<SPAN name="startofbook"></SPAN>
<h1> LIFTED MASKS </h1>
<h3> STORIES </h3>
<h2> By Susan Glaspell </h2>
<p><br/></p>
<h3> 1912 </h3>
<p><br/></p>
<h3> TO </h3>
<h3> THE MEMORY OF MY FRIEND </h3>
<h3> JENNIE PRESTON </h3>
<p><br/><br/></p>
<hr />
<p><br/><br/></p>
<p><b>CONTENTS</b></p>
<p><SPAN href="#link2H_4_0001"> <b>LIFTED MASKS</b> </SPAN></p>
<p><SPAN href="#link2H_4_0002"> I. — “ONE OF THOSE IMPOSSIBLE AMERICANS”</SPAN></p>
<p><SPAN href="#link2H_4_0003"> II. — THE PLEA </SPAN></p>
<p><SPAN href="#link2H_4_0004"> III. — FOR LOVE OF THE HILLS </SPAN></p>
<p><SPAN href="#link2H_4_0005"> IV. — FRECKLES M'GRATH </SPAN></p>
<p><SPAN href="#link2H_4_0006"> V. — FROM A TO Z </SPAN></p>
<p><SPAN href="#link2H_4_0007"> VI. — THE MAN OF FLESH AND BLOOD </SPAN></p>
<p><SPAN href="#link2H_4_0008"> VII. — HOW THE PRINCE SAW AMERICA </SPAN></p>
<p><SPAN href="#link2H_4_0009"> VIII. — THE LAST SIXTY MINUTES </SPAN></p>
<p><SPAN href="#link2H_4_0010"> IX. — “OUT THERE” </SPAN></p>
<p><SPAN href="#link2H_4_0011"> X. — THE PREPOSTEROUS MOTIVE </SPAN></p>
<p><SPAN href="#link2H_4_0012"> XI. — HIS AMERICA </SPAN></p>
<p><SPAN href="#link2H_4_0013"> XII. — THE ANARCHIST: HIS DOG </SPAN></p>
<p><SPAN href="#link2H_4_0014"> XIII. — AT TWILIGHT </SPAN></p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0001" id="link2H_4_0001"> </SPAN></p>
<br/>
<h1> LIFTED MASKS </h1>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0002" id="link2H_4_0002"> </SPAN></p>
<br/>
<h2> I. — “ONE OF THOSE IMPOSSIBLE AMERICANS” </h2>
<p>“N'avez-vous pas—” she was bravely demanding of the clerk when she
saw that the bulky American who was standing there helplessly dangling two
flaming red silk stockings which a copiously coiffured young woman assured
him were <i>bien chic</i> was edging nearer her. She was never so
conscious of the truly American quality of her French as when a countryman
was at hand. The French themselves had an air of “How marvellously you
speak!” but fellow Americans listened superciliously in an “I can do
better than that myself” manner which quite untied the Gallic twist in
one's tongue. And so, feeling her French was being compared, not with mere
French itself, but with an arrogant new American brand thereof, she moved
a little around the corner of the counter and began again in lower voice:</p>
<p>“<i>Mais, n'avez</i>—”</p>
<p>“Say, Young Lady,” a voice which adequately represented the figure broke
in, “<i>you</i>, aren't French, are you?”</p>
<p>She looked up with what was designed for a haughty stare. But what is a
haughty stare to do in the face of a broad grin? And because it was such a
long time since a grin like that had been grinned at her it happened that
the stare gave way to a dimple, and the dimple to a laughing: “Is it so
bad as that?”</p>
<p>“Oh, not your French,” he assured her. “You talk it just like the rest of
them. In fact, I should say, if anything—a little more so. But do
you know,”—confidentially—“I can just spot an American girl
every time!”</p>
<p>“How?” she could not resist asking, and the modest black hose she was
thinking of purchasing dangled against his gorgeous red ones in
friendliest fashion.</p>
<p>“Well, Sir—I don't know. I don't think it can be the clothes,”—judicially
surveying her.</p>
<p>“The clothes,” murmured Virginia, “were bought in Paris.”</p>
<p>“Well, you've got <i>me</i>. Maybe it's the way you wear 'em. Maybe it's
'cause you look as if you used to play tag with your brother. Something—anyhow—gives
a fellow that 'By jove there's an American girl!' feeling when he sees you
coming round the corner.”</p>
<p>“But why—?”</p>
<p>“Lord—don't begin on <i>why</i>. You can say <i>why</i> to anything.
Why don't the French talk English? Why didn't they lay Paris out at right
angles? Now look here, Young Lady, for that matter—<i>why</i> can't
you help me buy some presents for my wife? There'd be nothing wrong about
it,” he hastened to assure her, “because my wife's a mighty fine woman.”</p>
<p>The very small American looked at the very large one. Now Virginia was a
well brought up young woman. Her conversations with strange men had been
confined to such things as, “Will you please tell me the nearest way to—?”
but preposterously enough—she could not for the life of her have
told why—frowning upon this huge American—fat was the literal
word—who stood there with puckered-up face swinging the flaming hose
would seem in the same shameful class with snubbing the little boy who
confidently asked her what kind of ribbon to buy for his mother.</p>
<p>“Was it for your wife you were thinking of buying these red stockings?”
she ventured.</p>
<p>“Sure. What do you think of 'em? Look as if they came from Paris all
right, don't they?”</p>
<p>“Oh, they look as though they came from Paris, all right,” Virginia
repeated, a bit grimly. “But do you know”—this quite as to that
little boy who might be buying the ribbon—“American women don't
always care for all the things that look as if they came from Paris. Is
your wife—does she care especially for red stockings?”</p>
<p>“Don't believe she ever had a pair in her life. That's why I thought it
might please her.”</p>
<p>Virginia looked down and away. There were times when dimples made things
hard for one.</p>
<p>Then she said, with gentle gravity: “There are quite a number of women in
America who don't care much for red stockings. It would seem too bad,
wouldn't it, if after you got these clear home your wife should turn out
to be one of those people? Now, I think these grey stockings are lovely.
I'm sure any woman would love them. She could wear them with grey suede
slippers and they would be so soft and pretty.”</p>
<p>“Um—not very lively looking, are they? You see I want something to
cheer her up. She—well she's not been very well lately and I thought
something—oh something with a lot of <i>dash</i> in it, you know,
would just fill the bill. But look here. We'll take both. Sure—that's
the way out of it. If she don't like the red, she'll like the grey, and if
she don't like the—You like the grey ones, don't you? Then here”—picking
up two pairs of the handsomely embroidered grey stockings and handing them
to the clerk—“One,” holding up his thumb to denote one—“me,”—a
vigorous pounding of the chest signifying me. “One”—holding up his
forefinger and pointing to the girl—“mademoiselle.”</p>
<p>“Oh no—no—no!” cried Virginia, her face instantly the colour
of the condemned stockings. Then, standing straight: “Certainly <i>not</i>.”</p>
<p>“No? Just as you say,” he replied good humouredly. “Like to have you have
'em. Seems as if strangers in a strange land oughtn't to stand on
ceremony.”</p>
<p>The clerk was bending forward holding up the stockings alluringly. “<i>Pour
mademoiselle, n'est-ce-pas</i>?”</p>
<p>“<i>Mais—non!</i>” pronounced Virginia, with emphasis.</p>
<p>There followed an untranslatable gesture. “How droll!” shoulder and
outstretched hands were saying. “If the kind gentleman <i>wishes</i> to
give mademoiselle the <i>joli bas</i>—!”</p>
<p>His face had puckered up again. Then suddenly it unpuckered. “Tell you
what you might do,” he solved it. “Just take 'em along and send them to
your mother. Now your mother might be real glad to have 'em.”</p>
<p>Virginia stared. And then an awful thing happened. What she was thinking
about was the letter she could send with the stockings. “Mother dear,” she
would write, “as I stood at the counter buying myself some stockings
to-day along came a nice man—a stranger to me, but very kind and
jolly—and gave me—”</p>
<p>There it was that the awful thing happened. Her dimple was showing—and
at thought of its showing she could not keep it from showing! And how
could she explain why it was showing without its going on showing? And how—?</p>
<p>But at that moment her gaze fell upon the clerk, who had taken the dimple
as signal to begin putting the stockings in a box. The Frenchwoman's
eyebrows soon put that dimple in its proper place. “And so the <i>petite
Americaine</i> was not too—oh, not <i>too</i>—” those French
eyebrows were saying.</p>
<p>All in an instant Virginia was something quite different from a little
girl with a dimple. “You are very kind,” she was saying, and her mother
herself could have done it no better, “but I am sure our little joke had
gone quite far enough. I bid you good-morning”. And with that she walked
regally over to the glove counter, leaving red and grey and black hosiery
to their own destinies.</p>
<p>“I loathe them when their eyebrows go up,” she fumed. “Now <i>his</i>
weren't going up—not even in his mind.”</p>
<p>She could not keep from worrying about him. “They'll just 'do' him,” she
was sure. “And then laugh at him in the bargain. A man like that has no <i>business</i>
to be let loose in a store all by himself.”</p>
<p>And sure enough, a half hour later she came upon him up in the dress
department. Three of them had gathered round to “do” him. They were making
rapid headway, their smiling deference scantily concealing their amused
contempt. The spectacle infuriated Virginia. “They just think they can <i>work</i>
us!” she stormed. “They think we're <i>easy</i>. I suppose they think he's
a <i>fool</i>. I just wish they could get him in a business deal! I just
wish—!”</p>
<p>“I can assure you, sir,” the English-speaking manager of the department
was saying, “that this garment is a wonderful value. We are able to let
you have it at so absurdly low a figure because—”</p>
<p>Virginia did not catch why it was they were able to let him have it at so
absurdly low a figure, but she did see him wipe his brow and look
helplessly around. “Poor <i>thing</i>,” she murmured, almost tenderly, “he
doesn't know what to do. He just <i>does</i> need somebody to look after
him.” She stood there looking at his back. He had a back a good deal like
the back of her chum's father at home. Indeed there were various things
about him suggested “home.” Did one want one's own jeered at? One might
see crudities one's self, but was one going to have supercilious outsiders
coughing those sham coughs behind their hypocritical hands?</p>
<p>“For seven hundred francs,” she heard the suave voice saying.</p>
<p><i>Seven hundred francs</i>! Virginia's national pride, or, more
accurately, her national rage, was lashed into action. It was with very
red cheeks that the small American stepped stormily to the rescue of her
countryman.</p>
<p>“Seven hundred francs for <i>that</i>?” she jeered, right in the face of
the enraged manager and stiffening clerks. “Seven hundred francs—indeed!
Last year's model—a hideous colour, and “—picking it up,
running it through her fingers and tossing it contemptuously aside—“abominable
stuff!”</p>
<p>“Gee, but I'm grateful to you!” he breathed, again wiping his brow. “You
know, I was a little leery of it myself.”</p>
<p>The manager, quivering with rage and glaring uglily, stepped up to
Virginia. “May I ask—?”</p>
<p>But the fat man stepped in between—he was well qualified for that
position. “Cut it out, partner. The young lady's a friend of <i>mine</i>—see?
She's looking out for me—not you. I don't want your stuff, anyway.”
And taking Virginia serenely by the arm he walked away.</p>
<p>“This was no place to buy dresses,” said she crossly.</p>
<p>“Well, I wish I knew where the places <i>were</i> to buy things,” he
replied, humbly, forlornly.</p>
<p>“Well, what do you want to buy?” demanded she, still crossly.</p>
<p>“Why, I want to buy some nice things for my wife. Something the real thing
from Paris, you know. I came over from London on purpose. But Lord,”—again
wiping his brow—“a fellow doesn't know where to <i>go</i>.”</p>
<p>“Oh well,” sighed Virginia, long-sufferingly, “I see I'll just have to
take you. There doesn't seem any way out of it. It's evident you can't go
<i>alone</i>. <i>Seven hundred francs</i>!”</p>
<p>“I suppose it was too much,” he conceded meekly. “I tell you I <i>will</i>
be grateful if you'll just stay by me a little while. I never felt so up
against it in all my life.”</p>
<p>“Now, a very nice thing to take one's wife from Paris,” began Virginia
didactically, when they reached the sidewalk, “is lace.”</p>
<p>“L—ace? Um! Y—es, I suppose lace is all right. Still it never
struck me there was anything so very <i>lively</i> looking about lace.”</p>
<p>“'Lively looking' is not the final word in wearing apparel,” pronounced
Virginia in teacher-to-pupil manner. “Lace is always in good taste, never
goes out of style, and all women care for it. I will take you to one of
the lace shops.”</p>
<p>“Very well,” acquiesced he, truly chastened. “Here, let's get in this
cab.”</p>
<p>Virginia rode across the Seine looking like one pondering the destinies of
nations. Her companion turned several times to address her, but it would
have been as easy for a soldier to slap a general on the back. Finally she
turned to him.</p>
<p>“Now when we get there,” she instructed, “don't seem at all interested in
things. Act—oh, bored, you know, and seeming to want to get me away.
And when they tell the price, no matter what they say, just—well
sort of groan and hold your head and act as though you are absolutely
overcome at the thought of such an outrage.”</p>
<p>“U—m. You have to do that here to get—lace?”</p>
<p>“You have to do that here to get <i>anything</i>—-at the price you
should get it. You, and people who go shopping the way you do, bring
discredit upon the entire American nation.”</p>
<p>“That so? Sorry. Never meant to do that. All right, Young Lady, I'll do
the best I can. Never did act that way, but suppose I can, if the rest of
them do.”</p>
<p>“Groan and hold my head,” she heard him murmuring as they entered the
shop.</p>
<p>He proved an apt pupil. It may indeed be set down that his aptitude was
their undoing. They had no sooner entered the shop than he pulled out his
watch and uttered an exclamation of horror at the sight of the time.
Virginia could scarcely look at the lace, so insistently did he keep
waving the watch before her. His contempt for everything shown was open
and emphatic. It was also articulate. Virginia grew nervous, seeing the
real red showing through in the Frenchwoman's cheeks. And when the price
was at last named—a price which made Virginia jubilant—there
burst upon her outraged ears something between a jeer and a howl of rage,
the whole of it terrifyingly done in the form of a groan; she looked at
her companion to see him holding up his hands and wobbling his head as
though it had been suddenly loosened from his spine, cast one look at the
Frenchwoman—then fled, followed by her groaning compatriot.</p>
<p>“I didn't mean you to act like <i>that</i>!” she stormed.</p>
<p>“Why, I did just what you told me to! Seemed to me I was following
directions to the letter. Don't think for a minute <i>I'm</i> going to
bring discredit on the American nation! Not a bad scheme—taking out
my watch that way, was it?”</p>
<p>“Oh, beautiful <i>scheme</i>. I presume you notice, however, that we have
no lace.”</p>
<p>They walked half a block in silence. “Now I'll take you to another shop,”
she then volunteered, in a turning the other cheek fashion, “and here
please do nothing at all. Please just—sit.”</p>
<p>“Sort of as if I was feeble-minded, eh?”</p>
<p>“Oh, don't <i>try</i> to look feeble-minded,” she begged, alarmed at
seeming to suggest any more parts; “just sit there—as if you were
thinking of something very far away.”</p>
<p>“Say, Young Lady, look here; this is very nice, being put on to the tricks
of the trade, but the money end of it isn't cutting much ice, and isn't
there any way you can just <i>buy</i> things—the way you do in
Cincinnati? Can't you get their stuff without making a comic opera out of
it?”</p>
<p>“No, you can't,” spoke relentless Virginia; “not unless you want them to
laugh and say 'Aren't Americans fools?' the minute the door is shut.”</p>
<p>“Fools—eh? I'll show them a thing or two!”</p>
<p>“Oh, please show them nothing here! Please just—sit.”</p>
<p>While employing her wiles to get for three hundred and fifty francs a yoke
and scarf aggregating four hundred, she chanced to look at her American
friend. Then she walked rapidly to the rear of the shop, buried her face
in her handkerchief, and seemed making heroic efforts to sneeze. Once more
he was following directions to the letter. Chin resting on hands, hands
resting on stick, the huge American had taken on the beatific expression
of a seventeen-year-old girl thinking of something “very far away.”
Virginia was long in mastering the sneeze.</p>
<p>On the sidewalk she presented him with the package of lace and also with
what she regarded the proper thing in the way of farewell speech. She
supposed it <i>was</i> hard for a man to go shopping alone; she could see
how hard it would be for her own father; indeed it was seeing how
difficult it would be for her father had impelled her to go with him, a
stranger. She trusted his wife would like the lace; she thought it very
nice, and a bargain. She was glad to have been of service to a fellow
countryman who seemed in so difficult a position.</p>
<p>But he did not look as impressed as one to whom a farewell speech was
being made should look. In fact, he did not seem to be hearing it. Once
more, and in earnest this time, he appeared to be thinking of something
very far away. Then all at once he came back, and it was in anything but a
far-away voice he began, briskly: “Now look here, Young Lady, I don't
doubt but this lace is great stuff. You say so, and I haven't seen man,
woman or child on this side of the Atlantic knows as much as you do. I'm
mighty grateful for the lace—don't you forget that, but just the
same—well, now I'll tell you. I have a very special reason for
wanting something a little livelier than lace. Something that seems to
have Paris written on it in red letters—see? Now, where do you get
the kind of hats you see some folks wearing, and where do you get the
dresses—well, it's hard to describe 'em, but the kind they have in
pictures marked 'Breezes from Paris'? You see—<i>S-ay!</i>—<i>what</i>
do you think of <i>that?</i>”</p>
<p>“That” was in a window across the street. It was an opera cloak. He walked
toward it, Virginia following. “Now <i>there</i>,” he turned to her, his
large round face all aglow, “is what I want.”</p>
<p>It was yellow; it was long; it was billowy; it was insistently and
recklessly regal.</p>
<p>“That's the ticket!” he gloated.</p>
<p>“Of course,” began Virginia, “I don't know anything about it. I am in a
very strange position, not knowing what your wife likes or—or has.
This is the kind of thing everything has to go <i>with</i> or one wouldn't—one
couldn't—”</p>
<p>“Sure! Good idea. We'll just get everything to go with it.”</p>
<p>“It's the sort of thing one doesn't see worn much outside of Paris—or
New York. If one is—now my mother wouldn't care for that coat at
all.” Virginia took no little pride in that tactful finish.</p>
<p>“Can't sidetrack me!” he beamed. “I <i>want</i> it. Very thing I'm after,
Young Lady.”</p>
<p>“Well, of course you will have no difficulty in buying the coat without
me,” said she, as a dignified version of “I wash my hands of you.” “You
can do here as you said you wished to do, simply go in and pay what they
ask. There would be no use trying to get it cheap. They would know that
anyone who wanted it would”—she wanted to say “have more money than
they knew what to do with,” but contented herself with, “be able to pay
for it.”</p>
<p>But when she had finished she looked at him; at first she thought she
wanted to laugh, and then it seemed that wasn't what she wanted to do
after all. It was like saying to a small boy who was one beam over finding
a tin horn: “Oh well, take the horn if you want to, but you can't haul
your little red waggon while you're blowing the horn.” There seemed
something peculiarly inhuman about taking the waggon just when he had
found the horn. Now if the waggon were broken, then to take away the horn
would leave the luxury of grief. But let not shadows fall upon joyful
moments.</p>
<p>With the full ardour of her femininity she entered into the purchasing of
the yellow opera cloak. They paid for that decorative garment the sum of
two thousand five hundred francs. It seemed it was embroidered, and the
lining was—anyway, they paid it.</p>
<p>And they took it with them. He was going to “take no chances on losing
it.” He was leaving Paris that night and held that during his stay he had
been none too impressed with either Parisian speed or Parisian veracity.</p>
<p>Then they bought some “Breezes from Paris,” a dress that would “go with”
the coat. It was violet velvet, and contributed to the sense of doing
one's uttermost; and hats—“the kind you see some folks wearing.” One
was the rainbow done into flowers, and the other the kind of black hat to
outdo any rainbow. “If you could just give me some idea what type your
wife is,” Virginia was saying, from beneath the willow plumes. “Now you
see this hat quite overpowers me. Do you think it will overpower her?”</p>
<p>“Guess not. Anyway, if it don't look right on her head she may enjoy
having it around to look at.”</p>
<p>Virginia stared out at him. The <i>oddest</i> man! As if a hat were any
good at all if it didn't look right on one's head!</p>
<p>Upon investigation—though yielding to his taste she was still
vigilant as to his interests—Virginia discovered a flaw in one of
the plumes. The sylph in the trailing gown held volubly that it did not <i>fait
rien</i>; the man with the open purse said he couldn't see that it figured
much, but the small American held firm. That must be replaced by a perfect
plume or they would not take the hat. And when she saw who was in command
the sylph as volubly acquiesced that <i>naturellement</i> it must be <i>tout
a fait</i> perfect. She would send out and get one that would be oh! so,
so, <i>so</i> perfect. It would take half an hour.</p>
<p>“Tell you what we'll do,” Virginia's friend proposed, opera cloak tight
under one arm, velvet gown as tight under the other, “I'm tired—hungry—thirsty;
feel like a ham sandwich—and something. I'm playing you out, too.
Let's go out and get a bite and come back for the so, so, <i>so</i>
perfect hat.”</p>
<p>She hesitated. But he had the door open, and if he stood holding it that
way much longer he was bound to drop the violet velvet gown. She did not
want him to drop the velvet gown and furthermore, she <i>would</i> like a
cup of tea. There came into her mind a fortifying thought about the
relative deaths of sheep and lambs. If to be killed for the sheep were
indeed no worse than being killed for the lamb, and if a cup of tea went
with the sheep and nothing at all with the lamb—?</p>
<p>So she agreed. “There's a nice little tea-shop right round the corner. We
girls often go there.”</p>
<p>“Tea? Like tea? All right, then”—and he started manfully on.</p>
<p>But as she entered the tea-shop she was filled with keen sense of the
desirableness of being slain for the lesser animal. For, cosily installed
in their favourite corner, were “the girls.”</p>
<p>Virginia had explained to these friends some three hours before that she
could not go with them that afternoon as she must attend a musicale some
friends of her mother's were giving. Being friends of her mother's, she
expatiated, she would have to go.</p>
<p>Recollecting this, also for the first time remembering the musicale, she
bowed with the <i>hauteur</i> of self-consciousness.</p>
<p>Right there her friend contributed to the tragedy of a sheep's death by
dropping the yellow opera cloak. While he was stooping to pick it up the
violet velvet gown slid backward and Virginia had to steady it until he
could regain position. The staring in the corner gave way to tittering—and
no dying sheep had ever held its head more haughtily.</p>
<p>The death of this particular sheep proved long and painful. The legs of
Virginia's friend and the legs of the tea-table did not seem well adapted
to each other. He towered like a human mountain over the dainty thing,
twisting now this way and now that. It seemed Providence—or at least
so much of it as was represented by the management of that shop—had
never meant fat people to drink tea. The table was rendered further out of
proportion by having a large box piled on either side of it.</p>
<p>Expansively, and not softly, he discoursed of these things. What did they
think a fellow was to do with his <i>knees</i>? Didn't they sell tea
enough to afford any decent chairs? Did all these women pretend to really
<i>like</i> tea?</p>
<p>Virginia's sense of humour rallied somewhat as she viewed him eating the
sandwiches. Once she had called them doll-baby sandwiches; now that seemed
literal: tea-cups, <i>petit gateau</i>, the whole service gave the fancy
of his sitting down to a tea-party given by a little girl for her dollies.</p>
<p>But after a time he fell silent, looking around the room. And when he
broke that pause his voice was different.</p>
<p>“These women here, all dressed so fine, nothing to do but sit around and
eat this folderol, <i>they</i> have it easy—don't they?”</p>
<p>The bitterness in it, and a faint note of wistfulness, puzzled her.
Certainly <i>he</i> had money.</p>
<p>“And the husbands of these women,” he went on; “lots of 'em, I suppose,
didn't always have so much. Maybe some of these women helped out in the
early days when things weren't so easy. Wonder if the men ever think how
lucky they are to be able to get it back at 'em?”</p>
<p>She grew more bewildered. Wasn't he “getting it back?” The money he had
been spending that day!</p>
<p>“Young Lady,” he said abruptly, “you must think I'm a queer one.”</p>
<p>She murmured feeble protest.</p>
<p>“Yes, you must. Must wonder what I want with all this stuff, don't you?”</p>
<p>“Why, it's for your wife, isn't it?” she asked, startled.</p>
<p>“Oh yes, but you must wonder. You're a shrewd one, Young Lady; judging the
thing by me, you must wonder.”</p>
<p>Virginia was glad she was not compelled to state her theory. Loud and
common and impossible were terms which had presented themselves, terms
which she had fought with kind and good-natured and generous. Their
purchases she had decided were to be used, not for a knock, but as a
crashing pound at the door of the society of his town. For her part,
Virginia hoped the door would come down.</p>
<p>“And if you knew that probably this stuff would never be worn at all, that
ten to one it would never do anything more than lie round on chairs—then
you <i>would</i> think I was queer, wouldn't you?”</p>
<p>She was forced to admit that that would seem rather strange.</p>
<p>“Young Lady, I believe I'll tell you about it. Never do talk about it to
hardly anybody, but I feel as if you and I were pretty well acquainted—we've
been through so much together.”</p>
<p>She smiled at him warmly; there was something so real about him when he
talked that way.</p>
<p>But his look then frightened her. It seemed for an instant as though he
would brush the tiny table aside and seize some invisible thing by the
throat. Then he said, cutting off each word short: “Young Lady, what do
you think of this? I'm worth more 'an a million dollars—and my wife
gets up at five o'clock every morning to do washing and scrubbing.”</p>
<p>“Oh, it's not that she <i>has</i> to,” he answered her look, “but she <i>thinks</i>
she has to. See? Once we were poor. For twenty years we were poor as dirt.
Then she did have to do things like that. Then I struck it. Or rather, it
struck me. Oil. Oil on a bit of land I had. I had just sense enough to
make the most of it; one thing led to another—well, you're not
interested in that end of it. But the fact is that now we're rich. Now she
could have all the things that these women have—Lord A'mighty she
could lay abed every day till noon if she wanted to! But—you see?—it
<i>got</i> her—those hard, lonely, grinding years <i>took</i> her.
She's”—he shrunk from the terrible word and faltered out—“her
mind's not—”</p>
<p>There was a sobbing little flutter in Virginia's throat. In a dim way she
was glad to see that the girls were going. She <i>could</i> not have them
laughing at him—now.</p>
<p>“Well, you can about figure out how it makes me feel,” he continued, and
looking into his face now it was as though the spirit redeemed the flesh.
“You're smart. You can see it without my callin' your attention to it.
Last time I went to see her I had just made fifty thousand on a deal. And
I found her down on her knees thinking she was scrubbing the floor!”</p>
<p>Unconsciously Virginia's hand went out, following the rush of sympathy and
understanding. “But can't they—restrain her?” she murmured.</p>
<p>“Makes her worse. Says she's got it to do—frets her to think she's
not getting it done.”</p>
<p>“But isn't there some <i>way</i>?” she whispered. “Some way to make her <i>know</i>?”</p>
<p>He pointed to the large boxes. “That,” he said simply, “is the meaning of
those. It's been seven years—but I keep on trying.”</p>
<p>She was silent, the tears too close for words. And she had thought it
cheap ambition!—vulgar aspiration—silly show—vanity!</p>
<p>“Suppose you thought I was a queer one, talking about lively looking
things. But you see now? Thought it might attract her attention, thought
something real gorgeous like this might impress money on her. Though I
don't know,”—he seemed to grow weary as he told it; “I got her a lot
of diamonds, thinking they might interest her, and she thought she'd
stolen 'em, and they had to take them away.”</p>
<p>Still the girl did not speak. Her hand was shading her eyes.</p>
<p>“But there's nothing like trying. Nothing like keeping right on trying.
And anyhow—a fellow likes to think he's taking his wife something
from Paris.”</p>
<p>They passed before her in their heartbreaking folly, their tragic
uselessness, their lovable absurdity and stinging irony—those things
they had bought that afternoon: an <i>opera cloak</i>—a <i>velvet
dress</i>—<i>those hats</i>—<i>red silk stockings</i>.</p>
<p>The mockery of them wrung her heart. Right there in the tea-shop Virginia
was softly crying.</p>
<p>“Oh, now that's too bad,” he expostulated clumsily. “Why, look here, Young
Lady, I didn't mean you to take it so hard.”</p>
<p>When she had recovered herself he told her much of the story. And the
thing which revealed him—glorified him—was less the grief he
gave to it than the way he saw it. “It's the cursed unfairness of it,” he
concluded. “When you consider it's all because she did those things—when
you think of her bein' bound to 'em for life just because she was <i>too
faithful doin' 'em</i>—when you think that now—when I could
give her everything these women have got!—she's got to go right on
worrying about baking the bread and washing the dishes—did it for me
when I was poor—and now with me rich she can't get <i>out</i> of it—and
I <i>can't reach</i> her—oh, it's <i>rotten!</i> I tell you it's <i>rotten!</i>
Sometimes I can just hear my money <i>laugh</i> at me! Sometimes I get to
going round and round in a circle about it till it seems I'm going crazy
myself.”</p>
<p>“I think you are a—a noble man,” choked Virginia.</p>
<p>That disconcerted him. “Oh Lord—don't think that. No, Young Lady,
don't try to make any plaster saint out of <i>me</i>. My life goes on.
I've got to eat, drink and be merry. I'm built that way. But just the same
my heart on the inside's pretty sore, Young Lady. I want to tell you that
the whole inside of my heart is <i>sore as a boil</i>!”</p>
<p>They were returning for the hats. Suddenly Virginia stopped, and it was a
soft-eyed and gentle Virginia who turned to him after the pause. “There
are lovely things to be bought in Paris for women who aren't well. Such
soft, lovely things to wear in your room. Not but what I think these other
things are all right. As you say, they may—interest her. But they
aren't things she can use just now, and wouldn't you like her to have some
of those soft lovely things she could actually wear? They might help most
of all. To wake in the morning and find herself in something so beautiful—”</p>
<p>“Where do you get 'em?” he demanded promptly.</p>
<p>And so they went to one of those shops which have, more than all the
others, enshrined Paris in feminine hearts. And never was lingerie
selected with more loving care than that which Virginia picked out that
afternoon. A tear fell on one particularly lovely <i>robe de nuit</i>—so
soothingly soft, so caressingly luxurious, it seemed that surely it might
help bring release from the bondage of those crushing years.</p>
<p>As they were leaving they were given two packages. “Just the kimona thing
you liked,” he said, “and a trinket or two. Now that we're such good
friends, you won't feel like you did this morning.”</p>
<p>“And if I don't want them myself, I might send them to my mother,”
Virginia replied, a quiver in her laugh at her own little joke.</p>
<p>He had put her in her cab; he had tried to tell her how much he thanked
her; they had said good-bye and the <i>cocher</i> had cracked his whip
when he came running after her. “Why, Young Lady,” he called out, “we
don't know each other's <i>names</i>.”</p>
<p>She laughed and gave hers. “Mine's William P. Johnson,” he said. “Part
French and part Italian. But now look here, Young Lady—or I mean,
Miss Clayton. A fellow at the hotel was telling me something last night
that made me <i>sick</i>. He said American girls sometimes got awfully up
against it here. He said one actually starved last year. Now, I don't like
that kind of business. Look here, Young Lady, I want you to promise that
if you—you or any of your gang—get up against it you'll cable
William P. Johnson, of Cincinnati, Ohio.”</p>
<p>The twilight grey had stolen upon Paris. And there was a mist which the
street lights only penetrated a little way—as sometimes one's
knowledge of life may only penetrate life a very little way. Her cab
stopped by a blockade, she watched the burly back of William P. Johnson
disappearing into the mist. The red box which held the yellow opera cloak
she could see longer than all else.</p>
<p>“You never can tell,” murmured Virginia. “It just goes to show that you
never can tell.”</p>
<p>And whatever it was you never could tell had brought to Virginia's girlish
face the tender knowingness of the face of a woman.</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0003" id="link2H_4_0003"> </SPAN></p>
<br/>
<h2> II. — THE PLEA </h2>
<p>Senator Harrison concluded his argument and sat down. There was no
applause, but he had expected none. Senator Dorman was already saying “Mr.
