been
wasted. The divine fires and impulses, the glorious exaltations and despairs,
the glow and enchantment of youth had passed above his head. Never a thrill of
Romeo had he known; he was but a melancholy Jaques of the forest with a ruder
philosophy, lacking the bitter-sweet flavour of experience that tempered the
veteran years of the rugged ranger of Arden. And now in his sere and yellow
leaf one scornful look from the eyes of Panchita O’Brien had flooded the
autumnal landscape with a tardy and delusive summer heat.</p>
<p>But a sheepman is a hardy animal. Dry Valley Johnson had weathered too many
northers to turn his back on a late summer, spiritual or real. Old? He would
show them.</p>
<p>By the next mail went an order to San Antonio for an outfit of the latest
clothes, colours and styles and prices no object. The next day went the recipe
for the hair restorer clipped from a newspaper; for Dry Valley’s
sunburned auburn hair was beginning to turn silvery above his ears.</p>
<p>Dry Valley kept indoors closely for a week except for frequent sallies after
youthful strawberry snatchers. Then, a few days later, he suddenly emerged
brilliantly radiant in the hectic glow of his belated midsummer madness.</p>
<p>A jay-bird-blue tennis suit covered him outwardly, almost as far as his wrists
and ankles. His shirt was ox-blood; his collar winged and tall; his necktie a
floating oriflamme; his shoes a venomous bright tan, pointed and shaped on
penitential lasts. A little flat straw hat with a striped band desecrated his
weather-beaten head. Lemon-coloured kid gloves protected his oak-tough hands
from the benignant May sunshine. This sad and optic-smiting creature teetered
out of its den, smiling foolishly and smoothing its gloves for men and angels
to see. To such a pass had Dry Valley Johnson been brought by Cupid, who always
shoots game that is out of season with an arrow from the quiver of Momus.
Reconstructing mythology, he had risen, a prismatic macaw, from the ashes of
the grey-brown phoenix that had folded its tired wings to roost under the trees
of Santa Rosa.</p>
<p>Dry Valley paused in the street to allow Santa Rosans within sight of him to be
stunned; and then deliberately and slowly, as his shoes required, entered Mrs.
O’Brien’s gate.</p>
<p>Not until the eleven months’ drought did Santa Rosa cease talking about
Dry Valley Johnson’s courtship of Panchita O’Brien. It was an
unclassifiable procedure; something like a combination of cake-walking,
deaf-and-dumb oratory, postage stamp flirtation and parlour charades. It lasted
two weeks and then came to a sudden end.</p>
<p>Of course Mrs. O’Brien favoured the match as soon as Dry Valley’s
intentions were disclosed. Being the mother of a woman child, and therefore a
charter member of the Ancient Order of the Rat-trap, she joyfully decked out
Panchita for the sacrifice. The girl was temporarily dazzled by having her
dresses lengthened and her hair piled up on her head, and came near forgetting
that she was only a slice of cheese. It was nice, too, to have as good a match
as Mr. Johnson paying you attentions and to see the other girls fluttering the
curtains at their windows to see you go by with him.</p>
<p>Dry Valley bought a buggy with yellow wheels and a fine trotter in San Antonio.
Every day he drove out with Panchita. He was never seen to speak to her when
they were walking or driving. The consciousness of his clothes kept his mind
busy; the knowledge that he could say nothing of interest kept him dumb; the
feeling that Panchita was there kept him happy.</p>
<p>He took her to parties and dances, and to church. He tried—oh, no man
ever tried so hard to be young as Dry Valley did. He could not dance; but he
invented a smile which he wore on these joyous occasions, a smile that, in him,
was as great a concession to mirth and gaiety as turning hand-springs would be
in another. He began to seek the company of the young men in the
town—even of the boys. They accepted him as a decided damper, for his
attempts at sportiveness were so forced that they might as well have essayed
their games in a cathedral. Neither he nor any other could estimate what
progress he had made with Panchita.</p>
<p>The end came suddenly in one day, as often disappears the false afterglow
before a November sky and wind.</p>
<p>Dry Valley was to call for the girl one afternoon at six for a walk. An
afternoon walk in Santa Rosa was a feature of social life that called for the
pink of one’s wardrobe. So Dry Valley began gorgeously to array himself;
and so early that he finished early, and went over to the O’Brien
cottage. As he neared the porch on the crooked walk from the gate he heard
sounds of revelry within. He stopped and looked through the honeysuckle vines
in the open door.</p>
<p>Panchita was amusing her younger brothers and sisters. She wore a man’s
clothes—no doubt those of the late Mr. O’Brien. On her head was the
smallest brother’s straw hat decorated with an ink-striped paper band. On
her hands were flapping yellow cloth gloves, roughly cut out and sewn for the
masquerade. The same material covered her shoes, giving them the semblance of
tan leather. High collar and flowing necktie were not omitted.</p>
<p>Panchita was an actress. Dry Valley saw his affectedly youthful gait, his limp
where the right shoe hurt him, his forced smile, his awkward simulation of a
gallant air, all reproduced with startling fidelity. For the first time a
mirror had been held up to him. The corroboration of one of the youngsters
calling, “Mamma, come and see Pancha do like Mr. Johnson,” was not
needed.</p>
<p>As softly as the caricatured tans would permit, Dry Valley tiptoed back to the
gate and home again.</p>
<p>Twenty minutes after the time appointed for the walk Panchita tripped demurely
out of her gate in a thin, trim white lawn and sailor hat. She strolled up the
sidewalk and slowed her steps at Dry Valley’s gate, her manner expressing
wonder at his unusual delinquency.</p>
<p>Then out of his door and down the walk strode—not the polychromatic
victim of a lost summertime, but the sheepman, rehabilitated. He wore his old
grey woolen shirt, open at the throat, his brown duck trousers stuffed into his
run-over boots, and his white felt sombrero on the back of his head. Twenty
years or fifty he might look; Dry Valley cared not. His light blue eyes met
Panchita’s dark ones with a cold flash in them. He came as far as the
gate. He pointed with his long arm to her house.</p>
<p>“Go home,” said Dry Valley. “Go home to your mother. I wonder
lightnin’ don’t strike a fool like me. Go home and play in the
sand. What business have you got cavortin’ around with grown men? I
reckon I was locoed to be makin’ a he poll-parrot out of myself for a kid
like you. Go home and don’t let me see you no more. Why I done it, will
somebody tell me? Go home, and let me try and forget it.”</p>
<p>Panchita obeyed and walked slowly toward her home, saying nothing. For some
distance she kept her head turned and her large eyes fixed intrepidly upon Dry
Valley’s. At her gate she stood for a moment looking back at him, then
ran suddenly and swiftly into the house.</p>
<p>Old Antonia was building a fire in the kitchen stove. Dry Valley stopped at the
door and laughed harshly.</p>
<p>“I’m a pretty looking old rhinoceros to be gettin’ stuck on a
kid, ain’t I, ’Tonia?” said he.</p>
<p>“Not verree good thing,” agreed Antonia, sagely, “for too
much old man to likee <i>muchacha</i>.”</p>
<p>“You bet it ain’t,” said Dry Valley, grimly.
“It’s dum foolishness; and, besides, it hurts.”</p>
<p>He brought at one armful the regalia of his aberration—the blue tennis
suit, shoes, hat, gloves and all, and threw them in a pile at Antonia’s
feet.</p>
<p>“Give them to your old man,” said he, “to hunt antelope
in.”</p>
<p>Just as the first star presided palely over the twilight Dry Valley got his
biggest strawberry book and sat on the back steps to catch the last of the
reading light. He thought he saw the figure of someone in his strawberry patch.
He laid aside the book, got his whip and hurried forth to see.</p>
<p>It was Panchita. She had slipped through the picket fence and was half-way
across the patch. She stopped when she saw him and looked at him without
wavering.</p>
<p>A sudden rage—a humiliating flush of unreasoning wrath—came over
Dry Valley. For this child he had made himself a motley to the view. He had
tried to bribe Time to turn backward for himself; he had—been made a fool
of. At last he had seen his folly. There was a gulf between him and youth over
which he could not build a bridge even with yellow gloves to protect his hands.
