<p><SPAN name="c1-8" id="c1-8"></SPAN> </p>
<p> </p>
<h3>CHAPTER VIII.</h3>
<h4>AN ACCOUNT OF MRS. TAPPITT'S BALL—CONCLUDED.<br/> </h4>
<p>It came to be voted by public acclamation that Rachel Ray was the
belle of the evening. I think this was brought about quite as much by
Mrs. Butler Cornbury's powerful influence as by Rachel's beauty. Mrs.
Butler Cornbury having begun the work of chaperon carried it on
heartily, and talked her young friend up to the top of the tree. Long
before supper her card was quite full, but filled in a manner that
was not comfortable to herself,—for she knew that she had made
mistakes. As to those spaces on which the letter R was written, she
kept them very sacred. She was quite resolved that she would not
stand up with him on all those occasions,—that she would omit at any
rate two; but she would accept no one else for those two dances, not
choosing to select any special period for throwing him over. She
endeavoured to explain this when she waltzed with him, shortly before
supper; but her explanation did not come easy, and she wanted all her
attention for the immediate work she had in hand. "If you'd only give
yourself to it a little more eagerly," he said, "you'd waltz
beautifully."</p>
<p>"I shall never do it well," she answered. "I don't suppose I shall
ever try again."</p>
<p>"But you like it?"</p>
<p>"Oh yes; I like it excessively. But one can't do everything that one
likes."</p>
<p>"No; I can't. You won't let me do what I like."</p>
<p>"Don't talk in that way, Mr. Rowan. If you do you'll destroy all my
pleasure. You should let me enjoy it while it lasts." In this way she
was becoming intimate with him.</p>
<p>"How very nicely your house does for a dance," said Mrs. Cornbury to
Mrs. Tappitt.</p>
<p>"Oh dear,—I don't think so. Our rooms are so small. But it's very
kind of you to say so. Indeed, I never can be sufficiently
<span class="nowrap">obliged—"</span></p>
<p>"By-the-by," said Mrs. Cornbury, "what a nice girl Rachel Ray has
grown."</p>
<p>"Yes, indeed," said Mrs. Tappitt.</p>
<p>"And dances so well! I'd no idea of it. The young men seem rather
taken with her. Don't you think so?"</p>
<p>"I declare I think they are. I always fancy that is rather a
misfortune to a young girl,—particularly when it must mean nothing,
as of course it can't with poor Rachel."</p>
<p>"I don't see that at all."</p>
<p>"Her mother, you know, Mrs. Cornbury;—they are not in the way of
seeing any company. It was so kind of you to bring her here, and
really she does look very nice. My girls are very good-natured to
her. I only hope her head won't be turned. Here's Mr. Tappitt. You
must go down Mrs. Cornbury, and eat a little bit of supper." Then Mr.
Tappitt in his blue waistcoat led Mrs. Cornbury away.</p>
<p>"I am a very bad hand at supper," said the lady.</p>
<p>"You must take just one glass of champagne," said the gentleman. Now
that the wine was there, Mr. Tappitt appreciated the importance of
the occasion.</p>
<p>For the last dance before supper,—or that which was intended to be
the last,—Rachel had by long agreement been the partner of Walter
Cornbury. But now that it was over, the majority of the performers
could not go into the supper-room because of the crowd. Young
Cornbury therefore proposed that they should loiter about till their
time came. He was very well inclined for such loitering with Rachel.</p>
<p>"You're flirting with that girl, Master Walter," said Mrs. Cornbury.</p>
<p>"I suppose that's what she came for," said the cousin.</p>
<p>"By no means, and she's under my care; therefore I beg you'll talk no
nonsense to her."</p>
<p>Walter Cornbury probably did talk a little nonsense to her, but it
was very innocent nonsense. Most of such flirtations if they were
done out loud would be very innocent. Young men are not nearly so
pointed in their compliments as their elders, and generally confine
themselves to remarks of which neither mothers nor grandmothers could
disapprove if they heard them. The romance lies rather in the
thoughts than in the words of those concerned. Walter Cornbury
believed that he was flirting and felt himself to be happy, but he
had uttered nothing warmer to Rachel than a hope that he might meet
her at the next Torquay ball.</p>
<p>"I never go to public balls," said Rachel.</p>
<p>"But why not, Miss Ray?" said Walter.</p>
<p>"I never went to a dance of any description before this."</p>
<p>"But now that you've begun of course you'll go on." Mr. Cornbury's
flirtation never reached a higher pitch than that.</p>
<p>When he had got as far as that Luke Rowan played him a trick,—an
inhospitable trick, seeing that he, Rowan, was in some sort at home,
and that the people about him were bound to obey him. He desired the
musicians to strike up again while the elders were eating their
supper,—and then claimed Rachel's hand, so that he might have the
pleasure of serving her with cold chicken and champagne.</p>
<p>"Miss Ray is going into supper with me," said Cornbury.</p>
<p>"But supper is not ready," said Rowan, "and Miss Ray is engaged to
dance with me."</p>
<p>"Quite a mistake on your part," said Cornbury.</p>
<p>"No mistake at all," said Rowan.</p>
<p>"Indeed it is. Come, Miss Ray, we'll take a turn down into the hall,
and see if places are ready for us." Cornbury rather despised Rowan,
as being a brewer and mechanical; and probably he showed that he did
so.</p>
<p>"Places are not ready, so you need not trouble Miss Ray to go down as
yet. But a couple is wanted for a quadrille, and therefore I'm sure
she'll stand up."</p>
<p>"Come along, Rachel," said Cherry. "We just want you. This will be
the nicest of all, because we shall have room."</p>
<p>Rachel had become unhappy seeing that the two men were in earnest.