President?” and there was a stir in the crowded galleries, and an
anticipatory moving of chairs among the Senators. In the press gallery the
reporters bunched together their scattered papers and inspected their
pencil-points with earnestness. Dorman was the best speaker of the Senate,
and he was on the popular side of it. It would be the great speech of the
session, and the prospect was cheering after a deluge of railroad and
insurance bills.</p>
<p>“I want to tell you,” he began, “why I have worked for this resolution
recommending the pardon of Alfred Williams. It is one of the great laws of
the universe that every living thing be given a chance. In the case before
us that law has been violated. This does not resolve itself into a
question of second chances. The boy of whom we are speaking has never had
his first.”</p>
<p>Senator Harrison swung his chair half-way around and looked out at the
green things which were again coming into their own on the State-house
grounds. He knew—in substance—what Senator Dorman would say
without hearing it, and he was a little tired of the whole affair. He
hoped that one way or other they would finish it up that night, and go
ahead with something else. He had done what he could, and now the
responsibility was with the rest of them. He thought they were shouldering
a great deal to advocate the pardon in the face of the united opposition
of Johnson County, where the crime had been committed. It seemed a
community should be the best judge of its own crimes, and that was what
he, as the Senator from Johnson, had tried to impress upon them.</p>
<p>He knew that his argument against the boy had been a strong one. He rather
liked the attitude in which he stood. It seemed as if he were the
incarnation of outraged justice attempting to hold its own at the
floodgates of emotion. He liked to think he was looking far beyond the
present and the specific and acting as guardian of the future—and
the whole. In summing it up that night the reporters would tell in highly
wrought fashion of the moving appeal made by Senator Dorman, and then they
would speak dispassionately of the logical argument of the leader of the
opposition. There was more satisfaction to self in logic than in mere
eloquence. He was even a little proud of his unpopularity. It seemed
sacrificial.</p>
<p>He wondered why it was Senator Dorman had thrown himself into it so
whole-heartedly. All during the session the Senator from Maxwell had
neglected personal interests in behalf of this boy, who was nothing to him
in the world. He supposed it was as a sociological and psychological
experiment. Senator Dorman had promised the Governor to assume
guardianship of the boy if he were let out. The Senator from Johnson
inferred that as a student of social science his eloquent colleague wanted
to see what he could make of him. To suppose the interest merely personal
and sympathetic would seem discreditable.</p>
<p>“I need not dwell upon the story,” the Senator from Maxwell was saying,
“for you all are familiar with it already. It is said to have been the
most awful crime ever committed in the State. I grant you that it was, and
then I ask you to look for a minute into the conditions leading up to it.</p>
<p>“When the boy was born, his mother was instituting divorce proceedings
against his father. She obtained the divorce, and remarried when Alfred
was three months old. From the time he was a mere baby she taught him to
hate his father. Everything that went wrong with him she told him was his
father's fault. His first vivid impression was that his father was
responsible for all the wrong of the universe.</p>
<p>“For seven years that went on, and then his mother died. His stepfather
did not want him. He was going to Missouri, and the boy would be a useless
expense and a bother. He made no attempt to find a home for him; he did
not even explain—he merely went away and left him. At the age of
seven the boy was turned out on the world, after having been taught one
thing—to hate his father. He stayed a few days in the barren house,
and then new tenants came and closed the doors against him. It may have
occurred to him as a little strange that he had been sent into a world
where there was no place for him.</p>
<p>“When he asked the neighbours for shelter, they told him to go to his own
father and not bother strangers. He said he did not know where his father
was. They told him, and he started to walk—a distance of fifty
miles. I ask you to bear in mind, gentlemen, that he was only seven years
of age. It is the age when the average boy is beginning the third reader,
and when he is shooting marbles and spinning tops.</p>
<p>“When he reached his father's house he was told at once that he was not
wanted there. The man had remarried, there were other children, and he had
no place for Alfred. He turned him away; but the neighbours protested, and
he was compelled to take him back. For four years he lived in this home,
to which he had come unbidden, and where he was never made welcome.</p>
<p>“The whole family rebelled against him. The father satisfied his
resentment against the boy's dead mother by beating her son, by
encouraging his wife to abuse him, and inspiring the other children to
despise him. It seems impossible such conditions should exist. The only
proof of their possibility lies in the fact of their existence.</p>
<p>“I need not go into the details of the crime. He had been beaten by his
father that evening after a quarrel with his stepmother about spilling the
milk. He went, as usual, to his bed in the barn; but the hay was
suffocating, his head ached, and he could not sleep. He arose in the
middle of the night, went to the house, and killed both his father and
stepmother.</p>
<p>“I shall not pretend to say what thoughts surged through the boy's brain
as he lay there in the stifling hay with the hot blood pounding against
his temples. I shall not pretend to say whether he was sane or insane as
he walked to the house for the perpetration of the awful crime. I do not
even affirm it would not have happened had there been some human being
there to lay a cooling hand on his hot forehead, and say a few soothing,
loving words to take the sting from the loneliness, and ease the
suffering. I ask you to consider only one thing: he was eleven years old
at the time, and he had no friend in all the world. He knew nothing of
sympathy; he knew only injustice.”</p>
<p>Senator Harrison was still looking out at the budding things on the
State-house grounds, but in a vague way he was following the story. He
knew when the Senator from Maxwell completed the recital of facts and
entered upon his plea. He was conscious that it was stronger than he had
anticipated—more logic and less empty exhortation. He was telling of
the boy's life in reformatory and penitentiary since the commission of the
crime,—of how he had expanded under kindness, of his mental
attainments, the letters he could write, the books he had read, the hopes
he cherished. In the twelve years he had spent there he had been known to
do no unkind nor mean thing; he responded to affection—craved it. It
was not the record of a degenerate, the Senator from Maxwell was saying.</p>
<p>A great many things were passing through the mind of the Senator from
Johnson. He was trying to think who it was that wrote that book, “Put
Yourself in His Place.” He had read it once, and it bothered him to forget
names. Then he was wondering why it was the philosophers had not more to
say about the incongruity of people who had never had any trouble of their
own sitting in judgment upon people who had known nothing but trouble. He
was thinking also that abstract rules did not always fit smoothly over
concrete cases, and that it was hard to make life a matter of rules,
anyway.</p>
<p>Next he was wondering how it would have been with the boy Alfred Williams
if he had been born in Charles Harrison's place; and then he was working
it out the other way and wondering how it would have been with Charles
Harrison had he been born in Alfred Williams's place. He wondered whether
the idea of murder would have grown in Alfred Williams's heart had he been
born to the things to which Charles Harrison was born, and whether it
would have come within the range of possibility for Charles Harrison to
murder his father if he had been born to Alfred Williams's lot. Putting it
that way, it was hard to estimate how much of it was the boy himself, and
how much the place the world had prepared for him. And if it was the place
prepared for him more than the boy, why was the fault not more with the
preparers of the place than with the occupant of it? The whole thing was
very confusing.</p>
<p>“This page,” the Senator from Maxwell was saying, lifting the little
fellow to the desk, “is just eleven years of age, and he is within three
pounds of Alfred Williams's weight when he committed the murder. I ask
you, gentlemen, if this little fellow should be guilty of a like crime
to-night, to what extent would you, in reading of it in the morning,
charge him with the moral discernment which is the first condition of
moral responsibility? If Alfred Williams's story were this boy's story,
would you deplore that there had been no one to check the childish
passion, or would you say it was the inborn instinct of the murderer? And
suppose again this were Alfred Williams at the age of eleven, would you
not be willing to look into the future and say if he spent twelve years in
penitentiary and reformatory, in which time he developed the qualities of
useful and honourable citizenship, that the ends of justice would then
have been met, and the time at hand for the world to begin the payment of
her debt?”</p>
<p>Senator Harrison's eyes were fixed upon the page standing on the opposite
desk. Eleven was a younger age than he had supposed. As he looked back
upon it and recalled himself when eleven years of age—his
irresponsibility, his dependence—he was unwilling to say what would
have happened if the world had turned upon him as it had upon Alfred
Williams. At eleven his greatest grievance was that the boys at school
called him “yellow-top.” He remembered throwing a rock at one of them for
doing it. He wondered if it was criminal instinct prompted the throwing of
the rock. He wondered how high the percentage of children's crimes would
go were it not for countermanding influences. It seemed the great
difference between Alfred Williams and a number of other children of
eleven had been the absence of the countermanding influence.</p>
<p>There came to him of a sudden a new and moving thought. Alfred Williams
had been cheated of his boyhood. The chances were he had never gone
swimming, nor to a ball game, or maybe never to a circus. It might even be
that he had never owned a dog. The Senator from Maxwell was right when he
said the boy had never been given his chance, had been defrauded of that
which has been a boy's heritage since the world itself was young.</p>
<p>And the later years—how were they making it up to him? He recalled
what to him was the most awful thing he had ever heard about the State
penitentiary: they never saw the sun rise down there, and they never saw
it set. They saw it at its meridian, when it climbed above the stockade,
but as it rose into the day, and as it sank into the night, it was denied
them. And there, at the penitentiary, they could not even look up at the
stars. It had been years since Alfred Williams raised his face to God's
heaven and knew he was part of it all. The voices of the night could not
penetrate the little cell in the heart of the mammoth stone building where
he spent his evenings over those masterpieces with which, they said, he
was more familiar than the average member of the Senate. When he read
those things Victor Hugo said of the vastness of the night, he could only
look around at the walls that enclosed him and try to reach back over the
twelve years for some satisfying conception of what night really was.</p>
<p>The Senator from Johnson shuddered: they had taken from a living creature
the things of life, and all because in the crucial hour there had been no
one to say a staying word. Man had cheated him of the things that were
man's, and then shut him away from the world that was God's. They had made
for him a life barren of compensations.</p>
<p>There swept over the Senator a great feeling of self-pity. As
representative of Johnson County, it was he who must deny this boy the
whole great world without, the people who wanted to help him, and what the
Senator from Maxwell called “his chance.” If Johnson County carried the
day, there would be something unpleasant for him to consider all the
remainder of his life. As he grew to be an older man he would think of it
more and more—what the boy would have done for himself in the world
if the Senator from Johnson had not been more logical and more powerful
than the Senator from Maxwell.</p>
<p>Senator Dorman was nearing the end of his argument. “In spite of the
undying prejudice of the people of Johnson County,” he was saying, “I can
stand before you today and say that after an unsparing investigation of
this case I do not believe I am asking you to do anything in violation of
justice when I beg of you to give this boy his chance.”</p>
<p>It was going to a vote at once, and the Senator from Johnson County looked
out at the budding things and wondered whether the boy down at the
penitentiary knew the Senate was considering his case that afternoon. It
was without vanity he wondered whether what he had been trained to think
of as an all-wise providence would not have preferred that Johnson County
be represented that session by a less able man.</p>
<p>A great hush fell over the Chamber, for ayes and noes followed almost in
alternation. After a long minute of waiting the secretary called, in a
tense voice:</p>
<p>“Ayes, 30; Noes, 32.”</p>
<p>The Senator from Johnson had proven too faithful a servant of his
constituents. The boy in the penitentiary was denied his chance.</p>
<p>The usual things happened: some women in the galleries, who had boys at
home, cried aloud; the reporters were fighting for occupancy of the
telephone booths, and most of the Senators began the perusal of the
previous day's Journal with elaborate interest. Senator Dorman indulged in
none of these feints. A full look at his face just then told how much of
his soul had gone into the fight for the boy's chance, and the look about
his eyes was a little hard on the theory of psychological experiment.</p>
<p>Senator Harrison was looking out at the budding trees, but his face too
had grown strange, and he seemed to be looking miles beyond and years
ahead. It seemed that he himself was surrendering the voices of the night,
and the comings and goings of the sun. He would never look at them—feel
them—again without remembering he was keeping one of his fellow
creatures away from them. He wondered at his own presumption in denying
any living thing participation in the universe. And all the while there
were before him visions of the boy who sat in the cramped cell with the
volume of a favourite poet before him, trying to think how it would seem
to be out under the stars.</p>
<p>The stillness in the Senate-Chamber was breaking; they were going ahead
with something else. It seemed to the Senator from Johnson that sun, moon,
and stars were wailing out protest for the boy who wanted to know them
better. And yet it was not sun, moon, and stars so much as the unused
swimming hole and the uncaught fish, the unattended ball game, the
never-seen circus, and, above all, the unowned dog, that brought Senator
Harrison to his feet.</p>
<p>They looked at him in astonishment, their faces seeming to say it would
have been in better taste for him to have remained seated just then.</p>
<p>“Mr. President,” he said, pulling at his collar and looking straight
ahead, “I rise to move a reconsideration.”</p>
<p>There was a gasp, a moment of supreme quiet, and then a mighty burst of
applause. To men of all parties and factions there came a single thought.
Johnson was the leading county of its Congressional district. There was an
election that fall, and Harrison was in the race. Those eight words meant
to a surety he would not go to Washington, for the Senator from Maxwell
had chosen the right word when he referred to the prejudice of Johnson
County on the Williams case as “undying.” The world throbs with such
things at the moment of their doing—even though condemning them
later, and the part of the world then packed within the Senate-Chamber
shared the universal disposition.</p>
<p>The noise astonished Senator Harrison, and he looked around with something
like resentment. When the tumult at last subsided, and he saw that he was
expected to make a speech, he grew very red, and grasped his chair
desperately.</p>
<p>The reporters were back in their places, leaning nervously forward. This
was Senator Harrison's chance to say something worth putting into a panel
by itself with black lines around it—and they were sure he would do
it.</p>
<p>But he did not. He stood there like a schoolboy who had forgotten his
piece—growing more and more red. “I—I think,” he finally
jerked out, “that some of us have been mistaken. I'm in favour now of—of
giving him his chance.”</p>
<p>They waited for him to proceed, but after a helpless look around the
Chamber he sat down. The president of the Senate waited several minutes
for him to rise again, but he at last turned his chair around and looked
out at the green things on the State-house grounds, and there was nothing
to do but go ahead with the second calling of the roll. This time it stood
50 to 12 in favour of the boy.</p>
<p>A motion to adjourn immediately followed—no one wanted to do
anything more that afternoon. They all wanted to say things to the Senator
from Johnson; but his face had grown cold, and as they were usually afraid
of him, anyhow, they kept away. All but Senator Dorman—it meant too
much with him. “Do you mind my telling you,” he said, tensely, “that it
was as fine a thing as I have ever known a man to do?”</p>
<p>The Senator from Johnson moved impatiently. “You think it 'fine,'” he
asked, almost resentfully, “to be a coward?”</p>
<p>“Coward?” cried the other man. “Well, that's scarcely the word. It was—heroic!”</p>
<p>“Oh no,” said Senator Harrison, and he spoke wearily, “it was a clear case
of cowardice. You see,” he laughed, “I was afraid it might haunt me when I
am seventy.”</p>
<p>Senator Dorman started eagerly to speak, but the other man stopped him and
passed on. He was seeing it as his constituency would see it, and it
humiliated him. They would say he had not the courage of his convictions,
that he was afraid of the unpopularity, that his judgment had fallen
victim to the eloquence of the Senator from Maxwell.</p>
<p>But when he left the building and came out into the softness of the April
afternoon it began to seem different. After all, it was not he alone who
leaned to the softer side. There were the trees—they were permitted
another chance to bud; there were the birds—they were allowed
another chance to sing; there was the earth—to it was given another
chance to yield. There stole over him a tranquil sense of unison with
Life.</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0004" id="link2H_4_0004"> </SPAN></p>
<br/>
<h2> III. — FOR LOVE OF THE HILLS </h2>
<p>“Sure you're done with it?”</p>
<p>“Oh, yes,” replied the girl, the suggestion of a smile on her face, and in
her voice the suggestion of a tear. “Yes; I was just going.”</p>
<p>But she did not go. She turned instead to the end of the alcove and sat
down before a table placed by the window. Leaning her elbows upon it she
looked about her through a blur of tears.</p>
<p>Seen through her own eyes of longing, it seemed that almost all of the
people whom she could see standing before the files of the daily papers
were homesick. The reading-room had been a strange study to her during
those weeks spent in fruitless search for the work she wanted to do, and
it had likewise proved a strange comfort. When tired and disconsolate and
utterly sick at heart there was always one thing she could do—she
could go down to the library and look at the paper from home. It was not
that she wanted the actual news of Denver. She did not care in any vital
way what the city officials were doing, what buildings were going up, or
who was leaving town. She was only indifferently interested in the fires
and the murders. She wanted the comforting companionship of that paper
from home.</p>
<p>It seemed there were many to whom the papers offered that same sympathy,
companionship, whatever it might be. More than anything else it perhaps
gave to them—the searchers, drifters—a sense of anchorage. She
would not soon forget the day she herself had stumbled in there and found
the home paper. Chicago had given her nothing but rebuffs that day, and in
desperation, just because she must go somewhere, and did not want to go
back to her boarding-place, she had hunted out the city library. It was
when walking listlessly about in the big reading-room it had occurred to
her that perhaps she could find the paper from home; and after that when
things were their worst, when her throat grew tight and her eyes dim, she
could always comfort herself by saying: “After a while I'll run down and
look at the paper.”</p>
<p>But to-night it had failed her. It was not the paper from home to-night;
it was just a newspaper. It did not inspire the belief that things would
be better to-morrow, that it must all come right soon. It left her as she
had come—-heavy with the consciousness that in her purse was eleven
dollars, and that that was every cent she had in the whole world.</p>
<p>It was hard to hold back the tears as she dwelt upon the fact that it was
very little she had asked of Chicago. She had asked only a chance to do
the work for which she was trained, in order that she might go to the art
classes at night. She had read in the papers of that mighty young city of
the Middle West—the heart of the continent—of its brawn and
its brain and its grit. She had supposed that Chicago, of all places,
would appreciate what she wanted to do. The day she drew her hard-earned
one hundred dollars from the bank in Denver—how the sun had shone
that day in Denver, how clear the sky had been, and how bracing the air!—she
had quite taken it for granted that her future was assured. And now, after
tasting for three weeks the cruelty of indifference, she looked back to
those visions with a hard little smile.</p>
<p>She rose to go, and in so doing her eyes fell upon the queer little woman
to whom she had yielded her place before the Denver paper. Submerged as
she had been in her own desolation she had given no heed to the small
figure which came slipping along beside her beyond the bare thought that
she was queer-looking. But as her eyes rested upon her now there was
something about the woman which held her.</p>
<p>She was a strange little figure. An old-fashioned shawl was pinned tightly
about her shoulders, and she was wearing a queer, rusty little bonnet. Her
hair was rolled up in a small knot at the back of her head. She did not
look as though she belonged in Chicago. And then, as the girl stood there
looking at her, she saw the thin shoulders quiver, and after a minute the
head that was wearing the rusty bonnet went down into the folds of the
Denver paper.</p>
<p>The girl's own eyes filled, and she turned to go. It seemed she could
scarcely bear her own unhappiness that day, without coming close to the
heartache of another. But when she reached the end of the alcove she
glanced back, and the sight of that shabby, bent figure, all alone before
the Denver paper, was not to be withstood.</p>
<p>“I am from Colorado, too,” she said softly, laying a hand upon the bent
shoulders.</p>
<p>The woman looked up at that and took the girl's hand in both of her thin,
trembling ones. It was a wan and a troubled face she lifted, and there was
something about the eyes which would not seem to have been left there by
tears alone.</p>
<p>“And do you have a pining for the mountains?” she whispered, with a timid
eagerness. “Do you have a feeling that you want to see the sun go down
behind them tonight and that you want to see the darkness come stealing up
to the tops?”</p>
<p>The girl half turned away, but she pressed the woman's hand tightly in
hers. “I know what you mean,” she murmured.</p>
<p>“I wanted to see it so bad,” continued the woman, tremulously, “that
something just drove me here to this paper. I knowed it was here because
my nephew's wife brought me here one day and we come across it. We took
this paper at home for more 'an twenty years. That's why I come. 'Twas the
closest I could get.”</p>
<p>“I know what you mean,” said the girl again, unsteadily.</p>
<p>“And it's the closest I will ever get!” sobbed the woman.</p>
<p>“Oh, don't say that,” protested the girl, brushing away her own tears, and
trying to smile; “you'll go back home some day.”</p>
<p>The woman shook her head. “And if I should,” she said, “even if I should,
'twill be too late.”</p>
<p>“But it couldn't be too late,” insisted the girl. “The mountains, you
know, will be there forever.”</p>
<p>“The mountains will be there forever,” repeated the woman, musingly; “yes,
but not for me to see.” There was a pause. “You see,”—she said it
quietly—“I'm going blind.”</p>
<p>The girl took a quick step backward, then stretched out two impulsive
hands. “Oh, no, no you're not! Why—the doctors, you know, they do
everything now.”</p>
<p>The woman shook her head. “That's what I thought when I come here. That's
why I come. But I saw the biggest doctor of them all today—they all
say he's the best there is—and he said right out 'twas no use to do
anything. He said 'twas—hopeless.”</p>
<p>Her voice broke on that word. “You see,” she hurried on, “I wouldn't care
so much, seems like I wouldn't care 't all, if I could get there first! If
I could see the sun go down behind them just one night! If I could see the
black shadows come slippin' over 'em just once! And then, if just one
morning—just once!—I could get up and see the sunlight come a
streamin'—oh, you know how it looks! You know what 'tis I want to
see!”</p>
<p>“Yes; but why can't you? Why not? You won't go—your eyesight will
last until you get back home, won't it?”</p>
<p>“But I can't go back home; not now.”</p>
<p>“Why not?” demanded the girl. “Why can't you go home?”</p>
<p>“Why, there ain't no money, my dear,” she explained, patiently. “It's a
long way off—Colorado is, and there ain't no money. Now, George—George
is my brother-in-law—he got me the money to come; but you see it
took it all to come here, and to pay them doctors with. And George—he
ain't rich, and it pinched him hard for me to come—he says I'll have
to wait until he gets money laid up again, and—well he can't tell
just when 't will be. He'll send it soon as he gets it,” she hastened to
add.</p>
<p>“But what are you going to do in the meantime? It would cost less to get
you home than to keep you here.”</p>
<p>“No, I stay with my nephew here. He's willin' I should stay with him till
I get my money to go home.”</p>
<p>“Yes, but this nephew, can't he get you the money? Doesn't he know,” she
insisted, heatedly, “what it means to you?”</p>
<p>“He's got five children, and not much laid up. And then, he never seen the
mountains. He doesn't know what I mean when I try to tell him about
gettin' there in time. Why, he says there's many a one living back in the
mountains would like to be livin' here. He don't understand—my
nephew don't,” she added, apologetically.</p>
<p>“Well, <i>someone</i> ought to understand!” broke from the girl. “I
understand! But—” she did her best to make it a laugh—“eleven
dollars is every cent I've got in the world!”</p>
<p>“Don't!” implored the woman, as the girl gave up trying to control the
tears. “Now, don't you be botherin'. I didn't mean to make you feel so
bad. My nephew says I ain't reasonable, and maybe I ain't.”</p>
<p>The girl raised her head. “But you <i>are</i> reasonable. I tell you, you
<i>are</i> reasonable!”</p>
<p>“I must be going back,” said the woman, uncertainly. “I'm just making you
feel bad, and it won't do no good. And then they may be stirred up about
me. Emma—Emma's my nephew's wife—left me at the doctor's
office 'cause she had some trading to do, and she was to come back there
for me. And then, as I was sittin' there, the pinin' came over me so
strong it seemed I just must get up and start! And”—-she smiled
wanly—-“this was far as I got.”</p>
<p>“Come over and sit down by this table,” said the girl, impulsively, “and
tell me a little about your home back in the mountains. Wouldn't you like
to?”</p>
<p>The woman nodded gratefully. “Seems most like getting back to them to find
someone that knows about them,” she said, after they had drawn their
chairs up to the table and were sitting there side by side.</p>
<p>The girl put her rounded hand over on the thin, withered one. “Tell me
about it,” she said again.</p>
<p>“Maybe it wouldn't be much interesting to you, my dear. It's just a common
life—mine is. You see, William and I—William was my husband—we
went to Georgetown before it really was any town at all. Years and years
before the railroad went through, we was there. Was you ever there?” she
asked wistfully.</p>
<p>“Oh, very often,” replied the girl. “I love every inch of that country!”</p>
<p>A tear stole down the woman's face. “It's most like being home to find
someone that knows about it,” she whispered.</p>
<p>“Yes, William and I went there when 'twas all new country,” she went on,
after a pause. “We worked hard, and we laid up a little money. Then, three
years ago, William took sick. He was sick for a year, and we had to live
up most of what we'd saved. That's why I ain't got none now. It ain't that
William didn't provide.”</p>
<p>The girl nodded.</p>
<p>“We seen some hard days. But we was always harmonious—William and I
was. And William had a great fondness for the mountains. The night before
he died he made them take him over by the window and he looked out and
watched the darkness come stealin' over the daylight—you know how it
does in them mountains. 'Mother,' he said to me—his voice was that
low I could no more 'an hear what he said—'I'll never see another
sun go down, but I'm thankful I seen this one.'”</p>
<p>She was crying outright now, and the girl did not try to stop her.</p>
<p>“And that's the reason I love the mountains,” she whispered at last. “It
ain't just that they're grand and wonderful to look at. It ain't just the
things them tourists sees to talk about. But the mountains has always been
like a comfortin' friend to me. John and Sarah is buried there—John
and Sarah is my two children that died of fever. And then William is there—like
I just told you. And the mountains was a comfort to me in all those times
of trouble. They're like an old friend. Seems like they're the best friend
I've got on earth.”</p>
<p>“I know what you mean,” said the girl, brokenly. “I know all about it.”</p>
<p>“And you don't think I'm just notional,” she asked wistfully, “in pinin'
to get back while—whilst I can look at them?”</p>
<p>The girl held the old hand tightly in hers with a clasp more responsive
than words.</p>
<p>“It ain't but I'd know they was there. I could feel they was there all
right, but”—her voice sank with the horror of it—“I'm 'fraid I
might forget just how they look!”</p>
<p>“Oh, but you won't,” the girl assured her. “You'll remember just how they
look.”</p>
<p>“I'm scared of it. I'm scared there might be something I'd forget. And so
I just torment myself thinkin'—'Now do I remember this? Can I see
just how that looks?' That's the way I got to thinkin' up in the doctor's
office, when he told me there was nothing to do, and I was so worked up it
seemed I must get up and start!”</p>
<p>“You must try not to worry about it,” murmured the girl. “You'll
remember.”</p>
<p>“Well, maybe so. Maybe I will. But that's why I want just one more look.
If I could look once more I'd remember it forever. You see I'd look to
remember it, and I would. And do you know—seems like I wouldn't mind
going blind so much then? When I'd sit facin' them I'd just say to myself:
'Now I know just how they look. I'm seeing them just as if I had my eyes!'
The doctor says my sight'll just kind of slip away, and when I look my
last look, when it gets dimmer and dimmer to me, I want the last thing I
see to be them mountains where William and me worked and was so happy!
Seems like I can't bear it to have my sight slip away here in Chicago,
where there's nothing I want to look at! And then to have a little left—to
have just a little left!—and to know I could see if I was there to
look—and to know that when I get there 'twill be—Oh, I'll be
rebellious-like here—and I'd be contented there! I don't want to be
complainin'—I don't want to!—but when I've only got a little
left I want it—oh, I want it for them things I want to see!”</p>
<p>“You will see them,” insisted the girl passionately. “I'm not going to
believe the world can be so hideous as that!”</p>
<p>“Well, maybe so,” said the woman, rising. “But I don't know where 'twill
come from,” she added doubtfully.</p>
<p>She took her back to the doctor's office and left her in the care of the
stolid Emma. “Seems most like I'd been back home,” she said in parting;
and the girl promised to come and see her and talk with her about the
mountains. The woman thought that talking about them would help her to
remember just how they looked.</p>
<p>And then the girl returned to the library. She did not know why she did
so. In truth she scarcely knew she was going there until she found herself
sitting before that same secluded table at which she and the woman had sat
a little while before. For a long time she sat there with her head in her
hands, tears falling upon a pad of yellow paper on the table before her.</p>
<p>Finally she dried her eyes, opened her purse, and counted her money. It
seemed that out of her great desire, out of her great new need, there must
be more than she had thought. But there was not, and she folded her hands
upon the two five-dollar bills and the one silver dollar and looked
hopelessly about the big room.</p>
<p>She had forgotten her own disappointments, her own loneliness. She was
oblivious to everything in the world now save what seemed the absolute
necessity of getting the woman back to the mountains while she had eyes to
see them.</p>
<p>But what could she do? Again she counted the money. She could make
herself, some way or other, get along without one of the five-dollar
bills, but five dollars would not take one very close to the mountains. It
was at that moment that she saw a man standing before the Denver paper,
and noticed that another man was waiting to take his place. The one who
was reading had a dinner pail in his hand. The clothes of the other told
that he, too, was of the world's workers. It was clear to the girl that
the man at the file was reading the paper from home; and the man who was
ready to take his place looked as if waiting for something less impersonal
than the news of the day.</p>
<p>The idea came upon her with such suddenness, so full born, that it made
her gasp. They—the people who came to read the Denver paper, the
people who loved the mountains and were far from them, the people who were
themselves homesick and full of longing—were the people to
understand.</p>
<p>It took her but a minute to act. She put the silver dollar and one
five-dollar bill back in her purse. She clutched the other bill in her
left hand, picked up a pencil, and began to write. She headed the
petition: “To all who know and love the mountains,” and she told the story
with the simpleness of one speaking from the heart, and the directness of
one who speaks to those sure to understand. “And so I found her here by
the Denver paper,” she said, after she had stated the tragic facts,
“because it was the closest she could come to the mountains. Her heart is
not breaking because she is going blind. It is breaking because she may
never again look with seeing eyes upon those great hills which rise up
about her home. We must do it for her simply because we would wish that,
under like circumstances, someone would do it for us. She belongs to us
because we understand.</p>
<p>“If you can only give fifty cents, please do not hold it back because it
seems but little. Fifty cents will take her twenty miles nearer home—twenty
miles closer to the things upon which she longs that her last seeing
glance may fall.”</p>
<p>After she had written it she rose, and, the five-dollar bill in one hand,
the sheets of yellow paper in the other, walked down the long room to the
desk at which one of the librarians sat. The girl's cheeks were very red,
her eyes shining as she poured out the story. They mingled their tears,
for the girl at the desk was herself young and far from home, and then
they walked back to the Denver paper and pinned the sheets of yellow paper
just above the file. At the bottom of the petition the librarian wrote:
“Leave your money at the desk in this room. It will be properly attended
to.” The girl from Colorado then turned over her five-dollar bill and
passed out into the gathering night.</p>
<p>Her heart was brimming with joy. “I can get a cheaper boarding place,” she
told herself, as she joined the home-going crowds, “and until something
else turns up I'll just look around and see if I can't get a place in a
store.”</p>
<p><br/><br/></p>
<hr />
<p><br/><br/></p>
<p>One by one they had gathered around while the woman was telling the story.
“And so, if you don't mind,” she said, in conclusion, “I'd like to have
you put in a little piece that I got to Denver safe, so's they can see it.
They was all so worked up about when I'd get here. Would that cost much?”
she asked timidly.</p>
<p>“Not a cent,” said the city editor, his voice gruff with the attempt to
keep it steady.</p>
<p>“You might say, if it wouldn't take too much room, that I was much pleased
with the prospect of getting home before sundown to-night.”</p>
<p>“You needn't worry but what we'll say it all,” he assured her. “We'll say
a great deal more than you have any idea of.”</p>
<p>“I'm very thankful to you,” she said, as she rose to go.</p>
<p>They sat there for a moment in silence. “When one considers,” someone
began, “that they were people who were pushed too close even to subscribe
to a daily paper—”</p>
<p>“When one considers,” said the city editor, “that the girl who started it
had just eleven dollars to her name—” And then he, too, stopped
abruptly and there was another long moment of silence.</p>
<p>After that he looked around at the reporters. “Well, it's too bad you
can't all have it, when it's so big a chance, but I guess it falls
logically to Raymond. And in writing it, just remember, Raymond, that the
biggest stories are not written about wars, or about politics, or even
murders. The biggest stories are written about the things which draw human
beings closer together. And the chance to write them doesn't come every
day, or every year, or every lifetime. And I'll tell you, boys, all of
you, when it seems sometimes that the milk of human kindness has all
turned sour, just think back to the little story you heard this
afternoon.”</p>
<p><br/><br/></p>
<hr />
<p><br/><br/></p>
<p>Slowly the sun slipped down behind the mountains; slowly the long purple
shadows deepened to black; and with the coming of the night there settled
over the everlasting hills, and over the soul of one who had returned to
them, that satisfying calm that men call peace.</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0005" id="link2H_4_0005"> </SPAN></p>
<br/>
<h2> IV. — FRECKLES M'GRATH </h2>
<p>Many visitors to the State-house made the mistake of looking upon the
Governor as the most important personage in the building. They would walk
up and down the corridors, hoping for a glimpse of some of the leading
officials, when all the while Freckles McGrath, the real character of the
Capitol, and by all odds the most illustrious person in it, was at once
accessible and affable.</p>
<p>Freckles McGrath was the elevator boy. In the official register his name
had gone down as William, but that was a mere concession to the
constituents to whom the official register was sent out. In the newspapers—and
he appeared with frequency in the newspapers—he was always
“Freckles,” and every one from the Governor down gave him that title, the
appropriateness of which was stamped a hundred fold upon his shrewd, jolly
Irish face.</p>
<p>Like every one else on the State pay-roll, Freckles was keyed high during
this first week of the new session. It was a reform Legislature, and so
imbued was it with the idea of reforming that there was grave danger of
its forcing reformation upon everything in sight. It happened that the
Governor was of the same faction of the party as that dominant in the
Legislature; reform breathed through every nook and crevice of the great
building.</p>
<p>But high above all else in importance towered the Kelley Bill. From the
very opening of the session there was scarcely a day when some of
Freckles' passengers did not in hushed whispers mention the Kelley Bill.
From what he could pick up about the building, and what he read in the
newspapers, Freckles put together a few ideas as to what the Kelley Bill
really was. It was a great reform measure, and it was going to show the
railroads that they did not own the State. The railroads were going to
have to pay more taxes, and they were making an awful fuss about it; but
if the Kelley Bill could be put through it would be a great victory for
reform, and would make the Governor “solid” in the State.</p>
<p>Freckles McGrath was strong for reform. That was partly because the
snatches of speeches he heard in the Legislature were more thrilling when
for reform than when against it; it was partly because he adored the
Governor, and in no small part because he despised Mr. Ludlow.</p>
<p>Mr. Ludlow was a lobbyist. Some of the members of the Legislature were Mr.
Ludlow's property—or at least so Freckles inferred from conversation
overheard at his post. There had been a great deal of talk that session
about Mr. Ludlow's methods.</p>
<p>Freckles himself was no snob. Although he had heard Mr. Ludlow called
disgraceful, and although he firmly believed he was disgraceful, he did
not consider that any reason for not speaking to him. And so when Mr.