And the sight of his torment coming to pester him with her elfin
pranks—coming to plunder his strawberry vines like a mischievous
schoolboy—roused all his anger.</p>
<p>“I told you to keep away from here,” said Dry Valley. “Go
back to your home.”</p>
<p>Panchita moved slowly toward him.</p>
<p>Dry Valley cracked his whip.</p>
<p>“Go back home,” said Dry Valley, savagely, “and play
theatricals some more. You’d make a fine man. You’ve made a fine
one of me.”</p>
<p>She came a step nearer, silent, and with that strange, defiant, steady shine in
her eyes that had always puzzled him. Now it stirred his wrath.</p>
<p>His whiplash whistled through the air. He saw a red streak suddenly come out
through her white dress above her knee where it had struck.</p>
<p>Without flinching and with the same unchanging dark glow in her eyes, Panchita
came steadily toward him through the strawberry vines. Dry Valley’s
trembling hand released his whip handle. When within a yard of him Panchita
stretched out her arms.</p>
<p>“God, kid!” stammered Dry Valley, “do you mean—?”</p>
<p>But the seasons are versatile; and it may have been Springtime, after all,
instead of Indian Summer, that struck Dry Valley Johnson.</p>
<h2><SPAN name="chap17"></SPAN>XVII<br/> CHRISTMAS BY INJUNCTION</h2>
<p>Cherokee was the civic father of Yellowhammer. Yellowhammer was a new mining
town constructed mainly of canvas and undressed pine. Cherokee was a
prospector. One day while his burro was eating quartz and pine burrs Cherokee
turned up with his pick a nugget, weighing thirty ounces. He staked his claim
and then, being a man of breadth and hospitality, sent out invitations to his
friends in three States to drop in and share his luck.</p>
<p>Not one of the invited guests sent regrets. They rolled in from the Gila
country, from Salt River, from the Pecos, from Albuquerque and Phoenix and
Santa Fe, and from the camps intervening.</p>
<p>When a thousand citizens had arrived and taken up claims they named the town
Yellowhammer, appointed a vigilance committee, and presented Cherokee with a
watch-chain made of nuggets.</p>
<p>Three hours after the presentation ceremonies Cherokee’s claim played
out. He had located a pocket instead of a vein. He abandoned it and staked
others one by one. Luck had kissed her hand to him. Never afterward did he turn
up enough dust in Yellowhammer to pay his bar bill. But his thousand invited
guests were mostly prospering, and Cherokee smiled and congratulated them.</p>
<p>Yellowhammer was made up of men who took off their hats to a smiling loser; so
they invited Cherokee to say what he wanted.</p>
<p>“Me?” said Cherokee, “oh, grubstakes will be about the thing.
I reckon I’ll prospect along up in the Mariposas. If I strike it up there
I will most certainly let you all know about the facts. I never was any hand to
hold out cards on my friends.”</p>
<p>In May Cherokee packed his burro and turned its thoughtful, mouse-coloured
forehead to the north. Many citizens escorted him to the undefined limits of
Yellowhammer and bestowed upon him shouts of commendation and farewells. Five
pocket flasks without an air bubble between contents and cork were forced upon
him; and he was bidden to consider Yellowhammer in perpetual commission for his
bed, bacon and eggs, and hot water for shaving in the event that luck did not
see fit to warm her hands by his campfire in the Mariposas.</p>
<p>The name of the father of Yellowhammer was given him by the gold hunters in
accordance with their popular system of nomenclature. It was not necessary for
a citizen to exhibit his baptismal certificate in order to acquire a cognomen.
A man’s name was his personal property. For convenience in calling him up
to the bar and in designating him among other blue-shirted bipeds, a temporary
appellation, title, or epithet was conferred upon him by the public. Personal
peculiarities formed the source of the majority of such informal baptisms. Many
were easily dubbed geographically from the regions from which they confessed to
have hailed. Some announced themselves to be “Thompsons,” and
“Adamses,” and the like, with a brazenness and loudness that cast a
cloud upon their titles. A few vaingloriously and shamelessly uncovered their
proper and indisputable names. This was held to be unduly arrogant, and did not
win popularity. One man who said he was Chesterton L. C. Belmont, and proved it
by letters, was given till sundown to leave the town. Such names as
“Shorty,” “Bow-legs,” “Texas,” “Lazy
Bill,” “Thirsty Rogers,” “Limping Riley,”
“The Judge,” and “California Ed” were in favour.
Cherokee derived his title from the fact that he claimed to have lived for a
time with that tribe in the Indian Nation.</p>
<p>On the twentieth day of December Baldy, the mail rider, brought Yellowhammer a
piece of news.</p>
<p>“What do I see in Albuquerque,” said Baldy, to the patrons of the
bar, “but Cherokee all embellished and festooned up like the Czar of
Turkey, and lavishin’ money in bulk. Him and me seen the elephant and the
owl, and we had specimens of this seidlitz powder wine; and Cherokee he audits
all the bills, C.O.D. His pockets looked like a pool table’s after a
fifteen-ball run.</p>
<p>“Cherokee must have struck pay ore,” remarked California Ed.
“Well, he’s white. I’m much obliged to him for his
success.”</p>
<p>“Seems like Cherokee would ramble down to Yellowhammer and see his
friends,” said another, slightly aggrieved. “But that’s the
way. Prosperity is the finest cure there is for lost forgetfulness.”</p>
<p>“You wait,” said Baldy; “I’m comin’ to that.
Cherokee strikes a three-foot vein up in the Mariposas that assays a trip to
Europe to the ton, and he closes it out to a syndicate outfit for a hundred
thousand hasty dollars in cash. Then he buys himself a baby sealskin overcoat
and a red sleigh, and what do you think he takes it in his head to do
next?”</p>
<p>“Chuck-a-luck,” said Texas, whose ideas of recreation were the
gamester’s.</p>
<p>“Come and Kiss Me, Ma Honey,” sang Shorty, who carried tintypes in
his pocket and wore a red necktie while working on his claim.</p>
<p>“Bought a saloon?” suggested Thirsty Rogers.</p>
<p>“Cherokee took me to a room,” continued Baldy, “and showed
me. He’s got that room full of drums and dolls and skates and bags of
candy and jumping-jacks and toy lambs and whistles and such infantile truck.
And what do you think he’s goin’ to do with them inefficacious
knick-knacks? Don’t surmise none—Cherokee told me. He’s
goin’ to lead ’em up in his red sleigh and—wait a minute,
don’t order no drinks yet— he’s goin’ to drive down
here to Yellowhammer and give the kids—the kids of this here
town—the biggest Christmas tree and the biggest cryin’ doll and
Little Giant Boys’ Tool Chest blowout that was ever seen west of the Cape
Hatteras.”</p>
<p>Two minutes of absolute silence ticked away in the wake of Baldy’s words.
It was broken by the House, who, happily conceiving the moment to be ripe for
extending hospitality, sent a dozen whisky glasses spinning down the bar, with
the slower travelling bottle bringing up the rear.</p>
<p>“Didn’t you tell him?” asked the miner called Trinidad.</p>
<p>“Well, no,” answered Baldy, pensively; “I never exactly seen
my way to.</p>
<p>“You see, Cherokee had this Christmas mess already bought and paid for;
and he was all flattered up with self-esteem over his idea; and we had in a way
flew the flume with that fizzy wine I speak of; so I never let on.”</p>
<p>“I cannot refrain from a certain amount of surprise,” said the
Judge, as he hung his ivory-handled cane on the bar, “that our friend
Cherokee should possess such an erroneous conception of—ah—his, as
it were, own town.”</p>
<p>“Oh, it ain’t the eighth wonder of the terrestrial world,”
said Baldy. “Cherokee’s been gone from Yellowhammer over seven
months. Lots of things could happen in that time. How’s he to know that
there ain’t a single kid in this town, and so far as emigration is
concerned, none expected?”</p>
<p>“Come to think of it,” remarked California Ed, “it’s
funny some ain’t drifted in. Town ain’t settled enough yet for to
bring in the rubber-ring brigade, I reckon.”</p>
<p>“To top off this Christmas-tree splurge of Cherokee’s,” went
on Baldy, “he’s goin’ to give an imitation of Santa Claus.
He’s got a white wig and whiskers that disfigure him up exactly like the
pictures of this William Cullen Longfellow in the books, and a red suit of
fur-trimmed outside underwear, and eight-ounce gloves, and a stand-up, lay-down
croshayed red cap. Ain’t it a shame that a outfit like that can’t
get a chance to connect with a Annie and Willie’s prayer layout?”</p>
<p>“When does Cherokee allow to come over with his truck?” inquired
Trinidad.</p>
<p>“Mornin’ before Christmas,” said Baldy. “And he wants
you folks to have a room fixed up and a tree hauled and ready. And such ladies
to assist as can stop breathin’ long enough to let it be a surprise for
the kids.”</p>
<p>The unblessed condition of Yellowhammer had been truly described. The voice of
childhood had never gladdened its flimsy structures; the patter of restless
little feet had never consecrated the one rugged highway between the two rows
of tents and rough buildings. Later they would come. But now Yellowhammer was
but a mountain camp, and nowhere in it were the roguish, expectant eyes,
opening wide at dawn of the enchanting day; the eager, small hands to reach for
Santa’s bewildering hoard; the elated, childish voicings of the
season’s joy, such as the coming good things of the warm-hearted Cherokee
deserved.</p>
<p>Of women there were five in Yellowhammer. The assayer’s wife, the
proprietress of the Lucky Strike Hotel, and a laundress whose washtub panned
out an ounce of dust a day. These were the permanent feminines; the remaining
two were the Spangler Sisters, Misses Fanchon and Erma, of the Transcontinental
Comedy Company, then playing in repertoire at the (improvised) Empire Theatre.
