<h2><SPAN name="CHAPTER_IV" id="CHAPTER_IV"></SPAN>CHAPTER IV</h2>
<h3>AUNT ROXY AND AUNT RUEY</h3>
<p><span class='pagenum'><SPAN name="Page_15" id="Page_15"></SPAN></span>The sea lay like an unbroken mirror all around the pine-girt,
lonely shores of Orr's Island. Tall, kingly spruces
wore their regal crowns of cones high in air, sparkling with
diamonds of clear exuded gum; vast old hemlocks of primeval
growth stood darkling in their forest shadows, their
branches hung with long hoary moss; while feathery
larches, turned to brilliant gold by autumn frosts, lighted
up the darker shadows of the evergreens. It was one of
those hazy, calm, dissolving days of Indian summer, when
everything is so quiet that the faintest kiss of the wave on
the beach can be heard, and white clouds seem to faint into
the blue of the sky, and soft swathing bands of violet vapor
make all earth look dreamy, and give to the sharp, clear-cut
outlines of the northern landscape all those mysteries
of light and shade which impart such tenderness to Italian
scenery.</p>
<p>The funeral was over; the tread of many feet, bearing
the heavy burden of two broken lives, had been to the
lonely graveyard, and had come back again,—each footstep
lighter and more unconstrained as each one went his
way from the great old tragedy of Death to the common
cheerful walks of Life.</p>
<p>The solemn black clock stood swaying with its eternal
"tick-tock, tick-tock," in the kitchen of the brown house
on Orr's Island. There was there that sense of a stillness
that can be felt,—such as settles down on a dwelling
when any of its inmates have passed through its doors for<span class='pagenum'><SPAN name="Page_16" id="Page_16"></SPAN></span>
the last time, to go whence they shall not return. The
best room was shut up and darkened, with only so much
light as could fall through a little heart-shaped hole in the
window-shutter,—for except on solemn visits, or prayer
meetings, or weddings, or funerals, that room formed no
part of the daily family scenery.</p>
<p>The kitchen was clean and ample, with a great open fireplace
and wide stone hearth, and oven on one side, and
rows of old-fashioned splint-bottomed chairs against the
wall. A table scoured to snowy whiteness, and a little
work-stand whereon lay the Bible, the "Missionary Herald"
and the "Weekly Christian Mirror," before named, formed
the principal furniture. One feature, however, must not
be forgotten,—a great sea-chest, which had been the companion
of Zephaniah through all the countries of the earth.
Old, and battered, and unsightly it looked, yet report said
that there was good store within of that which men for the
most part respect more than anything else; and, indeed, it
proved often when a deed of grace was to be done,—when
a woman was suddenly made a widow in a coast gale, or
a fishing-smack was run down in the fogs off the banks,
leaving in some neighboring cottage a family of orphans,—in
all such cases, the opening of this sea-chest was an
event of good omen to the bereaved; for Zephaniah had
a large heart and a large hand, and was apt to take it out
full of silver dollars when once it went in. So the ark of
the covenant could not have been looked on with more
reverence than the neighbors usually showed to Captain
Pennel's sea-chest.</p>
<p>The afternoon sun is shining in a square of light through
the open kitchen-door, whence one dreamily disposed might
look far out to sea, and behold ships coming and going in
every variety of shape and size.</p>
<p>But Aunt Roxy and Aunt Ruey, who for the present
were sole occupants of the premises, were not people of the<span class='pagenum'><SPAN name="Page_17" id="Page_17"></SPAN></span>
dreamy kind, and consequently were not gazing off to sea,
but attending to very terrestrial matters that in all cases
somebody must attend to. The afternoon was warm and
balmy, but a few smouldering sticks were kept in the great
chimney, and thrust deep into the embers was a mongrel
species of snub-nosed tea-pot, which fumed strongly of catnip-tea,
a little of which gracious beverage Miss Roxy was
preparing in an old-fashioned cracked India china tea-cup,
tasting it as she did so with the air of a connoisseur.</p>
<p>Apparently this was for the benefit of a small something
in long white clothes, that lay face downward under a little
blanket of very blue new flannel, and which something
Aunt Roxy, when not otherwise engaged, constantly patted
with a gentle tattoo, in tune to the steady trot of her knee.