Ludlow got in all alone one morning, and the occasion seemed to demand
recognition of some sort, Freckles had chirped: “Good-morning!”</p>
<p>But the man, possibly deep in something else, simply knit together his
brows and gave no sign of having heard. After that, Henry Ludlow,
lobbyist, and Freckles McGrath, elevator boy, were enemies.</p>
<p>A little before noon, one day near the end of the session, a member of the
Senate and a member of the House rode down together in the elevator.</p>
<p>“There's no use waiting any longer,” the Senator was saying as they got
in. “We're as strong now as we're going to be. It's a matter of Stacy's
vote, and that's a matter of who sees him last.”</p>
<p>Freckles widened out his ears and gauged the elevator for very slow
running. Stacy had been written up in the papers as a wabbler on the
Kelley Bill.</p>
<p>“He's all right now,” pursued the Senator, “but there's every chance that
Ludlow will see him before he casts his vote this afternoon, and then—oh,
I don't know!” and with a weary little flourish of his hands the Senator
stepped off.</p>
<p>Freckles McGrath sat wrapped in deep thought. The Kelley Bill was coming
up in the Senate that afternoon. If Senator Stacy voted for it, it would
pass. If he voted against it, it would fail. He would vote for it if he
didn't see Mr. Ludlow; he wouldn't vote for it if he did. That was the
situation, and the Governor's whole future, Freckles felt, was at stake.</p>
<p>The bell rang sharply, and he was vaguely conscious then that it had been
ringing before. In the next half-hour he was very busy taking down the
members of the Legislature. Strangely enough, Senator Stacy and the
Governor went down the same trip, and Freckles beamed with approbation
when, he saw them walk out of the building together.</p>
<p>Stacy was one of the first of the senators to return. Freckles sized him
up keenly as he stepped into the elevator, and decided that he was still
firm. But there was a look about Senator Stacy's mouth which suggested
that there was no use in being too sure of him. Freckles considered the
advisability of bursting forth and telling him how much better it would be
to stick with the reform fellows; but just as the boy got his courage
screwed up to speaking point, Senator Stacy got off.</p>
<p>About ten minutes later Freckles had the elevator on the ground floor, and
was sitting there reading a paper, when he heard a step that made him
prick up his ears. The next minute Mr. Ludlow turned the corner. He was
immaculately dressed, as usual, and his iron-grey moustache seemed to
stand out just a little more pompously than ever. There was a sneering
look in his eyes as he stepped into the car. It seemed to be saying: “They
thought they could beat me, did they? Oh, they're easy, they are!”</p>
<p>Freckles McGrath slammed the door of the cage and started the car up. He
did not know what he was going to do, but he had an idea that he did not
want any other passenger. When half way between the basement and the first
floor, he stopped the elevator. He must have time to think. If he took
that man up to the Senate Chamber, he would simply strike the death-blow
to reform! And so he knelt and pretended to be fixing something, and he
thought fast and hard.</p>
<p>“Something broke?” asked an anxious voice.</p>
<p>Freckles looked around into Mr. Ludlow's face, and he saw that the eminent
lobbyist was nervous.</p>
<p>“Yes,” he said calmly. “It's acting queer. Something's all out of whack.”</p>
<p>“Well, drop it to the basement and let me out,” said Mr. Ludlow sharply.</p>
<p>“Can't drop it,” responded Freckles. “She's stuck.”</p>
<p>Mr. Ludlow came and looked things over, but his knowledge did not extend
to the mechanism of elevators.</p>
<p>“Better call someone to come and take us out,” he said nervously.</p>
<p>Freckles straightened himself up. A glitter had come into his small grey
eyes, and red spots were burning in his freckled cheeks.</p>
<p>“I think she'll run now,” he said.</p>
<p>And she did run. Never in all its history had that State-house elevator
run as it ran then. It rushed past the first and second floors like a
thing let loose, with an utter abandonment that caused the blood to
forsake the eminent lobbyist's face.</p>
<p>“Stop it, boy!” he cried in alarm.</p>
<p>“Can't!” responded Freckles, his voice thick with terror. “Running away!”
he gasped.</p>
<p>“Will it—fall?” whispered the lobbyist.</p>
<p>“I—I think so!” blubbered Freckles.</p>
<p>The central portion of the State-house was very high. Above that part of
the building which was in use there was a long stretch leading to the
tower. The shaft had been built clear up, though practically unused. Past
floors used for store-rooms, past floors used for nothing at all, they
went—the man's face white, the boy wailing out incoherent
supplications. And then, within ten feet of the top of the shaft, and
within a foot of the top floor of the building, the elevator came to a
rickety stop. It wabbled back and forth; it did strange and terrible
things.</p>
<p>“She's falling!” panted Freckles. “Climb!”</p>
<p>And Henry Ludlow climbed. He got the door open, and he clambered up. No
sooner had the man's feet touched the solid floor than Freckles reached up
and slammed the door of the cage. Why he did that he was not sure at the
time. Later he felt that something had warned him not to give his
prisoner's voice a full sweep down the shaft.</p>
<p>Henry Ludlow was far from dull. As he saw the quick but even descent of
the car, he knew that he had been tricked. He would have been more than
human had there not burst from him furious and threatening words. But what
was the use? The car was going down—down—down, and there he
was, perhaps hundreds of feet above any one else in the building—alone,
tricked, beaten!</p>
<p>Of course he tried the door at the head of the winding stairway, knowing
full well that it would be locked. They always kept it locked; he had
heard one of the janitors asking for the keys to take a party up just a
few days before. Perhaps he could get out on top of the building and make
signals of distress. But the door leading outside was locked also. There
he was—helpless. And below—well, below they were passing the
Kelley Bill!</p>
<p>He rattled the grating of the elevator shaft. He made strange, loud
noises, knowing all the while he could not make himself heard. And then at
last, alone in the State-house attic, Henry Ludlow, eminent lobbyist, sat
down on a box and nursed his fury.</p>
<p>Below, Freckles McGrath, the youngest champion of reform in the building,
was putting on a bold front. He laughed and he talked and he whistled. He
took people up and down with as much nonchalance as if he did not know
that up at the top of that shaft angry eyes were straining themselves for
a glimpse of the car, and terrible curses were descending, literally, upon
his stubby red head.</p>
<p>It was a great afternoon at the State-house. Every one thronged to the
doors of the Senate Chamber, where they were putting through the Kelley
Bill. The speeches made in behalf of the measure were brief. The great
thing now was not to make speeches; it was to reach “S” on roll-call
before a man with iron-grey hair and an iron-grey moustache could come in
and say something to the fair-haired member with the weak mouth who sat
near the rear of the chamber.</p>
<p>Freckles was called away just as it went to a vote. When he came back
Senator Kelley was standing out in the corridor, and a great crowd of men
were standing around slapping him on the back. The Governor himself was
standing on the steps of the Senate Chamber; his eyes were bright, and he
was smiling.</p>
<p>Freckles turned his car back to the basement. He wanted to be all alone
for a minute, to dwell in solitude upon the fact that it was he, Freckles
McGrath, who had won this great victory for reform. It was he, Freckles
McGrath, who had assured the Governor's future. Why, perhaps he had that
afternoon made for himself a name which would be handed down in the
histories!</p>
<p>Freckles was a kind little boy, and he knew that an elegant gentleman
could not find the attic any too pleasant a place in which to spend the
afternoon, go he decided to go up and get Mr. Ludlow. It took courage; but
he had won his victory and this was no time for faltering.</p>
<p>There was something gruesome about the long ascent. He thought of stories
he had read of lonely turrets in which men were beheaded, and otherwise
made away with. It seemed he would never come to the top, and when at last
he did it was to find two of the most awful-looking eyes he had ever seen—eyes
that looked as though furies were going to escape from them—peering
down upon him.</p>
<p>The sight of that car, moving smoothly and securely up to the top, and the
sight of that audacious little boy with the freckled face and the bat-like
eyes, that little boy who had played his game so well, who had wrought
such havoc, was too much for Henry Ludlow's self-control. Words such as he
had never used before, such as he would not have supposed himself capable
of using, burst from him. But Freckles stood calmly gazing up at the
infuriated lobbyist, and just as Mr. Ludlow was saying, “I'll beat your
head open, you little brat!” he calmly reversed the handle and sent the
car skimming smoothly to realms below. He was followed by an angry yell,
and then by a loud request to return, but he heeded them not, and for some
time longer the car made its usual rounds between the basement and the
legislative chambers.</p>
<p>In just an hour Freckles tried it again. He sent the car to within three
feet of the attic floor, and then peered through the grating, his face
tied in a knot of interrogation. The eminent lobbyist stood there gulping
down wrath and pride, knowing well enough what was expected of him.</p>
<p>“Oh—all right,” he muttered at last, and with that much of an
understanding Freckles sent the car up, opened the door, and Henry Ludlow
stepped in.</p>
<p>No word was spoken between them until the light from the floor upon which
the Senate Chamber was situated came in view. Then Freckles turned with a
polite inquiry as to where the gentleman wished to get off.</p>
<p>“You may take me down to the office of the Governor,” said Mr. Ludlow
stonily, meaningly.</p>
<p>“Sure,” said Freckles cheerfully. “Guess you'll find the Governor in his
office now. He's been in the Senate most of the afternoon, watching 'em
pass that Kelley Bill.”</p>
<p>Mr. Ludlow's lips drew in tightly. He squared his shoulders, and his
silence was tremendous.</p>
<p>In just fifteen minutes Freckles was sent for from the executive office.</p>
<p>“I demand his discharge!” Mr. Ludlow was saying as the elevator boy
entered.</p>
<p>“It happens you're not running this building,” the Governor returned with
a good deal of acidity. “Though of course,” he added with dignity, “the
matter will be carefully investigated.”</p>
<p>The Governor was one great chuckle inside, and his heart was full of
admiration and gratitude; but would Freckles be equal to bluffing it
through? Would the boy have the finesse, the nice subtlety, the real
master hand, the situation demanded? If not, then—imp of salvation
though he was—in the interest of reform, Freckles would have to go.</p>
<p>It was a very innocent looking boy who stood before him and looked
inquiringly into his face.</p>
<p>“William,” began the Governor—Freckles was pained at first, and then
remembered that officially he was William—“this gentleman has made a
very serious charge against you.”</p>
<p>Freckles looked at Mr. Ludlow in a hurt way, and waited for the Governor
to proceed.</p>
<p>“He says,” went on the chief executive, “that you deliberately took him to
the top of the building and wilfully left him there a prisoner all
afternoon. Did you do that?”</p>
<p>“Oh, sir,” burst forth Freckles, “I did the very best I could to save his
life! I was willing to sacrifice mine for him. I—”</p>
<p>“You little liar!” broke in Ludlow.</p>
<p>The Governor held up his hand. “You had your chance. Let him have his.”</p>
<p>“You see, Governor,” began Freckles, as if anxious to set right a great
wrong which had been done him, “the car is acting bad. The engineer said
only this morning it needed a going over. When it took that awful shoot, I
lost control of it. Maybe I'm to be discharged for losing control of it,
but not”—Freckles sniffled pathetically—-“but not for anything
like what he says I done. Why Governor,” he went on, ramming his knuckles
into his eyes, “I ain't got nothing against him! What'd I take him to the
attic for?”</p>
<p>“Of course not for money,” sneered Mr. Ludlow.</p>
<p>The Governor turned on him sharply. “When you can bring any proof of that,
I'll be ready to hear it. Until you can, you'd better leave it out of the
question.”</p>
<p>“Strange it should have happened this very afternoon,” put in the eminent
lobbyist.</p>
<p>The Governor looked at him with open countenance. “You were especially
interested in something this afternoon? I thought you told me you had no
vital interest here this session.”</p>
<p>There was nothing to be said. Mr. Ludlow said nothing.</p>
<p>“Now, William,” pursued the Governor, fearful in his heart that this would
be Freckles' undoing, “why did you close the door of the shaft before you
started down?”</p>
<p>“Well, you see, sir,” began Freckles, still tremulously, “I'm so used to
closin' doors. Closin' doors has become a kind of second nature with me.
I've been told about it so many times. And up there, though I thought I
was losin' my life, still I didn't neglect my duty.”</p>
<p>The Governor put his hand to his mouth and coughed.</p>
<p>“And why,” he went on, more secure now, for a boy who could get out of
that could get out of anything, “why was it you didn't make some immediate
effort to get Mr. Ludlow down? Why didn't you notify someone, or do
something about it?”</p>
<p>“Why, I supposed, of course, he walked down by the stairs,” cried
Freckles. “I never dreamed he'd want to trust the elevator after the way
she had acted.”</p>
<p>“The door was locked,” snarled the eminent lobbyist.</p>
<p>“Well, now, you see, I didn't know that,” explained Freckles expansively.
“Late in the afternoon I took a run up just to test the car—and
there you were! I never was so surprised in my life. I supposed, of
course, sir, that you'd spent the afternoon in the Senate, along with
everybody else.”</p>
<p>Once more the Governor put his hand to his mouth.</p>
<p>“Your case will come before the executive council at its next meeting,
William. And if anything like this should happen again, you will be
discharged on the spot.” Freckles bowed. “You may go now.”</p>
<p>When he was almost at the door the Governor called to him.</p>
<p>“Don't you think, William,” he said—the Governor felt that he and
Freckles could afford to be generous—“that you should apologise to
the gentleman for the really grave inconvenience to which you have been
the means of subjecting him?”</p>
<p>Freckles' little grey eyes grew steely. He looked at Henry Ludlow, and
there was an ominous silence. Then light broke over his face. “On behalf
of the elevator,” he said, “I apologise.”</p>
<p>And a third time the Governor's hand was raised to his mouth.</p>
<p>The next week Freckles was wearing a signet ring; long and audibly had he
sighed for a ring of such kind and proportions. He was at some pains in
explaining to everyone to whom he showed it that it had been sent him by
“a friend up home.”</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0006" id="link2H_4_0006"> </SPAN></p>
<br/>
<h2> V. — FROM A TO Z </h2>
<p>Thus had another ideal tumbled to the rubbish heap! She seemed to be
breathing the dust which the newly fallen had stirred up among its longer
dead fellows. Certainly she was breathing the dust from somewhere.</p>
<p>During her senior year at the university, when people would ask: “And what
are you going to do when you leave school, Miss Willard?” she would
respond with anything that came to hand, secretly hugging to her mind that
idea of getting a position in a publishing house. Her conception of her
publishing house was finished about the same time as her class-day gown.
She was to have a roll-top desk—probably of mahogany—and a big
chair which whirled round like that in the office of the under-graduate
dean. She was to have a little office all by herself, opening on a bigger
office—the little one marked “Private.” There were to be beautiful
rugs—the general effect not unlike the library at the University
Club—books and pictures and cultivated gentlemen who spoke often of
Greek tragedies and the Renaissance. She was a little uncertain as to her
duties, but had a general idea about getting down between nine and ten,
reading the morning paper, cutting the latest magazine, and then “writing
something.”</p>
<p>Commencement was now four months past, and one of her professors had
indeed secured for her a position in a Chicago “publishing house.” This
was her first morning and she was standing at the window looking down into
Dearborn Street while the man who was to have her in charge was fixing a
place for her to sit.</p>
<p>That the publishing house should be on Dearborn Street had been her first
blow, for she had long located her publishing house on that beautiful
stretch of Michigan Avenue which overlooked the lake. But the real insult
was that this publishing house, instead of having a building, or at least
a floor, all to itself, simply had a place penned off in a bleak, dirty
building such as one who had done work in sociological research
instinctively associated with a box factory. And the thing which fairly
trailed her visions in the dust was that the partition penning them off
did not extend to the ceiling, and the adjoining room being occupied by a
patent medicine company, she was face to face with glaring endorsements of
Dr. Bunting's Famous Kidney and Bladder Cure. Taken all in all there
seemed little chance for Greek tragedies or the Renaissance.</p>
<p>The man who was “running things”—she buried her phraseology with her
dreams—wore a skull cap, and his moustache dragged down below his
chin. Just at present he was engaged in noisily pulling a most unliterary
pine table from a dark corner to a place near the window. That
accomplished, an ostentatious hunt ensued, resulting in the triumphant
flourish of a feather duster. Several knocks at the table, and the dust of
many months—perhaps likewise of many dreams—ascended to a
resting place on the endorsement of Dr. Bunting's Kidney and Bladder Cure.
He next produced a short, straight-backed chair which she recognised as
brother to the one which used to stand behind their kitchen stove. He gave
it a shake, thus delicately indicating that she was receiving special
favours in this matter of an able-bodied chair, and then announced with
brisk satisfaction: “So! Now we are ready to begin.” She murmured a “Thank
you,” seated herself and her buried hopes in this chair which did not
whirl round, and leaned her arms upon a table which did not even dream in
mahogany.</p>
<p>In the <i>other</i> publishing house, one pushed buttons and uniformed
menials appeared—noiselessly, quickly and deferentially. At this
moment a boy with sandy hair brushed straight back in a manner either
statesmanlike or clownlike—things were too involved to know which—shuffled
in with an armful of yellow paper which he flopped down on the pine table.
After a minute he returned with a warbled “Take Me Back to New York Town”
and a paste-pot. And upon his third appearance he was practising
gymnastics with a huge pair of shears, which he finally presented,
grinningly.</p>
<p>There was a long pause, broken only by the sonorous voice of Dr. Bunting
upbraiding someone for not having billed out that stuff to Apple Grove,
and then the sandy-haired boy appeared bearing a large dictionary,
followed by the man in the skull cap behind a dictionary of equal
unwieldiness. These were set down on either side of the yellow paper, and
he who was filling the position of cultivated gentleman pulled up a chair,
briskly.</p>
<p>“Has Professor Lee explained to you the nature of our work?” he wanted to
know.</p>
<p>“No,” she replied, half grimly, a little humourously, and not far from
tearfully, “he didn't—explain.”</p>
<p>“Then it is my pleasure to inform you,” he began, blinking at her
importantly, “that we are engaged here in the making of a dictionary.”</p>
<p>“A <i>dic—?</i>” but she swallowed the gasp in the laugh coming up
to meet it, and of their union was born a saving cough.</p>
<p>“Quite an overpowering thought, is it not?” he agreed pleasantly. “Now you
see you have before you the two dictionaries you will use most, and over
in that case you will find other references. The main thing”—his
voice sank to an impressive whisper—“is <i>not</i> to infringe the
copyright. The publisher was in yesterday and made a little talk to the
force, and he said that any one who handed in a piece of copy infringing
the copyright simply employed that means of writing his own resignation.
Neat way of putting it, was it not?”</p>
<p>“Yes, <i>wasn't</i> it—neat?” she agreed, wildly.</p>
<p>She was conscious of a man's having stepped in behind her and taken a seat
at the table next hers. She heard him opening his dictionaries and getting
out his paper. Then the man in the skull cap had risen and was saying
genially: “Well, here is a piece of old Webster, your first 'take'—no
copyright on this, you see, but you must modernise and expand. Don't miss
any of the good words in either of these dictionaries. Here you have
dictionaries, copy-paper, paste, and Professor Lee assures me you have
brains—all the necessary ingredients for successful lexicography. We
are to have some rules printed to-morrow, and in the meantime I trust I've
made myself clear. The main thing”—he bent down and spoke it
solemnly—“is <i>not</i> to infringe the copyright.” With a cheerful
nod he was gone, and she heard him saying to the man at the next table:
“Mr. Clifford, I shall have to ask you to be more careful about getting in
promptly at eight.”</p>
<p>She removed the cover from her paste-pot and dabbled a little on a piece
of paper. Then she tried the unwieldy shears on another piece of paper.
She then opened one of her dictionaries and read studiously for fifteen
minutes. That accomplished, she opened the other dictionary and pursued it
for twelve minutes. Then she took the column of “old Webster,” which had
been handed her pasted on a piece of yellow paper, and set about
attempting to commit it to memory. She looked up to be met with the
statement that Mrs. Marjory Van Luce De Vane, after spending years under
the so-called best surgeons of the country, had been cured in six weeks by
Dr. Bunting's Famous Kidney and Bladder Cure. She pushed the dictionaries
petulantly from her, and leaning her very red cheek upon her hand, her
hazel eyes blurred with tears of perplexity and resentment, her mouth
drawn in pathetic little lines of uncertainty, looked over at the
sprawling warehouse on the opposite side of Dearborn Street. She was just
considering the direct manner of writing one's resignation—not
knowing how to infringe the copyright—when a voice said: “I beg
pardon, but I wonder if I can help you any?”</p>
<p>She had never heard a voice like that before. Or, <i>had</i> she heard it?—and
where? She looked at him, a long, startled gaze. Something made her think
of the voice the prince used to have in long-ago dreams. She looked into a
face that was dark and thin and—different. Two very dark eyes were
looking at her kindly, and a mouth which was a baffling combination of
things to be loved and things to be deplored was twitching a little, as
though it would like to join the eyes in a smile, if it dared.</p>
<p>Because he saw both how funny and how hard it was, she liked him. It would
have been quite different had he seen either one without the other.</p>
<p>“You can tell me how <i>not</i> to infringe the copyright,” she laughed.
“I'm not sure that I know what a copyright is.”</p>
<p>He laughed—a laugh which belonged with his voice. “Mr. Littletree
isn't as lucid as he thinks he is. I've been here a week or so, and picked
up a few things you might like to know.”</p>
<p>He pulled his chair closer to her table then and gave her a lesson in the
making of copy. Edna Willard was never one-half so attractive as when
absorbed in a thing which someone was showing her how to do. Her hazel
eyes would widen and glisten with the joy of comprehending; her cheeks
would flush a deeper pink with the coming of new light, her mouth would
part in a child-like way it had forgotten to outgrow, her head would nod
gleefully in token that she understood, and she had a way of pulling at
her wavy hair and making it more wavy than it had been before. The man at
the next table was a long time in explaining the making of a dictionary.
He spoke in low tones, often looking at the figure of the man in the skull
cap, who was sitting with his back to them, looking over copy. Once she
cried, excitedly: “Oh—I <i>see</i>!” and he warned, “S—h!”
explaining, “Let him think you got it all from him. It will give you a
better stand-in.” She nodded, appreciatively, and felt very well
acquainted with this kind man whose voice made her think of something—called
to something—she did not just know what.</p>
<p>After that she became so absorbed in lexicography that when the men began
putting away their things it was hard to realise that the morning had
gone. It was a new and difficult game, the evasion of the copyright
furnishing the stimulus of a hazard.</p>
<p>The man at the next table had been watching her with an amused admiration.
Her child-like absorption, the way every emotion from perplexity to
satisfaction expressed itself in the poise of her head and the pucker of
her face, took him back over years emotionally barren to the time when he
too had those easily stirred enthusiasms of youth. For the man at the next
table was far from young now. His mouth had never quite parted with
boyishness, but there was more white than black in his hair, and the lines
about his mouth told that time, as well as forces more aging than time,
had laid heavy hand upon him. But when he looked at the girl and told her
with a smile that it was time to stop work, it was a smile and a voice to
defy the most tell-tale face in all the world.</p>
<p>During her luncheon, as she watched the strange people coming and going,
she did much wondering. She wondered why it was that so many of the men at
the dictionary place were very old men; she wondered if it would be a good
dictionary—one that would be used in the schools; she wondered if
Dr. Bunting had made a great deal of money, and most of all she wondered
about the man at the next table whose voice was like—like a dream
which she did not know that she had dreamed.</p>
<p>When she had returned to the straggling old building, had stumbled down
the narrow, dark hall and opened the door of the big bleak room, she saw
that the man at the next table was the only one who had returned from
luncheon. Something in his profile made her stand there very still. He had
not heard her come in, and he was looking straight ahead, eyes half
closed, mouth set—no unsurrendered boyishness there now. Wholly
unconsciously she took an impulsive step forward. But she stopped, for she
saw, and felt without really understanding, that it was not just the
moment's pain, but the revealed pain of years. Just then he began to
cough, and it seemed the cough, too, was more than of the moment. And then
he turned and saw her, and smiled, and the smile changed all.</p>
<p>As the afternoon wore on the man stopped working and turning a little in
his chair sat there covertly watching the girl. She was just typically
girl. It was written that she had spent her days in the happy ways of
healthful girlhood. He supposed that a great many young fellows had fallen
in love with her—nice, clean young fellows, the kind she would
naturally meet. And then his eyes closed for a minute and he put up his
hand and brushed back his hair; there was weariness, weariness weary of
itself, in the gesture. He looked about the room and scanned the faces of
the men, most of them older than he, many of them men whose histories were
well known to him. They were the usual hangers on about newspaper offices;
men who, for one reason or other—age, dissipation, antiquated
methods—had been pitched over, men for whom such work as this came
as a godsend. They were the men of yesterday—men whom the world had
rushed past. She was the only one there, this girl who would probably sit
here beside him for many months, with whom the future had anything to do.
Youth!—Goodness!—Joy!—Hope!—strange things to
bring to a place like this. And as if their alienism disturbed him, he
moved restlessly, almost resentfully, bit his lips nervously, moistened
them, and began putting away his things.</p>
<p>As the girl was starting home along Dearborn Street a few minutes later,
she chanced to look in a window. She saw that it was a saloon, but before
she could turn away she saw a man with a white face—white with the
peculiar whiteness of a dark face, standing before the bar drinking from a
small glass. She stood still, arrested by a look such as she had never
seen before: a panting human soul sobbingly fluttering down into something
from which it had spent all its force in trying to rise. When she recalled
herself and passed on, a mist which she could neither account for nor
banish was dimming the clear hazel of her eyes.</p>
<p>The next day was a hard one at the dictionary place. She told herself it
was because the novelty of it was wearing away, because her fingers ached,
because it tired her back to sit in that horrid chair. She did not admit
of any connection between her flagging interest and the fact that the
place at the next table was vacant.</p>
<p>The following day he was still absent. She assumed that it was nervousness
occasioned by her queer surroundings made her look around whenever she
heard a step behind her. Where was he? Where had that look carried him? If
he were in trouble, was there no one to help him?</p>
<p>The third day she did an unpremeditated thing. The man in the skull cap
had been showing her something about the copy. As he was leaving, she
asked: “Is the man who sits at the next table coming back?”</p>
<p>“Oh yes,” he replied grimly, “he'll be back.”</p>
<p>“Because,” she went on, “if he wasn't, I thought I would take his shears.
These hurt my fingers.”</p>
<p>He made the exchange for her—and after that things went better.</p>
<p>He did return late the next morning. After he had taken his place he
looked over at her and smiled. He looked sick and shaken—as if
something that knew no mercy had taken hold of him and wrung body and
soul.</p>
<p>“You have been ill?” she asked, with timid solicitude.</p>
<p>“Oh no,” he replied, rather shortly.</p>
<p>He was quiet all that day, but the next day they talked about the work,
laughed together over funny definitions they found. She felt that he could
tell many interesting things about himself, if he cared to.</p>
<p>As the days went on he did tell some of those things—out of the way
places where he had worked, queer people whom he had known. It seemed that
words came to him as gifts, came freely, happily, pleased, perhaps, to be
borne by so sympathetic a voice. And there was another thing about him. He
seemed always to know just what she was trying to say; he never missed the
unexpressed. That made it easy to say things to him; there seemed a
certain at-homeness between his thought and hers. She accounted for her
interest in him by telling herself she had never known any one like that
before. Now Harold, the boy whom she knew best out at the university, why
one had to <i>say</i> things to Harold to make him understand! And Harold
never left one wondering—wondering what he had meant by that smile,
what he had been going to say when he started to say something and
stopped, wondering what it was about his face that one could not
understand. Harold never could claim as his the hour after he had left
her, and was one ever close to anyone with whom one did not spend some of
the hours of absence? She began to see that hours spent together when
apart were the most intimate hours of all.</p>
<p>And as Harold did not make one wonder, so he did not make one worry. Never
in all her life had there been a lump in her throat when she thought of
Harold. There was often a lump in her throat when the man at the next
table was coughing.</p>
<p>One day, she had been there about two months, she said something to him
about it. It was hard; it seemed forcing one's way into a room that had
never been opened to one—there were several doors he kept closed.</p>
<p>“Mr. Clifford,” she turned to him impetuously as they were putting away
their things that night, “will you mind if I say something to you?”</p>
<p>He was covering his paste-pot. He looked up at her strangely. The closed
door seemed to open a little way. “I can't conceive of 'minding' anything
you might say to me, Miss Noah,”—he had called her Miss Noah ever
since she, by mistake, had one day called him Mr. Webster.</p>
<p>“You see,” she hurried on, very timid, now that the door had opened a
little, “you have been so good to me. Because you have been so good to me
it seems that I have some right to—to—”</p>
<p>His head was resting upon his hand, and he leaned a little closer as
though listening for something he wanted to hear.</p>
<p>“I had a cousin who had a cough like yours,”—brave now that she
could not go back—“and he went down to New Mexico and stayed for a
year, and when he came back—when he came back he was as well as any
of us. It seems so foolish not to”—her voice broke, now that it had
so valiantly carried it—“not to—”</p>
<p>He looked at her, and that was all. But she was never wholly the same
again after that look. It enveloped her being in a something which left
her richer—different. It was a look to light the dark place between
two human souls. It seemed for the moment that words would follow it, but
as if feeling their helplessness—perhaps needlessness—they
sank back unuttered, and at the last he got up, abruptly, and walked away.</p>
<p>One night, while waiting for the elevator, she heard two of the men
talking about him. When she went out on the street it was with head high,
cheeks hot. For nothing is so hard to hear as that which one has half
known, and evaded. One never denies so hotly as in denying to one's self
what one fears is true, and one never resents so bitterly as in resenting
that which one cannot say one has the right to resent.</p>
<p>That night she lay in her bed with wide open eyes, going over and over the
things they had said. “<i>Cure?</i>”—one of them had scoffed, after
telling how brilliant he had been before he “went to pieces”—“why
all the cures on earth couldn't help him! He can go just so far, and then
he can no more stop himself—oh, about as much as an ant could stop a
prairie fire!”</p>
<p>She finally turned over on her pillow and sobbed; and she wondered why—wondered,
yet knew.</p>
<p>But it resulted in the flowering of her tenderness for him. Interest
mounted to defiance. It ended in blind, passionate desire to “make it up”
to him. And again he was so different from Harold; Harold did not impress
himself upon one by upsetting all one's preconceived ideas.</p>
<p>She felt now that she understood better—understood the closed doors.
He was—she could think of no better word than sensitive.</p>
<p>And that is why, several mornings later, she very courageously—for
it did take courage—threw this little note over on his desk—they
had formed a habit of writing notes to each other, sometimes about the
words, sometimes about other things.</p>
<p>“IN-VI-TA-TION, <i>n.</i> That which Miss Noah extends to Mr. Webster for
Friday evening, December second, at the house where she lives—hasn't
she already told him where that is? It is the wish of Miss Noah to present
Mr. Webster to various other Miss Noahs, all of whom are desirous of
making his acquaintance.”</p>
<p>She was absurdly nervous at luncheon that day, and kept telling herself
with severity not to act like a high-school girl. He was late in returning
that noon, and though there seemed a new something in his voice when he
asked if he hadn't better sharpen her pencils, he said nothing about her
new definition of invitation. It was almost five o'clock when he threw
this over on her desk:</p>
<p>“AP-PRE-CI-A-TION, <i>n.</i> That sentiment inspired in Mr. Webster by the
kind invitation of Miss Noah for Friday evening.</p>
<p>“RE-GRET, <i>n.</i> That which Mr. Webster experiences because, for
reasons into which he cannot go in detail, it is impossible for him to
accept Miss Noah's invitation.</p>
<p>“RE-SENT-MENT, <i>n.</i> That which is inspired in Mr. Webster by the
insinuation that there are other Miss Noahs in the world.”</p>
<p>Then below he had written: “Three hours later. Miss Noah, the world is
queer. Some day you may find out—though I hope you never will—that
it is frequently the things we most want to do that we must leave undone.
Miss Noah, won't you go on bringing me as much of yourself as you can to
Dearborn Street, and try not to think much about my not being able to know
the Miss Noah of Hyde Park? And little Miss Noah—I thank you. There
aren't words enough in this old book of ours to tell you how much—or
why.”</p>
<p>That night he hurried away with never a joke about how many words she had
written that day. She did not look up as he stood there putting on his
coat.</p>
<p>It was spring now, and the dictionary staff had begun on W.</p>
<p>They had written of Joy, of Hope and Life and Love, and many other things.
Life seemed pressing just behind some of those definitions, pressing the
harder, perhaps, because it could not break through the surface.</p>
<p>For it did not break through; it flooded just beneath.</p>
<p>How did she know that he cared for her? She could not possibly have told.
Perhaps the nearest to actual proof she could bring was that he always saw
that her overshoes were put in a warm place. And when one came down to
facts, the putting of a girl's rubbers near the radiator did not
necessarily mean love.</p>
<p>Perhaps then it was because there was no proof of it that she was most
sure. For some of the most sure things in the world are things which
cannot be proved.</p>
<p>It was only that they worked together and were friends; that they laughed
together over funny definitions they found, that he was kind to her, and
that they seemed remarkably close together.</p>
<p>That is as far as facts can take it.</p>
<p>And just there—it begins.</p>
<p>For the force which rushes beneath the facts of life, caring nothing for
conditions, not asking what one desires or what one thinks best, caring as
little about a past as about a future—save its own future—the
force which can laugh at man's institutions and batter over in one sweep
what he likes to call his wisdom, was sweeping them on. And because it
could get no other recognition it forced its way into the moments when he
asked her for an eraser, when she wanted to know how to spell a word. He
could not so much as ask her if she needed more copy-paper without seeming
to be lavishing upon her all the love of all the ages.</p>
<p>And so the winter had worn on, and there was really nothing whatever to
tell about it.</p>
<p>She was quiet this morning, and kept her head bent low over her work. For
she had estimated the number of pages there were between W and Z. Soon
they would be at Z;—and then? Then? Shyly she turned and looked at
him; he too was bent over his work. When she came in she had said
something about its being spring, and that there must be wild flowers in
the woods. Since then he had not looked up.</p>
<p>Suddenly it came to her—tenderly, hotly, fearfully yet bravely, that
it was she who must meet Z. She looked at him again, covertly. And she
felt that she understood. It was the lines in his face made it clearest.
Years, and things blacker, less easily surmounted than years—oh yes,
that too she faced fearlessly—were piled in between. She knew now
that it was she—not he—who could push them aside.</p>
<p>It was all very unmaidenly, of course; but maidenly is a word love and
life and desire may crowd from the page.</p>
<p>Perhaps she would not have thrown it after all—the little note she
had written—had it not been that when she went over for more
copy-paper she stood for a minute looking out the window. Even on Dearborn
Street the seductiveness of spring was in the air. Spring, and all that
spring meant, filled her.</p>
<p>Because, way beyond the voice of Dr. Bunting she heard the songs of
far-away birds, and because beneath the rumble of a printing press she
could get the babble of a brook, because Z was near and life was strong,
the woman vanquished the girl, and she threw this over to his desk:</p>
<p>“CHAFING-DISH, n. That out of which Miss Noah asks Mr. Webster to eat his
Sunday night lunch tomorrow. All the other Miss Noahs are going to be
away, and if Mr. Webster does not come, Miss Noah will be all alone. Miss
Noah does not like to be lonely.”</p>
<p>She ate no lunch that day; she only drank a cup of coffee and walked
around.</p>
<p>He did not come back that afternoon. It passed from one to two, from two
to three, and then very slowly from three to four, and still he had not
come.</p>
<p>He too was walking about. He had walked down to the lake and was standing
there looking out across it.</p>
<p>Why not?—he was saying to himself—fiercely, doggedly. Over and
over again—Well, <i>why</i> not?</p>
<p>A hundred nights, alone in his room, he had gone over it. Had not life
used him hard enough to give him a little now?—longing had pleaded.
And now there was a new voice—more prevailing voice—the voice
of her happiness. His face softened to an almost maternal tenderness as he
listened to that voice.</p>
<p>Too worn to fight any longer, he gave himself up to it, and sat there
dreaming. They were dreams of joy rushing in after lonely years, dreams of
stepping into the sunlight after long days in fog and cold, dreams of a
woman before a fireplace—her arms about him, her cheer and her
tenderness, her comradeship and her passion—all his to take! Ah,
dreams which even thoughts must not touch—so wonderful and sacred
they were.</p>
<p>A long time he sat there, dreaming dreams and seeing visions. The force
that rules the race was telling him that the one crime was the denial of
happiness—his happiness, her happiness; and when at last his fight
seemed but a puerile fight against forces worlds mightier than he, he
rose, and as one who sees a great light, started back toward Dearborn
Street.</p>
<p>On the way he began to cough. The coughing was violent, and he stepped
into a doorway to gain breath. And after he had gone in there he realised
that it was the building of Chicago's greatest newspaper.</p>
<p>He had been city editor of that paper once. Facts, the things he knew
about himself, talked to him then. There was no answer.</p>
<p>It left him weak and dizzy and crazy for a drink. He walked on slowly,
unsteadily, his white face set. For he had vowed that if it took the last
nerve in his body there should be no more of that until after they had
finished with Z. He knew himself too well to vow more. He was not even
sure of that.</p>
<p>He did not turn in where he wanted to go, but resistance took the last bit
of force that was in him. He was trembling like a sick man when he stepped
into the elevator.</p>
<p>She was just leaving. She was in the little cloak room putting on her
things. She was all alone in there.</p>
<p>He stepped in. He pushed the door shut, and stood there leaning against
it, looking at her, saying nothing.</p>
<p>“Oh—you are ill?” she gasped, and laid a frightened hand upon him.</p>
<p>The touch crazed him. All resistance gone, he swept her into his arms; he
held her fiercely, and between sobs kissed her again and again. He could
not let her go. He frightened her. He hurt her. And he did not care—he
did not know.</p>
<p>Then he held her off and looked at her. And as he looked into her eyes,
passion melted to tenderness. It was she now—not he; love—not
hunger. Holding her face in his two hands, looking at her as if getting
something to take away, his white lips murmured words too inarticulate for
her to hear. And then again he put his arms around her—all
differently. Reverently, sobbingly, he kissed her hair. And then he was
gone.</p>
<p>He did not come out that Sunday afternoon, but Harold dropped in instead,
and talked of some athletic affairs over at the university. She wondered
why she did not go crazy in listening to him, and yet she could answer
intelligently. It was queer—what one <i>could</i> do.</p>
<p>They had come at last to Z. There would be no more work upon the
dictionary after that day. And it was raining—raining as in Chicago
alone it knows how to rain.</p>
<p>They wrote no notes to each other now. It had been different since that
day. They made small effort to cover their raw souls with the mantle of
commonplace words.</p>
<p>Both of them had tried to stay away that last day. But both were in their
usual places.</p>
<p>The day wore on eventlessly. Those men with whom she had worked, the men
of yesterday, who had been kind to her, came up at various times for
little farewell chats. The man in the skull cap told her that she had done
excellent work. She was surprised at the ease with which she could make
decent reply, thinking again that it was queer—what one could do.</p>
<p>He was moving. She saw him lay some sheets of yellow paper on the desk in
front. He had finished with his “take.” There would not be another to give
him. He would go now.</p>
<p>He came back to his desk. She could hear him putting away his things. And
then for a long time there was no sound. She knew that he was just sitting
there in his chair.</p>
<p>Then she heard him get up. She heard him push his chair up to the table,
and then for a minute he stood there. She wanted to turn toward him; she
wanted to say something—do something. But she had no power.</p>
<p>She saw him lay an envelope upon her desk. She heard him walking away. She
knew, numbly, that his footsteps were not steady. She knew that he had
stopped; she was sure that he was looking back. But still she had no
power.</p>
<p>And then she heard him go.</p>
<p>Even then she went on with her work; she finished her “take” and laid down
her pencil. It was finished now—and he had gone. Finished?—<i>Gone?</i>
She was tearing open the envelope of the letter.</p>
<p>This was what she read:</p>
<p>“Little dictionary sprite, sunshine vender, and girl to be loved, if I
were a free man I would say to you—Come, little one, and let us
learn of love. Let us learn of it, not as one learns from dictionaries,
but let us learn from the morning glow and the evening shades. But Miss
Noah, maker of dictionaries and creeper into hearts, the bound must not
call to the free. They might fittingly have used my name as one of the
synonyms under that word Failure, but I trust not under Coward.</p>
<p>“And now, you funny little Miss Noah from the University of Chicago, don't
I know that your heart is blazing forth the assurance that you don't <i>care</i>
for any of those things—the world, people, common sense—that
you want just love? They made a grand failure of you out at your
university; they taught you philosophy and they taught you Greek, and
they've left you just as much the woman as women were five thousand years
ago. Oh, I know all about you—you little girl whose hair tried so
hard to be red. Your soul touched mine as we sat there writing words—words—words,
the very words in which men try to tell things, and can't—and I know
all about what you would do. But you shall not do it. Dear little copy
maker, would a man standing out on the end of a slippery plank have any
right to cry to someone on the shore—'Come out here on this plank
with me?' If he loved the someone on the shore, would he not say instead—'Don't
get on this plank?' Me get off the plank—come with you to the shore—you
are saying? But you see, dear, you only know slippery planks as viewed
from the shore—God grant you may never know them any other way!</p>
<p>“It was you, was it not, who wrote our definition of happiness? Yes, I
remember the day you did it. You were so interested; your cheeks grew so
very red, and you pulled and pulled at your wavy hair. You said it was
such an important definition. And so it is, Miss Noah, quite the most
important of all. And on the page of life, Miss Noah, may happiness be
written large and unblurred for you. It is because I cannot help you write
it that I turn away. I want at least to leave the page unspoiled.</p>
<p>“I carry a picture of you. I shall carry it always. You are sitting before
a fireplace, and I think of that fireplace as symbolising the warmth and
care and tenderness and the safety that will surround you. And sometimes
as you sit there let a thought of me come for just a minute, Miss Noah—not
long enough nor deep enough to bring you any pain. But only think—I
brought him happiness after he believed all happiness had gone. He was so
grateful for that light which came after he thought the darkness had
settled down. It will light his way to the end.</p>
<p>“We've come to Z, and it's good-bye. There is one thing I can give you
without hurting you,—the hope, the prayer, that life may be very,
very good to you.”</p>
<p>The sheets of paper fell from her hands. She sat staring out into Dearborn
Street. She began to see. After all, he had not understood her. Perhaps
men never understood women; certainly he had not understood her. What he
did not know was that she was willing to <i>pay</i> for her happiness—<i>pay</i>—pay
any price that might be exacted. And anyway—she had no choice.