But of children there were none. Sometimes Miss Fanchon enacted with spirit and
address the part of robustious childhood; but between her delineation and the
visions of adolescence that the fancy offered as eligible recipients of
Cherokee’s holiday stores there seemed to be fixed a gulf.</p>
<p>Christmas would come on Thursday. On Tuesday morning Trinidad, instead of going
to work, sought the Judge at the Lucky Strike Hotel.</p>
<p>“It’ll be a disgrace to Yellowhammer,” said Trinidad,
“if it throws Cherokee down on his Christmas tree blowout. You might say
that that man made this town. For one, I’m goin’ to see what can be
done to give Santa Claus a square deal.”</p>
<p>“My co-operation,” said the Judge, “would be gladly
forthcoming. I am indebted to Cherokee for past favours. But, I do not
see—I have heretofore regarded the absence of children rather as a
luxury—but in this instance—still, I do not see—”</p>
<p>“Look at me,” said Trinidad, “and you’ll see old Ways
and Means with the fur on. I’m goin’ to hitch up a team and rustle
a load of kids for Cherokee’s Santa Claus act, if I have to rob an orphan
asylum.”</p>
<p>“Eureka!” cried the Judge, enthusiastically.</p>
<p>“No, you didn’t,” said Trinidad, decidedly. “I found it
myself. I learned about that Latin word at school.”</p>
<p>“I will accompany you,” declared the Judge, waving his cane.
“Perhaps such eloquence and gift of language as I possess will be of
benefit in persuading our young friends to lend themselves to our
project.”</p>
<p>Within an hour Yellowhammer was acquainted with the scheme of Trinidad and the
Judge, and approved it. Citizens who knew of families with offspring within a
forty-mile radius of Yellowhammer came forward and contributed their
information. Trinidad made careful notes of all such, and then hastened to
secure a vehicle and team.</p>
<p>The first stop scheduled was at a double log-house fifteen miles out from
Yellowhammer. A man opened the door at Trinidad’s hail, and then came
down and leaned upon the rickety gate. The doorway was filled with a close mass
of youngsters, some ragged, all full of curiosity and health.</p>
<p>“It’s this way,” explained Trinidad. “We’re from
Yellowhammer, and we come kidnappin’ in a gentle kind of a way. One of
our leading citizens is stung with the Santa Claus affliction, and he’s
due in town to-morrow with half the folderols that’s painted red and made
in Germany. The youngest kid we got in Yellowhammer packs a forty-five and a
safety razor. Consequently we’re mighty shy on anybody to say
‘Oh’ and ‘Ah’ when we light the candles on the
Christmas tree. Now, partner, if you’ll loan us a few kids we guarantee
to return ’em safe and sound on Christmas Day. And they’ll come
back loaded down with a good time and Swiss Family Robinsons and cornucopias
and red drums and similar testimonials. What do you say?”</p>
<p>“In other words,” said the Judge, “we have discovered for the
first time in our embryonic but progressive little city the inconveniences of
the absence of adolescence. The season of the year having approximately arrived
during which it is a custom to bestow frivolous but often appreciated gifts
upon the young and tender—”</p>
<p>“I understand,” said the parent, packing his pipe with a
forefinger. “I guess I needn’t detain you gentlemen. Me and the old
woman have got seven kids, so to speak; and, runnin’ my mind over the
bunch, I don’t appear to hit upon none that we could spare for you to
take over to your doin’s. The old woman has got some popcorn candy and
rag dolls hid in the clothes chest, and we allow to give Christmas a little
whirl of our own in a insignificant sort of style. No, I couldn’t, with
any degree of avidity, seem to fall in with the idea of lettin’ none of
’em go. Thank you kindly, gentlemen.”</p>
<p>Down the slope they drove and up another foothill to the ranch-house of Wiley
Wilson. Trinidad recited his appeal and the Judge boomed out his ponderous
antiphony. Mrs. Wiley gathered her two rosy-cheeked youngsters close to her
skirts and did not smile until she had seen Wiley laugh and shake his head.
Again a refusal.</p>
<p>Trinidad and the Judge vainly exhausted more than half their list before
twilight set in among the hills. They spent the night at a stage road hostelry,
and set out again early the next morning. The wagon had not acquired a single
passenger.</p>
<p>“It’s creepin’ upon my faculties,” remarked Trinidad,
“that borrowin’ kids at Christmas is somethin’ like
tryin’ to steal butter from a man that’s got hot pancakes
a-comin’.”</p>
<p>“It is undoubtedly an indisputable fact,” said the Judge,
“that the— ah—family ties seem to be more coherent and
assertive at that period of the year.”</p>
<p>On the day before Christmas they drove thirty miles, making four fruitless
halts and appeals. Everywhere they found “kids” at a premium.</p>
<p>The sun was low when the wife of a section boss on a lonely railroad huddled
her unavailable progeny behind her and said:</p>
<p>“There’s a woman that’s just took charge of the railroad
eatin’ house down at Granite Junction. I hear she’s got a little
boy. Maybe she might let him go.”</p>
<p>Trinidad pulled up his mules at Granite Junction at five o’clock in the
afternoon. The train had just departed with its load of fed and appeased
passengers.</p>
<p>On the steps of the eating house they found a thin and glowering boy of ten
smoking a cigarette. The dining-room had been left in chaos by the peripatetic
appetites. A youngish woman reclined, exhausted, in a chair. Her face wore
sharp lines of worry. She had once possessed a certain style of beauty that
would never wholly leave her and would never wholly return. Trinidad set forth
his mission.</p>
<p>“I’d count it a mercy if you’d take Bobby for a while,”
she said, wearily. “I’m on the go from morning till night, and I
don’t have time to ’tend to him. He’s learning bad habits
from the men. It’ll be the only chance he’ll have to get any
Christmas.”</p>
<p>The men went outside and conferred with Bobby. Trinidad pictured the glories of
the Christmas tree and presents in lively colours.</p>
<p>“And, moreover, my young friend,” added the Judge, “Santa
Claus himself will personally distribute the offerings that will typify the
gifts conveyed by the shepherds of Bethlehem to—”</p>
<p>“Aw, come off,” said the boy, squinting his small eyes. “I
ain’t no kid. There ain’t any Santa Claus. It’s your folks
that buys toys and sneaks ’em in when you’re asleep. And they make
marks in the soot in the chimney with the tongs to look like Santa’s
sleigh tracks.”</p>
<p>“That might be so,” argued Trinidad, “but Christmas trees
ain’t no fairy tale. This one’s goin’ to look like the
ten-cent store in Albuquerque, all strung up in a redwood. There’s tops
and drums and Noah’s arks and—”</p>
<p>“Oh, rats!” said Bobby, wearily. “I cut them out long ago.
I’d like to have a rifle—not a target one—a real one, to
shoot wildcats with; but I guess you won’t have any of them on your old
tree.”</p>
<p>“Well, I can’t say for sure,” said Trinidad diplomatically;
“it might be. You go along with us and see.”</p>
<p>The hope thus held out, though faint, won the boy’s hesitating consent to
go. With this solitary beneficiary for Cherokee’s holiday bounty, the
canvassers spun along the homeward road.</p>
<p>In Yellowhammer the empty storeroom had been transformed into what might have
passed as the bower of an Arizona fairy. The ladies had done their work well. A
tall Christmas tree, covered to the topmost branch with candles, spangles, and
toys sufficient for more than a score of children, stood in the centre of the
floor. Near sunset anxious eyes had begun to scan the street for the returning
team of the child-providers. At noon that day Cherokee had dashed into town
with his new sleigh piled high with bundles and boxes and bales of all sizes
and shapes. So intent was he upon the arrangements for his altruistic plans
that the dearth of children did not receive his notice. No one gave away the
humiliating state of Yellowhammer, for the efforts of Trinidad and the Judge
were expected to supply the deficiency.</p>
<p>When the sun went down Cherokee, with many wings and arch grins on his seasoned
face, went into retirement with the bundle containing the Santa Claus raiment
and a pack containing special and undisclosed gifts.</p>
<p>“When the kids are rounded up,” he instructed the volunteer
arrangement committee, “light up the candles on the tree and set
’em to playin’ ‘Pussy Wants a Corner’ and ‘King
William.’ When they get good and at it, why—old Santa’ll
slide in the door. I reckon there’ll be plenty of gifts to go
’round.”</p>
<p>The ladies were flitting about the tree, giving it final touches that were
never final. The Spangled Sisters were there in costume as Lady Violet de Vere
and Marie, the maid, in their new drama, “The Miner’s Bride.”
