<p><SPAN name="link2HCH0067" id="link2HCH0067"></SPAN></p>
<h2> CHAPTER X——OF BOOKS </h2>
<p>I make no doubt but that I often happen to speak of things that are much
better and more truly handled by those who are masters of the trade. You
have here purely an essay of my natural parts, and not of those acquired:
and whoever shall catch me tripping in ignorance, will not in any sort get
the better of me; for I should be very unwilling to become responsible to
another for my writings, who am not so to myself, nor satisfied with them.
Whoever goes in quest of knowledge, let him fish for it where it is to be
found; there is nothing I so little profess. These are fancies of my own,
by which I do not pretend to discover things but to lay open myself; they
may, peradventure, one day be known to me, or have formerly been,
according as fortune has been able to bring me in place where they have
been explained; but I have utterly forgotten it; and if I am a man of some
reading, I am a man of no retention; so that I can promise no certainty,
more than to make known to what point the knowledge I now have has risen.
Therefore, let none lay stress upon the matter I write, but upon my method
in writing it. Let them observe, in what I borrow, if I have known how to
choose what is proper to raise or help the invention, which is always my
own. For I make others say for me, not before but after me, what, either
for want of language or want of sense, I cannot myself so well express. I
do not number my borrowings, I weigh them; and had I designed to raise
their value by number, I had made them twice as many; they are all, or
within a very few, so famed and ancient authors, that they seem, methinks,
themselves sufficiently to tell who they are, without giving me the
trouble. In reasons, comparisons, and arguments, if I transplant any into
my own soil, and confound them amongst my own, I purposely conceal the
author, to awe the temerity of those precipitate censors who fall upon all
sorts of writings, particularly the late ones, of men yet living; and in
the vulgar tongue which puts every one into a capacity of criticising and
which seem to convict the conception and design as vulgar also. I will
have them give Plutarch a fillip on my nose, and rail against Seneca when
they think they rail at me. I must shelter my own weakness under these
great reputations. I shall love any one that can unplume me, that is, by
clearness of understanding and judgment, and by the sole distinction of
the force and beauty of the discourse. For I who, for want of memory, am
at every turn at a loss to, pick them out of their national livery, am yet
wise enough to know, by the measure of my own abilities, that my soil is
incapable of producing any of those rich flowers that I there find
growing; and that all the fruits of my own growth are not worth any one of
them. For this, indeed, I hold myself responsible; if I get in my own way;
if there be any vanity and defect in my writings which I do not of myself
perceive nor can discern, when pointed out to me by another; for many
faults escape our eye, but the infirmity of judgment consists in not being
able to discern them, when by another laid open to us. Knowledge and truth
may be in us without judgment, and judgment also without them; but the
confession of ignorance is one of the finest and surest testimonies of
judgment that I know. I have no other officer to put my writings in rank
and file, but only fortune. As things come into my head, I heap them one
upon another; sometimes they advance in whole bodies, sometimes in single
file. I would that every one should see my natural and ordinary pace,
irregular as it is; I suffer myself to jog on at my own rate. Neither are
these subjects which a man is not permitted to be ignorant in, or casually
and at a venture, to discourse of. I could wish to have a more perfect
knowledge of things, but I will not buy it so dear as it costs. My design
is to pass over easily, and not laboriously, the remainder of my life;
there is nothing that I will cudgel my brains about; no, not even
knowledge, of what value soever.</p>
<p>I seek, in the reading of books, only to please myself by an honest
diversion; or, if I study, 'tis for no other science than what treats of
the knowledge of myself, and instructs me how to die and how to live well.</p>
<p>"Has meus ad metas sudet oportet equus."<br/>
<br/>
["My horse must work according to my step."<br/>
—Propertius, iv.]<br/></p>