Strange that he could not see that! Strange that he could not see the
irony and cruelty of bidding her good-bye and then telling her to be
happy!</p>
<p>It simplified itself to such an extent that she <i>grew</i> very calm. It
would be easy to find him, easy to make him see—for it was so very
simple—and then....</p>
<p>She turned in her copy. She said good-bye quietly, naturally, rode down in
the lumbering old elevator and started out into the now drenching rain
toward the elevated trains which would take her to the West Side; it was
so fortunate that she had heard him telling one day where he lived.</p>
<p>When she reached the station she saw that more people were coming down the
stairs than were going up. They were saying things about the trains, but
she did not heed them. But at the top of the stairs a man in uniform said:
“Blockade, Miss. You'll have to take the surface cars.”</p>
<p>She was sorry, for it would delay her, and there was not a minute to lose.
She was dismayed, upon reaching the surface cars, to find she could not
get near them; the rain, the blockade on the “L” had caused a great crowd
to congregate there. She waited a long time, getting more and more wet,
but it was impossible to get near the cars. She thought of a cab, but
could see none, they too having all been pressed into service.</p>
<p>She determined, desperately, to start and walk. Soon she would surely get
either a cab or a car. And so she started, staunchly, though she was wet
through now, and trembling with cold and nervousness.</p>
<p>As she hurried through the driving rain she faced things fearlessly. Oh
yes, she understood—everything. But if he were not well—should
he not have her with him? If he had that thing to fight, did he not need
her help? What did men think women were like? Did he think she was one to
sit down and reason out what would be advantageous? Better a little while
with him on a slippery plank than forever safe and desolate upon the
shore!</p>
<p>She never questioned her going; were not life and love too great to be
lost through that which could be so easily put right?</p>
<p>The buildings were reeling, the streets moving up and down—that
awful rain, she thought, was making her dizzy. Labouriously she walked on—more
slowly, less steadily, a pain in her side, that awful reeling in her head.</p>
<p>Carriages returning to the city were passing her, but she had not strength
to call to them, and it seemed if she walked to the curbing she would
fall. She was not thinking so clearly now. The thing which took all of her
force was the lifting of her feet and the putting them down in the right
place. Her throat seemed to be closing up—and her side—and her
head....</p>
<p>Someone had her by the arm. Then someone was speaking her name; speaking
it in surprise—consternation—alarm.</p>
<p>It was Harold.</p>
<p>It was all vague then. She knew that she was in a carriage, and that
Harold was talking to her kindly. “You're taking me there?” she murmured.</p>
<p>“Yes—yes, Edna, everything's all right,” he replied soothingly.</p>
<p>“Everything's all right,” she repeated, in a whisper, and leaned her head
back against the cushions.</p>
<p>They stopped after a while, and Harold was standing at the open door of
the cab with something steaming hot which he told her to drink. “You need
it,” he said decisively, and thinking it would help her to tell it, she
drank it down.</p>
<p>The world was a little more defined after that, and she saw things which
puzzled her. “Why, it looks like the city,” she whispered, her throat too
sore now to speak aloud.</p>
<p>“Why sure,” he replied banteringly; “don't you know we have to go through
the city to get out to the South Side?”</p>
<p>“Oh, but you see,” she cried, holding her throat, “but you see, it's the
<i>other</i> way!”</p>
<p>“Not to-night,” he insisted; “the place for you to-night is home. I'm
taking you where you belong.”</p>
<p>She reached over wildly, trying to open the door, but he held her back;
she began to cry, and he talked to her, gently but unbendingly. “But you
don't <i>understand!</i>” she whispered, passionately. “I've <i>got</i> to
go!”</p>
<p>“Not to-night,” he said again, and something in the way he said it made
her finally huddle back in the corner of the carriage.</p>
<p>Block after block, mile after mile, they rode on in silence. She felt
overpowered. And with submission she knew that it was Z. For the whole
city was piled in between. Great buildings were in between, and thousands
of men running to and fro on the streets; man, and all man had builded up,
were in between. And then Harold—Harold who had always seemed to
count for so little, had come and taken her away.</p>
<p>Dully, wretchedly—knowing that her heart would ache far worse
to-morrow than it did to-night—she wondered about things. Did things
like rain and street-cars and wet feet and a sore throat determine life?
Was it that way with other people, too? Did other people have barriers—whole
cities full of them—piled in between? And then did the Harolds come
and take them where they said they belonged? Were there not <i>some</i>
people strong enough to go where they wanted to go?</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0007" id="link2H_4_0007"> </SPAN></p>
<br/>
<h2> VI. — THE MAN OF FLESH AND BLOOD </h2>
<p>The elements without were not in harmony with the spirit which it was
desired should be engendered within. By music, by gay decorations, by
speeches from prominent men, the board in charge of the boys' reformatory
was striving to throw about this dedication of the new building an
atmosphere of cheerfulness and good-will—an atmosphere vibrant with
the kindness and generosity which emanated from the State, and the
thankfulness and loyalty which it was felt should emanate from the boys.</p>
<p>Outside the world was sobbing. Some young trees which had been planted
along the driveway of the reformatory grounds, and which were expected to
grow up in the way they should go, were rocking back and forth in
passionate insurrection. Fallen leaves were being spit viciously through
the air. It was a sullen-looking landscape which Philip Grayson, he who
was to be the last speaker of the afternoon, saw stretching itself down
the hill, across the little valley, and up another little hill of that
rolling prairie state. In his ears was the death wail of the summer. It
seemed the spirit of out-of-doors was sending itself up in mournful,
hopeless cries.</p>
<p>The speaker who had been delivering himself of pedantic encouragement
about the open arms with which the world stood ready to receive the most
degraded one, would that degraded one but come to the world in proper
spirit, sat down amid perfunctory applause led by the officers and
attendants of the institution, and the boys rose to sing. The brightening
of their faces told that their work as performers was more to their liking
than their position as auditors. They threw back their heads and waited
with well-disciplined eagerness for the signal to begin. Then, with the
strength and native music there are in some three hundred boys' throats,
there rolled out the words of the song of the State.</p>
<p>There were lips which opened only because they must, but as a whole they
sang with the same heartiness, the same joy in singing, that he had heard
a crowd of public-school boys put into the song only the week before. When
the last word had died away it seemed to Philip Grayson that the sigh of
the world without was giving voice to the sigh of the world within as the
well-behaved crowd of boys sat down to resume their duties as auditors.</p>
<p>And then one of the most important of the professors from the State
University was telling them about the kindness of the State: the State had
provided for them this beautiful home; it gave them comfortable clothing
and nutritious food; it furnished that fine gymnasium in which to train
their bodies, books and teachers to train their minds; it provided those
fitted to train their souls, to work against the unfortunate tendencies—the
professor stumbled a little there—which had led to their coming. The
State gave liberally, gladly, and in return it asked but one thing: that
they come out into the world and make useful, upright citizens, citizens
of which any State might be proud. Was that asking too much? the professor
from the State University was saying.</p>
<p>The sobbing of the world without was growing more intense. Many pairs of
eyes from among the auditors were straying out to where the summer lay
dying. Did they know—those boys whom the State classed as
unfortunates—that out of this death there would come again life? Or
did they see but the darkness—the decay—of to-day?</p>
<p>The professor from the State University was putting the case very fairly.
There were no flaws—seemingly—to be picked in his logic. The
State had been kind; the boys were obligated to good citizenship. But the
coldness!—comfortlessness!—of it all. The open arms of the
world!—how mocking in its abstractness. What did it mean? Did it
mean that they—the men who uttered the phrase so easily—would
be willing to give these boys aid, friendship when they came out into the
world? What would they say, those boys whose ears were filled with
high-sounding, non-committal phrases, if some man were to stand before
them and say, “And so, fellows, when you get away from this place, and are
ready to get your start in the world, just come around to my office and
I'll help you get a job?” At thought of it there came from Philip Grayson
a queer, partly audible laugh, which caused those nearest him to look his
way in surprise.</p>
<p>But he was all unconscious of their looks of inquiry, absorbed in the
thoughts that crowded upon him. How far away the world—his kind of
people—must seem to these boys of the State Reform School. The
speeches they had heard, the training that had been given them, had taught
them—unconsciously perhaps, but surely—to divide the world
into two great classes: the lucky and the unlucky, those who made speeches
and those who must listen, the so-called good and the so-called bad;
perhaps—he smiled a little at his own cynicism—those who were
caught and those who were not.</p>
<p>There came to him these words of a poet of whom he used to be fond:</p>
<p>In men whom men pronounce as ill,<br/>
I find so much of goodness still;<br/>
In men whom men pronounce divine,<br/>
I find so much of sin and blot;<br/>
I hesitate to draw the line<br/>
Between the two, when God has not.<br/></p>
<p>When God has not! He turned and looked out at the sullen sky, returning—as
most men do at times—to that conception of his childhood that
somewhere beyond the clouds was God. God! Did God care for the boys of the
State Reformatory? Was that poet of the western mountains right when he
said that God was not a drawer of lines, but a seer of the good that was
in the so-called bad, and of the bad in the so-called good, and a lover of
them both?</p>
<p>If that was God, it was not the God the boys of the reformatory had been
taught to know. They had been told that God would forgive the wicked, but
it had been made clear to them—if not in words, in implications—that
it was they who were the wicked. And the so-called godly men, men of such
exemplary character as had been chosen to address them that afternoon, had
so much of the spirit of God that they, too, were willing to forgive, be
tolerant, and—he looked out at the bending trees with a smile—disburse
generalities about the open arms of the world.</p>
<p>What would they think—those three hundred speech-tired boys—if
some man who had been held before them as exemplary were to rise and lay
bare his own life—its weaknesses, its faults, perhaps its crimes—and
tell them there was weakness and there was strength in every human being,
and that the world-old struggle of life was to overcome one's weakness
with one's strength.</p>
<p>The idea took strange hold on him. It seemed the method of the world—at
any rate it had been the method of that afternoon—for the men who
stood before their fellows with clean hands to plant themselves on the far
side of a chasm of conventions, or narrow self-esteem, or easily won
virtue, and cry to those beings who struggled on the other side of that
chasm—to those human beings whose souls had never gone to school:
“Look at us! Our hands are clean, our hearts are pure. See how beautiful
it is to be good! Come ye, poor sinners, and be good also.” And the poor
sinners, the untaught, birthmarked human souls, would look over at the
self-acclaimed goodness they could see far across the chasm, and even
though attracted to it (which, he grimly reflected, would not seem likely)
the thing that was left with them was a sense of the width of the chasm.</p>
<p>He had a sense of needless waste, of unnecessary blight. He looked down at
those three hundred faces and it was as if looking at human waste; and it
was human stupidity, human complacency and cowardice kept those human
beings human drift.</p>
<p>With what a smug self-satisfaction—under the mask of benevolence—the
speakers of that afternoon had flaunted their virtue—their position!
How condescendingly they had spoken of the home which we, the good,
prepare for you, the bad, and what namby-pambyness there was, after all,
in that sentiment which all of them had voiced—and now you must pay
us back by being good!</p>
<p>Oh for a man of flesh and blood to stand up and tell how he himself had
failed and suffered! For a man who could bridge that chasm with strong,
broad, human understanding and human sympathies—a man who would
stand among them pulse-beat to pulse-beat and cry out, “I know! I
understand! I fought it and I'll help you fight it too!”</p>
<p>The sound of his own name broke the spell that was upon him. He looked to
the centre of the stage and saw that the professor from the State
University had seated himself and that the superintendent of the
institution was occupying the place of the speaker. And the superintendent
was saying:</p>
<p>“We may esteem ourselves especially fortunate in having him with us this
afternoon. He is one of the great men of the State, one of the men who by
high living, by integrity and industry, has raised himself to a position
of great honour among his fellow men. A great party—may I say the
greatest of all parties?—has shown its unbounded confidence in him
by giving him the nomination for the governorship of the State. No man in
the State is held in higher esteem to-day than he. And so it is with
special pleasure that I introduce to you that man of the future—Philip
Grayson.”</p>
<p>The superintendent sat down then, and he himself—Philip Grayson—was
standing in the place where the other speakers had stood. It was with a
rush which almost swept away his outward show of calm that it came to him
that he—candidate for the governorship—was well fitted to be
that man of flesh and blood for whom he had sighed. That he himself was
within grasp of an opportunity to get beneath the jackets and into the
very hearts and souls of those boys, and make them feel that a man of sins
and virtues, of weaknesses and strength, a man who had had much to
conquer, and for whom the fight would never be finally won, was standing
before them stripped of his coat of conventions and platitudes, and in
nakedness of soul and sincerity of heart was talking to them as a man who
understood.</p>
<p>Almost with the inception of the idea was born the consciousness of what
it might cost. And as in answer to the silent, blunt question, Is it worth
it? there looked up at him three hundred pairs of eyes—eyes behind
which there was good as well as bad, eyes which had burned with the fatal
rush of passion, and had burned, too, with the hot tears of remorse—eyes
which had opened on a hostile world.</p>
<p>And then the eyes of Philip Grayson could not see the eyes which were
before him, and he put up his hand to break the mist—little caring
what the men upon the platform would think of him, little thinking what
effect the words which were crowding into his heart would have upon his
candidacy. But one thing was vital to him now: to bring upon that ugly
chasm the levelling forces of a common humanity, and to make those boys
who were of his clay feel that a being who had fallen and risen again, a
fellow being for whom life would always mean a falling and a rising again,
was standing before them, and—not as the embodiment of a distant
goodness, not as a pattern, but as one among them, verily as man to man—was
telling them a few things which his own life had taught him were true.</p>
<p>It was his very consecration which made it hard to begin. He was fearful
of estranging them in the beginning, of putting between them and him that
very thing he was determined there should not be.</p>
<p>“I have a strange feeling,” he said, with a winning little smile, “that if
I were to open my heart to-day, just open it clear up the way I'd like to
if I could, that you boys would look into it, and then jump back in a
scared kind of way and cry, 'Why—that's me!' You would be a little
surprised—wouldn't you?—if you could look back and see the
kind of boy I was, and find I was much the kind of boy you are?</p>
<p>“Do you know what I think? I think hypocrisy is the worst thing in the
world. I think it's worse than stealing, or lying, or any of the other bad
things you can name. And do you know where I think lots of the hypocrisy
comes from? I think it comes from the so-called self-made men—from
the real good men, the men who say 'I haven't got one bad thing charged up
to my account.'</p>
<p>“Now the men out campaigning for me call me a self-made man. Your
superintendent just now spoke of my integrity, of the confidence reposed
in me, and all that. But do you know what is the honest truth? If I am any
kind of a man worth mentioning, if I am deserving of any honour, any
confidence, it is not because I was born with my heart filled with good
and beautiful things, for I was not. It is because I was born with much in
my heart that we call the bad, and because, after that bad had grown
stronger and stronger through the years it was unchecked, and after it had
brought me the great shock, the great sorrow of my life, I began then,
when older than you boys are now, to see a little of that great truth
which you can put briefly in these words: 'There is good and there is bad
in every human heart, and it is the struggle of life to conquer the bad
with the good.' What I am trying to say is, that if I am worthy any one's
confidence to-day, it is because, having seen that truth, I have been
able, through never ceasing trying, through slow conquering, to crowd out
some of the bad and make room for a little of the good.</p>
<p>“You see,” he went on, three hundred pairs of eyes hard upon him now,
“some of us are born to a harder struggle than others. There are people
who would object to my saying that to you, even if I believed it. They
would say you would make the fact of being born with much against which to
struggle an excuse for being bad. But look here a minute; if you were born
with a body not as strong as other boys' bodies, if you couldn't run as
far, or jump as high, you wouldn't be eternally saying, 'I can't be
expected to do much; I wasn't born right.' Not a bit of it! You'd make it
your business to get as strong as you could, and you wouldn't make any
parade of the fact that you weren't as strong as you should be. We don't
like people who whine, whether it's about weak bodies or weak souls.</p>
<p>“I've been sitting here this afternoon wondering what to say to you boys.
I had intended telling some funny stories about things which happened to
me when I was a boy. But for some reason a serious mood has come over me,
and I don't feel just like those stories now. I haven't been thinking of
the funny side of life in the last half-hour. I've been thinking of how
much suffering I've endured since the days when I, too, was a boy.”</p>
<p>He paused then; and when he went on his voice tested to the utmost the
silence of the room: “There is lots of sorrow in this old world. Maybe I'm
on the wrong track, but as I see it to-day human beings are making a much
harder thing of their existence than there is any need of. There are
millions and millions of them, and year after year, generation after
generation, they fight over the same old battles, live through the same
old sorrows. Doesn't it seem all wrong that after the battle has been
fought a million times it can't be made a little easier for those who
still have it before them?</p>
<p>“If a farmer had gone over a bad road, and the next day saw another farmer
about to start over the same road, wouldn't he send him back? Doesn't it
seem too bad that in things which concern one's whole life people can't be
as decent as they are about things which involve only an inconvenience?
Doesn't it seem that when we human beings have so much in common we might
stand together a little better? I'll tell you what's the matter. Most of
the people of this world are coated round and round with self-esteem, and
they're afraid to admit any understanding of the things which aren't good.
Suppose the farmer had thought it a disgrace to admit he had been over
that road, and so had said: 'From what I have read in books, and from what
I have learned in a general way, I fancy that road isn't good.' Would the
other farmer have gone back? I rather think he would have said he'd take
his chances. But you see the farmer said he <i>knew</i>; and how did he
know? Why, because he'd been over the road himself.”</p>
<p>As he paused again, looking at them, he saw it all with a clarifying
simplicity. He himself knew life for a fine and beautiful thing. He had
won for himself some of the satisfactions of understanding, certain rare
delights of the open spirit. He wanted to free the spirits of these boys
to whom he talked; wanted to show them that spirits could free themselves,
indicate to them that self-control and self-development carried one to
pleasures which sordid self-indulgences had no power to bestow. It was a
question of getting the most from life. It was a matter of happiness.</p>
<p>It was thus he began, slowly, the telling of his life's story:</p>
<p>“I was born with strange, wild passions in my heart. I don't know where
they came from; I only know they were there. I resented authority. If
someone who had a right to dictate to me said, 'Philip, do this,' then
Philip would immediately begin to think how much he would rather do the
other thing. And,” he smiled a little, and some of the boys smiled with
him in anticipation, “it was the other thing which Philip usually did.</p>
<p>“I didn't go to a reform school, for the very good reason that there
wasn't any in the State where I lived.” Some of he boys smiled again, and
he could hear the nervous coughing of one of the party managers sitting
close to him. “I was what you would call a very bad boy. I didn't mind any
one. I was defiant—insolent. I did bad things just because I knew
they were bad, and—and I took a great deal of satisfaction out of
it.”</p>
<p>The sighing of the world without was the only sound which vibrated through
the room. “I say,” he went on, “that I got a form of satisfaction from it.
I did not say I got happiness; there is a vast difference between a kind
of momentary satisfaction and that thing—that most precious of all
things—which we call happiness. Indeed, I was very far from happy. I
had hours when I was so morose and miserable that I hated the whole world.
And do you know what I thought? I thought there was no one in all the
world who had the same kind of things surging up in his heart that I did.
I thought there was no one else with whom it was as easy to be bad, or as
hard to be good. I thought that no one understood. I thought that I was
all alone.</p>
<p>“Did you ever feel like that? Did you ever feel that no one else knew
anything about such feelings as you had? Did you ever feel that here was
you, and there was the rest of the world, and that the rest of the world
didn't know anything about you, and was just generally down on you? Now
that's the very thing I want to talk away from you to-day. You're not the
only one. We're all made of the same kind of stuff, and there's none of us
made of stuff that's flawless. We all have a fight; some an easy one, and
some a big one, and if you have formed the idea that there is a kind of
dividing-line in the world, and that on the one side is the good, and on
the other side the bad, why, all I can say is that you have a wrong notion
of things.</p>
<p>“Well, I grew up to be a man, and because I hadn't fought against any of
the stormy things in my heart they kept growing stronger and stronger. I
did lots of wild, ugly things, things of which I am bitterly ashamed. I
went to another place, and I fell in with the kind of fellows you can
imagine I felt at home with. I had been told when I was a boy that it was
wrong to drink and gamble. I think that was the chief reason I took to
drink and gambling.”</p>
<p>There was another cough, more pronounced this time, from the party
manager, and the superintendent was twisting uneasily in his seat. It was
the strangest speech that had ever been delivered at the boys'
reformatory. The boys were leaning forward—self-forgetful, intent.
“One night I was playing cards with a crowd of my friends, and one of the
men, the best friend I had, said something that made me mad. There was a
revolver right there which one of the men had been showing us. Some kind
of a demon got hold of me, and without so much as a thought I picked up
that revolver and fired at my friend.”</p>
<p>The party manager gave way to an exclamation of horror, and the
superintendent half rose from his seat. But before any one could say a
word Philip Grayson continued, looking at the half-frightened faces before
him: “I suppose you wonder why I am not in the penitentiary. I had been
drinking, and I missed my aim; and I was with friends, and it was hushed
up.”</p>
<p>He rested his hand upon the table, and looked out at the sullen landscape.
His voice was not steady as he went on: “It's not an easy thing to talk
about, boys. I never talked about it to any one before in all my life. I'm
not telling it now just to entertain you or to create a sensation. I'm
telling it,” his voice grew tense in its earnestness, “because I believe
that this world could be made a better and a sweeter place if those who
have lived and suffered would not be afraid to reach out their hands and
cry: 'I know that road—it's bad! I steered off to a better place,
and I'll help you steer off, too.'”</p>
<p>There was not one of the three hundred pairs of eyes but was riveted upon
the speaker's colourless face. The masks of sullenness and defiance had
fallen from them. They were listening now—not because they must, but
because into their hungry and thirsty souls was being poured the very
sustenance for which—unknowingly—they had yearned.</p>
<p>“We sometimes hear people say,” resumed the candidate for Governor, “that
they have lived through hell. If by that they mean they've lived through
the deepest torments the human heart can know, then I can say that I, too,
have lived through hell. What I suffered after I went home that night no
one in this world will ever know. Words couldn't tell it; it's not the
kind of thing words can come anywhere near. My whole life spread itself
out before me; it was not a pleasant thing to look at. But at last, boys,
out of the depths of my darkness, I began to get a little light. I began
to get some understanding of the battle which it falls to the lot of some
of us human beings to wage. There was good in me, you see, or I wouldn't
have cared like that, and it came to me then, all alone that terrible
night, that it is the good which lies buried away somewhere in our hearts
must fight out the bad. And so—all alone, boys—I began the
battle of trying to get command of my own life. And do you know—this
is the truth—it was with the beginning of that battle I got my first
taste of happiness. There is no finer feeling in this world than the sense
of coming into mastery of one's self. It is like opening a door that has
shut you in. Oh, you don't do it all in a minute. This is no miracle I'm
talking about. It's a fight. But it's a fight that can be won. It's a
fight that's gloriously worth the winning. I'm not saying to you, 'Be good
and you'll succeed.' Maybe you won't succeed. Life as we've arranged it
for ourselves makes success a pretty tough proposition. But that doesn't
alter the fact that it pays to be a decent sort. You and I know about how
much happiness there is in the other kind of thing. And there is happiness
in feeling you're doing what you can to develop what's in you. Success or
failure, it brings a sense of having done your part,—that bully
sense of having put up the best fight you could.”</p>
<p>He leaned upon the table then, as though very weary. “I don't know, I am
sure, what the people of my State will think of all this. Perhaps they
won't want a man for their Governor who once tried to kill another man.
But,” he looked around at them with that smile of his which got straight
to men's hearts, “there's only one of me, and there are three hundred of
you, and how do I know but that in telling you of that stretch of bad road
ahead I've made a dozen Governors this very afternoon!”</p>
<p>He looked from row to row of them, trying to think of some last word which
would leave them with a sense of his sincerity. What he did say was: “And
so, boys, when you get away from here, and go out into the world to get
your start, if you find the arms of that world aren't quite as wide open
as you were told they would be, if there seems no place where you can get
a hold, and you are saying to yourself, 'It's no use—I'll not try,'
before you give up just remember there was one man who said he knew all
about it, and give that one man a chance to show he meant what he said. So
look me up, if luck goes all against you, and maybe I can give you a
little lift.” He took a backward step, as though to resume his seat, and
then he said, with a dry little smile which took any suggestion of heroics
from what had gone before, “If I'm not at the State-house, you'll find my
name in the directory of the city where your programme tells you I live.”</p>
<p>He sat down, and for a moment there was silence. Then, full-souled,
heart-given, came the applause. It was not led by the attendants this
time; it was the attendants who rose at last to stop it. And when the
clapping of the hands had ceased, many of those hands were raised to eyes
which had long been dry.</p>
<p>The exercises were drawn to a speedy close, and he found the party manager
standing by his side. “It was very grand,” he sneered, “very high-sounding
and heroic, but I suppose you know,” jerking his hand angrily toward a
table where a reporter for the leading paper of the opposition was
writing, “that you've given them the winning card.”</p>
<p>As he replied, in far-off tone, “I hope so,” the candidate for Governor
was looking, not at the reporter who was sending out a new cry for the
opposition, but into those faces aglow with the light of new understanding
and new-born hopes. He stood there watching them filing out into the
corridor, craning their necks to throw him a last look, and as he turned
then and looked from the window it was to see that the storm had sobbed
itself away, and that along the driveway of the reformatory grounds the
young trees—unbroken and unhurt—were rearing their heads in
the way they should go.</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0008" id="link2H_4_0008"> </SPAN></p>
<br/>
<h2> VII. — HOW THE PRINCE SAW AMERICA </h2>
<p>They began work at seven-thirty, and at ten minutes past eight every
hammer stopped. In the Senate Chamber and in the House, on the stairways
and in the corridors, in every office from the Governor's to the
custodian's they laid down their implements and rose to their feet. A long
whistle had sounded through the building. There was magic in its note.</p>
<p>“What's the matter with you fellows?” asked the attorney-general, swinging
around in his chair.</p>
<p>“Strike,” declared one of the men, with becoming brevity.</p>
<p>“Strike of what?”</p>
<p>“Carpet-Tackers' Union Number One,” replied the man, kindly gathering up a
few tacks.</p>
<p>“Never heard of it.”</p>
<p>“Organised last night,” said the carpet-tacker, putting on his coat.</p>
<p>“Well I'll—” he paused expressively, then inquired: “What's your
game?”</p>
<p>“Well, you see, boss, this executive council that runs the State-house has
refused our demands.”</p>
<p>“What are your demands?”</p>
<p>“Double pay.”</p>
<p>“Double pay! Now how do you figure it out that you ought to have double
pay?”</p>
<p>“Rush work. You see we were under oath, or pretty near that, to get every
carpet in the State-house down by four o'clock this afternoon. Now you
know yourself that rush work is hard on the nerves. Did you ever get rush
work done at a laundry and not pay more for it? We was anxious as anybody
to get the Capitol in shape for the big show this afternoon. But there's
reason in all things.”</p>
<p>“Yes,” agreed his auditor, “there is.”</p>
<p>The man looked at him a little doubtfully. “Our president—we elected
Johnny McGuire president last night—went to the Governor this
morning with our demands.”</p>
<p>The Governor's fellow official smiled—he knew the Governor pretty
well. “And he turned you down?”</p>
<p>The striker nodded. “But there's an election next fall; maybe the turning
down will be turned around.”</p>
<p>“Maybe so—you never can tell. I don't know just what power
Carpet-Tackers' Union Number One will wield, but the Governor's pretty
solid, you know, with Labour as a whole.”</p>
<p>That was true, and went home. The striker rubbed his foot uncertainly
across the floor, and took courage from its splinters. “Well, there's one
thing sure. When Prince Ludwig and his train-load of big guns show up at
four o'clock this afternoon they'll find bare floors, and pretty bum bare
floors, on deck at this place.”</p>
<p>The attorney-general rubbed his own foot across the splintered, miserable
boards. “They are pretty bum,” he reflected. “I wonder,” he added, as the
man was half-way out of the door, “what Prince Ludwig will think of the
American working-man when he arrives this afternoon?”</p>
<p>“Just about as much,” retorted the not-to-be-downed carpet-tacker, “as he
does about American generosity. And he may think a few things,” he added
weightily, “about American independence.”</p>
<p>“Oh, he's sure to do that,” agreed the attorney-general.</p>
<p>He joined the crowd in the corridor. They were swarming out from all the
offices, all talking of the one thing. “It was a straight case of
hold-up,” declared the Governor's secretary. “They supposed they had us on
the hip. They were getting extra money as it was, but you see they just
figured it out we'd pay anything rather than have these wretched floors
for the reception this afternoon. They thought the Governor would argue
the question, and then give in, or, at any rate, compromise. They never
intended for one minute that the Prince should find bare floors here. And
I rather think,” he concluded, “that they feel a little done up about it
themselves.”</p>
<p>“What's the situation?” asked a stranger within the gates.</p>
<p>“It's like this,” a newspaper reporter told him; “about a month ago there
was a fire here and the walls and carpets were pretty well knocked out
with smoke and water. The carpets were mean old things anyway, so they
voted new ones. And I want to tell you”—he swelled with pride—“that
the new ones are beauties. The place'll look great when we get 'em down.
Well, you know Prince Ludwig and his crowd cross the State on their way to
the coast, and of course they were invited to stop. Last week Billy Patton—he's
running the whole show—declined the invitation on account of lack of
time, and then yesterday comes a telegram saying the Prince himself
insisted on stopping. You know he's keen about Indian dope—and we've
got Indian traditions to burn. So Mr. Bill Patton had to make over his
schedule to please the Prince, and of course we were all pretty tickled
about it, for more reasons than one. The telegram didn't come until five
o'clock yesterday afternoon, but you know what a hummer the Governor is
when he gets a start. He made up his mind this building should be put in
shape within twenty-four hours. They engaged a whole lot of fellows to
work on the carpets to-day. Then what did they do but get together last
night—well, you know the rest. Pretty bum-looking old shack just
now, isn't it?” and the reporter looked around ruefully.</p>
<p>It was approaching the hour for the legislature to convene, and the
members who were beginning to saunter in swelled the crowd—and the
indignation—in the rotunda.</p>
<p>The Governor, meanwhile, had been trying to get other men, but
Carpet-Tackers' Union Number One had looked well to that. The biggest
furniture dealer in the city was afraid of the plumbers. “Pipes burst last
night,” he said, “and they may not do a thing for us if we get mixed up in
this. Sorry—but I can't let my customers get pneumonia.”</p>
<p>Another furniture man was afraid of the teamsters. For one reason or
another no one was disposed to respond to the Macedonian cry, and when the
Governor at last gave it up and walked out into the rotunda he was about
as disturbed as he permitted himself to get. “It's the idea of lying
down,” he said. “I'd do anything—anything!—if I could only
think what to do.”</p>
<p>A popular young member of the House overheard the remark. “By George,
Governor,” he burst forth, after a minute's deep study—“say—by
Jove, I say, let's do it ourselves!”</p>
<p>They all laughed, but the Governor's laugh stopped suddenly, and he looked
hard at the young man.</p>
<p>“Why not?” the young legislator went on. “It's a big job, but there are a
lot of us. We've all put down carpets at home; what are we afraid to
tackle it here for?”</p>
<p>Again the others laughed, but the Governor did not. “Say, Weston,” he
said, “I'd give a lot—I tell you I'd give a lot—if we just
could!”</p>
<p>“Leave it to me!”—and he was lost in the crowd.</p>
<p>The Governor's eyes followed him. He had always liked Harry Weston. He was
the very sort to inspire people to do things. The Governor smiled
knowingly as he noted the men Weston was approaching, and his different
manner with the various ones. And then he had mounted a few steps of the
stairway, and was standing there facing the crowd.</p>
<p>“Now look here,” he began, after silence had been obtained, “this isn't a
very formal meeting, but it's a mighty important one. It's a clear case of
Carpet-Tackers' Union against the State. What I want to know is—Is
the State going to lie down?”</p>
<p>There were loud cries of “No!”—“Well, I should say not!”</p>
<p>“Well, then, see here. The Governor's tried for other men and can't get
them. Now the next thing I want to know is—What's the matter with
us?”</p>
<p>They didn't get it for a minute, and then everybody laughed.</p>
<p>“It's no joke! You've all put down carpets at home; what's the use of
pretending you don't know how to do it? Oh yes—I know, bigger
building, and all that, but there are more of us, and the principle of
carpet-tacking is the same, big building or little one. Now my scheme is
this—Every fellow his own carpet-tacker! The Governor's office puts
down the Governor's carpet; the Secretary's office puts down the
Secretary's carpet; the Senate puts down the Senate carpet—and we'll
look after our little patch in the House!”</p>
<p>“But you've got more fellows than anybody else,” cried a member of the
Senate.</p>
<p>“Right you are, and we'll have an over-flow meeting in the corridors and
stairways. The House, as usual, stands ready to do her part,”—that
brought a laugh for the Senators, and from them.</p>
<p>“Now get it out of your heads this is a joke. The carpets are here; the
building is full of able-bodied men; the Prince is coming at four—by
his own request, and the proposition is just this: Are we going to receive
him in a barn or in a palace? Let's hear what Senator Arnold thinks about
it.”</p>
<p>That was a good way of getting away from the idea of its being a joke.