The theatre did not open until nine, and they were welcome assistants of the
Christmas tree committee. Every minute heads would pop out the door to look and
listen for the approach of Trinidad’s team. And now this became an
anxious function, for night had fallen and it would soon be necessary to light
the candles on the tree, and Cherokee was apt to make an irruption at any time
in his Kriss Kringle garb.</p>
<p>At length the wagon of the child “rustlers” rattled down the street
to the door. The ladies, with little screams of excitement, flew to the
lighting of the candles. The men of Yellowhammer passed in and out restlessly
or stood about the room in embarrassed groups.</p>
<p>Trinidad and the Judge, bearing the marks of protracted travel, entered,
conducting between them a single impish boy, who stared with sullen,
pessimistic eyes at the gaudy tree.</p>
<p>“Where are the other children?” asked the assayer’s wife, the
acknowledged leader of all social functions.</p>
<p>“Ma’am,” said Trinidad with a sigh, “prospectin’
for kids at Christmas time is like huntin’ in a limestone for silver.
This parental business is one that I haven’t no chance to comprehend. It
seems that fathers and mothers are willin’ for their offsprings to be
drownded, stole, fed on poison oak, and et by catamounts 364 days in the year;
but on Christmas Day they insists on enjoyin’ the exclusive mortification
of their company. This here young biped, ma’am, is all that washes out of
our two days’ manoeuvres.”</p>
<p>“Oh, the sweet little boy!” cooed Miss Erma, trailing her De Vere
robes to centre of stage.</p>
<p>“Aw, shut up,” said Bobby, with a scowl. “Who’s a kid?
You ain’t, you bet.”</p>
<p>“Fresh brat!” breathed Miss Erma, beneath her enamelled smile.</p>
<p>“We done the best we could,” said Trinidad. “It’s tough
on Cherokee, but it can’t be helped.”</p>
<p>Then the door opened and Cherokee entered in the conventional dress of Saint
Nick. A white rippling beard and flowing hair covered his face almost to his
dark and shining eyes. Over his shoulder he carried a pack.</p>
<p>No one stirred as he came in. Even the Spangler Sisters ceased their coquettish
poses and stared curiously at the tall figure. Bobby stood with his hands in
his pockets gazing gloomily at the effeminate and childish tree. Cherokee put
down his pack and looked wonderingly about the room. Perhaps he fancied that a
bevy of eager children were being herded somewhere, to be loosed upon his
entrance. He went up to Bobby and extended his red-mittened hand.</p>
<p>“Merry Christmas, little boy,” said Cherokee. “Anything on
the tree you want they’ll get it down for you. Won’t you shake
hands with Santa Claus?”</p>
<p>“There ain’t any Santa Claus,” whined the boy.
“You’ve got old false billy goat’s whiskers on your face. I
ain’t no kid. What do I want with dolls and tin horses? The driver said
you’d have a rifle, and you haven’t. I want to go home.”</p>
<p>Trinidad stepped into the breach. He shook Cherokee’s hand in warm
greeting.</p>
<p>“I’m sorry, Cherokee,” he explained. “There never was a
kid in Yellowhammer. We tried to rustle a bunch of ’em for your swaree,
but this sardine was all we could catch. He’s a atheist, and he
don’t believe in Santa Claus. It’s a shame for you to be out all
this truck. But me and the Judge was sure we could round up a wagonful of
candidates for your gimcracks.”</p>
<p>“That’s all right,” said Cherokee gravely. “The expense
don’t amount to nothin’ worth mentionin’. We can dump the
stuff down a shaft or throw it away. I don’t know what I was
thinkin’ about; but it never occurred to my cogitations that there
wasn’t any kids in Yellowhammer.”</p>
<p>Meanwhile the company had relaxed into a hollow but praiseworthy imitation of a
pleasure gathering.</p>
<p>Bobby had retreated to a distant chair, and was coldly regarding the scene with
ennui plastered thick upon him. Cherokee, lingering with his original idea,
went over and sat beside him.</p>
<p>“Where do you live, little boy?” he asked respectfully.</p>
<p>“Granite Junction,” said Bobby without emphasis.</p>
<p>The room was warm. Cherokee took off his cap, and then removed his beard and
wig.</p>
<p>“Say!” exclaimed Bobby, with a show of interest, “I know your
mug, all right.”</p>
<p>“Did you ever see me before?” asked Cherokee.</p>
<p>“I don’t know; but I’ve seen your picture lots of
times.”</p>
<p>“Where?”</p>
<p>The boy hesitated. “On the bureau at home,” he answered.</p>
<p>“Let’s have your name, if you please, buddy.”</p>
<p>“Robert Lumsden. The picture belongs to my mother. She puts it under her
pillow of nights. And once I saw her kiss it. I wouldn’t. But women are
that way.”</p>
<p>Cherokee rose and beckoned to Trinidad.</p>
<p>“Keep this boy by you till I come back,” he said. “I’m
goin’ to shed these Christmas duds, and hitch up my sleigh. I’m
goin’ to take this kid home.”</p>
<p>“Well, infidel,” said Trinidad, taking Cherokee’s vacant
chair, “and so you are too superannuated and effete to yearn for such
mockeries as candy and toys, it seems.”</p>
<p>“I don’t like you,” said Bobby, with acrimony. “You
said there would be a rifle. A fellow can’t even smoke. I wish I was at
home.”</p>
<p>Cherokee drove his sleigh to the door, and they lifted Bobby in beside him. The
team of fine horses sprang away prancingly over the hard snow. Cherokee had on
his $500 overcoat of baby sealskin. The laprobe that he drew about them was as
warm as velvet.</p>
<p>Bobby slipped a cigarette from his pocket and was trying to snap a match.</p>
<p>“Throw that cigarette away,” said Cherokee, in a quiet but new
voice.</p>
<p>Bobby hesitated, and then dropped the cylinder overboard.</p>
<p>“Throw the box, too,” commanded the new voice.</p>
<p>More reluctantly the boy obeyed.</p>
<p>“Say,” said Bobby, presently, “I like you. I don’t know
why. Nobody never made me do anything I didn’t want to do before.”</p>
<p>“Tell me, kid,” said Cherokee, not using his new voice, “are
you sure your mother kissed that picture that looks like me?”</p>
<p>“Dead sure. I seen her do it.”</p>
<p>“Didn’t you remark somethin’ a while ago about wanting a
rifle?”</p>
<p>“You bet I did. Will you get me one?”</p>
<p>“To-morrow—silver-mounted.”</p>
<p>Cherokee took out his watch.</p>
<p>“Half-past nine. We’ll hit the Junction plumb on time with
Christmas Day. Are you cold? Sit closer, son.”</p>
<h2><SPAN name="chap18"></SPAN>XVIII<br/> A CHAPARRAL PRINCE</h2>
<p>Nine o’clock at last, and the drudging toil of the day was ended. Lena
climbed to her room in the third half-story of the Quarrymen’s Hotel.
Since daylight she had slaved, doing the work of a full-grown woman, scrubbing
the floors, washing the heavy ironstone plates and cups, making the beds, and
supplying the insatiate demands for wood and water in that turbulent and
depressing hostelry.</p>
<p>The din of the day’s quarrying was over—the blasting and drilling,
the creaking of the great cranes, the shouts of the foremen, the backing and
shifting of the flat-cars hauling the heavy blocks of limestone. Down in the
hotel office three or four of the labourers were growling and swearing over a
belated game of checkers. Heavy odours of stewed meat, hot grease, and cheap
coffee hung like a depressing fog about the house.</p>
<p>Lena lit the stump of a candle and sat limply upon her wooden chair. She was
eleven years old, thin and ill-nourished. Her back and limbs were sore and
aching. But the ache in her heart made the biggest trouble. The last straw had
been added to the burden upon her small shoulders. They had taken away Grimm.
Always at night, however tired she might be, she had turned to Grimm for
comfort and hope. Each time had Grimm whispered to her that the prince or the
fairy would come and deliver her out of the wicked enchantment. Every night she
had taken fresh courage and strength from Grimm.</p>
<p>To whatever tale she read she found an analogy in her own condition. The
woodcutter’s lost child, the unhappy goose girl, the persecuted
stepdaughter, the little maiden imprisoned in the witch’s hut—all
these were but transparent disguises for Lena, the overworked kitchenmaid in
the Quarrymen’s Hotel. And always when the extremity was direst came the
good fairy or the gallant prince to the rescue.</p>
<p>So, here in the ogre’s castle, enslaved by a wicked spell, Lena had
leaned upon Grimm and waited, longing for the powers of goodness to prevail.