<p>I do not bite my nails about the difficulties I meet with in my reading;
after a charge or two, I give them over. Should I insist upon them, I
should both lose myself and time; for I have an impatient understanding,
that must be satisfied at first: what I do not discern at once is by
persistence rendered more obscure. I do nothing without gaiety;
continuation and a too obstinate endeavour, darkens, stupefies, and tires
my judgment. My sight is confounded and dissipated with poring; I must
withdraw it, and refer my discovery to new attempts; just as, to judge
rightly of the lustre of scarlet, we are taught to pass the eye lightly
over it, and again to run it over at several sudden and reiterated
glances. If one book do not please me, I take another; and I never meddle
with any, but at such times as I am weary of doing nothing. I care not
much for new ones, because the old seem fuller and stronger; neither do I
converse much with Greek authors, because my judgment cannot do its work
with imperfect intelligence of the material.</p>
<p>Amongst books that are simply pleasant, of the moderns, Boccaccio's
Decameron, Rabelais, and the Basia of Johannes Secundus (if those may be
ranged under the title) are worth reading for amusement. As to the Amadis,
and such kind of stuff, they had not the credit of arresting even my
childhood. And I will, moreover, say, whether boldly or rashly, that this
old, heavy soul of mine is now no longer tickled with Ariosto, no, nor
with the worthy Ovid; his facility and inventions, with which I was
formerly so ravished, are now of no more relish, and I can hardly have the
patience to read them. I speak my opinion freely of all things, even of
those that, perhaps, exceed my capacity, and that I do not conceive to be,
in any wise, under my jurisdiction. And, accordingly, the judgment I
deliver, is to show the measure of my own sight, and not of the things I
make so bold to criticise. When I find myself disgusted with Plato's
'Axiochus', as with a work, with due respect to such an author be it
spoken, without force, my judgment does not believe itself: it is not so
arrogant as to oppose the authority of so many other famous judgments of
antiquity, which it considers as its tutors and masters, and with whom it
is rather content to err; in such a case, it condemns itself either to
stop at the outward bark, not being able to penetrate to the heart, or to
consider it by sortie false light. It is content with only securing itself
from trouble and disorder; as to its own weakness, it frankly acknowledges
and confesses it. It thinks it gives a just interpretation to the
appearances by its conceptions presented to it; but they are weak and
imperfect. Most of the fables of AEsop have diverse senses and meanings,
of which the mythologists chose some one that quadrates well to the fable;
but, for the most part, 'tis but the first face that presents itself and
is superficial only; there yet remain others more vivid, essential, and
profound, into which they have not been able to penetrate; and just so
'tis with me.</p>
<p>But, to pursue the business of this essay, I have always thought that, in
poesy, Virgil, Lucretius, Catullus, and Horace by many degrees excel the
rest; and signally, Virgil in his Georgics, which I look upon as the most
accomplished piece in poetry; and in comparison of which a man may easily
discern that there are some places in his AEneids, to which the author
would have given a little more of the file, had he had leisure: and the
fifth book of his AEneids seems to me the most perfect. I also love Lucan,
and willingly read him, not so much for his style, as for his own worth,
and the truth and solidity of his opinions and judgments. As for good
Terence, the refined elegance and grace of the Latin tongue, I find him
admirable in his vivid representation of our manners and the movements of
the soul; our actions throw me at every turn upon him; and I cannot read
him so often that I do not still discover some new grace and beauty. Such
as lived near Virgil's time complained that some should compare Lucretius
to him. I am of opinion that the comparison is, in truth, very unequal: a
belief that, nevertheless, I have much ado to assure myself in, when I
come upon some excellent passage in Lucretius. But if they were so angry
at this comparison, what would they say to the brutish and barbarous
stupidity of those who, nowadays, compare him with Ariosto? Would not
Ariosto himself say?</p>
<p>"O seclum insipiens et inficetum!"<br/>
<br/>