Senator Arnold was past seventy. Slowly he extended his right arm and
tested his muscle. “Not very much,” he said, “but enough to drive a tack
or two.” That brought applause and they drew closer together, and the
atmosphere warmed perceptibly. “I've fought for the State in more ways
than one,”—Senator Arnold was a distinguished veteran of the Civil
War—“and if I can serve her now by tacking down carpets, then it's
tacking down carpets I'm ready to go at. Just count on me for what little
I'm worth.”</p>
<p>Someone started the cry for the Governor. “Prince Ludwig is being
entertained all over the country in the most lavish manner,” he began,
with his characteristic directness in stating a situation. “By his own
request he is to visit our Capitol this afternoon. I must say that I, for
one, want to be in shape for him. I don't like to tell him that we had a
labour complication and couldn't get the carpets down. Speaking for
myself, it is a great pleasure to inform you that the carpet in the
Governor's office will be in proper shape by four o'clock this afternoon.”</p>
<p>That settled it. Finally Harry Weston made himself heard sufficiently to
suggest that when the House and Senate met at nine o'clock motions to
adjourn be entertained. “And as to the rest of you fellows,” he cried, “I
don't see what's to hinder your getting busy right now!”</p>
<p>There were Republicans and there were Democrats; there were friends and
there were enemies; there were good, bad and—no, there were no
indifferent. An unprecedented harmony of thought, a millennium-like unity
of action was born out of that sturdy cry—Every man his own
carpet-tacker! The Secretary of State always claimed that he drove the
first tack, but during the remainder of his life the Superintendent of
Public Instruction also contended hotly for that honour. The rivalry as to
who would do the best job, and get it done most quickly, became intense.
Early in the day Harry Weston made the rounds of the building and
announced a fine of one-hundred dollars for every wrinkle. There were
pounded fingers and there were broken backs, but slowly, steadily and
good-naturedly the State-house carpet was going down. It was a good deal
bigger job than they had anticipated, but that only added zest to the
undertaking. The news of how the State officials were employing themselves
had spread throughout the city, and guards were stationed at every door to
keep out people whose presence would work more harm than good. All
assistance from women was courteously refused. “This is solemn business,”
said the Governor, in response to a telephone from some of the fair sex,
“and the introduction of the feminine element might throw about it a
social atmosphere which would result in loss of time. And then some of the
boys might feel called upon to put on their collars and coats.”</p>
<p>Stretch—stretch—stretch, and tack—tack—tack, all
morning long it went on, for the State-house was large—oh, very
large. There should have been a Boswell there to get the good things, for
the novelty of the situation inspired wit even in minds where wit had
never glowed before. Choice bits which at other times would fairly have
gone on official record were now passed almost unnoticed, so great was the
surfeit. Instead of men going out to lunch, lunch came in to them. Bridget
Haggerty, who by reason of her long connection with the boarding-house
across the street was a sort of unofficial official of the State, came
over and made the coffee and sandwiches, all the while calling down
blessings on the head of every mother's son of them, and announcing in
loud, firm tones that while all five of her boys belonged to the union
she'd be after tellin' them what she thought of this day's work!</p>
<p>It was a United States Senator who did the awful trick, and, to be fair,
the Senator did not think of it as an awful trick at all. He came over
there in the middle of the morning to see the Governor, and in a few
hurried words—it was no day for conversation—was told what was
going on. It was while standing out in the corridor watching the
perspiring dignitaries that the idea of his duty came to him, and one
reason he was sure he was right was the way in which it came to him in the
light of a duty. Here was America in undress uniform! Here was—not a
thing arranged for show, but absolutely the thing itself! Prince Ludwig
had come with a sincere desire to see America. Every one knew that he was
not seeing it at all. He would go back with memories of bands and flags
and people all dressed up standing before him making polite speeches. But
would he carry back one small whiff of the spirit of the country? Again
Senator Bruner looked about him. The Speaker of the House was just
beginning laying the stair carpet; a judge of the Supreme Court was
contending hotly for a better hammer. “It's an insult to expect any decent
man to drive tacks with a hammer like this,” he was saying. Here were men—real,
live men, men with individuality, spirit. When the Prince had come so far,
wasn't it too bad that he should not see anything but uniforms and cut
glass and dress suits and other externals and non-essentials? Senator
Bruner was a kind man; he was a good fellow; he was hospitable—patriotic.
He decided now in favour of the Prince.</p>
<p>He had to hurry about it, for it was almost twelve then. One of the
vice-presidents of the road lived there, and he was taken into confidence,
and proved an able and eager ally. They located the special train bearing
the Prince and ordered it stopped at the next station. The stop was made
that Senator Patton might receive a long telegram from Senator Bruner. “I
figure it like this,” the Senator told the vice-president. “They get to
Boden at a quarter of one and were going to stop there an hour. Then they
were going to stop a little while at Creyville. I've told Patton the
situation, and that if he wants to do the right thing by the prince he'll
cut out those stops and rush right through here. That will bring him in—well,
they could make it at a quarter of two. I've told him I'd square it with
Boden and Creyville. Oh, he'll do it all right.”</p>
<p>And even as he said so came the reply from Patton: “Too good to miss. Will
rush through. Arrive before two. Have carriage at Water Street.”</p>
<p>“That's great!” cried the Senator. “Trust Billy Patton for falling in with
a good thing. And he's right about missing the station crowd. Patton can
always go you one better,” he admitted, grinningly.</p>
<p>They had luncheon together, and they were a good deal more like sophomores
in college than like a United States Senator and a big railroad man. “You
don't think there's any danger of their getting through too soon?” McVeigh
kept asking, anxiously.</p>
<p>“Not a bit,” the Senator assured him. “They can't possibly make it before
three. We'll come in just in time for the final skirmish. It's going to be
a jolly rush at the last.”</p>
<p>They laid their plans with skill worthy of their training. The State
library building was across from the Capitol, and they were connected by
tunnel. “I never saw before,” said the Senator, “what that tunnel was for,
but I see now what a great thing it is. We'll get him in at the west door
of the library—we can drive right up to it, you know, and then we
walk him through the tunnel. That's a stone floor”—the Senator was
chuckling with every sentence—“so I guess they won't be carpeting
it. There's a little stairway running up from the tunnel—-and say,
we must telephone over and arrange about those keys. There'll be a good
deal of climbing, but the Prince is a good fellow, and won't mind. It
wouldn't be safe to try the elevator, for Harry Weston would be in it
taking somebody a bundle of tacks. The third floor is nothing but store
rooms; we'll not be disturbed up there, and we can look right down the
rotunda and see the whole show. Of course we'll be discovered in time;
some one is sure to look up and see us, but we'll fix it so they won't see
us before we've had our fun, and it strikes me, McVeigh, that for two old
fellows like you and me we've put the thing through in pretty neat shape.”</p>
<p>It was a very small and unpretentious party which stepped from the special
at Water Street a little before two. The Prince was wearing a long coat
and an automobile cap and did not suggest anything at all formidable or
unusual. “You've saved the country,” Senator Patton whispered in an aside.
“He was getting bored. Never saw a fellow jolly up so in my life. Guess he
was just spoiling for some fun. Said it would be really worth while to see
somebody who wasn't looking for him.”</p>
<p>Senator Bruner beamed. “That's just the point. He's caught my idea
exactly.”</p>
<p>It went without a hitch. “I feel,” said the Prince, as they were hurrying
him through the tunnel, “that I am a little boy who has run away from
school. Only I have a terrible fear that at any minute some band may begin
to play, and somebody may think of making a speech.”</p>
<p>They gave this son of a royal house a seat on a dry-goods box, so placed
that he could command a good view, and yet be fairly secure. The final
skirmish was on in earnest. Two State Senators—coatless, tieless,
collarless, their faces dirty, their hair rumpled, were finishing the
stair carpet. The chairman of the appropriations committee in the House
was doing the stretching in a still uncarpeted bit of the corridor, and a
member who had recently denounced the appropriations committee as a
disgrace to the State was presiding at the hammer. They were doing most
exquisitely harmonious team work. A railroad and anti-railroad member who
fought every time they came within speaking distance of one another were
now in an earnest and very chummy conference relative to a large wrinkle
which had just been discovered on the first landing. Many men were
standing around holding their backs, and many others were deeply absorbed
in nursing their fingers. The doors of the offices were all open, and
there was a general hauling in of furniture and hanging of pictures.
Clumsy but well-meaning fingers were doing their best with “finishing
touches.” The Prince grew so excited about it all that they had to keep
urging him not to take too many chances of being seen.</p>
<p>“And I'll tell you,” Senator Bruner was saying, “it isn't only because I
knew it would be funny that I wanted you to see it; but—well, you
see America isn't the real America when she has on her best clothes and is
trying to show off. You haven't seen anybody who hasn't prepared for your
coming, and that means you haven't seen them as they are at all. Now here
we are. This is us! You see that fellow hanging a picture down there? He's
president of the First National Bank. Came over a little while ago, got
next to the situation, and stayed to help. And—say, this is good!
Notice that red-headed fellow just getting up from his knees? Well, he's
president of the teamsters' union—figured so big in a strike here
last year. I call that pretty rich! He's the fellow they are all so afraid
of, but I guess he liked the idea of the boys doing it themselves, and
just sneaked in and helped.—There's the Governor. He's a fine
fellow. He wouldn't be held up by anybody—not even to get ready for
a Prince, but he's worked like a Trojan all day to make things come his
way. Yes sir—this is the sure-enough thing. Here you have the boys
off dress parade. Not that we run away from our dignity every day, but—see
what I mean?”</p>
<p>“I see,” replied the Prince, and he looked as though he really did.</p>
<p>“You know—say, dodge there! Move back! No—too late. The
Governor's caught us. Look at him!”</p>
<p>The Governor's eyes had turned upward, and he had seen. He put his hands
on his back—he couldn't look up without doing that—and gave a
long, steady stare. First, Senator Bruner waved; then Senator Patton
waved; then Mr. McVeigh waved; and then the Prince waved. Other people
were beginning to look up. “They're all on,” laughed Patton, “let's go
down.”</p>
<p>At first they were disposed to think it pretty shabby treatment. “We
worked all day to get in shape,” grumbled Harry Weston, “and then you go
ring the curtain up on us before it's time for our show to begin.”</p>
<p>But the Prince made them feel right about it. He had such a good time that
they were forced to concede the move had been a success. And he said to
the Governor as he was leaving: “I see that the only way to see America is
to see it when America is not seeing you.”</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0009" id="link2H_4_0009"> </SPAN></p>
<br/>
<h2> VIII. — THE LAST SIXTY MINUTES </h2>
<p>“Nine—ten—” The old clock paused as if in dramatic
appreciation of the situation, and then slowly, weightily, it gave the
final stroke, “Eleven!”</p>
<p>The Governor swung his chair half-way round and looked the timepiece full
in the face. Already the seconds had begun ticking off the last hour of
his official life. On the stroke of twelve another man would be Governor
of the State. He sat there watching the movement of the minute hand.</p>
<p>The sound of voices, some jovial, some argumentative, was borne to him
through the open transom. People were beginning to gather in the
corridors, and he could hear the usual disputes about tickets of admission
to the inaugural.</p>
<p>His secretary came in just then with some letters. “Could you see
Whitefield now?” he asked. “He's waiting out here for you.”</p>
<p>The old man looked up wearily. “Oh, put him off, Charlie. Tell him you can
talk to him about whatever it is he wants to know.”</p>
<p>The secretary had his hand on the knob, when the Governor added, “And,
Charlie, keep everybody out, if you can. I'm—I've got a few private
matters to go over.”</p>
<p>The younger man nodded and opened the door. He half closed it behind him,
and then turned to say, “Except Francis. You'll want to see him if he
comes in, won't you?”</p>
<p>He frowned and moved impatiently as he answered, curtly: “Oh, yes.”</p>
<p>Francis! Of course it never occurred to any of them that he could close
the door on Francis. He drummed nervously on his desk, then suddenly
reached down and, opening one of the drawers, tossed back a few things and
drew out a newspaper. He unfolded this and spread it out on the desk.
Running across the page was the big black line, “Real Governors of Some
Western States,” and just below, the first of the series, and played up as
the most glaring example of nominal and real in governorship, was a sketch
of Harvey Francis.</p>
<p>He sat there looking at it, knowing full well that it would not contribute
to his peace of mind. It did not make for placidity of spirit to be told
at the end of things that he had, as a matter of fact, never been anybody
at all. And the bitterest part of it was that, looking back on it now,
getting it from the viewpoint of one stepping from it, he could see just
how true was the statement: “Harvey Francis has been the real Governor of
the State; John Morrison his mouthpiece and figurehead.”</p>
<p>He walked to the window and looked out over the January landscape. It may
have been the snowy hills, as well as the thoughts weighing him down, that
carried him back across the years to one snowy afternoon when he stood up
in a little red schoolhouse and delivered an oration on “The
Responsibilities of Statesmanship.” He smiled as the title came back to
him, and yet—what had become of the spirit of that
seventeen-year-old boy? He had meant it all then; he could remember the
thrill with which he stood there that afternoon long before and poured out
his sentiments regarding the sacredness of public trusts. What was it had
kept him, when his chance came, from working out in his life the things he
had so fervently poured into his schoolboy oration?</p>
<p>Someone was tapping at the door. It was an easy, confident tap, and there
was a good deal of reflex action in the Governor's “Come in.”</p>
<p>“Indulging in a little meditation?”</p>
<p>The Governor frowned at the way Francis said it, and the latter went on,
easily: “Just came from a row with Dorman. Everybody is holding him up for
tickets, and he—poor young fool—looks as though he wanted to
jump in the river. Takes things tremendously to heart—Dorman does.”</p>
<p>He lighted a cigar, smiling quietly over that youthful quality of
Dorman's. “Well,” he went on, leaning back in his chair and looking about
the room, “I thought I'd look in on you for a minute. You see I'll not
have the <i>entree</i> to the Governor's office by afternoon.” He laughed,
the easy, good-humoured laugh of one too sophisticated to spend emotion
uselessly.</p>
<p>It was he who fell into meditation then, and the Governor sat looking at
him; a paragraph from the newspaper came back to him: “Harvey Francis is
the most dangerous type of boss politician. His is not the crude and
vulgar method that asks a man what his vote is worth. He deals gently and
tenderly with consciences. He knows how to get a man without fatally
injuring that man's self-respect.”</p>
<p>The Governor's own experience bore out the summary. When elected to office
as State Senator he had cherished old-fashioned ideas of serving his
constituents and doing his duty. But the very first week Francis had asked
one of those little favours of him, and, wishing to show his appreciation
of support given him in his election, he had granted it. Then various
courtesies were shown him; he was let in on a “deal,” and almost before he
realised it, it seemed definitely understood that he was a “Francis man.”</p>
<p>Francis roused himself and murmured: “Fools!—amateurs.”</p>
<p>“Leyman?” ventured the Governor.</p>
<p>“Leyman and all of his crowd!”</p>
<p>“And yet,” the Governor could not resist, “in another hour this same fool
will be Governor of the State. The fool seems to have won.”</p>
<p>Francis rose, impatiently. “For the moment. It won't be lasting. In any
profession, fools and amateurs may win single victories. They can't keep
it up. They don't know <i>how</i>. Oh, no,” he insisted, cheerfully,
“Leyman will never be re-elected. Fact is, I'm counting on this contract
business we've saved up for him getting in good work.” He was moving
toward the door. “Well,” he concluded, with a curious little laugh, “see
you upstairs.”</p>
<p>The Governor looked at the clock. It pointed now to twenty-five minutes
past eleven. The last hour was going fast. In a very short time he must
join the party in the anteroom of the House. But weariness had come over
him. He leaned back in his chair and closed his eyes.</p>
<p>He was close upon seventy, and to-day looked even older than his years. It
was not a vicious face, but it was not a strong one. People who wanted to
say nice things of the Governor called him pleasant or genial or kindly.
Even the men in the appointive offices did not venture to say he had much
force.</p>
<p>He felt it to-day as he never had before. He had left no mark; he had done
nothing, stood for nothing. Never once had his personality made itself
felt. He had signed the documents; Harvey Francis had always “suggested”—the
term was that man's own—the course to be pursued. And the
“suggestions” had ever dictated the policy that would throw the most of
influence or money to that splendidly organised machine that Francis
controlled.</p>
<p>With an effort he shook himself free from his cheerless retrospect. There
was a thing or two he wanted to get from his desk, and his time was
growing very short. He found what he wanted, and then, just as he was
about to close the drawer, his eye fell on a large yellow envelope.</p>
<p>He closed the drawer; but only to reopen it, take out the envelope and
remove the documents it contained; and then one by one he spread them out
before him on the desk.</p>
<p>He sat there looking down at them, wondering whether a man had ever
stepped into office with as many pitfalls laid for him. During the last
month they had been busy about the old State-house setting traps for the
new Governor. The “machine” was especially jubilant over those contracts
the Governor now had spread out before him. The convict labour question
was being fought out in the State just then—organised labour
demanding its repeal; country taxpayers insisting that it be maintained.
Under the system the penitentiary had become self-supporting. In November
the contracts had come up for renewal; but on the request of Harvey
Francis the matter had been put off from time to time, and still remained
open. Just the week before, Francis had put it to the Governor something
like this:</p>
<p>“Don't sign those contracts. We can give some reason for holding them off,
and save them up for Leyman. Then we can see that the question is
agitated, and whatever he does about it is going to prove a bad thing for
him. If he doesn't sign, he's in bad with the country fellows, the men who
elected him. Don't you see? At the end of his administration the
penitentiary, under you self-sustaining, will have cost them a pretty
penny. We've got him right square!”</p>
<p>The clock was close to twenty minutes of twelve, and he concluded that he
would go out and join some of his friends he could hear in the other room.
It would never do for him to go upstairs with a long, serious face. He had
had his day, and now Leyman was to have his, and if the new Governor did
better than the old one, then so much the better for the State. As for the
contracts, Leyman surely must understand that there was a good deal of
rough sailing on political waters.</p>
<p>But it was not easy to leave the room. Walking to the window he again
stood there looking out across the snow, and once more he went back now at
the end of things to that day in the little red schoolhouse which stood
out as the beginning.</p>
<p>He was called back from that dreaming by the sight of three men coming up
the hill. He smiled faintly in anticipation of the things Francis and the
rest of them would say about the new Governor's arriving on foot. Leyman
had requested that the inaugural parade be done away with—but one
would suppose he would at least dignify the occasion by arriving in a
carriage. Francis would see that the opposing papers handled it as a
grand-stand play to the country constituents.</p>
<p>And then, forgetful of Francis, and of the approaching ceremony, the old
man stood there by the window watching the young man who was coming up to
take his place. How firmly the new Governor walked! With what confidence
he looked ahead at the State-house. The Governor—not considering the
inconsistency therein—felt a thrill of real pride in thought of the
State's possessing a man like that.</p>
<p>Standing though he did for the things pitted against him, down in his
heart John Morrison had all along cherished a strong admiration for that
young man who, as District Attorney of the State's metropolis, had aroused
the whole country by his fearlessness and unquestionable sincerity. Many a
day he had sat in that same office reading what the young District
Attorney was doing in the city close by—the fight he was making
almost single-handed against corruption, how he was striking in the high
places fast and hard as in the low, the opposition, threats, and time
after time there had been that same secret thrill at thought of there
being a man like that. And when the people of the State, convinced that
here was one man who would serve <i>them</i>, began urging the District
Attorney for chief executive, Governor Morrison, linked with the opposing
forces, doing all he could to bring about Leyman's defeat, never lost that
secret feeling for the young man, who, unbacked by any organisation,
struck blow after blow at the machine that had so long dominated the
State, winning in the end that almost incomprehensible victory.</p>
<p>The new Governor had passed from sight, and a moment later his voice came
to the ear of the lonely man in the executive office. Some friends had
stopped him just outside the Governor's door with a laughing “Here's
hoping you'll do as much for us in the new office as you did in the old,”
and the new Governor replied, buoyantly: “Oh, but I'm going to do a great
deal more!”</p>
<p>The man within the office smiled a little wistfully and with a sigh sat
down before his desk. The clock now pointed to thirteen minutes of twelve;
they would be asking for him upstairs. There were some scraps of paper on
his desk and he threw them into the waste-basket, murmuring: “I can at
least give him a clean desk.”</p>
<p>He pushed his chair back sharply. A clean desk! The phrase opened to
deeper meanings.... Why not clean it up in earnest? Why not give him a
square deal—a real chance? Why not <i>sign the contracts</i>?</p>
<p>Again he looked at the clock—not yet ten minutes of twelve. For ten
minutes more he was Governor of the State! Ten minutes of real
governorship! Might it not make up a little, both to his own soul and to
the world, for the years he had weakly served as another man's puppet? The
consciousness that he could do it, that it was not within the power of any
man to stop him, was intoxicating. Why not break the chains now at the
last, and just before the end taste the joy of freedom?</p>
<p>He took up his pen and reached for the inkwell. With trembling, excited
fingers he unfolded the contracts. He dipped his pen into the ink; he even
brought it down on the paper; and then the tension broke. He sank back in
his chair, a frightened, broken old man.</p>
<p>“Oh, no,” he whispered; “no, not now. It's—” his head went lower and
lower until at last it rested on the desk—“too late.”</p>
<p>When he raised his head and grew more steady, it was only to see the
soundness of his conclusion. He had not the right now in the final hour to
buy for himself a little of glory. It would only be a form of
self-indulgence. They would call it, and perhaps rightly, hush money to
his conscience. They would say he went back on them only when he was
through with them. Oh, no, there would be no more strength in it than in
the average deathbed repentance. He would at least step out with
consistency.</p>
<p>He folded the contracts and put them back into the envelope. The minute
hand now pointed to seven minutes to twelve. Some one was tapping at the
door, and the secretary appeared to say they were waiting for him
upstairs. He replied that he would be there in a minute, hoping that his
voice did not sound as strange to the other man as it had to himself.</p>
<p>Slowly he walked to the door leading into the corridor. This, then, was
indeed the end; this the final stepping down from office! After years of
what they called public service, he was leaving it all now with a sense of
defeat and humiliation. A lump was in the old man's throat; his eyes were
blurred. “But you, Frank Leyman,” he whispered passionately, turning as if
for comfort to the other man, “it will be different with you! They'll not
get you—not you!”</p>
<p>It lifted him then as a great wave—this passionate exultation that
here was one man whom corruption could not claim as her own. Here was one
human soul not to be had for a price! There flitted before him again a
picture of that seventeen-year-old boy in the little red schoolhouse, and
close upon it came the picture of this other young man against whom all
powers of corruption had been turned in vain. With the one it had been the
emotional luxury of a sentiment, a thing from life's actualities apart;
with the other it was a force that dominated all things else, a force over
which circumstances and design could not prevail. “I know all about it,”
he was saying. “I know about it all! I know how easy it is to fall! I know
how fine it is to stand!”</p>
<p>His sense of disappointment in his own empty, besmirched career was almost
submerged then as he projected himself on into the career of this other
man who within the hour would come there in his stead. How glorious was
his opportunity, how limitless his possibilities, and how great to his own
soul the satisfaction the years would bring of having done his best!</p>
<p>It had all changed now. That passionate longing to vindicate himself, add
one thing honourable and fine to his own record, had altogether left him,
and with the new mood came new insight and what had been an impulse
centred to a purpose.</p>
<p>It pointed to three minutes to twelve as he walked over to his desk,
unfolded the contracts, and one by one affixed his signature. In a dim way
he was conscious of how the interpretation of his first motive would be
put upon it, how they would call him traitor and coward; but that mattered
little. The very fact that the man for whom he was doing it would never
see it as it was brought him no pang. And when he had carefully blotted
the papers, affixed the seal and put them away, there was in his heart the
clean, sweet joy of a child because he had been able to do this for a man
in whom he believed.</p>
<p>The band was playing the opening strains as he closed the door behind him
and started upstairs.</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0010" id="link2H_4_0010"> </SPAN></p>
<br/>
<h2> IX. — “OUT THERE” </h2>
<p>The old man held the picture up before him and surveyed it with admiring
but disapproving eye. “No one that comes along this way'll have the price
for it,” he grumbled. “It'll just set here 'till doomsday.”</p>
<p>It did seem that the picture failed to fit in with the rest of the shop. A
persuasive young fellow who claimed he was closing out his stock let the
old man have it for what he called a song. It was only a little
out-of-the-way store which subsisted chiefly on the framing of pictures.
The old man looked around at his views of the city, his pictures of cats
and dogs and gorgeous young women, his flaming bits of landscape. “Don't
belong in here,” he fumed, “any more 'an I belong in Congress.”</p>
<p>And yet the old man was secretly proud of his acquisition. He seemed all
at once to be lifted from his realm of petty tradesman to that of patron
of art. There was a hidden dignity in his scowling as he shuffled about
pondering the least ridiculous place for the picture.</p>
<p>It is not fair to the picture to try repainting it in words, for words
reduce it to a lithograph. It was a bit of a pine forest, through which
there exuberantly rushed an unspoiled little mountain stream. Chromos and
works of art may deal with kindred subjects. There is just that one
difference of dealing with them differently. “It ain't what you <i>see</i>,
so much as what you can guess is there,” was the thought it brought to the
old man who was dusting it. “Now this frame ain't three feet long, but it
wouldn't surprise me a bit if that timber kept right on for a hundred
miles. I kind of suspect it's on a mountain—looks cool enough in
there to be on a mountain. Wish I was there. Bet they never see no such
days as we do in Chicago. Looks as though a man might call his soul his
own—out there.”</p>
<p>He began removing some views of Lincoln Park and some corpulent Cupids in
order to make room in the window for the new picture. When he went outside
to look at it he shook his head severely and hastened in to take away some
ardent young men and women, some fruit and flowers and fish which he had
left thinking they might “set it off.” It was evident that the new picture
did not need to be “set off.” “And anyway,” he told himself, in
vindication of entrusting all his goods to one bottom, “I might as well
take them out, for the new one makes them look so kind of sick that no one
would have them, anyhow.” Then he went back to mounting views with the
serenity of one who stands for the finer things.</p>
<p>His clamorous little clock pointed to a quarter of six when he finally
came back to the front of the store. It was time to begin closing up for
the night, but for the minute he stood there watching the crowd of workers
coming from the business district not far away over to the boarding-house
region, a little to the west. He watched them as they came by in twos and
threes and fours: noisy people and worn-out people, people hilarious and
people sullen, the gaiety and the weariness, the acceptance and the
rebellion of humanity—he saw it pass. “As if any of <i>them</i>
could buy it,” he pronounced severely, adding, contemptuously, “or wanted
to.”</p>
<p>The girl was coming along by herself. He watched her as she crossed to his
side of the street, thinking it was too bad for a poor girl to be as tired
as that. She was dressed like many of the rest of them, and yet she looked
different—like the picture and the chromo. She turned an indifferent
glance toward the window, and then suddenly she stood there very still,
and everything about her seemed to change. “For all the world,” he told
himself afterward, “as if she'd found a long-lost friend, and was 'fraid
to speak for fear it was too good to be true.”</p>
<p>She did seem afraid to speak—afraid to believe. For a minute she
stood there right in the middle of the sidewalk, staring at the picture.
And when she came toward the window it was less as if coming than as if
drawn. What she really seemed to want to do was to edge away; yet she came
closer, as close as she could, her eyes never leaving the picture, and
then fear, or awe, or whatever it was made her look so queer gave way to
wonder—that wondering which is ready to open the door to delight.
She looked up and down the street as one rubbing one's eyes to make sure
of a thing, and then it all gave way to a joy which lighted her pale
little face like—“Well, like nothing I ever saw before,” was all the
old man could say of it. “Why, she'd never know if the whole fire
department was to run right up here on the sidewalk,” he gloated. Just
then she drew herself up for a long breath. “See?” he chuckled,
delightedly. “She knows it has a smell!” She looked toward the door, but
shook her head. “Knows she can't pay the price,” he interpreted her. Then,
she stepped back and looked at the number above the door. “Coming again,”
he made of that; “ain't going to run no chances of losing the place.” And
then for a long time she stood there before the picture, so deeply and so
strangely quiet that he could not translate her. “I can't just get the run
of it,” was his bewildered conclusion. “I don't see why it should make
anybody act like that.” And yet he must have understood more than he knew,
for suddenly he was seeing her through a blur of tears.</p>
<p>As he began shutting up for the night he was so excited about the way she
looked when she finally turned away that it never occurred to him to be
depressed about her inability to pay the price.</p>
<p>He kept thinking of her, wondering about her, during the next day. At a
little before six he took up his station near the front window. Once more
the current of workers flowed by. “I'm an old fool,” he told himself,
irritated at the wait; “as if it makes any difference whether she comes or
not—when she can't buy it, anyhow. She's just as big a fool as I am—liking
it when she can't have it, only I'm the biggest fool of all—caring
whether she likes it or not.” But just then the girl passed quickly by a
crowd of girls who were ahead of her and came hurrying across the street.
She was walking fast, and looked excited and anxious. “Afraid it might be
gone,” he said—adding, grimly: “Needn't worry much about that.”</p>
<p>She came up to the picture as some people would enter a church. And yet
the joy which flooded her face is not well known to churches. “I'll tell
you what it's like”—the old man's thoughts stumbling right into the
heart of it—“it's like someone that's been wandering round in a
desert country all of a sudden coming on a spring. She's <i>thirsty</i>—she's
drinking it in—she can't get enough of it. It's—it's the water
of life to her!” And then, ashamed of saying a thing that sounded as if it
were out of a poem, he shook his shoulders roughly as if to shake off a
piece of sentiment unbecoming his age and sex.</p>
<p>He went to the door and watched her as she passed away. “I'll bet she'd
never tip the scale to one hundred pounds,” he decided. “Looks like a good
wind could blow her away.” She stooped a little and just as she passed
from sight he saw that she was coughing.</p>
<p>Then the old man made what he prided himself was a great deduction. “She's
been there, and she wants to go back. This kind of takes her back for a
minute, and when she gets the breath of it she ain't so homesick.”</p>
<p>All through those July days he watched each night for the frail-looking
little girl who liked the picture of the pines. She would always come
hurrying across the street in the same eager way, an eagerness close to
the feverish. But the tenseness would always relax as she saw the picture.
“She never looks quite so wilted down when she goes away as she does when
she comes,” the old man saw. “Upon my soul, I believe she really <i>goes</i>
there. It's—oh, Lord”—irritated at getting beyond his depth—“<i>I</i>
don't know!”</p>
<p>He never called it anything now but “Her Picture.” One day at just ten
minutes of six he took it out of the window. “Seems kind of mean,” he
admitted, “but I just want to find out how much she does think of it.”</p>
<p>And when he found out he told himself that of all the mean men God had
ever let live, he was the meanest. The girl came along in the usual
hurried, anxious fashion. And when she saw the empty window he thought for
a minute she was going to sink right down there on the sidewalk.
Everything about her seemed to give way—as if something from which
she had been drawing had been taken from her. The luminousness gone from
her face, there were cruel revelations. “Blast my <i>soul!</i>” the old
man muttered angrily, not far from tearfully. She looked up and down the
noisy, dirty, parched street, then back to the empty window. For a minute
she just stood there—that was the worst minute of all. And then—accepting—she
turned and walked slowly away, walked as the too-weary and the too-often
disappointed walk.</p>
<p>It was with not wholly steady hand that the old man hastened to replace
the picture, all the while telling himself what he thought of himself:
more low-down than the cat who plays with the mouse, meaner than the man
who'd take the bone from the dog, less to be loved than the man who would
kick over the child's play-house, only to be compared with the brute who
would snatch the cup of water from the dying—such were the verdicts
he pronounced. He thought perhaps she would come back, and stayed there
until almost seven, waiting for her, though pretending it was necessary
that he take down and then put up again the front curtains. All the next
day he was restless and irritable. As if to make up to the girl for the
contemptible trick he had played he spent a whole hour that afternoon
arranging a tapestry background for the picture. “She'll think,” he told
himself, “that this was why it was out, and won't be worried about its
being gone again. This will just be a little sign to her that it's here to
stay.”</p>
<p>He began his watch that night at half-past five. After fifteen minutes the
thought came to him that she might be so disheartened she would go home by
another street. He became so gloomily certain she would do this that he
was jubilant when he finally saw her coming along on the other side—coming
purposelessly, shorn of that eagerness which had always been able, for the
moment, to vanquish the tiredness. But when she came to the place where
she always crossed the street she only stood there an instant and then, a
little more slowly, a little more droopingly, walked on. She had given up!
She was not coming over!</p>
<p>But she did come. After she had gone a few steps she hesitated again and
this time started across the street. “That's right,” approved the old man,
“never give up the ship!”</p>
<p>She passed the store as if she were not going to look in; she seemed
trying not to look, but her head turned—and she saw the picture.
First her body seemed to stiffen, and then something—he couldn't
make out whether or not it was a sob—shook her, and as she came
toward the picture on her white, tired face were the tears.</p>
<p>“Don't you worry,” he murmured affectionately to her retreating form, “it
won't never be gone again.”</p>
<p>The very next week he was put to the test. The kind of lady who did not
often pass along that street entered the shop and asked to see the picture
in the window. He looked at her suspiciously. Then he frowned at her, as
he stood there, fumbling. <i>Her</i> picture! What would she think? What
would she do? Then a crafty smile stole over his face and he walked to the
window and got the picture. “The price of this picture, madame,” he said,
haughtily, “is forty dollars,”—adding to himself, “That'll fix her.”</p>
<p>But the lady made no comment, and stood there holding the picture up
before her. “I will take it,” she said, quietly.</p>
<p>He stared at her stupidly. Forty dollars! Then it must be that the picture
was better than the young man had known. “Will you wrap it, please?” she
asked. “I will take it with me.”</p>
<p>He turned to the back of the store. Forty dollars!—he kept repeating
it in dazed fashion. And they had raised the rent on him, and the papers
said coal would be high that winter—those facts seemed to have
something to do with forty dollars. <i>Forty dollars!</i>—it was
hammering at him, overwhelmed him, too big a sum to contend with. With
long, grim stroke he tore off the wrapping paper; stoically he began
folding it. But something was the matter. The paper would not go on right.
