<h1 id="id01964" style="margin-top: 6em">CHAPTER XXIX.</h1>
<p id="id01965" style="margin-top: 2em">One pleasant afternoon Adelaide and I started on a walk. We must go
through the crooked length of Norfolk Street, till we reached the
outskirts of Belem, and its low fields not yet green; that was the
fashionable promenade, she said. After the two o'clock dinner, Belem
walked. All her acquaintances seemed to be in the street, so many bows
were given and returned with ceremony. Nothing familiar was attempted,
nothing beyond the courtliness of an artificial smile.</p>
<p id="id01966">Returning, we met Desmond with a lady, and a series of bows took
place. Desmond held his hat in his hand till we had passed; his
expression varied so much from what it was when I saw him last, at the
breakfast table, he being in a desperate humor then, that it served me
for mental comment for some minutes.</p>
<p id="id01967">"That is Miss Brewster," said Adelaide. "She is an heiress, and
fancies Desmond's attentions: she will not marry him, though."</p>
<p id="id01968">"Is every woman in Belem an heiress?"</p>
<p id="id01969">"Those we talk about are, and every man is a fortune-hunter. Money
marries money; those who have none do not marry. Those who wait hope.
But the great fortunes of Belem are divided; the race of millionaires
is decaying."</p>
<p id="id01970">"Is that Ann yonder?"</p>
<p id="id01971">"I think so, from that bent bonnet."</p>
<p id="id01972">It proved to be Ann, who went by us with the universal bow and
grimace, sacrificing to the public spirit with her fine manners. She
turned soon, however, and overtook us, proposing to make a detour
to Drummond Street, where an intimate family friend, "Old Hepburn,"
lived, so that the prospect of our going to tea with her might be made
probable by her catching a passing glimpse of us; at this time
she must be at the window with her Voltaire, or her Rousseau. The
proposition was accepted, and we soon came near the house, which
stood behind a row of large trees, and looked very dismal, with
three-fourths of its windows barred with board shutters.</p>
<p id="id01973">"Walk slow," Ann entreated. "I see her blinking at us. She has not
shed her satin pelisse yet."</p>
<p id="id01974">Before we got beyond it a dirty little girl came out of the gate, in
a pair of huge shoes and a canvas apron, which covered her, to call us
back. Mrs. Hepburn had seen us, and wished us to come in, wanting to
know who Miss Adelaide had with her, and to talk with her. She ran
back, reappearing again at the door, out of breath, and minus a shoe.
As we entered a small parlor, an old lady in a black dress, with
a deep cape, held out her withered hand, without rising from her
straight-backed arm-chair, smiling at us, but shaking her head
furiously at the small girl, who lingered in the door.</p>
<p id="id01975">"Mari, Mari," she called, but no Mari came, and the small girl took
our shawls, for Mrs. Hepburn said we must stay, now that she had
inveigled us inside her doors. Ann mimicked her at her back, but to
her face behaved servilely. The name of Morgeson belonged to the early
historical time of New England, Mrs. Hepburn informed me. I never
knew it; but bowed, as if not ignorant. Old Mari must be consulted
respecting the sweetmeats, and she went after her.</p>
<p id="id01976">"What an old mouser it is!" said Ann. "What unexpected ways she has!<br/>
She scours Belem in her velvet shoes, to find out everybody's history.<br/>
Don't you smell buttered toast?"<br/></p>
<p id="id01977">"Your father is getting the best of the gout," said Mrs. Hepburn,<br/>
returning. "How is Desmond? He may be the wickedest of you all, but<br/>
I like him the best. I shall not throw away praise of him on you,<br/>
Adelaide." And she looked at me.<br/></p>
<p id="id01978">"He bows well," I said.</p>
<p id="id01979">"He resembles his mother, who was a great beauty. Mr. Somers was
handsome, too. I was at a ball at Governor Flam's thirty years ago.