All babies knew Miss Roxy's tattoo on their backs, and
never thought of taking it in ill part. On the contrary, it
had a vital and mesmeric effect of sovereign force against
colic, and all other disturbers of the nursery; and never
was infant known so pressed with those internal troubles
which infants cry about, as not speedily to give over and
sink to slumber at this soothing appliance.</p>
<p>At a little distance sat Aunt Ruey, with a quantity of
black crape strewed on two chairs about her, very busily
employed in getting up a mourning-bonnet, at which she
snipped, and clipped, and worked, zealously singing, in a
high cracked voice, from time to time, certain verses of a
funeral psalm.</p>
<p>Miss Roxy and Miss Ruey Toothacre were two brisk old
bodies of the feminine gender and singular number, well
known in all the region of Harpswell Neck and Middle
Bay, and such was their fame that it had even reached the
town of Brunswick, eighteen miles away.</p>
<p>They were of that class of females who might be denominated,
in the Old Testament language, "cunning women,"—that
is, gifted with an infinite diversity of practical<span class='pagenum'><SPAN name="Page_18" id="Page_18"></SPAN></span>
"faculty," which made them an essential requisite in every
family for miles and miles around. It was impossible to
say what they could not do: they could make dresses, and
make shirts and vests and pantaloons, and cut out boys'
jackets, and braid straw, and bleach and trim bonnets, and
cook and wash, and iron and mend, could upholster and
quilt, could nurse all kinds of sicknesses, and in default of
a doctor, who was often miles away, were supposed to be
infallible medical oracles. Many a human being had been
ushered into life under their auspices,—trotted, chirruped
in babyhood on their knees, clothed by their handiwork in
garments gradually enlarging from year to year, watched by
them in the last sickness, and finally arrayed for the long
repose by their hands.</p>
<p>These universally useful persons receive among us the
title of "aunt" by a sort of general consent, showing the
strong ties of relationship which bind them to the whole
human family. They are nobody's aunts in particular, but
aunts to human nature generally. The idea of restricting
their usefulness to any one family, would strike dismay
through a whole community. Nobody would be so unprincipled
as to think of such a thing as having their services
more than a week or two at most. Your country factotum
knows better than anybody else how absurd it would be</p>
<div class="blockquot"><p>"To give to a part what was meant for mankind."</p>
</div>
<p>Nobody knew very well the ages of these useful sisters.
In that cold, clear, severe climate of the North, the roots of
human existence are hard to strike; but, if once people do
take to living, they come in time to a place where they
seem never to grow any older, but can always be found,
like last year's mullein stalks, upright, dry, and seedy,
warranted to last for any length of time.</p>
<p>Miss Roxy Toothacre, who sits trotting the baby, is a
tall, thin, angular woman, with sharp black eyes, and hair<span class='pagenum'><SPAN name="Page_19" id="Page_19"></SPAN></span>
once black, but now well streaked with gray. These ravages
of time, however, were concealed by an ample mohair
frisette of glossy blackness woven on each side into a heap
of stiff little curls, which pushed up her cap border in
rather a bristling and decisive way. In all her movements
and personal habits, even to her tone of voice and manner
of speaking, Miss Roxy was vigorous, spicy, and decided.
Her mind on all subjects was made up, and she spoke generally
as one having authority; and who should, if she
should not? Was she not a sort of priestess and sibyl in
all the most awful straits and mysteries of life? How
many births, and weddings, and deaths had come and gone
under her jurisdiction! And amid weeping or rejoicing,
was not Miss Roxy still the master-spirit,—consulted,
referred to by all?—was not her word law and precedent?
Her younger sister, Miss Ruey, a pliant, cozy, easy-to-be-entreated
personage, plump and cushiony, revolved around
her as a humble satellite. Miss Roxy looked on Miss Ruey
as quite a frisky young thing, though under her ample
frisette of carroty hair her head might be seen white with
the same snow that had powdered that of her sister. Aunt
Ruey had a face much resembling the kind of one you may
see, reader, by looking at yourself in the convex side of a
silver milk-pitcher. If you try the experiment, this description
will need no further amplification.</p>
<p>The two almost always went together, for the variety
of talent comprised in their stock could always find employment
in the varying wants of a family. While one
nursed the sick, the other made clothes for the well; and
thus they were always chippering and chatting to each
other, like a pair of antiquated house-sparrows, retailing
over harmless gossips, and moralizing in that gentle jogtrot
which befits serious old women. In fact, they had
talked over everything in Nature, and said everything they
could think of to each other so often, that the opinions of<span class='pagenum'><SPAN name="Page_20" id="Page_20"></SPAN></span>
one were as like those of the other as two sides of a pea-pod.
