<h2><SPAN name="CHAPTER_V" id="CHAPTER_V"></SPAN>CHAPTER V.</h2>
<h3>THE WALK HOME.</h3>
<p>You expect me to describe that walk. You have had enough of the
Jack Meanses and the Squire Hawkinses, and the Pete Joneses, and
the rest. You wish me to tell you now of this true-hearted girl and
her lover; of how the silvery moonbeams came down in a
shower—to use Whittier's favorite metaphor—through the
maple boughs, flecking the frozen ground with light and shadow. You
would have me tell of the evening star, not yet gone down, which
shed its benediction on them. But I shall do no such thing. For the
moon was not shining, neither did the stars give their light. The
tall, black trunks of the maples swayed and shook in the wind,
which moaned through their leafless boughs. Novelists always make
lovers walk in the moonlight. But if love is not, as the cynics
believe, all moonshine, it can at least make its own light.
Moonlight is never so little needed or heeded, never so much of an
impertinence, as in a love-scene. It was at the bottom of the first
hollow beyond the school-house that Ralph overtook the timid girl
walking swiftly through the dark. He did not ask permission to walk
with her. Love does not go by words, and there are times when
conventionality is impossible. There are people who understand one
another at once. When one soul meets another, it is not by
pass-word, nor by hailing sign, nor by mysterious grip that they
recognize. The subtlest freemasonry in the world is this
freemasonry of the spirit.</p>
<p>Ralph and Hannah knew and trusted. Ralph had admired and
wondered at the quiet drudge. But it was when, in the unaccustomed
sunshine of praise, she spread her wings a little, that he loved
her. He had seen her awake.</p>
<p>You, Miss Amelia, wish me to repeat all their love-talk. I am
afraid you'd find it dull. Love can pipe through any kind of a
reed. Ralph talked love to Hannah when he spoke of the weather, of
the crops, of the spelling-school. Weather, crops, and
spelling-school—these were what his words would say if
reported. But below all these commonplaces there vibrated something
else. One can make love a great deal better when one doesn't speak
of love. Words are so poor! Tones and modulations are better. It is
an old story that Whitefield could make an audience weep by his way
of pronouncing the word Mesopotamia. A lover can sound the whole
gamut of his affection in saying Good-morning. The solemnest
engagements ever made have been without the intervention of
speech.</p>
<p>And you, my Gradgrind friend, you think me sentimental. Two
young fools they were, walking so slowly though the night was
sharp, dallying under the trees, and dreaming of a heaven they
could not have realized if all their wishes had been granted. Of
course they were fools! Either they were fools to be so happy, or
else some other people are fools not to be. After all, dear
Gradgrind, let them be. There's no harm in it. They'll get trouble
enough before morning. Let them enjoy the evening. I am not sure
but these lovers whom we write down fools are the only wise people
after all. Is it not wise to be happy? Let them alone.</p>
<p>For the first time in three years, for the first time since she
had crossed the threshold of "Old Jack Means" and come under the
domination of Mrs. Old Jack Means, Hannah talked cheerfully, almost
gayly. It was something to have a companion to talk to. It was
something to be the victor even in a spelling-match, and to be
applauded even by Flat Creek. And so, chatting earnestly about the
most uninteresting themes, Ralph courteously helped Hannah over the
fence, and they took the usual short-cut through the "blue-grass
pasture." There came up a little shower, hardly more than a
sprinkle, but then It was so nice to have a shower just as they
reached the box-elder tree by the spring! It was so thoughtful in
Ralph to suggest that the shade of a box-elder is dense, and that
Hannah might take cold! And it was so easy for Hannah to yield to
the suggestion! Just as though she had not milked the cows in the
open lot in the worst storms of the last three years! And just as
though the house were not within a stone's-throw! Doubtless it was
not prudent to stop here. But let us deal gently with them. Who
would not stay in an earthy paradise ten minutes longer, even
though it did make purgatory the hotter afterward? And so Hannah
stayed.</p>
<p>"Tell me your circumstances," said Ralph, at last. "I am sure I
can help you in something."</p>
<p>"No, no! you cannot," and Hannah's face was clouded. "No one can
help me. Only time and God. I must go, Mr. Hartsook." And they
walked on to the front gate in silence and in some constraint. But
still in happiness.</p>
<p>As they came to the gate, Dr. Small pushed past them in his
cool, deliberate way, and mounted his horse. Ralph bade Hannah
good-night, having entirely forgotten the errand which had been his
excuse to himself for coming out of his way. He hastened to his new
home, the house of Mr. Pete Jones, the same who believed in the
inseparableness of "lickin' and larnin'."</p>
<p>"You're a purty gal, a'n't you? You're a purty gal, a'n't you?