Had not Cherry spoken she would have remained with Mr. Cornbury,
thinking that to be her safer conduct; but Cherry's voice had
overpowered her, and she gave her arm to young Rowan, moving away
with slow, hesitating step.</p>
<p>"Of course Miss Ray will do as she pleases," said Cornbury.</p>
<p>"Of course she will," said Rowan.</p>
<p>"I am so sorry," said Rachel, "but I was engaged, and it seems I am
really wanted." Walter Cornbury bowed very stiffly, and there was an
end of his flirtation. "That's the sort of thing that always happens
when a fellow comes among this sort of people!" It was thus he
consoled himself as he went down solitary to his supper.</p>
<p>"That's all right," said Rowan; "now we've Cherry for our vis-à-vis,
and after that we'll go down to supper comfortably."</p>
<p>"But I said I'd go with him."</p>
<p>"You can't now, for he has gone without you. What a brick Cherry is!
Do you know what she said of you?"</p>
<p>"No; do tell me."</p>
<p>"I won't. It will make you vain."</p>
<p>"Oh, dear no; but I want Cherry to like me, because I am so fond of
her."</p>
<p>"She says you're by far— But I won't tell you. I hate compliments,
and that would look like one. Come, who's forgetting the figure now?
I shouldn't wonder if young Cornbury went into the brewery and
drowned himself in one of the vats."</p>
<p>It was very nice,—very nice indeed. This was her third dance with
Luke Rowan, and she was beginning to think that the other two might
perhaps come off without any marked impropriety on her part. She was
a little unhappy about Mr. Cornbury,—on his cousin's account rather
than on his own. Mrs. Cornbury had been so kind to her that she ought
to have remained with Walter when he desired it. So she told
herself;—but yet she liked being taken down to supper by Luke Rowan.
She had one other cause of uneasiness. She constantly caught Mrs.
Tappitt's eye fixed upon herself, and whenever she did so Mrs.
Tappitt's eye seemed to look unkindly at her. She had also an
instinctive feeling that Augusta did not regard her with favour, and
that this disfavour arose from Mr. Rowan's attentions. It was all
very nice; but still she felt that there was danger around her, and
sometimes she would pause a moment in her happiness, and almost
tremble as she thought of things. She was dividing herself poles
asunder from Mrs. Prime.</p>
<p>"And now we'll go to supper," said Rowan. "Come, Cherry; do you and
Boyd go on first." Boyd was a friend of Rowan's. "Do you know, I've
done such a clever trick. This is my second descent among the
eatables. As I belong in a manner to the house I took down Miss
Harford, and hovered about her for five minutes. Then I managed to
lose myself in the crowd, and coming up here got the music up. The
fellows were just going off. We've plenty of time now, because
they're in the kitchen eating and drinking. I contrived all that
dodge that I might give you this glass of wine with my own hands."</p>
<p>"Oh, Mr. Rowan, it was very wrong!"</p>
<p>"And that's my reward! I don't care about its being wrong as long as
it's pleasant."</p>
<p>"What shocking morality!"</p>
<p>"All is fair in— Well, never mind, you'll own it is pleasant."</p>
<p>"Oh, yes; it's very pleasant."</p>
<p>"Then I'm contented, and will leave the moral of it for Mr. Cornbury.