But as often happens in cases of the sort, this was
not because the two were in all respects exactly alike, but
because the stronger one had mesmerized the weaker into
consent.</p>
<p>Miss Roxy was the master-spirit of the two, and, like
the great coining machine of a mint, came down with her
own sharp, heavy stamp on every opinion her sister put
out. She was matter-of-fact, positive, and declarative to
the highest degree, while her sister was naturally inclined
to the elegiac and the pathetic, indulging herself in sentimental
poetry, and keeping a store thereof in her thread-case,
which she had cut from the "Christian Mirror." Miss
Roxy sometimes, in her brusque way, popped out observations
on life and things, with a droll, hard quaintness that
took one's breath a little, yet never failed to have a sharp
crystallization of truth,—frosty though it were. She was
one of those sensible, practical creatures who tear every
veil, and lay their fingers on every spot in pure business-like
good-will; and if we shiver at them at times, as at
the first plunge of a cold bath, we confess to an invigorating
power in them after all.</p>
<p>"Well, now," said Miss Roxy, giving a decisive push to
the tea-pot, which buried it yet deeper in the embers,
"ain't it all a strange kind o' providence that this 'ere little
thing is left behind so; and then their callin' on her
by such a strange, mournful kind of name,—Mara. I
thought sure as could be 'twas Mary, till the minister read
the passage from Scriptur'. Seems to me it's kind o' odd.
I'd call it Maria, or I'd put an Ann on to it. Mara-ann,
now, wouldn't sound so strange."</p>
<p>"It's a Scriptur' name, sister," said Aunt Ruey, "and
that ought to be enough for us."</p>
<p>"Well, I don't know," said Aunt Roxy. "Now there
was Miss Jones down on Mure P'int called her twins Tig<span class='pagenum'><SPAN name="Page_21" id="Page_21"></SPAN></span>lath-Pileser
and Shalmaneser,—Scriptur' names both, but
I never liked 'em. The boys used to call 'em, Tiggy and
Shally, so no mortal could guess they was Scriptur'."</p>
<p>"Well," said Aunt Ruey, drawing a sigh which caused
her plump proportions to be agitated in gentle waves,
"'tain't much matter, after all, <i>what</i> they call the little
thing, for 'tain't 'tall likely it's goin' to live,—cried
and worried all night, and kep' a-suckin' my cheek and
my night-gown, poor little thing! This 'ere's a baby that
won't get along without its mother. What Mis' Pennel's
a-goin' to do with it when we is gone, I'm sure I don't
know. It comes kind o' hard on old people to be broke
o' their rest. If it's goin' to be called home, it's a pity,
as I said, it didn't go with its mother"—</p>
<p>"And save the expense of another funeral," said Aunt
Roxy. "Now when Mis' Pennel's sister asked her what
she was going to do with Naomi's clothes, I couldn't help
wonderin' when she said she should keep 'em for the
child."</p>
<p>"She had a sight of things, Naomi did," said Aunt
Ruey. "Nothin' was never too much for her. I don't
believe that Cap'n Pennel ever went to Bath or Portland
without havin' it in his mind to bring Naomi somethin'."</p>
<p>"Yes, and she had a faculty of puttin' of 'em on," said
Miss Roxy, with a decisive shake of the head. "Naomi
was a still girl, but her faculty was uncommon; and I tell
you, Ruey, 'tain't everybody hes faculty as hes things."</p>
<p>"The poor Cap'n," said Miss Ruey, "he seemed greatly
supported at the funeral, but he's dreadful broke down
since. I went into Naomi's room this morning, and there
the old man was a-sittin' by her bed, and he had a pair of
her shoes in his hand,—you know what a leetle bit of a
foot she had. I never saw nothin' look so kind o' solitary
as that poor old man did!"</p>
<p>"Well," said Miss Roxy, "she was a master-hand for<span class='pagenum'><SPAN name="Page_22" id="Page_22"></SPAN></span>
keepin' things, Naomi was; her drawers is just a sight;
she's got all the little presents and things they ever give
her since she was a baby, in one drawer. There's a little
pair of red shoes there that she had when she wa'n't more'n
five year old. You 'member, Ruey, the Cap'n brought 'em
over from Portland when we was to the house a-makin'
Mis' Pennel's figured black silk that he brought from Calcutty.