<i>You</i> air! Yes, you <i>air</i>" and Mrs. Means seemed so
impressed with Hannah's prettiness that she choked on it, and could
get no further. "A purty gal! you! Yes! you air a mighty purty
gal!" and the old woman's voice rose till it could have been heard
half a mile. "To be a-santerin' along the big road after ten
o'clock with the master! Who knows whether he's a fit man fer
anybody to go with? Arter all I've been and gone and done fer you!
That's the way you pay me! Disgrace me! Yes, I say disgrace me!
You're a mean, deceitful thing. Stuck up bekase you spelt the
master down. Ketch <i>me</i> lettin' you got to spellin'-school
to-morry night! Ketch ME! Yes, ketch ME, I say!"</p>
<p>"Looky here, marm," said Bud, "it seems to me you're a-makin' a
blamed furss about nothin'. Don't yell so's they'll hear you three
or four mile. You'll have everybody 'tween here and Clifty waked
up." For Mrs. Means had become so excited over the idea of being
caught allowing Hannah to go to spelling-school that she had raised
her last "Ketch me!" to a perfect whoop.</p>
<p>"That's the way I'm treated," whimpered the old woman, who knew
how to take the "injured innocence" dodge as well as anybody.
"That's the way I'm treated. You allers take sides with that air
hussy agin your own flesh and blood. You don't keer how much
trouble I have. Not you. Not a dog-on'd bit. I may be disgraced by
that air ongrateful critter, and you set right here in my own house
and sass me about it. A purty fellow you air! An' me a-delvin' and
a-drudgin' fer you all my born days. A purty son, a'n't you?"</p>
<p>Bud did not say another word. He sat in the chimney-corner and
whistled "Dandy Jim from Caroline." His diversion had produced the
effect he sought: for while his tender-hearted mother poured her
broadside into his iron-clad feelings, Hannah had slipped up the
stairs to her garret bedroom, and when Mrs. Means turned from the
callous Bud to finish her assault upon the sensitive girl, she
could only gnash her teeth in disappointment.</p>
<p>Stung by the insults to which she could not grow insensible,
Hannah lay awake until the memory of that walk through the darkness
came into her soul like a benediction. The harsh voice of the scold
died out, and the gentle and courteous voice of Hartsook filled her
soul. She recalled piece by piece the whole conversation—all
the commonplace remarks about the weather; all the insignificant
remarks about the crops; all the unimportant words about the
spelling-school. Not for the sake of the remarks. Not for the sake
of the weather. Not for the sake of the crops. Not for the sake of
the spelling-school. But for the sake of the undertone. And then
she traveled back over the three years of her bondage and forward
over the three years to come, and fed her heart on the dim hope of
rebuilding in some form the home that had been so happy. And she
prayed, with more faith than ever before, for deliverance. For love
brings faith. Somewhere on in the sleepless night she stood at the
window. The moon was shining now, and there was the path through
the pasture, and there was the fence, and there was the
box-elder.</p>
<p>She sat there a long time. Then she saw someone come over the
fence and walk to the tree, and then on toward Pete Jones's. Who
could it be? She thought she recognized the figure. But she was
chilled and shivering, and she crept back again into bed, and
dreamed not of the uncertain days to come, but of the blessed days
that were past—of a father and a mother and a brother in a
happy home. But somehow the school-master was there too.</p>
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