But on the day before Mrs. Maloney had found the book in her room and had
carried it away, declaring sharply that it would not do for servants to read at
night; they lost sleep and did not work briskly the next day. Can one only
eleven years old, living away from one’s mamma, and never having any time
to play, live entirely deprived of Grimm? Just try it once and you will see
what a difficult thing it is.</p>
<p>Lena’s home was in Texas, away up among the little mountains on the
Pedernales River, in a little town called Fredericksburg. They are all German
people who live in Fredericksburg. Of evenings they sit at little tables along
the sidewalk and drink beer and play pinochle and scat. They are very thrifty
people.</p>
<p>Thriftiest among them was Peter Hildesmuller, Lena’s father. And that is
why Lena was sent to work in the hotel at the quarries, thirty miles away. She
earned three dollars every week there, and Peter added her wages to his
well-guarded store. Peter had an ambition to become as rich as his neighbour,
Hugo Heffelbauer, who smoked a meerschaum pipe three feet long and had wiener
schnitzel and hassenpfeffer for dinner every day in the week. And now Lena was
quite old enough to work and assist in the accumulation of riches. But
conjecture, if you can, what it means to be sentenced at eleven years of age
from a home in the pleasant little Rhine village to hard labour in the
ogre’s castle, where you must fly to serve the ogres, while they devour
cattle and sheep, growling fiercely as they stamp white limestone dust from
their great shoes for you to sweep and scour with your weak, aching fingers.
And then—to have Grimm taken away from you!</p>
<p>Lena raised the lid of an old empty case that had once contained canned corn
and got out a sheet of paper and a piece of pencil. She was going to write a
letter to her mamma. Tommy Ryan was going to post it for her at
Ballinger’s. Tommy was seventeen, worked in the quarries, went home to
Ballinger’s every night, and was now waiting in the shadows under
Lena’s window for her to throw the letter out to him. That was the only
way she could send a letter to Fredericksburg. Mrs. Maloney did not like for
her to write letters.</p>
<p>The stump of the candle was burning low, so Lena hastily bit the wood from
around the lead of her pencil and began. This is the letter she wrote:</p>
<p class="letter">
D<small>EAREST</small> M<small>AMMA</small>:—I want so much to see you.
And Gretel and Claus and Heinrich and little Adolf. I am so tired. I want to
see you. To-day I was slapped by Mrs. Maloney and had no supper. I could not
bring in enough wood, for my hand hurt. She took my book yesterday. I mean
“Grimm’s Fairy Tales,” which Uncle Leo gave me. It did not
hurt any one for me to read the book. I try to work as well as I can, but there
is so much to do. I read only a little bit every night. Dear mamma, I shall
tell you what I am going to do. Unless you send for me to-morrow to bring me
home I shall go to a deep place I know in the river and drown. It is wicked to
drown, I suppose, but I wanted to see you, and there is no one else. I am very
tired, and Tommy is waiting for the letter. You will excuse me, mamma, if I do
it.</p>
<p class="right">
Your respectful and loving daughter,<br/>
L<small>ENA</small>.</p>
<p>Tommy was still waiting faithfully when the letter was concluded, and when Lena
dropped it out she saw him pick it up and start up the steep hillside. Without
undressing she blew out the candle and curled herself upon the mattress on the
floor.</p>
<p>At 10:30 o’clock old man Ballinger came out of his house in his stocking
feet and leaned over the gate, smoking his pipe. He looked down the big road,
white in the moonshine, and rubbed one ankle with the toe of his other foot. It
was time for the Fredericksburg mail to come pattering up the road.</p>
<p>Old man Ballinger had waited only a few minutes when he heard the lively
hoofbeats of Fritz’s team of little black mules, and very soon afterward
his covered spring wagon stood in front of the gate. Fritz’s big
spectacles flashed in the moonlight and his tremendous voice shouted a greeting
to the postmaster of Ballinger’s. The mail-carrier jumped out and took
the bridles from the mules, for he always fed them oats at Ballinger’s.</p>
<p>While the mules were eating from their feed bags old man Ballinger brought out
the mail sack and threw it into the wagon.</p>
<p>Fritz Bergmann was a man of three sentiments—or to be more
accurate— four, the pair of mules deserving to be reckoned individually.
Those mules were the chief interest and joy of his existence. Next came the
Emperor of Germany and Lena Hildesmuller.</p>
<p>“Tell me,” said Fritz, when he was ready to start, “contains
the sack a letter to Frau Hildesmuller from the little Lena at the quarries?
One came in the last mail to say that she is a little sick, already. Her mamma
is very anxious to hear again.”</p>
<p>“Yes,” said old man Ballinger, “thar’s a letter for
Mrs. Helterskelter, or some sich name. Tommy Ryan brung it over when he come.
Her little gal workin’ over thar, you say?”</p>
<p>“In the hotel,” shouted Fritz, as he gathered up the lines;
“eleven years old and not bigger as a frankfurter. The close-fist of a
Peter Hildesmuller!—some day I shall with a big club pound that
man’s dummkopf—all in and out the town. Perhaps in this letter Lena
will say that she is yet feeling better. So, her mamma will be glad. <i>Auf
wiedersehen</i>, Herr Ballinger—your feets will take cold out in the
night air.”</p>
<p>“So long, Fritzy,” said old man Ballinger. “You got a nice
cool night for your drive.”</p>
<p>Up the road went the little black mules at their steady trot, while Fritz
thundered at them occasional words of endearment and cheer.</p>
<p>These fancies occupied the mind of the mail-carrier until he reached the big
post oak forest, eight miles from Ballinger’s. Here his ruminations were
scattered by the sudden flash and report of pistols and a whooping as if from a
whole tribe of Indians. A band of galloping centaurs closed in around the mail
wagon. One of them leaned over the front wheel, covered the driver with his
revolver, and ordered him to stop. Others caught at the bridles of Donder and
Blitzen.</p>
<p>“Donnerwetter!” shouted Fritz, with all his tremendous
voice—“wass ist? Release your hands from dose mules. Ve vas der
United States mail!”</p>
<p>“Hurry up, Dutch!” drawled a melancholy voice. “Don’t
you know when you’re in a stick-up? Reverse your mules and climb out of
the cart.”</p>
<p>It is due to the breadth of Hondo Bill’s demerit and the largeness of his
achievements to state that the holding up of the Fredericksburg mail was not
perpetrated by way of an exploit. As the lion while in the pursuit of prey
commensurate to his prowess might set a frivolous foot upon a casual rabbit in
his path, so Hondo Bill and his gang had swooped sportively upon the pacific
transport of Meinherr Fritz.</p>
<p>The real work of their sinister night ride was over. Fritz and his mail bag and
his mules came as gentle relaxation, grateful after the arduous duties of their
profession. Twenty miles to the southeast stood a train with a killed engine,
hysterical passengers and a looted express and mail car. That represented the
serious occupation of Hondo Bill and his gang. With a fairly rich prize of
currency and silver the robbers were making a wide detour to the west through
the less populous country, intending to seek safety in Mexico by means of some
fordable spot on the Rio Grande. The booty from the train had melted the
desperate bushrangers to jovial and happy skylarkers.</p>
<p>Trembling with outraged dignity and no little personal apprehension, Fritz
climbed out to the road after replacing his suddenly removed spectacles. The
band had dismounted and were singing, capering, and whooping, thus expressing
their satisfied delight in the life of a jolly outlaw. Rattlesnake Rogers, who
stood at the heads of the mules, jerked a little too vigorously at the rein of
the tender-mouthed Donder, who reared and emitted a loud, protesting snort of
pain. Instantly Fritz, with a scream of anger, flew at the bulky Rogers and
began to assiduously pummel that surprised freebooter with his fists.</p>
<p>“Villain!” shouted Fritz, “dog, bigstiff! Dot mule he has a
soreness by his mouth. I vill knock off your shoulders mit your head—
robbermans!”</p>
<p>“Yi-yi!” howled Rattlesnake, roaring with laughter and ducking his
head, “somebody git this here sour-krout off’n me!”</p>
<p>One of the band yanked Fritz back by the coat-tail, and the woods rang with
Rattlesnake’s vociferous comments.</p>
<p>“The dog-goned little wienerwurst,” he yelled, amiably.
“He’s not so much of a skunk, for a Dutchman. Took up for his
animile plum quick, didn’t he? I like to see a man like his hoss, even if
it is a mule. The dad-blamed little Limburger he went for me, didn’t he!
