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<h1>THE PRUSSIAN OFFICER</h1>
<h4><i>and Other Stories</i></h4>
<h2>by D. H. Lawrence</h2>
<h4>LONDON<br/>
DUCKWORTH & CO,<br/>
3 HENRIETTA STREET, COVENT GARDEN<br/><br/>
Published December 1914</h4>
<hr />
<h3>Contents</h3>
<table summary="" style="margin-left: auto; margin-right: auto">
<tr>
<td> <SPAN href="#chap01">The Prussian Officer </SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap02">The Thorn in the Flesh </SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap03">Daughters of the Vicar </SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap04">A Fragment of Stained Glass</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap05">The Shades of Spring</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap06">Second Best</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap07">The Shadow in the Rose Garden</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap08">Goose Fair </SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap09">The White Stocking </SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap10">A Sick Collier</SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap11">The Christening </SPAN></td>
</tr>
<tr>
<td> <SPAN href="#chap12">Odour of Chrysanthemums</SPAN></td>
</tr>
</table>
<h3><SPAN name="chap01"></SPAN>The Prussian Officer</h3>
<h4>I</h4>
<p>They had marched more than thirty kilometres since dawn, along the white, hot
road where occasional thickets of trees threw a moment of shade, then out into
the glare again. On either hand, the valley, wide and shallow, glittered with
heat; dark green patches of rye, pale young corn, fallow and meadow and black
pine woods spread in a dull, hot diagram under a glistening sky. But right in
front the mountains ranged across, pale blue and very still, snow gleaming
gently out of the deep atmosphere. And towards the mountains, on and on, the
regiment marched between the rye fields and the meadows, between the scraggy
fruit trees set regularly on either side the high road. The burnished, dark
green rye threw on a suffocating heat, the mountains drew gradually nearer and
more distinct. While the feet of the soldiers grew hotter, sweat ran through
their hair under their helmets, and their knapsacks could burn no more in
contact with their shoulders, but seemed instead to give off a cold, prickly
sensation.</p>
<p>He walked on and on in silence, staring at the mountains ahead, that rose sheer
out of the land, and stood fold behind fold, half earth, half heaven, the
heaven, the banner with slits of soft snow, in the pale, bluish peaks.</p>
<p>He could now walk almost without pain. At the start, he had determined not to
limp. It had made him sick to take the first steps, and during the first mile
or so, he had compressed his breath, and the cold drops of sweat had stood on
his forehead. But he had walked it off. What were they after all but bruises!
He had looked at them, as he was getting up: deep bruises on the backs of his
thighs. And since he had made his first step in the morning, he had been
conscious of them, till now he had a tight, hot place in his chest, with
suppressing the pain, and holding himself in. There seemed no air when he
breathed. But he walked almost lightly.</p>
<p>The Captain’s hand had trembled at taking his coffee at dawn: his orderly
saw it again. And he saw the fine figure of the Captain wheeling on horseback
at the farm-house ahead, a handsome figure in pale blue uniform with facings of
scarlet, and the metal gleaming on the black helmet and the sword-scabbard, and
dark streaks of sweat coming on the silky bay horse. The orderly felt he was
connected with that figure moving so suddenly on horseback: he followed it like
a shadow, mute and inevitable and damned by it. And the officer was always
aware of the tramp of the company behind, the march of his orderly among the
men.</p>
<p>The Captain was a tall man of about forty, grey at the temples. He had a
handsome, finely knit figure, and was one of the best horsemen in the West. His
orderly, having to rub him down, admired the amazing riding-muscles of his
loins.</p>
<p>For the rest, the orderly scarcely noticed the officer any more than he noticed
himself. It was rarely he saw his master’s face: he did not look at it.
The Captain had reddish-brown, stilt hair, that he wore short upon his skull.
His moustache was also cut short and bristly over a full, brutal mouth. His
face was rather rugged, the cheeks thin. Perhaps the man was the more handsome
for the deep lines in his face, the irritable tension of his brow, which gave
him the look of a man who fights with life. His fair eyebrows stood bushy over
light blue eyes that were always flashing with cold fire.</p>
<p>He was a Prussian aristocrat, haughty and overbearing. But his mother had been
a Polish Countess. Having made too many gambling debts when he was young, he
had ruined his prospects in the Army, and remained an infantry captain. He had
never married: his position did not allow of it, and no woman had ever moved
him to it. His time he spent riding—occasionally he rode one of his own
horses at the races—and at the officers’ club. Now and then he took
himself a mistress. But after such an event, he returned to duty with his brow
still more tense, his eyes still more hostile and irritable. With the men,
however, he was merely impersonal, though a devil when roused; so that, on the
whole, they feared him, but had no great aversion from him. They accepted him
as the inevitable.</p>
<p>To his orderly he was at first cold and just and indifferent: he did not fuss
over trifles. So that his servant knew practically nothing about him, except
just what orders he would give, and how he wanted them obeyed. That was quite
simple. Then the change gradually came.</p>
<p>The orderly was a youth of about twenty-two, of medium height, and well built.
He had strong, heavy limbs, was swarthy, with a soft, black, young moustache.
There was something altogether warm and young about him. He had firmly marked
eyebrows over dark, expressionless eyes, that seemed never to have thought,
only to have received life direct through his senses, and acted straight from
instinct.</p>
<p>Gradually the officer had become aware of his servant’s young, vigorous,
unconscious presence about him. He could not get away from the sense of the
youth’s person, while he was in attendance. It was like a warm flame upon
the older man’s tense, rigid body, that had become almost unliving,
fixed. There was something so free and self-contained about him, and something
in the young fellow’s movement, that made the officer aware of him. And
this irritated the Prussian. He did not choose to be touched into life by his
servant. He might easily have changed his man, but he did not. He now very
rarely looked direct at his orderly, but kept his face averted, as if to avoid
seeing him. And yet as the young soldier moved unthinking about the apartment,
the elder watched him, and would notice the movement of his strong young
shoulders under the blue cloth, the bend of his neck. And it irritated him. To
see the soldier’s young, brown, shapely peasant’s hand grasp the
loaf or the wine-bottle sent a flash of hate or of anger through the elder
man’s blood. It was not that the youth was clumsy: it was rather the
blind, instinctive sureness of movement of an unhampered young animal that
irritated the officer to such a degree.</p>
<p>Once, when a bottle of wine had gone over, and the red gushed out on to the
tablecloth, the officer had started up with an oath, and his eyes, bluey like
fire, had held those of the confused youth for a moment. It was a shock for the
young soldier. He felt something sink deeper, deeper into his soul, where
nothing had ever gone before. It left him rather blank and wondering. Some of
his natural completeness in himself was gone, a little uneasiness took its
place. And from that time an undiscovered feeling had held between the two men.</p>
<p>Henceforward the orderly was afraid of really meeting his master. His
subconsciousness remembered those steely blue eyes and the harsh brows, and did
not intend to meet them again. So he always stared past his master, and avoided
him. Also, in a little anxiety, he waited for the three months to have gone,
when his time would be up. He began to feel a constraint in the Captain’s
presence, and the soldier even more than the officer wanted to be left alone,
in his neutrality as servant.</p>
<p>He had served the Captain for more than a year, and knew his duty. This he
performed easily, as if it were natural to him. The officer and his commands he
took for granted, as he took the sun and the rain, and he served as a matter of
course. It did not implicate him personally.</p>
<p>But now if he were going to be forced into a personal interchange with his
master he would be like a wild thing caught, he felt he must get away.</p>
<p>But the influence of the young soldier’s being had penetrated through the
officer’s stiffened discipline, and perturbed the man in him. He,
however, was a gentleman, with long, fine hands and cultivated movements, and
was not going to allow such a thing as the stirring of his innate self. He was
a man of passionate temper, who had always kept himself suppressed.
Occasionally there had been a duel, an outburst before the soldiers. He knew
himself to be always on the point of breaking out. But he kept himself hard to
the idea of the Service. Whereas the young soldier seemed to live out his warm,
full nature, to give it off in his very movements, which had a certain zest,
such as wild animals have in free movement. And this irritated the officer more
and more.</p>
<p>In spite of himself, the Captain could not regain his neutrality of feeling
towards his orderly. Nor could he leave the man alone. In spite of himself, he
watched him, gave him sharp orders, tried to take up as much of his time as
possible. Sometimes he flew into a rage with the young soldier, and bullied
him. Then the orderly shut himself off, as it were out of earshot, and waited,
with sullen, flushed face, for the end of the noise. The words never pierced to
his intelligence, he made himself, protectively, impervious to the feelings of
his master.</p>
<p>He had a scar on his left thumb, a deep seam going across the knuckle. The
officer had long suffered from it, and wanted to do something to it. Still it
was there, ugly and brutal on the young, brown hand. At last the
Captain’s reserve gave way. One day, as the orderly was smoothing out the
tablecloth, the officer pinned down his thumb with a pencil, asking,</p>
<p>“How did you come by that?”</p>
<p>The young man winced and drew back at attention.</p>
<p>“A wood axe, Herr Hauptmann,” he answered.</p>
<p>The officer waited for further explanation. None came. The orderly went about
his duties. The elder man was sullenly angry. His servant avoided him. And the
next day he had to use all his willpower to avoid seeing the scarred thumb. He
wanted to get hold of it and—— A hot flame ran in his blood.</p>
<p>He knew his servant would soon be free, and would be glad. As yet, the soldier
had held himself off from the elder man. The Captain grew madly irritable. He
could not rest when the soldier was away, and when he was present, he glared at
him with tormented eyes. He hated those fine, black brows over the unmeaning,
dark eyes, he was infuriated by the free movement of the handsome limbs, which
no military discipline could make stiff. And he became harsh and cruelly
bullying, using contempt and satire. The young soldier only grew more mute and
expressionless.</p>
<p>What cattle were you bred by, that you can’t keep straight eyes? Look me
in the eyes when I speak to you.</p>
<p>And the soldier turned his dark eyes to the other’s face, but there was
no sight in them: he stared with the slightest possible cast, holding back his
sight, perceiving the blue of his master’s eyes, but receiving no look
from them. And the elder man went pale, and his reddish eyebrows twitched. He
gave his order, barrenly.</p>
<p>Once he flung a heavy military glove into the young soldier’s face. Then
he had the satisfaction of seeing the black eyes flare up into his own, like a
blaze when straw is thrown on a fire. And he had laughed with a little tremor
and a sneer.</p>
<p>But there were only two months more. The youth instinctively tried to keep
himself intact: he tried to serve the officer as if the latter were an abstract
authority and not a man. All his instinct was to avoid personal contact, even
definite hate. But in spite of himself the hate grew, responsive to the
officer’s passion. However, he put it in the background. When he had left
the Army he could dare acknowledge it. By nature he was active, and had many
friends. He thought what amazing good fellows they were. But, without knowing
it, he was alone. Now this solitariness was intensified. It would carry him
through his term. But the officer seemed to be going irritably insane, and the
youth was deeply frightened.</p>
<p>The soldier had a sweetheart, a girl from the mountains, independent and
primitive. The two walked together, rather silently. He went with her, not to
talk, but to have his arm round her, and for the physical contact. This eased
him, made it easier for him to ignore the Captain; for he could rest with her
held fast against his chest. And she, in some unspoken fashion, was there for
him. They loved each other.</p>
<p>The Captain perceived it, and was mad with irritation. He kept the young man
engaged all the evenings long, and took pleasure in the dark look that came on
his face. Occasionally, the eyes of the two men met, those of the younger
sullen and dark, doggedly unalterable, those of the elder sneering with
restless contempt.</p>
<p>The officer tried hard not to admit the passion that had got hold of him. He
would not know that his feeling for his orderly was anything but that of a man
incensed by his stupid, perverse servant. So, keeping quite justified and
conventional in his consciousness, he let the other thing run on. His nerves,
however, were suffering. At last he slung the end of a belt in his
servant’s face. When he saw the youth start back, the pain-tears in his
eyes and the blood on his mouth, he had felt at once a thrill of deep pleasure
and of shame.</p>
<p>But this, he acknowledged to himself, was a thing he had never done before. The
fellow was too exasperating. His own nerves must be going to pieces. He went
away for some days with a woman.</p>
<p>It was a mockery of pleasure. He simply did not want the woman. But he stayed
on for his time. At the end of it, he came back in an agony of irritation,
torment, and misery. He rode all the evening, then came straight in to supper.
His orderly was out. The officer sat with his long, fine hands lying on the
table, perfectly still, and all his blood seemed to be corroding.</p>
<p>At last his servant entered. He watched the strong, easy young figure, the fine
eyebrows, the thick black hair. In a week’s time the youth had got back
his old well-being. The hands of the officer twitched and seemed to be full of
mad flame. The young man stood at attention, unmoving, shut on.</p>
<p>The meal went in silence. But the orderly seemed eager. He made a clatter with
the dishes.</p>
<p>“Are you in a hurry?” asked the officer, watching the intent, warm
face of his servant. The other did not reply.</p>
<p>“Will you answer my question?” said the Captain.</p>
<p>“Yes, sir,” replied the orderly, standing with his pile of deep
Army plates. The Captain waited, looked at him, then asked again:</p>
<p>“Are you in a hurry?</p>
<p>“Yes, sir,” came the answer, that sent a flash through the
listener.</p>
<p>“For what?”</p>
<p>“I was going out, sir.”</p>
<p>“I want you this evening.”</p>
<p>There was a moment’s hesitation. The officer had a curious stiffness of
countenance.</p>
<p>“Yes, sir,” replied the servant, in his throat.</p>
<p>“I want you tomorrow evening also—in fact, you may consider your
evenings occupied, unless I give you leave.”</p>
<p>The mouth with the young moustache set close.</p>
<p>“Yes, sir,” answered the orderly, loosening his lips for a moment.</p>
<p>He again turned to the door.</p>
<p>“And why have you a piece of pencil in your ear?”</p>
<p>The orderly hesitated, then continued on his way without answering. He set the
plates in a pile outside the door, took the stump of pencil from his ear, and
put it in his pocket. He had been copying a verse for his sweetheart’s
birthday card. He returned to finish clearing the table. The officer’s
eyes were dancing, he had a little, eager smile.</p>
<p>“Why have you a piece of pencil in your ear?” he asked.</p>
<p>The orderly took his hands full of dishes. His master was standing near the
great green stove, a little smile on his face, his chin thrust forward. When
the young soldier saw him his heart suddenly ran hot. He felt blind. Instead of
answering, he turned dazedly to the door. As he was crouching to set down the
dishes, he was pitched forward by a kick from behind. The pots went in a stream
down the stairs, he clung to the pillar of the banisters. And as he was rising
he was kicked heavily again, and again, so that he clung sickly to the post for
some moments. His master had gone swiftly into the room and closed the door.
The maid-servant downstairs looked up the staircase and made a mocking face at
the crockery disaster.</p>
<p>The officer’s heart was plunging. He poured himself a glass of wine, part
of which he spilled on the floor, and gulped the remainder, leaning against the
cool, green stove. He heard his man collecting the dishes from the stairs.
Pale, as if intoxicated, he waited. The servant entered again. The
Captain’s heart gave a pang, as of pleasure, seeing the young fellow
bewildered and uncertain on his feet, with pain.</p>
<p>“Schöner!” he said.</p>
<p>The soldier was a little slower in coming to attention.</p>
<p>“Yes, sir!”</p>
<p>The youth stood before him, with pathetic young moustache, and fine eyebrows
very distinct on his forehead of dark marble.</p>
<p>“I asked you a question.”</p>
<p>“Yes, sir.”</p>
<p>The officer’s tone bit like acid.</p>
<p>“Why had you a pencil in your ear?”</p>
<p>Again the servant’s heart ran hot, and he could not breathe. With dark,
strained eyes, he looked at the officer, as if fascinated. And he stood there
sturdily planted, unconscious. The withering smile came into the
Captain’s eyes, and he lifted his foot.</p>
<p>“I—I forgot it—sir,” panted the soldier, his dark eyes
fixed on the other man’s dancing blue ones.</p>
<p>“What was it doing there?”</p>
<p>He saw the young man’s breast heaving as he made an effort for words.</p>
<p>“I had been writing.”</p>
<p>“Writing what?”</p>
<p>Again the soldier looked him up and down. The officer could hear him panting.
The smile came into the blue eyes. The soldier worked his dry throat, but could
not speak. Suddenly the smile lit like a name on the officer’s face, and
a kick came heavily against the orderly’s thigh. The youth moved a pace
sideways. His face went dead, with two black, staring eyes.</p>
<p>“Well?” said the officer.</p>
<p>The orderly’s mouth had gone dry, and his tongue rubbed in it as on dry
brown-paper. He worked his throat. The officer raised his foot. The servant
went stiff.</p>
<p>“Some poetry, sir,” came the crackling, unrecognizable sound of his
voice.</p>
<p>“Poetry, what poetry?” asked the Captain, with a sickly smile.</p>
<p>Again there was the working in the throat. The Captain’s heart had
suddenly gone down heavily, and he stood sick and tired.</p>
<p>“For my girl, sir,” he heard the dry, inhuman sound.</p>
<p>“Oh!” he said, turning away. “Clear the table.”</p>
<p>“Click!” went the soldier’s throat; then again,
“click!” and then the half-articulate:</p>
<p>“Yes, sir.”</p>
<p>The young soldier was gone, looking old, and walking heavily.</p>
<p>The officer, left alone, held himself rigid, to prevent himself from thinking.
His instinct warned him that he must not think. Deep inside him was the intense
gratification of his passion, still working powerfully. Then there was a
counter-action, a horrible breaking down of something inside him, a whole agony
of reaction. He stood there for an hour motionless, a chaos of sensations, but
rigid with a will to keep blank his consciousness, to prevent his mind
grasping. And he held himself so until the worst of the stress had passed, when
he began to drink, drank himself to an intoxication, till he slept obliterated.
When he woke in the morning he was shaken to the base of his nature. But he had
fought off the realization of what he had done. He had prevented his mind from
taking it in, had suppressed it along with his instincts, and the conscious man
had nothing to do with it. He felt only as after a bout of intoxication, weak,
but the affair itself all dim and not to be recovered. Of the drunkenness of
his passion he successfully refused remembrance. And when his orderly appeared
with coffee, the officer assumed the same self he had had the morning before.
He refused the event of the past night—denied it had ever been—and
was successful in his denial. He had not done any such thing—not he
himself. Whatever there might be lay at the door of a stupid, insubordinate
servant.</p>
<p>The orderly had gone about in a stupor all the evening. He drank some beer
because he was parched, but not much, the alcohol made his feeling come back,
and he could not bear it. He was dulled, as if nine-tenths of the ordinary man
in him were inert. He crawled about disfigured. Still, when he thought of the
kicks, he went sick, and when he thought of the threat of more kicking, in the
room afterwards, his heart went hot and faint, and he panted, remembering the
one that had come. He had been forced to say, “For my girl.” He was
much too done even to want to cry. His mouth hung slightly open, like an
idiot’s. He felt vacant, and wasted. So, he wandered at his work,
painfully, and very slowly and clumsily, fumbling blindly with the brushes, and
finding it difficult, when he sat down, to summon the energy to move again. His
limbs, his jaw, were slack and nerveless. But he was very tired. He got to bed
at last, and slept inert, relaxed, in a sleep that was rather stupor than
slumber, a dead night of stupefaction shot through with gleams of anguish.</p>
<p>In the morning were the manœuvres. But he woke even before the bugle sounded.
The painful ache in his chest, the dryness of his throat, the awful steady
feeling of misery made his eyes come awake and dreary at once. He knew, without
thinking, what had happened. And he knew that the day had come again, when he
must go on with his round. The last bit of darkness was being pushed out of the
room. He would have to move his inert body and go on. He was so young, and had
known so little trouble, that he was bewildered. He only wished it would stay
night, so that he could lie still, covered up by the darkness. And yet nothing
would prevent the day from coming, nothing would save him from having to get up
and saddle the Captain’s horse, and make the Captain’s coffee. It
was there, inevitable. And then, he thought, it was impossible. Yet they would
not leave him free. He must go and take the coffee to the Captain. He was too
stunned to understand it. He only knew it was inevitable—inevitable
however long he lay inert.</p>
<p>At last, after heaving at himself, for he seemed to be a mass of inertia, he
got up. But he had to force every one of his movements from behind, with his
will. He felt lost, and dazed, and helpless. Then he clutched hold of the bed,
the pain was so keen. And looking at his thighs, he saw the darker bruises on
his swarthy flesh and he knew that, if he pressed one of his fingers on one of
the bruises, he should faint. But he did not want to faint—he did not
want anybody to know. No one should ever know. It was between him and the
Captain. There were only the two people in the world now—himself and the
Captain.</p>
<p>Slowly, economically, he got dressed and forced himself to walk. Everything was
obscure, except just what he had his hands on. But he managed to get through
his work. The very pain revived his dull senses. The worst remained yet. He
took the tray and went up to the Captain’s room. The officer, pale and
heavy, sat at the table. The orderly, as he saluted, felt himself put out of
existence. He stood still for a moment submitting to his own nullification,
then he gathered himself, seemed to regain himself, and then the Captain began
to grow vague, unreal, and the younger soldier’s heart beat up. He clung
to this situation—that the Captain did not exist—so that he himself
might live. But when he saw his officer’s hand tremble as he took the
coffee, he felt everything falling shattered. And he went away, feeling as if
he himself were coming to pieces, disintegrated. And when the Captain was there
on horseback, giving orders, while he himself stood, with rifle and knapsack,
sick with pain, he felt as if he must shut his eyes—as if he must shut
his eyes on everything. It was only the long agony of marching with a parched
throat that filled him with one single, sleep-heavy intention: to save himself.</p>
<h4>II</h4>
<p>He was getting used even to his parched throat. That the snowy peaks were
radiant among the sky, that the whity-green glacier-river twisted through its
pale shoals, in the valley below, seemed almost supernatural. But he was going
mad with fever and thirst. He plodded on uncomplaining. He did not want to
speak, not to anybody. There were two gulls, like flakes of water and snow,
over the river. The scent of green rye soaked in sunshine came like a sickness.
And the march continued, monotonously, almost like a bad sleep.</p>
<p>At the next farm-house, which stood low and broad near the high road, tubs of
water had been put out. The soldiers clustered round to drink. They took off
their helmets, and the steam mounted from their wet hair. The Captain sat on
horseback, watching. He needed to see his orderly. His helmet threw a dark
shadow over his light, fierce eyes, but his moustache and mouth and chin were
distinct in the sunshine. The orderly must move under the presence of the
figure of the horseman. It was not that he was afraid, or cowed. It was as if
he was disembowelled, made empty, like an empty shell. He felt himself as
nothing, a shadow creeping under the sunshine. And, thirsty as he was, he could
scarcely drink, feeling the Captain near him. He would not take off his helmet
to wipe his wet hair. He wanted to stay in shadow, not to be forced into
consciousness. Starting, he saw the light heel of the officer prick the belly
of the horse; the Captain cantered away, and he himself could relapse into
vacancy.</p>
<p>Nothing, however, could give him back his living place in the hot, bright
morning. He felt like a gap among it all. Whereas the Captain was prouder,
overriding. A hot flash went through the young servant’s body. The
Captain was firmer and prouder with life, he himself was empty as a shadow.
Again the flash went through him, dazing him out. But his heart ran a little
firmer.</p>
<p>The company turned up the hill, to make a loop for the return. Below, from
among the trees, the farm-bell clanged. He saw the labourers, mowing barefoot
at the thick grass, leave off their work and go downhill, their scythes hanging
over their shoulders, like long, bright claws curving down behind them. They
seemed like dream-people, as if they had no relation to himself. He felt as in
a blackish dream: as if all the other things were there and had form, but he
himself was only a consciousness, a gap that could think and perceive.</p>
<p>The soldiers were tramping silently up the glaring hillside. Gradually his head
began to revolve, slowly, rhythmically. Sometimes it was dark before his eyes,
as if he saw this world through a smoked glass, frail shadows and unreal. It
gave him a pain in his head to walk.</p>
<p>The air was too scented, it gave no breath. All the lush green-stuff seemed to
be issuing its sap, till the air was deathly, sickly with the smell of
greenness. There was the perfume of clover, like pure honey and bees. Then
there grew a faint acrid tang—they were near the beeches; and then a
queer clattering noise, and a suffocating, hideous smell; they were passing a
flock of sheep, a shepherd in a black smock, holding his crook. Why should the
sheep huddle together under this fierce sun. He felt that the shepherd would
not see him, though he could see the shepherd.</p>
<p>At last there was the halt. They stacked rifles in a conical stack, put down
their kit in a scattered circle around it, and dispersed a little, sitting on a
small knoll high on the hillside. The chatter began. The soldiers were steaming
with heat, but were lively. He sat still, seeing the blue mountains rising upon
the land, twenty kilometres away. There was a blue fold in the ranges, then out
of that, at the foot, the broad, pale bed of the river, stretches of
whity-green water between pinkish-grey shoals among the dark pine woods. There
it was, spread out a long way off. And it seemed to come downhill, the river.
There was a raft being steered, a mile away. It was a strange country. Nearer,
a red-roofed, broad farm with white base and square dots of windows crouched
beside the wall of beech foliage on the wood’s edge. There were long
strips of rye and clover and pale green corn. And just at his feet, below the
knoll, was a darkish bog, where globe flowers stood breathless still on their
slim stalks. And some of the pale gold bubbles were burst, and a broken
fragment hung in the air. He thought he was going to sleep.</p>
<p>Suddenly something moved into this coloured mirage before his eyes. The
Captain, a small, light-blue and scarlet figure, was trotting evenly between
the strips of corn, along the level brow of the hill. And the man making
flag-signals was coming on. Proud and sure moved the horseman’s figure,
the quick, bright thing, in which was concentrated all the light of this
morning, which for the rest lay a fragile, shining shadow. Submissive,
apathetic, the young soldier sat and stared. But as the horse slowed to a walk,
coming up the last steep path, the great flash flared over the body and soul of
the orderly. He sat waiting. The back of his head felt as if it were weighted
with a heavy piece of fire. He did not want to eat. His hands trembled slightly
as he moved them. Meanwhile the officer on horseback was approaching slowly and
proudly. The tension grew in the orderly’s soul. Then again, seeing the
Captain ease himself on the saddle, the flash blazed through him.</p>
<p>The Captain looked at the patch of light blue and scarlet, and dark heads,
scattered closely on the hillside. It pleased him. The command pleased him. And
he was feeling proud. His orderly was among them in common subjection. The
officer rose a little on his stirrups to look. The young soldier sat with
averted, dumb face. The Captain relaxed on his seat. His slim-legged, beautiful
horse, brown as a beech nut, walked proudly uphill. The Captain passed into the
zone of the company’s atmosphere: a hot smell of men, of sweat, of
leather. He knew it very well. After a word with the lieutenant, he went a few
paces higher, and sat there, a dominant figure, his sweat-marked horse swishing
its tail, while he looked down on his men, on his orderly, a nonentity among
the crowd.</p>
<p>The young soldier’s heart was like fire in his chest, and he breathed
with difficulty. The officer, looking downhill, saw three of the young
soldiers, two pails of water between them, staggering across a sunny green
field. A table had been set up under a tree, and there the slim lieutenant
stood, importantly busy. Then the Captain summoned himself to an act of
courage. He called his orderly.</p>
<p>The name leapt into the young soldier’s throat as he heard the command,
and he rose blindly stifled. He saluted, standing below the officer. He did not
look up. But there was the flicker in the Captain’s voice.</p>
<p>“Go to the inn and fetch me....” the officer gave his commands.
“Quick!” he added.</p>
<p>At the last word, the heart of the servant leapt with a flash, and he felt the
strength come over his body. But he turned in mechanical obedience, and set on
at a heavy run downhill, looking almost like a bear, his trousers bagging over
his military boots. And the officer watched this blind, plunging run all the
way.</p>
<p>But it was only the outside of the orderly’s body that was obeying so
humbly and mechanically. Inside had gradually accumulated a core into which all
the energy of that young life was compact and concentrated. He executed his
commission, and plodded quickly back uphill. There was a pain in his head, as
he walked, that made him twist his features unknowingly. But hard there in the
centre of his chest was himself, himself, firm, and not to be plucked to
pieces.</p>
<p>The captain had gone up into the wood. The orderly plodded through the hot,
powerfully smelling zone of the company’s atmosphere. He had a curious
mass of energy inside him now. The Captain was less real than himself. He
approached the green entrance to the wood. There, in the half-shade, he saw the
horse standing, the sunshine and the tuckering shadow of leaves dancing over
his brown body. There was a clearing where timber had lately been felled. Here,
in the gold-green shade beside the brilliant cup of sunshine, stood two
figures, blue and pink, the bits of pink showing out plainly. The Captain was
talking to his lieutenant.</p>
<p>The orderly stood on the edge of the bright clearing, where great trunks of
trees, stripped and glistening, lay stretched like naked, brown-skinned bodies.
Chips of wood littered the trampled floor, like splashed light, and the bases
of the felled trees stood here and there, with their raw, level tops. Beyond
was the brilliant, sunlit green of a beech.</p>
<p>“Then I will ride forward,” the orderly heard his Captain say. The
lieutenant saluted and strode away. He himself went forward. A hot flash passed
through his belly, as he tramped towards his officer.</p>
<p>The Captain watched the rather heavy figure of the young soldier stumble
forward, and his veins, too, ran hot. This was to be man to man between them.
He yielded before the solid, stumbling figure with bent head. The orderly
stooped and put the food on a level-sawn tree-base. The Captain watched the
glistening, sun-inflamed, naked hands. He wanted to speak to the young soldier,
but could not. The servant propped a bottle against his thigh, pressed open the
cork, and poured out the beer into the mug. He kept his head bent. The Captain
accepted the mug.</p>
<p>“Hot!” he said, as if amiably.</p>
<p>The flame sprang out of the orderly’s heart, nearly suffocating him.</p>
<p>“Yes, sir,” he replied, between shut teeth.</p>
<p>And he heard the sound of the Captain’s drinking, and he clenched his
fists, such a strong torment came into his wrists. Then came the faint clang of
the closing of the pot-lid. He looked up. The Captain was watching him. He
glanced swiftly away. Then he saw the officer stoop and take a piece of bread
from the tree-base. Again the flash of flame went through the young soldier,
seeing the stiff body stoop beneath him, and his hands jerked. He looked away.
He could feel the officer was nervous. The bread fell as it was being broken
The officer ate the other piece. The two men stood tense and still, the master
laboriously chewing his bread, the servant staring with averted face, his fist
clenched.</p>
<p>Then the young soldier started. The officer had pressed open the lid of the mug
again. The orderly watched the lid of the mug, and the white hand that clenched
the handle, as if he were fascinated. It was raised. The youth followed it with
his eyes. And then he saw the thin, strong throat of the elder man moving up
and down as he drank, the strong jaw working. And the instinct which had been
jerking at the young man’s wrists suddenly jerked free. He jumped,
feeling as if it were rent in two by a strong flame.</p>
<p>The spur of the officer caught in a tree-root, he went down backwards with a
crash, the middle of his back thudding sickeningly against a sharp-edged
tree-base, the pot flying away. And in a second the orderly, with serious,
earnest young face, and under-lip between his teeth, had got his knee in the
officer’s chest and was pressing the chin backward over the farther edge
of the tree-stump, pressing, with all his heart behind in a passion of relief,
the tension of his wrists exquisite with relief. And with the base of his palms
he shoved at the chin, with all his might. And it was pleasant, too, to have
that chin, that hard jaw already slightly rough with beard, in his hands. He
did not relax one hair’s breadth, but, all the force of all his blood
exulting in his thrust, he shoved back the head of the other man, till there
was a little cluck and a crunching sensation. Then he felt as if his head went
to vapour. Heavy convulsions shook the body of the officer, frightening and
horrifying the young soldier. Yet it pleased him, too, to repress them. It
pleased him to keep his hands pressing back the chin, to feel the chest of the
other man yield in expiration to the weight of his strong, young knees, to feel
the hard twitchings of the prostrate body jerking his own whole frame, which
was pressed down on it.</p>
<p>But it went still. He could look into the nostrils of the other man, the eyes
he could scarcely see. How curiously the mouth was pushed out, exaggerating the
full lips, and the moustache bristling up from them. Then, with a start, he
noticed the nostrils gradually filled with blood. The red brimmed, hesitated,
ran over, and went in a thin trickle down the face to the eyes.</p>
<p>It shocked and distressed him. Slowly, he got up. The body twitched and
sprawled there, inert. He stood and looked at it in silence. It was a pity it
was broken. It represented more than the thing which had kicked and bullied
him. He was afraid to look at the eyes. They were hideous now, only the whites
showing, and the blood running to them. The face of the orderly was drawn with
horror at the sight. Well, it was so. In his heart he was satisfied. He had
hated the face of the Captain. It was extinguished now. There was a heavy
relief in the orderly’s soul. That was as it should be. But he could not
bear to see the long, military body lying broken over the tree-base, the fine
fingers crisped. He wanted to hide it away.</p>
<p>Quickly, busily, he gathered it up and pushed it under the felled tree-trunks,
which rested their beautiful, smooth length either end on logs. The face was
horrible with blood. He covered it with the helmet. Then he pushed the limbs
straight and decent, and brushed the dead leaves off the fine cloth of the
uniform. So, it lay quite still in the shadow under there. A little strip of
sunshine ran along the breast, from a chink between the logs. The orderly sat
by it for a few moments. Here his own life also ended.</p>
<p>Then, through his daze, he heard the lieutenant, in a loud voice, explaining to
the men outside the wood, that they were to suppose the bridge on the river
below was held by the enemy. Now they were to march to the attack in such and
such a manner. The lieutenant had no gift of expression. The orderly, listening
from habit, got muddled. And when the lieutenant began it all again he ceased
to hear. He knew he must go. He stood up. It surprised him that the leaves were
glittering in the sun, and the chips of wood reflecting white from the ground.
For him a change had come over the world. But for the rest it had not—all
seemed the same. Only he had left it. And he could not go back. It was his duty
to return with the beer-pot and the bottle. He could not. He had left all that.
The lieutenant was still hoarsely explaining. He must go, or they would,
overtake him. And he could not bear contact with anyone now.</p>
<p>He drew his fingers over his eyes, trying to find out where he was. Then he
turned away. He saw the horse standing in the path. He went up to it and
mounted. It hurt him to sit in the saddle. The pain of keeping his seat
occupied him as they cantered through the wood. He would not have minded
anything, but he could not get away from the sense of being divided from the
others. The path led out of the trees. On the edge of the wood he pulled up and
stood watching. There in the spacious sunshine of the valley soldiers were
moving in a little swarm. Every now and then, a man harrowing on a strip of
fallow shouted to his oxen, at the turn. The village and the white-towered
church was small in the sunshine. And he no longer belonged to it—he sat
there, beyond, like a man outside in the dark. He had gone out from everyday
life into the unknown, and he could not, he even did not want to go back.</p>
<p>Turning from the sun-blazing valley, he rode deep into the wood. Tree-trunks,
like people standing grey and still, took no notice as he went. A doe, herself
a moving bit of sunshine and shadow, went running through the flecked shade.
There were bright green rents in the foliage. Then it was all pine wood, dark
and cool. And he was sick with pain, he had an intolerable great pulse in his
head, and he was sick. He had never been ill in his life, he felt lost, quite
dazed with all this.</p>
<p>Trying to get down from the horse, he fell, astonished at the pain and his lack
of balance. The horse shifted uneasily. He jerked its bridle and sent it
cantering jerkily away. It was his last connection with the rest of things.</p>
<p>But he only wanted to lie down and not be disturbed. Stumbling through the
trees, he came on a quiet place where beeches and pine trees grew on a slope.
Immediately he had lain down and closed his eyes, his consciousness went racing
on without him. A big pulse of sickness beat in him as if it throbbed through
the whole earth. He was burning with dry heat. But he was too busy, too
tearingly active in the incoherent race of delirium to observe.</p>
<h4>III</h4>
<p>He came to with a start. His mouth was dry and hard, his heart beat heavily,
but he had not the energy to get up. His heart beat heavily. Where was
he?—the barracks—at home? There was something knocking. And, making
an effort, he looked round—trees, and litter of greenery, and reddish,
night, still pieces of sunshine on the floor. He did not believe he was
himself, he did not believe what he saw. Something was knocking. He made a
struggle towards consciousness, but relapsed. Then he struggled again. And
gradually his surroundings fell into relationship with himself. He knew, and a
great pang of fear went through his heart. Somebody was knocking. He could see
the heavy, black rags of a fir tree overhead. Then everything went black. Yet
he did not believe he had closed his eyes. He had not. Out of the blackness
sight slowly emerged again. And someone was knocking. Quickly, he saw the
blood-disgfigured face of his Captain, which he hated. And he held himself
still with horror. Yet, deep inside him, he knew that it was so, the Captain
should be dead. But the physical delirium got hold of him. Someone was
knocking. He lay perfectly still, as if dead, with fear. And he went
unconscious.</p>
<p>When he opened his eyes again, he started, seeing something creeping swiftly up
a tree-trunk. It was a little bird. And the bird was whistling overhead.
Tap-tap-tap—it was the small, quick bird rapping the tree-trunk with its
beak, as if its head were a little round hammer. He watched it curiously. It
shifted sharply, in its creeping fashion. Then, like a mouse, it slid down the
bare trunk. Its swift creeping sent a flash of revulsion through him. He raised
his head. It felt a great weight. Then, the little bird ran out of the shadow
across a still patch of sunshine, its little head bobbing swiftly, its white
legs twinkling brightly for a moment. How neat it was in its build, so compact,
with pieces of white on its wings. There were several of them. They were so
pretty—but they crept like swift, erratic mice, running here and there
among the beech-mast.</p>
<p>He lay down again exhausted, and his consciousness lapsed. He had a horror of
the little creeping birds. All his blood seemed to be darting and creeping in
his head. And yet he could not move.</p>
<p>He came to with a further ache of exhaustion. There was the pain in his head,
and the horrible sickness, and his inability to move. He had never been ill in
his life. He did not know where he was or what he was. Probably he had got
sunstroke. Or what else?—he had silenced the Captain for ever—some
time ago—oh, a long time ago. There had been blood on his face, and his
eyes had turned upwards. It was all right, somehow. It was peace. But now he
had got beyond himself. He had never been here before. Was it life, or not
life? He was by himself. They were in a big, bright place, those others, and he
was outside. The town, all the country, a big bright place of light: and he was
outside, here, in the darkened open beyond, where each thing existed alone. But
they would all have to come out there sometime, those others. Little, and left
behind him, they all were. There had been father and mother and sweetheart.
What did they all matter? This was the open land.</p>
<p>He sat up. Something scuffled. It was a little, brown squirrel running in
lovely, undulating bounds over the floor, its red tail completing the
undulation of its body—and then, as it sat up, furling and unfurling. He
watched it, pleased. It ran on friskily, enjoying itself. It flew wildly at
another squirrel, and they were chasing each other, and making little scolding,
chattering noises. The soldier wanted to speak to them. But only a hoarse sound
came out of his throat. The squirrels burst away—they flew up the trees.
And then he saw the one peeping round at him, half-way up a tree-trunk. A start
of fear went through him, though, in so far as he was conscious, he was amused.
It still stayed, its little, keen face staring at him halfway up the
tree-trunk, its little ears pricked up, its clawey little hands clinging to the
bark, its white breast reared. He started from it in panic.</p>
<p>Struggling to his feet, he lurched away. He went on walking, walking, looking
for something for a drink. His brain felt hot and inflamed for want of water.
He stumbled on. Then he did not know anything. He went unconscious as he
walked. Yet he stumbled on, his mouth open.</p>
<p>When, to his dumb wonder, he opened his eyes on the world again, he no longer
tried to remember what it was. There was thick, golden light behind
golden-green glitterings, and tall, grey-purple shafts, and darknesses further
off, surrounding him, growing deeper. He was conscious of a sense of arrival.
He was amid the reality, on the real, dark bottom. But there was the thirst
burning in his brain. He felt lighter, not so heavy. He supposed it was
newness.</p>
<p>The air was muttering with thunder. He thought he was walking wonderfully
swiftly and was coming straight to relief—or was it to water?</p>
<p>Suddenly he stood still with fear. There was a tremendous flare of gold,
immense—just a few dark trunks like bars between him and it. All the
young level wheat was burnished gold glaring on its silky green. A woman,
full-skirted, a black cloth on her head for head-dress, was passing like a
block of shadow through the glistening, green corn, into the full glare. There
was a farm, too, pale blue in shadow, and the timber black. And there was a
church spire, nearly fused away in the gold. The woman moved on, away from him.
He had no language with which to speak to her. She was the bright, solid
unreality. She would make a noise of words that would confuse him, and her eyes
would look at him without seeing him. She was crossing there to the other side.
He stood against a tree.</p>
<p>When at last he turned, looking down the long, bare grove whose flat bed was
already filling dark, he saw the mountains in a wonder-light, not far away, and
radiant. Behind the soft, grey ridge of the nearest range the further mountains
stood golden and pale grey, the snow all radiant like pure, soft gold. So
still, gleaming in the sky, fashioned pure out of the ore of the sky, they
shone in their silence. He stood and looked at them, his face illuminated. And
like the golden, lustrous gleaming of the snow he felt his own thirst bright in
him. He stood and gazed, leaning against a tree. And then everything slid away
into space.</p>
<p>During the night the lightning fluttered perpetually, making the whole sky
white. He must have walked again. The world hung livid round him for moments,
fields a level sheen of grey-green light, trees in dark bulk, and the range of
clouds black across a white sky. Then the darkness fell like a shutter, and the
night was whole. A faint mutter of a half-revealed world, that could not quite
leap out of the darkness!—Then there again stood a sweep of pallor for
the land, dark shapes looming, a range of clouds hanging overhead. The world
was a ghostly shadow, thrown for a moment upon the pure darkness, which
returned ever whole and complete.</p>
<p>And the mere delirium of sickness and fever went on inside him—his brain
opening and shutting like the night—then sometimes convulsions of terror
from something with great eyes that stared round a tree—then the long
agony of the march, and the sun decomposing his blood—then the pang of
hate for the Captain, followed, by a pang of tenderness and ease. But
everything was distorted, born of an ache and resolving into an ache.</p>
<p>In the morning he came definitely awake. Then his brain flamed with the sole
horror of thirstiness! The sun was on his face, the dew was steaming from his
wet clothes. Like one possessed, he got up. There, straight in front of him,
blue and cool and tender, the mountains ranged across the pale edge of the
morning sky. He wanted them—he wanted them alone—he wanted to leave
himself and be identified with them. They did not move, they were still and
soft, with white, gentle markings of snow. He stood still, mad with suffering,
his hands crisping and clutching. Then he was twisting in a paroxysm on the
grass.</p>
<p>He lay still, in a kind of dream of anguish. His thirst seemed to have
separated itself from him, and to stand apart, a single demand. Then the pain
he felt was another single self. Then there was the clog of his body, another
separate thing. He was divided among all kinds of separate beings. There was
some strange, agonized connection between them, but they were drawing further
apart. Then they would all split. The sun, drilling down on him, was drilling
through the bond. Then they would all fall, fall through the everlasting lapse
of space. Then again, his consciousness reasserted itself. He roused on to his
elbow and stared at the gleaming mountains. There they ranked, all still and
wonderful between earth and heaven. He stared till his eyes went black, and the
mountains, as they stood in their beauty, so clean and cool, seemed to have it,
that which was lost in him.</p>
<h4>IV</h4>
<p>When the soldiers found him, three hours later, he was lying with his face over
his arm, his black hair giving off heat under the sun. But he was still alive.
Seeing the open, black mouth the young soldiers dropped him in horror.</p>
<p>He died in the hospital at night, without having seen again.</p>
<p>The doctors saw the bruises on his legs, behind, and were silent.</p>
<p>The bodies of the two men lay together, side by side, in the mortuary, the one
white and slender, but laid rigidly at rest, the other looking as if every
moment it must rouse into life again, so young and unused, from a slumber.</p>
<h3><SPAN name="chap02"></SPAN>The Thorn in the Flesh</h3>
<h4>I</h4>
<p>A wind was running, so that occasionally the poplars whitened as if a flame
flew up them. The sky was broken and blue among moving clouds. Patches of
sunshine lay on the level fields, and shadows on the rye and the vineyards. In
the distance, very blue, the cathedral bristled against the sky, and the houses
of the city of Metz clustered vaguely below, like a hill.</p>
<p>Among the fields by the lime trees stood the barracks, upon bare, dry ground, a
collection of round-roofed huts of corrugated iron, where the soldiers’
nasturtiums climbed brilliantly. There was a tract of vegetable garden at the
side, with the soldiers’ yellowish lettuces in rows, and at the back the
big, hard drilling-yard surrounded by a wire fence.</p>
<p>At this time in the afternoon, the huts were deserted, all the beds pushed up,
the soldiers were lounging about under the lime trees waiting for the call to
drill. Bachmann sat on a bench in the shade that smelled sickly with blossom.
Pale green, wrecked lime flowers were scattered on the ground. He was writing
his weekly post card to his mother. He was a fair, long, limber youth, good
looking. He sat very still indeed, trying to write his post card. His blue
uniform, sagging on him as he sat bent over the card, disfigured his youthful
shape. His sunburnt hand waited motionless for the words to come. “Dear
mother”—was all he had written. Then he scribbled mechanically:
“Many thanks for your letter with what you sent. Everything is all right
with me. We are just off to drill on the fortifications——”
Here he broke off and sat suspended, oblivious of everything, held in some
definite suspense. He looked again at the card. But he could write no more. Out
of the knot of his consciousness no word would come. He signed himself, and
looked up, as a man looks to see if anyone has noticed him in his privacy.</p>
<p>There was a self-conscious strain in his blue eyes, and a pallor about his
mouth, where the young, fair moustache glistened. He was almost girlish in his
good looks and his grace. But he had something of military consciousness, as if
he believed in the discipline for himself, and found satisfaction in delivering
himself to his duty. There was also a trace of youthful swagger and
dare-devilry about his mouth and his limber body, but this was in suppression
now.</p>
<p>He put the post card in the pocket of his tunic, and went to join a group of
his comrades who were lounging in the shade, laughing and talking grossly.
Today he was out of it. He only stood near to them for the warmth of the
association. In his own consciousness something held him down.</p>
<p>Presently they were summoned to ranks. The sergeant came out to take command.
He was a strongly built, rather heavy man of forty. His head was thrust
forward, sunk a little between his powerful shoulders, and the strong jaw was
pushed out aggressively. But the eyes were smouldering, the face hung slack and
sodden with drink.</p>
<p>He gave his orders in brutal, barking shouts, and the little company moved
forward, out of the wire-fenced yard to the open road, marching rhythmically,
raising the dust. Bachmann, one of the inner file of four deep, marched in the
airless ranks, half suffocated with heat and dust and enclosure. Through the
moving of his comrades’ bodies, he could see the small vines dusty by the
roadside, the poppies among the tares fluttering and blown to pieces, the
distant spaces of sky and fields all free with air and sunshine. But he was
bound in a very dark enclosure of anxiety within himself.</p>
<p>He marched with his usual ease, being healthy and well adjusted. But his body
went on by itself. His spirit was clenched apart. And ever the few soldiers
drew nearer and nearer to the town, ever the consciousness of the youth became
more gripped and separate, his body worked by a kind of mechanical
intelligence, a mere presence of mind.</p>
<p>They diverged from the high road and passed in single file down a path among
trees. All was silent and green and mysterious, with shadow of foliage and
long, green, undisturbed grass. Then they came out in the sunshine on a moat of
water, which wound silently between the long, flowery grass, at the foot of the
earthworks, that rose in front in terraces walled smooth on the face, but all
soft with long grass at the top. Marguerite daisies and lady’s-slipper
glimmered white and gold in the lush grass, preserved here in the intense peace
of the fortifications. Thickets of trees stood round about. Occasionally a puff
of mysterious wind made the flowers and the long grass that crested the
earthworks above bow and shake as with signals of oncoming alarm.</p>
<p>The group of soldiers stood at the end of the moat, in their light blue and
scarlet uniforms, very bright. The sergeant was giving them instructions, and
his shout came sharp and alarming in the intense, untouched stillness of the
place. They listened, finding it difficult to make the effort of understanding.</p>
<p>Then it was over, and the men were moving to make preparations. On the other
side of the moat the ramparts rose smooth and clear in the sun, sloping
slightly back. Along the summit grass grew and tall daisies stood ledged high,
like magic, against the dark green of the tree-tops behind. The noise of the
town, the running of tram-cars, was heard distinctly, but it seemed not to
penetrate this still place.</p>
<p>The water of the moat was motionless. In silence the practice began. One of the
soldiers took a scaling ladder, and passing along the narrow ledge at the foot
of the earthworks, with the water of the moat just behind him, tried to get a
fixture on the slightly sloping wall-face. There he stood, small and isolated,
at the foot of the wall, trying to get his ladder settled. At last it held, and
the clumsy, groping figure in the baggy blue uniform began to clamber up. The
rest of the soldiers stood and watched. Occasionally the sergeant barked a
command. Slowly the clumsy blue figure clambered higher up the wall-face.
Bachmann stood with his bowels turned to water. The figure of the climbing
soldier scrambled out on to the terrace up above, and moved, blue and distinct,
among the bright green grass. The officer shouted from below. The soldier
tramped along, fixed the ladder in another spot, and carefully lowered himself
on to the rungs. Bachmann watched the blind foot groping in space for the
ladder, and he felt the world fall away beneath him. The figure of the soldier
clung cringing against the face of the wall, cleaving, groping downwards like
some unsure insect working its way lower and lower, fearing every movement. At
last, sweating and with a strained face, the figure had landed safely and
turned to the group of soldiers. But still it had a stiffness and a blank,
mechanical look, was something less than human.</p>
<p>Bachmann stood there heavy and condemned, waiting for his own turn and
betrayal. Some of the men went up easily enough, and without fear. That only
showed it could be done lightly, and made Bachmann’s case more bitter. If
only he could do it lightly, like that.</p>
<p>His turn came. He knew intuitively that nobody knew his condition. The officer
just saw him as a mechanical thing. He tried to keep it up, to carry it through
on the face of things. His inside gripped tight, as yet under control, he took
the ladder and went along under the wall. He placed his ladder with quick
success, and wild, quivering hope possessed him. Then blindly he began to
climb. But the ladder was not very firm, and at every hitch a great, sick,
melting feeling took hold of him. He clung on fast. If only he could keep that
grip on himself, he would get through. He knew this, in agony. What he could
not understand was the blind gush of white-hot fear, that came with great force
whenever the ladder swerved, and which almost melted his belly and all his
joints, and left him powerless. If once it melted all his joints and his belly,
he was done. He clung desperately to himself. He knew the fear, he knew what it
did when it came, he knew he had only to keep a firm hold. He knew all this.
Yet, when the ladder swerved, and his foot missed, there was the great blast of
fear blowing on his heart and bowels, and he was melting weaker and weaker, in
a horror of fear and lack of control, melting to fall.</p>
<p>Yet he groped slowly higher and higher, always staring upwards with desperate
face, and always conscious of the space below. But all of him, body and soul,
was growing hot to fusion point. He would have to let go for very
relief’s sake. Suddenly his heart began to lurch. It gave a great, sickly
swoop, rose, and again plunged in a swoop of horror. He lay against the wall
inert as if dead, inert, at peace, save for one deep core of anxiety, which
knew that it was <i>not</i> all over, that he was still high in space against
the wall. But the chief effort of will was gone.</p>
<p>There came into his consciousness a small, foreign sensation. He woke up a
little. What was it? Then slowly it penetrated him. His water had run down his
leg. He lay there, clinging, still with shame, half conscious of the echo of
the sergeant’s voice thundering from below. He waited, in depths of shame
beginning to recover himself. He had been shamed so deeply. Then he could go
on, for his fear for himself was conquered. His shame was known and published.