["O stupid and tasteless age."—Catullus, xliii. 8.]<br/></p>
<p>I think the ancients had more reason to be angry with those who compared
Plautus with Terence, though much nearer the mark, than Lucretius with
Virgil. It makes much for the estimation and preference of Terence, that
the father of Roman eloquence has him so often, and alone of his class, in
his mouth; and the opinion that the best judge of Roman poets —[Horace,
De Art. Poetica, 279.]—has passed upon his companion. I have often
observed that those of our times, who take upon them to write comedies (in
imitation of the Italians, who are happy enough in that way of writing),
take three or four plots of those of Plautus or Terence to make one of
their own, and , crowd five or six of Boccaccio's novels into one single
comedy. That which makes them so load themselves with matter is the
diffidence they have of being able to support themselves with their own
strength. They must find out something to lean to; and not having of their
own stuff wherewith to entertain us, they bring in the story to supply the
defect of language. It is quite otherwise with my author; the elegance and
perfection of his way of speaking makes us lose the appetite of his plot;
his refined grace and elegance of diction everywhere occupy us: he is so
pleasant throughout,</p>
<p>"Liquidus, puroque simillimus amni,"<br/>
<br/>
["Liquid, and likest the pure river."<br/>
—Horace, Ep., ii. s, 120.]<br/></p>
<p>and so possesses the soul with his graces that we forget those of his
fable. This same consideration carries me further: I observe that the best
of the ancient poets have avoided affectation and the hunting after, not
only fantastic Spanish and Petrarchic elevations, but even the softer and
more gentle touches, which are the ornament of all succeeding poesy. And
yet there is no good judgment that will condemn this in the ancients, and
that does not incomparably more admire the equal polish, and that
perpetual sweetness and flourishing beauty of Catullus's epigrams, than
all the stings with which Martial arms the tails of his. This is by the
same reason that I gave before, and as Martial says of himself:</p>
<p>"Minus illi ingenio laborandum fuit,<br/>
in cujus locum materia successerat:"<br/>
<br/>
["He had the less for his wit to do that the subject itself<br/>
supplied what was necessary."—Martial, praef. ad lib. viii.]<br/></p>
<p>The first, without being moved, or without getting angry, make themselves
sufficiently felt; they have matter enough of laughter throughout, they
need not tickle themselves; the others have need of foreign assistance; as
they have the less wit they must have the more body; they mount on
horseback, because they are not able to stand on their own legs. As in our
balls, those mean fellows who teach to dance, not being able to represent
the presence and dignity of our noblesse, are fain to put themselves
forward with dangerous jumping, and other strange motions and tumblers
tricks; and the ladies are less put to it in dance; where there are
various coupees, changes, and quick motions of body, than in some other of
a more sedate kind, where they are only to move a natural pace, and to
represent their ordinary grace and presence. And so I have seen good
drolls, when in their own everyday clothes, and with the same face they
always wear, give us all the pleasure of their art, when their
apprentices, not yet arrived at such a pitch of perfection, are fain to
meal their faces, put themselves into ridiculous disguises, and make a
hundred grotesque faces to give us whereat to laugh. This conception of
mine is nowhere more demonstrable than in comparing the AEneid with
Orlando Furioso; of which we see the first, by dint of wing, flying in a
brave and lofty place, and always following his point: the latter,
fluttering and hopping from tale to tale, as from branch to branch, not
daring to trust his wings but in very short flights, and perching at every
turn, lest his breath and strength should fail.</p>
<p>"Excursusque breves tentat."<br/>
<br/>
["And he attempts short excursions."<br/>
—Virgil, Georgics, iv. 194.]<br/></p>
<p>These, then, as to this sort of subjects, are the authors that best please
me.</p>
<p>As to what concerns my other reading, that mixes a little more profit with
the pleasure, and whence I learn how to marshal my opinions and
conditions, the books that serve me to this purpose are Plutarch, since he
has been translated into French, and Seneca. Both of these have this