I'll tell you something further if you'll let me."</p>
<p>"Pray don't tell me anything that you ought not."</p>
<p>"I've done all I could to get up this party on purpose that we might
have you here."</p>
<p>"Nonsense."</p>
<p>"But I have. I have cared about it just because it would enable me to
say one word to you;—and now I'm afraid to say it."</p>
<p>She was sitting there close to him, and she couldn't go away. She
couldn't run as she had done from the stile. She couldn't show any
feeling of offence before all those who were around her; and
yet,—was it not her duty to do something to stop him? "Pray don't
say such things," she whispered.</p>
<p>"I tell you that I'm afraid to say it. Here; give me some wine.
You'll take some more. No? Well; shall we go? I am afraid to say it."
They were now out in the hall, standing idly there, with their backs
to another door. "I wonder what answer you would make me!"</p>
<p>"We had better go up-stairs. Indeed we had."</p>
<p>"Stop a moment, Miss Ray. Why is it that you are so unwilling even to
stay a moment with me?"</p>
<p>"I'm not unwilling. Only we had better go now."</p>
<p>"Do you remember when I held your arm at the stile?"</p>
<p>"No; I don't remember anything about it. You ought not to have done
it. Do you know, I think you are very cruel." As she made the
accusation, she looked down upon the floor, and spoke in a low,
trembling voice that almost convinced him that she was in earnest.</p>
<p>"Cruel!" said he. "That's hard too."</p>
<p>"Or you wouldn't prevent me enjoying myself while I am here, by
saying things which you ought to know I don't like."</p>
<p>"I have hardly thought whether you would like what I say or not; but
I know this; I would give anything in the world to make myself sure
that you would ever look back upon this evening as a happy one."</p>
<p>"I will if you'll come up-stairs, and—"</p>
<p>"And what?"</p>
<p>"And go on without,—without seeming to mind me so much."</p>
<p>"Ah, but I do mind you. Rachel—no; you shall not go for a minute.
Listen to me for one moment." Then he tried to stand before her, but
she was off from him, and ran up-stairs by herself. What was it that
he wished to say to her? She knew that she would have liked to have
heard it;—nay, that she was longing to hear it. But she was startled
and afraid of him, and as she gently crept in at the door of the
dancing-room, she determined that she would tell Mrs. Cornbury that
she was quite ready for the carriage. It was impossible that she
should go through those other two dances with Luke Rowan; and as for
her other engagements, they must be allowed to shift for themselves.
One had been made early in the evening with Mr. Griggs. It would be a
great thing to escape dancing with Mr. Griggs. She would ask Cherry
to make her apologies to everybody. As she entered the room she felt
ashamed of herself, and unable to take any place. She was oppressed
by an idea that she ought not to be walking about without some
gentleman with her, and that people would observe her. She was still
very near the door when she perceived that Mr. Rowan was also coming
in. She determined to avoid him if she could, feeling sure that she
could not stop him in anything that he might say, while so many
people would be close around them. And yet she felt almost
disappointment when she heard his voice as he talked merrily with
some one at the door. At that moment Mrs. Cornbury came up to her,
walking across the room on purpose to join her.</p>
<p>"What, all alone! I thought your hand was promised for every dance up
to five o'clock."</p>
<p>"I believe I'm engaged to some one now, but I declare I don't know
who it is. I dare say he has forgotten."</p>
<p>"Ah, yes; people do get confused a little just about this time. Will
you come and sit down?"</p>
<p>"Thank you, I should like that. But, Mrs. Cornbury, when you're ready
to go away, I am,—quite ready."</p>
<p>"Go away! Why I thought you intended to dance at least for the next
two hours."</p>
<p>In answer to this, Rachel declared that she was tired. "And, Mrs.