He must go on.</p>
<p>Slowly he began to grope for the rung above, when a great shock shook through
him. His wrists were grasped from above, he was being hauled out of himself up,
up to the safe ground. Like a sack he was dragged over the edge of the
earthworks by the large hands, and landed there on his knees, grovelling in the
grass to recover command of himself, to rise up on his feet.</p>
<p>Shame, blind, deep shame and ignominy overthrew his spirit and left it
writhing. He stood there shrunk over himself, trying to obliterate himself.</p>
<p>Then the presence of the officer who had hauled him up made itself felt upon
him. He heard the panting of the elder man, and then the voice came down on his
veins like a fierce whip. He shrank in tension of shame.</p>
<p>“Put up your head—eyes front,” shouted the enraged sergeant,
and mechanically the soldier obeyed the command, forced to look into the eyes
of the sergeant. The brutal, hanging face of the officer violated the youth. He
hardened himself with all his might from seeing it. The tearing noise of the
sergeant’s voice continued to lacerate his body.</p>
<p>Suddenly he set back his head, rigid, and his heart leapt to burst. The face
had suddenly thrust itself close, all distorted and showing the teeth, the eyes
smouldering into him. The breath of the barking words was on his nose and
mouth. He stepped aside in revulsion. With a scream the face was upon him
again. He raised his arm, involuntarily, in self-defence. A shock of horror
went through him, as he felt his forearm hit the face of the officer a brutal
blow. The latter staggered, swerved back, and with a curious cry, reeled
backwards over the ramparts, his hands clutching the air. There was a second of
silence, then a crash to water.</p>
<p>Bachmann, rigid, looked out of his inner silence upon the scene. Soldiers were
running.</p>
<p>“You’d better clear,” said one young, excited voice to him.
And with immediate instinctive decision he started to walk away from the spot.
He went down the tree-hidden path to the high road where the trams ran to and
from the town. In his heart was a sense of vindication, of escape. He was
leaving it all, the military world, the shame. He was walking away from it.</p>
<p>Officers on horseback rode sauntering down the street, soldiers passed along
the pavement. Coming to the bridge, Bachmann crossed over to the town that
heaped before him, rising from the flat, picturesque French houses down below
at the water’s edge, up a jumble of roofs and chasms of streets, to the
lovely dark cathedral with its myriad pinnacles making points at the sky.</p>
<p>He felt for the moment quite at peace, relieved from a great strain. So he
turned along by the river to the public gardens. Beautiful were the heaped,
purple lilac trees upon the green grass, and wonderful the walls of the
horse-chestnut trees, lighted like an altar with white flowers on every ledge.
Officers went by, elegant and all coloured, women and girls sauntered in the
chequered shade. Beautiful it was, he walked in a vision, free.</p>
<h4>II</h4>
<p>But where was he going? He began to come out of his trance of delight and
liberty. Deep within him he felt the steady burning of shame in the flesh. As
yet he could not bear to think of it. But there it was, submerged beneath his
attention, the raw, steady-burning shame.</p>
<p>It behoved him to be intelligent. As yet he dared not remember what he had
done. He only knew the need to get away, away from everything he had been in
contact with.</p>
<p>But how? A great pang of fear went through him. He could not bear his shamed
flesh to be put again between the hands of authority. Already the hands had
been laid upon him, brutally upon his nakedness, ripping open his shame and
making him maimed, crippled in his own control.</p>
<p>Fear became an anguish. Almost blindly he was turning in the direction of the
barracks. He could not take the responsibility of himself. He must give himself
up to someone. Then his heart, obstinate in hope, became obsessed with the idea
of his sweetheart. He would make himself her responsibility.</p>
<p>Blenching as he took courage, he mounted the small, quick-hurrying tram that
ran out of the town in the direction of the barracks. He sat motionless and
composed, static.</p>
<p>He got out at the terminus and went down the road. A wind was still running. He
could hear the faint whisper of the rye, and the stronger swish as a sudden
gust was upon it. No one was about. Feeling detached and impersonal, he went
down a field-path between the low vines. Many little vine trees rose up in
spires, holding out tender pink shoots, waving their tendrils. He saw them
distinctly and wondered over them. In a field a little way off, men and women
were taking up the hay. The bullock-waggon stood by on the path, the men in
their blue shirts, the women with white cloths over their heads carried hay in
their arms to the cart, all brilliant and distinct upon the shorn, glowing
green acres. He felt himself looking out of darkness on to the glamorous,
brilliant beauty of the world around him, outside him.</p>
<p>The Baron’s house, where Emilie was maidservant, stood square and mellow
among trees and garden and fields. It was an old French grange. The barracks
was quite near. Bachmann walked, drawn by a single purpose, towards the
courtyard. He entered the spacious, shadowy, sun-swept place. The dog, seeing a
soldier, only jumped and whined for greeting. The pump stood peacefully in a
corner, under a lime tree, in the shade.</p>
<p>The kitchen door was open. He hesitated, then walked in, speaking shyly and
smiling involuntarily. The two women started, but with pleasure. Emilie was
preparing the tray for afternoon coffee. She stood beyond the table, drawn up,
startled, and challenging, and glad. She had the proud, timid eyes of some wild
animal, some proud animal. Her black hair was closely banded, her grey eyes
watched steadily. She wore a peasant dress of blue cotton sprigged with little
red roses, that buttoned tight over her strong maiden breasts.</p>
<p>At the table sat another young woman, the nursery governess, who was picking
cherries from a huge heap, and dropping them into a bowl. She was young,
pretty, freckled.</p>
<p>“Good day!” she said pleasantly. “The unexpected.”</p>
<p>Emilie did not speak. The flush came in her dark cheek. She still stood
watching, between fear and a desire to escape, and on the other hand joy that
kept her in his presence.</p>
<p>“Yes,” he said, bashful and strained, while the eyes of the two
women were upon him. “I’ve got myself in a mess this time.”</p>
<p>“What?” asked the nursery governess, dropping her hands in her lap.
Emilie stood rigid.</p>
<p>Bachmann could not raise his head. He looked sideways at the glistening, ruddy
cherries. He could not recover the normal world.</p>
<p>“I knocked Sergeant Huber over the fortifications down into the
moat,” he said. “It was an accident—but——”</p>
<p>And he grasped at the cherries, and began to eat them, unknowing, hearing only
Emilie’s little exclamation.</p>
<p>“You knocked him over the fortifications!” echoed Fräulein Hesse in
horror. “How?”</p>
<p>Spitting the cherry-stones into his hand, mechanically, absorbedly, he told
them.</p>
<p>“Ach!” exclaimed Emilie sharply.</p>
<p>“And how did you get here?” asked Fräulein Hesse.</p>
<p>“I ran off,” he said.</p>
<p>There was a dead silence. He stood, putting himself at the mercy of the women.
There came a hissing from the stove, and a stronger smell of coffee. Emilie
turned swiftly away. He saw her flat, straight back and her strong loins, as
she bent over the stove.</p>
<p>“But what are you going to do?” said Fräulein Hesse, aghast.</p>
<p>“I don’t know,” he said, grasping at more cherries. He had
come to an end.</p>
<p>“You’d better go to the barracks,” she said.
“We’ll get the Herr Baron to come and see about it.”</p>
<p>Emilie was swiftly and quietly preparing the tray. She picked it up, and stood
with the glittering china and silver before her, impassive, waiting for his
reply. Bachmann remained with his head dropped, pale and obstinate. He could
not bear to go back.</p>
<p>“I’m going to try to get into France,” he said.</p>
<p>“Yes, but they’ll catch you,” said Fräulein Hesse.</p>
<p>Emilie watched with steady, watchful grey eyes.</p>
<p>“I can have a try, if I could hide till tonight,” he said.</p>
<p>Both women knew what he wanted. And they all knew it was no good. Emilie picked
up the tray, and went out. Bachmann stood with his head dropped. Within himself
he felt the dross of shame and incapacity.</p>
<p>“You’d never get away,” said the governess.</p>
<p>“I can try,” he said.</p>
<p>Today he could not put himself between the hands of the military. Let them do
as they liked with him tomorrow, if he escaped today.</p>
<p>They were silent. He ate cherries. The colour flushed bright into the cheek of
the young governess.</p>
<p>Emilie returned to prepare another tray.</p>
<p>“He could hide in your room,” the governess said to her.</p>
<p>The girl drew herself away. She could not bear the intrusion.</p>
<p>“That is all I can think of that is safe from the children,” said
Fräulein Hesse.</p>
<p>Emilie gave no answer. Bachmann stood waiting for the two women. Emilie did not
want the close contact with him.</p>
<p>“You could sleep with me,” Fräulein Hesse said to her.</p>
<p>Emilie lifted her eyes and looked at the young man, direct, clear, reserving
herself.</p>
<p>“Do you want that?” she asked, her strong virginity proof against
him.</p>
<p>“Yes—yes——” he said uncertainly, destroyed by
shame.</p>
<p>She put back her head.</p>
<p>“Yes,” she murmured to herself.</p>
<p>Quickly she filled the tray, and went out.</p>
<p>“But you can’t walk over the frontier in a night,” said
Fräulein Hesse.</p>
<p>“I can cycle,” he said.</p>
<p>Emilie returned, a restraint, a neutrality, in her bearing.</p>
<p>“I’ll see if it’s all right,” said the governess.</p>
<p>In a moment or two Bachmann was following Emilie through the square hall, where
hung large maps on the walls. He noticed a child’s blue coat with brass
buttons on the peg, and it reminded him of Emilie walking holding the hand of
the youngest child, whilst he watched, sitting under the lime tree. Already
this was a long way off. That was a sort of freedom he had lost, changed for a
new, immediate anxiety.</p>
<p>They went quickly, fearfully up the stairs and down a long corridor. Emilie
opened her door, and he entered, ashamed, into her room.</p>
<p>“I must go down,” she murmured, and she departed, closing the door
softly.</p>
<p>It was a small, bare, neat room. There was a little dish for holy-water, a
picture of the Sacred Heart, a crucifix, and a <i>prie-Dieu</i>. The small bed
lay white and untouched, the wash-hand bowl of red earth stood on a bare table,
there was a little mirror and a small chest of drawers. That was all.</p>
<p>Feeling safe, in sanctuary, he went to the window, looking over the courtyard
at the shimmering, afternoon country. He was going to leave this land, this
life. Already he was in the unknown.</p>
<p>He drew away into the room. The curious simplicity and severity of the little
Roman Catholic bedroom was foreign but restoring to him. He looked at the
crucifix. It was a long, lean, peasant Christ carved by a peasant in the Black
Forest. For the first time in his life, Bachmann saw the figure as a human
thing. It represented a man hanging there in helpless torture. He stared at it,
closely, as if for new knowledge.</p>
<p>Within his own flesh burned and smouldered the restless shame. He could not
gather himself together. There was a gap in his soul. The shame within him
seemed to displace his strength and his manhood.</p>
<p>He sat down on his chair. The shame, the roused feeling of exposure acted on
his brain, made him heavy, unutterably heavy.</p>
<p>Mechanically, his wits all gone, he took off his boots, his belt, his tunic,
put them aside, and lay down, heavy, and fell into a kind of drugged sleep.</p>
<p>Emilie came in a little while, and looked at him. But he was sunk in sleep. She
saw him lying there inert, and terribly still, and she was afraid. His shirt
was unfastened at the throat. She saw his pure white flesh, very clean and
beautiful. And he slept inert. His legs, in the blue uniform trousers, his feet
in the coarse stockings, lay foreign on her bed. She went away.</p>
<h4>III</h4>
<p>She was uneasy, perturbed to her last fibre. She wanted to remain clear, with
no touch on her. A wild instinct made her shrink away from any hands which
might be laid on her.</p>
<p>She was a foundling, probably of some gipsy race, brought up in a Roman
Catholic Rescue Home. A naïve, paganly religious being, she was attached to the
Baroness, with whom she had served for seven years, since she was fourteen.</p>
<p>She came into contact with no one, unless it were with Ida Hesse, the
governess. Ida was a calculating, good-natured, not very straightforward flirt.
She was the daughter of a poor country doctor. Having gradually come into
connection with Emilie, more an alliance than an attachment, she put no
distinction of grade between the two of them. They worked together, sang
together, walked together, and went together to the rooms of Franz Brand,
Ida’s sweetheart. There the three talked and laughed together, or the
women listened to Franz, who was a forester, playing on his violin.</p>
<p>In all this alliance there was no personal intimacy between the young women.
Emilie was naturally secluded in herself, of a reserved, native race. Ida used
her as a kind of weight to balance her own flighty movement. But the quick,
shifty governess, occupied always in her dealings with admirers, did all she
could to move the violent nature of Emilie towards some connection with men.</p>
<p>But the dark girl, primitive yet sensitive to a high degree, was fiercely
virgin. Her blood flamed with rage when the common soldiers made the long,
sucking, kissing noise behind her as she passed. She hated them for their
almost jeering offers. She was well protected by the Baroness.</p>
<p>And her contempt of the common men in general was ineffable. But she loved the
Baroness, and she revered the Baron, and she was at her ease when she was doing
something for the service of a gentleman. Her whole nature was at peace in the
service of real masters or mistresses. For her, a gentleman had some mystic
quality that left her free and proud in service. The common soldiers were
brutes, merely nothing. Her desire was to serve.</p>
<p>She held herself aloof. When, on Sunday afternoon, she had looked through the
windows of the Reichshalle in passing, and had seen the soldiers dancing with
the common girls, a cold revulsion and anger had possessed her. She could not
bear to see the soldiers taking off their belts and pulling open their tunics,
dancing with their shirts showing through the open, sagging tunic, their
movements gross, their faces transfigured and sweaty, their coarse hands
holding their coarse girls under the arm-pits, drawing the female up to their
breasts. She hated to see them clutched breast to breast, the legs of the men
moving grossly in the dance.</p>
<p>At evening, when she had been in the garden, and heard on the other side of the
hedge the sexual inarticulate cries of the girls in the embraces of the
soldiers, her anger had been too much for her, and she had cried, loud and
cold:</p>
<p>“What are you doing there, in the hedge?”</p>
<p>She would have had them whipped.</p>
<p>But Bachmann was not quite a common soldier. Fräulein Hesse had found out about
him, and had drawn him and Emilie together. For he was a handsome, blond youth,
erect and walking with a kind of pride, unconscious yet clear. Moreover, he
came of a rich farming stock, rich for many generations. His father was dead,
his mother controlled the moneys for the time being. But if Bachmann wanted a
hundred pounds at any moment, he could have them. By trade he, with one of his
brothers, was a waggon-builder. The family had the farming, smithy, and
waggon-building of their village. They worked because that was the form of life
they knew. If they had chosen, they could have lived independent upon their
means.</p>
<p>In this way, he was a gentleman in sensibility, though his intellect was not
developed. He could afford to pay freely for things. He had, moreover, his
native, fine breeding. Emilie wavered uncertainly before him. So he became her
sweetheart, and she hungered after him. But she was virgin, and shy, and needed
to be in subjection, because she was primitive and had no grasp on civilized
forms of living, nor on civilized purposes.</p>
<h4>IV</h4>
<p>At six o’clock came the inquiry of the soldiers: Had anything been seen
of Bachmann? Fräulein Hesse answered, pleased to be playing a rôle:</p>
<p>“No, I’ve not seen him since Sunday—have you, Emilie?”</p>
<p>“No, I haven’t seen him,” said Emilie, and her awkwardness
was construed as bashfulness. Ida Hesse, stimulated, asked questions, and
played her part.</p>
<p>“But it hasn’t killed Sergeant Huber?” she cried in
consternation.</p>
<p>“No. He fell into the water. But it gave him a bad shock, and smashed his
foot on the side of the moat. He’s in hospital. It’s a bad look-out
for Bachmann.”</p>
<p>Emilie, implicated and captive, stood looking on. She was no longer free,
working with all this regulated system which she could not understand and which
was almost god-like to her. She was put out of her place. Bachmann was in her
room, she was no longer the faithful in service serving with religious surety.</p>
<p>Her situation was intolerable to her. All evening long the burden was upon her,
she could not live. The children must be fed and put to sleep. The Baron and
Baroness were going out, she must give them light refreshment. The man-servant
was coming in to supper after returning with the carriage. And all the while
she had the insupportable feeling of being out of the order, self-responsible,
bewildered. The control of her life should come from those above her, and she
should move within that control. But now she was out of it, uncontrolled and
troubled. More than that, the man, the lover, Bachmann, who was he, what was
he? He alone of all men contained for her the unknown quantity which terrified
her beyond her service. Oh, she had wanted him as a distant sweetheart, not
close, like this, casting her out of her world.</p>
<p>When the Baron and Baroness had departed, and the young man-servant had gone
out to enjoy himself, she went upstairs to Bachmann. He had wakened up, and sat
dimly in the room. Out in the open he heard the soldiers, his comrades, singing
the sentimental songs of the nightfall, the drone of the concertina rising in
accompaniment.</p>
<p class="poem">
“Wenn ich zu mei...nem Kinde geh’...<br/>
In seinem Au...g die Mutter seh’...”</p>
<p>But he himself was removed from it now. Only the sentimental cry of young,
unsatisfied desire in the soldiers’ singing penetrated his blood and
stirred him subtly. He let his head hang; he had become gradually roused: and
he waited in concentration, in another world.</p>
<p>The moment she entered the room where the man sat alone, waiting intensely, the
thrill passed through her, she died in terror, and after the death, a great
flame gushed up, obliterating her. He sat in trousers and shirt on the side of
the bed. He looked up as she came in, and she shrank from his face. She could
not bear it. Yet she entered near to him.</p>
<p>“Do you want anything to eat?” she said.</p>
<p>“Yes,” he answered, and as she stood in the twilight of the room
with him, he could only hear his heart beat heavily. He saw her apron just
level with his face. She stood silent, a little distance off, as if she would
be there for ever. He suffered.</p>
<p>As if in a spell she waited, standing motionless and looming there, he sat
rather crouching on the side of the bed. A second will in him was powerful and
dominating. She drew gradually nearer to him, coming up slowly, as if
unconscious. His heart beat up swiftly. He was going to move.</p>
<p>As she came quite close, almost invisibly he lifted his arms and put them round
her waist, drawing her with his will and desire. He buried his face into her
apron, into the terrible softness of her belly. And he was a flame of passion
intense about her. He had forgotten. Shame and memory were gone in a whole,
furious flame of passion.</p>
<p>She was quite helpless. Her hands leapt, fluttered, and closed over his head,
pressing it deeper into her belly, vibrating as she did so. And his arms
tightened on her, his hands spread over her loins, warm as flame on her
loveliness. It was intense anguish of bliss for her, and she lost
consciousness.</p>
<p>When she recovered, she lay translated in the peace of satisfaction.</p>
<p>It was what she had had no inkling of, never known could be. She was strong
with eternal gratitude. And he was there with her. Instinctively with an
instinct of reverence and gratitude, her arms tightened in a little embrace
upon him who held her thoroughly embraced.</p>
<p>And he was restored and completed, close to her. That little, twitching,
momentary clasp of acknowledgment that she gave him in her satisfaction, roused
his pride unconquerable. They loved each other, and all was whole. She loved
him, he had taken her, she was given to him. It was right. He was given to her,
and they were one, complete.</p>
<p>Warm, with a glow in their hearts and faces, they rose again, modest, but
transfigured with happiness.</p>
<p>“I will get you something to eat,” she said, and in joy and
security of service again, she left him, making a curious little homage of
departure. He sat on the side of the bed, escaped, liberated, wondering, and
happy.</p>
<h4>V</h4>
<p>Soon she came again with the tray, followed by Fräulein Hesse. The two women
watched him eat, watched the pride and wonder of his being, as he sat there
blond and naïf again. Emilie felt rich and complete. Ida was a lesser thing
than herself.</p>
<p>“And what are you going to do?” asked Fräulein Hesse, jealous.</p>
<p>“I must get away,” he said.</p>
<p>But words had no meaning for him. What did it matter? He had the inner
satisfaction and liberty.</p>
<p>“But you’ll want a bicycle,” said Ida Hesse.</p>
<p>“Yes,” he said.</p>
<p>Emilie sat silent, removed and yet with him, connected with him in passion. She
looked from this talk of bicycles and escape.</p>
<p>They discussed plans. But in two of them was the one will, that Bachmann should
stay with Emilie. Ida Hesse was an outsider.</p>
<p>It was arranged, however, that Ida’s lover should put out his bicycle,
leave it at the hut where he sometimes watched. Bachmann should fetch it in the
night, and ride into France. The hearts of all three beat hot in suspense,
driven to thought. They sat in a fire of agitation.</p>
<p>Then Bachmann would get away to America, and Emilie would come and join him.
They would be in a fine land then. The tale burned up again.</p>
<p>Emilie and Ida had to go round to Franz Brand’s lodging. They departed
with slight leave-taking. Bachmann sat in the dark, hearing the bugle for
retreat sound out of the night. Then he remembered his post card to his mother.
He slipped out after Emilie, gave it her to post. His manner was careless and
victorious, hers shining and trustful. He slipped back to shelter.</p>
<p>There he sat on the side of the bed, thinking. Again he went over the events of
the afternoon, remembering his own anguish of apprehension because he had known
he could not climb the wall without fainting with fear. Still, a flush of shame
came alight in him at the memory. But he said to himself: “What does it
matter?—I can’t help it, well then I can’t. If I go up a
height, I get absolutely weak, and can’t help myself.” Again memory
came over him, and a gush of shame, like fire. But he sat and endured it. It
had to be endured, admitted, and accepted. “I’m not a coward, for
all that,” he continued. “I’m not afraid of danger. If
I’m made that way, that heights melt me and make me let go my
water”—it was torture for him to pluck at this
truth—“if I’m made like that, I shall have to abide by it,
that’s all. It isn’t all of me.” He thought of Emilie, and
was satisfied. “What I am, I am; and let it be enough,” he thought.</p>
<p>Having accepted his own defect, he sat thinking, waiting for Emilie, to tell
her. She came at length, saying that Franz could not arrange about his bicycle
this night. It was broken. Bachmann would have to stay over another day.</p>
<p>They were both happy. Emilie, confused before Ida, who was excited and
prurient, came again to the young man. She was stiff and dignified with an
agony of unusedness. But he took her between his hands, and uncovered her, and
enjoyed almost like madness her helpless, virgin body that suffered so
strongly, and that took its joy so deeply. While the moisture of torment and
modesty was still in her eyes, she clasped him closer, and closer, to the
victory and the deep satisfaction of both of them. And they slept together, he
in repose still satisfied and peaceful, and she lying close in her static
reality.</p>
<h4>VI</h4>
<p>In the morning, when the bugle sounded from the barracks they rose and looked
out of the window. She loved his body that was proud and blond and able to take
command. And he loved her body that was soft and eternal. They looked at the
faint grey vapour of summer steaming off from the greenness and ripeness of the
fields. There was no town anywhere, their look ended in the haze of the summer
morning. Their bodies rested together, their minds tranquil. Then a little
anxiety stirred in both of them from the sound of the bugle. She was called
back to her old position, to realize the world of authority she did not
understand but had wanted to serve. But this call died away again from her. She
had all.</p>
<p>She went downstairs to her work, curiously changed. She was in a new world of
her own, that she had never even imagined, and which was the land of promise
for all that. In this she moved and had her being. And she extended it to her
duties. She was curiously happy and absorbed. She had not to strive out of
herself to do her work. The doing came from within her without call or command.
It was a delicious outflow, like sunshine, the activity that flowed from her
and put her tasks to rights.</p>
<p>Bachmann sat busily thinking. He would have to get all his plans ready. He must
write to his mother, and she must send him money to Paris. He would go to
Paris, and from thence, quickly, to America. It had to be done. He must make
all preparations. The dangerous part was the getting into France. He thrilled
in anticipation. During the day he would need a time-table of the trains going
to Paris—he would need to think. It gave him delicious pleasure, using
all his wits. It seemed such an adventure.</p>
<p>This one day, and he would escape then into freedom. What an agony of need he
had for absolute, imperious freedom. He had won to his own being, in himself
and Emilie, he had drawn the stigma from his shame, he was beginning to be
himself. And now he wanted madly to be free to go on. A home, his work, and
absolute freedom to move and to be, in her, with her, this was his passionate
desire. He thought in a kind of ecstasy, living an hour of painful intensity.</p>
<p>Suddenly he heard voices, and a tramping of feet. His heart gave a great leap,
then went still. He was taken. He had known all along. A complete silence
filled his body and soul, a silence like death, a suspension of life and sound.
He stood motionless in the bedroom, in perfect suspension.</p>
<p>Emilie was busy passing swiftly about the kitchen preparing the
children’s breakfasts when she heard the tramp of feet and the voice of
the Baron. The latter had come in from the garden, and was wearing an old green
linen suit. He was a man of middle stature, quick, finely made, and of
whimsical charm. His right hand had been shot in the Franco-Prussian war, and
now, as always when he was much agitated, he shook it down at his side, as if
it hurt. He was talking rapidly to a young, stiff Ober-leutnant. Two private
soldiers stood bearishly in the doorway.</p>
<p>Emilie, shocked out of herself, stood pale and erect, recoiling.</p>
<p>“Yes, if you think so, we can look,” the Baron was hastily and
irascibly saying.</p>
<p>“Emilie,” he said, turning to the girl, “did you put a post
card to the mother of this Bachmann in the box last evening?”</p>
<p>Emilie stood erect and did not answer.</p>
<p>“Yes?” said the Baron sharply.</p>
<p>“Yes, Herr Baron,” replied Emilie, neutral.</p>
<p>The Baron’s wounded hand shook rapidly in exasperation. The lieutenant
drew himself up still more stiffly. He was right.</p>
<p>“And do you know anything of the fellow?” asked the Baron, looking
at her with his blazing, greyish-golden eyes. The girl looked back at him
steadily, dumb, but her whole soul naked before him. For two seconds he looked
at her in silence. Then in silence, ashamed and furious, he turned away.</p>
<p>“Go up!” he said, with his fierce, peremptory command, to the young
officer.</p>
<p>The lieutenant gave his order, in military cold confidence, to the soldiers.
They all tramped across the hall. Emilie stood motionless, her life suspended.</p>
<p>The Baron marched swiftly upstairs and down the corridor, the lieutenant and
the common soldiers followed. The Baron flung open the door of Emilie’s
room and looked at Bachmann, who stood watching, standing in shirt and trousers
beside the bed, fronting the door. He was perfectly still. His eyes met the
furious, blazing look of the Baron. The latter shook his wounded hand, and then
went still. He looked into the eyes of the soldier, steadily. He saw the same
naked soul exposed, as if he looked really into the <i>man</i>. And the man was
helpless, the more helpless for his singular nakedness.</p>
<p>“Ha!” he exclaimed impatiently, turning to the approaching
lieutenant.</p>
<p>The latter appeared in the doorway. Quickly his eyes travelled over the
bare-footed youth. He recognized him as his object. He gave the brief command
to dress.</p>
<p>Bachmann turned round for his clothes. He was very still, silent in himself. He
was in an abstract, motionless world. That the two gentlemen and the two
soldiers stood watching him, he scarcely realized. They could not see him.</p>
<p>Soon he was ready. He stood at attention. But only the shell of his body was at
attention. A curious silence, a blankness, like something eternal, possessed
him. He remained true to himself.</p>
<p>The lieutenant gave the order to march. The little procession went down the
stairs with careful, respectful tread, and passed through the hall to the
kitchen. There Emilie stood with her face uplifted, motionless and
expressionless. Bachmann did not look at her. They knew each other. They were
themselves. Then the little file of men passed out into the courtyard.</p>
<p>The Baron stood in the doorway watching the four figures in uniform pass
through the chequered shadow under the lime trees. Bachmann was walking
neutralized, as if he were not there. The lieutenant went brittle and long, the
two soldiers lumbered beside. They passed out into the sunny morning, growing
smaller, going towards the barracks.</p>
<p>The Baron turned into the kitchen. Emilie was cutting bread.</p>
<p>“So he stayed the night here?” he said.</p>
<p>The girl looked at him, scarcely seeing. She was too much herself. The Baron
saw the dark, naked soul of her body in her unseeing eyes.</p>
<p>“What were you going to do?” he asked.</p>
<p>“He was going to America,” she replied, in a still voice.</p>
<p>“Pah! You should have sent him straight back,” fired the Baron.</p>
<p>Emilie stood at his bidding, untouched.</p>
<p>“He’s done for now,” he said.</p>
<p>But he could not bear the dark, deep nakedness of her eyes, that scarcely
changed under this suffering.</p>
<p>“Nothing but a fool,” he repeated, going away in agitation, and
preparing himself for what he could do.</p>
<h3><SPAN name="chap03"></SPAN>Daughters of the Vicar</h3>
<h4>I</h4>
<p>Mr Lindley was first vicar of Aldecross. The cottages of this tiny hamlet had
nestled in peace since their beginning, and the country folk had crossed the
lanes and farm-lands, two or three miles, to the parish church at Greymeed, on
the bright Sunday mornings.</p>
<p>But when the pits were sunk, blank rows of dwellings started up beside the high
roads, and a new population, skimmed from the floating scum of workmen, was
filled in, the cottages and the country people almost obliterated.</p>
<p>To suit the convenience of these new collier-inhabitants, a church must be
built at Aldecross. There was not too much money. And so the little building
crouched like a humped stone-and-mortar mouse, with two little turrets at the
west corners for ears, in the fields near the cottages and the apple trees, as
far as possible from the dwellings down the high road. It had an uncertain,
timid look about it. And so they planted big-leaved ivy, to hide its shrinking
newness. So that now the little church stands buried in its greenery, stranded
and sleeping among the fields, while the brick houses elbow nearer and nearer,
threatening to crush it down. It is already obsolete.</p>
<p>The Reverend Ernest Lindley, aged twenty-seven, and newly married, came from
his curacy in Suffolk to take charge of his church. He was just an ordinary
young man, who had been to Cambridge and taken orders. His wife was a
self-assured young woman, daughter of a Cambridgeshire rector. Her father had
spent the whole of his thousand a year, so that Mrs Lindley had nothing of her
own. Thus the young married people came to Aldecross to live on a stipend of
about a hundred and twenty pounds, and to keep up a superior position.</p>
<p>They were not very well received by the new, raw, disaffected population of
colliers. Being accustomed to farm labourers, Mr Lindley had considered himself
as belonging indisputably to the upper or ordering classes. He had to be humble
to the county families, but still, he was of their kind, whilst the common
people were something different. He had no doubts of himself.</p>
<p>He found, however, that the collier population refused to accept this
arrangement. They had no use for him in their lives, and they told him so,
callously. The women merely said, “they were throng,” or else,
“Oh, it’s no good you coming here, we’re Chapel.” The
men were quite good-humoured so long as he did not touch them too nigh, they
were cheerfully contemptuous of him, with a preconceived contempt he was
powerless against.</p>
<p>At last, passing from indignation to silent resentment, even, if he dared have
acknowledged it, to conscious hatred of the majority of his flock, and
unconscious hatred of himself, he confined his activities to a narrow round of
cottages, and he had to submit. He had no particular character, having always
depended on his position in society to give him position among men. Now he was
so poor, he had no social standing even among the common vulgar tradespeople of
the district, and he had not the nature nor the wish to make his society
agreeable to them, nor the strength to impose himself where he would have liked
to be recognized. He dragged on, pale and miserable and neutral.</p>
<p>At first his wife raged with mortification. She took on airs and used a high
hand. But her income was too small, the wrestling with tradesmen’s bills
was too pitiful, she only met with general, callous ridicule when she tried to
be impressive.</p>
<p>Wounded to the quick of her pride, she found herself isolated in an
indifferent, callous population. She raged indoors and out. But soon she
learned that she must pay too heavily for her outdoor rages, and then she only
raged within the walls of the rectory. There her feeling was so strong, that
she frightened herself. She saw herself hating her husband, and she knew that,
unless she were careful, she would smash her form of life and bring catastrophe
upon him and upon herself. So in very fear, she went quiet. She hid, bitter and
beaten by fear, behind the only shelter she had in the world, her gloomy, poor
parsonage.</p>
<p>Children were born one every year; almost mechanically, she continued to
perform her maternal duty, which was forced upon her. Gradually, broken by the
suppressing of her violent anger and misery and disgust, she became an invalid
and took to her couch.</p>
<p>The children grew up healthy, but unwarmed and rather rigid. Their father and
mother educated them at home, made them very proud and very genteel, put them
definitely and cruelly in the upper classes, apart from the vulgar around them.
So they lived quite isolated. They were good-looking, and had that curiously
clean, semi-transparent look of the genteel, isolated poor.</p>
<p>Gradually Mr and Mrs Lindley lost all hold on life, and spent their hours,
weeks and years merely haggling to make ends meet, and bitterly repressing and
pruning their children into gentility, urging them to ambition, weighting them
with duty. On Sunday morning the whole family, except the mother, went down the
lane to church, the long-legged girls in skimpy frocks, the boys in black coats
and long, grey, unfitting trousers. They passed by their father’s
parishioners with mute, clear faces, childish mouths closed in pride that was
like a doom to them, and childish eyes already unseeing. Miss Mary, the eldest,
was the leader. She was a long, slim thing with a fine profile and a proud,
pure look of submission to a high fate. Miss Louisa, the second, was short and
plump and obstinate-looking. She had more enemies than ideals. She looked after
the lesser children, Miss Mary after the elder. The collier children watched
this pale, distinguished procession of the vicar’s family pass mutely by,
and they were impressed by the air of gentility and distance, they made mock of
the trousers of the small sons, they felt inferior in themselves, and hate
stirred their hearts.</p>
<p>In her time, Miss Mary received as governess a few little daughters of
tradesmen; Miss Louisa managed the house and went among her father’s
church-goers, giving lessons on the piano to the colliers’ daughters at
thirteen shillings for twenty-six lessons.</p>
<h4>II</h4>
<p>One winter morning, when his daughter Mary was about twenty years old, Mr
Lindley, a thin, unobtrusive figure in his black overcoat and his wideawake,
went down into Aldecross with a packet of white papers under his arm. He was
delivering the parish almanacs.</p>
<p>A rather pale, neutral man of middle age, he waited while the train thumped
over the level-crossing, going up to the pit which rattled busily just along
the line. A wooden-legged man hobbled to open the gate, Mr Lindley passed on.
Just at his left hand, below the road and the railway, was the red roof of a
cottage, showing through the bare twigs of apple trees. Mr Lindley passed round
the low wall, and descended the worn steps that led from the highway down to
the cottage which crouched darkly and quietly away below the rumble of passing
trains and the clank of coal-carts in a quiet little under-world of its own.
Snowdrops with tight-shut buds were hanging very still under the bare currant
bushes.</p>
<p>The clergyman was just going to knock when he heard a clinking noise, and
turning saw through the open door of a black shed just behind him an elderly
woman in a black lace cap stooping among reddish big cans, pouring a very
bright liquid into a tundish. There was a smell of paraffin. The woman put down
her can, took the tundish and laid it on a shelf, then rose with a tin bottle.
Her eyes met those of the clergyman.</p>
<p>“Oh, is it you, Mr Lin’ley!” she said, in a complaining tone.
“Go in.”</p>
<p>The minister entered the house. In the hot kitchen sat a big, elderly man with
a great grey beard, taking snuff. He grunted in a deep, muttering voice,
telling the minister to sit down, and then took no more notice of him, but
stared vacantly into the fire. Mr Lindley waited.</p>
<p>The woman came in, the ribbons of her black lace cap, or bonnet, hanging on her
shawl. She was of medium stature, everything about her was tidy. She went up a
step out of the kitchen, carrying the paraffin tin. Feet were heard entering
the room up the step. It was a little haberdashery shop, with parcels on the
shelves of the walls, a big, old-fashioned sewing machine with tailor’s
work lying round it, in the open space. The woman went behind the counter, gave
the child who had entered the paraffin bottle, and took from her a jug.</p>
<p>“My mother says shall yer put it down,” said the child, and she was
gone. The woman wrote in a book, then came into the kitchen with her jug. The
husband, a very large man, rose and brought more coal to the already hot fire.
He moved slowly and sluggishly. Already he was going dead; being a tailor, his
large form had become an encumbrance to him. In his youth he had been a great
dancer and boxer. Now he was taciturn, and inert. The minister had nothing to
say, so he sought for his phrases. But John Durant took no notice, existing
silent and dull.</p>
<p>Mrs Durant spread the cloth. Her husband poured himself beer into a mug, and
began to smoke and drink.</p>
<p>“Shall you have some?” he growled through his beard at the
clergyman, looking slowly from the man to the jug, capable of this one idea.</p>
<p>“No, thank you,” replied Mr Lindley, though he would have liked
some beer. He must set the example in a drinking parish.</p>
<p>“We need a drop to keep us going,” said Mrs Durant.</p>
<p>She had rather a complaining manner. The clergyman sat on uncomfortably while
she laid the table for the half-past ten lunch. Her husband drew up to eat. She
remained in her little round armchair by the fire.</p>
<p>She was a woman who would have liked to be easy in her life, but to whose lot
had fallen a rough and turbulent family, and a slothful husband who did not
care what became of himself or anybody. So, her rather good-looking square face
was peevish, she had that air of having been compelled all her life to serve
unwillingly, and to control where she did not want to control. There was about
her, too, that masterful <i>aplomb</i> of a woman who has brought up and ruled
her sons: but even them she had ruled unwillingly. She had enjoyed managing her
little haberdashery-shop, riding in the carrier’s cart to Nottingham,
going through the big warehouses to buy her goods. But the fret of managing her
sons she did not like. Only she loved her youngest boy, because he was her
last, and she saw herself free.</p>
<p>This was one of the houses the clergyman visited occasionally. Mrs Durant, as
part of her regulation, had brought up all her sons in the Church. Not that she
had any religion. Only, it was what she was used to. Mr Durant was without
religion. He read the fervently evangelical <i>Life of John Wesley</i> with a
curious pleasure, getting from it a satisfaction as from the warmth of the
fire, or a glass of brandy. But he cared no more about John Wesley, in fact,
than about John Milton, of whom he had never heard.</p>
<p>Mrs Durant took her chair to the table.</p>
<p>“I don’t feel like eating,” she sighed.</p>
<p>“Why—aren’t you well?” asked the clergyman,
patronizing.</p>
<p>“It isn’t that,” she sighed. She sat with shut, straight
mouth. “I don’t know what’s going to become of us.”</p>
<p>But the clergyman had ground himself down so long, that he could not easily
sympathize.</p>
<p>“Have you any trouble?” he asked.</p>
<p>“Ay, have I any trouble!” cried the elderly woman. “I shall
end my days in the workhouse.”</p>
<p>The minister waited unmoved. What could she know of poverty, in her little
house of plenty!</p>
<p>“I hope not,” he said.</p>
<p>“And the one lad as I wanted to keep by me——” she
lamented.</p>
<p>The minister listened without sympathy, quite neutral.</p>
<p>“And the lad as would have been a support to my old age! What is going to
become of us?” she said.</p>
<p>The clergyman, justly, did not believe in the cry of poverty, but wondered what
had become of the son.</p>
<p>“Has anything happened to Alfred?” he asked.</p>
<p>“We’ve got word he’s gone for a Queen’s sailor,”
she said sharply.</p>
<p>“He has joined the Navy!” exclaimed Mr Lindley. “I think he
could scarcely have done better—to serve his Queen and country on the
sea....”</p>
<p>“He is wanted to serve <i>me</i>,” she cried. “And I wanted
my lad at home.”</p>
<p>Alfred was her baby, her last, whom she had allowed herself the luxury of
spoiling.</p>
<p>“You will miss him,” said Mr Lindley, “that is certain. But
this is no regrettable step for him to have taken—on the contrary.”</p>
<p>“That’s easy for you to say, Mr Lindley,” she replied tartly.
“Do you think I want my lad climbing ropes at another man’s
bidding, like a monkey——?”</p>
<p>“There is no <i>dishonour</i>, surely, in serving in the Navy?”</p>
<p>“Dishonour this dishonour that,” cried the angry old woman.
“He goes and makes a slave of himself, and he’ll rue it.”</p>
<p>Her angry, scornful impatience nettled the clergyman and silenced him for some
moments.</p>
<p>“I do not see,” he retorted at last, white at the gills and
inadequate, “that the Queen’s service is any more to be called
slavery than working in a mine.”</p>
<p>“At home he was at home, and his own master. <i>I</i> know he’ll
find a difference.”</p>
<p>“It may be the making of him,” said the clergyman. “It will
take him away from bad companionship and drink.”</p>
<p>Some of the Durants’ sons were notorious drinkers, and Alfred was not
quite steady.</p>
<p>“And why indeed shouldn’t he have his glass?” cried the
mother. “He picks no man’s pocket to pay for it!”</p>
<p>The clergyman stiffened at what he thought was an allusion to his own
profession, and his unpaid bills.</p>
<p>“With all due consideration, I am glad to hear he has joined the
Navy,” he said.</p>
<p>“Me with my old age coming on, and his father working very little!
I’d thank you to be glad about something else besides that, Mr
Lindley.”</p>
<p>The woman began to cry. Her husband, quite impassive, finished his lunch of
meat-pie, and drank some beer. Then he turned to the fire, as if there were no
one in the room but himself.</p>
<p>“I shall respect all men who serve God and their country on the sea, Mrs
Durant,” said the clergyman stubbornly.</p>
<p>“That is very well, when they’re not your sons who are doing the
dirty work. It makes a difference,” she replied tartly.</p>
<p>“I should be proud if one of my sons were to enter the Navy.”</p>
<p>“Ay—well—we’re not all of us made
alike——”</p>
<p>The minister rose. He put down a large folded paper.</p>
<p>“I’ve brought the almanac,” he said.</p>
<p>Mrs Durant unfolded it.</p>
<p>“I do like a bit of colour in things,” she said, petulantly.</p>
<p>The clergyman did not reply.</p>
<p>“There’s that envelope for the organist’s
fund——” said the old woman, and rising, she took the thing
from the mantelpiece, went into the shop, and returned sealing it up.</p>
<p>“Which is all I can afford,” she said.</p>
<p>Mr Lindley took his departure, in his pocket the envelope containing Mrs
Durant’s offering for Miss Louisa’s services. He went from door to
door delivering the almanacs, in dull routine. Jaded with the monotony of the
business, and with the repeated effort of greeting half-known people, he felt
barren and rather irritable. At last he returned home.</p>
<p>In the dining-room was a small fire. Mrs Lindley, growing very stout, lay on
her couch. The vicar carved the cold mutton; Miss Louisa, short and plump and
rather flushed, came in from the kitchen; Miss Mary, dark, with a beautiful
white brow and grey eyes, served the vegetables; the children chattered a
little, but not exuberantly. The very air seemed starved.</p>
<p>“I went to the Durants,” said the vicar, as he served out small
portions of mutton; “it appears Alfred has run away to join the
Navy.”</p>
<p>“Do him good,” came the rough voice of the invalid.</p>
<p>Miss Louisa, attending to the youngest child, looked up in protest.</p>
<p>“Why has he done that?” asked Mary’s low, musical voice.</p>
<p>“He wanted some excitement, I suppose,” said the vicar.
“Shall we say grace?”</p>
<p>The children were arranged, all bent their heads, grace was pronounced, at the
last word every face was being raised to go on with the interesting subject.</p>
<p>“He’s just done the right thing, for once,” came the rather
deep voice of the mother; “save him from becoming a drunken sot, like the
rest of them.”</p>
<p>“They’re not <i>all</i> drunken, mama,” said Miss Louisa,
stubbornly.</p>
<p>“It’s no fault of their upbringing if they’re not. Walter
Durant is a standing disgrace.”</p>
<p>“As I told Mrs Durant,” said the vicar, eating hungrily, “it
is the best thing he could have done. It will take him away from temptation
during the most dangerous years of his life—how old is
he—nineteen?”</p>
<p>“Twenty,” said Miss Louisa.</p>
<p>“Twenty!” repeated the vicar. “It will give him wholesome
discipline and set before him some sort of standard of duty and
honour—nothing could have been better for him. But——”</p>
<p>“We shall miss him from the choir,” said Miss Louisa, as if taking
opposite sides to her parents.</p>
<p>“That is as it may be,” said the vicar. “I prefer to know he
is safe in the Navy, than running the risk of getting into bad ways
here.”</p>
<p>“Was he getting into bad ways?” asked the stubborn Miss Louisa.</p>
<p>“You know, Louisa, he wasn’t quite what he used to be,” said
Miss Mary gently and steadily. Miss Louisa shut her rather heavy jaw sulkily.
She wanted to deny it, but she knew it was true.</p>
<p>For her he had been a laughing, warm lad, with something kindly and something
rich about him. He had made her feel warm. It seemed the days would be colder
since he had gone.</p>
<p>“Quite the best thing he could do,” said the mother with emphasis.</p>
<p>“I think so,” said the vicar. “But his mother was almost
abusive because I suggested it.”</p>
<p>He spoke in an injured tone.</p>
<p>“What does she care for her children’s welfare?” said the
invalid. “Their wages is all her concern.”</p>
<p>“I suppose she wanted him at home with her,” said Miss Louisa.</p>
<p>“Yes, she did—at the expense of his learning to be a drunkard like
the rest of them,” retorted her mother.</p>
<p>“George Durant doesn’t drink,” defended her daughter.</p>
<p>“Because he got burned so badly when he was nineteen—in the
pit—and that frightened him. The Navy is a better remedy than that, at
least.”</p>
<p>“Certainly,” said the vicar. “Certainly.”</p>
<p>And to this Miss Louisa agreed. Yet she could not but feel angry that he had
gone away for so many years. She herself was only nineteen.</p>
<h4>III</h4>
<p>It happened when Miss Mary was twenty-three years old, that Mr Lindley was very
ill. The family was exceedingly poor at the time, such a lot of money was
needed, so little was forthcoming. Neither Miss Mary nor Miss Louisa had
suitors. What chance had they? They met no eligible young men in Aldecross. And
what they earned was a mere drop in a void. The girls’ hearts were
chilled and hardened with fear of this perpetual, cold penury, this narrow
struggle, this horrible nothingness of their lives.</p>
<p>A clergyman had to be found for the church work. It so happened the son of an
old friend of Mr Lindley’s was waiting three months before taking up his
duties. He would come and officiate, for nothing. The young clergyman was
keenly expected. He was not more than twenty-seven, a Master of Arts of Oxford,
had written his thesis on Roman Law. He came of an old Cambridgeshire family,
had some private means, was going to take a church in Northamptonshire with a
good stipend, and was not married. Mrs Lindley incurred new debts, and scarcely
regretted her husband’s illness.</p>
<p>But when Mr Massy came, there was a shock of disappointment in the house. They
had expected a young man with a pipe and a deep voice, but with better manners
than Sidney, the eldest of the Lindleys. There arrived instead a small, chétif
man, scarcely larger than a boy of twelve, spectacled, timid in the extreme,
without a word to utter at first; yet with a certain inhuman self-sureness.</p>
<p>“What a little abortion!” was Mrs Lindley’s exclamation to
herself on first seeing him, in his buttoned-up clerical coat. And for the
first time for many days, she was profoundly thankful to God that all her
children were decent specimens.</p>
<p>He had not normal powers of perception. They soon saw that he lacked the full
range of human feelings, but had rather a strong, philosophical mind, from
which he lived. His body was almost unthinkable, in intellect he was something
definite. The conversation at once took a balanced, abstract tone when he
participated. There was no spontaneous exclamation, no violent assertion or
expression of personal conviction, but all cold, reasonable assertion. This was
very hard on Mrs Lindley. The little man would look at her, after one of her
pronouncements, and then give, in his thin voice, his own calculated version,
so that she felt as if she were tumbling into thin air through a hole in the
flimsy floor on which their conversation stood. It was she who felt a fool.
Soon she was reduced to a hardy silence.</p>
<p>Still, at the back of her mind, she remembered that he was an unattached
gentleman, who would shortly have an income altogether of six or seven hundred
a year. What did the man matter, if there were pecuniary ease! The man was a
trifle thrown in. After twenty-two years her sentimentality was ground away,
and only the millstone of poverty mattered to her. So she supported the little
man as a representative of a decent income.</p>
<p>His most irritating habit was that of a sneering little giggle, all on his own,
which came when he perceived or related some illogical absurdity on the part of
another person. It was the only form of humour he had. Stupidity in thinking
seemed to him exquisitely funny. But any novel was unintelligibly meaningless
and dull, and to an Irish sort of humour he listened curiously, examining it
like mathematics, or else simply not hearing. In normal human relationship he
was not there. Quite unable to take part in simple everyday talk, he padded
silently round the house, or sat in the dining-room looking nervously from side
to side, always apart in a cold, rarefied little world of his own. Sometimes he
made an ironic remark, that did not seem humanly relevant, or he gave his
little laugh, like a sneer. He had to defend himself and his own insufficiency.
And he answered questions grudgingly, with a yes or no, because he did not see
their import and was nervous. It seemed to Miss Louisa he scarcely
distinguished one person from another, but that he liked to be near her, or to
Miss Mary, for some sort of contact which stimulated him unknown.</p>
<p>Apart from all this, he was the most admirable workman. He was unremittingly
shy, but perfect in his sense of duty: as far as he could conceive
Christianity, he was a perfect Christian. Nothing that he realized he could do
for anyone did he leave undone, although he was so incapable of coming into
contact with another being, that he could not proffer help. Now he attended
assiduously to the sick man, investigated all the affairs of the parish or the
church which Mr Lindley had in control, straightened out accounts, made lists
of the sick and needy, padded round with help and to see what he could do. He
heard of Mrs Lindley’s anxiety about her sons, and began to investigate
means of sending them to Cambridge. His kindness almost frightened Miss Mary.
She honoured it so, and yet she shrank from it. For, in it all Mr Massy seemed
to have no sense of any person, any human being whom he was helping: he only
realized a kind of mathematical working out, solving of given situations, a
calculated well-doing. And it was as if he had accepted the Christian tenets as
axioms. His religion consisted in what his scrupulous, abstract mind approved
of.</p>
<p>Seeing his acts, Miss Mary must respect and honour him. In consequence she must
serve him. To this she had to force herself, shuddering and yet desirous, but
he did not perceive it. She accompanied him on his visiting in the parish, and
whilst she was cold with admiration for him, often she was touched with pity
for the little padding figure with bent shoulders, buttoned up to the chin in
his overcoat. She was a handsome, calm girl, tall, with a beautiful repose. Her
clothes were poor, and she wore a black silk scarf, having no furs. But she was
a lady. As the people saw her walking down Aldecross beside Mr Massy, they
said:</p>
<p>“My word, Miss Mary’s got a catch. Did ever you see such a sickly
little shrimp!”</p>
<p>She knew they were talking so, and it made her heart grow hot against them, and
she drew herself as it were protectively towards the little man beside her. At
any rate, she could see and give honour to his genuine goodness.</p>
<p>He could not walk fast, or far.</p>
<p>“You have not been well?” she asked, in her dignified way.</p>
<p>“I have an internal trouble.”</p>
<p>He was not aware of her slight shudder. There was silence, whilst she bowed to
recover her composure, to resume her gentle manner towards him.</p>
<p>He was fond of Miss Mary. She had made it a rule of hospitality that he should
always be escorted by herself or by her sister on his visits in the parish,
which were not many. But some mornings she was engaged. Then Miss Louisa took
her place. It was no good Miss Louisa’s trying to adopt to Mr Massy an
attitude of queenly service. She was unable to regard him save with aversion.