notable convenience suited to my humour, that the knowledge I there seek
is discoursed in loose pieces, that do not require from me any trouble of
reading long, of which I am incapable. Such are the minor works of the
first and the epistles of the latter, which are the best and most
profiting of all their writings. 'Tis no great attempt to take one of them
in hand, and I give over at pleasure; for they have no sequence or
dependence upon one another. These authors, for the most part, concur in
useful and true opinions; and there is this parallel betwixt them, that
fortune brought them into the world about the same century: they were both
tutors to two Roman emperors: both sought out from foreign countries: both
rich and both great men. Their instruction is the cream of philosophy, and
delivered after a plain and pertinent manner. Plutarch is more uniform and
constant; Seneca more various and waving: the last toiled and bent his
whole strength to fortify virtue against weakness, fear, and vicious
appetites; the other seems more to slight their power, and to disdain to
alter his pace and to stand upon his guard. Plutarch's opinions are
Platonic, gentle, and accommodated to civil society; those of the other
are Stoical and Epicurean, more remote from the common use, but, in my
opinion, more individually commodious and more firm. Seneca seems to lean
a little to the tyranny of the emperors of his time, and only seems; for I
take it for certain that he speaks against his judgment when he condemns
the action of the generous murderers of Caesar. Plutarch is frank
throughout: Seneca abounds with brisk touches and sallies; Plutarch with
things that warm and move you more; this contents and pays you better: he
guides us, the other pushes us on.</p>
<p>As to Cicero, his works that are most useful to my design are they that
treat of manners and rules of our life. But boldly to confess the truth
(for since one has passed the barriers of impudence, there is no bridle),
his way of writing appears to me negligent and uninviting: for his
prefaces, definitions, divisions, and etymologies take up the greatest
part of his work: whatever there is of life and marrow is smothered and
lost in the long preparation. When I have spent an hour in reading him,
which is a great deal for me, and try to recollect what I have thence
extracted of juice and substance, for the most part I find nothing but
wind; for he is not yet come to the arguments that serve to his purpose,
and to the reasons that properly help to form the knot I seek. For me, who
only desire to become more wise, not more learned or eloquent, these
logical and Aristotelian dispositions of parts are of no use. I would have
a man begin with the main proposition. I know well enough what death and
pleasure are; let no man give himself the trouble to anatomise them to me.
I look for good and solid reasons, at the first dash, to instruct me how
to stand their shock, for which purpose neither grammatical subtleties nor
the quaint contexture of words and argumentations are of any use at all. I
am for discourses that give the first charge into the heart of the
redoubt; his languish about the subject; they are proper for the schools,
for the bar, and for the pulpit, where we have leisure to nod, and may
awake, a quarter of an hour after, time enough to find again the thread of
the discourse. It is necessary to speak after this manner to judges, whom
a man has a design to gain over, right or wrong, to children and common
people, to whom a man must say all, and see what will come of it. I would
not have an author make it his business to render me attentive: or that he
should cry out fifty times Oyez! as the heralds do. The Romans, in their
religious exercises, began with 'Hoc age' as we in ours do with 'Sursum
corda'; these are so many words lost to me: I come already fully prepared
from my chamber. I need no allurement, no invitation, no sauce; I eat the
meat raw, so that, instead of whetting my appetite by these preparatives,
they tire and pall it. Will the licence of the time excuse my sacrilegious
boldness if I censure the dialogism of Plato himself as also dull and
heavy, too much stifling the matter, and lament so much time lost by a
man, who had so many better things to say, in so many long and needless
preliminary interlocutions? My ignorance will better excuse me in that I
understand not Greek so well as to discern the beauty of his language. I
generally choose books that use sciences, not such as only lead to them.