Three times he took it off, and each time he could not help looking down
at the picture of the pines. And each time the forest seemed to open a
little farther; each time it seemed bigger—bigger even than forty
dollars; it seemed as if it <i>knew things</i>—things more important
than even coal and rent. And then the strangest thing of all happened: the
forest faded away into its own shadowy distances, and in its place was a
noisy, crowded, sun-baked street, and across the street was eagerly
hurrying an anxious little girl, a frail little wisp of a girl who
probably should not be crossing hot, noisy streets at all—then a
light in tired eyes, a smile upon a worn face, relief as from a cooling
breeze—and <i>anyway</i>, suddenly furious at the lady, furious at
himself—“he'd be gol-<i>darned</i> if it wasn't <i>her</i> picture!”</p>
<p>He walked firmly back to the front of the store.</p>
<p>“I forgot at first,” he said, brusquely, “that this picture belongs to
someone else.”</p>
<p>The lady looked at him in astonishment. “I do not understand,” she said.</p>
<p>“There's nothing to understand,” he fairly shouted, “except that it
belongs to someone else!”</p>
<p>She turned away, but came back to him. “I will give you fifty dollars for
it,” she said, in her quiet way.</p>
<p>“Madame,” he thundered at her, “you can stand there and offer me five
hundred dollars, and I'm here to tell you that this picture is not for
sale. Do you <i>hear</i>?”</p>
<p>“I certainly do,” replied the lady, and walked from the store.</p>
<p>He was a long time in cooling off. “I tell you,” he stormed to a very blue
Lake Michigan he was putting into a frame, “it's hers—it's <i>hern</i>—and
anybody that comes along here with any nonsense is just going to hear from
<i>me</i>!”</p>
<p>In the days which followed he often thought to go out and speak to her,
but perhaps the old man had a restraining sense of values. He planned some
day to go out and tell her the picture was hers, but that seemed a silly
thing to tell her, for surely she knew it anyway. He worried a good deal
about her cough, which seemed to be getting worse, and he had it all
figured out that when cold weather came he would have her come in where it
was warm, and take her look in there. He felt that he knew all about her,
and though he did not know her name, though he had never heard her speak
one word, in some ways he felt closer to her than to any one else in the
world.</p>
<p>Yet if the old man had known just how it was with the girl it is
altogether unlikely that he would have understood. It would have mystified
and disappointed him had he known that she had never seen a pine forest or
a mountain in her life. Indeed there was a great deal about the little
girl which the old man, together with almost all the rest of the world,
would not have understood.</p>
<p>Not that the surface facts about her were either incomprehensible or
interesting. The tale of her existence would sound much like that of a
hundred other girls in the same city. Inquiry about her would have
developed the facts that she did typewriting for a land company, that she
did not seem to have any people, and lived at a big boarding-house. At the
boarding-house they would have told you that she was a nice little thing,
quiet as a mouse, and that it was too bad she had to work, for she seemed
more than half sick. There the story would have rested, and the real
things about her would not have been touched.</p>
<p>She worked for the Chicago branch of a big Northwestern land company. They
dealt in the lands of Idaho, Montana, Oregon and Washington. The things
she sat at her typewriter and wrote were of the wonders of that great
country: the great timber lands, the valleys and hills, towering mountain
peaks and rushing rivers. She typewrote “literature” telling how there was
a chance for every man out there, how the big, exhaustless land was eager
to yield of its store to all who would come and seek. Day after day she
wrote those things telling how the sick were made well and the poor were
made rich, how it was a land of indescribable wonders which the feeble pen
could not hope to portray.</p>
<p>And the girl with whom almost everything in life had gone wrong came to
think of Out There as the place where everything was right. It was the far
country where there was no weariness nor loneliness, the land where one
did not grow tired, where one never woke up in the morning too tired to
get up, where no one went to bed at night too tired to go to sleep. The
street-cars did not ring their gongs so loud Out There, the newsboys had
pleasant voices, and there were no elevated trains. It was a pure, high
land which knew no smoke nor dirt, a land where great silences drew one to
the heart of peace, where the people in the next room did not come in and
bang things around late at night. Out There was a wide land where
buildings were far apart and streets were not crowded. Even the horses did
not grow tired Out There. Oh, it was a land where dreams came true—a
beautiful land where no one ate prunes, where the gravy was never greasy
and the potatoes never burned. It was a land of flowers and birds and
lovely people—a land of wealth and health and many smiles.</p>
<p>Her imagination made use of it all. She knew how men were reclaiming the
desert of Idaho, of the tremendous undeveloped wealth of what had been an
almost undiscovered State. She thrilled to the poetry of irrigation. Often
when hot and tired and dusty her fancy would follow the little mountain
stream from its birth way up in the clouds, her imagination rushing with
it through sweetening forest and tumbling with it down cooling rocks until
finally strong, bold, wise men guided it to the desert which had yearned
for it through all the years, and the grateful desert smiled rich smiles
of grain and flowers. She could make it more like a story than any story
in any book. And she could always breathe better in thinking of the pine
forests of Oregon. There was something liberating—expanding—in
just the thought of them. She dreamed cooling dreams about them, dreams of
their reaching farther than one's fancy could reach, big widening dreams
of their standing there serene in the consciousness of their own
immensity. They stood to her for a beautiful idea: the idea of space, of
room—room for everybody, and then much more room! Even one's
understanding grew big as one turned to them.</p>
<p>And she loved to listen for the Pacific Ocean, coming from
incomprehensible distances and unknowable countries, now rushing with
passion to the wild coast of Oregon, again stealing into the Washington
harbours. She loved to address the letters to Portland, Seattle, Spokane,
Tacoma—all those pulsing, vivid cities of a country of big chances
and big beauty. She loved to picture Seattle, a city builded upon many
hills—how wonderful that a city should be builded upon hills!—in
Chicago there was nothing that could possibly be thought of as a hill. And
she loved to shut her eyes and let the great mountain peak grow in the
distance, as one could see it from Portland—how noble a thing to see
a mountain peak from a city! Sometimes she trembled before that
consciousness of a mountain. Often when so tired she scarcely knew what
she was doing she found she was saying her prayers to a mountain. Indeed,
Out There seemed the place to send one's prayers—for was it not a
place where prayers were answered?</p>
<p>During that summer when the West was overrun with tourists who grumbled
about everything from the crowded trains to the way in which sea-foods
were served, this little girl sat in one of the hot office buildings of
Chicago and across the stretch of miles drew to herself the spirit of that
country of coming days. Thousands rode in Pullman cars along the banks of
the Columbia—saw, and felt not; she sat before her typewriter in a
close, noisy room and heard the cooling rush of waters and got the freeing
message of the pines. In some rare moments when she rose from the things
about her to the things of which she dreamed she possessed the whole great
land, and as the sultry days sapped of her meagre strength, and the
bending over the typewriter cramped an already too cramped chest she clung
with a more and more passionate tenacity to the bigness and the beauty and
rightness of things Out There. And it was so kind to her—that land
of deep breaths and restoring breezes. It never shut her out. It always
kept itself bigger and more wonderful than one could ever hope to fancy
it.</p>
<p>And the night she found the picture she knew that it was all really so.
That was why it was so momentous a night. The picture was a dream
visualised—a dreamer vindicated. They had pictures in the office, of
course—some pictures trying to tell of that very kind of a place.
But those were just pictures; this <i>proved</i> it, told what it meant.
It told that she had been right, and there was joy in knowing that she had
known. She clung to the picture as one would to that which proves as real
all one has long held dear, loved it as the dreamer loves that which
secures him in his dreaming.</p>
<p>She came to think of it as her own abiding place. Often when too tired for
long wings of fancy she would just sink down in the deep, cool shadows of
the pines, beside the little river which one knew so well was the gift of
distant snows. It rested her most of all; it quieted her.</p>
<p>She smiled sometimes to think how no one in the office knew about it,
wondered what they would think if they knew. Often she would find someone
in the office looking at her strangely. She used to wonder about it a
little.</p>
<p>And then one day Mr. Osborne sent for her to come into his office. He
acted so queerly. As she came in and sat down near his desk he swung his
chair around and sat there with his back to her. After that he got up and
walked to the window.</p>
<p>The head stenographer had complained of her cough. She said she did not
think it right either to the girl or to the rest of them for her to be
there. She said she hated to speak of it, but could not stand it any
longer. That had been the week before, and ever since he had been putting
it off. But now he could put it off no longer; the head stenographer was
valuable, and besides he knew that she was right.</p>
<p>And so he told her—this was all he could think of just then—that
they were contemplating some changes in the office, and for a time would
have less desk room. If he sent her machine to her home, would she be
willing to do her work there for a while? Hers was the kind of work that
could be done at home.</p>
<p>She was sorry, for she wondered if she could find a place in her room for
the typewriter, and it did not seem there would be air enough there to
last her all day long. And she had grown fond of the office, with its
“literature” and pictures and maps and the men who had just come from Out
There coming in every once in a while. It was a bond—a place to
touch realities. But of course there was nothing for her to do but comply,
and she made no comment on the arrangement.</p>
<p>She pushed her chair back and rose to go. “Are you alone in the world?” he
asked abruptly then,</p>
<p>“Yes; I—oh yes.”</p>
<p>It was too much for him. “How would you like,” he asked recklessly, “to
have me get you transportation out West?”</p>
<p>She sank back in her chair. Every particle of colour had left her face.
Her deep eyes had grown almost wild. “Oh,” she gasped—“you can't
mean—you don't think—”</p>
<p>“You wouldn't want to go?”</p>
<p>“I mean”—it was but a whisper—“it would be—too
wonderful.”</p>
<p>“You would like it then?”</p>
<p>She only nodded; but her lips were parted, her eyes glowing. He wondered
why he had never seen before how different looking and—yes,
beautiful, in a strange kind of way—she was.</p>
<p>“I see you have a cold,” he said, “and I think you would get along better
out there. I'll see if I can fix up the transportation, and get something
with our people in one of the towns that would be good for you.”</p>
<p>She leaned back in her chair and sat there smiling at him. Something in
the smile made him say, abruptly: “That's all; you may go now, and I'll
send a boy with your machine.”</p>
<p>She walked through the streets as one who had already found another
country. More than one turned to look at her. She reached her room at last
and pulling her one little chair up to the window sat staring out across
the alley at the brick wall across from her. But she was not seeing a
narrow alley and a high brick wall. She was seeing rushing rivers and
mighty forests and towering peaks. She leaned back in her chair—an
indulgence less luxurious than it sounds, as the chair only reached the
middle of her back—and looked out at the high brick wall and saw a
snow-clad range of hills. But she was tired; this tremendous idea was too
much for her; the very wonder of it was exhausting. She lay down on her
bed—radiant, but languid. Soon she heard a rush of waters. At first
it was only someone filling the bath-tub, but after a while it was the
little stream which flowed through her forest. And then she was not lying
on a lumpy bed; she was sinking down under pine trees—all so sweet
and still and cool. But an awful thing was happening!—the forest was
on fire—it was choking and burning her! She awoke to find smoke from
the building opposite pouring into her room; flies were buzzing about, and
her face and hands were hot.</p>
<p>She did little work in the next few days. It was hard to go on with the
same work when waiting for a thing which was to make over one's whole
life. The stress of dreams changing to hopes caused a great languor to
come over her. And her chair was not right for her typewriter, and the
smoke came in all the time. Strangely enough Out There seemed farther
away. Sometimes she could not go there at all; she supposed it was because
she was really going.</p>
<p>At the close of the week she went to the office with her work. She was
weak with excitement as she stepped into the elevator. Would Mr. Osborne
have the transportation for her? Would he tell her when she was to go?</p>
<p>But she did not see Mr. Osborne at all. When she asked for him the clerk
just replied carelessly that he was not there. She was going to ask if he
had left any message for her, but the telephone rang then and the man to
whom she was talking turned away. Someone was sitting at her old desk, and
they did not seem to be making the changes they had contemplated; everyone
in the office seemed very busy and uncaring, and because she knew her chin
was trembling she turned away.</p>
<p>She had a strange feeling as she left the office: as if standing on ground
which quivered, an impulse to reach out her hand and tell someone that
something must be done right away, a dreadful fear that she was going to
cry out that she could not wait much longer.</p>
<p>All at once she found that she was crossing the street, and saw ahead the
little art store with the wonderful picture which proved it was all really
so. In the same old way, her step quickened. It would show her again that
it was all just as she had thought it was, and if that were true, then it
must be true also that Mr. Osborne was going to get her the
transportation. It would prove that everything was all right.</p>
<p>But a cruel thing happened. It failed her. It was just as beautiful—but
something a long way off, impossible to reach. Try as she would, she could
not get <i>into</i> it, as she used to. It was only a picture; a beautiful
picture of some pine trees. And they were very far away, and they had
nothing at all to do with her.</p>
<p>Through the window, at the back of the store, she saw the old man standing
with his back to her. She thought of going in and asking to sit down—she
wanted to sit down—but perhaps he would say something cross to her—he
was such a queer looking old man—and she knew she would cry if
anything cross was said to her. That he had watched for her each night,
that he had tried and tried to think of a way of finding her, that he
would have been more glad to see her than to see anyone in the world,
would have been kinder to her than anyone on earth would have been—those
were the things she did not know. And so—more lonely than she had
ever been before—she turned away.</p>
<p>On Monday she felt she could wait no longer. It did not seem that it would
be <i>safe</i>. She got ready to go to see Mr. Osborne, but the getting
ready tired her so that she sat a long time resting, looking out at the
high brick wall beyond which there was nothing at all. She was counting
the blocks, thinking of how many times she would have to cross the street.
But just then it occurred to her that she could telephone.</p>
<p>When she came back upstairs she crept up on the bed and lay there very
still. The boy had said that Mr. Osborne was away and would be gone two
weeks. No one in the office had heard him say anything about her
transportation.</p>
<p>All through the day she lay there, and what she saw before her was a
narrow alley and a high brick wall. She had lost her mountains and her
forests and her rivers and her lakes. She tried to go out to them in the
same old way—but she could not get beyond the high brick wall. She
was shut in. She tried to draw them to her, but they could not come across
the wall. It shut them out. She tried to pray to the great mountain which
one could see from Portland. But even prayers could get no farther than
the wall.</p>
<p>Late that afternoon, because she was so shut in that she was choking,
because she was consumed with the idea that she must claim her country now
or lose it forever, she got up and started for the picture. It was a long,
long way to go, and dreadful things were in between—people who would
bump against her, hot, uneven streets, horses that might run over her—but
she must make the journey. She must make it because the things that she
lived on were slipping from her—and she was choking—sinking
down—and all alone.</p>
<p>Step by step, never knowing just how her foot was going to make the next
step, sick with the fear that people were going to run into her—the
streets going up and down, the buildings round and round, she did go;
holding to the window casings for the last few steps—each step a
terrible chasm which she was never sure she was going to be able to cross—she
was there at last. And in the window as she stood there, swayingly, was a
dark, blurred thing which might have been anything at all. She tried to
remember why she had come. What <i>was</i> it—? And then she was
sinking down into an abyss.</p>
<p>That the hemorrhage came then, that the old man came out and found her and
tenderly took her in, that he had her taken where she should have been
taken long before, that the doctors said it was too late, and that soon
their verdict was confirmed—those are the facts which would seem to
tell the rest of the story. But deep down beneath facts rests truth, and
the truth is that this is a story with the happiest kind of a happy
ending. What facts would call the breeze from an electric fan was in truth
the gracious breath of the pines. And when the nurse said “She's going,”
she was indeed going, but to a land of great spaces and benign breezes, a
land of deep shadows and rushing waters. For a most wondrous thing had
happened. She had called to the mountain, and the mountain had heard her
voice; and because it was so mighty and so everlasting it drew her to
itself, across high brick walls and past millions of hurrying, noisy
people—oh, a most triumphant flight! And the mountain said—“I
give you this whole great land. It is yours because you have loved it so
well. Hills and valleys and rivers and forests and lakes—it is all
for you.” Yes, the nurse was quite right; she was going: going for a long
sweet sleep beneath trees of many shadows, beside clear waters which had
come from distant snows—really going “Out There.”</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0011" id="link2H_4_0011"> </SPAN></p>
<br/>
<h2> X. — THE PREPOSTEROUS MOTIVE </h2>
<p>The Governor was sitting alone in his private office with an open letter
in his hand. He was devoutly and gloomily wishing that some other man was
just then in his shoes. The Governor had not devoted a large portion of
his life to nursing a desire of that nature, for he was a man in whose
soul the flame of self-satisfaction glowed cheeringly; but just now there
were reasons, and he deemed them ample, for deploring that he had been
made chief executive of his native State.</p>
<p>Had he chosen to take you into his confidence—a thing the Governor
would assuredly choose not to do—he would have told you there were
greater things in the world than the governorship of that State. He might
have suggested a seat in the Senate of the United States as one of those
things. It was of the United States Senate his Excellency was thinking as
he sat there alone moodily deploring the gubernatorial shoes.</p>
<p>The senior Senator was going to die. He differed therein from his fellows
in that he was going to die soon, almost immediately. He had reached the
tottering years even at the time of his reelection, and it had never been
supposed that his life would outstretch his term. He had been sent back,
not for another six years of service, but to hold out the leader of the
Boxers, as they called themselves—the younger and unorthodox element
of the party in the State, an element growing to dangerous proportions. It
was only by returning the aged Senator, whom they held it would be brutal
to turn down after a life of service to the party, that the “machine” won
the memorable fight of the previous winter.</p>
<p>From the viewpoint of the machine, the Governor was the senior Senator's
logical successor. Had it not been for the heavy inroads of the Boxers,
his Excellency would even then have been sitting in the Senate Chamber at
Washington. It had not been considered safe to nominate the Governor. Had
his supporters conceded that the time was at hand for a change, there
would have been a general clamour for the leader of the Boxers—Huntington,
undeniably the popular man of the State. And so they concocted a beautiful
sentiment about “rounding out the veteran's career,” and letting him “die
with his boots on”; and through the omnipotence of sentiment, they won.</p>
<p>Down in his heart the venerable Senator was not seeking to die with his
boots on. He would have preferred sitting in a large chair before the fire
and reading quietly of what other men were doing in the Senate of the
United States. But they told him he must sacrifice that wish, for if he
retired he would be succeeded by a dangerous man. And the old man,
believing them, had gone dutifully back into the arena.</p>
<p>Now it seemed that a power outside man's control was declaring against the
well-laid plans of the machine. As the machine saw things, the time was
not ripe for the senior Senator to die. He had just entered upon his new
term, and the Governor himself had but lately stepped into a second term.
They had assumed that the Senator would live on for at least two years,
but now they heard that he was likely to die almost at once. His
Excellency could not very well name himself for the vacancy, and it seemed
dangerous just then to risk a call of the Assembly. They dared not let the
Governor appoint a weaker man, even if he would consent to do so, for they
would need the best they had to put up against the leader of the Boxers.
With the Governor, they believed they could win, but the question of
appointing him had suddenly become a knotty one.</p>
<p>The Governor himself was bowed with chagrin. He saw now that he had erred
in taking a second term, and he was not the man to enjoy reviewing his
mistakes. As he sat there reading and rereading the letter which told him
that the work of the senior Senator was almost done, he said to himself
that it was easy enough to wrestle with men, but a harder thing to try
one's mettle with fate. He spent a gloomy and unprofitable day.</p>
<p>Late in the afternoon a telegram reached the executive office. Styles was
coming to town that night, and wanted to see the Governor at the hotel.
Things always cleared when Styles came to town; and so, though still
unable to foresee the outcome, he brightened at once.</p>
<p>Styles was a railroad man, and rich. People to whom certain things were a
sealed book said that it was nice of Mr. Styles to take an interest in
politics when he had so many other things on his mind, and that he must be
a very public-spirited man. That he took an interest in politics, no one
familiar with the affairs of the State would deny. The orthodox papers
painted him as a public benefactor, but the Boxers arrayed him with hoofs
and horns.</p>
<p>The Governor and Mr. Styles were warm friends. It was said that their
friendship dated from mere boyhood, and that the way the two men had held
together through all the vicissitudes of life was touching and beautiful—at
least, so some people observed. There were others whose eyebrows went up
when the Governor and Mr. Styles were mentioned in their Damon and Pythias
capacity.</p>
<p>That night, in the public benefactor's room at the hotel, the Governor and
his old friend had a long talk. When twelve o'clock came they were still
talking; more than that, the Governor was excitedly pacing the floor.</p>
<p>“I tell you, Styles,” he expostulated, “I don't like it! It doesn't put me
in a good light. It's too apparent, and I'll suffer for it, sure as fate.
Mark my words, we'll all suffer for it!”</p>
<p>Mr. Styles was sitting in an easy attitude before the table. The public
benefactor never paced the floor; it did not seem necessary. He smoked in
silence for a minute; then raised himself a little in his chair.</p>
<p>“Well, have you anything better to offer?”</p>
<p>“No, I haven't,” replied the Governor, tartly; “but it seems to me you
ought to have.”</p>
<p>Styles sank back in his chair and for several minutes more devoted himself
to the art of smoking. There were times when this philanthropic dabbler in
politics was irritating.</p>
<p>“I think,” he began presently, “that you exaggerate the unpleasant
features of the situation. It will cause talk, of course; but isn't it
worth it? You say it's unheard of; maybe, but so is the situation, and
wasn't there something in the copy-books about meeting new situations with
new methods? If you have anything better to offer, produce it; if not,
we've got to go ahead with this. And really, I don't see that it's so bad.
You have to go South to look after your cotton plantation; you find now
that it's going to take more time than you feel you should take from the
State; you can't afford to give it up; consequently, you withdraw in favor
of the Lieutenant-Governor. We all protest, but you say Berriman is a good
man, and the State won't suffer, and you simply can't afford to go on.
Well, we can keep the Senator's condition pretty quiet here; and after
all, he's sturdy, and may live on to the close of the year. After due
deliberation Berriman appoints you. A little talk?—Yes. But it's
worth a little talk. It seems to me the thing works out very smoothly.”</p>
<p>When Tom Styles leaned back in his chair and declared a thing worked out
very smoothly, that thing was quite likely to go. In three days the
Governor went South. When he returned, the newspaper men were startled by
the announcement that business considerations which he could not afford to
overlook demanded his withdrawal from office. Previous to this time the
Lieutenant-Governor and Mr. Styles had met and the result of their meeting
was not made a matter of public record.</p>
<p>As the Governor had anticipated, many things were said. Inquiries were
made into the venerable Senator's condition—which, the orthodox
papers declared, was but another example of the indecency of the Boxer
journals. The Governor went to his cotton plantation. The
Lieutenant-Governor went into office, and was pronounced a worthy
successor to a good executive. The venerable Senator continued to live. As
Mr. Styles had predicted, the gossip soon quieted into a friendly hope
that the Governor would realise large sums with his cotton.</p>
<p>It was late in the fall when the senior Senator finally succumbed. The day
the papers printed the story of his death, they printed speculative
editorials on his probable successor. When the bereaved family commented
with bitterness on this ill-concealed haste, they were told that it was
politics—enterprise—life.</p>
<p>The old man's remains lay in state in the rotunda of the State Capitol,
and the building was draped in mourning. Many came and looked upon the
quiet face; but far more numerous than those who gathered at his bier to
weep were those who assembled in secluded corners to speculate on the
wearing of his toga. It was politics—enterprise—life.</p>
<p>Mr. Styles told the Lieutenant-Governor to be deliberate. There was no
need of an immediate appointment, he said. And so for a time things went
on about the State-house much as usual, save that the absorbing topic was
the senatorial situation, and that every one was watching the new chief
executive. The retired Governor now spent part of his time in the South,
and part at home. The cotton plantation was not demanding all his
attention, after all.</p>
<p>It could not be claimed that John Berriman had ever done any great thing.
He was not on record as having ever risen grandly to an occasion; but
there may have been something in the fact that an occasion admitting of a
grand rising had never presented itself. Before he became
Lieutenant-Governor, he had served inoffensively in the State Senate for
two terms. No one had ever worked very hard for Senator Berriman's vote.
He had been put in by the machine, and it had always been assumed that he
was machine property.</p>
<p>Berriman himself had never given the matter of his place in the human
drama much thought. He had an idea that it was proper for him to vote with
his friends, and he always did it. Had he been called a tool, he would
have been much ruffled; he merely trusted to the infallibility of the
party.</p>
<p>The Boxers did not approach him now concerning the appointment of
Huntington. That, of course, was a fixed matter, and they were not young
and foolish enough to attempt to change it.</p>
<p>One day the Governor received a telegram from Styles suggesting that he
“adjust that matter” immediately. He thought of announcing the appointment
that very night, but the newspaper men had all left the building, and as
he had promised that they should know of it as soon as it was made, he
concluded to wait until the next morning.</p>
<p>Governor Berriman had a brother in town that week, attending a meeting of
the State Agricultural Society. Hiram Berriman had a large farm in the
southern part of the State. He knew but little of political methods, and
had primitive ideas about honesty. There had always been a strong tie
between the brothers, despite the fact that Hiram was fifteen years the
Governor's senior. They talked of many things that night, and the hour was
growing late. They were about to retire when the Governor remarked, a
little sleepily:</p>
<p>“Well, to-morrow morning I announce the senatorial appointment.”</p>
<p>“You do, eh?” returned the farmer.</p>
<p>“Yes, there's no need of waiting any longer, and it's getting on to the
time the State wants two senators in Washington.”</p>
<p>“Well, I suppose, John,” Hiram said, turning a serious face to his
brother, “that you've thought the matter all over, and are sure you are
right?”</p>
<p>The Governor threw back his head with a scoffing laugh.</p>
<p>“I guess it didn't require much thought on my part,” he answered
carelessly.</p>
<p>“I don't see how you figure that out,” contended Hiram warmly. “You're
Governor of the State, and your own boss, ain't you?”</p>
<p>It was the first time in all his life that anyone had squarely confronted
John Berriman with the question whether or not he was his own boss, and
for some reason it went deep into his soul, and rankled there.</p>
<p>“Now see here, Hiram,” he said at length, “there's no use of your putting
on airs and pretending you don't understand this thing. You know well
enough it was all fixed before I went in.” The other man looked at him in
bewilderment, and the Governor continued brusquely: “The party knew the
Senator was going to die, and so the Governor pulled out and I went in
just so the thing could be done decently when the time came.”</p>
<p>The old farmer was scratching his head.</p>
<p>“That's it, eh? They got wind the Senator was goin' to die, and so the
Governor told that lie about having to go South just so he could step into
the dead man's shoes, eh?”</p>
<p>“That's the situation—if you want to put it that way.”</p>
<p>“And now you're going to appoint the Governor?”</p>
<p>“Of course I am; I couldn't do anything else if I wanted to.”</p>
<p>“Why not?”</p>
<p>“Why, look here, Hiram, haven't you any idea of political obligation? It's
expected of me.”</p>
<p>“Oh, it is, eh? Did you promise to appoint the Governor?”</p>
<p>“Why, I don't know that I exactly made any promises, but that doesn't make
a particle of difference. The understanding was that the Governor was to
pull out and I was to go in and appoint him. It's a matter of honour;” and
Governor Berriman drew himself up with pride.</p>
<p>The farmer turned a troubled face to the fire.</p>
<p>“I suppose, then,” he said finally, “that you all think the Governor is
the best man we have for the United States Senate. I take it that in
appointing him, John, you feel sure he will guard the interests of the
people before everything else, and that the people—I mean the
working people of this State—will always be safe in his hands; do
you?”</p>
<p>“Oh, Lord, no, Hiram!” exclaimed the Governor irritably. “I don't think
that at all!”</p>
<p>Hiram Berriman's brown face warmed to a dull red.</p>
<p>“You don't?” he cried. “You mean to sit there, John Berriman, and tell me
that you don't think the man you're going to put in the United States
Senate will be an honest man? What do you mean by saying you're going to
put a dishonest man in there to make laws for the people, to watch over
them and protect them? If you don't think he's a good man, if you don't
think he's the best man the State has”—the old farmer was pounding
the table heavily with his huge fist—“if you don't think that, in
God's name, <i>why do you appoint him</i>?”</p>
<p>“I wish I could make you understand, Hiram,” said the Governor in an
injured voice, “that it's not for me to say.”</p>
<p>“Why ain't it for you to say? Why ain't it, I want to know? Who's running
you, your own conscience or some gang of men that's trying to steal from
the State? Good God, I wish I had never lived to see the day a brother of
mine put a thief in the United States Senate to bamboozle the honest,
hard-working people of this State!”</p>
<p>“Hold on, please—that's a little too strong!” flamed the Governor.</p>
<p>“It ain't too strong. If a Senator ain't an honest man, he's a thief; and
if he ain't lookin' after the welfare of the people, he's bamboozlin'
them, and that's all there is about it. I don't know much about politics,
but I ain't lived my life without learning a little about right and wrong,
and it's a sorry day we've come to, John Berriman, if right and wrong
don't enter into the makin' of a Senator!”</p>
<p>The Governor could think of no fitting response, so he held his peace.
This seemed to quiet the irate farmer, and he surveyed his brother
intently, and not unkindly.</p>
<p>“You're in a position now, John,” he said, and there was a kind of homely
eloquence in his serious voice, “to be a friend to the people. It ain't
many of us ever get the chance of doin' a great thing. We work along, and
we do the best we can with what comes our way, but most of us don't get
the chance to do a thing that's goin' to help thousands of people, and
that the whole country's goin' to say was a move for the right. You want
to think of that, and when you're thinkin' so much about honour, you don't
want to clean forget about honesty. Don't you stick to any foolish notions
about bein' faithful to the party; it ain't the party that needs helpin'.
No matter how you got where you are, you're Governor of the State right
now, John, and your first duty is to the people of this State, not to Tom
Styles or anybody else. Just you remember that when you're namin' your
Senator in the morning.”</p>
<p>It was long before the Governor retired. He sat there by the fireplace
until after the fire had died down, and he was too absorbed to grow cold.
He thought of many things. Like the man who had preceded him in office, he
wished that some one else was just then encumbered with the gubernatorial
shoes.</p>
<p>The next morning there was a heavy feeling in his head which he thought a
walk in the bracing air might dispel, so he started on foot for the
Statehouse. A light snow was on the ground, and there was something
reassuring in the crispness of the morning. It would make a slave feel
like a free man to drink in such air, he was thinking. Snatches of his
brother's outburst of the night before kept breaking into his
consciousness but curiously enough they did not greatly disturb him. He
concluded that it was wonderful what a walk in the bracing air could do.
From the foot of the hill he looked up at the State-house, for the first
time in his experience seeing and thinking about it—not simply
taking it for granted. There seemed a nobility about it—in the
building itself, and back of that in what it stood for.</p>
<p>As he walked through the corridor to his office he was greeted with
cheerful, respectful salutations. His mood let him give the greetings a
value they did not have and from that rose a sense of having the trust and
goodwill of his fellows.</p>
<p>But upon reaching his desk he found another telegram from Styles. It was
imperatively worded and as he read it the briskness and satisfaction went
from his bearing. He walked to the window and stood there looking down at
the city, and, as it had been in looking ahead at the State-house, he now
looked out over the city really seeing and understanding it, not merely
taking it for granted. He found himself wondering if many of the people in
that city—in that State—looked to their Governor with the
old-fashioned trust his brother had shown. His eyes dimmed; he was
thinking of the satisfaction it would afford his children, if—long
after he had gone—they could tell how a great chance had once come
into their father's life, and how he had proved himself a man.</p>
<p>“Will you sign these now, Governor?” asked a voice behind him.</p>
<p>It was his secretary, a man who knew the affairs of the State well, and
whom every one seemed to respect.</p>
<p>“Mr. Haines,” he said abruptly, “who do you think is the best man we have
for the United States Senate?”</p>
<p>The secretary stepped back, dumfounded; amazed that the question should be
put to him, startled at that strange way of putting it. Then he told
himself he must be discreet. Like many of the people at the State-house,
in his heart Haines was a Boxer.</p>
<p>“Why, I presume,” he ventured, “that the Governor is looked upon as the
logical candidate, isn't he?”</p>
<p>“I'm not talking about logical candidates. I want to know who you think is
the man who would most conscientiously and creditably represent this State
in the Senate of the United States.”</p>
<p>It was so simply spoken that the secretary found himself answering it as
simply. “If you put it that way, Governor, Mr. Huntington is the man, of
course.”</p>
<p>“You think most of the people feel that way?”</p>
<p>“I know they do.”</p>
<p>“You believe if it were a matter of popular vote, Huntington would be the
new Senator?”</p>
<p>“There can be no doubt of that, Governor. I think they all have to admit
that. Huntington is the man the people want.”</p>
<p>“That's all, Mr. Haines. I merely wondered what you thought about it.”</p>
<p>Soon after that Governor Berriman rang for a messenger boy and sent a
telegram. Then he settled quietly down to routine work. It was about
eleven when one of the newspaper men came in.</p>
<p>“Good-morning, Governor,” he said briskly “how's everything to-day?”</p>
<p>“All right, Mr. Markham. I have nothing to tell you to-day, except that
I've made the senatorial appointment.”</p>
<p>“Oh,” laughed the reporter excitedly, “that's all, is it?”</p>
<p>“Yes,” replied the Governor, smiling too; “that's all!”</p>
<p>The reporter looked at the clock. “I'll just catch the noon edition,” he
said, “if I telephone right away.”</p>
<p>He was moving to the other room when the Governor called to him.</p>
<p>“See here, it seems to me you're a strange newspaper man!”</p>
<p>“How so?”</p>
<p>“Why, I tell you I've made a senatorial appointment—a matter of some
slight importance—and you rush off never asking whom I've
appointed.”</p>
<p>The reporter gave a forced laugh. He wished the Governor would not detain
him with a joke now when every second counted.</p>
<p>“That's right,” he said, with strained pleasantness. “Well, who's the
man?”</p>
<p>The Governor raised his head. “Huntington,” he said quietly, and resumed
his work.</p>
<p>“What?” gasped the reporter. “What?”</p>
<p>Then he stopped in embarrassment, as if ashamed of being so easily taken
in. “Guess you're trying to jolly me a little, aren't you, Governor?”</p>
<p>“Jolly you, Mr. Markham? I'm not given to 'jollying' newspaper reporters.
Here's a copy of the telegram I sent this morning, if you are still
sceptical. Really, I don't see why you think it so impossible. Don't you
consider Mr. Huntington a fit man for the place?”</p>
<p>But for the minute the reporter seemed unable to speak. “May I ask,” he
fumbled at last, “why you did it?”</p>
<p>“I had but one motive, Mr. Markham. I thought the matter over and it
seemed to me the people should have the man they wanted. I am with them in
believing Huntington the best man for the place.” He said it simply, and
went quietly back to his work.</p>
<p>For many a long day politicians and papers continued the search for “the
motive.” Styles and his crowd saw it as a simple matter of selling out;
they knew, of course, that it could be nothing else. After their first
rage had subsided, and they saw there was nothing they could do, they
wondered, sneeringly, why he did not “fix up a better story.” That was a
little <i>too</i> simple-minded. Did he think people were fools? And even
the men who profited by the situation puzzled their brains for weeks
trying to understand it. There was something behind it, of course.</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0012" id="link2H_4_0012"> </SPAN></p>
<br/>
<h2> XI. — HIS AMERICA </h2>
<p>He hated to see the reporter go. With the closing of that door it seemed
certain that there was no putting it off any longer.</p>
<p>But even when the man's footsteps were at last sounding on the stairway,
he still clung to him.</p>
<p>“Father,” he asked, fretfully, “why do you always talk to those fellows?”</p>
<p>Herman Beckman turned in his chair and stared at his son. Then he laughed.
“Now, that's a fine question to come from the honour man of a law school!
I hope, Fritz, that your oration to-night is going to have a little more
sense in it than that.”</p>
<p>The calling up of his oration made him reach out another clutching hand to
the vanished reporter. “But it's farcical, father, to be always
interviewed by a paper nobody reads.”</p>
<p>“Nobody—<i>reads</i>?”</p>
<p>“Why, nobody cares anything about the <i>Leader</i>. It's dead.”</p>
<p>Herman Beckman looked at his son sharply; something about him seemed
strange. He decided that he was nervous about the commencement programme.