When she saw him from behind, thin and bent-shouldered, looking like a sickly
lad of thirteen, she disliked him exceedingly, and felt a desire to put him out
of existence. And yet a deeper justice in Mary made Louisa humble before her
sister.</p>
<p>They were going to see Mr Durant, who was paralysed and not expected to live.
Miss Louisa was crudely ashamed at being admitted to the cottage in company
with the little clergyman.</p>
<p>Mrs Durant was, however, much quieter in the face of her real trouble.</p>
<p>“How is Mr Durant?” asked Louisa.</p>
<p>“He is no different—and we don’t expect him to be,” was
the reply. The little clergyman stood looking on.</p>
<p>They went upstairs. The three stood for some time looking at the bed, at the
grey head of the old man on the pillow, the grey beard over the sheet. Miss
Louisa was shocked and afraid.</p>
<p>“It is so dreadful,” she said, with a shudder.</p>
<p>“It is how I always thought it would be,” replied Mrs Durant.</p>
<p>Then Miss Louisa was afraid of her. The two women were uneasy, waiting for Mr
Massy to say something. He stood, small and bent, too nervous to speak.</p>
<p>“Has he any understanding?” he asked at length.</p>
<p>“Maybe,” said Mrs Durant. “Can you hear, John?” she
asked loudly. The dull blue eye of the inert man looked at her feebly.</p>
<p>“Yes, he understands,” said Mrs Durant to Mr Massy. Except for the
dull look in his eyes, the sick man lay as if dead. The three stood in silence.
Miss Louisa was obstinate but heavy-hearted under the load of unlivingness. It
was Mr Massy who kept her there in discipline. His non-human will dominated
them all.</p>
<p>Then they heard a sound below, a man’s footsteps, and a man’s voice
called subduedly:</p>
<p>“Are you upstairs, mother?”</p>
<p>Mrs Durant started and moved to the door. But already a quick, firm step was
running up the stairs.</p>
<p>“I’m a bit early, mother,” a troubled voice said, and on the
landing they saw the form of the sailor. His mother came and clung to him. She
was suddenly aware that she needed something to hold on to. He put his arms
round her, and bent over her, kissing her.</p>
<p>“He’s not gone, mother?” he asked anxiously, struggling to
control his voice.</p>
<p>Miss Louisa looked away from the mother and son who stood together in the gloom
on the landing. She could not bear it that she and Mr Massy should be there.
The latter stood nervously, as if ill at ease before the emotion that was
running. He was a witness, nervous, unwilling, but dispassionate. To Miss
Louisa’s hot heart it seemed all, all wrong that they should be there.</p>
<p>Mrs Durant entered the bedroom, her face wet.</p>
<p>“There’s Miss Louisa and the vicar,” she said, out of voice
and quavering.</p>
<p>Her son, red-faced and slender, drew himself up to salute. But Miss Louisa held
out her hand. Then she saw his hazel eyes recognize her for a moment, and his
small white teeth showed in a glimpse of the greeting she used to love. She was
covered with confusion. He went round to the bed; his boots clicked on the
plaster floor, he bowed his head with dignity.</p>
<p>“How are you, dad?” he said, laying his hand on the sheet,
faltering. But the old man stared fixedly and unseeing. The son stood perfectly
still for a few minutes, then slowly recoiled. Miss Louisa saw the fine outline
of his breast, under the sailor’s blue blouse, as his chest began to
heave.</p>
<p>“He doesn’t know me,” he said, turning to his mother. He
gradually went white.</p>
<p>“No, my boy!” cried the mother, pitiful, lifting her face. And
suddenly she put her face against his shoulder, he was stooping down to her,
holding her against him, and she cried aloud for a moment or two. Miss Louisa
saw his sides heaving, and heard the sharp hiss of his breath. She turned away,
tears streaming down her face. The father lay inert upon the white bed, Mr
Massy looked queer and obliterated, so little now that the sailor with his
sunburned skin was in the room. He stood waiting. Miss Louisa wanted to die,
she wanted to have done. She dared not turn round again to look.</p>
<p>“Shall I offer a prayer?” came the frail voice of the clergyman,
and all kneeled down.</p>
<p>Miss Louisa was frightened of the inert man upon the bed. Then she felt a flash
of fear of Mr Massy, hearing his thin, detached voice. And then, calmed, she
looked up. On the far side of the bed were the heads of the mother and son, the
one in the black lace cap, with the small white nape of the neck beneath, the
other, with brown, sun-scorched hair too close and wiry to allow of a parting,
and neck tanned firm, bowed as if unwillingly. The great grey beard of the old
man did not move, the prayer continued. Mr Massy prayed with a pure lucidity,
that they all might conform to the higher Will. He was like something that
dominated the bowed heads, something dispassionate that governed them
inexorably. Miss Louisa was afraid of him. And she was bound, during the course
of the prayer, to have a little reverence for him. It was like a foretaste of
inexorable, cold death, a taste of pure justice.</p>
<p>That evening she talked to Mary of the visit. Her heart, her veins were
possessed by the thought of Alfred Durant as he held his mother in his arms;
then the break in his voice, as she remembered it again and again, was like a
flame through her; and she wanted to see his face more distinctly in her mind,
ruddy with the sun, and his golden-brown eyes, kind and careless, strained now
with a natural fear, the fine nose tanned hard by the sun, the mouth that could
not help smiling at her. And it went through her with pride, to think of his
figure, a straight, fine jet of life.</p>
<p>“He is a handsome lad,” said she to Miss Mary, as if he had not
been a year older than herself. Underneath was the deeper dread, almost hatred,
of the inhuman being of Mr Massy. She felt she must protect herself and Alfred
from him.</p>
<p>“When I felt Mr Massy there,” she said, “I almost hated him.
What right had he to be there!”</p>
<p>“Surely he had all right,” said Miss Mary after a pause. “He
is <i>really</i> a Christian.”</p>
<p>“He seems to me nearly an imbecile,” said Miss Louisa.</p>
<p>Miss Mary, quiet and beautiful, was silent for a moment:</p>
<p>“Oh, no,” she said. “Not <i>imbecile</i>——”</p>
<p>“Well then—he reminds me of a six months’ child—or a
five months’ child—as if he didn’t have time to get developed
enough before he was born.”</p>
<p>“Yes,” said Miss Mary, slowly. “There is something lacking.
But there is something wonderful in him: and he is really
<i>good</i>——”</p>
<p>“Yes,” said Miss Louisa, “it doesn’t seem right that he
should be. What right has <i>that</i> to be called goodness!”</p>
<p>“But it <i>is</i> goodness,” persisted Mary. Then she added, with a
laugh: “And come, you wouldn’t deny that as well.”</p>
<p>There was a doggedness in her voice. She went about very quietly. In her soul,
she knew what was going to happen. She knew that Mr Massy was stronger than
she, and that she must submit to what he was. Her physical self was prouder,
stronger than he, her physical self disliked and despised him. But she was in
the grip of his moral, mental being. And she felt the days allotted out to her.
And her family watched.</p>
<h4>IV</h4>
<p>A few days after, old Mr Durant died. Miss Louisa saw Alfred once more, but he
was stiff before her now, treating her not like a person, but as if she were
some sort of will in command and he a separate, distinct will waiting in front
of her. She had never felt such utter steel-plate separation from anyone. It
puzzled her and frightened her. What had become of him? And she hated the
military discipline—she was antagonistic to it. Now he was not himself.
He was the will which obeys set over against the will which commands. She
hesitated over accepting this. He had put himself out of her range. He had
ranked himself inferior, subordinate to her. And that was how he would get away
from her, that was how he would avoid all connection with her: by fronting her
impersonally from the opposite camp, by taking up the abstract position of an
inferior.</p>
<p>She went brooding steadily and sullenly over this, brooding and brooding. Her
fierce, obstinate heart could not give way. It clung to its own rights.
Sometimes she dismissed him. Why should he, inferior, trouble her?</p>
<p>Then she relapsed to him, and almost hated him. It was his way of getting out
of it. She felt the cowardice of it, his calmly placing her in a superior
class, and placing himself inaccessibly apart, in an inferior, as if she, the
sensient woman who was fond of him, did not count. But she was not going to
submit. Dogged in her heart she held on to him.</p>
<h4>V</h4>
<p>In six months’ time Miss Mary had married Mr Massy. There had been no
love-making, nobody had made any remark. But everybody was tense and callous
with expectation. When one day Mr Massy asked for Mary’s hand, Mr Lindley
started and trembled from the thin, abstract voice of the little man. Mr Massy
was very nervous, but so curiously absolute.</p>
<p>“I shall be very glad,” said the vicar, “but of course the
decision lies with Mary herself.” And his still feeble hand shook as he
moved a Bible on his desk.</p>
<p>The small man, keeping fixedly to his idea, padded out of the room to find Miss
Mary. He sat a long time by her, while she made some conversation, before he
had readiness to speak. She was afraid of what was coming, and sat stiff in
apprehension. She felt as if her body would rise and fling him aside. But her
spirit quivered and waited. Almost in expectation she waited, almost wanting
him. And then she knew he would speak.</p>
<p>“I have already asked Mr Lindley,” said the clergyman, while
suddenly she looked with aversion at his little knees, “if he would
consent to my proposal.” He was aware of his own disadvantage, but his
will was set.</p>
<p>She went cold as she sat, and impervious, almost as if she had become stone. He
waited a moment nervously. He would not persuade her. He himself never even
heard persuasion, but pursued his own course. He looked at her, sure of
himself, unsure of her, and said:</p>
<p>“Will you become my wife, Mary?”</p>
<p>Still her heart was hard and cold. She sat proudly.</p>
<p>“I should like to speak to mama first,” she said.</p>
<p>“Very well,” replied Mr Massy. And in a moment he padded away.</p>
<p>Mary went to her mother. She was cold and reserved.</p>
<p>“Mr Massy has asked me to marry him, mama,” she said. Mrs Lindley
went on staring at her book. She was cramped in her feeling.</p>
<p>“Well, and what did you say?”</p>
<p>They were both keeping calm and cold.</p>
<p>“I said I would speak to you before answering him.”</p>
<p>This was equivalent to a question. Mrs Lindley did not want to reply to it. She
shifted her heavy form irritably on the couch. Miss Mary sat calm and straight,
with closed mouth.</p>
<p>“Your father thinks it would not be a bad match,” said the mother,
as if casually.</p>
<p>Nothing more was said. Everybody remained cold and shut-off. Miss Mary did not
speak to Miss Louisa, the Reverend Ernest Lindley kept out of sight.</p>
<p>At evening Miss Mary accepted Mr Massy.</p>
<p>“Yes, I will marry you,” she said, with even a little movement of
tenderness towards him. He was embarrassed, but satisfied. She could see him
making some movement towards her, could feel the male in him, something cold
and triumphant, asserting itself. She sat rigid, and waited.</p>
<p>When Miss Louisa knew, she was silent with bitter anger against everybody, even
against Mary. She felt her faith wounded. Did the real things to her not matter
after all? She wanted to get away. She thought of Mr Massy. He had some curious
power, some unanswerable right. He was a will that they could not
controvert.—Suddenly a flush started in her. If he had come to her she
would have flipped him out of the room. He was never going to touch <i>her</i>.
And she was glad. She was glad that her blood would rise and exterminate the
little man, if he came too near to her, no matter how her judgment was
paralysed by him, no matter how he moved in abstract goodness. She thought she
was perverse to be glad, but glad she was. “I would just flip him out of
the room,” she said, and she derived great satisfaction from the open
statement. Nevertheless, perhaps she ought still to feel that Mary, on her
plane, was a higher being than herself. But then Mary was Mary, and she was
Louisa, and that also was inalterable.</p>
<p>Mary, in marrying him, tried to become a pure reason such as he was, without
feeling or impulse. She shut herself up, she shut herself rigid against the
agonies of shame and the terror of violation which came at first. She
<i>would</i> not feel, and she <i>would</i> not feel. She was a pure will
acquiescing to him. She elected a certain kind of fate. She would be good and
purely just, she would live in a higher freedom than she had ever known, she
would be free of mundane care, she was a pure will towards right. She had sold
herself, but she had a new freedom. She had got rid of her body. She had sold a
lower thing, her body, for a higher thing, her freedom from material things.
She considered that she paid for all she got from her husband. So, in a kind of
independence, she moved proud and free. She had paid with her body: that was
henceforward out of consideration. She was glad to be rid of it. She had bought
her position in the world—that henceforth was taken for granted. There
remained only the direction of her activity towards charity and high-minded
living.</p>
<p>She could scarcely bear other people to be present with her and her husband.
Her private life was her shame. But then, she could keep it hidden. She lived
almost isolated in the rectory of the tiny village miles from the railway. She
suffered as if it were an insult to her own flesh, seeing the repulsion which
some people felt for her husband, or the special manner they had of treating
him, as if he were a “case”. But most people were uneasy before
him, which restored her pride.</p>
<p>If she had let herself, she would have hated him, hated his padding round the
house, his thin voice devoid of human understanding, his bent little shoulders
and rather incomplete face that reminded her of an abortion. But rigorously she
kept to her position. She took care of him and was just to him. There was also
a deep craven fear of him, something slave-like.</p>
<p>There was not much fault to be found with his behaviour. He was scrupulously
just and kind according to his lights. But the male in him was cold and
self-complete, and utterly domineering. Weak, insufficient little thing as he
was, she had not expected this of him. It was something in the bargain she had
not understood. It made her hold her head, to keep still. She knew, vaguely,
that she was murdering herself. After all, her body was not quite so easy to
get rid of. And this manner of disposing of it—ah, sometimes she felt she
must rise and bring about death, lift her hand for utter denial of everything,
by a general destruction.</p>
<p>He was almost unaware of the conditions about him. He did not fuss in the
domestic way, she did as she liked in the house. Indeed, she was a great deal
free of him. He would sit obliterated for hours. He was kind, and almost
anxiously considerate. But when he considered he was right, his will was just
blindly male, like a cold machine. And on most points he was logically right,
or he had with him the right of the creed they both accepted. It was so. There
was nothing for her to go against.</p>
<p>Then she found herself with child, and felt for the first time horror, afraid
before God and man. This also she had to go through—it was the right.
When the child arrived, it was a bonny, healthy lad. Her heart hurt in her
body, as she took the baby between her hands. The flesh that was trampled and
silent in her must speak again in the boy. After all, she had to live—it
was not so simple after all. Nothing was finished completely. She looked and
looked at the baby, and almost hated it, and suffered an anguish of love for
it. She hated it because it made her live again in the flesh, when she
<i>could</i> not live in the flesh, she could not. She wanted to trample her
flesh down, down, extinct, to live in the mind. And now there was this child.
It was too cruel, too racking. For she must love the child. Her purpose was
broken in two again. She had to become amorphous, purposeless, without real
being. As a mother, she was a fragmentary, ignoble thing.</p>
<p>Mr Massy, blind to everything else in the way of human feeling, became obsessed
by the idea of his child. When it arrived, suddenly it filled the whole world
of feeling for him. It was his obsession, his terror was for its safety and
well-being. It was something new, as if he himself had been born a naked
infant, conscious of his own exposure, and full of apprehension. He who had
never been aware of anyone else, all his life, now was aware of nothing but the
child. Not that he ever played with it, or kissed it, or tended it. He did
nothing for it. But it dominated him, it filled, and at the same time emptied
his mind. The world was all baby for him.</p>
<p>This his wife must also bear, his question: “What is the reason that he
cries?”—his reminder, at the first sound: “Mary, that is the
child,”—his restlessness if the feeding-time were five minutes
past. She had bargained for this—now she must stand by her bargain.</p>
<h4>VI</h4>
<p>Miss Louisa, at home in the dingy vicarage, had suffered a great deal over her
sister’s wedding. Having once begun to cry out against it, during the
engagement, she had been silenced by Mary’s quiet: “I don’t
agree with you about him, Louisa, I <i>want</i> to marry him.” Then Miss
Louisa had been angry deep in her heart, and therefore silent. This dangerous
state started the change in her. Her own revulsion made her recoil from the
hitherto undoubted Mary.</p>
<p>“I’d beg the streets barefoot first,” said Miss Louisa,
thinking of Mr Massy.</p>
<p>But evidently Mary could perform a different heroism. So she, Louisa the
practical, suddenly felt that Mary, her ideal, was questionable after all. How
could she be pure—one cannot be dirty in act and spiritual in being.
Louisa distrusted Mary’s high spirituality. It was no longer genuine for
her. And if Mary were spiritual and misguided, why did not her father protect
her? Because of the money. He disliked the whole affair, but he backed away,
because of the money. And the mother frankly did not care: her daughters could
do as they liked. Her mother’s pronouncement:</p>
<p>“Whatever happens to <i>him</i>, Mary is safe for life,”—so
evidently and shallowly a calculation, incensed Louisa.</p>
<p>“I’d rather be safe in the workhouse,” she cried.</p>
<p>“Your father will see to that,” replied her mother brutally. This
speech, in its indirectness, so injured Miss Louisa that she hated her mother
deep, deep in her heart, and almost hated herself. It was a long time resolving
itself out, this hate. But it worked and worked, and at last the young woman
said:</p>
<p>“They are wrong—they are all wrong. They have ground out their
souls for what isn’t worth anything, and there isn’t a grain of
love in them anywhere. And I <i>will</i> have love. They want us to deny it.
They’ve never found it, so they want to say it doesn’t exist. But I
<i>will</i> have it. I <i>will</i> love—it is my birthright. I will love
the man I marry—that is all I care about.”</p>
<p>So Miss Louisa stood isolated from everybody. She and Mary had parted over Mr
Massy. In Louisa’s eyes, Mary was degraded, married to Mr Massy. She
could not bear to think of her lofty, spiritual sister degraded in the body
like this. Mary was wrong, wrong, wrong: she was not superior, she was flawed,
incomplete. The two sisters stood apart. They still loved each other, they
would love each other as long as they lived. But they had parted ways. A new
solitariness came over the obstinate Louisa, and her heavy jaw set stubbornly.
She was going on her own way. But which way? She was quite alone, with a blank
world before her. How could she be said to have any way? Yet she had her fixed
will to love, to have the man she loved.</p>
<h4>VII</h4>
<p>When her boy was three years old, Mary had another baby, a girl. The three
years had gone by monotonously. They might have been an eternity, they might
have been brief as a sleep. She did not know. Only, there was always a weight
on top of her, something that pressed down her life. The only thing that had
happened was that Mr Massy had had an operation. He was always exceedingly
fragile. His wife had soon learned to attend to him mechanically, as part of
her duty.</p>
<p>But this third year, after the baby girl had been born, Mary felt oppressed and
depressed. Christmas drew near: the gloomy, unleavened Christmas of the
rectory, where all the days were of the same dark fabric. And Mary was afraid.
It was as if the darkness were coming upon her.</p>
<p>“Edward, I should like to go home for Christmas,” she said, and a
certain terror filled her as she spoke.</p>
<p>“But you can’t leave baby,” said her husband, blinking.</p>
<p>“We can all go.”</p>
<p>He thought, and stared in his collective fashion.</p>
<p>“Why do you wish to go?” he asked.</p>
<p>“Because I need a change. A change would do me good, and it would be good
for the milk.”</p>
<p>He heard the will in his wife’s voice, and was at a loss. Her language
was unintelligible to him. And while she was breeding, either about to have a
child, or nursing, he regarded her as a special sort of being.</p>
<p>“Wouldn’t it hurt baby to take her by the train?” he said.</p>
<p>“No,” replied the mother, “why should it?”</p>
<p>They went. When they were in the train, it began to snow. From the window of
his first-class carriage the little clergyman watched the big flakes sweep by,
like a blind drawn across the country. He was obsessed by thought of the baby,
and afraid of the draughts of the carriage.</p>
<p>“Sit right in the corner,” he said to his wife, “and hold
baby close back.”</p>
<p>She moved at his bidding, and stared out of the window. His eternal presence
was like an iron weight on her brain. But she was going partially to escape for
a few days.</p>
<p>“Sit on the other side, Jack,” said the father. “It is less
draughty. Come to this window.”</p>
<p>He watched the boy in anxiety. But his children were the only beings in the
world who took not the slightest notice of him.</p>
<p>“Look, mother, look!” cried the boy. “They fly right in my
face”—he meant the snowflakes.</p>
<p>“Come into this corner,” repeated his father, out of another world.</p>
<p>“He’s jumped on this one’s back, mother, an’
they’re riding to the bottom!” cried the boy, jumping with glee.</p>
<p>“Tell him to come on this side,” the little man bade his wife.</p>
<p>“Jack, kneel on this cushion,” said the mother, putting her white
hand on the place.</p>
<p>The boy slid over in silence to the place she indicated, waited still for a
moment, then almost deliberately, stridently cried:</p>
<p>“Look at all those in the corner, mother, making a heap,” and he
pointed to the cluster of snowflakes with finger pressed dramatically on the
pane, and he turned to his mother a bit ostentatiously.</p>
<p>“All in a heap!” she said.</p>
<p>He had seen her face, and had her response, and he was somewhat assured.
Vaguely uneasy, he was reassured if he could win her attention.</p>
<p>They arrived at the vicarage at half-past two, not having had lunch.</p>
<p>“How are you, Edward?” said Mr Lindley, trying on his side to be
fatherly. But he was always in a false position with his son-in-law, frustrated
before him, therefore, as much as possible, he shut his eyes and ears to him.
The vicar was looking thin and pale and ill-nourished. He had gone quite grey.
He was, however, still haughty; but, since the growing-up of his children, it
was a brittle haughtiness, that might break at any moment and leave the vicar
only an impoverished, pitiable figure. Mrs Lindley took all the notice of her
daughter, and of the children. She ignored her son-in-law. Miss Louisa was
clucking and laughing and rejoicing over the baby. Mr Massy stood aside, a
bent, persistent little figure.</p>
<p>“Oh a pretty!—a little pretty! oh a cold little pretty come in a
railway-train!” Miss Louisa was cooing to the infant, crouching on the
hearthrug opening the white woollen wraps and exposing the child to the
fireglow.</p>
<p>“Mary,” said the little clergyman, “I think it would be
better to give baby a warm bath; she may take a cold.”</p>
<p>“I think it is not necessary,” said the mother, coming and closing
her hand judiciously over the rosy feet and hands of the mite. “She is
not chilly.”</p>
<p>“Not a bit,” cried Miss Louisa. “She’s not caught
cold.”</p>
<p>“I’ll go and bring her flannels,” said Mr Massy, with one
idea.</p>
<p>“I can bath her in the kitchen then,” said Mary, in an altered,
cold tone.</p>
<p>“You can’t, the girl is scrubbing there,” said Miss Louisa.
“Besides, she doesn’t want a bath at this time of day.”</p>
<p>“She’d better have one,” said Mary, quietly, out of
submission. Miss Louisa’s gorge rose, and she was silent. When the little
man padded down with the flannels on his arm, Mrs Lindley asked:</p>
<p>“Hadn’t <i>you</i> better take a hot bath, Edward?”</p>
<p>But the sarcasm was lost on the little clergyman. He was absorbed in the
preparations round the baby.</p>
<p>The room was dull and threadbare, and the snow outside seemed fairy-like by
comparison, so white on the lawn and tufted on the bushes. Indoors the heavy
pictures hung obscurely on the walls, everything was dingy with gloom.</p>
<p>Except in the fireglow, where they had laid the bath on the hearth. Mrs Massy,
her black hair always smoothly coiled and queenly, kneeled by the bath, wearing
a rubber apron, and holding the kicking child. Her husband stood holding the
towels and the flannels to warm. Louisa, too cross to share in the joy of the
baby’s bath, was laying the table. The boy was hanging on the door-knob,
wrestling with it to get out. His father looked round.</p>
<p>“Come away from the door, Jack,” he said, ineffectually. Jack
tugged harder at the knob as if he did not hear. Mr Massy blinked at him.</p>
<p>“He must come away from the door, Mary,” he said. “There will
be a draught if it is opened.”</p>
<p>“Jack, come away from the door, dear,” said the mother, dexterously
turning the shiny wet baby on to her towelled knee, then glancing round:
“Go and tell Auntie Louisa about the train.”</p>
<p>Louisa, also afraid to open the door, was watching the scene on the hearth. Mr
Massy stood holding the baby’s flannel, as if assisting at some
ceremonial. If everybody had not been subduedly angry, it would have been
ridiculous.</p>
<p>“I want to see out of the window,” Jack said. His father turned
hastily.</p>
<p>“Do <i>you</i> mind lifting him on to a chair, Louisa,” said Mary
hastily. The father was too delicate.</p>
<p>When the baby was flannelled, Mr Massy went upstairs and returned with four
pillows, which he set in the fender to warm. Then he stood watching the mother
feed her child, obsessed by the idea of his infant.</p>
<p>Louisa went on with her preparations for the meal. She could not have told why
she was so sullenly angry. Mrs Lindley, as usual, lay silently watching.</p>
<p>Mary carried her child upstairs, followed by her husband with the pillows.
After a while he came down again.</p>
<p>“What is Mary doing? Why doesn’t she come down to eat?” asked
Mrs Lindley.</p>
<p>“She is staying with baby. The room is rather cold. I will ask the girl
to put in a fire.” He was going absorbedly to the door.</p>
<p>“But Mary has had nothing to eat. It is <i>she</i> who will catch
cold,” said the mother, exasperated.</p>
<p>Mr Massy seemed as if he did not hear. Yet he looked at his mother-in-law, and
answered:</p>
<p>“I will take her something.”</p>
<p>He went out. Mrs Lindley shifted on her couch with anger. Miss Louisa glowered.
But no one said anything, because of the money that came to the vicarage from
Mr Massy.</p>
<p>Louisa went upstairs. Her sister was sitting by the bed, reading a scrap of
paper.</p>
<p>“Won’t you come down and eat?” the younger asked.</p>
<p>“In a moment or two,” Mary replied, in a quiet, reserved voice,
that forbade anyone to approach her.</p>
<p>It was this that made Miss Louisa most furious. She went downstairs, and
announced to her mother:</p>
<p>“I am going out. I may not be home to tea.”</p>
<h4>VIII</h4>
<p>No one remarked on her exit. She put on her fur hat, that the village people
knew so well, and the old Norfolk jacket. Louisa was short and plump and plain.
She had her mother’s heavy jaw, her father’s proud brow, and her
own grey, brooding eyes that were very beautiful when she smiled. It was true,
as the people said, that she looked sulky. Her chief attraction was her
glistening, heavy, deep-blond hair, which shone and gleamed with a richness
that was not entirely foreign to her.</p>
<p>“Where am I going?” she said to herself, when she got outside in
the snow. She did not hesitate, however, but by mechanical walking found
herself descending the hill towards Old Aldecross. In the valley that was black
with trees, the colliery breathed in stertorous pants, sending out high conical
columns of steam that remained upright, whiter than the snow on the hills, yet
shadowy, in the dead air. Louisa would not acknowledge to herself whither she
was making her way, till she came to the railway crossing. Then the bunches of
snow in the twigs of the apple tree that leaned towards the fence told her she
must go and see Mrs Durant. The tree was in Mrs Durant’s garden.</p>
<p>Alfred was now at home again, living with his mother in the cottage below the
road. From the highway hedge, by the railway crossing, the snowy garden sheered
down steeply, like the side of a hole, then dropped straight in a wall. In this
depth the house was snug, its chimney just level with the road. Miss Louisa
descended the stone stairs, and stood below in the little backyard, in the
dimness and the semi-secrecy. A big tree leaned overhead, above the paraffin
hut. Louisa felt secure from all the world down there. She knocked at the open
door, then looked round. The tongue of garden narrowing in from the quarry bed
was white with snow: she thought of the thick fringes of snowdrops it would
show beneath the currant bushes in a month’s time. The ragged fringe of
pinks hanging over the garden brim behind her was whitened now with
snow-flakes, that in summer held white blossom to Louisa’s face. It was
pleasant, she thought, to gather flowers that stooped to one’s face from
above.</p>
<p>She knocked again. Peeping in, she saw the scarlet glow of the kitchen, red
firelight falling on the brick floor and on the bright chintz cushions. It was
alive and bright as a peep-show. She crossed the scullery, where still an
almanac hung. There was no one about. “Mrs Durant,” called Louisa
softly, “Mrs Durant.”</p>
<p>She went up the brick step into the front room, that still had its little shop
counter and its bundles of goods, and she called from the stair-foot. Then she
knew Mrs Durant was out.</p>
<p>She went into the yard to follow the old woman’s footsteps up the garden
path.</p>
<p>She emerged from the bushes and raspberry canes. There was the whole quarry
bed, a wide garden white and dimmed, brindled with dark bushes, lying half
submerged. On the left, overhead, the little colliery train rumbled by. Right
away at the back was a mass of trees.</p>
<p>Louisa followed the open path, looking from right to left, and then she gave a
cry of concern. The old woman was sitting rocking slightly among the ragged
snowy cabbages. Louisa ran to her, found her whimpering with little,
involuntary cries.</p>
<p>“Whatever have you done?” cried Louisa, kneeling in the snow.</p>
<p>“I’ve—I’ve—I was pulling a brussel-sprout
stalk—and—oh-h!—something tore inside me. I’ve had a
pain,” the old woman wept from shock and suffering, gasping between her
whimpers—“I’ve had a pain there—a long time—and
now—oh—oh!” She panted, pressed her hand on her side, leaned
as if she would faint, looking yellow against the snow. Louisa supported her.</p>
<p>“Do you think you could walk now?” she asked.</p>
<p>“Yes,” gasped the old woman.</p>
<p>Louisa helped her to her feet.</p>
<p>“Get the cabbage—I want it for Alfred’s dinner,” panted
Mrs Durant. Louisa picked up the stalk of brussel-sprouts, and with difficulty
got the old woman indoors. She gave her brandy, laid her on the couch, saying:</p>
<p>“I’m going to send for a doctor—wait just a minute.”</p>
<p>The young woman ran up the steps to the public-house a few yards away. The
landlady was astonished to see Miss Louisa.</p>
<p>“Will you send for a doctor at once to Mrs Durant,” she said, with
some of her father in her commanding tone.</p>
<p>“Is something the matter?” fluttered the landlady in concern.</p>
<p>Louisa, glancing out up the road, saw the grocer’s cart driving to
Eastwood. She ran and stopped the man, and told him.</p>
<p>Mrs Durant lay on the sofa, her face turned away, when the young woman came
back.</p>
<p>“Let me put you to bed,” Louisa said. Mrs Durant did not resist.</p>
<p>Louisa knew the ways of the working people. In the bottom drawer of the dresser
she found dusters and flannels. With the old pit-flannel she snatched out the
oven shelves, wrapped them up, and put them in the bed. From the son’s
bed she took a blanket, and, running down, set it before the fire. Having
undressed the little old woman, Louisa carried her upstairs.</p>
<p>“You’ll drop me, you’ll drop me!” cried Mrs Durant.</p>
<p>Louisa did not answer, but bore her burden quickly. She could not light a fire,
because there was no fire-place in the bedroom. And the floor was plaster. So
she fetched the lamp, and stood it lighted in one corner.</p>
<p>“It will air the room,” she said.</p>
<p>“Yes,” moaned the old woman.</p>
<p>Louisa ran with more hot flannels, replacing those from the oven shelves. Then
she made a bran-bag and laid it on the woman’s side. There was a big lump
on the side of the abdomen.</p>
<p>“I’ve felt it coming a long time,” moaned the old lady, when
the pain was easier, “but I’ve not said anything; I didn’t
want to upset our Alfred.”</p>
<p>Louisa did not see why “our Alfred” should be spared.</p>
<p>“What time is it?” came the plaintive voice.</p>
<p>“A quarter to four.”</p>
<p>“Oh!” wailed the old lady, “he’ll be here in half an
hour, and no dinner ready for him.”</p>
<p>“Let me do it?” said Louisa, gently.</p>
<p>“There’s that cabbage—and you’ll find the meat in the
pantry—and there’s an apple pie you can hot up. But <i>don’t
you</i> do it——!”</p>
<p>“Who will, then?” asked Louisa.</p>
<p>“I don’t know,” moaned the sick woman, unable to consider.</p>
<p>Louisa did it. The doctor came and gave serious examination. He looked very
grave.</p>
<p>“What is it, doctor?” asked the old lady, looking up at him with
old, pathetic eyes in which already hope was dead.</p>
<p>“I think you’ve torn the skin in which a tumour hangs,” he
replied.</p>
<p>“Ay!” she murmured, and she turned away.</p>
<p>“You see, she may die any minute—and it <i>may</i> be swaled
away,” said the old doctor to Louisa.</p>
<p>The young woman went upstairs again.</p>
<p>“He says the lump may be swaled away, and you may get quite well
again,” she said.</p>
<p>“Ay!” murmured the old lady. It did not deceive her. Presently she
asked:</p>
<p>“Is there a good fire?”</p>
<p>“I think so,” answered Louisa.</p>
<p>“He’ll want a good fire,” the mother said. Louisa attended to
it.</p>
<p>Since the death of Durant, the widow had come to church occasionally, and
Louisa had been friendly to her. In the girl’s heart the purpose was
fixed. No man had affected her as Alfred Durant had done, and to that she kept.
In her heart, she adhered to him. A natural sympathy existed between her and
his rather hard, materialistic mother.</p>
<p>Alfred was the most lovable of the old woman’s sons. He had grown up like
the rest, however, headstrong and blind to everything but his own will. Like
the other boys, he had insisted on going into the pit as soon as he left
school, because that was the only way speedily to become a man, level with all
the other men. This was a great chagrin to his mother, who would have liked to
have this last of her sons a gentleman.</p>
<p>But still he remained constant to her. His feeling for her was deep and
unexpressed. He noticed when she was tired, or when she had a new cap. And he
bought little things for her occasionally. She was not wise enough to see how
much he lived by her.</p>
<p>At the bottom he did not satisfy her, he did not seem manly enough. He liked to
read books occasionally, and better still he liked to play the piccolo. It
amused her to see his head nod over the instrument as he made an effort to get
the right note. It made her fond of him, with tenderness, almost pity, but not
with respect. She wanted a man to be fixed, going his own way without knowledge
of women. Whereas she knew Alfred depended on her. He sang in the choir because
he liked singing. In the summer he worked in the garden, attended to the fowls
and pigs. He kept pigeons. He played on Saturday in the cricket or football
team. But to her he did not seem the man, the independent man her other boys
had been. He was her baby—and whilst she loved him for it, she was a
little bit contemptuous of him.</p>
<p>There grew up a little hostility between them. Then he began to drink, as the
others had done; but not in their blind, oblivious way. He was a little
self-conscious over it. She saw this, and she pitied it in him. She loved him
most, but she was not satisfied with him because he was not free of her. He
could not quite go his own way.</p>
<p>Then at twenty he ran away and served his time in the Navy. This made a man of
him. He had hated it bitterly, the service, the subordination. For years he
fought with himself under the military discipline, for his own self-respect,
struggling through blind anger and shame and a cramping sense of inferiority.
Out of humiliation and self-hatred, he rose into a sort of inner freedom. And
his love for his mother, whom he idealised, remained the fact of hope and of
belief.</p>
<p>He came home again, nearly thirty years old, but naïve and inexperienced as a
boy, only with a silence about him that was new: a sort of dumb humility before
life, a fear of living. He was almost quite chaste. A strong sensitiveness had
kept him from women. Sexual talk was all very well among men, but somehow it
had no application to living women. There were two things for him, the
<i>idea</i> of women, with which he sometimes debauched himself, and real
women, before whom he felt a deep uneasiness, and a need to draw away. He
shrank and defended himself from the approach of any woman. And then he felt
ashamed. In his innermost soul he felt he was not a man, he was less than the
normal man. In Genoa he went with an under officer to a drinking house where
the cheaper sort of girl came in to look for lovers. He sat there with his
glass, the girls looked at him, but they never came to him. He knew that if
they did come he could only pay for food and drink for them, because he felt a
pity for them, and was anxious lest they lacked good necessities. He could not
have gone with one of them: he knew it, and was ashamed, looking with curious
envy at the swaggering, easy-passionate Italian whose body went to a woman by
instinctive impersonal attraction. They were men, he was not a man. He sat
feeling short, feeling like a leper. And he went away imagining sexual scenes
between himself and a woman, walking wrapt in this indulgence. But when the
ready woman presented herself, the very fact that she was a palpable woman made
it impossible for him to touch her. And this incapacity was like a core of
rottenness in him.</p>
<p>So several times he went, drunk, with his companions, to the licensed
prostitute houses abroad. But the sordid insignificance of the experience
appalled him. It had not been anything really: it meant nothing. He felt as if
he were, not physically, but spiritually impotent: not actually impotent, but
intrinsically so.</p>
<p>He came home with this secret, never changing burden of his unknown, unbestowed
self torturing him. His navy training left him in perfect physical condition.
He was sensible of, and proud of his body. He bathed and used dumb-bells, and
kept himself fit. He played cricket and football. He read books and began to
hold fixed ideas which he got from the Fabians. He played his piccolo, and was
considered an expert. But at the bottom of his soul was always this canker of
shame and incompleteness: he was miserable beneath all his healthy
cheerfulness, he was uneasy and felt despicable among all his confidence and
superiority of ideas. He would have changed with any mere brute, just to be
free of himself, to be free of this shame of self-consciousness. He saw some
collier lurching straight forward without misgiving, pursuing his own
satisfactions, and he envied him. Anything, he would have given anything for
this spontaneity and this blind stupidity which went to its own satisfaction
direct.</p>
<h4>IX</h4>
<p>He was not unhappy in the pit. He was admired by the men, and well enough
liked. It was only he himself who felt the difference between himself and the
others. He seemed to hide his own stigma. But he was never sure that the others
did not really despise him for a ninny, as being less a man than they were.
Only he pretended to be more manly, and was surprised by the ease with which
they were deceived. And, being naturally cheerful, he was happy at his work. He
was sure of himself there. Naked to the waist, hot and grimy with labour, they
squatted on their heels for a few minutes and talked, seeing each other dimly
by the light of the safety lamps, while the black coal rose jutting round them,
and the props of wood stood like little pillars in the low, black, very dark
temple. Then the pony came and the gang-lad with a message from Number 7, or
with a bottle of water from the horse-trough or some news of the world above.
The day passed pleasantly enough. There was an ease, a go-as-you-please about
the day underground, a delightful camaraderie of men shut off alone from the
rest of the world, in a dangerous place, and a variety of labour, holing,
loading, timbering, and a glamour of mystery and adventure in the atmosphere,
that made the pit not unattractive to him when he had again got over his
anguish of desire for the open air and the sea.</p>
<p>This day there was much to do and Durant was not in humour to talk. He went on
working in silence through the afternoon.</p>
<p>“Loose-all” came, and they tramped to the bottom. The whitewashed
underground office shone brightly. Men were putting out their lamps. They sat
in dozens round the bottom of the shaft, down which black, heavy drops of water
fell continuously into the sump. The electric lights shone away down the main
underground road.</p>
<p>“Is it raining?” asked Durant.</p>
<p>“Snowing,” said an old man, and the younger was pleased. He liked
to go up when it was snowing.</p>
<p>“It’ll just come right for Christmas,” said the old man.</p>
<p>“Ay,” replied Durant.</p>
<p>“A green Christmas, a fat churchyard,” said the other
sententiously.</p>
<p>Durant laughed, showing his small, rather pointed teeth.</p>
<p>The cage came down, a dozen men lined on. Durant noticed tufts of snow on the
perforated, arched roof of the chain, and he was pleased.</p>
<p>He wondered how it liked its excursion underground. But already it was getting
soppy with black water.</p>
<p>He liked things about him. There was a little smile on his face. But underlying
it was the curious consciousness he felt in himself.</p>
<p>The upper world came almost with a flash, because of the glimmer of snow.
Hurrying along the bank, giving up his lamp at the office, he smiled to feel
the open about him again, all glimmering round him with snow. The hills on
either side were pale blue in the dusk, and the hedges looked savage and dark.
The snow was trampled between the railway lines. But far ahead, beyond the
black figures of miners moving home, it became smooth again, spreading right up
to the dark wall of the coppice.</p>
<p>To the west there was a pinkness, and a big star hovered half revealed. Below,
the lights of the pit came out crisp and yellow among the darkness of the
buildings, and the lights of Old Aldecross twinkled in rows down the bluish
twilight.</p>
<p>Durant walked glad with life among the miners, who were all talking animatedly
because of the snow. He liked their company, he liked the white dusky world. It
gave him a little thrill to stop at the garden gate and see the light of home
down below, shining on the silent blue snow.</p>
<h4>X</h4>
<p>By the big gate of the railway, in the fence, was a little gate, that he kept
locked. As he unfastened it, he watched the kitchen light that shone on to the
bushes and the snow outside. It was a candle burning till night set in, he
thought to himself. He slid down the steep path to the level below. He liked
making the first marks in the smooth snow. Then he came through the bushes to
the house. The two women heard his heavy boots ring outside on the scraper, and
his voice as he opened the door:</p>
<p>“How much worth of oil do you reckon to save by that candle,
mother?” He liked a good light from the lamp.</p>
<p>He had just put down his bottle and snap-bag and was hanging his coat behind
the scullery door, when Miss Louisa came upon him. He was startled, but he
smiled.</p>
<p>His eyes began to laugh—then his face went suddenly straight, and he was
afraid.</p>
<p>“Your mother’s had an accident,” she said.</p>
<p>“How?” he exclaimed.</p>
<p>“In the garden,” she answered. He hesitated with his coat in his
hands. Then he hung it up and turned to the kitchen.</p>
<p>“Is she in bed?” he asked.</p>
<p>“Yes,” said Miss Louisa, who found it hard to deceive him. He was
silent. He went into the kitchen, sat down heavily in his father’s old
chair, and began to pull off his boots. His head was small, rather finely
shapen. His brown hair, close and crisp, would look jolly whatever happened. He
wore heavy moleskin trousers that gave off the stale, exhausted scent of the
pit. Having put on his slippers, he carried his boots into the scullery.</p>
<p>“What is it?” he asked, afraid.</p>
<p>“Something internal,” she replied.</p>
<p>He went upstairs. His mother kept herself calm for his coming. Louisa felt his
tread shake the plaster floor of the bedroom above.</p>
<p>“What have you done?” he asked.</p>
<p>“It’s nothing, my lad,” said the old woman, rather hard.
“It’s nothing. You needn’t fret, my boy, it’s nothing
more the matter with me than I had yesterday, or last week. The doctor said
I’d done nothing serious.”</p>
<p>“What were you doing?” asked her son.</p>
<p>“I was pulling up a cabbage, and I suppose I pulled too hard; for,
oh—there was such a pain——”</p>
<p>Her son looked at her quickly. She hardened herself.</p>
<p>“But who doesn’t have a sudden pain sometimes, my boy. We all
do.”</p>
<p>“And what’s it done?”</p>
<p>“I don’t know,” she said, “but I don’t suppose
it’s anything.”</p>
<p>The big lamp in the corner was screened with a dark green, so that he could
scarcely see her face. He was strung tight with apprehension and many emotions.
Then his brow knitted.</p>
<p>“What did you go pulling your inside out at cabbages for,” he
asked, “and the ground frozen? You’d go on dragging and dragging,
if you killed yourself.”</p>
<p>“Somebody’s got to get them,” she said.</p>
<p>“You needn’t do yourself harm.”</p>
<p>But they had reached futility.</p>
<p>Miss Louisa could hear plainly downstairs. Her heart sank. It seemed so
hopeless between them.</p>
<p>“Are you sure it’s nothing much, mother?” he asked,
appealing, after a little silence.</p>
<p>“Ay, it’s nothing,” said the old woman, rather bitter.</p>
<p>“I don’t want you to—to—to be badly—you
know.”</p>
<p>“Go an’ get your dinner,” she said. She knew she was going to
die: moreover, the pain was torture just then. “They’re only
cosseting me up a bit because I’m an old woman. Miss Louisa’s
<i>very</i> good—and she’ll have got your dinner ready, so
you’d better go and eat it.”</p>
<p>He felt stupid and ashamed. His mother put him off. He had to turn away. The
pain burned in his bowels. He went downstairs. The mother was glad he was gone,
so that she could moan with pain.</p>
<p>He had resumed the old habit of eating before he washed himself. Miss Louisa
served his dinner. It was strange and exciting to her. She was strung up tense,
trying to understand him and his mother. She watched him as he sat. He was
turned away from his food, looking in the fire. Her soul watched him, trying to
see what he was. His black face and arms were uncouth, he was foreign. His face
was masked black with coal-dust. She could not see him, she could not even know
him. The brown eyebrows, the steady eyes, the coarse, small moustache above the
closed mouth—these were the only familiar indications. What was he, as he
sat there in his pit-dirt? She could not see him, and it hurt her.</p>
<p>She ran upstairs, presently coming down with the flannels and the bran-bag, to
heat them, because the pain was on again.</p>
<p>He was half-way through his dinner. He put down the fork, suddenly nauseated.</p>
<p>“They will soothe the wrench,” she said. He watched, useless and
left out.</p>
<p>“Is she bad?” he asked.</p>
<p>“I think she is,” she answered.</p>
<p>It was useless for him to stir or comment. Louisa was busy. She went upstairs.
The poor old woman was in a white, cold sweat of pain. Louisa’s face was
sullen with suffering as she went about to relieve her. Then she sat and
waited. The pain passed gradually, the old woman sank into a state of coma.
Louisa still sat silent by the bed. She heard the sound of water downstairs.
Then came the voice of the old mother, faint but unrelaxing:</p>
<p>“Alfred’s washing himself—he’ll want his back
washing——”</p>
<p>Louisa listened anxiously, wondering what the sick woman wanted.</p>
<p>“He can’t bear if his back isn’t washed——”
the old woman persisted, in a cruel attention to his needs. Louisa rose and
wiped the sweat from the yellowish brow.</p>
<p>“I will go down,” she said soothingly.</p>
<p>“If you would,” murmured the sick woman.</p>
<p>Louisa waited a moment. Mrs Durant closed her eyes, having discharged her duty.
The young woman went downstairs. Herself, or the man, what did they matter?
Only the suffering woman must be considered.</p>
<p>Alfred was kneeling on the hearthrug, stripped to the waist, washing himself in
a large panchion of earthenware. He did so every evening, when he had eaten his
dinner; his brothers had done so before him. But Miss Louisa was strange in the
house.</p>
<p>He was mechanically rubbing the white lather on his head, with a repeated,
unconscious movement, his hand every now and then passing over his neck. Louisa
watched. She had to brace herself to this also. He bent his head into the
water, washed it free of soap, and pressed the water out of his eyes.</p>
<p>“Your mother said you would want your back washing,” she said.</p>
<p>Curious how it hurt her to take part in their fixed routine of life! Louisa
felt the almost repulsive intimacy being forced upon her. It was all so common,
so like herding. She lost her own distinctness.</p>
<p>He ducked his face round, looking up at her in what was a very comical way. She
had to harden herself.</p>
<p>“How funny he looks with his face upside down,” she thought. After
all, there was a difference between her and the common people. The water in
which his arms were plunged was quite black, the soap-froth was darkish. She
could scarcely conceive him as human. Mechanically, under the influence of
habit, he groped in the black water, fished out soap and flannel, and handed
them backward to Louisa. Then he remained rigid and submissive, his two arms
thrust straight in the panchion, supporting the weight of his shoulders. His
skin was beautifully white and unblemished, of an opaque, solid whiteness.
Gradually Louisa saw it: this also was what he was. It fascinated her. Her
feeling of separateness passed away: she ceased to draw back from contact with
him and his mother. There was this living centre. Her heart ran hot. She had
reached some goal in this beautiful, clear, male body. She loved him in a
white, impersonal heat. But the sun-burnt, reddish neck and ears: they were
more personal, more curious. A tenderness rose in her, she loved even his queer
ears. A person—an intimate being he was to her. She put down the towel
and went upstairs again, troubled in her heart. She had only seen one human
being in her life—and that was Mary. All the rest were strangers. Now her
soul was going to open, she was going to see another. She felt strange and
pregnant.</p>
<p>“He’ll be more comfortable,” murmured the sick woman
abstractedly, as Louisa entered the room. The latter did not answer. Her own
heart was heavy with its own responsibility. Mrs Durant lay silent awhile, then
she murmured plaintively:</p>
<p>“You mustn’t mind, Miss Louisa.”</p>
<p>“Why should I?” replied Louisa, deeply moved.</p>
<p>“It’s what we’re used to,” said the old woman.</p>
<p>And Louisa felt herself excluded again from their life. She sat in pain, with
the tears of disappointment distilling her heart. Was that all?</p>
<p>Alfred came upstairs. He was clean, and in his shirt-sleeves. He looked a
workman now. Louisa felt that she and he were foreigners, moving in different
lives. It dulled her again. Oh, if she could only find some fixed relations,
something sure and abiding.</p>
<p>“How do you feel?” he said to his mother.</p>
<p>“It’s a bit better,” she replied wearily, impersonally. This
strange putting herself aside, this abstracting herself and answering him only
what she thought good for him to hear, made the relations between mother and
son poignant and cramping to Miss Louisa. It made the man so ineffectual, so
nothing. Louisa groped as if she had lost him. The mother was real and
positive—he was not very actual. It puzzled and chilled the young woman.</p>
<p>“I’d better fetch Mrs Harrison?” he said, waiting for his
mother to decide.</p>
<p>“I suppose we shall have to have somebody,” she replied.</p>
<p>Miss Louisa stood by, afraid to interfere in their business. They did not
include her in their lives, they felt she had nothing to do with them, except
as a help from outside. She was quite external to them. She felt hurt and
powerless against this unconscious difference. But something patient and
unyielding in her made her say:</p>
<p>“I will stay and do the nursing: you can’t be left.”</p>
<p>The other two were shy, and at a loss for an answer.</p>
<p>“Wes’ll manage to get somebody,” said the old woman wearily.
She did not care very much what happened, now.</p>
<p>“I will stay until tomorrow, in any case,” said Louisa. “Then
we can see.”</p>
<p>“I’m sure you’ve no right to trouble yourself,” moaned
the old woman. But she must leave herself in any hands.</p>
<p>Miss Louisa felt glad that she was admitted, even in an official capacity. She
wanted to share their lives. At home they would need her, now Mary had come.