The two first, and Pliny, and their like, have nothing of this Hoc age;
they will have to do with men already instructed; or if they have, 'tis a
substantial Hoc age; and that has a body by itself. I also delight in
reading the Epistles to Atticus, not only because they contain a great
deal of the history and affairs of his time, but much more because I
therein discover much of his own private humours; for I have a singular
curiosity, as I have said elsewhere, to pry into the souls and the natural
and true opinions of the authors, with whom I converse. A man may indeed
judge of their parts, but not of their manners nor of themselves, by the
writings they exhibit upon the theatre of the world. I have a thousand
times lamented the loss of the treatise Brutus wrote upon Virtue, for it
is well to learn the theory from those who best know the practice.</p>
<p>But seeing the matter preached and the preacher are different things, I
would as willingly see Brutus in Plutarch, as in a book of his own. I
would rather choose to be certainly informed of the conference he had in
his tent with some particular friends of his the night before a battle,
than of the harangue he made the next day to his army; and of what he did
in his closet and his chamber, than what he did in the public square and
in the senate. As to Cicero, I am of the common opinion that, learning
excepted, he had no great natural excellence. He was a good citizen, of an
affable nature, as all fat, heavy men, such as he was, usually are; but
given to ease, and had, in truth, a mighty share of vanity and ambition.
Neither do I know how to excuse him for thinking his poetry fit to be
published; 'tis no great imperfection to make ill verses, but it is an
imperfection not to be able to judge how unworthy his verses were of the
glory of his name. For what concerns his eloquence, that is totally out of
all comparison, and I believe it will never be equalled. The younger
Cicero, who resembled his father in nothing but in name, whilst commanding
in Asia, had several strangers one day at his table, and, amongst the
rest, Cestius seated at the lower end, as men often intrude to the open
tables of the great. Cicero asked one of his people who that man was, who
presently told him his name; but he, as one who had his thoughts taken up
with something else, and who had forgotten the answer made him, asking
three or four times, over and over again; the same question, the fellow,
to deliver himself from so many answers and to make him know him by some
particular circumstance; "'tis that Cestius," said he, "of whom it was
told you, that he makes no great account of your father's eloquence in
comparison of his own." At which Cicero, being suddenly nettled, commanded
poor Cestius presently to be seized, and caused him to be very well
whipped in his own presence; a very discourteous entertainer! Yet even
amongst those, who, all things considered, have reputed his, eloquence
incomparable, there have been some, who have not stuck to observe some
faults in it: as that great Brutus his friend, for example, who said 'twas
a broken and feeble eloquence, 'fyactam et elumbem'. The orators also,
nearest to the age wherein he lived, reprehended in him the care he had of
a certain long cadence in his periods, and particularly took notice of
these words, 'esse videatur', which he there so often makes use of. For my
part, I more approve of a shorter style, and that comes more roundly off.
He does, though, sometimes shuffle his parts more briskly together, but
'tis very seldom. I have myself taken notice of this one passage:</p>
<p>"Ego vero me minus diu senem mallem,<br/>
quam esse senem, antequam essem."<br/>
<br/>
["I had rather be old a brief time, than be old before old age.<br/>
—"Cicero, De Senect., c. 10.]<br/></p>
<p>The historians are my right ball, for they are pleasant and easy, and
where man, in general, the knowledge of whom I hunt after, appears more
vividly and entire than anywhere else:</p>
<p>[The easiest of my amusements, the right ball at tennis being that<br/>
which coming to the player from the right hand, is much easier<br/>
played with.—Coste.]<br/></p>
<p>the variety and truth of his internal qualities, in gross and piecemeal,
the diversity of means by which he is united and knit, and the accidents
that threaten him. Now those that write lives, by reason they insist more
upon counsels than events, more upon what sallies from within, than upon
what happens without, are the most proper for my reading; and, therefore,
above all others, Plutarch is the man for me. I am very sorry we have not
a dozen Laertii,—[Diogenes Laertius, who wrote the Lives of the
Philosophers]—or that he was not further extended; for I am equally
curious to know the lives and fortunes of these great instructors of the
world, as to know the diversities of their doctrines and opinions. In this
kind of study of histories, a man must tumble over, without distinction,
all sorts of authors, old and new, French or foreign, there to know the
things of which they variously treat. But Caesar, in my opinion,
particularly deserves to be studied, not for the knowledge of the history
