<h2><SPAN name="CHAPTER_XXVIII" id="CHAPTER_XXVIII"></SPAN>CHAPTER XXVIII.</h2>
<h3>THE FLIGHT.</h3>
<p>About ten days after Ralph's return to Flat Creek things came to
a crisis.</p>
<p>The master was rather relieved at first to have the crisis come.
He had been holding juvenile Flat Creek under his feet by sheer
force of will. And such an exercise of "psychic power" is very
exhausting. In racing on the Ohio the engineer sometimes sends the
largest of the firemen to hold the safety valve down, and this he
does by hanging himself to the lever by his hands. Ralph felt that
he had been holding the safety-valve down, and that he was so weary
of the operation that an explosion would be a real relief. He was a
little tired of having everybody look on him as a thief. It was a
little irksome to know that new bolts were put on the doors of the
houses in which he had staid. And now that Shocky was gone, and Bud
had turned against him, and Aunt Matilda suspected him, and even
poor, weak, exquisite Walter Johnson would not associate with him,
he felt himself an outlaw indeed. He would have gone away to Texas
or the new gold fields in California had It not been for one thing.
That letter on blue foolscap paper kept a little warmth in his
heart.</p>
<p>His course from school on the evening that something happened
lay through the sugar-camp. Among the dark trunks of the maples,
solemn and lofty pillars, he debated the case. To stay, or to flee?
The worn nerves could not keep their present tension much
longer.</p>
<p>It was just by the brook, or, as they say in Indiana, the
"branch<SPAN name="FNanchor_26_26" id="FNanchor_26_26"></SPAN><SPAN href="#Footnote_26_26" class="fnanchor">[26]</SPAN>," that something
happened which brought him to a sudden decision. Ralph never
afterward could forget that brook. It was a swift-running little
stream, that did not babble blatantly over the stones. It ran
through a thicket of willows, through the sugar-camp, and out into
Means's pasture. Ralph had just passed through the thicket, had
just crossed the brook on the half-decayed log that spanned it,
when, as he emerged from the water-willows on the other side, he
started with a sudden shock. For there was Hannah, with a white,
white face, holding out a little note folded like an old-fashioned
thumb-paper.</p>
<p>"Go quick!" she stammered as she slipped it Into Ralph's hand,
inadvertently touching his fingers with her own—a touch that
went tingling through the school-master's nerves. But she had
hardly said the words until she was gone down the brookside path
and over into the pasture. A few minutes afterward she drove the
cows up into the lot and meekly took her scolding from Mrs. Means
for being gone sech an awful long time, like a lazy,
good-fer-nothin piece of goods that she was.</p>
<p>Ralph opened the thumb-paper note, written on a page torn
from an old copy-book, in Bud's "hand-write" and running:</p>
<div class='blockquot'><span style="margin-left: 2.5em;">"Mr.
Heartsook</span><br/>
<br/>
<span style="margin-left: 2.5em;">"deer Sur:</span></div>
<p>"I Put in my best licks, taint no use. Run fer yore life. A
plans on foot to tar an fether or wuss to-night. Go rite off.
Things is awful juberous<SPAN name="FNanchor_27_27" id="FNanchor_27_27"></SPAN><SPAN href="#Footnote_27_27" class="fnanchor">[27]</SPAN>.</p>
<div class='blockquot'><span style=
"margin-left: 2.5em;">"BUD."</span></div>
<p>The first question with Ralph was whether he could depend on
Bud. But he soon made up his mind that treachery of any sort was
not one of his traits. He had mourned over the destruction of Bud's
good resolutions by Martha Hawkins' refusal, and being a
disinterested party he could have comforted Bud by explaining
Martha's "mitten." But he felt sure that Bud was not treacherous.
It was a relief, then, as he stood there to know that the false
truce was over, and worst had come to worst.</p>
<p>His first impulse was to stay and fight. But his nerves were not
strong enough to execute so foolhardy a resolution. He seemed to
see a man behind every maple-trunk. Darkness was fast coming on,
and he knew that his absence from supper at his boarding-place
could not fail to excite suspicion. There was no time to be lost.