Cornbury, I want to avoid that man," and she pointed out Mr. Griggs
by a glance of her eye. "I think he'll say I'm engaged to him for the
next waltz, and—I don't like him."</p>
<p>"Poor man; he doesn't look very nice, certainly; but if that's all
I'll get you out of the scrape without running away." Then Mr. Griggs
came up, and, with a very low bow, struck out the point of his elbow
towards Rachel, expecting her immediately to put her hand within it.</p>
<p>"I'm afraid, sir, you must excuse Miss Ray just at present. She's too
tired to dance immediately."</p>
<p>Mr. Griggs looked at his card, then looked at Rachel, then looked at
Mrs. Cornbury, and stood twiddling the bunch of little gilt
playthings that hung from his chain. "That is too hard," said he;
"deuced hard."</p>
<p>"I'm very sorry," said Rachel.</p>
<p>"So shall I be,—uncommon. Really, Mrs. Cornbury, I think a turn or
two would do her good. Don't you?"</p>
<p>"I can't say I do. She says she would rather not, and of course you
won't press her."</p>
<p>"I don't see it in that light,—I really don't. A gentleman has his
rights you know, Mrs. Cornbury. Miss Ray won't
<span class="nowrap">deny—"</span></p>
<p>"Miss Ray will deny that she intends to stand up for this dance. And
one of the rights of a gentleman is to take a lady at her word."</p>
<p>"Really, Mrs. Cornbury, you are down upon one so hard."</p>
<p>"Rachel," said she, "would you mind coming across the room with me?
There are seats on the sofa on the other side." Then Mrs. Cornbury
sailed across the floor, and Rachel crept after her more dismayed
than ever. Mr. Griggs the while stood transfixed to his place,
stroking his mustaches with his hand, and showing plainly by his
countenance that he didn't know what he ought to do next. "Well,
that's cool," said he; "confounded cool!"</p>
<p>"Anything wrong, Griggs, my boy?" said a bank clerk, slapping him on
the back.</p>
<p>"I call it very wrong; very wrong, indeed," said Griggs; "but people
do give themselves such airs! Miss Cherry, may I have the honour of
waltzing with you?"</p>
<p>"Certainly not," said Cherry, who was passing by. Then Mr. Griggs
made his way back to the door.</p>
<p>Rachel felt that things were going wrong with her. It had so happened
that she had parted on bad terms with three gentlemen. She had
offended Mr. Cornbury and Mr. Griggs, and had done her best to make
Mr. Rowan understand that he had offended her! She conceived that all
the room would know of it, and that Mrs. Cornbury would become
ashamed of her. That Mrs. Tappitt was already very angry with her she
was quite sure. She wished she had not come to the ball, and began to
think that perhaps her sister might be right. It almost seemed to
herself that she had not known how to behave herself. For a short
time she had been happy,—very happy; but she feared that she had in
some way committed herself during the moments of her happiness. "I
hope you are not angry with me," she said, "about Mr. Griggs?"
appealing to her friend in a plaintive voice.</p>
<p>"Angry!—oh dear, no. Why should I be angry with you? I should be
angry with that man, only I'm a person that never gets angry with
anybody. You were quite right not to dance with him. Never be made to
dance with any man you don't like; and remember that a young lady
should always have her own way in a ball-room. She doesn't get much
of it anywhere else; does she, my dear? And now I'll go whenever you
like it, but I'm not the least in a hurry. You're the young lady, and
you're to have your own way. If you're quite in earnest, I'll get
some one to order the carriage."—Rachel said that she was quite in
earnest, and then Walter was called. "So you're going, are you?" said
he. "Miss Ray has ill-treated me so dreadfully that I can't express
my regret." "Ill-treated you, too, has she? Upon my word, my dear,
you've shown yourself quite great upon the occasion. When I was a
girl, there was nothing I liked so much as offending all my
partners." But Rachel was red with dismay, and wretched that such an
accusation should be made against her. "Oh, Mrs. Cornbury, I didn't
mean to offend him! I'll explain it all in the carriage. What will
you think of me?" "Think, my dear?—why, I shall think that you are
going to turn all the young men's heads in Baslehurst. But I shall
hear all about it from Walter to-morrow. He tells me of all his loves
and all his disappointments."</p>
<p>While the carriage was being brought round, Rachel kept close to her
chaperon; but every now and again her eyes, in spite of herself,
would wander away to Mr. Rowan. Was he in any way affected by her
leaving him, or was it all a joke to him? He was dancing now with
Cherry Tappitt, and Rachel was sure that all of it was a joke. But it
was a cruel joke,—cruel because it exposed her to so much
ill-natured remark. With him she would quarrel,—quarrel really. She
would let him know that he should not call her by her Christian name
just when it suited him to do so, and then take himself off to play
with others in the same way. She would tell Cherry, and make Cherry
understand that all walks and visiting and friendly
intercommunications must be abandoned because this young man would
take advantage of her position to annoy her! He should be made to
understand that she was not in his power! Then, as she thought of
this, she caught his eye as he made a sudden stop in the dance close
to her, and all her hard thoughts died away. Ah, dear, what was it
that she wanted of him?</p>
<p>At that moment they got up to go away. Such a person as Mrs. Butler
Cornbury could not, of course, escape without a parade of adieux. Mr.