Your mother was barely fifteen, then, Adelaide; she was just married,
and opened the ball."</p>
<p id="id01980">She examined me all the while, with a pair of small, round eyes, from
which the color had faded, but which were capable of reading me.</p>
<p id="id01981">Tea was served by candlelight, on a small table. Mrs. Hepburn kept
her eyes on everything, talking volubly, and pulled the small, girl's
ears, or pushed her by the shoulder, with faith that we were not
observing her. The toast was well buttered, the sweetmeats were
delicious, and the cake was heavenly, as Ann said. Mrs. Hepburn ate
little, but told us a great deal about marriages in prospect and
incomes which waxed or waned in consequence. When tea was over, she
said to the small girl who removed the tea things, "On your life taste
not of the cake or the sweetmeats; and bring me two sticks of wood,
you huzzy." She arranged the sticks on a decaying fire, inside a high
brass fender, pulled up a stand near the hearth, lighted two candles,
and placed on it a pack of cards.</p>
<p id="id01982">"Some one may come, so that we can play."</p>
<p id="id01983">Meantime she dozed upright, walking, talking, and dozing again, like a
crafty old parrot.</p>
<p id="id01984">"She has a great deal of money saved," Ann whispered behind a book.<br/>
"She is over seventy. Oh, she is opening her puss eyes!"<br/></p>
<p id="id01985">Adelaide mused, after her fashion, on the slippery hair-cloth sofa,
looking at the dim fire, and I surveyed the room. Its aspect attracted
me, though it was precise and stiff. An ugly Turkey carpet covered
the floor; a sideboard was against the wall, with a pair of silver
pitchers on it, and two tall vases, filled with artificial flowers,
under glass shades. Old portraits hung over it. Upon one I fixed my
attention.</p>
<p id="id01986">"That is the portrait of Count Rumford," Mrs. Hepburn said.</p>
<p id="id01987">"Can't we see the letters?" begged Ann. "And wont you show us your
trinkets? It is three or four years since we looked them over."</p>
<p id="id01988">"Yes," she answered, good-humoredly; "ring the bell."</p>
<p id="id01989">An old woman answered it, to whom Mrs. Hepburn said, in a friendly
voice, "The box in my desk." Adelaide and Ann said, "How do you
do, Mari?" When she brought the box, Mrs. Hepburn unlocked it, and
produced some yellow letters, which we looked over, picking out here
and there bits of Parisian gossip, many, many years old. They were
directed to Cavendish Hepburn, by his friend, the original of the
portrait. But the letters were soon laid aside, and we examined
the contents of the box. Old brooches, miniatures painted on
ivory, silhouettes, hair rings, necklaces, ear-rings, chains, and
finger-rings.</p>
<p id="id01990">"Did you wear this?" asked Ann with a longing voice, slipping an
immense sapphire ring on her forefinger.</p>
<p id="id01991">"In Mr. Hepburn's day," she answered, taking up a small case, which
she unfastened and gave me. It contained a peculiar pair of ear-rings,
and a brooch of aqua-marina stones, in a setting perforated like a
net.</p>
<p id="id01992">"They suit you. Will you accept such an old-fashioned ornament? Put
the rings in; here Ann, fasten them."</p>
<p id="id01993">Ann glared at her in astonishment, and then at me, for the reason
which had prompted so unexpected a gift.</p>
<p id="id01994">"Is it possible that I am to have them? Why do you give them to me?<br/>
They are beautiful," I replied.<br/></p>
<p id="id01995">"They came from Europe long ago," she said. "And they happen to suit
you."</p>
<p id="id01996"> 'Sabrina fair,<br/>
Under the glassy, cool, translucent wave,<br/>
In twisted braids of lilies knitting<br/>
The loose train of thy amber-dropping hair.'"<br/></p>
<p id="id01997">"Those lines make me forgive Paradise Lost," said Adelaide.</p>
<p id="id01998">"They are very long, these ear-rings," Ann remarked.</p>
<p id="id01999">I put the brooch in the knot of ribbon I wore; Mrs. Hepburn joggled
the white satin bows of her cap in approbation.</p>
<p id="id02000">The knocker resounded. "There is our partner," she cried.</p>
<p id="id02001">"It must be late, ma'am," said Adelaide; "and I suspect it is some one
for us. You know we never venture on impromptu visits, except to you,
and our people know where to send."</p>
<p id="id02002">"Late or not, you shall stay for a game," she said, as Ben came in,
hat in hand, declaring he had been scouting for us since dark. Mrs.
Hepburn snuffed the candles, and rang the bell. The small girl, with
a perturbed air, like one hurried out of a nap, brought in a waiter,
which she placed on the sideboard.</p>
<p id="id02003">"Get to bed," Mrs. Hepburn loudly whispered, looking over the waiter,
and taking from it a silver porringer, she put it inside the fender,
and then shuffled the cards.</p>
<p id="id02004">"Now, Ann, you may sit beside me and learn."</p>
<p id="id02005">"If it is whist, mum, I know it. I played every afternoon at Hampton
last summer, and we spoiled a nice polished table, we scratched it so
with our nails, picking up the cards."</p>
<p id="id02006">"Young people do too much, nowadays."</p>
<p id="id02007">I was in the shadow of the sideboard; Ben stood against it.</p>
<p id="id02008">"When have you played whist, Cassandra?" he asked in a low voice. "Do
you remember?"</p>
<p id="id02009">"Is my name Cassandra?"</p>
<p id="id02010">"Have you forgotten that, too?"</p>
<p id="id02011">"I remember the rain."</p>
<p id="id02012">"It is not October, yet."</p>
<p id="id02013">"And the yellow leaves do not stick to the panes. Would you like to
see Helen?"</p>
<p id="id02014">"Come, play with me, Ben," called Mrs. Hepburn.</p>
<p id="id02015">"Ann, try your skill," I entreated, "and let me off."</p>
<p id="id02016">"She can try," Mrs. Hepburn said sharply. "Don't you like games? I
should have said you were by nature a bold gamester." She dealt the
cards rapidly, and was soon absorbed in the game, though she quarreled
with Ann occasionally, and knocked over the candlestick once. Adelaide
played heroically, and was praised, though I knew she hated play.</p>
<p id="id02017">Two hours passed before we were released. The fire went out, the
candles burnt low, and whatever the contents of the silver porringer,
they had long been cold. When Mrs. Hepburn saw us determined to go,
she sent us to the sideboard for some refreshment. "My caudle is
cold," taking off the cover of the porringer. "Why, Mari, what is
this?" she said, as the woman made a noiseless entrance with a bowl of
hot caudle.</p>
<p id="id02018">"I knew how it would be," she answered, putting it into the hands of
her mistress.</p>
<p id="id02019">"I am a desperate old rake, you mean, Mari. There, take your virtue
off, you appall me."</p>
<p id="id02020">She poured the caudle into small silver tumblers, and gave them to us.