But they must manage without her.</p>
<p>“I must write a note to the vicarage,” she said.</p>
<p>Alfred Durant looked at her inquiringly, for her service. He had always that
intelligent readiness to serve, since he had been in the Navy. But there was a
simple independence in his willingness, which she loved. She felt nevertheless
it was hard to get at him. He was so deferential, quick to take the slightest
suggestion of an order from her, implicitly, that she could not get at the man
in him.</p>
<p>He looked at her very keenly. She noticed his eyes were golden brown, with a
very small pupil, the kind of eyes that can see a long way off. He stood alert,
at military attention. His face was still rather weather-reddened.</p>
<p>“Do you want pen and paper?” he asked, with deferential suggestion
to a superior, which was more difficult for her than reserve.</p>
<p>“Yes, please,” she said.</p>
<p>He turned and went downstairs. He seemed to her so self-contained, so utterly
sure in his movement. How was she to approach him? For he would take not one
step towards her. He would only put himself entirely and impersonally at her
service, glad to serve her, but keeping himself quite removed from her. She
could see he felt real joy in doing anything for her, but any recognition would
confuse him and hurt him. Strange it was to her, to have a man going about the
house in his shirt-sleeves, his waistcoat unbuttoned, his throat bare, waiting
on her. He moved well, as if he had plenty of life to spare. She was attracted
by his completeness. And yet, when all was ready, and there was nothing more
for him to do, she quivered, meeting his questioning look.</p>
<p>As she sat writing, he placed another candle near her. The rather dense light
fell in two places on the overfoldings of her hair till it glistened heavy and
bright, like a dense golden plumage folded up. Then the nape of her neck was
very white, with fine down and pointed wisps of gold. He watched it as it were
a vision, losing himself. She was all that was beyond him, of revelation and
exquisiteness. All that was ideal and beyond him, she was that—and he was
lost to himself in looking at her. She had no connection with him. He did not
approach her. She was there like a wonderful distance. But it was a treat,
having her in the house. Even with this anguish for his mother tightening about
him, he was sensible of the wonder of living this evening. The candles
glistened on her hair, and seemed to fascinate him. He felt a little awe of
her, and a sense of uplifting, that he and she and his mother should be
together for a time, in the strange, unknown atmosphere. And, when he got out
of the house, he was afraid. He saw the stars above ringing with fine
brightness, the snow beneath just visible, and a new night was gathering round
him. He was afraid almost with obliteration. What was this new night ringing
about him, and what was he? He could not recognize himself nor any of his
surroundings. He was afraid to think of his mother. And yet his chest was
conscious of her, and of what was happening to her. He could not escape from
her, she carried him with her into an unformed, unknown chaos.</p>
<h4>XI</h4>
<p>He went up the road in an agony, not knowing what it was all about, but feeling
as if a red-hot iron were gripped round his chest. Without thinking, he shook
two or three tears on to the snow. Yet in his mind he did not believe his
mother would die. He was in the grip of some greater consciousness. As he sat
in the hall of the vicarage, waiting whilst Mary put things for Louisa into a
bag, he wondered why he had been so upset. He felt abashed and humbled by the
big house, he felt again as if he were one of the rank and file. When Miss Mary
spoke to him, he almost saluted.</p>
<p>“An honest man,” thought Mary. And the patronage was applied as
salve to her own sickness. She had station, so she could patronize: it was
almost all that was left to her. But she could not have lived without having a
certain position. She could never have trusted herself outside a definite
place, nor respected herself except as a woman of superior class.</p>
<p>As Alfred came to the latch-gate, he felt the grief at his heart again, and saw
the new heavens. He stood a moment looking northward to the Plough climbing up
the night, and at the far glimmer of snow in distant fields. Then his grief
came on like physical pain. He held tight to the gate, biting his mouth,
whispering “Mother!” It was a fierce, cutting, physical pain of
grief, that came on in bouts, as his mother’s pain came on in bouts, and
was so acute he could scarcely keep erect. He did not know where it came from,
the pain, nor why. It had nothing to do with his thoughts. Almost it had
nothing to do with him. Only it gripped him and he must submit. The whole tide
of his soul, gathering in its unknown towards this expansion into death,
carried him with it helplessly, all the fritter of his thought and
consciousness caught up as nothing, the heave passing on towards its breaking,
taking him further than he had ever been. When the young man had regained
himself, he went indoors, and there he was almost gay. It seemed to excite him.
He felt in high spirits: he made whimsical fun of things. He sat on one side of
his mother’s bed, Louisa on the other, and a certain gaiety seized them
all. But the night and the dread was coming on.</p>
<p>Alfred kissed his mother and went to bed. When he was half undressed the
knowledge of his mother came upon him, and the suffering seized him in its grip
like two hands, in agony. He lay on the bed screwed up tight. It lasted so
long, and exhausted him so much, that he fell asleep, without having the energy
to get up and finish undressing. He awoke after midnight to find himself stone
cold. He undressed and got into bed, and was soon asleep again.</p>
<p>At a quarter to six he woke, and instantly remembered. Having pulled on his
trousers and lighted a candle, he went into his mother’s room. He put his
hand before the candle flame so that no light fell on the bed.</p>
<p>“Mother!” he whispered.</p>
<p>“Yes,” was the reply.</p>
<p>There was a hesitation.</p>
<p>“Should I go to work?”</p>
<p>He waited, his heart was beating heavily.</p>
<p>“I think I’d go, my lad.”</p>
<p>His heart went down in a kind of despair.</p>
<p>“You want me to?”</p>
<p>He let his hand down from the candle flame. The light fell on the bed. There he
saw Louisa lying looking up at him. Her eyes were upon him. She quickly shut
her eyes and half buried her face in the pillow, her back turned to him. He saw
the rough hair like bright vapour about her round head, and the two plaits
flung coiled among the bedclothes. It gave him a shock. He stood almost
himself, determined. Louisa cowered down. He looked, and met his mother’s
eyes. Then he gave way again, and ceased to be sure, ceased to be himself.</p>
<p>“Yes, go to work, my boy,” said the mother.</p>
<p>“All right,” replied he, kissing her. His heart was down at
despair, and bitter. He went away.</p>
<p>“Alfred!” cried his mother faintly.</p>
<p>He came back with beating heart.</p>
<p>“What, mother?”</p>
<p>“You’ll always do what’s right, Alfred?” the mother
asked, beside herself in terror now he was leaving her. He was too terrified
and bewildered to know what she meant.</p>
<p>“Yes,” he said.</p>
<p>She turned her cheek to him. He kissed her, then went away, in bitter despair.
He went to work.</p>
<h4>XII</h4>
<p>By midday his mother was dead. The word met him at the pit-mouth. As he had
known, inwardly, it was not a shock to him, and yet he trembled. He went home
quite calmly, feeling only heavy in his breathing.</p>
<p>Miss Louisa was still at the house. She had seen to everything possible. Very
succinctly, she informed him of what he needed to know. But there was one point
of anxiety for her.</p>
<p>“You <i>did</i> half expect it—it’s not come as a blow to
you?” she asked, looking up at him. Her eyes were dark and calm and
searching. She too felt lost. He was so dark and inchoate.</p>
<p>“I suppose—yes,” he said stupidly. He looked aside, unable to
endure her eyes on him.</p>
<p>“I could not bear to think you might not have guessed,” she said.</p>
<p>He did not answer.</p>
<p>He felt it a great strain to have her near him at this time. He wanted to be
alone. As soon as the relatives began to arrive, Louisa departed and came no
more. While everything was arranging, and a crowd was in the house, whilst he
had business to settle, he went well enough, with only those uncontrollable
paroxysms of grief. For the rest, he was superficial. By himself, he endured
the fierce, almost insane bursts of grief which passed again and left him calm,
almost clear, just wondering. He had not known before that everything could
break down, that he himself could break down, and all be a great chaos, very
vast and wonderful. It seemed as if life in him had burst its bounds, and he
was lost in a great, bewildering flood, immense and unpeopled. He himself was
broken and spilled out amid it all. He could only breathe panting in silence.
Then the anguish came on again.</p>
<p>When all the people had gone from the Quarry Cottage, leaving the young man
alone with an elderly housekeeper, then the long trial began. The snow had
thawed and frozen, a fresh fall had whitened the grey, this then began to thaw.
The world was a place of loose grey slosh. Alfred had nothing to do in the
evenings. He was a man whose life had been filled up with small activities.
Without knowing it, he had been centralized, polarized in his mother. It was
she who had kept him. Even now, when the old housekeeper had left him, he might
still have gone on in his old way. But the force and balance of his life was
lacking. He sat pretending to read, all the time holding his fists clenched,
and holding himself in, enduring he did not know what. He walked the black and
sodden miles of field-paths, till he was tired out: but all this was only
running away from whence he must return. At work he was all right. If it had
been summer he might have escaped by working in the garden till bedtime. But
now, there was no escape, no relief, no help. He, perhaps, was made for action
rather than for understanding; for doing than for being. He was shocked out of
his activities, like a swimmer who forgets to swim.</p>
<p>For a week, he had the force to endure this suffocation and struggle, then he
began to get exhausted, and knew it must come out. The instinct of
self-preservation became strongest. But there was the question: Where was he to
go? The public-house really meant nothing to him, it was no good going there.
He began to think of emigration. In another country he would be all right. He
wrote to the emigration offices.</p>
<p>On the Sunday after the funeral, when all the Durant people had attended
church, Alfred had seen Miss Louisa, impassive and reserved, sitting with Miss
Mary, who was proud and very distant, and with the other Lindleys, who were
people removed. Alfred saw them as people remote. He did not think about it.
They had nothing to do with his life. After service Louisa had come to him and
shaken hands.</p>
<p>“My sister would like you to come to supper one evening, if you would be
so good.”</p>
<p>He looked at Miss Mary, who bowed. Out of kindness, Mary had proposed this to
Louisa, disapproving of herself even as she did so. But she did not examine
herself closely.</p>
<p>“Yes,” said Durant awkwardly, “I’ll come if you want
me.” But he vaguely felt that it was misplaced.</p>
<p>“You’ll come tomorrow evening, then, about half-past six.”</p>
<p>He went. Miss Louisa was very kind to him. There could be no music, because of
the babies. He sat with his fists clenched on his thighs, very quiet and
unmoved, lapsing, among all those people, into a kind of muse or daze. There
was nothing between him and them. They knew it as well as he. But he remained
very steady in himself, and the evening passed slowly. Mrs Lindley called him
“young man”.</p>
<p>“Will you sit here, young man?”</p>
<p>He sat there. One name was as good as another. What had they to do with him?</p>
<p>Mr Lindley kept a special tone for him, kind, indulgent, but patronizing.
Durant took it all without criticism or offence, just submitting. But he did
not want to eat—that troubled him, to have to eat in their presence. He
knew he was out of place. But it was his duty to stay yet awhile. He answered
precisely, in monosyllables.</p>
<p>When he left he winced with confusion. He was glad it was finished. He got away
as quickly as possible. And he wanted still more intensely to go right away, to
Canada.</p>
<p>Miss Louisa suffered in her soul, indignant with all of them, with him too, but
quite unable to say why she was indignant.</p>
<h4>XIII</h4>
<p>Two evenings after, Louisa tapped at the door of the Quarry Cottage, at
half-pas six. He had finished dinner, the woman had washed up and gone away,
but still he sat in his pit dirt. He was going later to the New Inn. He had
begun to go there because he must go somewhere. The mere contact with other men
was necessary to him, the noise, the warmth, the forgetful flight of the hours.
But still he did not move. He sat alone in the empty house till it began to
grow on him like something unnatural.</p>
<p>He was in his pit dirt when he opened the door.</p>
<p>“I have been wanting to call—I thought I would,” she said,
and she went to the sofa. He wondered why she wouldn’t use his
mother’s round armchair. Yet something stirred in him, like anger, when
the housekeeper placed herself in it.</p>
<p>“I ought to have been washed by now,” he said, glancing at the
clock, which was adorned with butterflies and cherries, and the name of
“T. Brooks, Mansfield.” He laid his black hands along his mottled
dirty arms. Louisa looked at him. There was the reserve, and the simple
neutrality towards her, which she dreaded in him. It made it impossible for her
to approach him.</p>
<p>“I am afraid,” she said, “that I wasn’t kind in asking
you to supper.”</p>
<p>“I’m not used to it,” he said, smiling with his mouth,
showing the interspaced white teeth. His eyes, however, were steady and
unseeing.</p>
<p>“It’s not <i>that</i>,” she said hastily. Her repose was
exquisite and her dark grey eyes rich with understanding. He felt afraid of her
as she sat there, as he began to grow conscious of her.</p>
<p>“How do you get on alone?” she asked.</p>
<p>He glanced away to the fire.</p>
<p>“Oh——” he answered, shifting uneasily, not finishing
his answer.</p>
<p>Her face settled heavily.</p>
<p>“How close it is in this room. You have such immense fires. I will take
off my coat,” she said.</p>
<p>He watched her take off her hat and coat. She wore a cream cashmir blouse
embroidered with gold silk. It seemed to him a very fine garment, fitting her
throat and wrists close. It gave him a feeling of pleasure and cleanness and
relief from himself.</p>
<p>“What were you thinking about, that you didn’t get washed?”
she asked, half intimately. He laughed, turning aside his head. The whites of
his eyes showed very distinct in his black face.</p>
<p>“Oh,” he said, “I couldn’t tell you.”</p>
<p>There was a pause.</p>
<p>“Are you going to keep this house on?” she asked.</p>
<p>He stirred in his chair, under the question.</p>
<p>“I hardly know,” he said. “I’m very likely going to
Canada.”</p>
<p>Her spirit became very quiet and attentive.</p>
<p>“What for?” she asked.</p>
<p>Again he shifted restlessly on his seat.</p>
<p>“Well”—he said slowly—“to try the life.”</p>
<p>“But which life?”</p>
<p>“There’s various things—farming or lumbering or mining. I
don’t mind much what it is.”</p>
<p>“And is that what you want?”</p>
<p>He did not think in these times, so he could not answer.</p>
<p>“I don’t know,” he said, “till I’ve tried.”</p>
<p>She saw him drawing away from her for ever.</p>
<p>“Aren’t you sorry to leave this house and garden?” she asked.</p>
<p>“I don’t know,” he answered reluctantly. “I suppose our
Fred would come in—that’s what he’s wanting.”</p>
<p>“You don’t want to settle down?” she asked.</p>
<p>He was leaning forward on the arms of his chair. He turned to her. Her face was
pale and set. It looked heavy and impassive, her hair shone richer as she grew
white. She was to him something steady and immovable and eternal presented to
him. His heart was hot in an anguish of suspense. Sharp twitches of fear and
pain were in his limbs. He turned his whole body away from her. The silence was
unendurable. He could not bear her to sit there any more. It made his heart go
hot and stifled in his breast.</p>
<p>“Were you going out tonight?” she asked.</p>
<p>“Only to the New Inn,” he said.</p>
<p>Again there was silence.</p>
<p>She reached for her hat. Nothing else was suggested to her. She <i>had</i> to
go. He sat waiting for her to be gone, for relief. And she knew that if she
went out of that house as she was, she went out a failure. Yet she continued to
pin on her hat; in a moment she would have to go. Something was carrying her.</p>
<p>Then suddenly a sharp pang, like lightning, seared her from head to foot, and
she was beyond herself.</p>
<p>“Do you want me to go?” she asked, controlled, yet speaking out of
a fiery anguish, as if the words were spoken from her without her intervention.</p>
<p>He went white under his dirt.</p>
<p>“Why?” he asked, turning to her in fear, compelled.</p>
<p>“Do you want me to go?” she repeated.</p>
<p>“Why?” he asked again.</p>
<p>“Because I wanted to stay with you,” she said, suffocated, with her
lungs full of fire.</p>
<p>His face worked, he hung forward a little, suspended, staring straight into her
eyes, in torment, in an agony of chaos, unable to collect himself. And as if
turned to stone, she looked back into his eyes. Their souls were exposed bare
for a few moments. It was agony. They could not bear it. He dropped his head,
whilst his body jerked with little sharp twitchings.</p>
<p>She turned away for her coat. Her soul had gone dead in her. Her hands
trembled, but she could not feel any more. She drew on her coat. There was a
cruel suspense in the room. The moment had come for her to go. He lifted his
head. His eyes were like agate, expressionless, save for the black points of
torture. They held her, she had no will, no life any more. She felt broken.</p>
<p>“Don’t you want me?” she said helplessly.</p>
<p>A spasm of torture crossed his eyes, which held her fixed.</p>
<p>“I—I——” he began, but he could not speak.
Something drew him from his chair to her. She stood motionless, spellbound,
like a creature given up as prey. He put his hand tentatively, uncertainly, on
her arm. The expression of his face was strange and inhuman. She stood utterly
motionless. Then clumsily he put his arms round her, and took her, cruelly,
blindly, straining her till she nearly lost consciousness, till he himself had
almost fallen.</p>
<p>Then, gradually, as he held her gripped, and his brain reeled round, and he
felt himself falling, falling from himself, and whilst she, yielded up, swooned
to a kind of death of herself, a moment of utter darkness came over him, and
they began to wake up again as if from a long sleep. He was himself.</p>
<p>After a while his arms slackened, she loosened herself a little, and put her
arms round him, as he held her. So they held each other close, and hid each
against the other for assurance, helpless in speech. And it was ever her hands
that trembled more closely upon him, drawing him nearer into her, with love.</p>
<p>And at last she drew back her face and looked up at him, her eyes wet, and
shining with light. His heart, which saw, was silent with fear. He was with
her. She saw his face all sombre and inscrutable, and he seemed eternal to her.
And all the echo of pain came back into the rarity of bliss, and all her tears
came up.</p>
<p>“I love you,” she said, her lips drawn and sobbing. He put down his
head against her, unable to hear her, unable to bear the sudden coming of the
peace and passion that almost broke his heart. They stood together in silence
whilst the thing moved away a little.</p>
<p>At last she wanted to see him. She looked up. His eyes were strange and
glowing, with a tiny black pupil. Strange, they were, and powerful over her.
And his mouth came to hers, and slowly her eyelids closed, as his mouth sought
hers closer and closer, and took possession of her.</p>
<p>They were silent for a long time, too much mixed up with passion and grief and
death to do anything but hold each other in pain and kiss with long, hurting
kisses wherein fear was transfused into desire. At last she disengaged herself.
He felt as if his heart were hurt, but glad, and he scarcely dared look at her.</p>
<p>“I’m glad,” she said also.</p>
<p>He held her hands in passionate gratitude and desire. He had not yet the
presence of mind to say anything. He was dazed with relief.</p>
<p>“I ought to go,” she said.</p>
<p>He looked at her. He could not grasp the thought of her going, he knew he could
never be separated from her any more. Yet he dared not assert himself. He held
her hands tight.</p>
<p>“Your face is black,” she said.</p>
<p>He laughed.</p>
<p>“Yours is a bit smudged,” he said.</p>
<p>They were afraid of each other, afraid to talk. He could only keep her near to
him. After a while she wanted to wash her face. He brought her some warm water,
standing by and watching her. There was something he wanted to say, that he
dared not. He watched her wiping her face, and making tidy her hair.</p>
<p>“They’ll see your blouse is dirty,” he said.</p>
<p>She looked at her sleeves and laughed for joy.</p>
<p>He was sharp with pride.</p>
<p>“What shall you do?” he asked.</p>
<p>“How?” she said.</p>
<p>He was awkward at a reply.</p>
<p>“About me,” he said.</p>
<p>“What do you want me to do?” she laughed.</p>
<p>He put his hand out slowly to her. What did it matter!</p>
<p>“But make yourself clean,” she said.</p>
<h4>XIV</h4>
<p>As they went up the hill, the night seemed dense with the unknown. They kept
close together, feeling as if the darkness were alive and full of knowledge,
all around them. In silence they walked up the hill. At first the street lamps
went their way. Several people passed them. He was more shy than she, and would
have let her go had she loosened in the least. But she held firm.</p>
<p>Then they came into the true darkness, between the fields. They did not want to
speak, feeling closer together in silence. So they arrived at the Vicarage
gate. They stood under the naked horse-chestnut tree.</p>
<p>“I wish you didn’t have to go,” he said.</p>
<p>She laughed a quick little laugh.</p>
<p>“Come tomorrow,” she said, in a low tone, “and ask
father.”</p>
<p>She felt his hand close on hers.</p>
<p>She gave the same sorrowful little laugh of sympathy. Then she kissed him,
sending him home.</p>
<p>At home, the old grief came on in another paroxysm, obliterating Louisa,
obliterating even his mother for whom the stress was raging like a burst of
fever in a wound. But something was sound in his heart.</p>
<h4>XV</h4>
<p>The next evening he dressed to go to the vicarage, feeling it was to be done,
not imagining what it would be like. He would not take this seriously. He was
sure of Louisa, and this marriage was like fate to him. It filled him also with
a blessed feeling of fatality. He was not responsible, neither had her people
anything really to do with it.</p>
<p>They ushered him into the little study, which was fireless. By and by the vicar
came in. His voice was cold and hostile as he said:</p>
<p>“What can I do for you, young man?”</p>
<p>He knew already, without asking.</p>
<p>Durant looked up at him, again like a sailor before a superior. He had the
subordinate manner. Yet his spirit was clear.</p>
<p>“I wanted, Mr Lindley——” he began respectfully, then
all the colour suddenly left his face. It seemed now a violation to say what he
had to say. What was he doing there? But he stood on, because it had to be
done. He held firmly to his own independence and self-respect. He must not be
indecisive. He must put himself aside: the matter was bigger than just his
personal self. He must not feel. This was his highest duty.</p>
<p>“You wanted——” said the vicar.</p>
<p>Durant’s mouth was dry, but he answered with steadiness:</p>
<p>“Miss Louisa—Louisa—promised to marry me——”</p>
<p>“You asked Miss Louisa if she would marry
you—yes——” corrected the vicar. Durant reflected he had
not asked her this:</p>
<p>“If she would marry me, sir. I hope you—don’t mind.”</p>
<p>He smiled. He was a good-looking man, and the vicar could not help seeing it.</p>
<p>“And my daughter was willing to marry you?” said Mr Lindley.</p>
<p>“Yes,” said Durant seriously. It was pain to him, nevertheless. He
felt the natural hostility between himself and the elder man.</p>
<p>“Will you come this way?” said the vicar. He led into the
dining-room, where were Mary, Louisa, and Mrs Lindley. Mr Massy sat in a corner
with a lamp.</p>
<p>“This young man has come on your account, Louisa?” said Mr Lindley.</p>
<p>“Yes,” said Louisa, her eyes on Durant, who stood erect, in
discipline. He dared not look at her, but he was aware of her.</p>
<p>“You don’t want to marry a collier, you little fool,” cried
Mrs Lindley harshly. She lay obese and helpless upon the couch, swathed in a
loose, dove-grey gown.</p>
<p>“Oh, hush, mother,” cried Mary, with quiet intensity and pride.</p>
<p>“What means have you to support a wife?” demanded the vicar’s
wife roughly.</p>
<p>“I!” Durant replied, starting. “I think I can earn
enough.”</p>
<p>“Well, and how much?” came the rough voice.</p>
<p>“Seven and six a day,” replied the young man.</p>
<p>“And will it get to be any more?”</p>
<p>“I hope so.”</p>
<p>“And are you going to live in that poky little house?”</p>
<p>“I think so,” said Durant, “if it’s all right.”</p>
<p>He took small offence, only was upset, because they would not think him good
enough. He knew that, in their sense, he was not.</p>
<p>“Then she’s a fool, I tell you, if she marries you,” cried
the mother roughly, casting her decision.</p>
<p>“After all, mama, it is Louisa’s affair,” said Mary
distinctly, “and we must remember——”</p>
<p>“As she makes her bed, she must lie—but she’ll repent
it,” interrupted Mrs Lindley.</p>
<p>“And after all,” said Mr Lindley, “Louisa cannot quite hold
herself free to act entirely without consideration for her family.”</p>
<p>“What do you want, papa?” asked Louisa sharply.</p>
<p>“I mean that if you marry this man, it will make my position very
difficult for me, particularly if you stay in this parish. If you were moving
quite away, it would be simpler. But living here in a collier’s cottage,
under my nose, as it were—it would be almost unseemly. I have my position
to maintain, and a position which may not be taken lightly.”</p>
<p>“Come over here, young man,” cried the mother, in her rough voice,
“and let us look at you.”</p>
<p>Durant, flushing, went over and stood—not quite at attention, so that he
did not know what to do with his hands. Miss Louisa was angry to see him
standing there, obedient and acquiescent. He ought to show himself a man.</p>
<p>“Can’t you take her away and live out of sight?” said the
mother. “You’d both of you be better off.”</p>
<p>“Yes, we can go away,” he said.</p>
<p>“Do you want to?” asked Miss Mary clearly.</p>
<p>He faced round. Mary looked very stately and impressive. He flushed.</p>
<p>“I do if it’s going to be a trouble to anybody,” he said.</p>
<p>“For yourself, you would rather stay?” said Mary.</p>
<p>“It’s my home,” he said, “and that’s the house I
was born in.”</p>
<p>“Then”—Mary turned clearly to her parents, “I really
don’t see how you can make the conditions, papa. He has his own rights,
and if Louisa wants to marry him——”</p>
<p>“Louisa, Louisa!” cried the father impatiently. “I cannot
understand why Louisa should not behave in the normal way. I cannot see why she
should only think of herself, and leave her family out of count. The thing is
enough in itself, and she ought to try to ameliorate it as much as possible.
And if——”</p>
<p>“But I love the man, papa,” said Louisa.</p>
<p>“And I hope you love your parents, and I hope you want to spare them as
much of the—the loss of prestige, as possible.”</p>
<p>“We <i>can</i> go away to live,” said Louisa, her face breaking to
tears. At last she was really hurt.</p>
<p>“Oh, yes, easily,” Durant replied hastily, pale, distressed.</p>
<p>There was dead silence in the room.</p>
<p>“I think it would really be better,” murmured the vicar, mollified.</p>
<p>“Very likely it would,” said the rough-voiced invalid.</p>
<p>“Though I think we ought to apologize for asking such a thing,”
said Mary haughtily.</p>
<p>“No,” said Durant. “It will be best all round.” He was
glad there was no more bother.</p>
<p>“And shall we put up the banns here or go to the registrar?” he
asked clearly, like a challenge.</p>
<p>“We will go to the registrar,” replied Louisa decidedly.</p>
<p>Again there was a dead silence in the room.</p>
<p>“Well, if you will have your own way, you must go your own way,”
said the mother emphatically.</p>
<p>All the time Mr Massy had sat obscure and unnoticed in a corner of the room. At
this juncture he got up, saying:</p>
<p>“There is baby, Mary.”</p>
<p>Mary rose and went out of the room, stately; her little husband padded after
her. Durant watched the fragile, small man go, wondering.</p>
<p>“And where,” asked the vicar, almost genial, “do you think
you will go when you are married?”</p>
<p>Durant started.</p>
<p>“I was thinking of emigrating,” he said.</p>
<p>“To Canada? or where?”</p>
<p>“I think to Canada.”</p>
<p>“Yes, that would be very good.”</p>
<p>Again there was a pause.</p>
<p>“We shan’t see much of you then, as a son-in-law,” said the
mother, roughly but amicably.</p>
<p>“Not much,” he said.</p>
<p>Then he took his leave. Louisa went with him to the gate. She stood before him
in distress.</p>
<p>“You won’t mind them, will you?” she said humbly.</p>
<p>“I don’t mind them, if they don’t mind me!” he said.
Then he stooped and kissed her.</p>
<p>“Let us be married soon,” she murmured, in tears.</p>
<p>“All right,” he said. “I’ll go tomorrow to
Barford.”</p>
<h3><SPAN name="chap04"></SPAN>A Fragment of Stained Glass</h3>
<p>Beauvale is, or was, the largest parish in England. It is thinly populated,
only just netting the stragglers from shoals of houses in three large mining
villages. For the rest, it holds a great tract of woodland, fragment of old
Sherwood, a few hills of pasture and arable land, three collieries, and,
finally, the ruins of a Cistercian abbey. These ruins lie in a still rich
meadow at the foot of the last fall of woodland, through whose oaks shines a
blue of hyacinths, like water, in Maytime. Of the abbey, there remains only the
east wall of the chancel standing, a wild thick mass of ivy weighting one
shoulder, while pigeons perch in the tracery of the lofty window. This is the
window in question.</p>
<p>The vicar of Beauvale is a bachelor of forty-two years. Quite early in life
some illness caused a slight paralysis of his right side, so that he drags a
little, and so that the right corner of his mouth is twisted up into his cheek
with a constant grimace, unhidden by a heavy moustache. There is something
pathetic about this twist on the vicar’s countenance: his eyes are so
shrewd and sad. It would be hard to get near to Mr Colbran. Indeed, now, his
soul had some of the twist of his face, so that, when he is not ironical, he is
satiric. Yet a man of more complete tolerance and generosity scarcely exists.
Let the boors mock him, he merely smiles on the other side, and there is no
malice in his eyes, only a quiet expression of waiting till they have finished.
His people do not like him, yet none could bring forth an accusation against
him, save, that “You never can tell when he’s having you.”</p>
<p>I dined the other evening with the vicar in his study. The room scandalizes the
neighbourhood because of the statuary which adorns it: a Laocoön and other
classic copies, with bronze and silver Italian Renaissance work. For the rest,
it is all dark and tawny.</p>
<p>Mr Colbran is an archæologist. He does not take himself seriously, however, in
his hobby, so that nobody knows the worth of his opinions on the subject.</p>
<p>“Here you are,” he said to me after dinner, “I’ve found
another paragraph for my great work.”</p>
<p>“What’s that?” I asked.</p>
<p>“Haven’t I told you I was compiling a Bible of the English
people—the Bible of their hearts—their exclamations in presence of
the unknown? I’ve found a fragment at home, a jump at God from
Beauvale.”</p>
<p>“Where?” I asked, startled.</p>
<p>The vicar closed his eyes whilst looking at me.</p>
<p>“Only on parchment,” he said.</p>
<p>Then, slowly, he reached for a yellow book, and read, translating as he went:</p>
<p>“Then, while we chanted, came a crackling at the window, at the great
east window, where hung our Lord on the Cross. It was a malicious covetous
Devil wrathed by us, rended the lovely image of the glass. We saw the iron
clutches of the fiend pick the window, and a face flaming red like fire in a
basket did glower down on us. Our hearts melted away, our legs broke, we
thought to die. The breath of the wretch filled the chapel.</p>
<p>“But our dear Saint, etc., etc., came hastening down heaven to defend us.
The fiend began to groan and bray—he was daunted and beat off.</p>
<p>“When the sun uprose, and it was morning, some went out in dread upon the
thin snow. There the figure of our Saint was broken and thrown down, whilst in
the window was a wicked hole as from the Holy Wounds the Blessed Blood was run
out at the touch of the Fiend, and on the snow was the Blood, sparkling like
gold. Some gathered it up for the joy of this House....”</p>
<p>“Interesting,” I said. “Where’s it from?”</p>
<p>“Beauvale records—fifteenth century.”</p>
<p>“Beauvale Abbey,” I said; “they were only very few, the
monks. What frightened them, I wonder.”</p>
<p>“I wonder,” he repeated.</p>
<p>“Somebody climbed up,” I supposed, “and attempted to get
in.”</p>
<p>“What?” he exclaimed, smiling.</p>
<p>“Well, what do you think?”</p>
<p>“Pretty much the same,” he replied. “I glossed it out for my
book.”</p>
<p>“Your great work? Tell me.”</p>
<p>He put a shade over the lamp so that the room was almost in darkness.</p>
<p>“Am I more than a voice?” he asked.</p>
<p>“I can see your hand,” I replied. He moved entirely from the circle
of light. Then his voice began, sing-song, sardonic:</p>
<p>“I was a serf in Rollestoun’s Newthorpe Manor, master of the
stables I was. One day a horse bit me as I was grooming him. He was an old
enemy of mine. I fetched him a blow across the nose. Then, when he got a
chance, he lashed out at me and caught me a gash over the mouth. I snatched at
a hatchet and cut his head. He yelled, fiend as he was, and strained for me
with all his teeth bare. I brought him down.</p>
<p>“For killing him they flogged me till they thought I was dead. I was
sturdy, because we horse-serfs got plenty to eat. I was sturdy, but they
flogged me till I did not move. The next night I set fire to the stables, and
the stables set fire to the house. I watched and saw the red flame rise and
look out of the window, I saw the folk running, each for himself, master no
more than one of a frightened party. It was freezing, but the heat made me
sweat. I saw them all turn again to watch, all rimmed with red. They cried, all
of them when the roof went in, when the sparks splashed up at rebound. They
cried then like dogs at the bagpipes howling. Master cursed me, till I laughed
as I lay under a bush quite near.</p>
<p>“As the fire went down I got frightened. I ran for the woods, with fire
blazing in my eyes and crackling in my ears. For hours I was all fire. Then I
went to sleep under the bracken. When I woke it was evening. I had no mantle,
was frozen stiff. I was afraid to move, lest all the sores of my back should be
broken like thin ice. I lay still until I could bear my hunger no longer. I
moved then to get used to the pain of movement, when I began to hunt for food.
There was nothing to be found but hips.</p>
<p>“After wandering about till I was faint I dropped again in the bracken.
The boughs above me creaked with frost. I started and looked round. The
branches were like hair among the starlight. My heart stood still. Again there
was a creak, creak, and suddenly a whoop, that whistled in fading. I fell down
in the bracken like dead wood. Yet, by the peculiar whistling sound at the end,
I knew it was only the ice bending or tightening in the frost. I was in the
woods above the lake, only two miles from the Manor. And yet, when the lake
whooped hollowly again, I clutched the frozen soil, every one of my muscles as
stiff as the stiff earth. So all the night long I dare not move my face, but
pressed it flat down, and taut I lay as if pegged down and braced.</p>
<p>“When morning came still I did not move, I lay still in a dream. By
afternoon my ache was such it enlivened me. I cried, rocking my breath in the
ache of moving. Then again I became fierce. I beat my hands on the rough bark
to hurt them, so that I should not ache so much. In such a rage I was I swung
my limbs to torture till I fell sick with pain. Yet I fought the hurt, fought
it and fought by twisting and flinging myself, until it was overcome. Then the
evening began to draw on. All day the sun had not loosened the frost. I felt
the sky chill again towards afternoon. Then I knew the night was coming, and,
remembering the great space I had just come through, horrible so that it seemed
to have made me another man, I fled across the wood.</p>
<p>“But in my running I came upon the oak where hanged five bodies. There
they must hang, bar-stiff, night after night. It was a terror worse than any.
Turning, blundering through the forest, I came out where the trees thinned,
where only hawthorns, ragged and shaggy, went down to the lake’s edge.</p>
<p>“The sky across was red, the ice on the water glistened as if it were
warm. A few wild geese sat out like stones on the sheet of ice. I thought of
Martha. She was the daughter of the miller at the upper end of the lake. Her
hair was red like beech leaves in a wind. When I had gone often to the mill
with the horses she had brought me food.</p>
<p>“‘I thought,’ said I to her, ‘’twas a squirrel
sat on your shoulder. ’Tis your hair fallen loose.’</p>
<p>“‘They call me the fox,’ she said.</p>
<p>“‘Would I were your dog,’ said I. She would bring me bacon
and good bread, when I called at the mill with the horses. The thought of cakes
of bread and of bacon made me reel as if drunk. I had torn at the rabbit holes,
I had chewed wood all day. In such a dimness was my head that I felt neither
the soreness of my wounds nor the cuts of thorns on my knees, but stumbled
towards the mill, almost past fear of man and death, panting with fear of the
darkness that crept behind me from trunk to trunk.</p>
<p>“Coming to the gap in the wood, below which lay the pond, I heard no
sound. Always I knew the place filled with the buzz of water, but now it was
silent. In fear of this stillness I ran forward, forgetting myself, forgetting
the frost. The wood seemed to pursue me. I fell, just in time, down by a shed
wherein were housed the few wintry pigs. The miller came riding in on his
horse, and the barking of dogs was for him. I heard him curse the day, curse
his servant, curse me, whom he had been out to hunt, in his rage of wasted
labour, curse all. As I lay I heard inside the shed a sucking. Then I knew that
the sow was there, and that the most of her sucking pigs would be already
killed for tomorrow’s Christmas. The miller, from forethought to have
young at that time, made profit by his sucking pigs that were sold for the
mid-winter feast.</p>
<p>“When in a moment all was silent in the dusk, I broke the bar and came
into the shed. The sow grunted, but did not come forth to discover me. By and
by I crept in towards her warmth. She had but three young left, which now
angered her, she being too full of milk. Every now and again she slashed at
them and they squealed. Busy as she was with them, I in the darkness advanced
towards her. I trembled so that scarce dared I trust myself near her, for long
dared not put my naked face towards her. Shuddering with hunger and fear, I at
last fed of her, guarding my face with my arm. Her own full young tumbled
squealing against me, but she, feeling her ease, lay grunting. At last I, too,
lay drunk, swooning.</p>
<p>“I was roused by the shouting of the miller. He, angered by his daughter
who wept, abused her, driving her from the house to feed the swine. She came,
bowing under a yoke, to the door of the shed. Finding the pin broken she stood
afraid, then, as the sow grunted, she came cautiously in. I took her with my
arm, my hand over her mouth. As she struggled against my breast my heart began
to beat loudly. At last she knew it was I. I clasped her. She hung in my arms,
turning away her face, so that I kissed her throat. The tears blinded my eyes,
I know not why, unless it were the hurt of my mouth, wounded by the horse, was
keen.</p>
<p>“‘They will kill you,’ she whispered.</p>
<p>“‘No,’ I answered.</p>
<p>“And she wept softly. She took my head in her arms and kissed me, wetting
me with her tears, brushing me with her keen hair, warming me through.</p>
<p>“‘I will not go away from here,’ I said. ‘Bring me a
knife, and I will defend myself.’</p>
<p>“‘No,’ she wept. ‘Ah, no!’</p>
<p>“When she went I lay down, pressing my chest where she had rested on the
earth, lest being alone were worse emptiness than hunger.</p>
<p>“Later she came again. I saw her bend in the doorway, a lanthorn hanging
in front. As she peered under the redness of her falling hair, I was afraid of
her. But she came with food. We sat together in the dull light. Sometimes still
I shivered and my throat would not swallow.</p>
<p>“‘If,’ said I, ‘I eat all this you have brought me, I
shall sleep till somebody finds me.’</p>
<p>“Then she took away the rest of the meat.</p>
<p>“‘Why,’ said I, ‘should I not eat?’ She looked at
me in tears of fear.</p>
<p>“‘What?’ I said, but still she had no answer. I kissed her,
and the hurt of my wounded mouth angered me.</p>
<p>“‘Now there is my blood,’ said I, ‘on your
mouth.’ Wiping her smooth hand over her lips, she looked thereat, then at
me.</p>
<p>“‘Leave me,’ I said, ‘I am tired.’ She rose to
leave me.</p>
<p>“‘But bring a knife,’ I said. Then she held the lanthorn near
my face, looking as at a picture.</p>
<p>“‘You look to me,’ she said, ‘like a stirk that is
roped for the axe. Your eyes are dark, but they are wide open.’</p>
<p>“‘Then I will sleep,’ said I, ‘but will not wake too
late.’</p>
<p>“‘Do not stay here,’ she said.</p>
<p>“‘I will not sleep in the wood,’ I answered, and it was my
heart that spoke, ‘for I am afraid. I had better be afraid of the voice
of man and dogs, than the sounds in the woods. Bring me a knife, and in the
morning I will go. Alone will I not go now.’</p>
<p>“‘The searchers will take you,’ she said.</p>
<p>“‘Bring me a knife,’ I answered.</p>
<p>“‘Ah, go,’ she wept.</p>
<p>“‘Not now—I will not——’</p>
<p>“With that she lifted the lanthorn, lit up her own face and mine. Her
blue eyes dried of tears. Then I took her to myself, knowing she was mine.</p>
<p>“‘I will come again,’ she said.</p>
<p>“She went, and I folded my arms, lay down and slept.</p>
<p>“When I woke, she was rocking me wildly to rouse me.</p>
<p>“‘I dreamed,’ said I, ‘that a great heap, as if it were
a hill, lay on me and above me.’</p>
<p>“She put a cloak over me, gave me a hunting-knife and a wallet of food,
and other things I did not note. Then under her own cloak she hid the lanthorn.</p>
<p>“‘Let us go,’ she said, and blindly I followed her.</p>
<p>“When I came out into the cold someone touched my face and my hair.</p>
<p>“‘Ha!’ I cried, ‘who now——?’ Then she
swiftly clung to me, hushed me.</p>
<p>“‘Someone has touched me,’ I said aloud, still dazed with
sleep.</p>
<p>“‘Oh hush!’ she wept. ‘’Tis snowing.’ The
dogs within the house began to bark. She fled forward, I after her. Coming to
the ford of the stream she ran swiftly over, but I broke through the ice. Then
I knew where I was. Snowflakes, fine and rapid, were biting at my face. In the
wood there was no wind nor snow.</p>
<p>“‘Listen,’ said I to her, ‘listen, for I am locked up
with sleep.’</p>
<p>“‘I hear roaring overhead,’ she answered. ‘I hear in
the trees like great bats squeaking.’</p>
<p>“‘Give me your hand,’ said I.</p>
<p>“We heard many noises as we passed. Once as there uprose a whiteness
before us, she cried aloud.</p>
<p>“‘Nay,’ said I, ‘do not untie thy hand from
mine,’ and soon we were crossing fallen snow. But ever and again she
started back from fear.</p>
<p>“‘When you draw back my arm,’ I said, angry, ‘you
loosen a weal on my shoulder.’</p>
<p>“Thereafter she ran by my side, like a fawn beside its mother.</p>
<p>“‘We will cross the valley and gain the stream,’ I said.
‘That will lead us on its ice as on a path deep into the forest. There we
can join the outlaws. The wolves are driven from this part. They have followed
the driven deer.’</p>
<p>“We came directly on a large gleam that shaped itself up among flying
grains of snow.</p>
<p>“‘Ah!’ she cried, and she stood amazed.</p>
<p>“Then I thought we had gone through the bounds into faery realm, and I
was no more a man. How did I know what eyes were gleaming at me between the
snow, what cunning spirits in the draughts of air? So I waited for what would
happen, and I forgot her, that she was there. Only I could feel the spirits
whirling and blowing about me.</p>
<p>“Whereupon she clung upon me, kissing me lavishly, and, were dogs or men
or demons come upon us at that moment, she had let us be stricken down, nor
heeded not. So we moved forward to the shadow that shone in colours upon the
passing snow. We found ourselves under a door of light which shed its colours
mixed with snow. This Martha had never seen, nor I, this door open for a red
and brave issuing like fires. We wondered.</p>
<p>“‘It is faery,’ she said, and after a while, ‘Could one
catch such—— Ah, no!’</p>
<p>“Through the snow shone bunches of red and blue.</p>
<p>“‘Could one have such a little light like a red flower—only a
little, like a rose-berry scarlet on one’s breast!—then one were
singled out as Our Lady.’</p>
<p>“I flung off my cloak and my burden to climb up the face of the shadow.
Standing on rims of stone, then in pockets of snow, I reached upward. My hand
was red and blue, but I could not take the stuff. Like colour of a moth’s
wing it was on my hand, it flew on the increasing snow. I stood higher on the
head of a frozen man, reached higher my hand. Then I felt the bright stuff
cold. I could not pluck it off. Down below she cried to me to come again to
her. I felt a rib that yielded, I struck at it with my knife. There came a gap
in the redness. Looking through I saw below as it were white stunted angels,
with sad faces lifted in fear. Two faces they had each, and round rings of
hair. I was afraid. I grasped the shining red, I pulled. Then the cold man
under me sank, so I fell as if broken on to the snow.</p>
<p>“Soon I was risen again, and we were running downwards towards the
stream. We felt ourselves eased when the smooth road of ice was beneath us. For
a while it was resting, to travel thus evenly. But the wind blew round us, the
snow hung upon us, we leaned us this way and that, towards the storm. I drew
her along, for she came as a bird that stems lifting and swaying against the
wind. By and by the snow came smaller, there was not wind in the wood. Then I
felt nor labour, nor cold. Only I knew the darkness drifted by on either side,
that overhead was a lane of paleness where a moon fled us before. Still, I can
feel the moon fleeing from me, can feel the trees passing round me in slow
dizzy reel, can feel the hurt of my shoulder and my straight arm torn with
holding her. I was following the moon and the stream, for I knew where the
water peeped from its burrow in the ground there were shelters of the outlaw.
But she fell, without sound or sign.</p>
<p>“I gathered her up and climbed the bank. There all round me hissed the
larchwood, dry beneath, and laced with its dry-fretted cords. For a little way
I carried her into the trees. Then I laid her down till I cut flat hairy
boughs. I put her in my bosom on this dry bed, so we swooned together through
the night. I laced her round and covered her with myself, so she lay like a nut
within its shell.</p>
<p>“Again, when morning came, it was pain of cold that woke me. I groaned,
but my heart was warm as I saw the heap of red hair in my arms. As I looked at
her, her eyes opened into mine. She smiled—from out of her smile came
fear. As if in a trap she pressed back her head.</p>
<p>“‘We have no flint,’ said I.</p>
<p>“‘Yes—in the wallet, flint and steel and tinder box,’
she answered.</p>
<p>“‘God yield you blessing,’ I said.</p>
<p>“In a place a little open I kindled a fire of larch boughs. She was
afraid of me, hovering near, yet never crossing a space.</p>
<p>“‘Come,’ said I, ‘let us eat this food.’</p>
<p>“‘Your face,’ she said, ‘is smeared with blood.’</p>
<p>“I opened out my cloak.</p>
<p>“‘But come,’ said I, ‘you are frosted with cold.’</p>
<p>“I took a handful of snow in my hand, wiping my face with it, which then
I dried on my cloak.</p>
<p>“‘My face is no longer painted with blood, you are no longer afraid
of me. Come here then, sit by me while we eat.’</p>
<p>“But as I cut the cold bread for her, she clasped me suddenly, kissing
me. She fell before me, clasped my knees to her breast, weeping. She laid her
face down to my feet, so that her hair spread like a fire before me. I wondered
at the woman. ‘Nay,’ I cried. At that she lifted her face to me
from below. ‘Nay,’ I cried, feeling my tears fall. With her head on
my breast, my own tears rose from their source, wetting my cheek and her hair,
which was wet with the rain of my eyes.</p>
<p>“Then I remembered and took from my bosom the coloured light of that
night before. I saw it was black and rough.</p>
<p>“‘Ah,’ said I, ‘this is magic.’</p>
<p>“‘The black stone!’ she wondered.</p>
<p>“‘It is the red light of the night before,’ I said.</p>
<p>“‘It is magic,’ she answered.</p>
<p>“‘Shall I throw it?’ said I, lifting the stone, ‘shall
I throw it away, for fear?’</p>
<p>“‘It shines!’ she cried, looking up. ‘It shines like
the eye of a creature at night, the eye of a wolf in the doorway.’</p>
<p>“‘’Tis magic,’ I said, ‘let me throw it from
us.’ But nay, she held my arm.</p>
<p>“‘It is red and shining,’ she cried.</p>
<p>“‘It is a bloodstone,’ I answered. ‘It will hurt us, we
shall die in blood.’</p>
<p>“‘But give it to me,’ she answered.</p>
<p>“‘It is red of blood,’ I said.</p>
<p>“‘Ah, give it to me,’ she called.</p>
<p>“‘It is my blood,’ I said.</p>
<p>“‘Give it,’ she commanded, low.</p>
<p>“‘It is my life-stone,’ I said.</p>
<p>“‘Give it me,’ she pleaded.</p>
<p>“‘I gave it her. She held it up, she smiled, she smiled in my face,
lifting her arms to me. I took her with my mouth, her mouth, her white throat.
Nor she ever shrank, but trembled with happiness.</p>
<p>“What woke us, when the woods were filling again with shadow, when the
fire was out, when we opened our eyes and looked up as if drowned, into the
light which stood bright and thick on the tree-tops, what woke us was the sound
of wolves....”</p>
<hr />
<p>“Nay,” said the vicar, suddenly rising, “they lived happily
ever after.”</p>
<p>“No,” I said.</p>
<h3><SPAN name="chap05"></SPAN>The Shades of Spring</h3>
<h4>I</h4>
<p>It was a mile nearer through the wood. Mechanically, Syson turned up by the
forge and lifted the field-gate. The blacksmith and his mate stood still,
watching the trespasser. But Syson looked too much a gentleman to be accosted.
They let him go in silence across the small field to the wood.</p>
<p>There was not the least difference between this morning and those of the bright
springs, six or eight years back. White and sandy-gold fowls still scratched
round the gate, littering the earth and the field with feathers and
scratched-up rubbish. Between the two thick holly bushes in the wood-hedge was
the hidden gap, whose fence one climbed to get into the wood; the bars were
scored just the same by the keeper’s boots. He was back in the eternal.</p>
<p>Syson was extraordinarily glad. Like an uneasy spirit he had returned to the
country of his past, and he found it waiting for him, unaltered. The hazel
still spread glad little hands downwards, the bluebells here were still wan and
few, among the lush grass and in shade of the bushes.</p>
<p>The path through the wood, on the very brow of a slope, ran winding easily for
a time. All around were twiggy oaks, just issuing their gold, and floor spaces
diapered with woodruff, with patches of dog-mercury and tufts of hyacinth. Two
fallen trees still lay across the track. Syson jolted down a steep, rough
slope, and came again upon the open land, this time looking north as through a
great window in the wood. He stayed to gaze over the level fields of the
hill-top, at the village which strewed the bare upland as if it had tumbled off
the passing waggons of industry, and been forsaken. There was a stiff, modern,
grey little church, and blocks and rows of red dwellings lying at random; at
the back, the twinkling headstocks of the pit, and the looming pit-hill. All
was naked and out-of-doors, not a tree! It was quite unaltered.</p>
<p>Syson turned, satisfied, to follow the path that sheered downhill into the
wood. He was curiously elated, feeling himself back in an enduring vision. He
started. A keeper was standing a few yards in front, barring the way.</p>
<p>“Where might you be going this road, sir?” asked the man. The tone
of his question had a challenging twang. Syson looked at the fellow with an
impersonal, observant gaze. It was a young man of four or five and twenty,
ruddy and well favoured. His dark blue eyes now stared aggressively at the
intruder. His black moustache, very thick, was cropped short over a small,
rather soft mouth. In every other respect the fellow was manly and
good-looking. He stood just above middle height; the strong forward thrust of
his chest, and the perfect ease of his erect, self-sufficient body, gave one
the feeling that he was taut with animal life, like the thick jet of a fountain
balanced in itself. He stood with the butt of his gun on the ground, looking
uncertainly and questioningly at Syson. The dark, restless eyes of the
trespasser, examining the man and penetrating into him without heeding his
office, troubled the keeper and made him flush.</p>
<p>“Where is Naylor? Have you got his job?” Syson asked.</p>
<p>“You’re not from the House, are you?” inquired the keeper. It
could not be, since everyone was away.</p>
<p>“No, I’m not from the House,” the other replied. It seemed to
amuse him.</p>
<p>“Then might I ask where you were making for?” said the keeper,
nettled.</p>
<p>“Where I am making for?” Syson repeated. “I am going to
Willey-Water Farm.”</p>
<p>“This isn’t the road.”</p>
<p>“I think so. Down this path, past the well, and out by the white
gate.”</p>
<p>“But that’s not the public road.”</p>
<p>“I suppose not. I used to come so often, in Naylor’s time, I had
forgotten. Where is he, by the way?”</p>
<p>“Crippled with rheumatism,” the keeper answered reluctantly.</p>
<p>“Is he?” Syson exclaimed in pain.</p>
<p>“And who might you be?” asked the keeper, with a new intonation.</p>
<p>“John Adderley Syson; I used to live in Cordy Lane.”</p>
<p>“Used to court Hilda Millership?”</p>
<p>Syson’s eyes opened with a pained smile. He nodded. There was an awkward
silence.</p>
<p>“And you—who are you?” asked Syson.</p>
<p>“Arthur Pilbeam—Naylor’s my uncle,” said the other.</p>
<p>“You live here in Nuttall?”</p>
<p>“I’m lodgin’ at my uncle’s—at
Naylor’s.”</p>
<p>“I see!”</p>
<p>“Did you say you was goin’ down to Willey-Water?” asked the
keeper.</p>
<p>“Yes.”</p>
<p>There was a pause of some moments, before the keeper blurted:
“<i>I’m</i> courtin’ Hilda Millership.”</p>
<p>The young fellow looked at the intruder with a stubborn defiance, almost
pathetic. Syson opened new eyes.</p>
<p>“Are you?” he said, astonished. The keeper flushed dark.</p>
<p>“She and me are keeping company,” he said.</p>
<p>“I didn’t know!” said Syson. The other man waited
uncomfortably.</p>
<p>“What, is the thing settled?” asked the intruder.</p>
<p>“How, settled?” retorted the other sulkily.</p>
<p>“Are you going to get married soon, and all that?”</p>
<p>The keeper stared in silence for some moments, impotent.</p>
<p>“I suppose so,” he said, full of resentment.</p>
<p>“Ah!” Syson watched closely.</p>
<p>“I’m married myself,” he added, after a time.</p>
<p>“You are?” said the other incredulously.</p>
<p>Syson laughed in his brilliant, unhappy way.</p>
<p>“This last fifteen months,” he said.</p>
<p>The keeper gazed at him with wide, wondering eyes, apparently thinking back,
and trying to make things out.</p>
<p>“Why, didn’t you know?” asked Syson.</p>
<p>“No, I didn’t,” said the other sulkily.</p>
<p>There was silence for a moment.</p>
<p>“Ah well!” said Syson, “I will go on. I suppose I may.”