Whoa, now, muley—I ain’t a-goin’ to hurt your mouth agin any
more.”</p>
<p>Perhaps the mail would not have been tampered with had not Ben Moody, the
lieutenant, possessed certain wisdom that seemed to promise more spoils.</p>
<p>“Say, Cap,” he said, addressing Hondo Bill, “there’s
likely to be good pickings in these mail sacks. I’ve done some hoss
tradin’ with these Dutchmen around Fredericksburg, and I know the style
of the varmints. There’s big money goes through the mails to that town.
Them Dutch risk a thousand dollars sent wrapped in a piece of paper before
they’d pay the banks to handle the money.”</p>
<p>Hondo Bill, six feet two, gentle of voice and impulsive in action, was dragging
the sacks from the rear of the wagon before Moody had finished his speech. A
knife shone in his hand, and they heard the ripping sound as it bit through the
tough canvas. The outlaws crowded around and began tearing open letters and
packages, enlivening their labours by swearing affably at the writers, who
seemed to have conspired to confute the prediction of Ben Moody. Not a dollar
was found in the Fredericksburg mail.</p>
<p>“You ought to be ashamed of yourself,” said Hondo Bill to the
mail-carrier in solemn tones, “to be packing around such a lot of old,
trashy paper as this. What d’you mean by it, anyhow? Where do you
Dutchers keep your money at?”</p>
<p>The Ballinger mail sack opened like a cocoon under Hondo’s knife. It
contained but a handful of mail. Fritz had been fuming with terror and
excitement until this sack was reached. He now remembered Lena’s letter.
He addressed the leader of the band, asking that that particular missive be
spared.</p>
<p>“Much obliged, Dutch,” he said to the disturbed carrier. “I
guess that’s the letter we want. Got spondulicks in it, ain’t it?
Here she is. Make a light, boys.”</p>
<p>Hondo found and tore open the letter to Mrs. Hildesmuller. The others stood
about, lighting twisted up letters one from another. Hondo gazed with mute
disapproval at the single sheet of paper covered with the angular German
script.</p>
<p>“Whatever is this you’ve humbugged us with, Dutchy? You call this
here a valuable letter? That’s a mighty low-down trick to play on your
friends what come along to help you distribute your mail.”</p>
<p>“That’s Chiny writin’,” said Sandy Grundy, peering over
Hondo’s shoulder.</p>
<p>“You’re off your kazip,” declared another of the gang, an
effective youth, covered with silk handkerchiefs and nickel plating.
“That’s shorthand. I see ’em do it once in court.”</p>
<p>“Ach, no, no, no—dot is German,” said Fritz. “It is no
more as a little girl writing a letter to her mamma. One poor little girl, sick
and vorking hard avay from home. Ach! it is a shame. Good Mr. Robberman, you
vill please let me have dot letter?”</p>
<p>“What the devil do you take us for, old Pretzels?” said Hondo with
sudden and surprising severity. “You ain’t presumin’ to
insinuate that we gents ain’t possessed of sufficient politeness for to
take an interest in the miss’s health, are you? Now, you go on, and you
read that scratchin’ out loud and in plain United States language to this
here company of educated society.”</p>
<p>Hondo twirled his six-shooter by its trigger guard and stood towering above the
little German, who at once began to read the letter, translating the simple
words into English. The gang of rovers stood in absolute silence, listening
intently.</p>
<p>“How old is that kid?” asked Hondo when the letter was done.</p>
<p>“Eleven,” said Fritz.</p>
<p>“And where is she at?”</p>
<p>“At dose rock quarries—working. Ach, mein Gott—little Lena,
she speak of drowning. I do not know if she vill do it, but if she shall I
schwear I vill dot Peter Hildesmuller shoot mit a gun.”</p>
<p>“You Dutchers,” said Hondo Bill, his voice swelling with fine
contempt, “make me plenty tired. Hirin’ out your kids to work when
they ought to be playin’ dolls in the sand. You’re a hell of a sect
of people. I reckon we’ll fix your clock for a while just to show what we
think of your old cheesy nation. Here, boys!”</p>
<p>Hondo Bill parleyed aside briefly with his band, and then they seized Fritz and
conveyed him off the road to one side. Here they bound him fast to a tree with
a couple of lariats. His team they tied to another tree near by.</p>
<p>“We ain’t going to hurt you bad,” said Hondo reassuringly.
“’Twon’t hurt you to be tied up for a while. We will now pass
you the time of day, as it is up to us to depart. Ausgespielt—nixcumrous,
Dutchy. Don’t get any more impatience.”</p>
<p>Fritz heard a great squeaking of saddles as the men mounted their horses. Then
a loud yell and a great clatter of hoofs as they galloped pell-mell back along
the Fredericksburg road.</p>
<p>For more than two hours Fritz sat against his tree, tightly but not painfully
bound. Then from the reaction after his exciting adventure he sank into
slumber. How long he slept he knew not, but he was at last awakened by a rough
shake. Hands were untying his ropes. He was lifted to his feet, dazed, confused
in mind, and weary of body. Rubbing his eyes, he looked and saw that he was
again in the midst of the same band of terrible bandits. They shoved him up to
the seat of his wagon and placed the lines in his hands.</p>
<p>“Hit it out for home, Dutch,” said Hondo Bill’s voice
commandingly. “You’ve given us lots of trouble and we’re
pleased to see the back of your neck. Spiel! Zwei bier! Vamoose!”</p>
<p>Hondo reached out and gave Blitzen a smart cut with his quirt.</p>
<p>The little mules sprang ahead, glad to be moving again. Fritz urged them along,
himself dizzy and muddled over his fearful adventure.</p>
<p>According to schedule time, he should have reached Fredericksburg at daylight.
As it was, he drove down the long street of the town at eleven o’clock
A.M. He had to pass Peter Hildesmuller’s house on his way to the
post-office. He stopped his team at the gate and called. But Frau Hildesmuller
was watching for him. Out rushed the whole family of Hildesmullers.</p>
<p>Frau Hildesmuller, fat and flushed, inquired if he had a letter from Lena, and
then Fritz raised his voice and told the tale of his adventure. He told the
contents of that letter that the robber had made him read, and then Frau
Hildesmuller broke into wild weeping. Her little Lena drown herself! Why had
they sent her from home? What could be done? Perhaps it would be too late by
the time they could send for her now. Peter Hildesmuller dropped his meerschaum
on the walk and it shivered into pieces.</p>
<p>“Woman!” he roared at his wife, “why did you let that child
go away? It is your fault if she comes home to us no more.”</p>
<p>Every one knew that it was Peter Hildesmuller’s fault, so they paid no
attention to his words.</p>
<p>A moment afterward a strange, faint voice was heard to call:
“Mamma!” Frau Hildesmuller at first thought it was Lena’s
spirit calling, and then she rushed to the rear of Fritz’s covered wagon,
and, with a loud shriek of joy, caught up Lena herself, covering her pale
little face with kisses and smothering her with hugs. Lena’s eyes were
heavy with the deep slumber of exhaustion, but she smiled and lay close to the
one she had longed to see. There among the mail sacks, covered in a nest of
strange blankets and comforters, she had lain asleep until wakened by the
voices around her.</p>
<p>Fritz stared at her with eyes that bulged behind his spectacles.</p>
<p>“Gott in Himmel!” he shouted. “How did you get in that wagon?
Am I going crazy as well as to be murdered and hanged by robbers this
day?”</p>
<p>“You brought her to us, Fritz,” cried Frau Hildesmuller. “How
can we ever thank you enough?”</p>
<p>“Tell mamma how you came in Fritz’s wagon,” said Frau
Hildesmuller.</p>
<p>“I don’t know,” said Lena. “But I know how I got away
from the hotel. The Prince brought me.”</p>
<p>“By the Emperor’s crown!” shouted Fritz, “we are all
going crazy.”</p>
<p>“I always knew he would come,” said Lena, sitting down on her
bundle of bedclothes on the sidewalk. “Last night he came with his armed
knights and captured the ogre’s castle. They broke the dishes and kicked
down the doors. They pitched Mr. Maloney into a barrel of rain water and threw
flour all over Mrs. Maloney. The workmen in the hotel jumped out of the windows
and ran into the woods when the knights began firing their guns. They wakened
me up and I peeped down the stair. And then the Prince came up and wrapped me
in the bedclothes and carried me out. He was so tall and strong and fine. His
face was as rough as a scrubbing brush, and he talked soft and kind and smelled
of schnapps. He took me on his horse before him and we rode away among the
knights. He held me close and I went to sleep that way, and didn’t wake
up till I got home.”</p>
<p>“Rubbish!” cried Fritz Bergmann. “Fairy tales! How did you
come from the quarries to my wagon?”</p>
<p>“The Prince brought me,” said Lena, confidently.</p>
<p>And to this day the good people of Fredericksburg haven’t been able to
make her give any other explanation.</p>
<h2><SPAN name="chap19"></SPAN>XIX<br/> THE REFORMATION OF CALLIOPE</h2>
<p>Calliope Catesby was in his humours again. Ennui was upon him. This goodly
promontory, the earth—particularly that portion of it known as
Quicksand—was to him no more than a pestilent congregation of vapours.