You 'member they cost just five and sixpence;
but, law! the Cap'n he never grudged the money when
'twas for Naomi. And so she's got all her husband's
keepsakes and things just as nice as when he give 'em to
her."</p>
<p>"It's real affectin'," said Miss Ruey, "I can't all the
while help a-thinkin' of the Psalm,—</p>
<p style="margin-left:2em">
"'So fades the lovely blooming flower,—<br/>
Frail, smiling solace of an hour;<br/>
So quick our transient comforts fly,<br/>
And pleasure only blooms to die.'"<br/></p>
<p>"Yes," said Miss Roxy; "and, Ruey, I was a-thinkin'
whether or no it wa'n't best to pack away them things,
'cause Naomi hadn't fixed no baby drawers, and we seem
to want some."</p>
<p>"I was kind o' hintin' that to Mis' Pennel this morning,"
said Ruey, "but she can't seem to want to have 'em
touched."</p>
<p>"Well, we may just as well come to such things first as
last," said Aunt Roxy; "'cause if the Lord takes our
friends, he does take 'em; and we can't lose 'em and have
'em too, and we may as well give right up at first, and
done with it, that they are gone, and we've got to do without
'em, and not to be hangin' on to keep things just as
they was."</p>
<p>"So I was a-tellin' Mis' Pennel," said Miss Ruey, "but
she'll come to it by and by. I wish the baby might live,
and kind o' grow up into her mother's place."<span class='pagenum'><SPAN name="Page_23" id="Page_23"></SPAN></span></p>
<p>"Well," said Miss Roxy, "I wish it might, but there'd
be a sight o' trouble fetchin' on it up. Folks can do pretty
well with children when they're young and spry, if they
do get 'em up nights; but come to grandchildren, it's
pretty tough."</p>
<p>"I'm a-thinkin', sister," said Miss Ruey, taking off her
spectacles and rubbing her nose thoughtfully, "whether or
no cow's milk ain't goin' to be too hearty for it, it's such
a pindlin' little thing. Now, Mis' Badger she brought up
a seven-months' child, and she told me she gave it nothin'
but these 'ere little seed cookies, wet in water, and it
throve nicely,—and the seed is good for wind."</p>
<p>"Oh, don't tell me none of Mis' Badger's stories," said
Miss Roxy, "I don't believe in 'em. Cows is the Lord's
ordinances for bringing up babies that's lost their mothers;
it stands to reason they should be,—and babies that can't
eat milk, why they can't be fetched up; but babies can eat
milk, and this un will if it lives, and if it can't it won't
live." So saying, Miss Roxy drummed away on the little
back of the party in question, authoritatively, as if to
pound in a wholesome conviction at the outset.</p>
<p>"I hope," said Miss Ruey, holding up a strip of black
crape, and looking through it from end to end so as to test
its capabilities, "I hope the Cap'n and Mis' Pennel'll get
some support at the prayer-meetin' this afternoon."</p>
<p>"It's the right place to go to," said Miss Roxy, with
decision.</p>
<p>"Mis' Pennel said this mornin' that she was just beat
out tryin' to submit; and the more she said, 'Thy will be
done,' the more she didn't seem to feel it."</p>
<p>"Them's common feelin's among mourners, Ruey.
These 'ere forty years that I've been round nussin', and
layin'-out, and tendin' funerals, I've watched people's exercises.
People's sometimes supported wonderfully just at
the time, and maybe at the funeral; but the three or four<span class='pagenum'><SPAN name="Page_24" id="Page_24"></SPAN></span>
weeks after, most everybody, if they's to say what they
feel, is unreconciled."</p>
<p>"The Cap'n, he don't say nothin'," said Miss Ruey.</p>
<p>"No, he don't, but he looks it in his eyes," said Miss
Roxy; "he's one of the kind o' mourners as takes it deep;
that kind don't cry; it's a kind o' dry, deep pain; them's
the worst to get over it,—sometimes they just says nothin',
and in about six months they send for you to nuss
'em in consumption or somethin'. Now, Mis' Pennel, she
can cry and she can talk,—well, she'll get over it; but
<i>he</i> won't get no support unless the Lord reaches right
down and lifts him up over the world. I've seen that
happen sometimes, and I tell you, Ruey, that sort makes
powerful Christians."</p>
<p>At that moment the old pair entered the door. Zephaniah
Pennel came and stood quietly by the pillow where
the little form was laid, and lifted a corner of the blanket.
The tiny head was turned to one side, showing the soft,
warm cheek, and the little hand was holding tightly a morsel
of the flannel blanket. He stood swallowing hard for
a few moments. At last he said, with deep humility, to
the wise and mighty woman who held her, "I'll tell you
what it is, Miss Roxy, I'll give all there is in my old chest
yonder if you'll only make her—live."</p>
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