The keeper stood in silent opposition. The two men hesitated in the open,
grassy space, set around with small sheaves of sturdy bluebells; a little open
platform on the brow of the hill. Syson took a few indecisive steps forward,
then stopped.</p>
<p>“I say, how beautiful!” he cried.</p>
<p>He had come in full view of the downslope. The wide path ran from his feet like
a river, and it was full of bluebells, save for a green winding thread down the
centre, where the keeper walked. Like a stream the path opened into azure
shallows at the levels, and there were pools of bluebells, with still the green
thread winding through, like a thin current of ice-water through blue lakes.
And from under the twig-purple of the bushes swam the shadowed blue, as if the
flowers lay in flood water over the woodland.</p>
<p>“Ah, isn’t it lovely!” Syson exclaimed; this was his past,
the country he had abandoned, and it hurt him to see it so beautiful.
Wood-pigeons cooed overhead, and the air was full of the brightness of birds
singing.</p>
<p>“If you’re married, what do you keep writing to her for, and
sending her poetry books and things?” asked the keeper. Syson stared at
him, taken aback and humiliated. Then he began to smile.</p>
<p>“Well,” he said, “I did not know about you....”</p>
<p>Again the keeper flushed darkly.</p>
<p>“But if you are married——” he charged.</p>
<p>“I am,” answered the other cynically.</p>
<p>Then, looking down the blue, beautiful path, Syson felt his own humiliation.
“What right <i>have</i> I to hang on to her?” he thought, bitterly
self-contemptuous.</p>
<p>“She knows I’m married and all that,” he said.</p>
<p>“But you keep sending her books,” challenged the keeper.</p>
<p>Syson, silenced, looked at the other man quizzically, half pitying. Then he
turned.</p>
<p>“Good day,” he said, and was gone. Now, everything irritated him:
the two sallows, one all gold and perfume and murmur, one silver-green and
bristly, reminded him, that here he had taught her about pollination. What a
fool he was! What god-forsaken folly it all was!</p>
<p>“Ah well,” he said to himself; “the poor devil seems to have
a grudge against me. I’ll do my best for him.” He grinned to
himself, in a very bad temper.</p>
<h4>II</h4>
<p>The farm was less than a hundred yards from the wood’s edge. The wall of
trees formed the fourth side to the open quadrangle. The house faced the wood.
With tangled emotions, Syson noted the plum blossom falling on the profuse,
coloured primroses, which he himself had brought here and set. How they had
increased! There were thick tufts of scarlet, and pink, and pale purple
primroses under the plum trees. He saw somebody glance at him through the
kitchen window, heard men’s voices.</p>
<p>The door opened suddenly: very womanly she had grown! He felt himself going
pale.</p>
<p>“You?—Addy!” she exclaimed, and stood motionless.</p>
<p>“Who?” called the farmer’s voice. Men’s low voices
answered. Those low voices, curious and almost jeering, roused the tormented
spirit in the visitor. Smiling brilliantly at her, he waited.</p>
<p>“Myself—why not?” he said.</p>
<p>The flush burned very deep on her cheek and throat.</p>
<p>“We are just finishing dinner,” she said.</p>
<p>“Then I will stay outside.” He made a motion to show that he would
sit on the red earthenware pipkin that stood near the door among the daffodils,
and contained the drinking water.</p>
<p>“Oh no, come in,” she said hurriedly. He followed her. In the
doorway, he glanced swiftly over the family, and bowed. Everyone was confused.
The farmer, his wife, and the four sons sat at the coarsely laid dinner-table,
the men with arms bare to the elbows.</p>
<p>“I am sorry I come at lunch-time,” said Syson.</p>
<p>“Hello, Addy!” said the farmer, assuming the old form of address,
but his tone cold. “How are you?”</p>
<p>And he shook hands.</p>
<p>“Shall you have a bit?” he invited the young visitor, but taking
for granted the offer would be refused. He assumed that Syson was become too
refined to eat so roughly. The young man winced at the imputation.</p>
<p>“Have you had any dinner?” asked the daughter.</p>
<p>“No,” replied Syson. “It is too early. I shall be back at
half-past one.”</p>
<p>“You call it lunch, don’t you?” asked the eldest son, almost
ironical. He had once been an intimate friend of this young man.</p>
<p>“We’ll give Addy something when we’ve finished,” said
the mother, an invalid, deprecating.</p>
<p>“No—don’t trouble. I don’t want to give you any
trouble,” said Syson.</p>
<p>“You could allus live on fresh air an’ scenery,” laughed the
youngest son, a lad of nineteen.</p>
<p>Syson went round the buildings, and into the orchard at the back of the house,
where daffodils all along the hedgerow swung like yellow, ruffled birds on
their perches. He loved the place extraordinarily, the hills ranging round,
with bear-skin woods covering their giant shoulders, and small red farms like
brooches clasping their garments; the blue streak of water in the valley, the
bareness of the home pasture, the sound of myriad-threaded bird-singing, which
went mostly unheard. To his last day, he would dream of this place, when he
felt the sun on his face, or saw the small handfuls of snow between the winter
twigs, or smelt the coming of spring.</p>
<p>Hilda was very womanly. In her presence he felt constrained. She was
twenty-nine, as he was, but she seemed to him much older. He felt foolish,
almost unreal, beside her. She was so static. As he was fingering some shed
plum blossom on a low bough, she came to the back door to shake the tablecloth.
Fowls raced from the stackyard, birds rustled from the trees. Her dark hair was
gathered up in a coil like a crown on her head. She was very straight, distant
in her bearing. As she folded the cloth, she looked away over the hills.</p>
<p>Presently Syson returned indoors. She had prepared eggs and curd cheese, stewed
gooseberries and cream.</p>
<p>“Since you will dine tonight,” she said, “I have only given
you a light lunch.”</p>
<p>“It is awfully nice,” he said. “You keep a real idyllic
atmosphere—your belt of straw and ivy buds.”</p>
<p>Still they hurt each other.</p>
<p>He was uneasy before her. Her brief, sure speech, her distant bearing, were
unfamiliar to him. He admired again her grey-black eyebrows, and her lashes.
Their eyes met. He saw, in the beautiful grey and black of her glance, tears
and a strange light, and at the back of all, calm acceptance of herself, and
triumph over him.</p>
<p>He felt himself shrinking. With an effort he kept up the ironic manner.</p>
<p>She sent him into the parlour while she washed the dishes. The long low room
was refurnished from the Abbey sale, with chairs upholstered in claret-coloured
rep, many years old, and an oval table of polished walnut, and another piano,
handsome, though still antique. In spite of the strangeness, he was pleased.
Opening a high cupboard let into the thickness of the wall, he found it full of
his books, his old lesson-books, and volumes of verse he had sent her, English
and German. The daffodils in the white window-bottoms shone across the room, he
could almost feel their rays. The old glamour caught him again. His youthful
water-colours on the wall no longer made him grin; he remembered how fervently
he had tried to paint for her, twelve years before.</p>
<p>She entered, wiping a dish, and he saw again the bright, kernel-white beauty of
her arms.</p>
<p>“You are quite splendid here,” he said, and their eyes met.</p>
<p>“Do you like it?” she asked. It was the old, low, husky tone of
intimacy. He felt a quick change beginning in his blood. It was the old,
delicious sublimation, the thinning, almost the vaporizing of himself, as if
his spirit were to be liberated.</p>
<p>“Aye,” he nodded, smiling at her like a boy again. She bowed her
head.</p>
<p>“This was the countess’s chair,” she said in low tones.
“I found her scissors down here between the padding.”</p>
<p>“Did you? Where are they?”</p>
<p>Quickly, with a lilt in her movement, she fetched her work-basket, and together
they examined the long-shanked old scissors.</p>
<p>“What a ballad of dead ladies!” he said, laughing, as he fitted his
fingers into the round loops of the countess’s scissors.</p>
<p>“I knew you could use them,” she said, with certainty. He looked at
his fingers, and at the scissors. She meant his fingers were fine enough for
the small-looped scissors.</p>
<p>“That is something to be said for me,” he laughed, putting the
scissors aside. She turned to the window. He noticed the fine, fair down on her
cheek and her upper lip, and her soft, white neck, like the throat of a nettle
flower, and her fore-arms, bright as newly blanched kernels. He was looking at
her with new eyes, and she was a different person to him. He did not know her.
But he could regard her objectively now.</p>
<p>“Shall we go out awhile?” she asked.</p>
<p>“Yes!” he answered. But the predominant emotion, that troubled the
excitement and perplexity of his heart, was fear, fear of that which he saw.
There was about her the same manner, the same intonation in her voice, now as
then, but she was not what he had known her to be. He knew quite well what she
had been for him. And gradually he was realizing that she was something quite
other, and always had been.</p>
<p>She put no covering on her head, merely took off her apron, saying, “We
will go by the larches.” As they passed the old orchard, she called him
in to show him a blue-tit’s nest in one of the apple trees, and a
sycock’s in the hedge. He rather wondered at her surety, at a certain
hardness like arrogance hidden under her humility.</p>
<p>“Look at the apple buds,” she said, and he then perceived myriads
of little scarlet balls among the drooping boughs. Watching his face, her eyes
went hard. She saw the scales were fallen from him, and at last he was going to
see her as she was. It was the thing she had most dreaded in the past, and most
needed, for her soul’s sake. Now he was going to see her as she was. He
would not love her, and he would know he never could have loved her. The old
illusion gone, they were strangers, crude and entire. But he would give her her
due—she would have her due from him.</p>
<p>She was brilliant as he had not known her. She showed him nests: a jenny
wren’s in a low bush.</p>
<p>“See this jinty’s!” she exclaimed.</p>
<p>He was surprised to hear her use the local name. She reached carefully through
the thorns, and put her fingers in the nest’s round door.</p>
<p>“Five!” she said. “Tiny little things.”</p>
<p>She showed him nests of robins, and chaffinches, and linnets, and buntings; of
a wagtail beside the water.</p>
<p>“And if we go down, nearer the lake, I will show you a
kingfisher’s....”</p>
<p>“Among the young fir trees,” she said, “there’s a
throstle’s or a blackie’s on nearly every bough, every ledge. The
first day, when I had seen them all, I felt as if I mustn’t go in the
wood. It seemed a city of birds: and in the morning, hearing them all, I
thought of the noisy early markets. I was afraid to go in my own wood.”</p>
<p>She was using the language they had both of them invented. Now it was all her
own. He had done with it. She did not mind his silence, but was always
dominant, letting him see her wood. As they came along a marshy path where
forget-me-nots were opening in a rich blue drift: “We know all the birds,
but there are many flowers we can’t find out,” she said. It was
half an appeal to him, who had known the names of things.</p>
<p>She looked dreamily across to the open fields that slept in the sun.</p>
<p>“I have a lover as well, you know,” she said, with assurance, yet
dropping again almost into the intimate tone.</p>
<p>This woke in him the spirit to fight her.</p>
<p>“I think I met him. He is good-looking—also in Arcady.”</p>
<p>Without answering, she turned into a dark path that led up-hill, where the
trees and undergrowth were very thick.</p>
<p>“They did well,” she said at length, “to have various altars
to various gods, in old days.”</p>
<p>“Ah yes!” he agreed. “To whom is the new one?”</p>
<p>“There are no old ones,” she said. “I was always looking for
this.”</p>
<p>“And whose is it?” he asked.</p>
<p>“I don’t know,” she said, looking full at him.</p>
<p>“I’m very glad, for your sake,” he said, “that you are
satisfied.”</p>
<p>“Aye—but the man doesn’t matter so much,” she said.
There was a pause.</p>
<p>“No!” he exclaimed, astonished, yet recognizing her as her real
self.</p>
<p>“It is one’s self that matters,” she said. “Whether one
is being one’s own self and serving one’s own God.”</p>
<p>There was silence, during which he pondered. The path was almost flowerless,
gloomy. At the side, his heels sank into soft clay.</p>
<h4>III</h4>
<p>“I,” she said, very slowly, “I was married the same night as
you.”</p>
<p>He looked at her.</p>
<p>“Not legally, of course,” she replied.
“But—actually.”</p>
<p>“To the keeper?” he said, not knowing what else to say.</p>
<p>She turned to him.</p>
<p>“You thought I could not?” she said. But the flush was deep in her
cheek and throat, for all her assurance.</p>
<p>Still he would not say anything.</p>
<p>“You see”—she was making an effort to
explain—”<i>I</i> had to understand also.”</p>
<p>“And what does it amount to, this <i>understanding</i>?” he asked.</p>
<p>“A very great deal—does it not to you?” she replied.
“One is free.”</p>
<p>“And you are not disappointed?”</p>
<p>“Far from it!” Her tone was deep and sincere.</p>
<p>“You love him?”</p>
<p>“Yes, I love him.”</p>
<p>“Good!” he said.</p>
<p>This silenced her for a while.</p>
<p>“Here, among his things, I love him,” she said.</p>
<p>His conceit would not let him be silent.</p>
<p>“It needs this setting?” he asked.</p>
<p>“It does,” she cried. “You were always making me to be not
myself.”</p>
<p>He laughed shortly.</p>
<p>“But is it a matter of surroundings?” he said. He had considered
her all spirit.</p>
<p>“I am like a plant,” she replied. “I can only grow in my own
soil.”</p>
<p>They came to a place where the undergrowth shrank away, leaving a bare, brown
space, pillared with the brick-red and purplish trunks of pine trees. On the
fringe, hung the sombre green of elder trees, with flat flowers in bud, and
below were bright, unfurling pennons of fern. In the midst of the bare space
stood a keeper’s log hut. Pheasant-coops were lying about, some occupied
by a clucking hen, some empty.</p>
<p>Hilda walked over the brown pine-needles to the hut, took a key from among the
eaves, and opened the door. It was a bare wooden place with a carpenter’s
bench and form, carpenter’s tools, an axe, snares, traps, some skins
pegged down, everything in order. Hilda closed the door. Syson examined the
weird flat coats of wild animals, that were pegged down to be cured. She turned
some knotch in the side wall, and disclosed a second, small apartment.</p>
<p>“How romantic!” said Syson.</p>
<p>“Yes. He is very curious—he has some of a wild animal’s
cunning—in a nice sense—and he is inventive, and
thoughtful—but not beyond a certain point.”</p>
<p>She pulled back a dark green curtain. The apartment was occupied almost
entirely by a large couch of heather and bracken, on which was spread an ample
rabbit-skin rug. On the floor were patchwork rugs of cat-skin, and a red
calf-skin, while hanging from the wall were other furs. Hilda took down one,
which she put on. It was a cloak of rabbit-skin and of white fur, with a hood,
apparently of the skins of stoats. She laughed at Syson from out of this
barbaric mantle, saying:</p>
<p>“What do you think of it?”</p>
<p>“Ah—! I congratulate you on your man,” he replied.</p>
<p>“And look!” she said.</p>
<p>In a little jar on a shelf were some sprays, frail and white, of the first
honeysuckle.</p>
<p>“They will scent the place at night,” she said.</p>
<p>He looked round curiously.</p>
<p>“Where does he come short, then?” he asked. She gazed at him for a
few moments. Then, turning aside:</p>
<p>“The stars aren’t the same with him,” she said. “You
could make them flash and quiver, and the forget-me-nots come up at me like
phosphorescence. You could make things <i>wonderful</i>. I have found it
out—it is true. But I have them all for myself, now.”</p>
<p>He laughed, saying:</p>
<p>“After all, stars and forget-me-nots are only luxuries. You ought to make
poetry.”</p>
<p>“Aye,” she assented. “But I have them all now.”</p>
<p>Again he laughed bitterly at her.</p>
<p>She turned swiftly. He was leaning against the small window of the tiny,
obscure room, and was watching her, who stood in the doorway, still cloaked in
her mantle. His cap was removed, so she saw his face and head distinctly in the
dim room. His black, straight, glossy hair was brushed clean back from his
brow. His black eyes were watching her, and his face, that was clear and cream,
and perfectly smooth, was flickering.</p>
<p>“We are very different,” she said bitterly.</p>
<p>Again he laughed.</p>
<p>“I see you disapprove of me,” he said.</p>
<p>“I disapprove of what you have become,” she said.</p>
<p>“You think we might”—he glanced at the hut—“have
been like this—you and I?”</p>
<p>She shook her head.</p>
<p>“You! no; never! You plucked a thing and looked at it till you had found
out all you wanted to know about it, then you threw it away,” she said.</p>
<p>“Did I?” he asked. “And could your way never have been my
way? I suppose not.”</p>
<p>“Why should it?” she said. “I am a separate being.”</p>
<p>“But surely two people sometimes go the same way,” he said.</p>
<p>“You took me away from myself,” she said.</p>
<p>He knew he had mistaken her, had taken her for something she was not. That was
his fault, not hers.</p>
<p>“And did you always know?” he asked.</p>
<p>“No—you never let me know. You bullied me. I couldn’t help
myself. I was glad when you left me, really.”</p>
<p>“I know you were,” he said. But his face went paler, almost deathly
luminous.</p>
<p>“Yet,” he said, “it was you who sent me the way I have
gone.”</p>
<p>“I!” she exclaimed, in pride.</p>
<p>“You <i>would</i> have me take the Grammar School scholarship—and
you would have me foster poor little Botell’s fervent attachment to me,
till he couldn’t live without me—and because Botell was rich and
influential. You triumphed in the wine-merchant’s offer to send me to
Cambridge, to befriend his only child. You wanted me to rise in the world. And
all the time you were sending me away from you—every new success of mine
put a separation between us, and more for you than for me. You never wanted to
come with me: you wanted just to send me to see what it was like. I believe you
even wanted me to marry a lady. You wanted to triumph over society in
me.”</p>
<p>“And I am responsible,” she said, with sarcasm.</p>
<p>“I distinguished myself to satisfy you,” he replied.</p>
<p>“Ah!” she cried, “you always wanted change, change, like a
child.”</p>
<p>“Very well! And I am a success, and I know it, and I do some good work.
But—I thought you were different. What right have you to a man?”</p>
<p>“What do you want?” she said, looking at him with wide, fearful
eyes.</p>
<p>He looked back at her, his eyes pointed, like weapons.</p>
<p>“Why, nothing,” he laughed shortly.</p>
<p>There was a rattling at the outer latch, and the keeper entered. The woman
glanced round, but remained standing, fur-cloaked, in the inner doorway. Syson
did not move.</p>
<p>The other man entered, saw, and turned away without speaking. The two also were
silent.</p>
<p>Pilbeam attended to his skins.</p>
<p>“I must go,” said Syson.</p>
<p>“Yes,” she replied.</p>
<p>“Then I give you ‘To our vast and varying fortunes.’”
He lifted his hand in pledge.</p>
<p>“‘To our vast and varying fortunes,’” she answered
gravely, and speaking in cold tones.</p>
<p>“Arthur!” she said.</p>
<p>The keeper pretended not to hear. Syson, watching keenly, began to smile. The
woman drew herself up.</p>
<p>“Arthur!” she said again, with a curious upward inflection, which
warned the two men that her soul was trembling on a dangerous crisis.</p>
<p>The keeper slowly put down his tool and came to her.</p>
<p>“Yes,” he said.</p>
<p>“I wanted to introduce you,” she said, trembling.</p>
<p>“I’ve met him a’ready,” said the keeper.</p>
<p>“Have you? It is Addy, Mr Syson, whom you know about.—This is
Arthur, Mr Pilbeam,” she added, turning to Syson. The latter held out his
hand to the keeper, and they shook hands in silence.</p>
<p>“I’m glad to have met you,” said Syson. “We drop our
correspondence, Hilda?”</p>
<p>“Why need we?” she asked.</p>
<p>The two men stood at a loss.</p>
<p>“<i>Is</i> there no need?” said Syson.</p>
<p>Still she was silent.</p>
<p>“It is as you will,” she said.</p>
<p>They went all three together down the gloomy path.</p>
<p>“‘<i>Qu’il était bleu, le ciel, et grand
l’espoir</i>,’” quoted Syson, not knowing what to say.</p>
<p>“What do you mean?” she said. “Besides, <i>we</i> can’t
walk in <i>our</i> wild oats—we never sowed any.”</p>
<p>Syson looked at her. He was startled to see his young love, his nun, his
Botticelli angel, so revealed. It was he who had been the fool. He and she were
more separate than any two strangers could be. She only wanted to keep up a
correspondence with him—and he, of course, wanted it kept up, so that he
could write to her, like Dante to some Beatrice who had never existed save in
the man’s own brain.</p>
<p>At the bottom of the path she left him. He went along with the keeper, towards
the open, towards the gate that closed on the wood. The two men walked almost
like friends. They did not broach the subject of their thoughts.</p>
<p class="p2">
Instead of going straight to the high-road gate, Syson went along the
wood’s edge, where the brook spread out in a little bog, and under the
alder trees, among the reeds, great yellow stools and bosses of marigolds
shone. Threads of brown water trickled by, touched with gold from the flowers.
Suddenly there was a blue flash in the air, as a kingfisher passed.</p>
<p>Syson was extraordinarily moved. He climbed the bank to the gorse bushes, whose
sparks of blossom had not yet gathered into a flame. Lying on the dry brown
turf, he discovered sprigs of tiny purple milkwort and pink spots of lousewort.
What a wonderful world it was—marvellous, for ever new. He felt as if it
were underground, like the fields of monotone hell, notwithstanding. Inside his
breast was a pain like a wound. He remembered the poem of William Morris, where
in the Chapel of Lyonesse a knight lay wounded, with the truncheon of a spear
deep in his breast, lying always as dead, yet did not die, while day after day
the coloured sunlight dipped from the painted window across the chancel, and
passed away. He knew now it never had been true, that which was between him and
her, not for a moment. The truth had stood apart all the time.</p>
<p>Syson turned over. The air was full of the sound of larks, as if the sunshine
above were condensing and falling in a shower. Amid this bright sound, voices
sounded small and distinct.</p>
<p>“But if he’s married, an’ quite willing to drop it off, what
has ter against it?” said the man’s voice.</p>
<p>“I don’t want to talk about it now. I want to be alone.”</p>
<p>Syson looked through the bushes. Hilda was standing in the wood, near the gate.
The man was in the field, loitering by the hedge, and playing with the bees as
they settled on the white bramble flowers.</p>
<p>There was silence for a while, in which Syson imagined her will among the
brightness of the larks. Suddenly the keeper exclaimed “Ah!” and
swore. He was gripping at the sleeve of his coat, near the shoulder. Then he
pulled off his jacket, threw it on the ground, and absorbedly rolled up his
shirt sleeve right to the shoulder.</p>
<p>“Ah!” he said vindictively, as he picked out the bee and flung it
away. He twisted his fine, bright arm, peering awkwardly over his shoulder.</p>
<p>“What is it?” asked Hilda.</p>
<p>“A bee—crawled up my sleeve,” he answered.</p>
<p>“Come here to me,” she said.</p>
<p>The keeper went to her, like a sulky boy. She took his arm in her hands.</p>
<p>“Here it is—and the sting left in—poor bee!”</p>
<p>She picked out the sting, put her mouth to his arm, and sucked away the drop of
poison. As she looked at the red mark her mouth had made, and at his arm, she
said, laughing:</p>
<p>“That is the reddest kiss you will ever have.”</p>
<p>When Syson next looked up, at the sound of voices, he saw in the shadow the
keeper with his mouth on the throat of his beloved, whose head was thrown back,
and whose hair had fallen, so that one rough rope of dark brown hair hung
across his bare arm.</p>
<p>“No,” the woman answered. “I am not upset because he’s
gone. You won’t understand....”</p>
<p>Syson could not distinguish what the man said. Hilda replied, clear and
distinct:</p>
<p>“You know I love you. He has gone quite out of my life—don’t
trouble about him....” He kissed her, murmuring. She laughed hollowly.</p>
<p>“Yes,” she said, indulgent. “We will be married, we will be
married. But not just yet.” He spoke to her again. Syson heard nothing
for a time. Then she said:</p>
<p>“You must go home, now, dear—you will get no sleep.”</p>
<p>Again was heard the murmur of the keeper’s voice, troubled by fear and
passion.</p>
<p>“But why should we be married at once?” she said. “What more
would you have, by being married? It is most beautiful as it is.”</p>
<p>At last he pulled on his coat and departed. She stood at the gate, not watching
him, but looking over the sunny country.</p>
<p>When at last she had gone, Syson also departed, going back to town.</p>
<h3><SPAN name="chap06"></SPAN>Second Best</h3>
<p>“Oh, I’m tired!” Frances exclaimed petulantly, and in the
same instant she dropped down on the turf, near the hedge-bottom. Anne stood a
moment surprised, then, accustomed to the vagaries of her beloved Frances,
said:</p>
<p>“Well, and aren’t you always likely to be tired, after travelling
that blessed long way from Liverpool yesterday?” and she plumped down
beside her sister. Anne was a wise young body of fourteen, very buxom, brimming
with common sense. Frances was much older, about twenty-three, and whimsical,
spasmodic. She was the beauty and the clever child of the family. She plucked
the goose-grass buttons from her dress in a nervous, desperate fashion. Her
beautiful profile, looped above with black hair, warm with the
dusky-and-scarlet complexion of a pear, was calm as a mask, her thin brown hand
plucked nervously.</p>
<p>“It’s not the journey,” she said, objecting to Anne’s
obtuseness. Anne looked inquiringly at her darling. The young girl, in her
self-confident, practical way, proceeded to reckon up this whimsical creature.
But suddenly she found herself full in the eyes of Frances; felt two dark,
hectic eyes flaring challenge at her, and she shrank away. Frances was peculiar
for these great, exposed looks, which disconcerted people by their violence and
their suddenness.</p>
<p>“What’s a matter, poor old duck?” asked Anne, as she folded
the slight, wilful form of her sister in her arms. Frances laughed shakily, and
nestled down for comfort on the budding breasts of the strong girl.</p>
<p>“Oh, I’m only a bit tired,” she murmured, on the point of
tears.</p>
<p>“Well, of course you are, what do you expect?” soothed Anne. It was
a joke to Frances that Anne should play elder, almost mother to her. But then,
Anne was in her unvexed teens; men were like big dogs to her: while Frances, at
twenty-three, suffered a good deal.</p>
<p>The country was intensely morning-still. On the common everything shone beside
its shadow, and the hillside gave off heat in silence. The brown turf seemed in
a low state of combustion, the leaves of the oaks were scorched brown. Among
the blackish foliage in the distance shone the small red and orange of the
village.</p>
<p>The willows in the brook-course at the foot of the common suddenly shook with a
dazzling effect like diamonds. It was a puff of wind. Anne resumed her normal
position. She spread her knees, and put in her lap a handful of hazel nuts,
whity-green leafy things, whose one cheek was tanned between brown and pink.
These she began to crack and eat. Frances, with bowed head, mused bitterly.</p>
<p>“Eh, you know Tom Smedley?” began the young girl, as she pulled a
tight kernel out of its shell.</p>
<p>“I suppose so,” replied Frances sarcastically.</p>
<p>“Well, he gave me a wild rabbit what he’d caught, to keep with my
tame one—and it’s living.”</p>
<p>“That’s a good thing,” said Frances, very detached and
ironic.</p>
<p>“Well, it <i>is!</i> He reckoned he’d take me to Ollerton Feast,
but he never did. Look here, he took a servant from the rectory; I saw
him.”</p>
<p>“So he ought,” said Frances.</p>
<p>“No, he oughtn’t! and I told him so. And I told him I should tell
you—an’ I have done.”</p>
<p>Click and snap went a nut between her teeth. She sorted out the kernel, and
chewed complacently.</p>
<p>“It doesn’t make much difference,” said Frances.</p>
<p>“Well, ’appen it doesn’t; but I was mad with him all the
same.”</p>
<p>“Why?”</p>
<p>“Because I was; he’s no right to go with a servant.”</p>
<p>“He’s a perfect right,” persisted Frances, very just and
cold.</p>
<p>“No, he hasn’t, when he’d said he’d take me.”</p>
<p>Frances burst into a laugh of amusement and relief.</p>
<p>“Oh, no; I’d forgot that,” she said, adding, “And what
did he say when you promised to tell me?”</p>
<p>“He laughed and said, ‘he won’t fret her fat over
that.’”</p>
<p>“And she won’t,” sniffed Frances.</p>
<p>There was silence. The common, with its sere, blonde-headed thistles, its heaps
of silent bramble, its brown-husked gorse in the glare of sunshine, seemed
visionary. Across the brook began the immense pattern of agriculture, white
chequering of barley stubble, brown squares of wheat, khaki patches of pasture,
red stripes of fallow, with the woodland and the tiny village dark like
ornaments, leading away to the distance, right to the hills, where the
check-pattern grew smaller and smaller, till, in the blackish haze of heat, far
off, only the tiny white squares of barley stubble showed distinct.</p>
<p>“Eh, I say, here’s a rabbit hole!” cried Anne suddenly.
“Should we watch if one comes out? You won’t have to fidget, you
know.”</p>
<p>The two girls sat perfectly still. Frances watched certain objects in her
surroundings: they had a peculiar, unfriendly look about them: the weight of
greenish elderberries on their purpling stalks; the twinkling of the yellowing
crab-apples that clustered high up in the hedge, against the sky: the
exhausted, limp leaves of the primroses lying flat in the hedge-bottom: all
looked strange to her. Then her eyes caught a movement. A mole was moving
silently over the warm, red soil, nosing, shuffling hither and thither, flat,
and dark as a shadow, shifting about, and as suddenly brisk, and as silent,
like a very ghost of <i>joie de vivre</i>. Frances started, from habit was
about to call on Anne to kill the little pest. But, today, her lethargy of
unhappiness was too much for her. She watched the little brute paddling,
snuffing, touching things to discover them, running in blindness, delighted to
ecstasy by the sunlight and the hot, strange things that caressed its belly and
its nose. She felt a keen pity for the little creature.</p>
<p>“Eh, our Fran, look there! It’s a mole.”</p>
<p>Anne was on her feet, standing watching the dark, unconscious beast. Frances
frowned with anxiety.</p>
<p>“It doesn’t run off, does it?” said the young girl softly.
Then she stealthily approached the creature. The mole paddled fumblingly away.
In an instant Anne put her foot upon it, not too heavily. Frances could see the
struggling, swimming movement of the little pink hands of the brute, the
twisting and twitching of its pointed nose, as it wrestled under the sole of
the boot.</p>
<p>“It <i>does</i> wriggle!” said the bonny girl, knitting her brows
in a frown at the eerie sensation. Then she bent down to look at her trap.
Frances could now see, beyond the edge of the boot-sole, the heaving of the
velvet shoulders, the pitiful turning of the sightless face, the frantic rowing
of the flat, pink hands.</p>
<p>“Kill the thing,” she said, turning away her face.</p>
<p>“Oh—I’m not,” laughed Anne, shrinking. “You can,
if you like.”</p>
<p>“I <i>don’t</i> like,” said Frances, with quiet intensity.</p>
<p>After several dabbling attempts, Anne succeeded in picking up the little animal
by the scruff of its neck. It threw back its head, flung its long blind snout
from side to side, the mouth open in a peculiar oblong, with tiny pinkish teeth
at the edge. The blind, frantic mouth gaped and writhed. The body, heavy and
clumsy, hung scarcely moving.</p>
<p>“Isn’t it a snappy little thing,” observed Anne twisting to
avoid the teeth.</p>
<p>“What are you going to do with it?” asked Frances sharply.</p>
<p>“It’s got to be killed—look at the damage they do. I
s’ll take it home and let dadda or somebody kill it. I’m not going
to let it go.”</p>
<p>She swaddled the creature clumsily in her pocket-handkerchief and sat down
beside her sister. There was an interval of silence, during which Anne combated
the efforts of the mole.</p>
<p>“You’ve not had much to say about Jimmy this time. Did you see him
often in Liverpool?” Anne asked suddenly.</p>
<p>“Once or twice,” replied Frances, giving no sign of how the
question troubled her.</p>
<p>“And aren’t you sweet on him any more, then?”</p>
<p>“I should think I’m not, seeing that he’s engaged.”</p>
<p>“Engaged? Jimmy Barrass! Well, of all things! I never thought
<i>he’d</i> get engaged.”</p>
<p>“Why not, he’s as much right as anybody else?” snapped
Frances.</p>
<p>Anne was fumbling with the mole.</p>
<p>“’Appen so,” she said at length; “but I never thought
Jimmy would, though.”</p>
<p>“Why not?” snapped Frances.</p>
<p>“<i>I</i> don’t know—this blessed mole, it’ll not keep
still!—who’s he got engaged to?”</p>
<p>“How should I know?”</p>
<p>“I thought you’d ask him; you’ve known him long enough. I
s’d think he thought he’d get engaged now he’s a Doctor of
Chemistry.”</p>
<p>Frances laughed in spite of herself.</p>
<p>“What’s that got to do with it?” she asked.</p>
<p>“I’m sure it’s got a lot. He’ll want to feel
<i>somebody</i> now, so he’s got engaged. Hey, stop it; go in!”</p>
<p>But at this juncture the mole almost succeeded in wriggling clear. It wrestled
and twisted frantically, waved its pointed blind head, its mouth standing open
like a little shaft, its big, wrinkled hands spread out.</p>
<p>“Go in with you!” urged Anne, poking the little creature with her
forefinger, trying to get it back into the handkerchief. Suddenly the mouth
turned like a spark on her finger.</p>
<p>“Oh!” she cried, “he’s bit me.”</p>
<p>She dropped him to the floor. Dazed, the blind creature fumbled round. Frances
felt like shrieking. She expected him to dart away in a flash, like a mouse,
and there he remained groping; she wanted to cry to him to be gone. Anne, in a
sudden decision of wrath, caught up her sister’s walking-cane. With one
blow the mole was dead. Frances was startled and shocked. One moment the little
wretch was fussing in the heat, and the next it lay like a little bag, inert
and black—not a struggle, scarce a quiver.</p>
<p>“It is dead!” Frances said breathlessly. Anne took her finger from
her mouth, looked at the tiny pinpricks, and said:</p>
<p>“Yes, he is, and I’m glad. They’re vicious little nuisances,
moles are.”</p>
<p>With which her wrath vanished. She picked up the dead animal.</p>
<p>“Hasn’t it got a beautiful skin,” she mused, stroking the fur
with her forefinger, then with her cheek.</p>
<p>“Mind,” said Frances sharply. “You’ll have the blood on
your skirt!”</p>
<p>One ruby drop of blood hung on the small snout, ready to fall. Anne shook it
off on to some harebells. Frances suddenly became calm; in that moment,
grown-up.</p>
<p>“I suppose they have to be killed,” she said, and a certain rather
dreary indifference succeeded to her grief. The twinkling crab-apples, the
glitter of brilliant willows now seemed to her trifling, scarcely worth the
notice. Something had died in her, so that things lost their poignancy. She was
calm, indifference overlying her quiet sadness. Rising, she walked down to the
brook course.</p>
<p>“Here, wait for me,” cried Anne, coming tumbling after.</p>
<p>Frances stood on the bridge, looking at the red mud trodden into pockets by the
feet of cattle. There was not a drain of water left, but everything smelled
green, succulent. Why did she care so little for Anne, who was so fond of her?
she asked herself. Why did she care so little for anyone? She did not know, but
she felt a rather stubborn pride in her isolation and indifference.</p>
<p>They entered a field where stooks of barley stood in rows, the straight, blonde
tresses of the corn streaming on to the ground. The stubble was bleached by the
intense summer, so that the expanse glared white. The next field was sweet and
soft with a second crop of seeds; thin, straggling clover whose little pink
knobs rested prettily in the dark green. The scent was faint and sickly. The
girls came up in single file, Frances leading.</p>
<p>Near the gate a young man was mowing with the scythe some fodder for the
afternoon feed of the cattle. As he saw the girls he left off working and
waited in an aimless kind of way. Frances was dressed in white muslin, and she
walked with dignity, detached and forgetful. Her lack of agitation, her simple,
unheeding advance made him nervous. She had loved the far-off Jimmy for five
years, having had in return his half-measures. This man only affected her
slightly.</p>
<p>Tom was of medium stature, energetic in build. His smooth, fair-skinned face
was burned red, not brown, by the sun, and this ruddiness enhanced his
appearance of good humour and easiness. Being a year older than Frances, he
would have courted her long ago had she been so inclined. As it was, he had
gone his uneventful way amiably, chatting with many a girl, but remaining
unattached, free of trouble for the most part. Only he knew he wanted a woman.
He hitched his trousers just a trifle self-consciously as the girls approached.
Frances was a rare, delicate kind of being, whom he realized with a queer and
delicious stimulation in his veins. She gave him a slight sense of suffocation.
Somehow, this morning, she affected him more than usual. She was dressed in
white. He, however, being matter-of-fact in his mind, did not realize. His
feeling had never become conscious, purposive.</p>
<p>Frances knew what she was about. Tom was ready to love her as soon as she would
show him. Now that she could not have Jimmy, she did not poignantly care.
Still, she would have something. If she could not have the best—Jimmy,
whom she knew to be something of a snob—she would have the second best,
Tom. She advanced rather indifferently.</p>
<p>“You are back, then!” said Tom. She marked the touch of uncertainty
in his voice.</p>
<p>“No,” she laughed, “I’m still in Liverpool,” and
the undertone of intimacy made him burn.</p>
<p>“This isn’t you, then?” he asked.</p>
<p>Her heart leapt up in approval. She looked in his eyes, and for a second was
with him.</p>
<p>“Why, what do you think?” she laughed.</p>
<p>He lifted his hat from his head with a distracted little gesture. She liked
him, his quaint ways, his humour, his ignorance, and his slow masculinity.</p>
<p>“Here, look here, Tom Smedley,” broke in Anne.</p>
<p>“A moudiwarp! Did you find it dead?” he asked.</p>
<p>“No, it bit me,” said Anne.</p>
<p>“Oh, aye! An’ that got your rag out, did it?”</p>
<p>“No, it didn’t!” Anne scolded sharply. “Such
language!”</p>
<p>“Oh, what’s up wi’ it?”</p>
<p>“I can’t bear you to talk broad.”</p>
<p>“Can’t you?”</p>
<p>He glanced at Frances.</p>
<p>“It isn’t nice,” Frances said. She did not care, really. The
vulgar speech jarred on her as a rule; Jimmy was a gentleman. But Tom’s
manner of speech did not matter to her.</p>
<p>“I like you to talk <i>nicely</i>,” she added.</p>
<p>“Do you,” he replied, tilting his hat, stirred.</p>
<p>“And generally you <i>do</i>, you know,” she smiled.</p>
<p>“I s’ll have to have a try,” he said, rather tensely gallant.</p>
<p>“What?” she asked brightly.</p>
<p>“To talk nice to you,” he said. Frances coloured furiously, bent
her head for a moment, then laughed gaily, as if she liked this clumsy hint.</p>
<p>“Eh now, you mind what you’re saying,” cried Anne, giving the
young man an admonitory pat.</p>
<p>“You wouldn’t have to give yon mole many knocks like that,”
he teased, relieved to get on safe ground, rubbing his arm.</p>
<p>“No indeed, it died in one blow,” said Frances, with a flippancy
that was hateful to her.</p>
<p>“You’re not so good at knockin’ ’em?” he said,
turning to her.</p>
<p>“I don’t know, if I’m cross,” she said decisively.</p>
<p>“No?” he replied, with alert attentiveness.</p>
<p>“I could,” she added, harder, “if it was necessary.”</p>
<p>He was slow to feel her difference.</p>
<p>“And don’t you consider it <i>is</i> necessary?” he asked,
with misgiving.</p>
<p>“W—ell—is it?” she said, looking at him steadily,
coldly.</p>
<p>“I reckon it is,” he replied, looking away, but standing stubborn.</p>
<p>She laughed quickly.</p>
<p>“But it isn’t necessary for <i>me</i>,” she said, with slight
contempt.</p>
<p>“Yes, that’s quite true,” he answered.</p>
<p>She laughed in a shaky fashion.</p>
<p>“<i>I know it is</i>,” she said; and there was an awkward pause.</p>
<p>“Why, would you <i>like</i> me to kill moles then?” she asked
tentatively, after a while.</p>
<p>“They do us a lot of damage,” he said, standing firm on his own
ground, angered.</p>
<p>“Well, I’ll see the next time I come across one,” she
promised, defiantly. Their eyes met, and she sank before him, her pride
troubled. He felt uneasy and triumphant and baffled, as if fate had gripped
him. She smiled as she departed.</p>
<p>“Well,” said Anne, as the sisters went through the wheat stubble;
“I don’t know what you two’s been jawing about, I’m
sure.”</p>
<p>“Don’t you?” laughed Frances significantly.</p>
<p>“No, I don’t. But, at any rate, Tom Smedley’s a good deal
better to my thinking than Jimmy, so there—and nicer.”</p>
<p>“Perhaps he is,” said Frances coldly.</p>
<p>And the next day, after a secret, persistent hunt, she found another mole
playing in the heat. She killed it, and in the evening, when Tom came to the
gate to smoke his pipe after supper, she took him the dead creature.</p>
<p>“Here you are then!” she said.</p>
<p>“Did you catch it?” he replied, taking the velvet corpse into his
fingers and examining it minutely. This was to hide his trepidation.</p>
<p>“Did you think I couldn’t?” she asked, her face very near
his.</p>
<p>“Nay, I didn’t know.”</p>
<p>She laughed in his face, a strange little laugh that caught her breath, all
agitation, and tears, and recklessness of desire. He looked frightened and
upset. She put her hand to his arm.</p>
<p>“Shall you go out wi’ me?” he asked, in a difficult, troubled
tone.</p>
<p>She turned her face away, with a shaky laugh. The blood came up in him, strong,
overmastering. He resisted it. But it drove him down, and he was carried away.
Seeing the winsome, frail nape of her neck, fierce love came upon him for her,
and tenderness.</p>
<p>“We s’ll ’ave to tell your mother,” he said. And he
stood, suffering, resisting his passion for her.</p>
<p>“Yes,” she replied, in a dead voice. But there was a thrill of
pleasure in this death.</p>
<h3><SPAN name="chap07"></SPAN>The Shadow in the Rose Garden</h3>
<p>A rather small young man sat by the window of a pretty seaside cottage trying
to persuade himself that he was reading the newspaper. It was about half-past
eight in the morning. Outside, the glory roses hung in the morning sunshine
like little bowls of fire tipped up. The young man looked at the table, then at
the clock, then at his own big silver watch. An expression of stiff endurance
came on to his face. Then he rose and reflected on the oil-paintings that hung
on the walls of the room, giving careful but hostile attention to “The
Stag at Bay”. He tried the lid of the piano, and found it locked. He
caught sight of his own face in a little mirror, pulled his brown moustache,
and an alert interest sprang into his eyes. He was not ill-favoured. He twisted
his moustache. His figure was rather small, but alert and vigorous. As he
turned from the mirror a look of self-commiseration mingled with his
appreciation of his own physiognomy.</p>
<p>In a state of self-suppression, he went through into the garden. His jacket,
however, did not look dejected. It was new, and had a smart and self-confident
air, sitting upon a confident body. He contemplated the Tree of Heaven that
flourished by the lawn, then sauntered on to the next plant. There was more
promise in a crooked apple tree covered with brown-red fruit. Glancing round,
he broke off an apple and, with his back to the house, took a clean, sharp
bite. To his surprise the fruit was sweet. He took another. Then again he
turned to survey the bedroom windows overlooking the garden. He started, seeing
a woman’s figure; but it was only his wife. She was gazing across to the
sea, apparently ignorant of him.</p>
<p>For a moment or two he looked at her, watching her. She was a good-looking
woman, who seemed older than he, rather pale, but healthy, her face yearning.
Her rich auburn hair was heaped in folds on her forehead. She looked apart from
him and his world, gazing away to the sea. It irked her husband that she should
continue abstracted and in ignorance of him; he pulled poppy fruits and threw
them at the window. She started, glanced at him with a wild smile, and looked
away again. Then almost immediately she left the window. He went indoors to
meet her. She had a fine carriage, very proud, and wore a dress of soft white
muslin.</p>
<p>“I’ve been waiting long enough,” he said.</p>
<p>“For me or for breakfast?” she said lightly. “You know we
said nine o’clock. I should have thought you could have slept after the
journey.”</p>
<p>“You know I’m always up at five, and I couldn’t stop in bed
after six. You might as well be in pit as in bed, on a morning like
this.”</p>
<p>“I shouldn’t have thought the pit would occur to you, here.”</p>
<p>She moved about examining the room, looking at the ornaments under glass
covers. He, planted on the hearthrug, watched her rather uneasily, and
grudgingly indulgent. She shrugged her shoulders at the apartment.</p>
<p>“Come,” she said, taking his arm, “let us go into the garden
till Mrs Coates brings the tray.”</p>
<p>“I hope she’ll be quick,” he said, pulling his moustache. She
gave a short laugh, and leaned on his arm as they went. He had lighted a pipe.</p>
<p>Mrs Coates entered the room as they went down the steps. The delightful, erect
old lady hastened to the window for a good view of her visitors. Her china-blue
eyes were bright as she watched the young couple go down the path, he walking
in an easy, confident fashion, with his wife, on his arm. The landlady began
talking to herself in a soft, Yorkshire accent.</p>
<p>“Just of a height they are. She wouldn’t ha’ married a man
less than herself in stature, I think, though he’s not her equal
otherwise.” Here her granddaughter came in, setting a tray on the table.
The girl went to the old woman’s side.</p>
<p>“He’s been eating the apples, gran’,” she said.</p>
<p>“Has he, my pet? Well, if he’s happy, why not?”</p>
<p>Outside, the young, well-favoured man listened with impatience to the chink of
the teacups. At last, with a sigh of relief, the couple came in to breakfast.
After he had eaten for some time, he rested a moment and said:</p>
<p>“Do you think it’s any better place than Bridlington?”</p>
<p>“I do,” she said, “infinitely! Besides, I am at home
here—it’s not like a strange seaside place to me.”</p>
<p>“How long were you here?”</p>
<p>“Two years.”</p>
<p>He ate reflectively.</p>
<p>“I should ha’ thought you’d rather go to a fresh
place,” he said at length.</p>
<p>She sat very silent, and then, delicately, put out a feeler.</p>
<p>“Why?” she said. “Do you think I shan’t enjoy
myself?”</p>
<p>He laughed comfortably, putting the marmalade thick on his bread.</p>
<p>“I hope so,” he said.</p>
<p>She again took no notice of him.</p>
<p>“But don’t say anything about it in the village, Frank,” she
said casually. “Don’t say who I am, or that I used to live here.
There’s nobody I want to meet, particularly, and we should never feel
free if they knew me again.”</p>
<p>“Why did you come, then?”</p>
<p>“‘Why?’ Can’t you understand why?”</p>
<p>“Not if you don’t want to know anybody.”</p>
<p>“I came to see the place, not the people.”</p>
<p>He did not say any more.</p>
<p>“Women,” she said, “are different from men. I don’t
know why I wanted to come—but I did.”</p>
<p>She helped him to another cup of coffee, solicitously.</p>
<p>“Only,” she resumed, “don’t talk about me in the
village.” She laughed shakily. “I don’t want my past brought
up against me, you know.” And she moved the crumbs on the cloth with her
finger-tip.</p>
<p>He looked at her as he drank his coffee; he sucked his moustache, and putting
down his cup, said phlegmatically:</p>
<p>“I’ll bet you’ve had a lot of past.”</p>
<p>She looked with a little guiltiness, that flattered him, down at the
tablecloth.</p>
<p>“Well,” she said, caressive, “you won’t give me away,
who I am, will you?”</p>
<p>“No,” he said, comforting, laughing, “I won’t give you
away.”</p>
<p>He was pleased.</p>
<p>She remained silent. After a moment or two she lifted her head, saying:</p>
<p>“I’ve got to arrange with Mrs Coates, and do various things. So
you’d better go out by yourself this morning—and we’ll be in
to dinner at one.”</p>
<p>“But you can’t be arranging with Mrs Coates all morning,” he
said.</p>
<p>“Oh, well—then I’ve some letters to write, and I must get
that mark out of my skirt. I’ve got plenty of little things to do this
morning. You’d better go out by yourself.”</p>
<p>He perceived that she wanted to be rid of him, so that when she went upstairs,
he took his hat and lounged out on to the cliffs, suppressedly angry.</p>
<p>Presently she too came out. She wore a hat with roses, and a long lace scarf
hung over her white dress. Rather nervously, she put up her sunshade, and her
face was half-hidden in its coloured shadow. She went along the narrow track of
flag-stones that were worn hollow by the feet of the fishermen. She seemed to
be avoiding her surroundings, as if she remained safe in the little obscurity
of her parasol.</p>
<p>She passed the church, and went down the lane till she came to a high wall by
the wayside. Under this she went slowly, stopping at length by an open doorway,
which shone like a picture of light in the dark wall. There in the magic beyond
the doorway, patterns of shadow lay on the sunny court, on the blue and white
sea-pebbles of its paving, while a green lawn glowed beyond, where a bay tree
glittered at the edges. She tiptoed nervously into the courtyard, glancing at
the house that stood in shadow. The uncurtained windows looked black and
soulless, the kitchen door stood open. Irresolutely she took a step forward,
and again forward, leaning, yearning, towards the garden beyond.</p>
<p>She had almost gained the corner of the house when a heavy step came crunching
through the trees. A gardener appeared before her. He held a wicker tray on
which were rolling great, dark red gooseberries, overripe. He moved slowly.</p>
<p>“The garden isn’t open today,” he said quietly to the
attractive woman, who was poised for retreat.</p>
<p>For a moment she was silent with surprise. How should it be public at all?</p>
<p>“When is it open?” she asked, quick-witted.</p>
<p>“The rector lets visitors in on Fridays and Tuesdays.”</p>
<p>She stood still, reflecting. How strange to think of the rector opening his
garden to the public!</p>
<p>“But everybody will be at church,” she said coaxingly to the man.
“There’ll be nobody here, will there?”</p>
<p>He moved, and the big gooseberries rolled.</p>
<p>“The rector lives at the new rectory,” he said.</p>
<p>The two stood still. He did not like to ask her to go. At last she turned to
him with a winning smile.</p>
<p>“Might I have <i>one</i> peep at the roses?” she coaxed, with
pretty wilfulness.</p>
<p>“I don’t suppose it would matter,” he said, moving aside:
“you won’t stop long——”</p>
<p>She went forward, forgetting the gardener in a moment. Her face became
strained, her movements eager. Glancing round, she saw all the windows giving
on to the lawn were curtainless and dark. The house had a sterile appearance,
as if it were still used, but not inhabited. A shadow seemed to go over her.
