<h2><SPAN name="CHAPTER_XXVI" id="CHAPTER_XXVI"></SPAN>CHAPTER XXVI.</h2>
<h3>A LETTER AND ITS CONSEQUENCES.</h3>
<p>"SQUAR HAUKINS</p>
<p>"this is too Lett u no that u beter be Keerful hoo yoo an yore
familly tacks cides with fer peepl wont Stan it too hev the Men
wat's sportin the wuns wat's robin us, sported bi yor Fokes kepin
kumpne with 'em, u been a ossifer ov the Lau, yor Ha wil bern as
qick as to an yor Barn tu, so Tak kere. No mor ad pressnt."</p>
<p>This letter accomplished its purpose. The Squire's spectacles
slipped off several times while he read it. His wig had to be
adjusted. If he had been threatened personally he would not have
minded it so much. But the hay stacks were dearer to him than the
apple of his glass eye. The barn was more precious than his wig.
And those who hoped to touch Bud in a tender place through this
letter knew the Squire's weakness far better than they knew the
spelling-book. To see his new red barn with its large "Mormon"
hay-press inside, and the mounted Indian on the vane, consumed, was
too much for the Hawkins heart to stand. Evidently the danger was
on the side of his niece. But how should he influence Martha to
give up Bud? Martha did not value the hay-stacks half so highly as
she did her lover. Martha did not think the new red barn, with the
great Mormon press inside and the galloping Indian on the vane,
worth half so much as a moral principle or a kind-hearted action.
Martha, bless her! would have sacrificed anything rather than
forsake the poor. But Squire Hawkins's lips shut tight over his
false teeth in a way that suggested astringent purse-strings, and
Squire Hawkins could not sleep at night if the new red barn, with
the galloping Indian on the vane, were in danger. Martha must be
reached somehow.</p>
<p>So, with many adjustings of that most adjustable wig? with many
turnings of that reversible glass eye? the Squire managed to
frighten Martha by the intimation that he had been threatened, and
to make her understand, what it cost her much to understand, that
she must turn the cold shoulder to chivalrous, awkward Bud, whom
she loved most tenderly, partly, perhaps, because he did not remind
her of anybody she had ever known at the East.</p>
<p>Tuesday evening was the fatal time. Spelling-school was the
fatal occasion. Bud was the victim. Pete Jones had his revenge. For
Bud had been all the evening trying to muster courage enough to
offer himself as Martha's escort. He was not encouraged by the fact
that he had spelled even worse than usual, while Martha had
distinguished herself by holding her ground against Jeems Phillips
for half an hour. But he screwed his courage to the sticking place,
not by quoting to himself the adage, "Faint heart never won fair
lady," which, indeed, he had never heard, but by reminding himself
that "ef you don't resk notin' you'll never git nothin'." So, when
the spelling-school had adjourned, he sidled up to her, and,
looking dreadfully solemn and a little foolish, he said:</p>
<p>"Kin I see you safe home?"</p>
<p>And she, with a feeling that her uncle's life was in danger, and
that his salvation depended upon her resolution—she, with a
feeling that she was pronouncing sentence of death on her own great
hope, answered huskily:</p>
<p>"No, I thank you."</p>
<p>If she had only known that it was the red barn with the Indian
on top that was in danger, she would probably have let the
galloping brave take care of himself.</p>
<p>It seemed to Bud, as he walked home mortified, disgraced,
disappointed, hopeless, that all the world had gone down in a
whirlpool of despair.</p>
<p>"Might a knowed it," he said to himself. "Of course, a smart gal
like Martha a'n't agoin' to take a big, blunderin' fool that can't
spell in two syllables. What's the use of tryin'? A Flat Cricker Is
a Flat Cricker. You can't make nothin' else of him, no more nor you
can make a Chiny hog into a Berkshire."</p>
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