So he started.</p>
<p>Once run from a danger, and panic is apt to ensue. The forest;
the stalk-fields, the dark hollows through which he passed, seemed
to be peopled with terrors. He knew Small and Jones well enough to
know that every avenue of escape would be carefully picketed. So
there was nothing to do but to take the shortest path to the old
trysting place, the Spring-in-rock.</p>
<p>Here he sat and shook with terror. Angry with himself, he inly
denounced himself for a coward. But the effect was really a
physical one. The chill and panic now were the reaction from the
previous strain.</p>
<p>For when the sound of his pursuers' voices broke upon his ears
early in the evening, Ralph shook no more; the warm blood set back
again toward the extremities, and his self-control returned when he
needed it. He gathered some stones about him, as the only weapons
of defense at hand. The mob was on the cliff above. But he thought
that he heard footsteps in the bed of the creek below. If this were
so, there could be no doubt that his hiding-place was
suspected.</p>
<p>"O Hank!" shouted Bud from the top of the cliff to some one in
the creek below, "be sure to look at the Spring-in-rock—I
think he's there."</p>
<p>This hint was not lost on Ralph, who speedily changed his
quarters by climbing up to a secluded, shelf-like ledge above the
spring. He was none too soon, for Pete Jones and Hank Banta were
soon looking all around the spring for him, while he held a
twenty-pound stone over their heads ready to drop upon them in case
they should think of looking on the ledge above.</p>
<p>When the crowd were gone Ralph knew that one road was open to
him. He could follow down the creek to Clifty, and thence he might
escape. But, traveling down to Clifty, he debated whether it was
best to escape. To flee was to confess his guilt, to make himself
an outlaw, to put an insurmountable barrier between himself and
Hannah, whose terror-stricken and anxious face as she stood by the
brook-willows haunted him now, and was an involuntary witness to
her love.</p>
<p>Long before he reached Clifty his mind was made up not to flee
another mile. He knocked at the door of Squire Underwood. But
Squire Underwood was also a doctor, and had been called away. He
knocked at the door of Squire Doolittle. But Squire Doolittle had
gone to Lewisburg. He was about to give up all hope of being able
to surrender himself to the law when he met Squire Hawkins, who had
come over to Clifty to avoid responsibility for the ill-deeds of
his neighbors which he was powerless to prevent.</p>
<p>"Is that you, Mr. Hartsook?"</p>
<p>"Yes, and I want you to arrest me and try me here in
Clifty."</p>
<div class="footnotes">
<p class="center">FOOTNOTES:</p>
<div class="footnote">
<p><SPAN name="Footnote_26_26" id="Footnote_26_26"></SPAN><SPAN href="#FNanchor_26_26"><span class="label">[26]</span></SPAN> I have
already mentioned the absence of <i>pail</i> and <i>pare</i> from
the ancient Hoosier folk-speech. <i>Brook</i> is likewise absent.
The illiterate Indiana countryman before the Civil War, let us say,
had no pails, pared no apples, husked no corn, crossed no brooks.
The same is true, I believe, of the South generally. As the first
settlers on the Southern coast entered the land by the rivers, each
smaller stream was regarded as a branch of the larger one. A small
stream was therefore called a <i>branch</i>. The word brook was
probably lost in the first generation. But a small stream is often
called a <i>run</i> in the Middle and Southern belt. Halliwell
gives <i>rundel</i> as used with the same signification in England,
and he gives <i>ryn</i> in the same sense from an old
manuscript.</p>
</div>
<div class="footnote">
<p><SPAN name="Footnote_27_27" id="Footnote_27_27"></SPAN><SPAN href="#FNanchor_27_27"><span class="label">[27]</span></SPAN>
<i>Juberous</i> is in none of the vocabularies that I have seen. I
once treated this word in print as an undoubted corruption of
<i>dubious</i>, and when used subjectively it apparently feels the
influence of dubious, as where one says: "I feel mighty juberous
about it." But it is much oftener applied as in the text to the
object of fear, as "The bridge looks kind o' juberous." Halliwell
gives the verb <i>juberd</i> and defines it as "to jeopard or
endanger." It is clearly a dialect form of <i>jeopard</i>, and I
make no doubt that <i>juberous</i> is a dialect variation of
<i>jeopardous</i>, occasionally used as a form of
<i>dubious</i>.</p>
</div>
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