She went across the lawn towards the garden, through an arch of crimson
ramblers, a gate of colour. There beyond lay the soft blue sea with the bay,
misty with morning, and the farthest headland of black rock jutting dimly out
between blue and blue of the sky and water. Her face began to shine,
transfigured with pain and joy. At her feet the garden fell steeply, all a
confusion of flowers, and away below was the darkness of tree-tops covering the
beck.</p>
<p>She turned to the garden that shone with sunny flowers around her. She knew the
little corner where was the seat beneath the yew tree. Then there was the
terrace where a great host of flowers shone, and from this, two paths went
down, one at each side of the garden. She closed her sunshade and walked slowly
among the many flowers. All round were rose bushes, big banks of roses, then
roses hanging and tumbling from pillars, or roses balanced on the standard
bushes. By the open earth were many other flowers. If she lifted her head, the
sea was upraised beyond, and the Cape.</p>
<p>Slowly she went down one path, lingering, like one who has gone back into the
past. Suddenly she was touching some heavy crimson roses that were soft as
velvet, touching them thoughtfully, without knowing, as a mother sometimes
fondles the hand of her child. She leaned slightly forward to catch the scent.
Then she wandered on in abstraction. Sometimes a flame-coloured, scentless rose
would hold her arrested. She stood gazing at it as if she could not understand
it. Again the same softness of intimacy came over her, as she stood before a
tumbling heap of pink petals. Then she wondered over the white rose, that was
greenish, like ice, in the centre. So, slowly, like a white, pathetic
butterfly, she drifted down the path, coming at last to a tiny terrace all full
of roses. They seemed to fill the place, a sunny, gay throng. She was shy of
them, they were so many and so bright. They seemed to be conversing and
laughing. She felt herself in a strange crowd. It exhilarated her, carried her
out of herself. She flushed with excitement. The air was pure scent.</p>
<p>Hastily, she went to a little seat among the white roses, and sat down. Her
scarlet sunshade made a hard blot of colour. She sat quite still, feeling her
own existence lapse. She was no more than a rose, a rose that could not quite
come into blossom, but remained tense. A little fly dropped on her knee, on her
white dress. She watched it, as if it had fallen on a rose. She was not
herself.</p>
<p>Then she started cruelly as a shadow crossed her and a figure moved into her
sight. It was a man who had come in slippers, unheard. He wore a linen coat.
The morning was shattered, the spell vanished away. She was only afraid of
being questioned. He came forward. She rose. Then, seeing him, the strength
went from her and she sank on the seat again.</p>
<p>He was a young man, military in appearance, growing slightly stout. His black
hair was brushed smooth and bright, his moustache was waxed. But there was
something rambling in his gait. She looked up, blanched to the lips, and saw
his eyes. They were black, and stared without seeing. They were not a
man’s eyes. He was coming towards her.</p>
<p>He stared at her fixedly, made unconscious salute, and sat down beside her on
the seat. He moved on the bench, shifted his feet, saying, in a gentlemanly,
military voice:</p>
<p>“I don’t disturb you—do I?”</p>
<p>She was mute and helpless. He was scrupulously dressed in dark clothes and a
linen coat. She could not move. Seeing his hands, with the ring she knew so
well upon the little finger, she felt as if she were going dazed. The whole
world was deranged. She sat unavailing. For his hands, her symbols of
passionate love, filled her with horror as they rested now on his strong
thighs.</p>
<p>“May I smoke?” he asked intimately, almost secretly, his hand going
to his pocket.</p>
<p>She could not answer, but it did not matter, he was in another world. She
wondered, craving, if he recognized her—if he could recognize her. She
sat pale with anguish. But she had to go through it.</p>
<p>“I haven’t got any tobacco,” he said thoughtfully.</p>
<p>But she paid no heed to his words, only she attended to him. Could he recognize
her, or was it all gone? She sat still in a frozen kind of suspense.</p>
<p>“I smoke John Cotton,” he said, “and I must economize with
it, it is expensive. You know, I’m not very well off while these lawsuits
are going on.”</p>
<p>“No,” she said, and her heart was cold, her soul kept rigid.</p>
<p>He moved, made a loose salute, rose, and went away. She sat motionless. She
could see his shape, the shape she had loved, with all her passion: his
compact, soldier’s head, his fine figure now slackened. And it was not
he. It only filled her with horror too difficult to know.</p>
<p>Suddenly he came again, his hand in his jacket pocket.</p>
<p>“Do you mind if I smoke?” he said. “Perhaps I shall be able
to see things more clearly.”</p>
<p>He sat down beside her again, filling a pipe. She watched his hands with the
fine strong fingers. They had always inclined to tremble slightly. It had
surprised her, long ago, in such a healthy man. Now they moved inaccurately,
and the tobacco hung raggedly out of the pipe.</p>
<p>“I have legal business to attend to. Legal affairs are always so
uncertain. I tell my solicitor exactly, precisely what I want, but I can never
get it done.”</p>
<p>She sat and heard him talking. But it was not he. Yet those were the hands she
had kissed, there were the glistening, strange black eyes that she had loved.
Yet it was not he. She sat motionless with horror and silence. He dropped his
tobacco pouch, and groped for it on the ground. Yet she must wait if he would
recognize her. Why could she not go! In a moment he rose.</p>
<p>“I must go at once,” he said. “The owl is coming.” Then
he added confidentially: “His name isn’t really the owl, but I call
him that. I must go and see if he has come.”</p>
<p>She rose too. He stood before her, uncertain. He was a handsome, soldierly
fellow, and a lunatic. Her eyes searched him, and searched him, to see if he
would recognize her, if she could discover him.</p>
<p>“You don’t know me?” she asked, from the terror of her soul,
standing alone.</p>
<p>He looked back at her quizzically. She had to bear his eyes. They gleamed on
her, but with no intelligence. He was drawing nearer to her.</p>
<p>“Yes, I do know you,” he said, fixed, intent, but mad, drawing his
face nearer hers. Her horror was too great. The powerful lunatic was coming too
near to her.</p>
<p>A man approached, hastening.</p>
<p>“The garden isn’t open this morning,” he said.</p>
<p>The deranged man stopped and looked at him. The keeper went to the seat and
picked up the tobacco pouch left lying there.</p>
<p>“Don’t leave your tobacco, sir,” he said, taking it to the
gentleman in the linen coat.</p>
<p>“I was just asking this lady to stay to lunch,” the latter said
politely. “She is a friend of mine.”</p>
<p>The woman turned and walked swiftly, blindly, between the sunny roses, out of
the garden, past the house with the blank, dark windows, through the
sea-pebbled courtyard to the street. Hastening and blind, she went forward
without hesitating, not knowing whither. Directly she came to the house she
went upstairs, took off her hat, and sat down on the bed. It was as if some
membrane had been torn in two in her, so that she was not an entity that could
think and feel. She sat staring across at the window, where an ivy spray waved
slowly up and down in the sea wind. There was some of the uncanny luminousness
of the sunlit sea in the air. She sat perfectly still, without any being. She
only felt she might be sick, and it might be blood that was loose in her torn
entrails. She sat perfectly still and passive.</p>
<p>After a time she heard the hard tread of her husband on the floor below, and,
without herself changing, she registered his movement. She heard his rather
disconsolate footsteps go out again, then his voice speaking, answering,
growing cheery, and his solid tread drawing near.</p>
<p>He entered, ruddy, rather pleased, an air of complacency about his alert
figure. She moved stiffly. He faltered in his approach.</p>
<p>“What’s the matter?” he asked a tinge of impatience in his
voice. “Aren’t you feeling well?”</p>
<p>This was torture to her.</p>
<p>“Quite,” she replied.</p>
<p>His brown eyes became puzzled and angry.</p>
<p>“What is the matter?” he said.</p>
<p>“Nothing.”</p>
<p>He took a few strides, and stood obstinately, looking out of the window.</p>
<p>“Have you run up against anybody?” he asked.</p>
<p>“Nobody who knows me,” she said.</p>
<p>His hands began to twitch. It exasperated him, that she was no more sensible of
him than if he did not exist. Turning on her at length, driven, he asked:</p>
<p>“Something has upset you hasn’t it?”</p>
<p>“No, why?” she said neutral. He did not exist for her, except as an
irritant.</p>
<p>His anger rose, filling the veins in his throat.</p>
<p>“It seems like it,” he said, making an effort not to show his
anger, because there seemed no reason for it. He went away downstairs. She sat
still on the bed, and with the residue of feeling left to her, she disliked him
because he tormented her. The time went by. She could smell the dinner being
served, the smoke of her husband’s pipe from the garden. But she could
not move. She had no being. There was a tinkle of the bell. She heard him come
indoors. And then he mounted the stairs again. At every step her heart grew
tight in her. He opened the door.</p>
<p>“Dinner is on the table,” he said.</p>
<p>It was difficult for her to endure his presence, for he would interfere with
her. She could not recover her life. She rose stiffly and went down. She could
neither eat nor talk during the meal. She sat absent, torn, without any being
of her own. He tried to go on as if nothing were the matter. But at last he
became silent with fury. As soon as it was possible, she went upstairs again,
and locked the bedroom door. She must be alone. He went with his pipe into the
garden. All his suppressed anger against her who held herself superior to him
filled and blackened his heart. Though he had not known it, yet he had never
really won her, she had never loved him. She had taken him on sufference. This
had foiled him. He was only a labouring electrician in the mine, she was
superior to him. He had always given way to her. But all the while, the injury
and ignominy had been working in his soul because she did not hold him
seriously. And now all his rage came up against her.</p>
<p>He turned and went indoors. The third time, she heard him mounting the stairs.
Her heart stood still. He turned the catch and pushed the door—it was
locked. He tried it again, harder. Her heart was standing still.</p>
<p>“Have you fastened the door?” he asked quietly, because of the
landlady.</p>
<p>“Yes. Wait a minute.”</p>
<p>She rose and turned the lock, afraid he would burst it. She felt hatred towards
him, because he did not leave her free. He entered, his pipe between his teeth,
and she returned to her old position on the bed. He closed the door and stood
with his back to it.</p>
<p>“What’s the matter?” he asked determinedly.</p>
<p>She was sick with him. She could not look at him.</p>
<p>“Can’t you leave me alone?” she replied, averting her face
from him.</p>
<p>He looked at her quickly, fully, wincing with ignominy. Then he seemed to
consider for a moment.</p>
<p>“There’s something up with you, isn’t there?” he asked
definitely.</p>
<p>“Yes,” she said, “but that’s no reason why you should
torment me.”</p>
<p>“I don’t torment you. What’s the matter?”</p>
<p>“Why should you know?” she cried, in hate and desperation.</p>
<p>Something snapped. He started and caught his pipe as it fell from his mouth.
Then he pushed forward the bitten-off mouth-piece with his tongue, took it from
off his lips, and looked at it. Then he put out his pipe, and brushed the ash
from his waistcoat. After which he raised his head.</p>
<p>“I want to know,” he said. His face was greyish pale, and set
uglily.</p>
<p>Neither looked at the other. She knew he was fired now. His heart was pounding
heavily. She hated him, but she could not withstand him. Suddenly she lifted
her head and turned on him.</p>
<p>“What right have you to know?” she asked.</p>
<p>He looked at her. She felt a pang of surprise for his tortured eyes and his
fixed face. But her heart hardened swiftly. She had never loved him. She did
not love him now.</p>
<p>But suddenly she lifted her head again swiftly, like a thing that tries to get
free. She wanted to be free of it. It was not him so much, but it, something
she had put on herself, that bound her so horribly. And having put the bond on
herself, it was hardest to take it off. But now she hated everything and felt
destructive. He stood with his back to the door, fixed, as if he would oppose
her eternally, till she was extinguished. She looked at him. Her eyes were cold
and hostile. His workman’s hands spread on the panels of the door behind
him.</p>
<p>“You know I used to live here?” she began, in a hard voice, as if
wilfully to wound him. He braced himself against her, and nodded.</p>
<p>“Well, I was companion to Miss Birch of Torril Hall—she and the
rector were friends, and Archie was the rector’s son.” There was a
pause. He listened without knowing what was happening. He stared at his wife.
She was squatted in her white dress on the bed, carefully folding and
refolding the hem of her skirt. Her voice was full of hostility.</p>
<p>“He was an officer—a sub-lieutenant—then he quarrelled with
his colonel and came out of the army. At any rate”—she plucked at
her skirt hem, her husband stood motionless, watching her movements which
filled his veins with madness—“he was awfully fond of me, and I was
of him—awfully.”</p>
<p>“How old was he?” asked the husband.</p>
<p>“When—when I first knew him? Or when he went
away?——”</p>
<p>“When you first knew him.”</p>
<p>“When I first knew him, he was twenty-six—now—he’s
thirty-one—nearly thirty-two—because I’m twenty-nine, and he
is nearly three years older——”</p>
<p>She lifted her head and looked at the opposite wall.</p>
<p>“And what then?” said her husband.</p>
<p>She hardened herself, and said callously:</p>
<p>“We were as good as engaged for nearly a year, though nobody
knew—at least—they talked—but—it wasn’t open.
Then he went away——”</p>
<p>“He chucked you?” said the husband brutally, wanting to hurt her
into contact with himself. Her heart rose wildly with rage. Then
“Yes”, she said, to anger him. He shifted from one foot to the
other, giving a “Ph!” of rage. There was silence for a time.</p>
<p>“Then,” she resumed, her pain giving a mocking note to her words,
“he suddenly went out to fight in Africa, and almost the very day I first
met you, I heard from Miss Birch he’d got sunstroke—and two months
after, that he was dead——”</p>
<p>“That was before you took on with me?” said the husband.</p>
<p>There was no answer. Neither spoke for a time. He had not understood. His eyes
were contracted uglily.</p>
<p>“So you’ve been looking at your old courting places!” he
said. “That was what you wanted to go out by yourself for this
morning.”</p>
<p>Still she did not answer him anything. He went away from the door to the
window. He stood with his hands behind him, his back to her. She looked at him.
His hands seemed gross to her, the back of his head paltry.</p>
<p>At length, almost against his will, he turned round, asking:</p>
<p>“How long were you carrying on with him?”</p>
<p>“What do you mean?” she replied coldly.</p>
<p>“I mean how long were you carrying on with him?”</p>
<p>She lifted her head, averting her face from him. She refused to answer. Then
she said:</p>
<p>“I don’t know what you mean, by carrying on. I loved him from the
first days I met him—two months after I went to stay with Miss
Birch.”</p>
<p>“And do you reckon he loved you?” he jeered.</p>
<p>“I know he did.”</p>
<p>“How do you know, if he’d have no more to do with you?”</p>
<p>There was a long silence of hate and suffering.</p>
<p>“And how far did it go between you?” he asked at length, in a
frightened, stiff voice.</p>
<p>“I hate your not-straightforward questions,” she cried, beside
herself with his baiting. “We loved each other, and we <i>were</i>
lovers—we were. I don’t care what <i>you</i> think: what have you
got to do with it? We were lovers before ever I knew you——”</p>
<p>“Lovers—lovers,” he said, white with fury. “You mean
you had your fling with an army man, and then came to me to marry you when
you’d done——”</p>
<p>She sat swallowing her bitterness. There was a long pause.</p>
<p>“Do you mean to say you used to go—the whole hogger?” he
asked, still incredulous.</p>
<p>“Why, what else do you think I mean?” she cried brutally.</p>
<p>He shrank, and became white, impersonal. There was a long, paralysed silence.
He seemed to have gone small.</p>
<p>“You never thought to tell me all this before I married you,” he
said, with bitter irony, at last.</p>
<p>“You never asked me,” she replied.</p>
<p>“I never thought there was any need.”</p>
<p>“Well, then, you <i>should</i> think.”</p>
<p>He stood with expressionless, almost childlike set face, revolving many
thoughts, whilst his heart was mad with anguish.</p>
<p>Suddenly she added:</p>
<p>“And I saw him today,” she said. “He is not dead, he’s
mad.”</p>
<p>Her husband looked at her, startled.</p>
<p>“Mad!’ he said involuntarily.</p>
<p>“A lunatic,” she said. It almost cost her her reason to utter the
word. There was a pause.</p>
<p>“Did he know you?” asked the husband in a small voice.</p>
<p>“No,” she said.</p>
<p>He stood and looked at her. At last he had learned the width of the breach
between them. She still squatted on the bed. He could not go near her. It would
be violation to each of them to be brought into contact with the other. The
thing must work itself out. They were both shocked so much, they were
impersonal, and no longer hated each other. After some minutes he left her and
went out.</p>
<h3><SPAN name="chap08"></SPAN>Goose Fair</h3>
<h4>I</h4>
<p>Through the gloom of evening, and the flare of torches of the night before the
fair, through the still fogs of the succeeding dawn came paddling the weary
geese, lifting their poor feet that had been dipped in tar for shoes, and
trailing them along the cobble-stones into the town. Last of all, in the
afternoon, a country girl drove in her dozen birds, disconsolate because she
was so late. She was a heavily built girl, fair, with regular features, and yet
unprepossessing. She needed chiselling down, her contours were brutal. Perhaps
it was weariness that hung her eyelids a little lower than was pleasant. When
she spoke to her clumsily lagging birds it was in a snarling nasal tone. One of
the silly things sat down in the gutter and refused to move. It looked very
ridiculous, but also rather pitiful, squat there with its head up, refusing to
be urged on by the ungentle toe of the girl. The latter swore heavily, then
picked up the great complaining bird, and fronting her road stubbornly, drove
on the lamentable eleven.</p>
<p>No one had noticed her. This afternoon the women were not sitting chatting on
their doorsteps, seaming up the cotton hose, or swiftly passing through their
fingers the piled white lace; and in the high dark houses the song of the
hosiery frames was hushed: “Shackety-boom, Shackety-shackety-boom,
Z—zzz!” As she dragged up Hollow Stone, people returned from the
fair chaffed her and asked her what o’clock it was. She did not reply,
her look was sullen. The Lace Market was quiet as the Sabbath: even the great
brass plates on the doors were dull with neglect. There seemed an afternoon
atmosphere of raw discontent. The girl stopped a moment before the dismal
prospect of one of the great warehouses that had been gutted with fire. She
looked at the lean, threatening walls, and watched her white flock waddling in
reckless misery below, and she would have laughed out loud had the wall fallen
flat upon them and relieved her of them. But the wall did not fall, so she
crossed the road, and walking on the safe side, hurried after her charge. Her
look was even more sullen. She remembered the state of trade—Trade, the
invidious enemy; Trade, which thrust out its hand and shut the factory doors,
and pulled the stockingers off their seats, and left the web half-finished on
the frame; Trade, which mysteriously choked up the sources of the rivulets of
wealth, and blacker and more secret than a pestilence, starved the town.
Through this morose atmosphere of bad trade, in the afternoon of the first day
of the fair, the girl strode down to the Poultry with eleven sound geese and
one lame one to sell.</p>
<p>The Frenchmen were at the bottom of it! So everybody said, though nobody quite
knew how. At any rate, they had gone to war with the Prussians and got beaten,
and trade was ruined in Nottingham!</p>
<p>A little fog rose up, and the twilight gathered around. Then they flared abroad
their torches in the fair, insulting the night. The girl still sat in the
Poultry, and her weary geese unsold on the stones, illuminated by the hissing
lamp of a man who sold rabbits and pigeons and such-like assorted live-stock.</p>
<h4>II</h4>
<p>In another part of the town, near Sneinton Church, another girl came to the
door to look at the night. She was tall and slender, dressed with the severe
accuracy which marks the girl of superior culture. Her hair was arranged with
simplicity about the long, pale, cleanly cut face. She leaned forward very
slightly to glance down the street, listening. She very carefully preserved the
appearance of having come quite casually to the door, yet she lingered and
lingered and stood very still to listen when she heard a footstep, but when it
proved to be only a common man, she drew herself up proudly and looked with a
small smile over his head. He hesitated to glance into the open hall, lighted
so spaciously with a scarlet-shaded lamp, and at the slim girl in brown silk
lifted up before the light. But she, she looked over his head. He passed on.</p>
<p>Presently she started and hung in suspense. Somebody was crossing the road. She
ran down the steps in a pretty welcome, not effuse, saying in quick, but
accurately articulated words: “Will! I began to think you’d gone to
the fair. I came out to listen to it. I felt almost sure you’d gone.
You’re coming in, aren’t you?” She waited a moment anxiously.
“We expect you to dinner, you know,” she added wistfully.</p>
<p>The man, who had a short face and spoke with his lip curling up on one side, in
a drawling speech with ironically exaggerated intonation, replied after a short
hesitation:</p>
<p>“I’m awfully sorry, I am, straight, Lois. It’s a shame.
I’ve got to go round to the biz. Man proposes—the devil
disposes.” He turned aside with irony in the darkness.</p>
<p>“But surely, Will!” remonstrated the girl, keenly disappointed.</p>
<p>“Fact, Lois!—I feel wild about it myself. But I’ve got to go
down to the works. They may be getting a bit warm down there, you
know”—he jerked his head in the direction of the fair. “If
the Lambs get frisky!—they’re a bit off about the work, and
they’d just be in their element if they could set a lighted match to
something——”</p>
<p>“Will, you don’t think——!” exclaimed the girl,
laying her hand on his arm in the true fashion of romance, and looking up at
him earnestly.</p>
<p>“Dad’s not sure,” he replied, looking down at her with
gravity. They remained in this attitude for a moment, then he said:</p>
<p>“I might stop a bit. It’s all right for an hour, I should
think.”</p>
<p>She looked at him earnestly, then said in tones of deep disappointment and of
fortitude: “No, Will, you must go. You’d better
go——”</p>
<p>“It’s a shame!” he murmured, standing a moment at a loose
end. Then, glancing down the street to see he was alone, he put his arm round
her waist and said in a difficult voice: “How goes it?”</p>
<p>She let him keep her for a moment, then he kissed her as if afraid of what he
was doing. They were both uncomfortable.</p>
<p>“Well——!” he said at length.</p>
<p>“Good night!” she said, setting him free to go.</p>
<p>He hung a moment near her, as if ashamed. Then “Good night,” he
answered, and he broke away. She listened to his footsteps in the night, before
composing herself to turn indoors.</p>
<p>“Helloa!” said her father, glancing over his paper as she entered
the dining-room. “What’s up, then?”</p>
<p>“Oh, nothing,” she replied, in her calm tones. “Will
won’t be here to dinner tonight.”</p>
<p>“What, gone to the fair?”</p>
<p>“No.”</p>
<p>“Oh! What’s got him then?”</p>
<p>Lois looked at her father, and answered:</p>
<p>“He’s gone down to the factory. They are afraid of the
hands.”</p>
<p>Her father looked at her closely.</p>
<p>“Oh, aye!” he answered, undecided, and they sat down to dinner.</p>
<h4>III</h4>
<p>Lois retired very early. She had a fire in her bedroom. She drew the curtains
and stood holding aside a heavy fold, looking out at the night. She could see
only the nothingness of the fog; not even the glare of the fair was evident,
though the noise clamoured small in the distance. In front of everything she
could see her own faint image. She crossed to the dressing-table, and there
leaned her face to the mirror, and looked at herself. She looked a long time,
then she rose, changed her dress for a dressing-jacket, and took up <i>Sesame
and Lilies.</i></p>
<p>Late in the night she was roused from sleep by a bustle in the house. She sat
up and heard a hurrying to and fro and the sound of anxious voices. She put on
her dressing-gown and went out to her mother’s room. Seeing her mother at
the head of the stairs, she said in her quick, clean voice:</p>
<p>“Mother, what it it?”</p>
<p>“Oh, child, don’t ask me! Go to bed, dear, do! I shall surely be
worried out of my life.”</p>
<p>“Mother, what is it?” Lois was sharp and emphatic.</p>
<p>“I hope your father won’t go. Now I do hope your father won’t
go. He’s got a cold as it is.”</p>
<p>“Mother, tell me what is it?” Lois took her mother’s arm.</p>
<p>“It’s Selby’s. I should have thought you would have heard the
fire-engine, and Jack isn’t in yet. I hope we’re safe!” Lois
returned to her bedroom and dressed. She coiled her plaited hair, and having
put on a cloak, left the house.</p>
<p>She hurried along under the fog-dripping trees towards the meaner part of the
town. When she got near, she saw a glare in the fog, and closed her lips tight.
She hastened on till she was in the crowd. With peaked, noble face she watched
the fire. Then she looked a little wildly over the fire-reddened faces in the
crowd, and catching sight of her father, hurried to him.</p>
<p>“Oh, Dadda—is he safe? Is Will safe——?”</p>
<p>“Safe, aye, why not? You’ve no business here. Here, here’s
Sampson, he’ll take you home. I’ve enough to bother me;
there’s my own place to watch. Go home now, I can’t do with you
here.”</p>
<p>“Have you seen Will?” she asked.</p>
<p>“Go home—Sampson, just take Miss Lois home—now!”</p>
<p>“You don’t really know where he is—father?”</p>
<p>“Go home now—I don’t want you here——” her
father ordered peremptorily.</p>
<p>The tears sprang to Lois’ eyes. She looked at the fire and the tears were
quickly dried by fear. The flames roared and struggled upward. The great wonder
of the fire made her forget even her indignation at her father’s light
treatment of herself and of her lover. There was a crashing and bursting of
timber, as the first floor fell in a mass into the blazing gulf, splashing the
fire in all directions, to the terror of the crowd. She saw the steel of the
machines growing white-hot and twisting like flaming letters. Piece after piece
of the flooring gave way, and the machines dropped in red ruin as the wooden
framework burned out. The air became unbreathable; the fog was swallowed up;
sparks went rushing up as if they would burn the dark heavens; sometimes cards
of lace went whirling into the gulf of the sky, waving with wings of fire. It
was dangerous to stand near this great cup of roaring destruction.</p>
<p>Sampson, the grey old manager of Buxton and Co’s, led her away as soon as
she would turn her face to listen to him. He was a stout, irritable man. He
elbowed his way roughly through the crowd, and Lois followed him, her head
high, her lips closed. He led her for some distance without speaking, then at
last, unable to contain his garrulous irritability, he broke out:</p>
<p>“What do they expect? What can they expect? They can’t expect to
stand a bad time. They spring up like mushrooms as big as a house-side, but
there’s no stability in ’em. I remember William Selby when
he’d run on my errands. Yes, there’s some as can make much out of
little, and there’s some as can make much out of nothing, but they find
it won’t last. William Selby’s sprung up in a day, and he’ll
vanish in a night. You can’t trust to luck alone. Maybe he thinks
it’s a lucky thing this fire has come when things are looking black. But
you can’t get out of it as easy as that. There’s been a few too
many of ’em. No, indeed, a fire’s the last thing I should hope to
come to—the very last!”</p>
<p>Lois hurried and hurried, so that she brought the old manager panting in
distress up the steps of her home. She could not bear to hear him talking so.
They could get no one to open the door for some time. When at last Lois ran
upstairs, she found her mother dressed, but all unbuttoned again, lying back in
the chair in her daughter’s room, suffering from palpitation of the
heart, with <i>Sesame and Lilies</i> crushed beneath her. Lois administered
brandy, and her decisive words and movements helped largely to bring the good
lady to a state of recovery sufficient to allow of her returning to her own
bedroom.</p>
<p>Then Lois locked the door. She glanced at her fire-darkened face, and taking
the flattened Ruskin out of the chair, sat down and wept. After a while she
calmed herself, rose, and sponged her face. Then once more on that fatal night
she prepared for rest. Instead, however, or retiring, she pulled a silk quilt
from her disordered bed and wrapping it round her, sat miserably to think. It
was two o’clock in the morning.</p>
<h4>IV</h4>
<p>The fire was sunk to cold ashes in the grate, and the grey morning was creeping
through the half-opened curtains like a thing ashamed, when Lois awoke. It was
painful to move her head: her neck was cramped. The girl awoke in full
recollection. She sighed, roused herself and pulled the quilt closer about her.
For a little while she sat and mused. A pale, tragic resignation fixed her face
like a mask. She remembered her father’s irritable answer to her question
concerning her lover’s safety—“Safe, aye—why
not?” She knew that he suspected the factory of having been purposely set
on fire. But then, he had never liked Will. And yet—and
yet—Lois’ heart was heavy as lead. She felt her lover was guilty.
And she felt she must hide her secret of his last communication to her. She saw
herself being cross-examined—“When did you last see this
man?” But she would hide what he had said about watching at the works.
How dreary it was—and how dreadful. Her life was ruined now, and nothing
mattered any more. She must only behave with dignity, and submit to her own
obliteration. For even if Will were never accused, she knew in her heart he was
guilty. She knew it was over between them.</p>
<p>It was dawn among the yellow fog outside, and Lois, as she moved mechanically
about her toilet, vaguely felt that all her days would arrive slowly struggling
through a bleak fog. She felt an intense longing at this uncanny hour to slough
the body’s trammelled weariness and to issue at once into the new bright
warmth of the far Dawn where a lover waited transfigured; it is so easy and
pleasant in imagination to step out of the chill grey dampness of another
terrestrial daybreak, straight into the sunshine of the eternal morning! And
who can escape his hour? So Lois performed the meaningless routine of her
toilet, which at last she made meaningful when she took her black dress, and
fastened a black jet brooch at her throat.</p>
<p>Then she went downstairs and found her father eating a mutton chop. She quickly
approached and kissed him on the forehead. Then she retreated to the other end
of the table. Her father looked tired, even haggard.</p>
<p>“You are early,” he said, after a while. Lois did not reply. Her
father continued to eat for a few moments, then he said:</p>
<p>“Have a chop—here’s one! Ring for a hot plate. Eh, what? Why
not?”</p>
<p>Lois was insulted, but she gave no sign. She sat down and took a cup of coffee,
making no pretence to eat. Her father was absorbed, and had forgotten her.</p>
<p>“Our Jack’s not come home yet,” he said at last.</p>
<p>Lois stirred faintly. “Hasn’t he?” she said.</p>
<p>“No.” There was silence for a time. Lois was frightened. Had
something happened also to her brother? This fear was closer and more irksome.</p>
<p>“Selby’s was cleaned out, gutted. We had a near shave of
it——”</p>
<p>“You have no loss, Dadda?”</p>
<p>“Nothing to mention.” After another silence, her father said:</p>
<p>“I’d rather be myself than William Selby. Of course it may merely
be bad luck—you don’t know. But whatever it was, I wouldn’t
like to add one to the list of fires just now. Selby was at the
‘George’ when it broke out—I don’t know where the lad
was——!”</p>
<p>“Father,” broke in Lois, “why do you talk like that? Why do
you talk as if Will had done it?” She ended suddenly. Her father looked
at her pale, mute face.</p>
<p>“I don’t talk as if Will had done it,” he said. “I
don’t even think it.”</p>
<p>Feeling she was going to cry, Lois rose and left the room. Her father sighed,
and leaning his elbows on his knees, whistled faintly into the fire. He was not
thinking about her.</p>
<p>Lois went down to the kitchen and asked Lucy, the parlour-maid, to go out with
her. She somehow shrank from going alone, lest people should stare at her
overmuch: and she felt an overpowering impulse to go to the scene of the
tragedy, to judge for herself.</p>
<p>The churches were chiming half-past eight when the young lady and the maid set
off down the street. Nearer the fair, swarthy, thin-legged men were pushing
barrels of water towards the market-place, and the gipsy women, with hard
brows, and dressed in tight velvet bodices, hurried along the pavement with
jugs of milk, and great brass water ewers and loaves and breakfast parcels.
People were just getting up, and in the poorer streets was a continual splash
of tea-leaves, flung out on to the cobble-stones. A teapot came crashing down
from an upper story just behind Lois, and she, starting round and looking up,
thought that the trembling, drink-bleared man at the upper window, who was
stupidly staring after his pot, had had designs on her life; and she went on
her way shuddering at the grim tragedy of life.</p>
<p>In the dull October morning the ruined factory was black and ghastly. The
window-frames were all jagged, and the walls stood gaunt. Inside was a tangle
of twisted <i>débris</i>, the iron, in parts red with bright rust, looking
still hot; the charred wood was black and satiny; from dishevelled heaps,
sodden with water, a faint smoke rose dimly. Lois stood and looked. If he had
done that! He might even be dead there, burned to ash and lost for ever. It was
almost soothing to feel so. He would be safe in the eternity which now she must
hope in.</p>
<p>At her side the pretty, sympathetic maid chatted plaintively. Suddenly, from
one of her lapses into silence, she exclaimed:</p>
<p>“Why if there isn’t Mr Jack!”</p>
<p>Lois turned suddenly and saw her brother and her lover approaching her. Both
looked soiled, untidy and wan. Will had a black eye, some ten hours old, well
coloured. Lois turned very pale as they approached. They were looking gloomily
at the factory, and for a moment did not notice the girls.</p>
<p>“I’ll be jiggered if there ain’t our Lois!” exclaimed
Jack, the reprobate, swearing under his breath.</p>
<p>“Oh, God!” exclaimed the other in disgust.</p>
<p>“Jack, where have you been?” said Lois sharply, in keen pain, not
looking at her lover. Her sharp tone of suffering drove her lover to defend
himself with an affectation of comic recklessness.</p>
<p>“In quod,” replied her brother, smiling sickly.</p>
<p>“Jack!” cried his sister very sharply.</p>
<p>“Fact.”</p>
<p>Will Selby shuffled on his feet and smiled, trying to turn away his face so
that she should not see his black eye. She glanced at him. He felt her
boundless anger and contempt, and with great courage he looked straight at her,
smiling ironically. Unfortunately his smile would not go over his swollen eye,
which remained grave and lurid.</p>
<p>“Do I look pretty?” he inquired with a hateful twist of his lip.</p>
<p>“Very!” she replied.</p>
<p>“I thought I did,” he replied. And he turned to look at his
father’s ruined works, and he felt miserable and stubborn. The girl
standing there so clean and out of it all! Oh, God, he felt sick. He turned to
go home.</p>
<p>The three went together, Lois silent in anger and resentment. Her brother was
tired and overstrung, but not suppressed. He chattered on blindly.</p>
<p>“It was a lark we had! We met Bob Osborne and Freddy Mansell coming down
Poultry. There was a girl with some geese. She looked a tanger sitting there,
all like statues, her and the geese. It was Will who began it. He offered her
three-pence and asked her to begin the show. She called him a—she called
him something, and then somebody poked an old gander to stir him up, and
somebody squirted him in the eye. He upped and squawked and started off with
his neck out. Laugh! We nearly killed ourselves, keeping back those old birds
with squirts and teasers. Oh, Lum! Those old geese, oh, scrimmy, they
didn’t know where to turn, they fairly went off their dots, coming at us
right an’ left, and such a row—it was fun, you never knew! Then the
girl she got up and knocked somebody over the jaw, and we were right in for it.
Well, in the end, Billy here got hold of her round the
waist——”</p>
<p>“Oh, dry it up!” exclaimed Will bitterly.</p>
<p>Jack looked at him, laughed mirthlessly, and continued: “An’ we
said we’d buy her birds. So we got hold of one goose
apiece—an’ they took some holding, I can tell you—and off we
set round the fair, Billy leading with the girl. The bloomin’ geese
squawked an’ pecked. Laugh—I thought I should a’ died. Well,
then we wanted the girl to have her birds back—and then she fired up. She
got some other chaps on her side, and there was a proper old row. The girl went
tooth and nail for Will there—she was dead set against him. She gave him
a black eye, by gum, and we went at it, I can tell you. It was a free fight, a
beauty, an’ we got run in. I don’t know what became of the
girl.”</p>
<p>Lois surveyed the two men. There was no glimmer of a smile on her face, though
the maid behind her was sniggering. Will was very bitter. He glanced at his
sweetheart and at the ruined factory.</p>
<p>“How’s dad taken it?” he asked, in a biting, almost humble
tone.</p>
<p>“I don’t know,” she replied coldly. “Father’s in
an awful way. I believe everybody thinks you set the place on fire.”</p>
<p>Lois drew herself up. She had delivered her blow. She drew herself up in cold
condemnation and for a moment enjoyed her complete revenge. He was despicable,
abject in his dishevelled, disfigured, unwashed condition.</p>
<p>“Aye, well, they made a mistake for once,” he replied, with a curl
of the lip.</p>
<p>Curiously enough, they walked side by side as if they belonged to each other.
She was his conscience-keeper. She was far from forgiving him, but she was
still farther from letting him go. And he walked at her side like a boy who had
to be punished before he can be exonerated. He submitted. But there was a
genuine bitter contempt in the curl of his lip.</p>
<h3><SPAN name="chap09"></SPAN>The White Stocking</h3>
<h4>I</h4>
<p>“I’m getting up, Teddilinks,” said Mrs Whiston, and she
sprang out of bed briskly.</p>
<p>“What the Hanover’s got you?” asked Whiston.</p>
<p>“Nothing. Can’t I get up?” she replied animatedly.</p>
<p>It was about seven o’clock, scarcely light yet in the cold bedroom.
Whiston lay still and looked at his wife. She was a pretty little thing, with
her fleecy, short black hair all tousled. He watched her as she dressed
quickly, flicking her small, delightful limbs, throwing her clothes about her.
Her slovenliness and untidiness did not trouble him. When she picked up the
edge of her petticoat, ripped off a torn string of white lace, and flung it on
the dressing-table, her careless abandon made his spirit glow. She stood before
the mirror and roughly scrambled together her profuse little mane of hair. He
watched the quickness and softness of her young shoulders, calmly, like a
husband, and appreciatively.</p>
<p>“Rise up,” she cried, turning to him with a quick wave of her
arm—“and shine forth.”</p>
<p>They had been married two years. But still, when she had gone out of the room,
he felt as if all his light and warmth were taken away, he became aware of the
raw, cold morning. So he rose himself, wondering casually what had roused her
so early. Usually she lay in bed as late as she could.</p>
<p>Whiston fastened a belt round his loins and went downstairs in shirt and
trousers. He heard her singing in her snatchy fashion. The stairs creaked under
his weight. He passed down the narrow little passage, which she called a hall,
of the seven and sixpenny house which was his first home.</p>
<p>He was a shapely young fellow of about twenty-eight, sleepy now and easy with
well-being. He heard the water drumming into the kettle, and she began to
whistle. He loved the quick way she dodged the supper cups under the tap to
wash them for breakfast. She looked an untidy minx, but she was quick and handy
enough.</p>
<p>“Teddilinks,” she cried.</p>
<p>“What?”</p>
<p>“Light a fire, quick.”</p>
<p>She wore an old, sack-like dressing-jacket of black silk pinned across her
breast. But one of the sleeves, coming unfastened, showed some delightful pink
upper-arm.</p>
<p>“Why don’t you sew your sleeve up?” he said, suffering from
the sight of the exposed soft flesh.</p>
<p>“Where?” she cried, peering round. “Nuisance,” she
said, seeing the gap, then with light fingers went on drying the cups.</p>
<p>The kitchen was of fair size, but gloomy. Whiston poked out the dead ashes.</p>
<p>Suddenly a thud was heard at the door down the passage.</p>
<p>“I’ll go,” cried Mrs Whiston, and she was gone down the hall.</p>
<p>The postman was a ruddy-faced man who had been a soldier. He smiled broadly,
handing her some packages.</p>
<p>“They’ve not forgot you,” he said impudently.</p>
<p>“No—lucky for them,” she said, with a toss of the head. But
she was interested only in her envelopes this morning. The postman waited
inquisitively, smiling in an ingratiating fashion. She slowly, abstractedly, as
if she did not know anyone was there, closed the door in his face, continuing
to look at the addresses on her letters.</p>
<p>She tore open the thin envelope. There was a long, hideous, cartoon valentine.
She smiled briefly and dropped it on the floor. Struggling with the string of a
packet, she opened a white cardboard box, and there lay a white silk
handkerchief packed neatly under the paper lace of the box, and her initial,
worked in heliotrope, fully displayed. She smiled pleasantly, and gently put
the box aside. The third envelope contained another white
packet—apparently a cotton handkerchief neatly folded. She shook it out.
It was a long white stocking, but there was a little weight in the toe.
Quickly, she thrust down her arm, wriggling her fingers into the toe of the
stocking, and brought out a small box. She peeped inside the box, then hastily
opened a door on her left hand, and went into the little, cold sitting-room.
She had her lower lip caught earnestly between her teeth.</p>
<p>With a little flash of triumph, she lifted a pair of pearl ear-rings from the
small box, and she went to the mirror. There, earnestly, she began to hook them
through her ears, looking at herself sideways in the glass. Curiously
concentrated and intent she seemed as she fingered the lobes of her ears, her
head bent on one side.</p>
<p>Then the pearl ear-rings dangled under her rosy, small ears. She shook her head
sharply, to see the swing of the drops. They went chill against her neck, in
little, sharp touches. Then she stood still to look at herself, bridling her
head in the dignified fashion. Then she simpered at herself. Catching her own
eye, she could not help winking at herself and laughing.</p>
<p>She turned to look at the box. There was a scrap of paper with this posy:</p>
<p class="poem">
“Pearls may be fair, but thou art fairer.<br/>
Wear these for me, and I’ll love the wearer.”</p>
<p>She made a grimace and a grin. But she was drawn to the mirror again, to look
at her ear-rings.</p>
<p>Whiston had made the fire burn, so he came to look for her. When she heard him,
she started round quickly, guiltily. She was watching him with intent blue eyes
when he appeared.</p>
<p>He did not see much, in his morning-drowsy warmth. He gave her, as ever, a
feeling of warmth and slowness. His eyes were very blue, very kind, his manner
simple.</p>
<p>“What ha’ you got?” he asked.</p>
<p>“Valentines,” she said briskly, ostentatiously turning to show him
the silk handkerchief. She thrust it under his nose. “Smell how
good,” she said.</p>
<p>“Who’s that from?” he replied, without smelling.</p>
<p>“It’s a valentine,” she cried. “How do I know who
it’s from?”</p>
<p>“I’ll bet you know,” he said.</p>
<p>“Ted!—I don’t!” she cried, beginning to shake her head,
then stopping because of the ear-rings.</p>
<p>He stood still a moment, displeased.</p>
<p>“They’ve no right to send you valentines, now,” he said.</p>
<p>“Ted!—Why not? You’re not jealous, are you? I haven’t
the least idea who it’s from. Look—there’s my
initial”—she pointed with an emphatic finger at the heliotrope
embroidery—</p>
<p class="poem">
“E for Elsie,<br/>
Nice little gelsie,”</p>
<p>she sang.</p>
<p>“Get out,” he said. “You know who it’s from.”</p>
<p>“Truth, I don’t,” she cried.</p>
<p>He looked round, and saw the white stocking lying on a chair.</p>
<p>“Is this another?” he said.</p>
<p>“No, that’s a sample,” she said. “There’s only a
comic.” And she fetched in the long cartoon.</p>
<p>He stretched it out and looked at it solemnly.</p>
<p>“Fools!” he said, and went out of the room.</p>
<p>She flew upstairs and took off the ear-rings. When she returned, he was
crouched before the fire blowing the coals. The skin of his face was flushed,
and slightly pitted, as if he had had small-pox. But his neck was white and
smooth and goodly. She hung her arms round his neck as he crouched there, and
clung to him. He balanced on his toes.</p>
<p>“This fire’s a slow-coach,” he said.</p>
<p>“And who else is a slow-coach?” she said.</p>
<p>“One of us two, I know,” he said, and he rose carefully. She
remained clinging round his neck, so that she was lifted off her feet.</p>
<p>“Ha!—swing me,” she cried.</p>
<p>He lowered his head, and she hung in the air, swinging from his neck, laughing.
Then she slipped off.</p>
<p>“The kettle is singing,” she sang, flying for the teapot. He bent
down again to blow the fire. The veins in his neck stood out, his shirt collar
seemed too tight.</p>
<p class="poem">
“Doctor Wyer,<br/>
Blow the fire,<br/>
Puff! puff! puff!”</p>
<p>she sang, laughing.</p>
<p>He smiled at her.</p>
<p>She was so glad because of her pearl ear-rings.</p>
<p>Over the breakfast she grew serious. He did not notice. She became portentous
in her gravity. Almost it penetrated through his steady good-humour to irritate
him.</p>
<p>“Teddy!” she said at last.</p>
<p>“What?” he asked.</p>
<p>“I told you a lie,” she said, humbly tragic.</p>
<p>His soul stirred uneasily.</p>
<p>“Oh aye?” he said casually.</p>
<p>She was not satisfied. He ought to be more moved.</p>
<p>“Yes,” she said.</p>
<p>He cut a piece of bread.</p>
<p>“Was it a good one?” he asked.</p>
<p>She was piqued. Then she considered—<i>was</i> it a good one? Then she
laughed.</p>
<p>“No,” she said, “it wasn’t up to much.”</p>
<p>“Ah!” he said easily, but with a steady strength of fondness for
her in his tone. “Get it out then.”</p>
<p>It became a little more difficult.</p>
<p>“You know that white stocking,” she said earnestly. “I told
you a lie. It wasn’t a sample. It was a valentine.”</p>
<p>A little frown came on his brow.</p>
<p>“Then what did you invent it as a sample for?” he said. But he knew
this weakness of hers. The touch of anger in his voice frightened her.</p>
<p>“I was afraid you’d be cross,” she said pathetically.</p>
<p>“I’ll bet you were vastly afraid,” he said.</p>
<p>“I <i>was</i>, Teddy.”</p>
<p>There was a pause. He was resolving one or two things in his mind.</p>
<p>“And who sent it?” he asked.</p>
<p>“I can guess,” she said, “though there wasn’t a word
with it—except——”</p>
<p>She ran to the sitting-room and returned with a slip of paper.</p>
<p class="poem">
“Pearls may be fair, but thou art fairer.<br/>
Wear these for me, and I’ll love the wearer.”</p>
<p>He read it twice, then a dull red flush came on his face.</p>
<p>“And <i>who</i> do you guess it is?” he asked, with a ringing of
anger in his voice.</p>
<p>“I suspect it’s Sam Adams,” she said, with a little virtuous
indignation.</p>
<p>Whiston was silent for a moment.</p>
<p>“Fool!” he said. “An’ what’s it got to do with
pearls?—and how can he say ‘wear these for me’ when
there’s only one? He hasn’t got the brain to invent a proper
verse.”</p>
<p>He screwed the sup of paper into a ball and flung it into the fire.</p>
<p>“I suppose he thinks it’ll make a pair with the one last
year,” she said.</p>
<p>“Why, did he send one then?”</p>
<p>“Yes. I thought you’d be wild if you knew.”</p>
<p>His jaw set rather sullenly.</p>
<p>Presently he rose, and went to wash himself, rolling back his sleeves and
pulling open his shirt at the breast. It was as if his fine, clear-cut temples
and steady eyes were degraded by the lower, rather brutal part of his face. But
she loved it. As she whisked about, clearing the table, she loved the way in
which he stood washing himself. He was such a man. She liked to see his neck
glistening with water as he swilled it. It amused her and pleased her and
thrilled her. He was so sure, so permanent, he had her so utterly in his power.
It gave her a delightful, mischievous sense of liberty. Within his grasp, she
could dart about excitingly.</p>
<p>He turned round to her, his face red from the cold water, his eyes fresh and
very blue.</p>
<p>“You haven’t been seeing anything of him, have you?” he asked
roughly.</p>
<p>“Yes,” she answered, after a moment, as if caught guilty. “He
got into the tram with me, and he asked me to drink a coffee and a Benedictine
in the Royal.”</p>
<p>“You’ve got it off fine and glib,” he said sullenly.
“And did you?”</p>
<p>“Yes,” she replied, with the air of a traitor before the rack.</p>
<p>The blood came up into his neck and face, he stood motionless, dangerous.</p>
<p>“It was cold, and it was such fun to go into the Royal,” she said.</p>
<p>“You’d go off with a nigger for a packet of chocolate,” he
said, in anger and contempt, and some bitterness. Queer how he drew away from
her, cut her off from him.</p>
<p>“Ted—how beastly!” she cried. “You know quite
well——” She caught her lip, flushed, and the tears came to
her eyes.</p>
<p>He turned away, to put on his necktie. She went about her work, making a queer
pathetic little mouth, down which occasionally dripped a tear.</p>
<p>He was ready to go. With his hat jammed down on his head, and his overcoat
buttoned up to his chin, he came to kiss her. He would be miserable all the day
if he went without. She allowed herself to be kissed. Her cheek was wet under
his lips, and his heart burned. She hurt him so deeply. And she felt aggrieved,
and did not quite forgive him.</p>
<p>In a moment she went upstairs to her ear-rings. Sweet they looked nestling in
the little drawer—sweet! She examined them with voluptuous pleasure, she
threaded them in her ears, she looked at herself, she posed and postured and
smiled, and looked sad and tragic and winning and appealing, all in turn before
the mirror. And she was happy, and very pretty.</p>
<p>She wore her ear-rings all morning, in the house. She was self-conscious, and
quite brilliantly winsome, when the baker came, wondering if he would notice.
All the tradesmen left her door with a glow in them, feeling elated, and
unconsciously favouring the delightful little creature, though there had been
nothing to notice in her behaviour.</p>
<p>She was stimulated all the day. She did not think about her husband. He was the
permanent basis from which she took these giddy little flights into nowhere. At
night, like chickens and curses, she would come home to him, to roost.</p>
<p>Meanwhile Whiston, a traveller and confidential support of a small firm,
hastened about his work, his heart all the while anxious for her, yearning for
surety, and kept tense by not getting it.</p>
<h4>II</h4>
<p>She had been a warehouse girl in Adams’s lace factory before she was
married. Sam Adams was her employer. He was a bachelor of forty, growing stout,
a man well dressed and florid, with a large brown moustache and thin hair. From
the rest of his well-groomed, showy appearance, it was evident his baldness was
a chagrin to him. He had a good presence, and some Irish blood in his veins.</p>
<p>His fondness for the girls, or the fondness of the girls for him, was
notorious. And Elsie, quick, pretty, almost witty little thing—she
<i>seemed</i> witty, although, when her sayings were repeated, they were
entirely trivial—she had a great attraction for him. He would come into
the warehouse dressed in a rather sporting reefer coat, of fawn colour, and
trousers of fine black-and-white check, a cap with a big peak and a scarlet
carnation in his button-hole, to impress her. She was only half impressed. He
was too loud for her good taste. Instinctively perceiving this, he sobered down
to navy blue. Then a well-built man, florid, with large brown whiskers, smart
navy blue suit, fashionable boots, and manly hat, he was the irreproachable.
Elsie was impressed.</p>
<p>But meanwhile Whiston was courting her, and she made splendid little gestures,
before her bedroom mirror, of the constant-and-true sort.</p>
<p class="poem">
“True, true till death——”</p>
<p>That was her song. Whiston was made that way, so there was no need to take
thought for him.</p>
<p>Every Christmas Sam Adams gave a party at his house, to which he invited his
superior work-people—not factory hands and labourers, but those above. He
was a generous man in his way, with a real warm feeling for giving pleasure.</p>
<p>Two years ago Elsie had attended this Christmas-party for the last time.