only, but for himself, so great an excellence and perfection he has above
all the rest, though Sallust be one of the number. In earnest, I read this
author with more reverence and respect than is usually allowed to human
writings; one while considering him in his person, by his actions and
miraculous greatness, and another in the purity and inimitable polish of
his language, wherein he not only excels all other historians, as Cicero
confesses, but, peradventure, even Cicero himself; speaking of his enemies
with so much sincerity in his judgment, that, the false colours with which
he strives to palliate his evil cause, and the ordure of his pestilent
ambition excepted, I think there is no fault to be objected against him,
saving this, that he speaks too sparingly of himself, seeing so many great
things could not have been performed under his conduct, but that his own
personal acts must necessarily have had a greater share in them than he
attributes to them.</p>
<p>I love historians, whether of the simple sort, or of the higher order. The
simple, who have nothing of their own to mix with it, and who only make it
their business to collect all that comes to their knowledge, and
faithfully to record all things, without choice or discrimination, leave
to us the entire judgment of discerning the truth. Such, for example,
amongst others, is honest Froissart, who has proceeded in his undertaking
with so frank a plainness that, having committed an error, he is not
ashamed to confess and correct it in the place where the finger has been
laid, and who represents to us even the variety of rumours that were then
spread abroad, and the different reports that were made to him; 'tis the
naked and inform matter of history, and of which every one may make his
profit, according to his understanding. The more excellent sort of
historians have judgment to pick out what is most worthy to be known; and,
of two reports, to examine which is the most likely to be true: from the
condition of princes and their humours, they conclude their counsels, and
attribute to them words proper for the occasion; such have title to assume
the authority of regulating our belief to what they themselves believe;
but certainly, this privilege belongs to very few. For the middle sort of
historians, of which the most part are, they spoil all; they will chew our
meat for us; they take upon them to judge of, and consequently, to incline
the history to their own fancy; for if the judgment lean to one side, a
man cannot avoid wresting and writhing his narrative to that bias; they
undertake to select things worthy to be known, and yet often conceal from
us such a word, such a private action, as would much better instruct us;
omit, as incredible, such things as they do not understand, and
peradventure some, because they cannot express good French or Latin. Let
them display their eloquence and intelligence, and judge according to
their own fancy: but let them, withal, leave us something to judge of
after them, and neither alter nor disguise, by their abridgments and at
their own choice, anything of the substance of the matter, but deliver it
to us pure and entire in all its dimensions.</p>
<p>For the most part, and especially in these latter ages, persons are culled
out for this work from amongst the common people, upon the sole
consideration of well-speaking, as if we were to learn grammar from them;
and the men so chosen have fair reason, being hired for no other end and
pretending to nothing but babble, not to be very solicitous of any part
but that, and so, with a fine jingle of words, prepare us a pretty
contexture of reports they pick up in the streets. The only good histories
are those that have been written themselves who held command in the
affairs whereof they write, or who participated in the conduct of them,
or, at least, who have had the conduct of others of the same nature. Such
are almost all the Greek and Roman histories: for, several eye-witnesses
having written of the same subject, in the time when grandeur and learning
commonly met in the same person, if there happen to be an error, it must
of necessity be a very slight one, and upon a very doubtful incident. What
can a man expect from a physician who writes of war, or from a mere
scholar, treating of the designs of princes? If we could take notice how
scrupulous the Romans were in this, there would need but this example:
Asinius Pollio found in the histories of Caesar himself something
misreported, a mistake occasioned; either by reason he could not have his
eye in all parts of his army at once and had given credit to some
individual persons who had not delivered him a very true account; or else,
for not having had too perfect notice given him by his lieutenants of what
they had done in his absence.—[Suetonius, Life of Caesar, c. 56.]—By
which we may see, whether the inquisition after truth be not very
delicate, when a man cannot believe the report of a battle from the
knowledge of him who there commanded, nor from the soldiers who were
engaged in it, unless, after the method of a judicial inquiry, the
witnesses be confronted and objections considered upon the proof of the