Fritz had the one oration.</p>
<p>The boy had opened the drawer of his study table and was fingering some
papers he had taken out.</p>
<p>“Sure you know it?” the man asked with affectionate parental anxiety.</p>
<p>“Oh, I know it all right,” Fred answered grimly, and again the father
decided that he was nervous about the thing. He wasn't just like himself.</p>
<p>The man walked to the window and stood looking across at the university
buildings. Colleges had always meant much to Herman Beckman. The very day
Fritz was born he determined that the boy was to go to college. It was
good to witness the fulfilment of his dreams. He turned his glance to the
comfortable room.</p>
<p>“Pretty decent comfortable sort of place, isn't it, father?” Fred asked,
following his father's look and thought from the Morris chair to the
student's lamp, and all those other things which nowadays seem an
inevitable part of the acquirement of learning.</p>
<p>It made his father laugh. “Yes, my boy, I should call it decent—and
comfortable.” He grew thoughtful after that.</p>
<p>“Pretty different from the place you had, father?”</p>
<p>“Oh—me? My place to study was any place I could find. Sometimes on
top of a load of hay, lots of times by the light of the logs. I've studied
in some funny places, Fritz.”</p>
<p>“Well, you <i>got</i> there, father!” the boy burst out with feeling. “By
Jove, there aren't many of them <i>know</i> the things you know!”</p>
<p>“I know enough to know what I don't know,” said the old man, a little
sadly. “I know enough to know what I missed. I wanted to go to college. No
one will ever know how I wanted to! I began to think I'd never feel right
about it. But I have a notion that when I sit there to-night listening to
you, Fritz, knowing that you're speaking for two hundred boys, half of
whose fathers did go to college, I think I'm going to feel better about it
then.”</p>
<p>The boy turned away. Something in the kindly words seemed as the cut of a
whip across his face.</p>
<p>“Well, Fritz,” his father continued, getting into his coat, “I'll be going
downtown. Leave you to put on an extra flourish or two.” He laughed in
proud parental fashion. “Anyway, I have some things to see about.”</p>
<p>The boy stood up. “Father, I have something to tell you.” He said it
shortly and sharply.</p>
<p>The father stood there, puzzled.</p>
<p>“You won't like my oration to-night, father.”</p>
<p>And still the man did not speak. The words would not have bothered him
much—it was the boy's manner.</p>
<p>“In fact, father, you're going to be desperately disappointed in it.”</p>
<p>The dull red was creeping into the man's cheeks. He was one to have little
patience with that thing of not doing one's work. “Why am I going to be
disappointed? This is no time to shirk! You should—”</p>
<p>“Oh, you'll not complain of the time and thought I've put on it,” the boy
broke in with a short, hard laugh. “But, you see, father—you see”—his
armour had slipped from him—“it doesn't express—your views.”</p>
<p>“Did I ever say I wanted you to express 'my views'? Did I bring you up to
be a mouthpiece of mine? Haven't I told you to <i>think</i>?” But with a
long, sharp glance at his boy anger gave way. “Come, boy”—going over
and patting him on the back—“brace up now. You're acting like a
seven-year-old girl afraid to speak her first piece,” and his big laugh
rang out, eager to reassure.</p>
<p>“You won't see it! You won't believe it! I don't suppose you'll believe it
when you hear it!” He turned away, overwhelmed by a sudden realisation of
just how difficult was the thing that lay before him.</p>
<p>The man started toward his son, but instead he walked over and sat down at
the opposite side of the table, waiting. He was beginning to see that
there was something in this which he did not understand.</p>
<p>At last the boy turned to him, fighting back some things, taking on other
things. He gazed at the care-worn, rugged face—face of a worker and
a dreamer, reading in those lines the story of that life, seeing more
clearly than he had ever seen before the beauty and futility of it. Here
was the idealist, the man who would give his whole lifetime to a dream he
had dreamed. He loved his father very tenderly as he looked at him, read
him, then.</p>
<p>“Father,” he asked quietly, “are you satisfied with your life?”</p>
<p>The man simply stared—waiting, seeking his bearings.</p>
<p>“You came to this country when you were nineteen years old—didn't
you, father?” The man nodded. “And now you're—it's sixty-one, isn't
it?”</p>
<p>Again he nodded.</p>
<p>“You've been in America, then, forty-two years. Father, do you think as
much of it now as you did forty-two years ago?”</p>
<p>“I don't know what you mean,” the man said, searching his son's quiet,
passionate face. “I can't make you out, Fritz.”</p>
<p>“My favourite story as a kid,” the boy went on, “was to hear you tell of
how you felt when your boat came sailing into New York Harbour, and you
saw the first outlines of a country you had dreamed about all through your
boyhood, which you had saved pennies for, worked nights for, ever since
you were old enough to know the meaning of America. I mean,” he corrected,
significantly, “the meaning of what you thought was America.</p>
<p>“It's a bully story, father,” he continued, with a smile at once tender
and hard; “the simple German boy, born a dreamer, standing there looking
out at the dim shores of that land he had idealised. If ever a man came to
America bringing it rich gifts, that man was you!”</p>
<p>“Fritz,” his father's voice was rendered harsh by mystification and
foreboding, “tell me what you're talking about. Come to the point. Clear
this up.”</p>
<p>“I'm talking about American politics—your party—having ruined
your life! I'm talking about working like a slave all your days and having
nothing but a mortgaged farm at sixty-one! I'm talking about playing a
losing game! I'm saying, <i>What's the use?</i> Father, I'm telling you
that <i>I'm</i> going to join the other party and make some money!”</p>
<p>The man just sat there, staring.</p>
<p>“Well,” the boy took it up defiantly, “why not?”</p>
<p>And then he moved, laid a not quite steady hand out upon the table. “My
boy, you're not well. You've studied too hard. Now brace yourself up for
to-night, and then we'll go down home and fix you up. What you need,
Fritz,” he said, trying to laugh, “is the hayfield.”</p>
<p>“You're not <i>seeing</i> it!” The boy pushed back his chair and began
moving about the room. “The only way I can brace myself up for to-night is
to get so mad—father, usually you see things so easily! Don't you
understand? It was my chance, my one moment, my time to strike. It will be
years before I get such a hearing again. You see, father, the thing will
be printed, and the men I want to have hear it, the men who <i>own this
State</i>, will be there. One of them is to preside. And the story of it,
the worth of it, to them, is that I'm your son. You see, after all,” he
seized at this wildly, “I'm getting my start on the fact that I'm your
son.”</p>
<p>“Go on,” said the man; the brown of his wind-beaten face had yielded to a
tinge of grey. “Just what is it you are going to say?”</p>
<p>“I call it 'The New America,' a lot of this talk about doing things, the
glory of industrial America, the true Americans the men of constructive
genius, the patriotism of railroad and factory building, a eulogy of
railroad officials and corporation presidents,” he rushed on with a laugh.
“Singing the song of Capital. Father, can't you see <i>why?</i>”</p>
<p>The old man had risen. “Tell me this,” he said. “None of it matters much,
if you just tell me this: You <i>believe</i> these things? You've thought
it all out for yourself—and you <i>feel</i> that way? You're honest,
aren't you, Fritz?” He put that last in a whisper.</p>
<p>The boy made no reply; after a minute the man sank back to his chair. The
years seemed coming to him with the minutes.</p>
<p>Fred was leaning against the wall. “Father,” he said at last, “I hope
you'll let me be a little roundabout. It's only fair to me to let me
ramble on a little. I've got to put it all right before you or—or—You
know, dad,”—he came back to his place by the table, “the first thing
I remember very clearly is those men, your party managers, coming down to
the farm one time and asking you to run for Governor. How many times is it
you've run for Governor, father?” He put the question slowly.</p>
<p>“Five,” said the man heavily.</p>
<p>“I don't know which time this was; but you didn't want to. You were sorry
when you saw them coming. I heard some of the talk. You talked about your
farm, what you wanted to do that summer, how you couldn't afford the time
or the money. They argued that you owed it to the party—they always
got you there; how no other man could hold down majorities as you could—a
man like you giving the best years of his life to holding down majorities!
They said you were the one man against whom no personal attack could be
made. And when there was so much to fight, anyway—oh, I know that
speech by heart! They've made great capital of your honesty and your clean
life. In fact, they've held that up as a curtain behind which a great many
things could go on. Oh, <i>you</i> didn't know about them; you were out in
front of the curtain, but I haven't lived in this town without finding out
that they needed your integrity and your clean record pretty bad!</p>
<p>“That was out on the side porch. Mother had brought out some buttermilk,
and they drank it while they talked. You put up a good fight. Your time
was money to you at that time of year; a man shouldn't neglect his farm—but
you never yet could hold out against that 'needing-you' kind of talk. They
knew there was no chance for your election. You knew it. But it takes a
man of just your grit to put any snap into a hopeless campaign.</p>
<p>“Mother cried when you went to drive them back to town. You see, I
remember all those things. She told about how hard you would work, and how
it would do no good—that the State belonged to the other party. She
talked about the farm, too, and the addition she had wanted for the house,
and how now she wouldn't have it. Mother felt pretty bad that night. She's
gone through a lot of those times.”</p>
<p>There was a silence.</p>
<p>“You were away a lot that summer, and all fall. You looked pretty well
used up when you came home, but you said that you had held down majorities
splendidly.”</p>
<p>Again there was silence. It was the silences that seemed to be saying the
most.</p>
<p>“You had one term in Congress—that's the only thing you ever had.
Then you did so much that they concentrated in your district and saw to it
that you never got back. Julius Caesar couldn't have been elected again,”
he laughed harshly.</p>
<p>“Father,” the boy went on, after a pause, “you asked me if I were honest.
There are two kinds of honesty. The primitive kind—like yours—and
then the kind you develop for yourself. Do I believe the things I'm going
to say to-night? No—not now. But I'll believe them more after I've
heard the applause I'm sure to get. I'll believe them still more after
I've had my first case thrown to me by our railroad friends who own this
State. More and more after I've said them over in campaigning next fall,
and pretty soon I'll be so sure I believe them that I really will believe
them—and that,” he concluded, flippantly, “is the new brand of
American honesty. Why, any smart man can persuade himself he's not a
hypocrite!”</p>
<p>“My <i>God!</i>” it wrenched from the man. “<i>This?</i> If you'd stolen
money—killed a man—but hypocrisy, cant—the very thing
I've fought hardest, hated most! You lived all your life with me to learn
<i>this?</i>”</p>
<p>“I lived all my life with you to learn what pays, and what doesn't. I
lived all my life with you to learn from failure the value of success.”</p>
<p>“I never was sure I was a failure until this hour.”</p>
<p>“Father! Can't you see—”</p>
<p>“Oh, don't <i>talk</i> to me!” cried the old man, rising, reaching out his
fist as though he would strike him. “Son of mine sitting there telling me
he is fixing up a brand of honesty for himself!”</p>
<p>The boy grew quieter as self-restraint left his father. “I mean that—just
that,” he said at last. “Let a man either give or get. If he gives, let it
be to the real thing. There are two Americas. The America of you dreamers—and
then the real America. Yours is an idea—an idea quite as much as an
ideal. I don't think you have the slightest comprehension of how far apart
it is from the real America. The people who dream of it over in Europe are
a great deal nearer it than you people who work for it here. Father, the
spirit of this country flows in a strong, swift, resistless current. You
never got into it at all. Your kind of idealists influence it about as
much—about as much as red lights burned on the banks of the great
river would influence the current of that river. You're not <i>of</i> it.
You came here, throbbing with the love for America; and with your ideal
America you've fought the real, and you've worked and you've believed and
you've sacrificed. Father, <i>what's the use?</i> In this State, anyway,
it's hopeless. It has been so through your lifetime; it will be through
mine.”</p>
<p>The man sat looking at him. He felt that he should say something, but the
words did not come—held back, perhaps, by a sense of their
uselessness. It was not so much what Fred said as it was the look in his
eyes as he said it. There was nothing impetuous or youthful about that
look, nothing to be laughed at or argued away. He had always felt that
Fred had a mind which saw things straight, saw them in their right
relations, and at that moment he had no words to plead for what Fred
called the America of the dreamers.</p>
<p>“I'm of the second generation, dad,” the boy went on, at length, “and the
second generation has an ideal of its own, and that ideal is Success. It
took us these forty years to come to understand the spirit of America. You
were a dreamer who loved America. I'm an American. We've translated
democracy and brotherhood and equality into enterprise and opportunity and
success—and that's getting Americanised. Now, father,” he sought
refuge in the tone of every-day things, “you'll get used to it—won't
you? I don't expect you to feel very good about it, but you aren't going
to be broken up about it—are you? After all, father,” laughing and
moving about as if to break the seriousness of things, “there's nothing
criminal about being one of the other fellows—is there? Just
remember that there <i>are</i> folks who even think it's respectable!” The
father had risen and picked up his hat. “No, Fred,” he said, with a
sadness in which there was great dignity, “there is nothing criminal in it
if a man's conviction sends him that way. But to me there is something—something
too sad for words in a man's selling his own soul.”</p>
<p>“Father! How extravagant! <i>Why</i> is it selling one's soul to sit down
and figure out what's the best thing to do?” He hesitated, hating to add
hurt to hurt, not wanting to say that his father's fight should have been
with the revolutionists, that his life was ineffective because, seeing his
dream from within a dream, his thinking had been muddled. He only said:
“As I say, father, it's a question of giving or getting. I couldn't even
give in your way. And I've seen enough of giving to want a taste of
getting. I want to make things go—and I see my chance. Why father,”
he laughed, trying to turn it, “there's nothing so American as wanting to
make things <i>go</i>.”</p>
<p>He looked at him for a long minute. “My boy,” he said, “I fear you are
becoming so American that I am losing you.”</p>
<p>“Father,” the boy pleaded, affectionately, “now don't—”</p>
<p>The old man held up his hand. “You've tried to make me understand it,” he
said, “and succeeded. You can't complain of the way you've succeeded. I
don't know why I don't argue with you—plead; there are things I
could say—should say, perhaps—but something assures me it
would be useless. I feel a good many years older than I did when I came
into this room, but the reason for it is not that you're joining the other
party. You know what I think of the men who control this State, the men
with whom you desire to cast your lot, but I trust the years I've spent
fighting them haven't made a bigot of me. It's not joining their party—it's
<i>using</i> it—makes this the hardest thing I've been called upon
to meet.”</p>
<p>“Father, don't look like that! How do you think I am going to get up and
speak tonight with <i>that</i> face before me?”</p>
<p>“You didn't think, did you,” the man laughed bitterly, “that I would
inspire you to your effort?”</p>
<p>The boy stood looking at his father, a strange new fire in his eyes.</p>
<p>“Yes,” he said, quietly, tenderly, “you will inspire me. When I get up
before those men tonight I'm going to see the picture of that boy
straining for his first glimpse of New York Harbour. I'm going to think
for just a minute of the things that boy brought with him—things he
has never lost. And then I'll see you as you stand here now—-it will
be enough. What I need to do is to get mad. If I falter I'll just think of
some of those times when you came home from your campaigns—how you
looked—what you said. It will bring the inspiration. Father, I
figure it out like this. We're going to get it back. We're going to get
what's coming to us. There's another America than the America of you
dreamers. To yours you have given; from mine I will get. And the irony of
it—don't think I don't see the irony of it—is that I will be
called the real American. Do you know what I'm going to do? I'm going to
make the railroads of this State—oh, it sounds like schoolboy talk,
but just give me a little time—I'm going to make the railroads of
this State pay off every cent of that mortgage on your farm! Father,” he
finished, impetuously, in a last appeal, “you're broken up now,
disappointed, but would you honestly want me to travel the road you've
traveled?”</p>
<p>“My boy,” answered the old man, and the tears came with it, “I wanted you
to travel the road of an honest man.”</p>
<p>Herman Beckman did not go to the commencement exercises that night. There
was no train home until morning, so he had the night to spend in town. He
was alone, for his friends assumed that he would be out at the university.
But he preferred being alone.</p>
<p>He sat in his room at the hotel, reading. And he could read. Years of
discipline stood him in good stead now. His life had taught him to read
anywhere, at any time. He had never permitted himself the luxury of not
being “in the mood.” It was only the men who had gone to college who could
do that. He <i>had</i> to read. He always carried some little book with
him, for how did a man know that he might not have to wait an hour for a
train somewhere? The man had a simple-minded veneration for knowledge. He
wanted to know about things. And he had never learned to pretend that he
didn't want to know. He quite lacked the modern art of flippancy. He
believed in great books.</p>
<p>And so on the night that his son was being graduated from college he sat
in his room at the hotel—cheap room in a mediocre hotel; he had
never learned to feel at home in the rich ones—reading Marcus
Aurelius. But his hand as he turned the pages trembled as the hand of a
very old man. At midnight some reporters came in to ask him what he
thought of his son's oration. They wanted a statement from him.</p>
<p>He told them that he had never believed the sins of a parent should be
visited on a child, and that it was even so with the thought. He had
always contended that a man should do his own thinking. The contention
applied to his son.</p>
<p>“Gamey old brute!” was what one of the reporters said in the elevator.</p>
<p>He could not read Marcus Aurelius after that. He went to bed, but he did
not sleep. Many things passed before him. His anticipations, his dreams
for Fritz, had brought the warmest pleasure of his stern, unrelaxing life.
There was a great emptiness tonight. What was a man to turn to, think
about, when he seemed stripped, not only of the future, but of the past?
He seemed called upon to readjust the whole of his life, giving up that
which he had held dearest. What was left? Daylight found him turning it
over and over.</p>
<p>In the morning he went home. He got away without seeing any of his
friends.</p>
<p>He did not try to read this morning; somehow it seemed there was no use in
trying to read any more. He watched the country through which they were
passing, thinking of the hundreds of times he had ridden over it in
campaigning. He wondered, vaguely, just how much money he had spent on
railroad fare—he had never accepted mileage. Fred's “What's the
use?” kept ringing in his ears. There was something about that phrase
which made one feel very tired and old. It even seemed there was no use
looking out to see how the crops were getting on. <i>What's the use?
What's the use?</i> Was that a phrase one learned in college?</p>
<p>There had been two things to tell “mother” that night. The first was that
he had stopped in town and told Claus Hansen he could have that south
hundred and sixty he had been wanting for two years.</p>
<p>It was not easy to tell the woman who had worked shoulder to shoulder with
him for thirty years, the woman who during those years had risen with him
in the early morning and worked with him until darkness rescued the weary
bodies, that in their old age they must surrender the fruit of their toil.
They would have left just what they had started with. They had just held
their own.</p>
<p>Coming down on the train he had made up his mind that if Hansen were in
town he would tell him that he could have the land. He felt so very tired
and old, so bowed down with Fred's “What's the use?” that he saw that he
himself would never get the mortgage paid off. And Fred had said something
about making the railroads pay it. He did not know just how the boy
figured that out—indeed, he was getting a little dazed about the
whole thing—but if Fritz had any idea of having the railroads pay
off the mortgage on <i>his</i> farm—he couldn't forget how the boy
looked when he said it, face white, eyes burning—he would see to it
right now that there was no chance of that.</p>
<p>He tried not to look at the land as he drove past it on the way home. He
wondered just how much campaign literature it had paid for. He wondered if
he would ever get used to seeing Claus Hansen putting up his hay over
there in that field.</p>
<p>He had felt so badly about telling mother that he told it very bluntly.
And because he felt so sorry for her he said not one kind word, but just
sat quiet, looking the other way.</p>
<p>She was clearing off the table. He heard her scraping out the potato dish
with great care. Then she was coming over to him. She came awkwardly,
hesitatingly—her life had not schooled her in meeting emotional
moments beautifully—but she laid her hand upon him, patted him on
the shoulder as one would a child. “Never mind, papa—never you mind.
It will make it easier for us. There's enough left—and it will make
it easier. We're getting on—we're—” There she broke off
abruptly into a vigorous scolding of the dog, who was lifting covetous
nostrils to a piece of meat.</p>
<p>That was all. And there was no woman in the country had worked harder. And
Martha was ambitious; she liked land, and she did not like Claus Hansen's
wife.</p>
<p>Yes, he had had a good wife.</p>
<p>Then there was that other thing to tell her—about Fritz. That was
harder.</p>
<p>Mother had not gone up to the city to hear Fritz “speak” because her feet
were bothering her, and she could not wear her shoes. He had had a vague
idea of how disappointed she was, though she had said very little about
it. Martha never had been one to say much about things. When he came back,
of course she had wanted to know all about it, and he had put her off. Now
he had to tell her.</p>
<p>It was much harder; and in the telling of it he broke down.</p>
<p>This time she did not come over and pat his shoulder. Perhaps Martha knew—likely
she had never heard the word intuition, but, anyway, she knew—that
it was beyond that.</p>
<p>It seemed difficult for her to comprehend. She was bewildered to find that
Fritz could change parties all in a minute. She seemed to grasp, first of
all, that it was disrespectful to his father. Some boys at school had been
putting notions into his head.</p>
<p>But gradually she began to see it. Fritz wanted to make money. Fritz
wanted to have it easier. And the other people did “have it easier.”</p>
<p>It divided her feeling: sorry and indignant for the father, secretly glad
and relieved for the boy. “He will have it easier than we had it, papa,”
she said at the last. “But it was not right of Fritz,” she concluded,
vaguely but severely.</p>
<p>As she washed the dishes Martha was thinking that likely Fritz's wife
would have a hired girl.</p>
<p>Then Martha went up to bed. He said that he would come in a few minutes,
but many minutes went by while he sat out on the side porch trying to
think it out.</p>
<p>The moon was shining brightly down on that hundred and sixty which Claus
Hansen was to have. And the moon, too, seemed to be saying: “What's the
use?”</p>
<p>Well, what <i>was</i> the use? Perhaps, after all, the boy was right. What
had it all amounted to? What was there left? What had he done?</p>
<p>Two Americas, Fred had said, and his but the America of the dreamers. He
had always thought that he was fighting for the real. And now Fred said
that he had never become an American at all.</p>
<p>From the time he was twelve years old he had wanted to be an American. A
queer old man back in the German village—an old man, he recalled
strangely now, who had never been in America—told him about it. He
told how all men were brothers in America, how the poor and the rich loved
each other—indeed, how there were no poor and rich at all, but the
same chance for every man who would work. He told about the marvellous
resources of that distant America—gold in the earth, which men were
free to go and get, hundreds upon hundreds of miles of untouched forests
and great rivers—all for men to use, great cities no older than the
men who were in them, which men at that present moment were <i>making</i>—every
man his equal chance. He told of rich land which a man could have for
nothing, which would be <i>his</i>, if he would but go and work upon it.
In the heart of the little German boy there was kindled then a fire which
the years had never put out. His cheeks grew red, his eyes bright and very
deep as he listened to the story. He went home that night and dreamed of
going to America. And through the years of his boyhood, penny by penny, he
saved his money for America. It was his dream. It was the passion of his
life. More plainly than the events of yesterday, he remembered his first
glimpse of those wonderful shores—the lump in his throat, the
passionate excitement, the uplift. Leaning over the railing of his boat,
staring, searching, penetrating, worshipping, he lifted up his heart and
sent out his pledge of allegiance to the new land. How he would love
America, work for it, be true to it!</p>
<p>He had three dollars and sixty cents in his pocket when he stepped upon
American soil. He wondered if any man had ever felt richer. For had he not
reached the land where there was an equal chance for every man who would
work, where men loved each other as brothers, and where the earth itself
was so rich and so gracious in its offerings?</p>
<p>The old man crossed one leg over the other—slowly, stiffly. It made
him tired and stiff now just to think of the work he had done between that
day and this.</p>
<p>But there was something which he had always had—that something was
<i>his</i> America. That had never wavered, though he soon learned that
between it and realities were many things which were wrong and
unfortunate. With the whole force and passion of his nature, with all his
single mindedness—would some call it simple mindedness?—he
threw himself into the fight against those things which were blurring
men's vision of his America. No work, no sacrifice was too great, for
America had enemies who called themselves friends, men who were striking
heavy blows at that equal chance for every man. When he failed, it was
because he did not know enough; he must work, he must study, he must
think, in order to make more real to other men the America which was in
his heart. He must fight for it because it was his.</p>
<p>And now it seemed that the end had come; he was old, he was tired, he was
not sure. Claus Hansen would have his land and his son would join hands
with the things which he had spent his life in fighting. And far deeper
and sadder and more bitter than that, he had not transmitted the America
of his heart even to his own son. He was not leaving someone to fight for
it in his stead, to win where he had failed. Fred saw in it but a place
for gain. “I lived all my life with you to learn from failure the value of
success.” That was what he had given to his boy. Yes, that was what he had
bequeathed to America. Could the failure, the futility of his life be more
clearly revealed?</p>
<p>Twice Martha had called to him, but still he sat, smoking, thinking. There
was much to think about to-night.</p>
<p>Finally, it was not thought, but visions. Too tired for conscious
thinking, he gave himself up to what came—Fred's America, his
America, the America of the dreamers—and the things which stood
between. The America of the future—-what would that America be?</p>
<p>At the last, taking form from many things which came and went, shaping
itself slowly, form giving place to new form, he seemed to see it grow.
Out beyond that land Claus Hansen was to have, a long way off, there rose
the vision of the America of the future—an America of realities, and
yet an America of dreams; for the dreamers had become the realists—-or
was it that the realists had become dreamers? In the manifold forms taken
on and cast aside destroying dualism had made way for the strength and the
dignity and harmony of unity. He watched it as breathlessly, as
yearningly, as the nineteen-year-old boy had watched the other America
taking shape in the distance some forty years before. “How did you come?”
he whispered. “What are you?”</p>
<p>And the voice of that real America seemed to answer: “I came because for a
long-enough time there were enough men who held me in their hearts. I came
because there were men who never gave me up. I was won by men who believed
that they had failed.”</p>
<p>Again there was a lump in his throat—once more an exultation flooded
all his being. For to the old man—tired, stiff, smitten though he
had been, there came again that same uplift which long before had come to
the boy. Was there not here an answer to “What's the use?” For he would
leave America as he came to it—loving it, believing in it. What were
the work and the failure of a lifetime when there was something in his
heart which was his? Should he say that he had fought in vain when he had
kept it for himself? It was as real, as wonderful—yes as inevitable,
as it had been forty years before. Realities had taken his land, his
career, his hopes for the boy. But realities had not stripped him of his
dream. The futility of the years could not harm the things which were in
his heart. Even in America he had not lost His America.</p>
<p>“Perhaps it is then that it is like that,” he murmured, his vision
carrying him back to the days of his broken English. “Perhaps it is that
every man's America is in the inside of his own heart. Perhaps it is that
it will come when it has grown big—big and very strong—in the
hearts.”</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0013" id="link2H_4_0013"> </SPAN></p>
<br/>
<h2> XII. — THE ANARCHIST: HIS DOG </h2>
<p>Stubby had a route, and that was how he happened to get a dog. For the
benefit of those who have never carried papers it should be thrown in that
having a route means getting up just when there is really some fun in
sleeping, lining up at the <i>Leader</i> office—maybe having a scrap
with the fellow who says you took his place in the line—getting your
papers all damp from the press and starting for the outskirts of the city.
Then you double up the paper in the way that will cause all possible
difficulty in undoubling and hurl it with what force you have against the
front door. It is good to have a route, for you at least earn your salt,
so your father can't say <i>that</i> any more. If he does, you know it
isn't so.</p>
<p>When you have a route, you whistle. All the fellows whistle. They may not
feel like it, but it is the custom—as could be sworn to by many
sleepy citizens. And as time goes on you succeed in acquiring the easy
manner of a brigand.</p>
<p>Stubby was little and everything about him seemed sawed off just a second
too soon,—his nose, his fingers, and most of all, his hair. His head
was a faithful replica of a chestnut burr. His hair did not lie down and
take things easy. It stood up—and out!—gentle ladies couldn't
possibly have let their hands sink into it—as we are told they do—for
the hands just wouldn't sink. They'd have to float.</p>
<p>And alas, gentle ladies didn't particularly want their hands to sink into
it. There was not that about Stubby's short person to cause the hands of
gentle ladies to move instinctively to his head. Stubby bristled. That is,
he appeared to bristle. Inwardly, Stubby yearned, though he would have
swung into his very best brigand manner on the spot were you to suggest so
offensive a thing. Just to look at Stubby you'd never in a thousand years
guess what a funny feeling he had sometimes when he got to the top of the
hill where his route began and could see a long way down the river and the
town curled in on the other side. Sometimes when the morning sun was
shining through a mist—making things awful queer—some of the
mist got into Stubby's squinty little eyes. After the mist behaved that
way he always whistled so rakishly and threw his papers with such
abandonment that people turned over in their beds and muttered things
about having that little heathen of a paper boy shot.</p>
<p>All along the route are dogs. Indeed, routes are distinguished by their
dogs. Mean routes are those that have terraces and mean dogs; good routes—where
the houses are close together and the dogs run out and wag their tails.
Though Stubby's greater difficulty came through the wagging tails; he
carried in a collie neighbourhood, and all collies seemed consumed with
mighty ambitions to have routes. If you spoke to them—and how could
you <i>help</i> speaking to a collie when he came bounding out to you that
way?—you had an awful time chasing him back, and when he got lost—and
it seemed collies spent most of their time getting lost—the woman
would put her head out next morning and want to know if you had coaxed her
dog away.</p>
<p>Some of the fellows had dogs that went with them on their routes. One day
one of them asked Stubby why he didn't have a dog and he replied in surly
fashion that he didn't have one 'cause he didn't want one. If he wanted
one, he guessed he'd have one.</p>
<p>And there was no one within ear-shot old enough or wise enough—or
tender enough?—to know from the meanness of Stubby's tone, and by
his evil scowl, that his heart was just breaking to own a dog.</p>
<p>One day a new dog appeared along the route. He was yellow and looked like
a cheap edition of a bull-dog. He was that kind of dog most accurately
described by saying it is hard to describe him, the kind you say is just
dog—and everybody knows.</p>
<p>He tried to follow Stubby; not in the trusting, bounding manner of the
collies—not happily, but hopingly. Stubby, true to the ethics of his
profession, chased him back where he had come from. That there might be
nothing whatever on his conscience, he even threw a stone after him.
Stubby was an expert in throwing things at dogs. He could seem to just
miss them and yet never hit them.</p>
<p>The next day it happened again; but just as he had a clod poised for
throwing, a window went up and a woman called: “For pity <i>sake</i>,
little boy, don't chase him back <i>here</i>.”</p>
<p>“Why—why, ain't he yours?” called Stubby.</p>
<p>“Mercy, <i>no</i>. We can't chase him away.”</p>
<p>“Who's is he?” demanded Stubby.</p>
<p>“Why, he's nobody's! He just hangs around. I wish you'd coax him away.”</p>
<p>Well, that was a <i>new</i> one! And then all in a heap it rushed over
Stubby that this dog who was nobody's dog could, if he coaxed him away—and
the woman <i>wanted</i> him coaxed away—be his dog.</p>
<p>And because that idea had such a strange effect on him he sang out, in
off-hand fashion: “Oh, all right, I'll take him away and drown him for
you!</p>
<p>“Oh, little <i>boy</i>,” called the woman, “why, don't <i>drown</i> him!”</p>
<p>“Oh, all right, I'll shoot him then!” called obliging Stubby, whistling
for the dog—while all morning long the woman grieved over having
sent a helpless little dog away with that perfectly <i>brutal</i> paper
boy!</p>
<p>Stubby's mother was washing. She looked up from her tubs on the back porch
to say, “Wish you'd take that bucket—” then seeing what was slinking
behind her son, straightway assumed the role of destiny with, “Git out o'
here!”</p>
<p>Stubby snapped his fingers behind his back as much as to say, “Wait a
minute.”</p>
<p>“A woman gave him to me,” he said to his mother.</p>
<p>“<i>Gave</i> him to you?” she scoffed. “I sh' think she would!”</p>
<p>Then something happened that had not happened many times in Stubby's short
lifetime. He acknowledged his feelings.</p>
<p>“I'd like to keep him. I'd like to have a dog.”</p>
<p>His mother shook her hands and the flying suds seemed expressing her
scorn. “Huh! <i>That</i> ugly good-for-nothing thing?”</p>
<p>The dog had edged in between Stubby's feet and crouched there. “He could
go with me on my route,” said Stubby. “He'd kind of be company for me.”</p>
<p>And when he had said that he knew all at once just how lonesome he had
been sometimes on his route, how he had wanted something to “kind of be
company” for him.</p>
<p>His face twitched as he stooped down to pat the dog. Mrs. Lynch looked at
her son—youngest of her five. Not the hardness of her heart but the
hardness of her life had made her unpractised in moments of tenderness.
Something in the way Stubby was patting the dog suggested to her that
Stubby was a “queer one.” He <i>was</i> kind of little to be carrying
papers all by himself.</p>
<p>Stubby looked up. “He could eat what's thrown away.”</p>
<p>That was an error in diplomacy. The woman's face hardened. “Mighty
little'll be thrown away <i>this</i> winter,” she muttered.</p>
<p>But just then Mrs. Johnson appeared on the other side of the fence and
began hanging up her clothes and with that Mrs. Lynch saw her way to
justify herself in indulging her son. Mrs. Johnson and Mrs. Lynch had “had
words.” “You just let him stay around, Stubby,” she called, and you would
have supposed from her tone it was Stubby who was on the other side of the
fence, “maybe he'll keep the neighbour's chickens out! Them that ain't got
chickens o' their own don't want to be bothered with the neighbours'!”</p>
<p>That was how it happened that he stayed; and no one but Stubby knew—and
possibly Stubby didn't either—how it happened that he was named
Hero. It would seem that Hero should be a noble St. Bernard, or a
particularly mean-looking bulldog, not a stocky, shapeless, squint-eyed
yellow dog with one ear bitten half off and one leg built on an entirely
different plan from its fellow legs. Possibly Stubby's own spiritual
experiences had suggested to him that you weren't necessarily the way you
looked.</p>
<p>The chickens were pretty well kept out, though no one ever saw Hero doing
any of it. Perhaps Hero had been too long associated with chasing to
desire any part in it—even with roles reversed. If Stubby could help
it, no one really saw Stubby doing the chasing either; he became skilled
in chasing when he did not appear to be chasing; then he would get Hero to
barking and turn to his mother with, “Guess you don't see so many chickens
round nowadays.”</p>
<p>The fellows in the line jeered at Hero at first, but they soon tired of it
when Stubby said he didn't want the cur but his mother made him stay
around to keep the chickens out. He was a fine chicken dog, Stubby
grudgingly admitted. He couldn't keep him from following, said Stubby, so
he just let him come. Sometimes when they were waiting in line Stubby made
ferocious threats at Hero. He was going to break his back and wring his
head off and do other heartless things which for some reason he never
started in right then and there to accomplish.</p>
<p>It was different when they were alone—and they were alone a good
deal. Stubby's route wasn't nearly so long after he had Hero to go with
him. When winter came and five o'clock was dark and cold for starting out
it was pretty good to have Hero trotting at his heels. And Hero always
wanted to go; it was never so rainy nor so cold that that yellow dog
seemed to think he would rather stay home by the fire. Then Hero was
always waiting for him when he came home from school. Stubby would sing
out, “Hello, cur!” and the tone was such that Hero did not grasp that he
was being insulted. Sometimes when there was nobody about, Stubby picked
Hero up in his arms and squeezed him—Stubby had not had a large
experience with squeezing. At those times Hero would lick Stubby's face
and whimper a little love whimper and such were the workings of Stubby's
heart and mind that that made him of quite as much account as if he really
had chased the chickens. Stubby, who had seen the way dogs can look at you
out of their eyes, was not one to say of a dog, “What good is he?”</p>
<p>But it seemed there were such people. There were even people who thought
you oughtn't to have a dog to love and to love you if you weren't one of
those rich people who could pay two dollars and a half a year for the
luxury.</p>
<p>Stubby first heard of those people one night in June. The father of the
Lynch family was sitting in the back yard reading the paper when Hero and
Stubby came running in from the alley. It was one of those moments when
Hero, forgetting the bleakness of his youth, abandoned himself to the joy
of living. He was tearing round and round Stubby, barking, when Stubby's
father called out: “Here!—shut up there, you cur. You better lie
low. You're going to be shot the first of August.”</p>
<p>Stubby, and as regards the joy of living Hero had done as much for Stubby
as Stubby for Hero, came to a halt. The fun and frolic just died right out
of him and he stood there staring at his father, who had turned the page
and was settling himself to a new horror. At last Stubby spoke. “Why's he
going to be shot on the first of August?” he asked in a tight little
voice.</p>
<p>His father looked up. “Why's he going to be shot? You got any two dollars
and a half to pay for him?”</p>
<p>He laughed as though that were a joke. Well, it was something of a joke.
Stubby got ten cents a week out of his paper money. The rest he “turned
in.”</p>
<p>Then he went back to his paper. There was another long pause before Stubby
asked, in that tight queer little voice: “What'd I have to pay two dollars
and a half for? Nobody owns him.”</p>
<p>His parent stirred scornfully. “Suppose you never heard of a dog tax, did
you? S'pose they don't learn you nothing like that at school?”</p>
<p>Yes, Stubby did know that dogs had to have checks, but he hadn't thought
anything about that in connection with Hero. He ventured another question.
“You have to have 'em for all dogs, even if you just picked 'em up on the
street and took care of 'em when nobody else would?”</p>
<p>“You bet you do,” his parent assured him genially. “You pay your dog tax
or the policeman comes on the first of August and shoots your dog.”</p>
<p>With that he dismissed it for good, burying himself in his paper. For a
minute the boy stood there in silence. Then he walked slowly round the
house and sat down where his father couldn't see him. Hero followed—it
was a way Hero had. The dog sat down beside the boy and after a couple of
minutes the boy's arm stole furtively around him and they sat there very
still for a long time.</p>
<p>As nobody but Hero paid much attention to him, nobody save Hero noticed
how quiet and queer Stubby was for the next three days. Hero must have
noticed it, for he was quiet and queer too. He followed wherever Stubby
would let him, and every time he got a chance he would nestle up to him
and look into his face—that way even cur dogs have of doing when
they fear something is wrong.</p>
<p>At the end of three days Stubby, his little freckled face set and grim,
took his stand in front of his father and came right out with: “I want to
keep one week's paper money to pay Hero's tax.”</p>
<p>His father's chair had been tilted back against a tree. Now it came down
with a thud. “Oh, you <i>do</i>, do you?”</p>
<p>“I can earn the other fifty cents at little jobs.”</p>
<p>“You <i>can</i>, can you? Now ain't you smart!”</p>
<p>The tone brought the blood to Stubby's face. “I think I got a right to,”
he said, his voice low.</p>
<p>The man's face, which had been taunting, grew ugly. “Look a-here, young
man, none o' your lip!”</p>
<p>The tears rushed to Stubby's eyes but he stumbled on: “I guess Hero's got
a right to some of my paper money when he goes with me every day on my
route.”</p>
<p>At that his father stared for a minute and then burst into a loud laugh.