Overtaken by the megrims, the philosopher may seek relief in soliloquy; my lady
find solace in tears; the flaccid Easterner scold at the millinery bills of his
women folk. Such recourse was insufficient to the denizens of Quicksand.
Calliope, especially, was wont to express his ennui according to his lights.</p>
<p>Over night Calliope had hung out signals of approaching low spirits. He had
kicked his own dog on the porch of the Occidental Hotel, and refused to
apologise. He had become capricious and fault-finding in conversation. While
strolling about he reached often for twigs of mesquite and chewed the leaves
fiercely. That was always an ominous act. Another symptom alarming to those who
were familiar with the different stages of his doldrums was his increasing
politeness and a tendency to use formal phrases. A husky softness succeeded the
usual penetrating drawl in his tones. A dangerous courtesy marked his manners.
Later, his smile became crooked, the left side of his mouth slanting upward,
and Quicksand got ready to stand from under.</p>
<p>At this stage Calliope generally began to drink. Finally, about midnight, he
was seen going homeward, saluting those whom he met with exaggerated but
inoffensive courtesy. Not yet was Calliope’s melancholy at the danger
point. He would seat himself at the window of the room he occupied over
Silvester’s tonsorial parlours and there chant lugubrious and tuneless
ballads until morning, accompanying the noises by appropriate maltreatment of a
jangling guitar. More magnanimous than Nero, he would thus give musical warning
of the forthcoming municipal upheaval that Quicksand was scheduled to endure.</p>
<p>A quiet, amiable man was Calliope Catesby at other times—quiet to
indolence, and amiable to worthlessness. At best he was a loafer and a
nuisance; at worst he was the Terror of Quicksand. His ostensible occupation
was something subordinate in the real estate line; he drove the beguiled
Easterner in buckboards out to look over lots and ranch property. Originally he
came from one of the Gulf States, his lank six feet, slurring rhythm of speech,
and sectional idioms giving evidence of his birthplace.</p>
<p>And yet, after taking on Western adjustments, this languid pine-box whittler,
cracker barrel hugger, shady corner lounger of the cotton fields and sumac
hills of the South became famed as a bad man among men who had made a life-long
study of the art of truculence.</p>
<p>At nine the next morning Calliope was fit. Inspired by his own barbarous
melodies and the contents of his jug, he was ready primed to gather fresh
laurels from the diffident brow of Quicksand. Encircled and criss-crossed with
cartridge belts, abundantly garnished with revolvers, and copiously drunk, he
poured forth into Quicksand’s main street. Too chivalrous to surprise and
capture a town by silent sortie, he paused at the nearest corner and emitted
his slogan—that fearful, brassy yell, so reminiscent of the steam piano,
that had gained for him the classic appellation that had superseded his own
baptismal name. Following close upon his vociferation came three shots from his
forty-five by way of limbering up the guns and testing his aim. A yellow dog,
the personal property of Colonel Swazey, the proprietor of the Occidental, fell
feet upward in the dust with one farewell yelp. A Mexican who was crossing the
street from the Blue Front grocery carrying in his hand a bottle of kerosene,
was stimulated to a sudden and admirable burst of speed, still grasping the
neck of the shattered bottle. The new gilt weather-cock on Judge Riley’s
lemon and ultramarine two-story residence shivered, flapped, and hung by a
splinter, the sport of the wanton breezes.</p>
<p>The artillery was in trim. Calliope’s hand was steady. The high, calm
ecstasy of habitual battle was upon him, though slightly embittered by the
sadness of Alexander in that his conquests were limited to the small world of
Quicksand.</p>
<p>Down the street went Calliope, shooting right and left. Glass fell like hail;
dogs vamosed; chickens flew, squawking; feminine voices shrieked concernedly to
youngsters at large. The din was perforated at intervals by the <i>staccato</i>
of the Terror’s guns, and was drowned periodically by the brazen screech
that Quicksand knew so well. The occasions of Calliope’s low spirits were
legal holidays in Quicksand. All along the main street in advance of his coming
clerks were putting up shutters and closing doors. Business would languish for
a space. The right of way was Calliope’s, and as he advanced, observing
the dearth of opposition and the few opportunities for distraction, his ennui
perceptibly increased.</p>
<p>But some four squares farther down lively preparations were being made to
minister to Mr. Catesby’s love for interchange of compliments and
repartee. On the previous night numerous messengers had hastened to advise Buck
Patterson, the city marshal, of Calliope’s impending eruption. The
patience of that official, often strained in extending leniency toward the
disturber’s misdeeds, had been overtaxed. In Quicksand some indulgence
was accorded the natural ebullition of human nature. Providing that the lives
of the more useful citizens were not recklessly squandered, or too much
property needlessly laid waste, the community sentiment was against a too
strict enforcement of the law. But Calliope had raised the limit. His outbursts
had been too frequent and too violent to come within the classification of a
normal and sanitary relaxation of spirit.</p>
<p>Buck Patterson had been expecting and awaiting in his little ten-by-twelve
frame office that preliminary yell announcing that Calliope was feeling blue.
When the signal came the city marshal rose to his feet and buckled on his guns.
Two deputy sheriffs and three citizens who had proven the edible qualities of
fire also stood up, ready to bandy with Calliope’s leaden jocularities.</p>
<p>“Gather that fellow in,” said Buck Patterson, setting forth the
lines of the campaign. “Don’t have no talk, but shoot as soon as
you can get a show. Keep behind cover and bring him down. He’s a nogood
’un. It’s up to Calliope to turn up his toes this time, I reckon.
Go to him all spraddled out, boys. And don’t git too reckless, for what
Calliope shoots at he hits.”</p>
<p>Buck Patterson, tall, muscular, and solemn-faced, with his bright “City
Marshal” badge shining on the breast of his blue flannel shirt, gave his
posse directions for the onslaught upon Calliope. The plan was to accomplish
the downfall of the Quicksand Terror without loss to the attacking party, if
possible.</p>
<p>The splenetic Calliope, unconscious of retributive plots, was steaming down the
channel, cannonading on either side, when he suddenly became aware of breakers
ahead. The city marshal and one of the deputies rose up behind some dry-goods
boxes half a square to the front and opened fire. At the same time the rest of
the posse, divided, shelled him from two side streets up which they were
cautiously manoeuvring from a well-executed detour.</p>
<p>The first volley broke the lock of one of Calliope’s guns, cut a neat
underbit in his right ear, and exploded a cartridge in his crossbelt, scorching
his ribs as it burst. Feeling braced up by this unexpected tonic to his
spiritual depression, Calliope executed a fortissimo note from his upper
register, and returned the fire like an echo. The upholders of the law dodged
at his flash, but a trifle too late to save one of the deputies a bullet just
above the elbow, and the marshal a bleeding cheek from a splinter that a ball
tore from the box he had ducked behind.</p>
<p>And now Calliope met the enemy’s tactics in kind. Choosing with a rapid
eye the street from which the weakest and least accurate fire had come, he
invaded it at a double-quick, abandoning the unprotected middle of the street.
With rare cunning the opposing force in that direction—one of the
deputies and two of the valorous volunteers— waited, concealed by beer
barrels, until Calliope had passed their retreat, and then peppered him from
the rear. In another moment they were reinforced by the marshal and his other
men, and then Calliope felt that in order to successfully prolong the delights
of the controversy he must find some means of reducing the great odds against
him. His eye fell upon a structure that seemed to hold out this promise,
providing he could reach it.</p>
<p>Not far away was the little railroad station, its building a strong box house,
ten by twenty feet, resting upon a platform four feet above ground. Windows
were in each of its walls. Something like a fort it might become to a man thus
sorely pressed by superior numbers.</p>
<p>Calliope made a bold and rapid spurt for it, the marshal’s crowd
“smoking” him as he ran. He reached the haven in safety, the
station agent leaving the building by a window, like a flying squirrel, as the
garrison entered the door.</p>
<p>Patterson and his supporters halted under protection of a pile of lumber and
held consultations. In the station was an unterrified desperado who was an
excellent shot and carried an abundance of ammunition. For thirty yards on
either side of the besieged was a stretch of bare, open ground. It was a sure
thing that the man who attempted to enter that unprotected area would be
stopped by one of Calliope’s bullets.</p>
<p>The city marshal was resolved. He had decided that Calliope Catesby should no
more wake the echoes of Quicksand with his strident whoop. He had so announced.