least detail of every incident. In good earnest the knowledge we have of
our own affairs, is much more obscure: but that has been sufficiently
handled by Bodin, and according to my own sentiment —[In the work by
jean Bodin, entitled "Methodus ad facilem historiarum cognitionem." 1566.]—A
little to aid the weakness of my memory (so extreme that it has happened
to me more than once, to take books again into my hand as new and unseen,
that I had carefully read over a few years before, and scribbled with my
notes) I have adopted a custom of late, to note at the end of every book
(that is, of those I never intend to read again) the time when I made an
end on't, and the judgment I had made of it, to the end that this might,
at least, represent to me the character and general idea I had conceived
of the author in reading it; and I will here transcribe some of those
annotations.</p>
<p>I wrote this, some ten years ago, in my Guicciardini (of what language
soever my books speak to me in, I always speak to them in my own): "He is
a diligent historiographer, from whom, in my opinion, a man may learn the
truth of the affairs of his time, as exactly as from any other; in the
most of which he was himself also a personal actor, and in honourable
command. There is no appearance that he disguised anything, either upon
the account of hatred, favour, or vanity; of which the free censures he
passes upon the great ones, and particularly those by whom he was advanced
and employed in commands of great trust and honour, as Pope Clement VII.,
give ample testimony. As to that part which he thinks himself the best at,
namely, his digressions and discourses, he has indeed some very good, and
enriched with fine features; but he is too fond of them: for, to leave
nothing unsaid, having a subject so full, ample, almost infinite, he
degenerates into pedantry and smacks a little of scholastic prattle. I
have also observed this in him, that of so many souls and so many effects,
so many motives and so many counsels as he judges, he never attributes any
one to virtue, religion, or conscience, as if all these were utterly
extinct in the world: and of all the actions, how brave soever in outward
show they appear in themselves, he always refers the cause and motive to
some vicious occasion or some prospect of profit. It is impossible to
imagine but that, amongst such an infinite number of actions as he makes
mention of, there must be some one produced by the way of honest reason.
No corruption could so universally have infected men that some one would
not escape the contagion which makes me suspect that his own taste was
vicious, whence it might happen that he judged other men by himself."</p>
<p>In my Philip de Commines there is this written: "You will here find the
language sweet and delightful, of a natural simplicity, the narration
pure, with the good faith of the author conspicuous therein; free from
vanity, when speaking of himself, and from affection or envy, when
speaking of others: his discourses and exhortations rather accompanied
with zeal and truth, than with any exquisite sufficiency; and, throughout,
authority and gravity, which bespeak him a man of good extraction, and
brought up in great affairs."</p>
<p>Upon the Memoirs of Monsieur du Bellay I find this: "'Tis always pleasant
to read things written by those that have experienced how they ought to be
carried on; but withal, it cannot be denied but there is a manifest
decadence in these two lords—[Martin du Bellay and Guillaume de
Langey, brothers, who jointly wrote the Memoirs.]—from the freedom
and liberty of writing that shine in the elder historians, such as the
Sire de Joinville, the familiar companion of St. Louis; Eginhard,
chancellor to Charlemagne; and of later date, Philip de Commines. What we
have here is rather an apology for King Francis, against the Emperor
Charles V., than history. I will not believe that they have falsified
anything, as to matter of fact; but they make a common practice of
twisting the judgment of events, very often contrary to reason, to our
advantage, and of omitting whatsoever is ticklish to be handled in the
life of their master; witness the proceedings of Messieurs de Montmorency
and de Biron, which are here omitted: nay, so much as the very name of
Madame d'Estampes is not here to be found. Secret actions an historian may
conceal; but to pass over in silence what all the world knows and things
that have drawn after them public and such high consequences, is an
inexcusable defect. In fine, whoever has a mind to have a perfect
knowledge of King Francis and the events of his reign, let him seek it
elsewhere, if my advice may prevail. The only profit a man can reap from
these Memoirs is in the special narrative of battles and other exploits of
war wherein these gentlemen were personally engaged; in some words and
private actions of the princes of their time, and in the treaties and
negotiations carried on by the Seigneur de Langey, where there are
everywhere things worthy to be known, and discourses above the vulgar
strain."</p>
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