Blinded with tears, the boy turned to the house.</p>
<p>After she had gone to bed that night Stubby's mother heard a sound from
the alcove at the head of the stairs where her youngest child slept. As
the sound kept on she got out of her bed and went to Stubby's cot.</p>
<p>“Look here,” she said, awkwardly but not unkindly, “this won't do. We're
poor folks, Freddie” (it was only once in a while she called him that),
“all we can do to live these times—we can't pay no dog tax.”</p>
<p>As Stubby did not speak she added: “I know you've taken to the dog, but
just the same you ain't to feel hard to your pa. He can't help it—and
neither can I. Things is as they is—and nobody can help it.”</p>
<p>As, despite this bit of philosophy Stubby was still gulping back sobs, she
added what she thought a master stroke in consolation. “Now you just go
right to sleep, and if they come to take this dog away maybe you can pick
up another one in the fall.”</p>
<p>The sobs suddenly stopped and Stubby stared at her. And what he said after
a long stare was: “I guess there ain't no use in you and me talking about
it.”</p>
<p>“That's right,” said she, relieved; “now you go right off to sleep.” And
she left him, never dreaming why Stubby had seen there was no use talking
about it.</p>
<p>Nor did he talk about it; but a change came over Stubby's funny little
person in the next few days. The change was particularly concerned with
his jaw, though there was something different, too, in the light in his
eyes as he looked straight ahead, and something different in his voice
when he said: “Come on, Hero.”</p>
<p>He got so he could walk into a store and demand, in a hard little voice:
“Want a boy to do anything for you?” and when they said, “Got more boys
than we know what to do with, sonny,” Stubby would say, “All right,” and
stalk sturdily out again. Sometimes they laughed and said: “What could <i>you</i>
do?” and then Stubby would stalk out, but possibly a little less sturdily.</p>
<p>Vacation came the next week, and still he had found nothing. His father,
however, had been more successful. He found a place where they wanted a
boy to work in a yard a couple of hours in the morning. For that Stubby
was to get a dollar and a half a week. But that was to be turned in for
his “keep.” There were lots of mouths to feed—as Stubby's mother was
always calling to her neighbour across the alley.</p>
<p>But the yard gave Stubby an idea, and he earned some dimes and one quarter
in the next week. Most folks thought he was too little—one kind lady
told him he ought to be playing, not working—but there were people
who would let him take a big shears and cut grass around flower beds, and
things like that. This he had to do afternoons, when he was supposed to be
off playing, and when he came home his mother sometimes said some folks
had it easy—playing around all day.</p>
<p>It was now the first week in July and Stubby had a dollar and twenty
cents. It was getting to the point where he would wake in the night and
find himself sitting up in bed, hands clenched. He dreamed dreams about
how folks would let him live if he had ninety-nine cents but how he only
had ninety-seven and a half, so they were going to shoot him.</p>
<p>Then one day he found Mr. Stuart. He was passing the house after having
asked three people if they wanted a boy, and they didn't, and seemed so
surprised at the idea of their wanting him that Stubby's throat was all
tight, when Mr. Stuart sang out: “Say, boy, want a little job?”</p>
<p>It seemed at first it must be a joke—or a dream—anybody asking
him if he <i>wanted</i> one, but the man was beckoning to him, so he
pulled himself together and ran up the steps.</p>
<p>“Now here's a little package”—he took something out of the mail box.
“It doesn't belong here. It's to go to three-hundred-two Pleasant street.
You take it for a dime?”</p>
<p>Stubby nodded.</p>
<p>As he was going down the steps the man called: “Say, boy, how'd you like a
steady job?”</p>
<p>For the first minute it seemed pretty mean—making fun of a fellow
that way!</p>
<p>“This will be here every day. Suppose you come each day, about this time,
and take it over there—not mentioning it to anybody.”</p>
<p>Stubby felt weak. “Why, all right,” he managed to say.</p>
<p>“I'll give you fifty cents a week. That fair?”</p>
<p>“Yes, sir,” said Stubby, doing some quick calculation.</p>
<p>“Then here goes for the first week”—and he handed him the other
forty cents.</p>
<p>It was funny how fast the world could change! Stubby wanted to run—he
hadn't been doing much running of late. He wanted to go home and get Hero
to go with him to Pleasant street, but didn't. No, <i>sir</i>, when you
had a job you had to 'tend to things!</p>
<p>Well, a person could do things, if he had to, thought Stubby. No use
saying you couldn't, you <i>could</i>, if you had to. He was back in tune
with life. He whistled; he turned up his collar in the old rakish way; he
threw a stick at a cat. Back home he jumped over the fence instead of
going in the gate—lately he had actually been using the gate. And he
cried, “Get out of my sight, you cur!” in tones which, as Hero understood
things, meant anything but getting out of his sight.</p>
<p>He was a little boy again. He slept at night as little boys sleep. He
played with Hero along the route—taught him some new tricks. His jaw
relaxed from its grown-upishness.</p>
<p>It was funny about those Stuarts. Sometimes he saw Mr. Stuart, but never
anybody else; the place seemed shut up. But each day the little package
was there, and every day he took it to Pleasant street and left it at the
door there—that place seemed shut up, too.</p>
<p>When it was well into the second week Stubby ventured to say something
about the next fifty cents.</p>
<p>The man fumbled in his pockets. Something in his face was familiar to
experienced Stubby. It suggested a having to have two dollars and a half
by August first and only having a dollar and a quarter state of mind.</p>
<p>“I haven't got the change. Pay you at the end of next week for the whole
business. That all right?”</p>
<p>Stubby considered. “I've got to have it before the first of August,” he
said.</p>
<p>At that the man laughed—funny kind of laugh, it was, and muttered
something. But he told Stubby he would have it before the first.</p>
<p>It bothered Stubby. He wished the man had given it to him <i>then</i>. He
would rather get it each week and keep it himself. A little of the
grown-up look stole back.</p>
<p>After that he didn't see Mr. Stuart, and one day, a week or so later, the
package was not in the box and a man who wore the kind of clothes Stubby's
father wore came around the house and asked him what he was doing.</p>
<p>Stubby was wary. “Oh, I've got a little job I do for Mr. Stuart.”</p>
<p>The man laughed. “I had a little job I did for Mr. Stuart, too. You paid
in advance?”</p>
<p>Stubby pricked up his ears.</p>
<p>“'Cause if you ain't, I'd advise you to look out for a little job
some'eres else.”</p>
<p>Then it came out. Mr. Stuart was broke; more than that, he was “off his
nut.” Lots of people were doing little jobs for him—there was no
sense in any of them, and now he had suddenly been called out of town!</p>
<p>There was a trembly feeling through Stubby's insides, but outwardly he was
bristling just like his hair bristled as he demanded: “Where am I to get
what's coming to me?”</p>
<p>“'Fraid you won't get it, sonny. We're all in the same boat.” He looked
Stubby up and down and then added: “Kind of little for that boat.”</p>
<p>“I <i>got</i> to have it!” cried Stubby. “I tell you, I <i>got</i> to!”</p>
<p>The man shook his head. “<i>That</i> cuts no ice. Hard luck, sonny, but
we've got to take our medicine in this world. 'Taint no medicine for kids,
though,” he muttered.</p>
<p>Stubby's face just then was too much for him. He put his hand in his
pocket and drew out a dime, saying: “There now. You run along and get you
a soda and forget your troubles. It ain't always like this. You'll have
better luck next time.”</p>
<p>But Stubby did not get the soda. He put the dime in his pocket and turned
toward home. Something was the matter with his legs—they acted funny
about carrying him. He tried to whistle, but something was the matter with
his lips, too.</p>
<p>Counting this dime, he now had a dollar and eighty cents, and it was the
twenty-eighth day of July. “Thirty days has September—April, June
and November—” he was saying to himself. Then July was one of the
long ones. Well, <i>that</i> was a good thing! Been a great deal worse if
July was a short one. Again he tried to whistle, and that time did manage
to pipe out a few shrill little notes.</p>
<p>When Hero came running up the hill to meet him he slapped him on the back
and cried, “Hello, Hero!” in tones fairly swaggering with bravado.</p>
<p>That night he engaged his father in conversation—the phrase is well
adapted to the way Stubby went about it. “How is it about—'bout
things like taxes”—Stubby crossed his knees and swung one foot to
show his indifference—“if you have <i>almost</i> enough—do
they sometimes let you off?”—the detachment was a shade less perfect
on that last.</p>
<p>His father laughed scoffingly. “Well, I guess <i>not!</i>”</p>
<p>“I thought maybe,” said Stubby, “if a person had <i>tried</i> awful hard—and
had <i>most</i> enough—”</p>
<p>Something inside him was all shaky, so he didn't go on. His father said
that <i>trying</i> didn't have anything to do with it.</p>
<p>It was hard for Stubby not to sob out that he thought trying <i>ought</i>
to have something to do with it, but he only made a hissing noise between
his teeth that took the place of the whistle that wouldn't come.</p>
<p>“Kind of seems,” he resumed, “if a person would have had enough if they
hadn't been beat out of it, maybe—if he done the best he could—”</p>
<p>His father snorted derisively and informed him that doing the best you
could made no difference to the government; hard luck stories didn't go
when it came to the laws of the land.</p>
<p>Thereupon Stubby took a little walk out to the alley and spent a
considerable time in contemplation of the neighbour's chicken-yard. When
he came back he walked right up to his father and standing there, feet
planted, shoulders squared, wanted to know, in a desperate little voice:
“If some one else was to give—say a dollar and eighty cents for
Hero, could I take the other seventy out of my paper money?”</p>
<p>The man turned upon him roughly. “Uh-<i>huh</i>! <i>That's</i> it, is it?
<i>That's</i> why you're getting so smart all of a sudden about
government! Look a-here. Just l'me tell you something. You're lucky if you
git enough to <i>eat</i> this winter. Do you know there's talk of the
factory shuttin' down? <i>Dog</i> tax! Why you're lucky if you git <i>shoes</i>.”</p>
<p>Stubby had turned away and was standing with his back to his father, hands
in his pockets.</p>
<p>“And l'me tell you some'en else, young man. If you got any dollar and
eighty cents, you give it to your mother!”</p>
<p>As Stubby was turning the corner of the house he called after him: “How'd
you like to have me get you an automobile?”</p>
<p>He went doggedly from house to house the next afternoon, but nobody had
any jobs. When Hero came running out to him that night he patted him, but
didn't speak.</p>
<p>That evening as they were sitting in the back yard—Stubby and Hero a
little apart from the others—his father was discoursing with his
brother about anarchists. They were getting commoner, his father thought.
There were a good many of them at the shop. They didn't call themselves
that, but that was what they were.</p>
<p>“Well, what is an anarchist, anyhow?” Stubby's mother wanted to know.</p>
<p>“Why, an anarchist,” her lord informed her, “is one that's against the
government. He don't believe in the law and order. The real bad anarchists
shoot them that tries to enforce the laws of the land. Guess if you'd read
the papers these days you'd know.”</p>
<p>Stubby's brain had been going round and round and these words caught in it
as it whirled. The government—the laws of the land—why, it was
the government and the laws of the land that were going to shoot Hero! It
was the government—the laws of the land—that didn't care how
hard you had <i>tried</i>—didn't care whether you had been cheated—didn't
care how you <i>felt</i>—didn't care about anything except getting
the money! His brain got hotter. Well, <i>he</i> didn't believe in the
government, either. He was one of those people—those anarchists—that
were against the laws of the land.</p>
<p>He'd done the very best he could and now the government was going to take
Hero away from him just because he couldn't get—<i>couldn't</i> get—that
other seventy cents.</p>
<p>Stubby's mother didn't hear her son crying that night. That was because
Stubby was successful in holding the pillow over his head.</p>
<p>The next morning he looked in one of the papers he was carrying to see
what it said about anarchists. Sure enough, some place way off somewhere,
the anarchists had shot somebody that was trying to enforce the laws of
the land. The laws of the land—that didn't <i>care</i>.</p>
<p>That afternoon as Stubby tramped around looking for jobs he saw a good
many boys playing with dogs. None of them seemed to be worrying about
whether their dogs had checks. To Stubby's hot little brain and sore
little heart came the thought that they didn't love their dogs any more
than he loved Hero, either. But the government didn't care whether he
loved Hero or not! Pooh!—what was that to the government? All it
cared about was getting the money. He stood for a long time watching a boy
giving his dog a bath. The dog was trying to get away and the boy and
another boy were having lots of fun about it. All of a sudden Stubby
turned and ran away—ran down an alley, ran through a number of
alleys, just kept on running, blinded by the tears.</p>
<p>And that night, in the middle of the night, that something in his head
going round and round, getting hotter and hotter, he decided that the only
thing for him to do was to shoot the policeman who came to take Hero away
on the morning of August first—that would be day after to-morrow.</p>
<p>All night long policemen with revolvers stood around his bed. When his
mother called him at half-past four he was shaking so he could scarcely
get into his clothes.</p>
<p>On his way home from his route Stubby had to pass a police-station. He
went on the other side of the street and stood there looking across. One
of the policemen was playing with a dog!</p>
<p>Suddenly he wanted to rush over and throw himself down at that policeman's
feet—sob out the story—ask him to please, <i>please</i> wait
till he could get that other seventy cents.</p>
<p>But just then the policeman got up and went in the station, and Stubby was
afraid to go in the police-station.</p>
<p>That policeman complicated things for Stubby. Before that it had been
quite simple. The policeman would come to enforce the law of the land; but
he did not believe in the law of the land, so he would just kill the
policeman. But it seemed a policeman wasn't just a person who enforced the
laws of the land. He was also a person who played with a dog.</p>
<p>After a whole day of walking around thinking about it—his eyes
burning, his heart pounding—he decided that the thing to do was to
warn the policeman by writing a letter. He did not know whether real
anarchists warned them or not, but Stubby couldn't get reconciled to the
idea of killing a person without telling him you were going to do it. It
seemed that even a policeman should be told—especially a policeman
who played with a dog.</p>
<p>The following letter was pencilled by a shaking hand, late that afternoon.
It was written upon a barrel in the Lynch wood-shed, on a piece of
wrapping paper, a bristly little head bending over it:</p>
<p>To the Policeman who comes to take my dog 'cause I ain't got the two fifty—'cause
I tried but could only get one eighty—'cause a man was off his nut
and didn't pay me what I earned—</p>
<p>This is to tell you I am an anarchist and do not believe in the government
or the law and the order and will shoot you when you come. I wouldn't a
been an anarchist if I could a got the money and I tried to get it but I
couldn't get it—not enough. I don't think the government had ought
to take things you like like I like Hero so I am against the government.</p>
<p>Thought I would tell you first.</p>
<p>Yours truly,</p>
<p>F. LYNCH.</p>
<p>I don't see how I can shoot you 'cause where would I get the revolver. So
I will have to do it with the butcher knife. Folks are sometimes killed
that way 'cause my father read it in the paper.</p>
<p>If you wanted to take the one eighty and leave Hero till I can get the
seventy I will not do anything to you and would be very much obliged.</p>
<p>1113 Willow street.</p>
<p>The letter was properly addressed and sealed—not for nothing had
Stubby's teacher given those instructions in the art of letter writing.
The stamp he paid for out of the dime the man gave him to get a soda with—and
forget his troubles.</p>
<p>Now Bill O'Brien was on the desk at the police-station and Miss Murphy of
the Herald stood in with Bill. That was how it came about that the next
morning a fat policeman, an eager-looking girl and a young fellow with a
kodak descended into the hollow to 1113 Willow street.</p>
<p>A little boy peeped around the corner of the house—such a
wild-looking little boy—hair all standing up and eyes glittering. A
yellow dog ran out and barked. The boy darted out and grabbed the dog in
his arms and in that moment the girl called to the man with the black box:
“Right now! Quick! Get him!”</p>
<p>They were getting ready to shoot Hero! That box was the way the police did
it! He must—oh, he <i>must—must</i> ... Boy and dog sank to
the ground—but just the same the boy was shielding the dog!</p>
<p>When Stubby had pulled himself together the policeman was holding Hero. He
said that Hero was certainly a fine dog—he had a dog a good deal
like him at home. And Miss Murphy—she was choking back sobs herself—knew
how he could earn the seventy cents that afternoon.</p>
<p>In such wise do a good anarchist and a good story go down under the same
blow. Some of those sobs Miss Murphy choked back got into what she wrote
about Stubby and his yellow dog and the next day citizens with no sense of
the dramatic sent money enough to check Hero through life.</p>
<p>At first Stubby's father said he had a good mind to lick him. But
something in the quality of Miss Murphy's journalism left a hazy feeling
of there being something remarkable about his son. He confided to his good
wife that it wouldn't surprise him much if Stubby was some day President.
Somebody had to be President, said he, and he had noticed it was generally
those who in their youthful days did things that made lively reading in
the newspapers.</p>
<p><br/><br/></p>
<hr />
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<br/>
<h2> XIII. — AT TWILIGHT </h2>
<p>A breeze from the May world without blew through the class-room, and as it
lifted his papers he had a curious sense of freshness and mustiness
meeting. He looked at the group of students before him, half smiling at
the way the breath of spring was teasing the hair of the girls sitting by
the window. Anna Lawrence was trying to pin hers back again, but May would
have none of such decorum, and only waited long enough for her to finish
her work before joyously undoing it. She caught the laughing, admiring
eyes of a boy sitting across from her and sought to conceal her pleasure
in her unmanageable wealth of hair by a wry little face, and then the eyes
of both strayed out to the trees that had scented that breeze for them,
looking with frank longing at the campus which stretched before them in
all its May glory that sunny afternoon. He remembered having met this boy
and girl strolling in the twilight the evening before, and as a buoyant
breeze that instant swept his own face he had a sudden, irrelevant
consciousness of being seventy-three years old.</p>
<p>Other eyes were straying to the trees and birds and lilacs of that world
from which the class-room was for the hour shutting them out. He was used
to it—that straying of young eyes in the spring. For more than forty
years he had sat at that desk and talked to young men and women about
philosophy, and in those forty years there had always been straying eyes
in May. The children of some of those boys and girls had in time come to
him, and now there were other children who, before many years went by,
might be sitting upon those benches, listening to lectures upon what men
had thought about life, while their eyes strayed out where life called. So
it went on—May, perhaps, the philosopher triumphant.</p>
<p>As, with a considerable effort—for the languor of spring, or some
other languor, was upon him too—he brought himself back to the
papers they had handed in, he found himself thinking of those first boys
and girls, now men and women, and parents of other boys and girls. He
hoped that philosophy had, after all, done something more than shut them
out from May. He had always tried, not so much to instruct them in what
men had thought, as to teach them to think, and perhaps now, when May had
become a time for them to watch the straying of other eyes, they were the
less desolate because of the habits he had helped them to form. He wanted
to think that he had done something more than hold them prisoners.</p>
<p>There was a sadness to-day in his sympathy. He was tired. It was hard to
go back to what he had been saying about the different things the world's
philosophers had believed about the immortality of the soul. So, as often
when his feeling for his thought dragged, he turned to Gretta Loring. She
seldom failed to bring a revival of interest—a freshening. She was
his favourite student. He did not believe that in all the years there had
been any student who had not only pleased, but helped him as she did.</p>
<p>He had taught her father and mother. And now there was Gretta, clear-eyed
and steady of gaze, asking more of life than either of them had asked;
asking, not only May, but what May meant. For Gretta there need be no
duality. She was one of those rare ones for whom the meaning of life
opened new springs to the joy of life, for whom life intensified with the
understanding of it. He never said a thing that gratified him as reaching
toward the things not easy to say but that he would find Gretta's face
illumined—and always that eager little leaning ahead for more.</p>
<p>She had that look of waiting now, but to-day it seemed less an expectant
than a troubled look. She wanted him to go on with what he had been saying
about the immortality of the soul. But it was not so much a demand upon
him—he had come to rely upon those demands, as it was—he had
an odd, altogether absurd sense of its being a fear for him. She looked
uncomfortable, fretted; and suddenly he was startled to see her searching
eyes blurred by something that must be tears.</p>
<p>She turned away, and for just a minute it seemed to leave him alone and
helpless. He rubbed his forehead with his hand. It felt hot. It got that
way sometimes lately when he was tired. And the close of that hour often
found him tired.</p>
<p>He believed he knew what she wanted. She would have him declare his own
belief. In the youthful flush of her modernism she was impatient with that
fumbling around with what other men had thought. Despising the muddled
thinking of some of her classmates, she would have him put it right to
them with “As for yourself—”</p>
<p>He tried to formulate what he would care to say. But, perhaps just because
he was too tired to say it right, the life the robin in the nearest tree
was that moment celebrating in song seemed more important than anything he
had to say about his own feeling toward the things men had thought about
the human soul.</p>
<p>It was ten minutes before closing time, but suddenly he turned to his
class with: “Go out-of-doors and think about it. This is no day to sit
within and talk of philosophy. What men have thought about life in the
past is less important than what you feel about it to-day.” He paused,
then added, he could not have said why, “And don't let the shadow of
either belief or unbelief fall across the days that are here for you now.”
Again he stopped, then surprised himself by ending, “Philosophy should
quicken life, not deaden it.”</p>
<p>They were not slow in going, their astonishment in his wanting them to go
quickly engulfed in their pleasure in doing so. It was only Gretta who
lingered a moment, seeming too held by his manner in sending her out into
the sunshine to care about going there. He thought she was going to come
to the desk and speak to him. He was sure she wanted to. But at the last
she went hastily, and he thought, just before she turned her face away,
that it was a tear he saw on her lashes.</p>
<p>Strange! Was she unhappy, she through whom life surged so richly? And yet
was it not true, that where it gave much it exacted much? Feeling much,
and understanding what she felt, and feeling for what she understood—must
she also suffer much? Must one always pay?</p>
<p>He sighed, and began gathering together his papers. Thoughts about life
tired him to-day.</p>
<p>On the steps he paused, unreasonably enough a little saddened as he
watched some of them beginning a tennis game. Certainly they were losing
no time—eager to let go thoughts about life for its pleasures, very
few of them awake to that rich life he had tried to make them ready for.
He drooped still more wearily at the thought that perhaps the most real
gift he had for them was that unexpected ten minutes.</p>
<p>Remembering a book he must have from the library, he turned back. He went
to the alcove where the works on philosophy were to be found, and was
reaching up for the volume he wanted, when a sentence from a lowly
murmured conversation in the next aisle came to him across the stack of
books.</p>
<p>“That's all very well; we know, of course, that he doesn't believe, but
what will he do when it comes to <i>himself?</i>”</p>
<p>It arrested him, coming as it did from one of the girls who had just left
his class-room. He stood there motionless, his hand still reaching up for
the book.</p>
<p>“Do? Why, face it, of course. Face it as squarely as he's faced every
other fact of life.”</p>
<p>That was Gretta, and though, mindful of the library mandate for silence,
her tone was low, it was vibrant with a fine scorn.</p>
<p>“Well,” said the first speaker, “I guess he'll have to face it before very
long.”</p>
<p>That was not answered; there was a movement on the other side of the
barricade of books—it might have been that Gretta had turned away.
His hand dropped down from the high shelf. He was leaning against the
books.</p>
<p>“Haven't you noticed, Gretta, how he's losing his grip?”</p>
<p>At that his head went up sharply; he stood altogether tense as he waited
for Gretta to set the other girl right—Gretta, so sure-seeing, so
much wiser and truer than the rest of them. Gretta would <i>laugh!</i></p>
<p>But she did not laugh. And what his strained ear caught at last was—not
her scornful denial, but a little gasp of breath suggesting a sob.</p>
<p>“<i>Noticed</i> it? Why it breaks my heart!”</p>
<p>He stared at the books through which her low, passionate voice had
carried. Then he sank to the chair that fortunately was beside him. Power
for standing had gone from him.</p>
<p>“Father says—father's on the board, you know” (it was the first girl
who spoke)—“that they don't know what to do about it. It's not
justice to the school to let him begin another year. These things are
arranged with less embarrassment in the big schools, where a man begins
emeritus at a certain time. Though of course they'll pension him—he's
done a lot for the school.”</p>
<p>He thanked Gretta for her little laugh of disdain. The memory of it was
more comforting—more satisfying—than any attempt to put it
into words could have been.</p>
<p>He heard them move away, their skirts brushing the book-stacks in passing.
A little later he saw them out in the sunshine on the campus. Gretta
joined one of the boys for a game of tennis. Motionless, he sat looking
out at her. She looked so very young as she played.</p>
<p>For an hour he remained at the table in the alcove where he had overheard
what his students had to say of him. And when the hour had gone by he took
up the pen which was there upon the study table and wrote his resignation
to the secretary of the board of trustees. It was very brief—simply
that he felt the time had come when a younger man could do more for the
school than he, and that he should like his resignation to take effect at
the close of the present school year. He had an envelope, and sealed and
stamped the letter—ready to drop in the box in front of the building
as he left. He had always served the school as best he could; he lost no
time now, once convinced, in rendering to it the last service he could
offer it—that of making way for the younger man.</p>
<p>Looking things squarely in the face, and it was the habit of a lifetime to
look things squarely in the face, he had not been long in seeing that they
were right. Things tired him now as they had not once tired him. He had
less zest at the beginning of the hour, more relief at the close of it. He
seemed stupid in not having seen it for himself, but possibly many people
were a little stupid in seeing that their own time was over. Of course he
had thought, in a vague way, that his working time couldn't be much
longer, but it seemed part of the way human beings managed with themselves
that things in even the very near future kept the remoteness of future
things.</p>
<p>Now he understood Gretta's troubled look and her tears. He knew how those
fine nerves of hers must have suffered, how her own mind had wanted to
leap to the aid of his, how her own strength must have tormented her in
not being able to reach his flagging powers. It seemed part of the whole
hardness of life that she who would care the most would be the one to see
it most understandingly.</p>
<p>What he was trying to do was to see it all very simply, in matter-of-fact
fashion, that there might be no bitterness and the least of tragedy. It
was nothing unique in human history he was facing. One did one's work;
then, when through, one stopped. He tried to feel that it was as simple as
it sounded, but he wondered if back of many of those brief letters of
resignation that came at quitting-time there was the hurt, the desolation,
that there was no use denying to himself was back of his.</p>
<p>He hoped that most men had more to turn to. Most men of seventy-three had
grandchildren. That would help, surrounding one with a feeling of the
naturalness of it all. But that school had been his only child. And he had
loved it with the tenderness one gives a child. That in him which would
have gone to the child had gone to the school.</p>
<p>The woman whom he loved had not loved him; he had never married. His life
had been called lonely; but lonely though it undeniably had been, the life
he won from books and work and thinking had kept the chill from his heart.
He had the gift of drawing life from all contact with life. Working with
youth, he kept that feeling for youth that does for the life within what
sunshine and fresh air do for the room in which one dwells.</p>
<p>It was now that the loneliness that blights seemed waiting for him....
Life <i>used</i> one—and that in the ugly, not the noble sense of
being used. Stripped of the fine fancies men wove around it, what was it
beyond just a matter of being sucked dry and then thrown aside? Why not
admit that, and then face it? And the abundance with which one might have
given—the joy in the giving—had no bearing upon the fact that
it came at last to that question of getting one out of the way. It was no
one's unkindness; it was just that life was like that. Indeed, the
bitterness festered around the thought that it <i>was</i> life itself—the
way of life—not the brutality of any particular people. “They'll
pension him—he's done a lot for the school.” Even the grateful
memory of Gretta's tremulous, scoffing little laugh for the way it fell
short could not follow to the deep place that had been hurt.</p>
<p>Getting himself in hand again, and trying to face this as simply and
honestly as he had sought to face the other, he knew that it was true he
had done a great deal for the school. He did not believe it too much to
say he had done more for it than any other man. Certainly more than any
other man he had given it what place it had with men who thought. He had
come to it in his early manhood, and at a time when the school was in its
infancy—just a crude, struggling little Western college. Gretta
Loring's grandfather had been one of its founders—founding it in
revolt against the cramping sectarianism of another college. He had
gloried in the spirit which gave it birth, and it was he who, through the
encroachings of problems of administration and the ensnarements and
entanglements of practicality, had fought to keep unattached and
unfettered that spirit of freedom in the service of truth.</p>
<p>His own voice had been heard and recognised, and a number of times during
the years calls had come from more important institutions, but he had not
cared to go. For year by year there deepened that personal love for the
little college to which he had given the youthful ardour of his own
intellectual passion. All his life's habits were one with it. His days
seemed beaten into the path that cut across the campus. The vines that
season after season went a little higher on the wall out there indicated
his strivings by their own, and the generation that had worn down even the
stones of those front steps had furrowed his forehead and stooped his
shoulders. He had grown old along with it! His days were twined around it.
It was the place of his efforts and satisfactions (joys perhaps he should
not call them), of his falterings and his hopes. He loved it because he
had given himself to it; loved it because he had helped to bring it up. On
the shelves all around him were books which it had been his pleasure—because
during some of those hard years they were to be had in no other way—to
order himself and pay for from his own almost ludicrously meagre salary.
He remembered the excitement there always was in getting them fresh from
the publisher and bringing them over there in his arms; the satisfaction
in coming in next day and finding them on the shelves. Such had been his
dissipations, his indulgences of self. Many things came back to him as he
sat there going back over busy years, the works on philosophy looking down
upon him, the shadows of that spring afternoon gathering around him. He
looked like a very old man indeed as he at last reached out for the letter
he had written to the trustees, relieving them of their embarrassment.</p>
<p>Twilight had come on. On the front steps he paused and looked around the
campus. It was growing dark in that lingering way it has in the spring—daylight
creeping away under protest, night coming gently, as if it knew that the
world having been so pleasant, day would be loath to go. The boys and
girls were going back and forth upon the campus and the streets. They
could not bear to go within. For more than forty years it had been like
that. It would be like that for many times forty years—indeed, until
the end of the world, for it would be the end of the world when it was not
like that. He was glad that they were out in the twilight, not indoors
trying to gain from books something of the meaning of life. That course
had its satisfactions along the way, but it was surely no port of peace to
which it bore one at the last.</p>
<p>He shrunk from going home. There were so many readjustments he must make,
once home. So, lingering, he saw that off among the trees a girl was
sitting alone. She threw back her head in a certain way just then, and he
knew by the gesture that it was Gretta Loring. He wondered what she was
thinking about. What did one who thought think about—over there on
the other side of life? Youth and age looked at life from opposite sides.
Then they could not see it alike, for what one saw in life seemed to
depend so entirely upon how the light was falling from where one stood.</p>
<p>He could not have said just what it was made him cross the campus toward
her. Part of it was the desire for human sympathy—one thing, at
least, which age did not deaden. But that was not the whole of it, nor the
deepest thing in it. It was an urge of the spirit to find and keep for
itself a place where the light was falling backward upon life.</p>
<p>She was quiet in her greeting, and gentle. Her cheeks were still flushed,
her hair tumbled from her game, but her eyes were thoughtful and, he
thought, sad. He felt that the sadness was because of him; of him and the
things of which he made her think. He knew of her affection for him, the
warmth there was in her admiration of the things for which he had fought.
He had discovered that it hurt her now that others should be seeing and
not he, pained her to watch so sorry a thing as his falling below himself,
wounded both pride and heart that men whom she would doubtless say had
never appreciated him were whispering among themselves about how to get
rid of him. Why, the poor child might even be tormenting herself with the
idea she ought to tell him!</p>
<p>That was why he told her. He pointed to the address on the envelope,
saying: “That carries my resignation, Gretta.”</p>
<p>Her start and the tears which rushed to her eyes told him he was right
about her feeling. She did not seem able to say anything. Her chin was
trembling.</p>
<p>“I see that the time has come,” he said, “when a younger man can do more
for the school than I can hope to do for it.”</p>
<p>Still she said nothing at all, but her eyes were deepening and she had
that very steadfast, almost inspired look that had so many times quickened
him in the class-room.</p>
<p>She was not going to deny it! She was not going to pretend!</p>
<p>After the first feeling of not having got something needed he rose to her
high ground—ground she had taken it for granted he would take.</p>
<p>“And will you believe it, Gretta,” he said, rising to that ground and
there asking, not for the sympathy that bends down, but for a hand in
passing, “there comes a hard hour when first one feels the time has come
to step aside and be replaced by that younger man?”</p>
<p>She nodded. “It must be,” she said, simply; “it must be very much harder
than any of us can know till we come to it.”</p>
<p>She brought him a sense of his advantage in experience—his riches.
To be sure, there was that.</p>
<p>And he was oddly comforted by the honesty in her which could not stoop to
dishonest comforting. In what superficially might seem her failure there
was a very real victory for them both. And there was nothing of coldness
in her reserve! There was the fulness of understanding, and of valuing the
moments too highly for anything there was to be said about it. There was a
great spiritual dignity, a nobility, in the way she was looking at him. It
called upon the whole of his own spiritual dignity. It was her old demand
upon him, but this time the tears through which her eyes shone were tears
of pride in fulfilment, not of sorrowing for failure.</p>
<p>Suddenly he felt that his life had not been spent in vain, that the lives
of all those men of his day who had fought the good fight for intellectual
honesty—spiritual dignity—had not been spent in vain if they
were leaving upon the earth even a few who were like the girl beside them.</p>
<p>It turned him from himself to her. She was what counted—for she was
what remained. And he remained in just the measure that he remained
through her; counted in so far as he counted for her. It was as if he had
been facing in the wrong direction and now a kindly hand had turned him
around. It was not in looking back there he would find himself. He was not
back there to be found. Only so much of him lived as had been able to wing
itself ahead—on in the direction she was moving.</p>
<p>It did not particularly surprise him that when she at last spoke it was to
voice a shade of that same feeling. “I was thinking,” she began, “of that
younger man. Of what he must mean to the man who gives way to him.”</p>
<p>She was feeling her way as she went—groping among the many dim
things that were there. He had always liked to watch her face when she was
thinking her way step by step.</p>
<p>“I think you used a word wrongly a minute ago,” she said, with a smile.
“You spoke of being replaced. But that isn't it. A man like you isn't
replaced; he's”—she got it after a minute and came forth with it
triumphantly—“fulfilled!”</p>
<p>Her face was shining as she turned to him after that. “Don't you see? He's
there waiting to take your place because you got him ready. Why, you made
that younger man! Your whole life has been a getting ready for him. He can
do his work be cause you first did yours. Of course he can go farther than
you can! Wouldn't it be a sorry commentary on you if he couldn't?”</p>
<p>Her voice throbbed warmly upon that last, and during the pause the light
it had brought still played upon her face. “We were talking in class about
immortality,” she went on, more slowly. “There's one form of immortality I
like to think about. It's that all those who from the very first have
given anything to the world are living in the world to-day.” There was a
rush of tears to her eyes and of affection to her voice as she finished,
very low: “You'll never die. You've deepened the consciousness of life too
much for that.”</p>
<p>They sat there as twilight drew near to night, the old man and the young
girl, silent. The laughter of boys and girls and the good-night calls of
the birds were all around them. The fragrance of life was around them. It
was one of those silences to which come impressions, faiths, longings, not
yet born as thoughts.</p>
<p>Something in the quality of that silence brought the rescuing sense of its
having been good to have lived and done one's part—that sense which,
from places of desolation and over ways rough and steep and dark, can find
its way to the meadows of serenity.</p>
<p>THE END</p>
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