Officially and personally he felt imperatively bound to put the soft pedal on
that instrument of discord. It played bad tunes.</p>
<p>Standing near was a hand truck used in the manipulation of small freight. It
stood by a shed full of sacked wool, a consignment from one of the sheep
ranches. On this truck the marshal and his men piled three heavy sacks of wool.
Stooping low, Buck Patterson started for Calliope’s fort, slowly pushing
this loaded truck before him for protection. The posse, scattering broadly,
stood ready to nip the besieged in case he should show himself in an effort to
repel the juggernaut of justice that was creeping upon him. Only once did
Calliope make demonstration. He fired from a window, and some tufts of wool
spurted from the marshal’s trustworthy bulwark. The return shots from the
posse pattered against the window frame of the fort. No loss resulted on either
side.</p>
<p>The marshal was too deeply engrossed in steering his protected battleship to be
aware of the approach of the morning train until he was within a few feet of
the platform. The train was coming up on the other side of it. It stopped only
one minute at Quicksand. What an opportunity it would offer to Calliope! He had
only to step out the other door, mount the train, and away.</p>
<p>Abandoning his breastwork, Buck, with his gun ready, dashed up the steps and
into the room, driving upon the closed door with one heave of his weighty
shoulder. The members of the posse heard one shot fired inside, and then there
was silence.</p>
<p class="p2">
At length the wounded man opened his eyes. After a blank space he again could
see and hear and feel and think. Turning his eyes about, he found himself lying
on a wooden bench. A tall man with a perplexed countenance, wearing a big badge
with “City Marshal” engraved upon it, stood over him. A little old
woman in black, with a wrinkled face and sparkling black eyes, was holding a
wet handkerchief against one of his temples. He was trying to get these facts
fixed in his mind and connected with past events, when the old woman began to
talk.</p>
<p>“There now, great, big, strong man! That bullet never tetched ye! Jest
skeeted along the side of your head and sort of paralysed ye for a spell.
I’ve heerd of sech things afore; cun-cussion is what they names it. Abel
Wadkins used to kill squirrels that way—barkin’ ’em, Abe
called it. You jest been barked, sir, and you’ll be all right in a little
bit. Feel lots better already, don’t ye! You just lay still a while
longer and let me bathe your head. You don’t know me, I reckon, and
’tain’t surprisin’ that you shouldn’t. I come in on
that train from Alabama to see my son. Big son, ain’t he? Lands! you
wouldn’t hardly think he’d ever been a baby, would ye? This is my
son, sir.”</p>
<p>Half turning, the old woman looked up at the standing man, her worn face
lighting with a proud and wonderful smile. She reached out one veined and
calloused hand and took one of her son’s. Then smiling cheerily down at
the prostrate man, she continued to dip the handkerchief, in the waiting-room
tin washbasin and gently apply it to his temple. She had the benevolent
garrulity of old age.</p>
<p>“I ain’t seen my son before,” she continued, “in eight
years. One of my nephews, Elkanah Price, he’s a conductor on one of them
railroads and he got me a pass to come out here. I can stay a whole week on it,
and then it’ll take me back again. Jest think, now, that little boy of
mine has got to be a officer—a city marshal of a whole town! That’s
somethin’ like a constable, ain’t it? I never knowed he was a
officer; he didn’t say nothin’ about it in his letters. I reckon he
thought his old mother’d be skeered about the danger he was in. But,
laws! I never was much of a hand to git skeered. ’Tain’t no use. I
heard them guns a-shootin’ while I was gettin’ off them cars, and I
see smoke a-comin’ out of the depot, but I jest walked right along. Then
I see son’s face lookin’ out through the window. I knowed him at
oncet. He met me at the door, and squeezes me ’most to death. And there
you was, sir, a-lyin’ there jest like you was dead, and I ’lowed
we’d see what might be done to help sot you up.”</p>
<p>“I think I’ll sit up now,” said the concussion patient.
“I’m feeling pretty fair by this time.”</p>
<p>He sat, somewhat weakly yet, leaning against the wall. He was a rugged man,
big-boned and straight. His eyes, steady and keen, seemed to linger upon the
face of the man standing so still above him. His look wandered often from the
face he studied to the marshal’s badge upon the other’s breast.</p>
<p>“Yes, yes, you’ll be all right,” said the old woman, patting
his arm, “if you don’t get to cuttin’ up agin, and
havin’ folks shooting at you. Son told me about you, sir, while you was
layin’ senseless on the floor. Don’t you take it as meddlesome fer
an old woman with a son as big as you to talk about it. And you mustn’t
hold no grudge ag’in’ my son for havin’ to shoot at ye. A
officer has got to take up for the law—it’s his duty—and them
that acts bad and lives wrong has to suffer. Don’t blame my son any,
sir—’tain’t his fault. He’s always been a good
boy—good when he was growin’ up, and kind and ’bedient and
well-behaved. Won’t you let me advise you, sir, not to do so no more? Be
a good man, and leave liquor alone and live peaceably and goodly. Keep away
from bad company and work honest and sleep sweet.”</p>
<p>The black-mitted hand of the old pleader gently touched the breast of the man
she addressed. Very earnest and candid her old, worn face looked. In her rusty
black dress and antique bonnet she sat, near the close of a long life, and
epitomised the experience of the world. Still the man to whom she spoke gazed
above her head, contemplating the silent son of the old mother.</p>
<p>“What does the marshal say?” he asked. “Does he believe the
advice is good? Suppose the marshal speaks up and says if the talk’s all
right?”</p>
<p>The tall man moved uneasily. He fingered the badge on his breast for a moment,
and then he put an arm around the old woman and drew her close to him. She
smiled the unchanging mother smile of three-score years, and patted his big
brown hand with her crooked, mittened fingers while her son spake.</p>
<p>“I says this,” he said, looking squarely into the eyes of the other
man, “that if I was in your place I’d follow it. If I was a
drunken, desp’rate character, without shame or hope, I’d follow it.
If I was in your place and you was in mine I’d say: ‘Marshal,
I’m willin’ to swear if you’ll give me the chance I’ll
quit the racket. I’ll drop the tanglefoot and the gun play, and
won’t play hoss no more. I’ll be a good citizen and go to work and
quit my foolishness. So help me God!’ That’s what I’d say to
you if you was marshal and I was in your place.”</p>
<p>“Hear my son talkin’,” said the old woman softly. “Hear
him, sir. You promise to be good and he won’t do you no harm. Forty-one
year ago his heart first beat ag’in’ mine, and it’s beat true
ever since.”</p>
<p>The other man rose to his feet, trying his limbs and stretching his muscles.</p>
<p>“Then,” said he, “if you was in my place and said that, and I
was marshal, I’d say: ‘Go free, and do your best to keep your
promise.’”</p>
<p>“Lawsy!” exclaimed the old woman, in a sudden flutter, “ef I
didn’t clear forget that trunk of mine! I see a man settin’ it on
the platform jest as I seen son’s face in the window, and it went plum
out of my head. There’s eight jars of home-made quince jam in that trunk
that I made myself. I wouldn’t have nothin’ happen to them jars for
a red apple.”</p>
<p>Away to the door she trotted, spry and anxious, and then Calliope Catesby spoke
out to Buck Patterson:</p>
<p>“I just couldn’t help it, Buck. I seen her through the window
a-comin’ in. She never had heard a word ’bout my tough ways. I
didn’t have the nerve to let her know I was a worthless cuss bein’
hunted down by the community. There you was lyin’ where my shot laid you,
like you was dead. The idea struck me sudden, and I just took your badge off
and fastened it onto myself, and I fastened my reputation onto you. I told her
I was the marshal and you was a holy terror. You can take your badge back now,
Buck.”</p>
<p>With shaking fingers Calliope began to unfasten the disc of metal from his
shirt.</p>
<p>“Easy there!” said Buck Patterson. “You keep that badge right
where it is, Calliope Catesby. Don’t you dare to take it off till the day
your mother leaves this town. You’ll be city marshal of Quicksand as long
as she’s here to know it. After I stir around town a bit and put
’em on I’ll guarantee that nobody won’t give the thing away
to her. And say, you leather-headed, rip-roarin’, low-down son of a
locoed cyclone, you follow that advice she give me! I’m goin’ to
take some of it myself, too.”</p>
<p>“Buck,” said Calliope feelingly, “ef I don’t I hope I
may—”</p>
<p>“Shut up,” said Buck. “She’s a-comin’
back.”</p>
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