Whiston had accompanied her. At that time he worked for Sam Adams.</p>
<p>She had been very proud of herself, in her close-fitting, full-skirted dress of
blue silk. Whiston called for her. Then she tripped beside him, holding her
large cashmere shawl across her breast. He strode with long strides, his
trousers handsomely strapped under his boots, and her silk shoes bulging the
pockets of his full-skirted overcoat.</p>
<p>They passed through the park gates, and her spirits rose. Above them the Castle
Rock loomed grandly in the night, the naked trees stood still and dark in the
frost, along the boulevard.</p>
<p>They were rather late. Agitated with anticipation, in the cloak-room she gave
up her shawl, donned her silk shoes, and looked at herself in the mirror. The
loose bunches of curls on either side her face danced prettily, her mouth
smiled.</p>
<p>She hung a moment in the door of the brilliantly lighted room. Many people were
moving within the blaze of lamps, under the crystal chandeliers, the full
skirts of the women balancing and floating, the side-whiskers and white cravats
of the men bowing above. Then she entered the light.</p>
<p>In an instant Sam Adams was coming forward, lifting both his arms in boisterous
welcome. There was a constant red laugh on his face.</p>
<p>“Come late, would you,” he shouted, “like royalty.”</p>
<p>He seized her hands and led her forward. He opened his mouth wide when he
spoke, and the effect of the warm, dark opening behind the brown whiskers was
disturbing. But she was floating into the throng on his arm. He was very
gallant.</p>
<p>“Now then,” he said, taking her card to write down the dances,
“I’ve got <i>carte blanche</i>, haven’t I?”</p>
<p>“Mr Whiston doesn’t dance,” she said.</p>
<p>“I am a lucky man!” he said, scribbling his initials. “I was
born with an <i>amourette</i> in my mouth.”</p>
<p>He wrote on, quietly. She blushed and laughed, not knowing what it meant.</p>
<p>“Why, what is that?” she said.</p>
<p>“It’s you, even littler than you are, dressed in little
wings,” he said.</p>
<p>“I should have to be pretty small to get in your mouth,” she said.</p>
<p>“You think you’re too big, do you!” he said easily.</p>
<p>He handed her her card, with a bow.</p>
<p>“Now I’m set up, my darling, for this evening,” he said.</p>
<p>Then, quick, always at his ease, he looked over the room. She waited in front
of him. He was ready. Catching the eye of the band, he nodded. In a moment, the
music began. He seemed to relax, giving himself up.</p>
<p>“Now then, Elsie,” he said, with a curious caress in his voice that
seemed to lap the outside of her body in a warm glow, delicious. She gave
herself to it. She liked it.</p>
<p>He was an excellent dancer. He seemed to draw her close in to him by some male
warmth of attraction, so that she became all soft and pliant to him, flowing to
his form, whilst he united her with him and they lapsed along in one movement.
She was just carried in a kind of strong, warm flood, her feet moved of
themselves, and only the music threw her away from him, threw her back to him,
to his clasp, in his strong form moving against her, rhythmically, deliriously.</p>
<p>When it was over, he was pleased and his eyes had a curious gleam which
thrilled her and yet had nothing to do with her. Yet it held her. He did not
speak to her. He only looked straight into her eyes with a curious, gleaming
look that disturbed her fearfully and deliriously. But also there was in his
look some of the automatic irony of the <i>roué</i>. It left her partly cold.
She was not carried away.</p>
<p>She went, driven by an opposite, heavier impulse, to Whiston. He stood looking
gloomy, trying to admit that she had a perfect right to enjoy herself apart
from him. He received her with rather grudging kindliness.</p>
<p>“Aren’t you going to play whist?” she asked.</p>
<p>“Aye,” he said. “Directly.”</p>
<p>“I do wish you could dance.”</p>
<p>“Well, I can’t,” he said. “So you enjoy
yourself.”</p>
<p>“But I should enjoy it better if I could dance with you.”</p>
<p>“Nay, you’re all right,” he said. “I’m not made
that way.”</p>
<p>“Then you ought to be!” she cried.</p>
<p>“Well, it’s my fault, not yours. You enjoy yourself,” he bade
her. Which she proceeded to do, a little bit irked.</p>
<p>She went with anticipation to the arms of Sam Adams, when the time came to
dance with him. It <i>was</i> so gratifying, irrespective of the man. And she
felt a little grudge against Whiston, soon forgotten when her host was holding
her near to him, in a delicious embrace. And she watched his eyes, to meet the
gleam in them, which gratified her.</p>
<p>She was getting warmed right through, the glow was penetrating into her,
driving away everything else. Only in her heart was a little tightness, like
conscience.</p>
<p>When she got a chance, she escaped from the dancing-room to the card-room.
There, in a cloud of smoke, she found Whiston playing cribbage. Radiant,
roused, animated, she came up to him and greeted him. She was too strong, too
vibrant a note in the quiet room. He lifted his head, and a frown knitted his
gloomy forehead.</p>
<p>“Are you playing cribbage? Is it exciting? How are you getting on?”
she chattered.</p>
<p>He looked at her. None of these questions needed answering, and he did not feel
in touch with her. She turned to the cribbage-board.</p>
<p>“Are you white or red?” she asked.</p>
<p>“He’s red,” replied the partner.</p>
<p>“Then you’re losing,” she said, still to Whiston. And she
lifted the red peg from the board.
“One—two—three—four—five—six—seven—eight—Right
up there you ought to jump——”</p>
<p>“Now put it back in its right place,” said Whiston.</p>
<p>“Where was it?” she asked gaily, knowing her transgression. He took
the little red peg away from her and stuck it in its hole.</p>
<p>The cards were shuffled.</p>
<p>“What a shame you’re losing!” said Elsie.</p>
<p>“You’d better cut for him,” said the partner.</p>
<p>She did so, hastily. The cards were dealt. She put her hand on his shoulder,
looking at his cards.</p>
<p>“It’s good,” she cried, “isn’t it?”</p>
<p>He did not answer, but threw down two cards. It moved him more strongly than
was comfortable, to have her hand on his shoulder, her curls dangling and
touching his ears, whilst she was roused to another man. It made the blood
flame over him.</p>
<p>At that moment Sam Adams appeared, florid and boisterous, intoxicated more with
himself, with the dancing, than with wine. In his eyes the curious, impersonal
light gleamed.</p>
<p>“I thought I should find you here, Elsie,” he cried boisterously, a
disturbing, high note in his voice.</p>
<p>“What made you think so?” she replied, the mischief rousing in her.</p>
<p>The florid, well-built man narrowed his eyes to a smile.</p>
<p>“I should never look for you among the ladies,” he said, with a
kind of intimate, animal call to her. He laughed, bowed, and offered her his
arm.</p>
<p>“Madam, the music waits.”</p>
<p>She went almost helplessly, carried along with him, unwilling, yet delighted.</p>
<p>That dance was an intoxication to her. After the first few steps, she felt
herself slipping away from herself. She almost knew she was going, she did not
even want to go. Yet she must have chosen to go. She lay in the arm of the
steady, close man with whom she was dancing, and she seemed to swim away out of
contact with the room, into him. She had passed into another, denser element of
him, an essential privacy. The room was all vague around her, like an
atmosphere, like under sea, with a flow of ghostly, dumb movements. But she
herself was held real against her partner, and it seemed she was connected with
him, as if the movements of his body and limbs were her own movements, yet not
her own movements—and oh, delicious! He also was given up, oblivious,
concentrated, into the dance. His eye was unseeing. Only his large, voluptuous
body gave off a subtle activity. His fingers seemed to search into her flesh.
Every moment, and every moment, she felt she would give way utterly, and sink
molten: the fusion point was coming when she would fuse down into perfect
unconsciousness at his feet and knees. But he bore her round the room in the
dance, and he seemed to sustain all her body with his limbs, his body, and his
warmth seemed to come closer into her, nearer, till it would fuse right through
her, and she would be as liquid to him, as an intoxication only.</p>
<p>It was exquisite. When it was over, she was dazed, and was scarcely breathing.
She stood with him in the middle of the room as if she were alone in a remote
place. He bent over her. She expected his lips on her bare shoulder, and
waited. Yet they were not alone, they were not alone. It was cruel.</p>
<p>“’Twas good, wasn’t it, my darling?” he said to her,
low and delighted. There was a strange impersonality about his low, exultant
call that appealed to her irresistibly. Yet why was she aware of some part shut
off in her? She pressed his arm, and he led her towards the door.</p>
<p>She was not aware of what she was doing, only a little grain of resistant
trouble was in her. The man, possessed, yet with a superficial presence of
mind, made way to the dining-room, as if to give her refreshment, cunningly
working to his own escape with her. He was molten hot, filmed over with
presence of mind, and bottomed with cold disbelief.</p>
<p>In the dining-room was Whiston, carrying coffee to the plain, neglected ladies.
Elsie saw him, but felt as if he could not see her. She was beyond his reach
and ken. A sort of fusion existed between her and the large man at her side.
She ate her custard, but an incomplete fusion all the while sustained and
contained her within the being of her employer.</p>
<p>But she was growing cooler. Whiston came up. She looked at him, and saw him
with different eyes. She saw his slim, young man’s figure real and
enduring before her. That was he. But she was in the spell with the other man,
fused with him, and she could not be taken away.</p>
<p>“Have you finished your cribbage?” she asked, with hasty evasion of
him.</p>
<p>“Yes,” he replied. “Aren’t you getting tired of
dancing?”</p>
<p>“Not a bit,” she said.</p>
<p>“Not she,” said Adams heartily. “No girl with any spirit gets
tired of dancing.—Have something else, Elsie. Come—sherry. Have a
glass of sherry with us, Whiston.”</p>
<p>Whilst they sipped the wine, Adams watched Whiston almost cunningly, to find
his advantage.</p>
<p>“We’d better be getting back—there’s the music,”
he said. “See the women get something to eat, Whiston, will you,
there’s a good chap.”</p>
<p>And he began to draw away. Elsie was drifting helplessly with him. But Whiston
put himself beside them, and went along with them. In silence they passed
through to the dancing-room. There Adams hesitated, and looked round the room.
It was as if he could not see.</p>
<p>A man came hurrying forward, claiming Elsie, and Adams went to his other
partner. Whiston stood watching during the dance. She was conscious of him
standing there observant of her, like a ghost, or a judgment, or a guardian
angel. She was also conscious, much more intimately and impersonally, of the
body of the other man moving somewhere in the room. She still belonged to him,
but a feeling of distraction possessed her, and helplessness. Adams danced on,
adhering to Elsie, waiting his time, with the persistence of cynicism.</p>
<p>The dance was over. Adams was detained. Elsie found herself beside Whiston.
There was something shapely about him as he sat, about his knees and his
distinct figure, that she clung to. It was as if he had enduring form. She put
her hand on his knee.</p>
<p>“Are you enjoying yourself?” he asked.</p>
<p>“<i>Ever</i> so,” she replied, with a fervent, yet detached tone.</p>
<p>“It’s going on for one o’clock,” he said.</p>
<p>“Is it?” she answered. It meant nothing to her.</p>
<p>“Should we be going?” he said.</p>
<p>She was silent. For the first time for an hour or more an inkling of her normal
consciousness returned. She resented it.</p>
<p>“What for?” she said.</p>
<p>“I thought you might have had enough,” he said.</p>
<p>A slight soberness came over her, an irritation at being frustrated of her
illusion.</p>
<p>“Why?” she said.</p>
<p>“We’ve been here since nine,” he said.</p>
<p>That was no answer, no reason. It conveyed nothing to her. She sat detached
from him. Across the room Sam Adams glanced at her. She sat there exposed for
him.</p>
<p>“You don’t want to be too free with Sam Adams,” said Whiston
cautiously, suffering. “You know what he is.”</p>
<p>“How, free?” she asked.</p>
<p>“Why—you don’t want to have too much to do with him.”</p>
<p>She sat silent. He was forcing her into consciousness of her position. But he
could not get hold of her feelings, to change them. She had a curious, perverse
desire that he should not.</p>
<p>“I like him,” she said.</p>
<p>“What do you find to like in him?” he said, with a hot heart.</p>
<p>“I don’t know—but I like him,” she said.</p>
<p>She was immutable. He sat feeling heavy and dulled with rage. He was not clear
as to what he felt. He sat there unliving whilst she danced. And she,
distracted, lost to herself between the opposing forces of the two men,
drifted. Between the dances, Whiston kept near to her. She was scarcely
conscious. She glanced repeatedly at her card, to see when she would dance
again with Adams, half in desire, half in dread. Sometimes she met his steady,
glaucous eye as she passed him in the dance. Sometimes she saw the steadiness
of his flank as he danced. And it was always as if she rested on his arm, were
borne along, upborne by him, away from herself. And always there was present
the other’s antagonism. She was divided.</p>
<p>The time came for her to dance with Adams. Oh, the delicious closing of contact
with him, of his limbs touching her limbs, his arm supporting her. She seemed
to resolve. Whiston had not made himself real to her. He was only a heavy place
in her consciousness.</p>
<p>But she breathed heavily, beginning to suffer from the closeness of strain. She
was nervous. Adams also was constrained. A tightness, a tension was coming over
them all. And he was exasperated, feeling something counteracting physical
magnetism, feeling a will stronger with her than his own, intervening in what
was becoming a vital necessity to him.</p>
<p>Elsie was almost lost to her own control. As she went forward with him to take
her place at the dance, she stooped for her pocket-handkerchief. The music
sounded for quadrilles. Everybody was ready. Adams stood with his body near
her, exerting his attraction over her. He was tense and fighting. She stooped
for her pocket-handkerchief, and shook it as she rose. It shook out and fell
from her hand. With agony, she saw she had taken a white stocking instead of a
handkerchief. For a second it lay on the floor, a twist of white stocking.
Then, in an instant, Adams picked it up, with a little, surprised laugh of
triumph.</p>
<p>“That’ll do for me,” he whispered—seeming to take
possession of her. And he stuffed the stocking in his trousers pocket, and
quickly offered her his handkerchief.</p>
<p>The dance began. She felt weak and faint, as if her will were turned to water.
A heavy sense of loss came over her. She could not help herself anymore. But it
was peace.</p>
<p>When the dance was over, Adams yielded her up. Whiston came to her.</p>
<p>“What was it as you dropped?” Whiston asked.</p>
<p>“I thought it was my handkerchief—I’d taken a stocking by
mistake,” she said, detached and muted.</p>
<p>“And he’s got it?”</p>
<p>“Yes.”</p>
<p>“What does he mean by that?”</p>
<p>She lifted her shoulders.</p>
<p>“Are you going to let him keep it?” he asked.</p>
<p>“I don’t let him.”</p>
<p>There was a long pause.</p>
<p>“Am I to go and have it out with him?” he asked, his face flushed,
his blue eyes going hard with opposition.</p>
<p>“No,” she said, pale.</p>
<p>“Why?”</p>
<p>“No—I don’t want to say anything about it.”</p>
<p>He sat exasperated and nonplussed.</p>
<p>“You’ll let him keep it, then?” he asked.</p>
<p>She sat silent and made no form of answer.</p>
<p>“What do you mean by it?” he said, dark with fury. And he started
up.</p>
<p>“No!” she cried. “Ted!” And she caught hold of him,
sharply detaining him.</p>
<p>It made him black with rage.</p>
<p>“Why?” he said.</p>
<p>Then something about her mouth was pitiful to him. He did not understand, but
he felt she must have her reasons.</p>
<p>“Then I’m not stopping here,” he said. “Are you coming
with me?”</p>
<p>She rose mutely, and they went out of the room. Adams had not noticed.</p>
<p>In a few moments they were in the street.</p>
<p>“What the hell do you mean?” he said, in a black fury.</p>
<p>She went at his side, in silence, neutral.</p>
<p>“That great hog, an’ all,” he added.</p>
<p>Then they went a long time in silence through the frozen, deserted darkness of
the town. She felt she could not go indoors. They were drawing near her house.</p>
<p>“I don’t want to go home,” she suddenly cried in distress and
anguish. “I don’t want to go home.”</p>
<p>He looked at her.</p>
<p>“Why don’t you?” he said.</p>
<p>“I don’t want to go home,” was all she could sob.</p>
<p>He heard somebody coming.</p>
<p>“Well, we can walk a bit further,” he said.</p>
<p>She was silent again. They passed out of the town into the fields. He held her
by the arm—they could not speak.</p>
<p>“What’s a-matter?” he asked at length, puzzled.</p>
<p>She began to cry again.</p>
<p>At last he took her in his arms, to soothe her. She sobbed by herself, almost
unaware of him.</p>
<p>“Tell me what’s a-matter, Elsie,” he said. “Tell me
what’s a-matter—my dear—tell me, then——”</p>
<p>He kissed her wet face, and caressed her. She made no response. He was puzzled
and tender and miserable.</p>
<p>At length she became quiet. Then he kissed her, and she put her arms round him,
and clung to him very tight, as if for fear and anguish. He held her in his
arms, wondering.</p>
<p>“Ted!” she whispered, frantic. “Ted!”</p>
<p>“What, my love?” he answered, becoming also afraid.</p>
<p>“Be good to me,” she cried. “Don’t be cruel to
me.”</p>
<p>“No, my pet,” he said, amazed and grieved. “Why?”</p>
<p>“Oh, be good to me,” she sobbed.</p>
<p>And he held her very safe, and his heart was white-hot with love for her. His
mind was amazed. He could only hold her against his chest that was white-hot
with love and belief in her. So she was restored at last.</p>
<h4>III</h4>
<p>She refused to go to her work at Adams’s any more. Her father had to
submit and she sent in her notice—she was not well. Sam Adams was
ironical. But he had a curious patience. He did not fight.</p>
<p>In a few weeks, she and Whiston were married. She loved him with passion and
worship, a fierce little abandon of love that moved him to the depths of his
being, and gave him a permanent surety and sense of realness in himself. He did
not trouble about himself any more: he felt he was fulfilled and now he had
only the many things in the world to busy himself about. Whatever troubled him,
at the bottom was surety. He had found himself in this love.</p>
<p>They spoke once or twice of the white stocking.</p>
<p>“Ah!” Whiston exclaimed. “What does it matter?”</p>
<p>He was impatient and angry, and could not bear to consider the matter. So it
was left unresolved.</p>
<p>She was quite happy at first, carried away by her adoration of her husband.
Then gradually she got used to him. He always was the ground of her happiness,
but she got used to him, as to the air she breathed. He never got used to her
in the same way.</p>
<p>Inside of marriage she found her liberty. She was rid of the responsibility of
herself. Her husband must look after that. She was free to get what she could
out of her time.</p>
<p>So that, when, after some months, she met Sam Adams, she was not quite as
unkind to him as she might have been. With a young wife’s new and
exciting knowledge of men, she perceived he was in love with her, she knew he
had always kept an unsatisfied desire for her. And, sportive, she could not
help playing a little with this, though she cared not one jot for the man
himself.</p>
<p>When Valentine’s day came, which was near the first anniversary of her
wedding day, there arrived a white stocking with a little amethyst brooch.
Luckily Whiston did not see it, so she said nothing of it to him. She had not
the faintest intention of having anything to do with Sam Adams, but once a
little brooch was in her possession, it was hers, and she did not trouble her
head for a moment how she had come by it. She kept it.</p>
<p>Now she had the pearl ear-rings. They were a more valuable and a more
conspicuous present. She would have to ask her mother to give them to her, to
explain their presence. She made a little plan in her head. And she was
extraordinarily pleased. As for Sam Adams, even if he saw her wearing them, he
would not give her away. What fun, if he saw her wearing his ear-rings! She
would pretend she had inherited them from her grandmother, her mother’s
mother. She laughed to herself as she went down town in the afternoon, the
pretty drops dangling in front of her curls. But she saw no one of importance.</p>
<p>Whiston came home tired and depressed. All day the male in him had been uneasy,
and this had fatigued him. She was curiously against him, inclined, as she
sometimes was nowadays, to make mock of him and jeer at him and cut him off. He
did not understand this, and it angered him deeply. She was uneasy before him.</p>
<p>She knew he was in a state of suppressed irritation. The veins stood out on the
backs of his hands, his brow was drawn stiffly. Yet she could not help goading
him.</p>
<p>“What did you do wi’ that white stocking?” he asked, out of a
gloomy silence, his voice strong and brutal.</p>
<p>“I put it in a drawer—why?” she replied flippantly.</p>
<p>“Why didn’t you put it on the fire back?” he said harshly.
“What are you hoarding it up for?”</p>
<p>“I’m not hoarding it up,” she said. “I’ve got a
pair.”</p>
<p>He relapsed into gloomy silence. She, unable to move him, ran away upstairs,
leaving him smoking by the fire. Again she tried on the ear-rings. Then another
little inspiration came to her. She drew on the white stockings, both of them.</p>
<p>Presently she came down in them. Her husband still sat immovable and glowering
by the fire.</p>
<p>“Look!” she said. “They’ll do beautifully.”</p>
<p>And she picked up her skirts to her knees, and twisted round, looking at her
pretty legs in the neat stockings.</p>
<p>He filled with unreasonable rage, and took the pipe from his mouth.</p>
<p>“Don’t they look nice?” she said. “One from last year
and one from this, they just do. Save you buying a pair.”</p>
<p>And she looked over her shoulders at her pretty calves, and the dangling frills
of her knickers.</p>
<p>“Put your skirts down and don’t make a fool of yourself,” he
said.</p>
<p>“Why a fool of myself?” she asked.</p>
<p>And she began to dance slowly round the room, kicking up her feet half
reckless, half jeering, in a ballet-dancer’s fashion. Almost fearfully,
yet in defiance, she kicked up her legs at him, singing as she did so. She
resented him.</p>
<p>“You little fool, ha’ done with it,” he said. “And
you’ll backfire them stockings, I’m telling you.” He was
angry. His face flushed dark, he kept his head bent. She ceased to dance.</p>
<p>“I shan’t,” she said. “They’ll come in very
useful.”</p>
<p>He lifted his head and watched her, with lighted, dangerous eyes.</p>
<p>“You’ll put ’em on the fire back, I tell you,” he said.</p>
<p>It was a war now. She bent forward, in a ballet-dancer’s fashion, and put
her tongue between her teeth.</p>
<p>“I shan’t backfire them stockings,” she sang, repeating his
words, “I shan’t, I shan’t, I shan’t.”</p>
<p>And she danced round the room doing a high kick to the tune of her words. There
was a real biting indifference in her behaviour.</p>
<p>“We’ll see whether you will or not,” he said,
“trollops! You’d like Sam Adams to know you was wearing ’em,
wouldn’t you? That’s what would please you.”</p>
<p>“Yes, I’d like him to see how nicely they fit me, he might give me
some more then.”</p>
<p>And she looked down at her pretty legs.</p>
<p>He knew somehow that she <i>would</i> like Sam Adams to see how pretty her legs
looked in the white stockings. It made his anger go deep, almost to hatred.</p>
<p>“Yer nasty trolley,” he cried. “Put yer petticoats down, and
stop being so foul-minded.”</p>
<p>“I’m not foul-minded,” she said. “My legs are my own.
And why shouldn’t Sam Adams think they’re nice?”</p>
<p>There was a pause. He watched her with eyes glittering to a point.</p>
<p>“Have you been havin’ owt to do with him?” he asked.</p>
<p>“I’ve just spoken to him when I’ve seen him,” she said.
“He’s not as bad as you would make out.”</p>
<p>“Isn’t he?” he cried, a certain wakefulness in his voice.
“Them who has anything to do wi’ him is too bad for me, I tell
you.”</p>
<p>“Why, what are you frightened of him for?” she mocked.</p>
<p>She was rousing all his uncontrollable anger. He sat glowering. Every one of
her sentences stirred him up like a red-hot iron. Soon it would be too much.
And she was afraid herself; but she was neither conquered nor convinced.</p>
<p>A curious little grin of hate came on his face. He had a long score against
her.</p>
<p>“What am I frightened of him for?” he repeated automatically.
“What am I frightened of him for? Why, for you, you stray-running little
bitch.”</p>
<p>She flushed. The insult went deep into her, right home.</p>
<p>“Well, if you’re so dull——” she said, lowering
her eyelids, and speaking coldly, haughtily.</p>
<p>“If I’m so dull I’ll break your neck the first word you speak
to him,” he said, tense.</p>
<p>“Pf!” she sneered. “Do you think I’m frightened of
you?” She spoke coldly, detached.</p>
<p>She was frightened, for all that, white round the mouth.</p>
<p>His heart was getting hotter.</p>
<p>“You <i>will</i> be frightened of me, the next time you have anything to
do with him,” he said.</p>
<p>“Do you think <i>you’d</i> ever be told—ha!”</p>
<p>Her jeering scorn made him go white-hot, molten. He knew he was incoherent,
scarcely responsible for what he might do. Slowly, unseeing, he rose and went
out of doors, stifled, moved to kill her.</p>
<p>He stood leaning against the garden fence, unable either to see or hear. Below
him, far off, fumed the lights of the town. He stood still, unconscious with a
black storm of rage, his face lifted to the night.</p>
<p>Presently, still unconscious of what he was doing, he went indoors again. She
stood, a small stubborn figure with tight-pressed lips and big, sullen,
childish eyes, watching him, white with fear. He went heavily across the floor
and dropped into his chair.</p>
<p>There was a silence.</p>
<p>“<i>You’re</i> not going to tell me everything I shall do, and
everything I shan’t,” she broke out at last.</p>
<p>He lifted his head.</p>
<p>“I tell you <i>this</i>,” he said, low and intense. “Have
anything to do with Sam Adams, and I’ll break your neck.”</p>
<p>She laughed, shrill and false.</p>
<p>“How I hate your word ‘break your neck’,” she said,
with a grimace of the mouth. “It sounds so common and beastly.
Can’t you say something else——”</p>
<p>There was a dead silence.</p>
<p>“And besides,” she said, with a queer chirrup of mocking laughter,
“what do you know about anything? He sent me an amethyst brooch and a
pair of pearl ear-rings.”</p>
<p>“He what?” said Whiston, in a suddenly normal voice. His eyes were
fixed on her.</p>
<p>“Sent me a pair of pearl ear-rings, and an amethyst brooch,” she
repeated, mechanically, pale to the lips.</p>
<p>And her big, black, childish eyes watched him, fascinated, held in her spell.</p>
<p>He seemed to thrust his face and his eyes forward at her, as he rose slowly and
came to her. She watched transfixed in terror. Her throat made a small sound,
as she tried to scream.</p>
<p>Then, quick as lightning, the back of his hand struck her with a crash across
the mouth, and she was flung back blinded against the wall. The shock shook a
queer sound out of her. And then she saw him still coming on, his eyes holding
her, his fist drawn back, advancing slowly. At any instant the blow might crash
into her.</p>
<p>Mad with terror, she raised her hands with a queer clawing movement to cover
her eyes and her temples, opening her mouth in a dumb shriek. There was no
sound. But the sight of her slowly arrested him. He hung before her, looking at
her fixedly, as she stood crouched against the wall with open, bleeding mouth,
and wide-staring eyes, and two hands clawing over her temples. And his lust to
see her bleed, to break her and destroy her, rose from an old source against
her. It carried him. He wanted satisfaction.</p>
<p>But he had seen her standing there, a piteous, horrified thing, and he turned
his face aside in shame and nausea. He went and sat heavily in his chair, and a
curious ease, almost like sleep, came over his brain.</p>
<p>She walked away from the wall towards the fire, dizzy, white to the lips,
mechanically wiping her small, bleeding mouth. He sat motionless. Then,
gradually, her breath began to hiss, she shook, and was sobbing silently, in
grief for herself. Without looking, he saw. It made his mad desire to destroy
her come back.</p>
<p>At length he lifted his head. His eyes were glowing again, fixed on her.</p>
<p>“And what did he give them you for?” he asked, in a steady,
unyielding voice.</p>
<p>Her crying dried up in a second. She also was tense.</p>
<p>“They came as valentines,” she replied, still not subjugated, even
if beaten.</p>
<p>“When, today?”</p>
<p>“The pearl ear-rings today—the amethyst brooch last year.”</p>
<p>“You’ve had it a year?”</p>
<p>“Yes.”</p>
<p>She felt that now nothing would prevent him if he rose to kill her. She could
not prevent him any more. She was yielded up to him. They both trembled in the
balance, unconscious.</p>
<p>“What have you had to do with him?” he asked, in a barren voice.</p>
<p>“I’ve not had anything to do with him,” she quavered.</p>
<p>“You just kept ’em because they were jewellery?” he said.</p>
<p>A weariness came over him. What was the worth of speaking any more of it? He
did not care any more. He was dreary and sick.</p>
<p>She began to cry again, but he took no notice. She kept wiping her mouth on her
handkerchief. He could see it, the blood-mark. It made him only more sick and
tired of the responsibility of it, the violence, the shame.</p>
<p>When she began to move about again, he raised his head once more from his dead,
motionless position.</p>
<p>“Where are the things?” he said.</p>
<p>“They are upstairs,” she quavered. She knew the passion had gone
down in him.</p>
<p>“Bring them down,” he said.</p>
<p>“I won’t,” she wept, with rage. “You’re not going
to bully me and hit me like that on the mouth.”</p>
<p>And she sobbed again. He looked at her in contempt and compassion and in rising
anger.</p>
<p>“Where are they?” he said.</p>
<p>“They’re in the little drawer under the looking-glass,” she
sobbed.</p>
<p>He went slowly upstairs, struck a match, and found the trinkets. He brought
them downstairs in his hand.</p>
<p>“These?” he said, looking at them as they lay in his palm.</p>
<p>She looked at them without answering. She was not interested in them any more.</p>
<p>He looked at the little jewels. They were pretty.</p>
<p>“It’s none of their fault,” he said to himself.</p>
<p>And he searched round slowly, persistently, for a box. He tied the things up
and addressed them to Sam Adams. Then he went out in his slippers to post the
little package.</p>
<p>When he came back she was still sitting crying.</p>
<p>“You’d better go to bed,” he said.</p>
<p>She paid no attention. He sat by the fire. She still cried.</p>
<p>“I’m sleeping down here,” he said. “Go you to
bed.”</p>
<p>In a few moments she lifted her tear-stained, swollen face and looked at him
with eyes all forlorn and pathetic. A great flash of anguish went over his
body. He went over, slowly, and very gently took her in his hands. She let
herself be taken. Then as she lay against his shoulder, she sobbed aloud:</p>
<p>“I never meant——”</p>
<p>“My love—my little love——” he cried, in anguish
of spirit, holding her in his arms.</p>
<h3><SPAN name="chap10"></SPAN>A Sick Collier</h3>
<p>She was too good for him, everybody said. Yet still she did not regret marrying
him. He had come courting her when he was only nineteen, and she twenty. He was
in build what they call a tight little fellow; short, dark, with a warm colour,
and that upright set of the head and chest, that flaunting way in movement
recalling a mating bird, which denotes a body taut and compact with life. Being
a good worker he had earned decent money in the mine, and having a good home
had saved a little.</p>
<p>She was a cook at “Uplands”, a tall, fair girl, very quiet. Having
seen her walk down the street, Horsepool had followed her from a distance. He
was taken with her, he did not drink, and he was not lazy. So, although he
seemed a bit simple, without much intelligence, but having a sort of physical
brightness, she considered, and accepted him.</p>
<p>When they were married they went to live in Scargill Street, in a highly
respectable six-roomed house which they had furnished between them. The street
was built up the side of a long, steep hill. It was narrow and rather
tunnel-like. Nevertheless, the back looked out over the adjoining pasture,
across a wide valley of fields and woods, in the bottom of which the mine lay
snugly.</p>
<p>He made himself gaffer in his own house. She was unacquainted with a
collier’s mode of life. They were married on a Saturday. On the Sunday
night he said:</p>
<p>“Set th’ table for my breakfast, an’ put my pit-things afront
o’ th’ fire. I s’ll be gettin’ up at ha’ef
pas’ five. Tha nedna shift thysen not till when ter likes.”</p>
<p>He showed her how to put a newspaper on the table for a cloth. When she
demurred:</p>
<p>“I want none o’ your white cloths i’ th’ mornin’.
I like ter be able to slobber if I feel like it,” he said.</p>
<p>He put before the fire his moleskin trousers, a clean singlet, or sleeveless
vest of thick flannel, a pair of stockings and his pit boots, arranging them
all to be warm and ready for morning.</p>
<p>“Now tha sees. That wants doin’ ivery night.”</p>
<p>Punctually at half past five he left her, without any form of leave-taking,
going downstairs in his shirt.</p>
<p>When he arrived home at four o’clock in the afternoon his dinner was
ready to be dished up. She was startled when he came in, a short, sturdy
figure, with a face indescribably black and streaked. She stood before the fire
in her white blouse and white apron, a fair girl, the picture of beautiful
cleanliness. He “clommaxed” in, in his heavy boots.</p>
<p>“Well, how ’as ter gone on?” he asked.</p>
<p>“I was ready for you to come home,” she replied tenderly. In his
black face the whites of his brown eyes flashed at her.</p>
<p>“An’ I wor ready for comin’,” he said. He planked his
tin bottle and snap-bag on the dresser, took off his coat and scarf and
waistcoat, dragged his armchair nearer the fire and sat down.</p>
<p>“Let’s ha’e a bit o’ dinner, then—I’m about
clammed,” he said.</p>
<p>“Aren’t you goin’ to wash yourself first?”</p>
<p>“What am I to wesh mysen for?”</p>
<p>“Well, you can’t eat your dinner——”</p>
<p>“Oh, strike a daisy, Missis! Dunna I eat my snap i’ th’ pit
wi’out weshin’?—forced to.”</p>
<p>She served the dinner and sat opposite him. His small bullet head was quite
black, save for the whites of his eyes and his scarlet lips. It gave her a
queer sensation to see him open his red mouth and bare his white teeth as he
ate. His arms and hands were mottled black; his bare, strong neck got a little
fairer as it settled towards his shoulders, reassuring her. There was the faint
indescribable odour of the pit in the room, an odour of damp, exhausted air.</p>
<p>“Why is your vest so black on the shoulders?” she asked.</p>
<p>“My singlet? That’s wi’ th’ watter droppin’ on us
from th’ roof. This is a dry un as I put on afore I come up. They
ha’e gre’t clothes-’osses, an’ as we change us things,
we put ’em on theer ter dry.”</p>
<p>When he washed himself, kneeling on the hearth-rug stripped to the waist, she
felt afraid of him again. He was so muscular, he seemed so intent on what he
was doing, so intensely himself, like a vigorous animal. And as he stood wiping
himself, with his naked breast towards her, she felt rather sick, seeing his
thick arms bulge their muscles.</p>
<p>They were nevertheless very happy. He was at a great pitch of pride because of
her. The men in the pit might chaff him, they might try to entice him away, but
nothing could reduce his self-assured pride because of her, nothing could
unsettle his almost infantile satisfaction. In the evening he sat in his
armchair chattering to her, or listening as she read the newspaper to him. When
it was fine, he would go into the street, squat on his heels as colliers do,
with his back against the wall of his parlour, and call to the passers-by, in
greeting, one after another. If no one were passing, he was content just to
squat and smoke, having such a fund of sufficiency and satisfaction in his
heart. He was well married.</p>
<p>They had not been wed a year when all Brent and Wellwood’s men came out
on strike. Willy was in the Union, so with a pinch they scrambled through. The
furniture was not all paid for, and other debts were incurred. She worried and
contrived, he left it to her. But he was a good husband; he gave her all he
had.</p>
<p>The men were out fifteen weeks. They had been back just over a year when Willy
had an accident in the mine, tearing his bladder. At the pit head the doctor
talked of the hospital. Losing his head entirely, the young collier raved like
a madman, what with pain and fear of hospital.</p>
<p>“Tha s’lt go whoam, Willy, tha s’lt go whoam,” the
deputy said.</p>
<p>A lad warned the wife to have the bed ready. Without speaking or hesitating she
prepared. But when the ambulance came, and she heard him shout with pain at
being moved, she was afraid lest she should sink down. They carried him in.</p>
<p>“Yo’ should ’a’ had a bed i’ th’ parlour,
Missis,” said the deputy, “then we shouldna ha’ had to hawkse
’im upstairs, an’ it ’ud ’a’ saved your
legs.”</p>
<p>But it was too late now. They got him upstairs.</p>
<p>“They let me lie, Lucy,” he was crying, “they let me lie two
mortal hours on th’ sleck afore they took me outer th’ stall.
Th’ peen, Lucy, th’ peen; oh, Lucy, th’ peen, th’
peen!”</p>
<p>“I know th’ pain’s bad, Willy, I know. But you must try
an’ bear it a bit.”</p>
<p>“Tha munna carry on in that form, lad, thy missis’ll niver be able
ter stan’ it,” said the deputy.</p>
<p>“I canna ’elp it, it’s th’ peen, it’s th’
peen,” he cried again. He had never been ill in his life. When he had
smashed a finger he could look at the wound. But this pain came from inside,
and terrified him. At last he was soothed and exhausted.</p>
<p>It was some time before she could undress him and wash him. He would let no
other woman do for him, having that savage modesty usual in such men.</p>
<p>For six weeks he was in bed, suffering much pain. The doctors were not quite
sure what was the matter with him, and scarcely knew what to do. He could eat,
he did not lose flesh, nor strength, yet the pain continued, and he could
hardly walk at all.</p>
<p>In the sixth week the men came out in the national strike. He would get up
quite early in the morning and sit by the window. On Wednesday, the second week
of the strike, he sat gazing out on the street as usual, a bullet-headed young
man, still vigorous-looking, but with a peculiar expression of hunted fear in
his face.</p>
<p>“Lucy,” he called, “Lucy!”</p>
<p>She, pale and worn, ran upstairs at his bidding.</p>
<p>“Gi’e me a han’kercher,” he said.</p>
<p>“Why, you’ve got one,” she replied, coming near.</p>
<p>“Tha nedna touch me,” he cried. Feeling his pocket, he produced a
white handkerchief.</p>
<p>“I non want a white un, gi’e me a red un,” he said.</p>
<p>“An’ if anybody comes to see you,” she answered, giving him a
red handkerchief.</p>
<p>“Besides,” she continued, “you needn’t ha’
brought me upstairs for that.”</p>
<p>“I b’lieve th’ peen’s commin’ on again,” he
said, with a little horror in his voice.</p>
<p>“It isn’t, you know, it isn’t,” she replied. “The
doctor says you imagine it’s there when it isn’t.”</p>
<p>“Canna I feel what’s inside me?” he shouted.</p>
<p>“There’s a traction-engine coming downhill,” she said.
“That’ll scatter them. I’ll just go an’ finish your
pudding.”</p>
<p>She left him. The traction-engine went by, shaking the houses. Then the street
was quiet, save for the men. A gang of youths from fifteen to twenty-five years
old were playing marbles in the middle of the road. Other little groups of men
were playing on the pavement. The street was gloomy. Willy could hear the
endless calling and shouting of men’s voices.</p>
<p>“Tha’rt skinchin’!”</p>
<p>“I arena!”</p>
<p>“Come ’ere with that blood-alley.”</p>
<p>“Swop us four for’t.”</p>
<p>“Shonna, gie’s hold on’t.”</p>
<p>He wanted to be out, he wanted to be playing marbles. The pain had weakened his
mind, so that he hardly knew any self-control.</p>
<p>Presently another gang of men lounged up the street. It was pay morning. The
Union was paying the men in the Primitive Chapel. They were returning with
their half-sovereigns.</p>
<p>“Sorry!” bawled a voice. “Sorry!”</p>
<p>The word is a form of address, corruption probably of “Sirrah”.
Willy started almost out of his chair.</p>
<p>“Sorry!” again bawled a great voice. “Art goin’
wi’ me to see Notts play Villa?”</p>
<p>Many of the marble players started up.</p>
<p>“What time is it? There’s no treens, we s’ll ha’e ter
walk.”</p>
<p>The street was alive with men.</p>
<p>“Who’s goin’ ter Nottingham ter see th’ match?”
shouted the same big voice. A very large, tipsy man, with his cap over his
eyes, was calling.</p>
<p>“Com’ on—aye, com’ on!” came many voices. The
street was full of the shouting of men. They split up in excited cliques and
groups.</p>
<p>“Play up, Notts!” the big man shouted.</p>
<p>“Plee up, Notts!” shouted the youths and men. They were at kindling
pitch. It only needed a shout to rouse them. Of this the careful authorities
were aware.</p>
<p>“I’m goin’, I’m goin’!” shouted the sick
man at his window.</p>
<p>Lucy came running upstairs.</p>
<p>“I’m goin’ ter see Notts play Villa on th’ Meadows
ground,” he declared.</p>
<p>“You—<i>you</i> can’t go. There are no trains. You
can’t walk nine miles.”</p>
<p>“I’m goin’ ter see th’ match,” he declared,
rising.</p>
<p>“You know you can’t. Sit down now an’ be quiet.”</p>
<p>She put her hand on him. He shook it off.</p>
<p>“Leave me alone, leave me alone. It’s thee as ma’es th’
peen come, it’s thee. I’m goin’ ter Nottingham to see
th’ football match.”</p>
<p>“Sit down—folks’ll hear you, and what will they think?”</p>
<p>“Come off’n me. Com’ off. It’s her, it’s her as
does it. Com’ off.”</p>
<p>He seized hold of her. His little head was bristling with madness, and he was
strong as a lion.</p>
<p>“Oh, Willy!” she cried.</p>
<p>“It’s ’er, it’s ’er. Kill her!” he shouted,
“kill her.”</p>
<p>“Willy, folks’ll hear you.”</p>
<p>“Th’ peen’s commin’ on again, I tell yer. I’ll
kill her for it.”</p>
<p>He was completely out of his mind. She struggled with him to prevent his going
to the stairs. When she escaped from him, he was shouting and raving, she
beckoned to her neighbour, a girl of twenty-four, who was cleaning the window
across the road.</p>
<p>Ethel Mellor was the daughter of a well-to-do check-weighman. She ran across in
fear to Mrs Horsepool. Hearing the man raving, people were running out in the
street and listening. Ethel hurried upstairs. Everything was clean and pretty
in the young home.</p>
<p>Willy was staggering round the room, after the slowly retreating Lucy,
shouting:</p>
<p>“Kill her! Kill her!”</p>
<p>“Mr Horsepool!” cried Ethel, leaning against the bed, white as the
sheets, and trembling. “Whatever are you saying?”</p>
<p>“I tell yer it’s ’er fault as th’ peen comes on—I
tell yer it is! Kill ’er—kill ’er!”</p>
<p>“Kill Mrs Horsepool!” cried the trembling girl. “Why,
you’re ever so fond of her, you know you are.”</p>
<p>“The peen—I ha’e such a lot o’ peen—I want to
kill ’er.”</p>
<p>He was subsiding. When he sat down his wife collapsed in a chair, weeping
noiselessly. The tears ran down Ethel’s face. He sat staring out of the
window; then the old, hurt look came on his face.</p>
<p>“What ’ave I been sayin’?” he asked, looking piteously
at his wife.</p>
<p>“Why!” said Ethel, “you’ve been carrying on something
awful, saying, ‘Kill her, kill her!’”</p>
<p>“Have I, Lucy?” he faltered.</p>
<p>“You didn’t know what you was saying,” said his young wife
gently but coldly.</p>
<p>His face puckered up. He bit his lip, then broke into tears, sobbing
uncontrollably, with his face to the window.</p>
<p>There was no sound in the room but of three people crying bitterly, breath
caught in sobs. Suddenly Lucy put away her tears and went over to him.</p>
<p>“You didn’t know what you was sayin’, Willy, I know you
didn’t. I knew you didn’t, all the time. It doesn’t matter,
Willy. Only don’t do it again.”</p>
<p>In a little while, when they were calmer, she went downstairs with Ethel.</p>
<p>“See if anybody is looking in the street,” she said.</p>
<p>Ethel went into the parlour and peeped through the curtains.</p>
<p>“Aye!” she said. “You may back your life Lena an’ Mrs
Severn’ll be out gorping, and that clat-fartin’ Mrs Allsop.”</p>
<p>“Oh, I hope they haven’t heard anything! If it gets about as
he’s out of his mind, they’ll stop his compensation, I know they
will.”</p>
<p>“They’d never stop his compensation for <i>that</i>,”
protested Ethel.</p>
<p>“Well, they <i>have</i> been stopping some——”</p>
<p>“It’ll not get about. I s’ll tell nobody.”</p>
<p>“Oh, but if it does, whatever shall we do?...”</p>
<h3><SPAN name="chap11"></SPAN>The Christening</h3>
<p>The mistress of the British School stepped down from her school gate, and
instead of turning to the left as usual, she turned to the right. Two women who
were hastening home to scramble their husbands’ dinners together—it
was five minutes to four—stopped to look at her. They stood gazing after
her for a moment; then they glanced at each other with a woman’s little
grimace.</p>
<p>To be sure, the retreating figure was ridiculous: small and thin, with a black
straw hat, and a rusty cashmere dress hanging full all round the skirt. For so
small and frail and rusty a creature to sail with slow, deliberate stride was
also absurd. Hilda Rowbotham was less than thirty, so it was not years that set
the measure of her pace; she had heart disease. Keeping her face, that was
small with sickness, but not uncomely, firmly lifted and fronting ahead, the
young woman sailed on past the market-place, like a black swan of mournful,
disreputable plumage.</p>
<p>She turned into Berryman’s, the baker’s. The shop displayed bread
and cakes, sacks of flour and oatmeal, flitches of bacon, hams, lard and
sausages. The combination of scents was not unpleasing. Hilda Rowbotham stood
for some minutes nervously tapping and pushing a large knife that lay on the
counter, and looking at the tall, glittering brass scales. At last a morose man
with sandy whiskers came down the step from the house-place.</p>
<p>“What is it?” he asked, not apologizing for his delay.</p>
<p>“Will you give me six-pennyworth of assorted cakes and pastries—and
put in some macaroons, please?” she asked, in remarkably rapid and
nervous speech. Her lips fluttered like two leaves in a wind, and her words
crowded and rushed like a flock of sheep at a gate.</p>
<p>“We’ve got no macaroons,” said the man churlishly.</p>
<p>He had evidently caught that word. He stood waiting.</p>
<p>“Then I can’t have any, Mr Berryman. Now I do feel disappointed. I
like those macaroons, you know, and it’s not often I treat myself. One
gets so tired of trying to spoil oneself, don’t you think? It’s
less profitable even than trying to spoil somebody else.” She laughed a
quick little nervous laugh, putting her hand to her face.</p>
<p>“Then what’ll you have?” asked the man, without the ghost of
an answering smile. He evidently had not followed, so he looked more glum than
ever.</p>
<p>“Oh, anything you’ve got,” replied the schoolmistress,
flushing slightly. The man moved slowly about, dropping the cakes from various
dishes one by one into a paper bag.</p>
<p>“How’s that sister o’ yours getting on?” he asked, as
if he were talking to the flour scoop.</p>
<p>“Whom do you mean?” snapped the schoolmistress.</p>
<p>“The youngest,” answered the stooping, pale-faced man, with a note
of sarcasm.</p>
<p>“Emma! Oh, she’s very well, thank you!” The schoolmistress
was very red, but she spoke with sharp, ironical defiance. The man grunted.
Then he handed her the bag and watched her out of the shop without bidding her
“Good afternoon”.</p>
<p>She had the whole length of the main street to traverse, a half-mile of
slow-stepping torture, with shame flushing over her neck. But she carried her
white bag with an appearance of steadfast unconcern. When she turned into the
field she seemed to droop a little. The wide valley opened out from her, with
the far woods withdrawing into twilight, and away in the centre the great pit
streaming its white smoke and chuffing as the men were being turned up. A full,
rose-coloured moon, like a flamingo flying low under the far, dusky east, drew
out of the mist. It was beautiful, and it made her irritable sadness soften,
diffuse.</p>
<p>Across the field, and she was at home. It was a new, substantial cottage, built
with unstinted hand, such a house as an old miner could build himself out of
his savings. In the rather small kitchen a woman of dark, saturnine complexion
sat nursing a baby in a long white gown; a young woman of heavy, brutal cast
stood at the table, cutting bread and butter. She had a downcast, humble mien
that sat unnaturally on her, and was strangely irritating. She did not look
round when her sister entered. Hilda put down the bag of cakes and left the
room, not having spoken to Emma, nor to the baby, not to Mrs Carlin, who had
come in to help for the afternoon.</p>
<p>Almost immediately the father entered from the yard with a dustpan full of
coals. He was a large man, but he was going to pieces. As he passed through, he
gripped the door with his free hand to steady himself, but turning, he lurched
and swayed. He began putting the coals on the fire, piece by piece. One lump
fell from his hand and smashed on the white hearth. Emma Rowbotham looked
round, and began in a rough, loud voice of anger: “Look at you!”
Then she consciously moderated her tones. “I’ll sweep it up in a
minute—don’t you bother; you’ll only be going head first into
the fire.”</p>
<p>Her father bent down nevertheless to clear up the mess he had made, saying,
articulating his words loosely and slavering in his speech:</p>
<p>“The lousy bit of a thing, it slipped between my fingers like a
fish.”</p>
<p>As he spoke he went tilting towards the fire. The dark-browed woman cried out:
he put his hand on the hot stove to save himself; Emma swung round and dragged
him off.</p>
<p>“Didn’t I tell you!” she cried roughly. “Now, have you
burnt yourself?”</p>
<p>She held tight hold of the big man, and pushed him into his chair.</p>
<p>“What’s the matter?” cried a sharp voice from the other room.
The speaker appeared, a hard well-favoured woman of twenty-eight. “Emma,
don’t speak like that to father.” Then, in a tone not so cold, but
just as sharp: “Now, father, what have you been doing?”</p>
<p>Emma withdrew to her table sullenly.</p>
<p>“It’s nöwt,” said the old man, vainly protesting.
“It’s nöwt at a’. Get on wi’ what you’re
doin’.”</p>
<p>“I’m afraid ’e’s burnt ’is ’and,”
said the black-browed woman, speaking of him with a kind of hard pity, as if he
were a cumbersome child. Bertha took the old man’s hand and looked at it,
making a quick tut-tutting noise of impatience.</p>
<p>“Emma, get that zinc ointment—and some white rag,” she
commanded sharply. The younger sister put down her loaf with the knife in it,
and went. To a sensitive observer, this obedience was more intolerable than the
most hateful discord. The dark woman bent over the baby and made silent, gentle
movements of motherliness to it. The little one smiled and moved on her lap. It
continued to move and twist.</p>
<p>“I believe this child’s hungry,” she said. “How long is
it since he had anything?”</p>
<p>“Just afore dinner,” said Emma dully.</p>
<p>“Good gracious!” exclaimed Bertha. “You needn’t starve
the child now you’ve got it. Once every two hours it ought to be fed, as
I’ve told you; and now it’s three. Take him, poor little
mite—I’ll cut the bread.” She bent and looked at the bonny
baby. She could not help herself: she smiled, and pressed its cheek with her
finger, and nodded to it, making little noises. Then she turned and took the
loaf from her sister. The woman rose and gave the child to its mother. Emma
bent over the little sucking mite. She hated it when she looked at it, and saw
it as a symbol, but when she felt it, her love was like fire in her blood.</p>
<p>“I should think ’e canna be comin’,” said the father
uneasily, looking up at the clock.</p>
<p>“Nonsense, father—the clock’s fast! It’s but half-past
four! Don’t fidget!” Bertha continued to cut the bread and butter.</p>
<p>“Open a tin of pears,” she said to the woman, in a much milder
tone. Then she went into the next room. As soon as she was gone, the old man
said again: “I should ha’e thought he’d ’a’ been
’ere by now, if he means comin’.”</p>
<p>Emma, engrossed, did not answer. The father had ceased to consider her, since
she had become humbled.</p>
<p>“’E’ll come—’e’ll come!” assured the
stranger.</p>
<p>A few minutes later Bertha hurried into the kitchen, taking off her apron. The
dog barked furiously. She opened the door, commanded the dog to silence, and
said: “He will be quiet now, Mr Kendal.”</p>
<p>“Thank you,” said a sonorous voice, and there was the sound of a
bicycle being propped against a wall. A clergyman entered, a big-boned, thin,
ugly man of nervous manner. He went straight to the father.</p>
<p>“Ah—how are you?” he asked musically, peering down on the
great frame of the miner, ruined by locomotor ataxy.</p>
<p>His voice was full of gentleness, but he seemed as if he could not see
distinctly, could not get things clear.</p>
<p>“Have you hurt your hand?” he said comfortingly, seeing the white
rag.</p>
<p>“It wor nöwt but a pestered bit o’ coal as dropped, an’ I put
my hand on th’ hub. I thought tha worna commin’.”</p>
<p>The familiar ‘tha’, and the reproach, were unconscious retaliation
on the old man’s part. The minister smiled, half wistfully, half
indulgently. He was full of vague tenderness. Then he turned to the young
mother, who flushed sullenly because her dishonoured breast was uncovered.</p>
<p>“How are <i>you</i>?” he asked, very softly and gently, as if she
were ill and he were mindful of her.</p>
<p>“I’m all right,” she replied, awkwardly taking his hand
without rising, hiding her face and the anger that rose in her.</p>
<p>“Yes—yes”—he peered down at the baby, which sucked with
distended mouth upon the firm breast. “Yes, yes.” He seemed lost in
a dim musing.</p>
<p>Coming to, he shook hands unseeingly with the woman.</p>
<p>Presently they all went into the next room, the minister hesitating to help his
crippled old deacon.</p>
<p>“I can go by myself, thank yer,” testily replied the father.</p>
<p>Soon all were seated. Everybody was separated in feeling and isolated at table.