"The Bequest of a Friend" was engraved on them. Her fingers were like
ice, and her head shook with fatigue; but her voice was sprightly and
her smile bright. Ann ate a good deal of sponge cake, and omitted the
caudle, but I drank mine to the memory of the donor of the cup.</p>
<p id="id02021">"You know that sherry, Ben," and Mrs. Hepburn nodded him toward a
decanter. He put his hand on it, and took it away. "None to-night,"
he said. Mari came with our shawls, and we hastened away, hearing her
shoot the bolt of the door behind us. Ben drew my arm in his, and the
girls walked rapidly before us. It was a white, hazy night, and the
moon was wallowing in clouds.</p>
<p id="id02022">"Let us walk off the flavor of Hep's cards," said Adelaide, "and go to<br/>
Wolf's Point."<br/></p>
<p id="id02023">"Do you wish to go?" he asked me.</p>
<p id="id02024">"Yes."</p>
<p id="id02025">Ann skipped. A nocturnal excursion suited her exactly.</p>
<p id="id02026">"You are not to have the toothache to-morrow, or pretend to be lame,"
said Adelaide.</p>
<p id="id02027">"Not another hiss, Adder. <i>En avant!</i>"</p>
<p id="id02028">We passed down Norfolk Street, now dark and silent, and reached our
house. A light was burning in a room in the third story, and a
window was open. Desmond sat by it, his arms folded across his chest,
smoking, and contemplating some object beyond our view. Ann derisively
apostrophized him, under her breath, while Ben unlocked the court gate
and went in after Rash, who came out quietly, and we proceeded. In
looking behind me, I stumbled.</p>
<p id="id02029">"What's the matter?" he asked. "Are you afraid?"</p>
<p id="id02030">"Yes."</p>
<p id="id02031">"Of what?"</p>
<p id="id02032">"The Prince of Darkness."</p>
<p id="id02033">"The devil lives a little behind us."</p>
<p id="id02034">"In you, too, then?"</p>
<p id="id02035">"In Rash. Look at him; he is bigger than Faust's dog, jumps higher,
and is blacker. You can't hear the least sound from him as he gambols
with his familiar."</p>
<p id="id02036">We left the last regular street on that side of the city, and entered
a road, bordered by trees and bushes, which hid the country from us.
We crept through a gap in it, crossed two or three spongy fields,
and ascended a hill, reaching an abrupt edge of the rocks, over whose
earthy crest we walked. Below it I saw a strip of the sea, hemmed in
on all sides, for the light was too vague for me to see its narrow
outlet. It looked milky, misty, and uncertain; the predominant shores
stifled its voice, if it ever had one. Adelaide and Ann crouched
over the edge of the rock, reciting, in a chanting tone, from a poem
beginning:</p>
<p id="id02037"> "The river of thy thoughts must keep<br/>
its solemn course too still and deep<br/>
For idle eyes to see."<br/></p>
<p id="id02038">Their false intonation of voice and the wordy spirit of the poem
convinced me that poetry with them was an artificial taste. I turned
away. The dark earth and the rolling sky were better. Ben followed.</p>
<p id="id02039">"I hope Veronica's letter will come to-morrow," he said with a groan.</p>
<p id="id02040">"Veronica! Why Veronica?"</p>
<p id="id02041">"Don't torment me."</p>
<p id="id02042">"She writes letters seldom."</p>
<p id="id02043">"I have written her."</p>
<p id="id02044">"She has never written me."</p>
<p id="id02045">"It might be the means of revealing you to each other to do so."</p>
<p id="id02046">"Ben, your native air is deleterious."</p>
<p id="id02047">"You laugh. I feel what you say. I do not attempt to play the
missionary at home, for my field is not here."</p>
<p id="id02048">"You were wise not to bring Veronica, I see already."</p>
<p id="id02049">"She would see what I hate myself for."</p>
<p id="id02050">"One may venture farther with a friend than a lover."</p>
<p id="id02051">"I thought that <i>you</i> might understand the results of my associations.<br/>
Curse them all! Come, girls, we must go back."<br/></p>
<div style="break-after:column;"></div><br />