High tea was spread in the middle kitchen, a large, ugly room kept for special
occasions.</p>
<p>Hilda appeared last, and the clumsy, raw-boned clergyman rose to meet her. He
was afraid of this family, the well-to-do old collier, and the brutal,
self-willed children. But Hilda was queen among them. She was the clever one,
and had been to college. She felt responsible for the keeping up of a high
standard of conduct in all the members of the family. There <i>was</i> a
difference between the Rowbothams and the common collier folk. Woodbine Cottage
was a superior house to most—and was built in pride by the old man. She,
Hilda, was a college-trained schoolmistress; she meant to keep up the prestige
of her house in spite of blows.</p>
<p>She had put on a dress of green voile for this special occasion. But she was
very thin; her neck protruded painfully. The clergyman, however, greeted her
almost with reverence, and, with some assumption of dignity, she sat down
before the tray. At the far end of the table sat the broken, massive frame of
her father. Next to him was the youngest daughter, nursing the restless baby.
The minister sat between Hilda and Bertha, hulking his bony frame
uncomfortably.</p>
<p>There was a great spread on the table, of tinned fruits and tinned salmon, ham
and cakes. Miss Rowbotham kept a keen eye on everything: she felt the
importance of the occasion. The young mother who had given rise to all this
solemnity ate in sulky discomfort, snatching sullen little smiles at her child,
smiles which came, in spite of her, when she felt its little limbs stirring
vigorously on her lap. Bertha, sharp and abrupt, was chiefly concerned with the
baby. She scorned her sister, and treated her like dirt. But the infant was a
streak of light to her. Miss Rowbotham concerned herself with the function and
the conversation. Her hands fluttered; she talked in little volleys exceedingly
nervous. Towards the end of the meal, there came a pause. The old man wiped his
mouth with his red handkerchief, then, his blue eyes going fixed and staring,
he began to speak, in a loose, slobbering fashion, charging his words at the
clergyman.</p>
<p>“Well, mester—we’n axed you to come her ter christen this
childt, an’ you’n come, an’ I’m sure we’re very
thankful. I can’t see lettin’ the poor blessed childt miss
baptizing, an’ they aren’t for goin’ to church
wi’t—” He seemed to lapse into a muse. “So,” he
resumed, “we’v axed you to come here to do the job. I’m not
sayin’ as it’s not ’ard on us, it is. I’m
breakin’ up, an’ mother’s gone. I don’t like
leavin’ a girl o’ mine in a situation like ’ers is, but what
the Lord’s done, He’s done, an’ it’s no matter
murmuring.... There’s one thing to be thankful for, an’ we
<i>are</i> thankful for it: they never need know the want of bread.”</p>
<p>Miss Rowbotham, the lady of the family, sat very stiff and pained during this
discourse. She was sensitive to so many things that she was bewildered. She
felt her young sister’s shame, then a kind of swift protecting love for
the baby, a feeling that included the mother; she was at a loss before her
father’s religious sentiment, and she felt and resented bitterly the mark
upon the family, against which the common folk could lift their fingers. Still
she winced from the sound of her father’s words. It was a painful ordeal.</p>
<p>“It is hard for you,” began the clergyman in his soft, lingering,
unworldly voice. “It is hard for you today, but the Lord gives comfort in
His time. A man child is born unto us, therefore let us rejoice and be glad. If
sin has entered in among us, let us purify out hearts before the
Lord....”</p>
<p>He went on with his discourse. The young mother lifted the whimpering infant,
till its face was hid in her loose hair. She was hurt, and a little glowering
anger shone in her face. But nevertheless her fingers clasped the body of the
child beautifully. She was stupefied with anger against this emotion let loose
on her account.</p>
<p>Miss Bertha rose and went to the little kitchen, returning with water in a
china bowl. She placed it there among the tea-things.</p>
<p>“Well, we’re all ready,” said the old man, and the clergyman
began to read the service. Miss Bertha was godmother, the two men godfathers.
The old man sat with bent head. The scene became impressive. At last Miss
Bertha took the child and put it in the arms of the clergyman. He, big and
ugly, shone with a kind of unreal love. He had never mixed with life, and women
were all unliving, Biblical things to him. When he asked for the name, the old
man lifted his head fiercely. “Joseph William, after me,” he said,
almost out of breath.</p>
<p>“Joseph William, I baptize thee....” resounded the strange, full,
chanting voice of the clergyman. The baby was quite still.</p>
<p>“Let us pray!” It came with relief to them all. They knelt before
their chairs, all but the young mother, who bent and hid herself over her baby.
The clergyman began his hesitating, struggling prayer.</p>
<p>Just then heavy footsteps were heard coming up the path, ceasing at the window.
The young mother, glancing up, saw her brother, black in his pit dirt, grinning
in through the panes. His red mouth curved in a sneer; his fair hair shone
above his blackened skin. He caught the eye of his sister and grinned. Then his
black face disappeared. He had gone on into the kitchen. The girl with the
child sat still and anger filled her heart. She herself hated now the praying
clergyman and the whole emotional business; she hated her brother bitterly. In
anger and bondage she sat and listened.</p>
<p>Suddenly her father began to pray. His familiar, loud, rambling voice made her
shut herself up and become even insentient. Folks said his mind was weakening.
She believed it to be true, and kept herself always disconnected from him.</p>
<p>“We ask Thee, Lord,” the old man cried, “to look after this
childt. Fatherless he is. But what does the earthly father matter before Thee?
The childt is Thine, he is Thy childt. Lord, what father has a man but Thee?
Lord, when a man says he is a father, he is wrong from the first word. For Thou
art the Father, Lord. Lord, take away from us the conceit that our children are
ours. Lord, Thou art Father of this childt as is fatherless here. O God, Thou
bring him up. For I have stood between Thee and my children; I’ve had
<i>my</i> way with them, Lord; I’ve stood between Thee and my children;
I’ve cut ’em off from Thee because they were mine. And
they’ve grown twisted, because of me. Who is their father, Lord, but
Thee? But I put myself in the way, they’ve been plants under a stone,
because of me. Lord, if it hadn’t been for me, they might ha’ been
trees in the sunshine. Let me own it, Lord, I’ve done ’em mischief.
It could ha’ been better if they’d never known no father. No man is
a father, Lord: only Thou art. They can never grow beyond Thee, but I hampered
them. Lift ’em up again, and undo what I’ve done to my children.
And let this young childt be like a willow tree beside the waters, with no
father but Thee, O God. Aye an’ I wish it had been so with my children,
that they’d had no father but Thee. For I’ve been like a stone upon
them, and they rise up and curse me in their wickedness. But let me go,
an’ lift Thou them up, Lord....”</p>
<p>The minister, unaware of the feelings of a father, knelt in trouble, hearing
without understanding the special language of fatherhood. Miss Rowbotham alone
felt and understood a little. Her heart began to flutter; she was in pain. The
two younger daughters kneeled unhearing, stiffened and impervious. Bertha was
thinking of the baby; and the younger mother thought of the father of her
child, whom she hated. There was a clatter in the scullery. There the youngest
son made as much noise as he could, pouring out the water for his wash,
muttering in deep anger:</p>
<p>“Blortin’, slaverin’ old fool!”</p>
<p>And while the praying of his father continued, his heart was burning with rage.
On the table was a paper bag. He picked it up and read, “John
Berryman—Bread, Pastries, etc.” Then he grinned with a grimace. The
father of the baby was baker’s man at Berryman’s. The prayer went
on in the middle kitchen. Laurie Rowbotham gathered together the mouth of the
bag, inflated it, and burst it with his fist. There was a loud report. He
grinned to himself. But he writhed at the same time with shame and fear of his
father.</p>
<p>The father broke off from his prayer; the party shuffled to their feet. The
young mother went into the scullery.</p>
<p>“What art doin’, fool?” she said.</p>
<p>The collier youth tipped the baby under the chin, singing:</p>
<p class="poem">
“Pat-a-cake, pat-a-cake, baker’s man,<br/>
Bake me a cake as fast as you can....”</p>
<p>The mother snatched the child away. “Shut thy mouth,” she said, the
colour coming into her cheek.</p>
<p class="poem">
“Prick it and stick it and mark it with P,<br/>
And put it i’ th’ oven for baby an’ me....”</p>
<p>He grinned, showing a grimy, and jeering and unpleasant red mouth and white
teeth.</p>
<p>“I s’ll gi’e thee a dab ower th’ mouth,” said the
mother of the baby grimly. He began to sing again, and she struck out at him.</p>
<p>“Now what’s to do?” said the father, staggering in.</p>
<p>The youth began to sing again. His sister stood sullen and furious.</p>
<p>“Why, does <i>that</i> upset you?” asked the eldest Miss Rowbotham,
sharply, of Emma the mother. “Good gracious, it hasn’t improved
your temper.”</p>
<p>Miss Bertha came in, and took the bonny baby.</p>
<p>The father sat big and unheeding in his chair, his eyes vacant, his physique
wrecked. He let them do as they would, he fell to pieces. And yet some power,
involuntary, like a curse, remained in him. The very ruin of him was like a
lodestone that held them in its control. The wreck of him still dominated the
house, in his dissolution even he compelled their being. They had never lived;
his life, his will had always been upon them and contained them. They were only
half-individuals.</p>
<p>The day after the christening he staggered in at the doorway declaring, in a
loud voice, with joy in life still: “The daisies light up the earth, they
clap their hands in multitudes, in praise of the morning.” And his
daughters shrank, sullen.</p>
<h3><SPAN name="chap12"></SPAN>Odour of Chrysanthemums</h3>
<h4>I</h4>
<p>The small locomotive engine, Number 4, came clanking, stumbling down from
Selston with seven full waggons. It appeared round the corner with loud threats
of speed, but the colt that it startled from among the gorse, which still
flickered indistinctly in the raw afternoon, outdistanced it at a canter. A
woman, walking up the railway line to Underwood, drew back into the hedge, held
her basket aside, and watched the footplate of the engine advancing. The trucks
thumped heavily past, one by one, with slow inevitable movement, as she stood
insignificantly trapped between the jolting black waggons and the hedge; then
they curved away towards the coppice where the withered oak leaves dropped
noiselessly, while the birds, pulling at the scarlet hips beside the track,
made off into the dusk that had already crept into the spinney. In the open,
the smoke from the engine sank and cleaved to the rough grass. The fields were
dreary and forsaken, and in the marshy strip that led to the whimsey, a reedy
pit-pond, the fowls had already abandoned their run among the alders, to roost
in the tarred fowl-house. The pit-bank loomed up beyond the pond, flames like
red sores licking its ashy sides, in the afternoon’s stagnant light. Just
beyond rose the tapering chimneys and the clumsy black headstocks of Brinsley
Colliery. The two wheels were spinning fast up against the sky, and the
winding-engine rapped out its little spasms. The miners were being turned up.</p>
<p>The engine whistled as it came into the wide bay of railway lines beside the
colliery, where rows of trucks stood in harbour.</p>
<p>Miners, single, trailing and in groups, passed like shadows diverging home. At
the edge of the ribbed level of sidings squat a low cottage, three steps down
from the cinder track. A large bony vine clutched at the house, as if to claw
down the tiled roof. Round the bricked yard grew a few wintry primroses.
Beyond, the long garden sloped down to a bush-covered brook course. There were
some twiggy apple trees, winter-crack trees, and ragged cabbages. Beside the
path hung dishevelled pink chrysanthemums, like pink cloths hung on bushes. A
woman came stooping out of the felt-covered fowl-house, half-way down the
garden. She closed and padlocked the door, then drew herself erect, having
brushed some bits from her white apron.</p>
<p>She was a tall woman of imperious mien, handsome, with definite black eyebrows.
Her smooth black hair was parted exactly. For a few moments she stood steadily
watching the miners as they passed along the railway: then she turned towards
the brook course. Her face was calm and set, her mouth was closed with
disillusionment. After a moment she called:</p>
<p>“John!” There was no answer. She waited, and then said distinctly:</p>
<p>“Where are you?”</p>
<p>“Here!” replied a child’s sulky voice from among the bushes.
The woman looked piercingly through the dusk.</p>
<p>“Are you at that brook?” she asked sternly.</p>
<p>For answer the child showed himself before the raspberry-canes that rose like
whips. He was a small, sturdy boy of five. He stood quite still, defiantly.</p>
<p>“Oh!” said the mother, conciliated. “I thought you were down
at that wet brook—and you remember what I told you——”</p>
<p>The boy did not move or answer.</p>
<p>“Come, come on in,” she said more gently, “it’s getting
dark. There’s your grandfather’s engine coming down the
line!”</p>
<p>The lad advanced slowly, with resentful, taciturn movement. He was dressed in
trousers and waistcoat of cloth that was too thick and hard for the size of the
garments. They were evidently cut down from a man’s clothes.</p>
<p>As they went slowly towards the house he tore at the ragged wisps of
chrysanthemums and dropped the petals in handfuls along the path.</p>
<p>“Don’t do that—it does look nasty,” said his mother. He
refrained, and she, suddenly pitiful, broke off a twig with three or four wan
flowers and held them against her face. When mother and son reached the yard
her hand hesitated, and instead of laying the flower aside, she pushed it in
her apron-band. The mother and son stood at the foot of the three steps looking
across the bay of lines at the passing home of the miners. The trundle of the
small train was imminent. Suddenly the engine loomed past the house and came to
a stop opposite the gate.</p>
<p>The engine-driver, a short man with round grey beard, leaned out of the cab
high above the woman.</p>
<p>“Have you got a cup of tea?” he said in a cheery, hearty fashion.</p>
<p>It was her father. She went in, saying she would mash. Directly, she returned.</p>
<p>“I didn’t come to see you on Sunday,” began the little
grey-bearded man.</p>
<p>“I didn’t expect you,” said his daughter.</p>
<p>The engine-driver winced; then, reassuming his cheery, airy manner, he said:</p>
<p>“Oh, have you heard then? Well, and what do you
think——?”</p>
<p>“I think it is soon enough,” she replied.</p>
<p>At her brief censure the little man made an impatient gesture, and said
coaxingly, yet with dangerous coldness:</p>
<p>“Well, what’s a man to do? It’s no sort of life for a man of
my years, to sit at my own hearth like a stranger. And if I’m going to
marry again it may as well be soon as late—what does it matter to
anybody?”</p>
<p>The woman did not reply, but turned and went into the house. The man in the
engine-cab stood assertive, till she returned with a cup of tea and a piece of
bread and butter on a plate. She went up the steps and stood near the footplate
of the hissing engine.</p>
<p>“You needn’t ’a’ brought me bread an’
butter,” said her father. “But a cup of tea”—he sipped
appreciatively—“it’s very nice.” He sipped for a moment
or two, then: “I hear as Walter’s got another bout on,” he
said.</p>
<p>“When hasn’t he?” said the woman bitterly.</p>
<p>“I heered tell of him in the ‘Lord Nelson’ braggin’ as
he was going to spend that b—— afore he went: half a sovereign that
was.”</p>
<p>“When?” asked the woman.</p>
<p>“A’ Sat’day night—I know that’s true.”</p>
<p>“Very likely,” she laughed bitterly. “He gives me
twenty-three shillings.”</p>
<p>“Aye, it’s a nice thing, when a man can do nothing with his money
but make a beast of himself!” said the grey-whiskered man. The woman
turned her head away. Her father swallowed the last of his tea and handed her
the cup.</p>
<p>“Aye,” he sighed, wiping his mouth. “It’s a settler, it
is——”</p>
<p>He put his hand on the lever. The little engine strained and groaned, and the
train rumbled towards the crossing. The woman again looked across the metals.
Darkness was settling over the spaces of the railway and trucks: the miners, in
grey sombre groups, were still passing home. The winding-engine pulsed
hurriedly, with brief pauses. Elizabeth Bates looked at the dreary flow of men,
then she went indoors. Her husband did not come.</p>
<p>The kitchen was small and full of firelight; red coals piled glowing up the
chimney mouth. All the life of the room seemed in the white, warm hearth and
the steel fender reflecting the red fire. The cloth was laid for tea; cups
glinted in the shadows. At the back, where the lowest stairs protruded into the
room, the boy sat struggling with a knife and a piece of whitewood. He was
almost hidden in the shadow. It was half-past four. They had but to await the
father’s coming to begin tea. As the mother watched her son’s
sullen little struggle with the wood, she saw herself in his silence and
pertinacity; she saw the father in her child’s indifference to all but
himself. She seemed to be occupied by her husband. He had probably gone past
his home, slunk past his own door, to drink before he came in, while his dinner
spoiled and wasted in waiting. She glanced at the clock, then took the potatoes
to strain them in the yard. The garden and fields beyond the brook were closed
in uncertain darkness. When she rose with the saucepan, leaving the drain
steaming into the night behind her, she saw the yellow lamps were lit along the
high road that went up the hill away beyond the space of the railway lines and
the field.</p>
<p>Then again she watched the men trooping home, fewer now and fewer.</p>
<p>Indoors the fire was sinking and the room was dark red. The woman put her
saucepan on the hob, and set a batter pudding near the mouth of the oven. Then
she stood unmoving. Directly, gratefully, came quick young steps to the door.
Someone hung on the latch a moment, then a little girl entered and began
pulling off her outdoor things, dragging a mass of curls, just ripening from
gold to brown, over her eyes with her hat.</p>
<p>Her mother chid her for coming late from school, and said she would have to
keep her at home the dark winter days.</p>
<p>“Why, mother, it’s hardly a bit dark yet. The lamp’s not
lighted, and my father’s not home.”</p>
<p>“No, he isn’t. But it’s a quarter to five! Did you see
anything of him?”</p>
<p>The child became serious. She looked at her mother with large, wistful blue
eyes.</p>
<p>“No, mother, I’ve never seen him. Why? Has he come up an’
gone past, to Old Brinsley? He hasn’t, mother, ’cos I never saw
him.”</p>
<p>“He’d watch that,” said the mother bitterly,
“he’d take care as you didn’t see him. But you may depend
upon it, he’s seated in the ‘Prince o’ Wales’. He
wouldn’t be this late.”</p>
<p>The girl looked at her mother piteously.</p>
<p>“Let’s have our teas, mother, should we?” said she.</p>
<p>The mother called John to table. She opened the door once more and looked out
across the darkness of the lines. All was deserted: she could not hear the
winding-engines.</p>
<p>“Perhaps,” she said to herself, “he’s stopped to get
some ripping done.”</p>
<p>They sat down to tea. John, at the end of the table near the door, was almost
lost in the darkness. Their faces were hidden from each other. The girl
crouched against the fender slowly moving a thick piece of bread before the
fire. The lad, his face a dusky mark on the shadow, sat watching her who was
transfigured in the red glow.</p>
<p>“I do think it’s beautiful to look in the fire,” said the
child.</p>
<p>“Do you?” said her mother. “Why?”</p>
<p>“It’s so red, and full of little caves—and it feels so nice,
and you can fair smell it.”</p>
<p>“It’ll want mending directly,” replied her mother, “and
then if your father comes he’ll carry on and say there never is a fire
when a man comes home sweating from the pit. A public-house is always warm
enough.”</p>
<p>There was silence till the boy said complainingly: “Make haste, our
Annie.”</p>
<p>“Well, I am doing! I can’t make the fire do it no faster, can
I?”</p>
<p>“She keeps wafflin’ it about so’s to make ’er
slow,” grumbled the boy.</p>
<p>“Don’t have such an evil imagination, child,” replied the
mother.</p>
<p>Soon the room was busy in the darkness with the crisp sound of crunching. The
mother ate very little. She drank her tea determinedly, and sat thinking. When
she rose her anger was evident in the stern unbending of her head. She looked
at the pudding in the fender, and broke out:</p>
<p>“It is a scandalous thing as a man can’t even come home to his
dinner! If it’s crozzled up to a cinder I don’t see why I should
care. Past his very door he goes to get to a public-house, and here I sit with
his dinner waiting for him——”</p>
<p>She went out. As she dropped piece after piece of coal on the red fire, the
shadows fell on the walls, till the room was almost in total darkness.</p>
<p>“I canna see,” grumbled the invisible John. In spite of herself,
the mother laughed.</p>
<p>“You know the way to your mouth,” she said. She set the dustpan
outside the door. When she came again like a shadow on the hearth, the lad
repeated, complaining sulkily:</p>
<p>“I canna see.”</p>
<p>“Good gracious!” cried the mother irritably, “you’re as
bad as your father if it’s a bit dusk!”</p>
<p>Nevertheless she took a paper spill from a sheaf on the mantelpiece and
proceeded to light the lamp that hung from the ceiling in the middle of the
room. As she reached up, her figure displayed itself just rounding with
maternity.</p>
<p>“Oh, mother——!” exclaimed the girl.</p>
<p>“What?” said the woman, suspended in the act of putting the lamp
glass over the flame. The copper reflector shone handsomely on her, as she
stood with uplifted arm, turning to face her daughter.</p>
<p>“You’ve got a flower in your apron!” said the child, in a
little rapture at this unusual event.</p>
<p>“Goodness me!” exclaimed the woman, relieved. “One would
think the house was afire.” She replaced the glass and waited a moment
before turning up the wick. A pale shadow was seen floating vaguely on the
floor.</p>
<p>“Let me smell!” said the child, still rapturously, coming forward
and putting her face to her mother’s waist.</p>
<p>“Go along, silly!” said the mother, turning up the lamp. The light
revealed their suspense so that the woman felt it almost unbearable. Annie was
still bending at her waist. Irritably, the mother took the flowers out from her
apron-band.</p>
<p>“Oh, mother—don’t take them out!” Annie cried, catching
her hand and trying to replace the sprig.</p>
<p>“Such nonsense!” said the mother, turning away. The child put the
pale chrysanthemums to her lips, murmuring:</p>
<p>“Don’t they smell beautiful!”</p>
<p>Her mother gave a short laugh.</p>
<p>“No,” she said, “not to me. It was chrysanthemums when I
married him, and chrysanthemums when you were born, and the first time they
ever brought him home drunk, he’d got brown chrysanthemums in his
button-hole.”</p>
<p>She looked at the children. Their eyes and their parted lips were wondering.
The mother sat rocking in silence for some time. Then she looked at the clock.</p>
<p>“Twenty minutes to six!” In a tone of fine bitter carelessness she
continued: “Eh, he’ll not come now till they bring him. There
he’ll stick! But he needn’t come rolling in here in his pit-dirt,
for <i>I</i> won’t wash him. He can lie on the floor—— Eh,
what a fool I’ve been, what a fool! And this is what I came here for, to
this dirty hole, rats and all, for him to slink past his very door. Twice last
week—he’s begun now——”</p>
<p>She silenced herself, and rose to clear the table.</p>
<p>While for an hour or more the children played, subduedly intent, fertile of
imagination, united in fear of the mother’s wrath, and in dread of their
father’s home-coming, Mrs Bates sat in her rocking-chair making a
‘singlet’ of thick cream-coloured flannel, which gave a dull
wounded sound as she tore off the grey edge. She worked at her sewing with
energy, listening to the children, and her anger wearied itself, lay down to
rest, opening its eyes from time to time and steadily watching, its ears raised
to listen. Sometimes even her anger quailed and shrank, and the mother
suspended her sewing, tracing the footsteps that thudded along the sleepers
outside; she would lift her head sharply to bid the children
‘hush’, but she recovered herself in time, and the footsteps went
past the gate, and the children were not flung out of their playing world.</p>
<p>But at last Annie sighed, and gave in. She glanced at her waggon of slippers,
and loathed the game. She turned plaintively to her mother.</p>
<p>“Mother!”—but she was inarticulate.</p>
<p>John crept out like a frog from under the sofa. His mother glanced up.</p>
<p>“Yes,” she said, “just look at those shirt-sleeves!”</p>
<p>The boy held them out to survey them, saying nothing. Then somebody called in a
hoarse voice away down the line, and suspense bristled in the room, till two
people had gone by outside, talking.</p>
<p>“It is time for bed,” said the mother.</p>
<p>“My father hasn’t come,” wailed Annie plaintively. But her
mother was primed with courage.</p>
<p>“Never mind. They’ll bring him when he does come—like a
log.” She meant there would be no scene. “And he may sleep on the
floor till he wakes himself. I know he’ll not go to work tomorrow after
this!”</p>
<p>The children had their hands and faces wiped with a flannel. They were very
quiet. When they had put on their nightdresses, they said their prayers, the
boy mumbling. The mother looked down at them, at the brown silken bush of
intertwining curls in the nape of the girl’s neck, at the little black
head of the lad, and her heart burst with anger at their father who caused all
three such distress. The children hid their faces in her skirts for comfort.</p>
<p>When Mrs Bates came down, the room was strangely empty, with a tension of
expectancy. She took up her sewing and stitched for some time without raising
her head. Meantime her anger was tinged with fear.</p>
<h4>II</h4>
<p>The clock struck eight and she rose suddenly, dropping her sewing on her chair.
She went to the stairfoot door, opened it, listening. Then she went out,
locking the door behind her.</p>
<p>Something scuffled in the yard, and she started, though she knew it was only
the rats with which the place was overrun. The night was very dark. In the
great bay of railway lines, bulked with trucks, there was no trace of light,
only away back she could see a few yellow lamps at the pit-top, and the red
smear of the burning pit-bank on the night. She hurried along the edge of the
track, then, crossing the converging lines, came to the stile by the white
gates, whence she emerged on the road. Then the fear which had led her shrank.
People were walking up to New Brinsley; she saw the lights in the houses;
twenty yards further on were the broad windows of the ‘Prince of
Wales’, very warm and bright, and the loud voices of men could be heard
distinctly. What a fool she had been to imagine that anything had happened to
him! He was merely drinking over there at the ‘Prince of Wales’.
She faltered. She had never yet been to fetch him, and she never would go. So
she continued her walk towards the long straggling line of houses, standing
blank on the highway. She entered a passage between the dwellings.</p>
<p>“Mr Rigley?—Yes! Did you want him? No, he’s not in at this
minute.”</p>
<p>The raw-boned woman leaned forward from her dark scullery and peered at the
other, upon whom fell a dim light through the blind of the kitchen window.</p>
<p>“Is it Mrs Bates?” she asked in a tone tinged with respect.</p>
<p>“Yes. I wondered if your Master was at home. Mine hasn’t come
yet.”</p>
<p>“’Asn’t ’e! Oh, Jack’s been ’ome an’
’ad ’is dinner an’ gone out. ’E’s just gone for
’alf an hour afore bedtime. Did you call at the ‘Prince of
Wales’?”</p>
<p>“No——”</p>
<p>“No, you didn’t like——! It’s not very
nice.” The other woman was indulgent. There was an awkward pause.
“Jack never said nothink about—about your Mester,” she said.</p>
<p>“No!—I expect he’s stuck in there!”</p>
<p>Elizabeth Bates said this bitterly, and with recklessness. She knew that the
woman across the yard was standing at her door listening, but she did not care.
As she turned:</p>
<p>“Stop a minute! I’ll just go an’ ask Jack if e’ knows
anythink,” said Mrs Rigley.</p>
<p>“Oh, no—I wouldn’t like to put——!”</p>
<p>“Yes, I will, if you’ll just step inside an’ see as th’
childer doesn’t come downstairs and set theirselves afire.”</p>
<p>Elizabeth Bates, murmuring a remonstrance, stepped inside. The other woman
apologized for the state of the room.</p>
<p>The kitchen needed apology. There were little frocks and trousers and childish
undergarments on the squab and on the floor, and a litter of playthings
everywhere. On the black American cloth of the table were pieces of bread and
cake, crusts, slops, and a teapot with cold tea.</p>
<p>“Eh, ours is just as bad,” said Elizabeth Bates, looking at the
woman, not at the house. Mrs Rigley put a shawl over her head and hurried out,
saying:</p>
<p>“I shanna be a minute.”</p>
<p>The other sat, noting with faint disapproval the general untidiness of the
room. Then she fell to counting the shoes of various sizes scattered over the
floor. There were twelve. She sighed and said to herself, “No
wonder!”—glancing at the litter. There came the scratching of two
pairs of feet on the yard, and the Rigleys entered. Elizabeth Bates rose.
Rigley was a big man, with very large bones. His head looked particularly bony.
Across his temple was a blue scar, caused by a wound got in the pit, a wound in
which the coal-dust remained blue like tattooing.</p>
<p>“Asna ’e come whoam yit?” asked the man, without any form of
greeting, but with deference and sympathy. “I couldna say wheer he
is—’e’s non ower theer!”—he jerked his head to
signify the ‘Prince of Wales’.</p>
<p>“’E’s ’appen gone up to th’
‘Yew’,” said Mrs Rigley.</p>
<p>There was another pause. Rigley had evidently something to get off his mind:</p>
<p>“Ah left ’im finishin’ a stint,” he began.
“Loose-all ’ad bin gone about ten minutes when we com’n away,
an’ I shouted, ‘Are ter comin’, Walt?’ an’
’e said, ‘Go on, Ah shanna be but a’ef a minnit,’ so we
com’n ter th’ bottom, me an’ Bowers, thinkin’ as
’e wor just behint, an’ ’ud come up i’ th’ next
bantle——”</p>
<p>He stood perplexed, as if answering a charge of deserting his mate. Elizabeth
Bates, now again certain of disaster, hastened to reassure him:</p>
<p>“I expect ’e’s gone up to th’ ‘Yew Tree’,
as you say. It’s not the first time. I’ve fretted myself into a
fever before now. He’ll come home when they carry him.”</p>
<p>“Ay, isn’t it too bad!” deplored the other woman.</p>
<p>“I’ll just step up to Dick’s an’ see if ’e
<i>is</i> theer,” offered the man, afraid of appearing alarmed, afraid of
taking liberties.</p>
<p>“Oh, I wouldn’t think of bothering you that far,” said
Elizabeth Bates, with emphasis, but he knew she was glad of his offer.</p>
<p>As they stumbled up the entry, Elizabeth Bates heard Rigley’s wife run
across the yard and open her neighbour’s door. At this, suddenly all the
blood in her body seemed to switch away from her heart.</p>
<p>“Mind!” warned Rigley. “Ah’ve said many a time as
Ah’d fill up them ruts in this entry, sumb’dy ’ll be
breakin’ their legs yit.”</p>
<p>She recovered herself and walked quickly along with the miner.</p>
<p>“I don’t like leaving the children in bed, and nobody in the
house,” she said.</p>
<p>“No, you dunna!” he replied courteously. They were soon at the gate
of the cottage.</p>
<p>“Well, I shanna be many minnits. Dunna you be frettin’ now,
’e’ll be all right,” said the butty.</p>
<p>“Thank you very much, Mr Rigley,” she replied.</p>
<p>“You’re welcome!” he stammered, moving away. “I shanna
be many minnits.”</p>
<p>The house was quiet. Elizabeth Bates took off her hat and shawl, and rolled
back the rug. When she had finished, she sat down. It was a few minutes past
nine. She was startled by the rapid chuff of the winding-engine at the pit, and
the sharp whirr of the brakes on the rope as it descended. Again she felt the
painful sweep of her blood, and she put her hand to her side, saying aloud,
“Good gracious!—it’s only the nine o’clock deputy going
down,” rebuking herself.</p>
<p>She sat still, listening. Half an hour of this, and she was wearied out.</p>
<p>“What am I working myself up like this for?” she said pitiably to
herself, “I s’ll only be doing myself some damage.”</p>
<p>She took out her sewing again.</p>
<p>At a quarter to ten there were footsteps. One person! She watched for the door
to open. It was an elderly woman, in a black bonnet and a black woollen
shawl—his mother. She was about sixty years old, pale, with blue eyes,
and her face all wrinkled and lamentable. She shut the door and turned to her
daughter-in-law peevishly.</p>
<p>“Eh, Lizzie, whatever shall we do, whatever shall we do!” she
cried.</p>
<p>Elizabeth drew back a little, sharply.</p>
<p>“What is it, mother?” she said.</p>
<p>The elder woman seated herself on the sofa.</p>
<p>“I don’t know, child, I can’t tell you!”—she
shook her head slowly. Elizabeth sat watching her, anxious and vexed.</p>
<p>“I don’t know,” replied the grandmother, sighing very deeply.
“There’s no end to my troubles, there isn’t. The things
I’ve gone through, I’m sure it’s enough——!”
She wept without wiping her eyes, the tears running.</p>
<p>“But, mother,” interrupted Elizabeth, “what do you mean? What
is it?”</p>
<p>The grandmother slowly wiped her eyes. The fountains of her tears were stopped
by Elizabeth’s directness. She wiped her eyes slowly.</p>
<p>“Poor child! Eh, you poor thing!” she moaned. “I don’t
know what we’re going to do, I don’t—and you as you
are—it’s a thing, it is indeed!”</p>
<p>Elizabeth waited.</p>
<p>“Is he dead?” she asked, and at the words her heart swung
violently, though she felt a slight flush of shame at the ultimate extravagance
of the question. Her words sufficiently frightened the old lady, almost brought
her to herself.</p>
<p>“Don’t say so, Elizabeth! We’ll hope it’s not as bad as
that; no, may the Lord spare us that, Elizabeth. Jack Rigley came just as I was
sittin’ down to a glass afore going to bed, an’ ’e said,
‘’Appen you’ll go down th’ line, Mrs Bates.
Walt’s had an accident. ’Appen you’ll go an’ sit
wi’ ’er till we can get him home.’ I hadn’t time to ask
him a word afore he was gone. An’ I put my bonnet on an’ come
straight down, Lizzie. I thought to myself, ‘Eh, that poor blessed child,
if anybody should come an’ tell her of a sudden, there’s no
knowin’ what’ll ’appen to ’er.’ You mustn’t
let it upset you, Lizzie—or you know what to expect. How long is it, six
months—or is it five, Lizzie? Ay!”—the old woman shook her
head—“time slips on, it slips on! Ay!”</p>
<p>Elizabeth’s thoughts were busy elsewhere. If he was killed—would
she be able to manage on the little pension and what she could earn?—she
counted up rapidly. If he was hurt—they wouldn’t take him to the
hospital—how tiresome he would be to nurse!—but perhaps she’d
be able to get him away from the drink and his hateful ways. She
would—while he was ill. The tears offered to come to her eyes at the
picture. But what sentimental luxury was this she was beginning?—She
turned to consider the children. At any rate she was absolutely necessary for
them. They were her business.</p>
<p>“Ay!” repeated the old woman, “it seems but a week or two
since he brought me his first wages. Ay—he was a good lad, Elizabeth, he
was, in his way. I don’t know why he got to be such a trouble, I
don’t. He was a happy lad at home, only full of spirits. But
there’s no mistake he’s been a handful of trouble, he has! I hope
the Lord’ll spare him to mend his ways. I hope so, I hope so.
You’ve had a sight o’ trouble with him, Elizabeth, you have indeed.
But he was a jolly enough lad wi’ me, he was, I can assure you. I
don’t know how it is....”</p>
<p>The old woman continued to muse aloud, a monotonous irritating sound, while
Elizabeth thought concentratedly, startled once, when she heard the
winding-engine chuff quickly, and the brakes skirr with a shriek. Then she
heard the engine more slowly, and the brakes made no sound. The old woman did
not notice. Elizabeth waited in suspense. The mother-in-law talked, with lapses
into silence.</p>
<p>“But he wasn’t your son, Lizzie, an’ it makes a difference.
Whatever he was, I remember him when he was little, an’ I learned to
understand him and to make allowances. You’ve got to make allowances for
them——”</p>
<p>It was half-past ten, and the old woman was saying: “But it’s
trouble from beginning to end; you’re never too old for trouble, never
too old for that——” when the gate banged back, and there were
heavy feet on the steps.</p>
<p>“I’ll go, Lizzie, let me go,” cried the old woman, rising.
But Elizabeth was at the door. It was a man in pit-clothes.</p>
<p>“They’re bringin’ ’im, Missis,” he said.
Elizabeth’s heart halted a moment. Then it surged on again, almost
suffocating her.</p>
<p>“Is he—is it bad?” she asked.</p>
<p>The man turned away, looking at the darkness:</p>
<p>“The doctor says ’e’d been dead hours. ’E saw ’im
i’ th’ lamp-cabin.”</p>
<p>The old woman, who stood just behind Elizabeth, dropped into a chair, and
folded her hands, crying: “Oh, my boy, my boy!”</p>
<p>“Hush!” said Elizabeth, with a sharp twitch of a frown. “Be
still, mother, don’t waken th’ children: I wouldn’t have them
down for anything!”</p>
<p>The old woman moaned softly, rocking herself. The man was drawing away.
Elizabeth took a step forward.</p>
<p>“How was it?” she asked.</p>
<p>“Well, I couldn’t say for sure,” the man replied, very ill at
ease. “’E wor finishin’ a stint an’ th’ butties
’ad gone, an’ a lot o’ stuff come down atop ’n
’im.”</p>
<p>“And crushed him?” cried the widow, with a shudder.</p>
<p>“No,” said the man, “it fell at th’ back of ’im.
’E wor under th’ face, an’ it niver touched ’im. It
shut ’im in. It seems ’e wor smothered.”</p>
<p>Elizabeth shrank back. She heard the old woman behind her cry:</p>
<p>“What?—what did ’e say it was?”</p>
<p>The man replied, more loudly: “’E wor smothered!”</p>
<p>Then the old woman wailed aloud, and this relieved Elizabeth.</p>
<p>“Oh, mother,” she said, putting her hand on the old woman,
“don’t waken th’ children, don’t waken th’
children.”</p>
<p>She wept a little, unknowing, while the old mother rocked herself and moaned.
Elizabeth remembered that they were bringing him home, and she must be ready.
“They’ll lay him in the parlour,” she said to herself,
standing a moment pale and perplexed.</p>
<p>Then she lighted a candle and went into the tiny room. The air was cold and
damp, but she could not make a fire, there was no fireplace. She set down the
candle and looked round. The candle-light glittered on the lustre-glasses, on
the two vases that held some of the pink chrysanthemums, and on the dark
mahogany. There was a cold, deathly smell of chrysanthemums in the room.
Elizabeth stood looking at the flowers. She turned away, and calculated whether
there would be room to lay him on the floor, between the couch and the
chiffonier. She pushed the chairs aside. There would be room to lay him down
and to step round him. Then she fetched the old red tablecloth, and another old
cloth, spreading them down to save her bit of carpet. She shivered on leaving
the parlour; so, from the dresser-drawer she took a clean shirt and put it at
the fire to air. All the time her mother-in-law was rocking herself in the
chair and moaning.</p>
<p>“You’ll have to move from there, mother,” said Elizabeth.
“They’ll be bringing him in. Come in the rocker.”</p>
<p>The old mother rose mechanically, and seated herself by the fire, continuing to
lament. Elizabeth went into the pantry for another candle, and there, in the
little penthouse under the naked tiles, she heard them coming. She stood still
in the pantry doorway, listening. She heard them pass the end of the house, and
come awkwardly down the three steps, a jumble of shuffling footsteps and
muttering voices. The old woman was silent. The men were in the yard.</p>
<p>Then Elizabeth heard Matthews, the manager of the pit, say: “You go in
first, Jim. Mind!”</p>
<p>The door came open, and the two women saw a collier backing into the room,
holding one end of a stretcher, on which they could see the nailed pit-boots of
the dead man. The two carriers halted, the man at the head stooping to the
lintel of the door.</p>
<p>“Wheer will you have him?” asked the manager, a short,
white-bearded man.</p>
<p>Elizabeth roused herself and came from the pantry carrying the unlighted
candle.</p>
<p>“In the parlour,” she said.</p>
<p>“In there, Jim!” pointed the manager, and the carriers backed round
into the tiny room. The coat with which they had covered the body fell off as
they awkwardly turned through the two doorways, and the women saw their man,
naked to the waist, lying stripped for work. The old woman began to moan in a
low voice of horror.</p>
<p>“Lay th’ stretcher at th’ side,” snapped the manager,
“an’ put ’im on th’ cloths. Mind now, mind! Look you
now——!”</p>
<p>One of the men had knocked off a vase of chrysanthemums. He stared awkwardly,
then they set down the stretcher. Elizabeth did not look at her husband. As
soon as she could get in the room, she went and picked up the broken vase and
the flowers.</p>
<p>“Wait a minute!” she said.</p>
<p>The three men waited in silence while she mopped up the water with a duster.</p>
<p>“Eh, what a job, what a job, to be sure!” the manager was saying,
rubbing his brow with trouble and perplexity. “Never knew such a thing in
my life, never! He’d no business to ha’ been left. I never knew
such a thing in my life! Fell over him clean as a whistle, an’ shut him
in. Not four foot of space, there wasn’t—yet it scarce bruised
him.”</p>
<p>He looked down at the dead man, lying prone, half naked, all grimed with
coal-dust.</p>
<p>“‘’Sphyxiated,’ the doctor said. It <i>is</i> the most
terrible job I’ve ever known. Seems as if it was done o’ purpose.
Clean over him, an’ shut ’im in, like a mouse-trap”—he
made a sharp, descending gesture with his hand.</p>
<p>The colliers standing by jerked aside their heads in hopeless comment.</p>
<p>The horror of the thing bristled upon them all.</p>
<p>Then they heard the girl’s voice upstairs calling shrilly: “Mother,
mother—who is it? Mother, who is it?”</p>
<p>Elizabeth hurried to the foot of the stairs and opened the door:</p>
<p>“Go to sleep!” she commanded sharply. “What are you shouting
about? Go to sleep at once—there’s nothing——”</p>
<p>Then she began to mount the stairs. They could hear her on the boards, and on
the plaster floor of the little bedroom. They could hear her distinctly:</p>
<p>“What’s the matter now?—what’s the matter with you,
silly thing?”—her voice was much agitated, with an unreal
gentleness.</p>
<p>“I thought it was some men come,” said the plaintive voice of the
child. “Has he come?”</p>
<p>“Yes, they’ve brought him. There’s nothing to make a fuss
about. Go to sleep now, like a good child.”</p>
<p>They could hear her voice in the bedroom, they waited whilst she covered the
children under the bedclothes.</p>
<p>“Is he drunk?” asked the girl, timidly, faintly.</p>
<p>“No! No—he’s not! He—he’s asleep.”</p>
<p>“Is he asleep downstairs?”</p>
<p>“Yes—and don’t make a noise.”</p>
<p>There was silence for a moment, then the men heard the frightened child again:</p>
<p>“What’s that noise?”</p>
<p>“It’s nothing, I tell you, what are you bothering for?”</p>
<p>The noise was the grandmother moaning. She was oblivious of everything, sitting
on her chair rocking and moaning. The manager put his hand on her arm and bade
her “Sh—sh!!”</p>
<p>The old woman opened her eyes and looked at him. She was shocked by this
interruption, and seemed to wonder.</p>
<p>“What time is it?”—the plaintive thin voice of the child,
sinking back unhappily into sleep, asked this last question.</p>
<p>“Ten o’clock,” answered the mother more softly. Then she must
have bent down and kissed the children.</p>
<p>Matthews beckoned to the men to come away. They put on their caps and took up
the stretcher. Stepping over the body, they tiptoed out of the house. None of
them spoke till they were far from the wakeful children.</p>
<p>When Elizabeth came down she found her mother alone on the parlour floor,
leaning over the dead man, the tears dropping on him.</p>
<p>“We must lay him out,” the wife said. She put on the kettle, then
returning knelt at the feet, and began to unfasten the knotted leather laces.
The room was clammy and dim with only one candle, so that she had to bend her
face almost to the floor. At last she got off the heavy boots and put them
away.</p>
<p>“You must help me now,” she whispered to the old woman. Together
they stripped the man.</p>
<p>When they arose, saw him lying in the naïve dignity of death, the women stood
arrested in fear and respect. For a few moments they remained still, looking
down, the old mother whimpering. Elizabeth felt countermanded. She saw him, how
utterly inviolable he lay in himself. She had nothing to do with him. She could
not accept it. Stooping, she laid her hand on him, in claim. He was still warm,
for the mine was hot where he had died. His mother had his face between her
hands, and was murmuring incoherently. The old tears fell in succession as
drops from wet leaves; the mother was not weeping, merely her tears flowed.
Elizabeth embraced the body of her husband, with cheek and lips. She seemed to
be listening, inquiring, trying to get some connection. But she could not. She
was driven away. He was impregnable.</p>
<p>She rose, went into the kitchen, where she poured warm water into a bowl,
brought soap and flannel and a soft towel.</p>
<p>“I must wash him,” she said.</p>
<p>Then the old mother rose stiffly, and watched Elizabeth as she carefully washed
his face, carefully brushing the big blond moustache from his mouth with the
flannel. She was afraid with a bottomless fear, so she ministered to him. The
old woman, jealous, said:</p>
<p>“Let me wipe him!”—and she kneeled on the other side drying
slowly as Elizabeth washed, her big black bonnet sometimes brushing the dark
head of her daughter. They worked thus in silence for a long time. They never
forgot it was death, and the touch of the man’s dead body gave them
strange emotions, different in each of the women; a great dread possessed them
both, the mother felt the lie was given to her womb, she was denied; the wife
felt the utter isolation of the human soul, the child within her was a weight
apart from her.</p>
<p>At last it was finished. He was a man of handsome body, and his face showed no
traces of drink. He was blonde, full-fleshed, with fine limbs. But he was dead.</p>
<p>“Bless him,” whispered his mother, looking always at his face, and
speaking out of sheer terror. “Dear lad—bless him!” She spoke
in a faint, sibilant ecstasy of fear and mother love.</p>
<p>Elizabeth sank down again to the floor, and put her face against his neck, and
trembled and shuddered. But she had to draw away again. He was dead, and her
living flesh had no place against his. A great dread and weariness held her:
she was so unavailing. Her life was gone like this.</p>
<p>“White as milk he is, clear as a twelve-month baby, bless him, the
darling!” the old mother murmured to herself. “Not a mark on him,
clear and clean and white, beautiful as ever a child was made,” she
murmured with pride. Elizabeth kept her face hidden.</p>
<p>“He went peaceful, Lizzie—peaceful as sleep. Isn’t he
beautiful, the lamb? Ay—he must ha’ made his peace, Lizzie.
’Appen he made it all right, Lizzie, shut in there. He’d have time.
He wouldn’t look like this if he hadn’t made his peace. The lamb,
the dear lamb. Eh, but he had a hearty laugh. I loved to hear it. He had the
heartiest laugh, Lizzie, as a lad——”</p>
<p>Elizabeth looked up. The man’s mouth was fallen back, slightly open under
the cover of the moustache. The eyes, half shut, did not show glazed in the
obscurity. Life with its smoky burning gone from him, had left him apart and
utterly alien to her. And she knew what a stranger he was to her. In her womb
was ice of fear, because of this separate stranger with whom she had been
living as one flesh. Was this what it all meant—utter, intact
separateness, obscured by heat of living? In dread she turned her face away.
The fact was too deadly. There had been nothing between them, and yet they had
come together, exchanging their nakedness repeatedly. Each time he had taken
her, they had been two isolated beings, far apart as now. He was no more
responsible than she. The child was like ice in her womb. For as she looked at
the dead man, her mind, cold and detached, said clearly: “Who am I? What
have I been doing? I have been fighting a husband who did not exist. <i>He</i>
existed all the time. What wrong have I done? What was that I have been living
with? There lies the reality, this man.”—And her soul died in her
for fear: she knew she had never seen him, he had never seen her, they had met
in the dark and had fought in the dark, not knowing whom they met nor whom they
fought. And now she saw, and turned silent in seeing. For she had been wrong.
She had said he was something he was not; she had felt familiar with him.
Whereas he was apart all the while, living as she never lived, feeling as she
never felt.</p>
<p>In fear and shame she looked at his naked body, that she had known falsely. And
he was the father of her children. Her soul was torn from her body and stood
apart. She looked at his naked body and was ashamed, as if she had denied it.
After all, it was itself. It seemed awful to her. She looked at his face, and
she turned her own face to the wall. For his look was other than hers, his way
was not her way. She had denied him what he was—she saw it now. She had
refused him as himself.—And this had been her life, and his
life.—She was grateful to death, which restored the truth. And she knew
she was not dead.</p>
<p>And all the while her heart was bursting with grief and pity for him. What had
he suffered? What stretch of horror for this helpless man! She was rigid with
agony. She had not been able to help him. He had been cruelly injured, this
naked man, this other being, and she could make no reparation. There were the
children—but the children belonged to life. This dead man had nothing to
do with them. He and she were only channels through which life had flowed to
issue in the children. She was a mother—but how awful she knew it now to
have been a wife. And he, dead now, how awful he must have felt it to be a
husband. She felt that in the next world he would be a stranger to her. If they
met there, in the beyond, they would only be ashamed of what had been before.
The children had come, for some mysterious reason, out of both of them. But the
children did not unite them. Now he was dead, she knew how eternally he was
apart from her, how eternally he had nothing more to do with her. She saw this
episode of her life closed. They had denied each other in life. Now he had
withdrawn. An anguish came over her. It was finished then: it had become
hopeless between them long before he died. Yet he had been her husband. But how
little!</p>
<p>“Have you got his shirt, ’Lizabeth?”</p>
<p>Elizabeth turned without answering, though she strove to weep and behave as her
mother-in-law expected. But she could not, she was silenced. She went into the
kitchen and returned with the garment.</p>
<p>“It is aired,” she said, grasping the cotton shirt here and there
to try. She was almost ashamed to handle him; what right had she or anyone to
lay hands on him; but her touch was humble on his body. It was hard work to
clothe him. He was so heavy and inert. A terrible dread gripped her all the
while: that he could be so heavy and utterly inert, unresponsive, apart. The
horror of the distance between them was almost too much for her—it was so
infinite a gap she must look across.</p>
<p>At last it was finished. They covered him with a sheet and left him lying, with
his face bound. And she fastened the door of the little parlour, lest the
children should see what was lying there. Then, with peace sunk heavy on her
heart, she went about making tidy the kitchen. She knew she submitted to life,
which was her immediate master. But from death, her ultimate master, she winced
with fear and shame.</p>
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