Tappitt was searched up from the little room in which the card-party
held their meeting in order that he might hand the guest that had
honoured him down to her carriage; and Mrs. Tappitt fluttered about,
profuse in her acknowledgments for the favour done to them. "And we
do so hope Mr. Cornbury will be successful," she said, as she bade
her last farewell. This was spoken close to Mr. Tappitt's ear; and
Mrs. Cornbury flattered herself that after that Mr. Tappitt's vote
would be secure. Mr. Tappitt said nothing about his vote, but handed
the lady down stairs in solemn silence.</p>
<p>The Tappitt girls came and clustered about Rachel as she was going.
"I can't conceive why you are off so early," said Martha. "No,
indeed," said Mrs. Tappitt; "only of course it would be very wrong to
keep Mrs. Cornbury waiting when she has been so excessively kind to
you." "The naughty girl! It isn't that at all," said Cherry. "It's
she that is hurrying Mrs. Cornbury away." "Good night," said Augusta
very coldly. "And Rachel," said Cherry, "mind you come up to-morrow
and talk it all over; we shall have so much to say." Then Rachel
turned to go, and found Luke Rowan at her elbow waiting to take her
down. She had no alternative;—she must take his arm; and thus they
walked down stairs into the hall together.</p>
<p>"You'll come up here to-morrow," said he.</p>
<p>"No, no; tell Cherry that I shall not come."</p>
<p>"Then I shall go to Bragg's End. Will your mother let me call?"</p>
<p>"No, don't come. Pray don't."</p>
<p>"I certainly shall;—certainly, certainly! What things have you got?
Let me put your shawl on for you. If you do not come up to the girls,
I shall certainly go down to you. Now, good-night. Good-night, Mrs.
Cornbury." And Luke, getting hold of Rachel's reluctant hand, pressed
it with all his warmth.</p>
<p>"I don't want to ask indiscreet questions," said Mrs. Cornbury; "but
that young man seems rather smitten, I think."</p>
<p>"Oh, no," said Rachel, not knowing what to say.</p>
<p>"But I say,—oh, yes; a nice good-looking man he is too, and a
gentleman, which is more than I can say for all of them there. What
an escape you had of Mr. Griggs, my dear!"</p>
<p>"Yes, I had. But I was so sorry that you should have to speak to
him."</p>
<p>"Of course I spoke to him. I was there to fight your battles for you.
That's why married ladies go to balls. You were quite right not to
dance with him. A girl should always avoid any intimacy with such men
as that. It is not that he would have done you any harm; but they
stand in the way of your satisfaction and contentment. Balls are
given specially for young ladies; and it is my theory that they are
to make themselves happy while they are there, and not sacrifice
themselves to men whom they don't wish to know. You can't always
refuse when you're asked, but you can always get out of an engagement
afterwards if you know what you're about. That was my way when I was
a girl." And this was the daughter of Mr. Comfort, whose somewhat
melancholy discourses against the world's pleasures and vanities had
so often filled Rachel's bosom with awe!</p>
<p>Rachel sat silent, thinking of what had occurred at Mrs. Tappitt's;
and thinking also that she ought to make some little speech to her
friend, thanking her for all that she had done. Ought she not also to
apologise in some way for her own conduct? "What was that between you
and my cousin Walter?" Mrs. Cornbury asked, after a few moments.</p>
<p>"I hope I wasn't to blame," said Rachel. "But—"</p>
<p>"But what? Of course you weren't to blame;—unless it was in being
run after by so many gentlemen at once."</p>
<p>"He was going to take me down to supper,—and it was so kind of him.
And then while we were waiting because the room down-stairs was full,
there was another quadrille, and I was engaged to Mr. Rowan."</p>
<p>"Ah, yes; I understand. And so Master Walter got thrown once. His
wrath in such matters never lasts very long. Here we are at Bragg's
End. I've been so glad to have you with me; and I hope I may take you
again with me somewhere before long. Remember me kindly to your
mother. There she is at the door waiting for you." Then Rachel jumped
out of the carriage, and ran across the little gravel-path into the
house.</p>
<p>Mrs. Ray had been waiting up for her daughter, and had been listening
eagerly for the wheels of the carriage. It was not yet two o'clock,
and by ball-going people the hour of Rachel's return would have been
considered early; but to Mrs. Ray anything after midnight was very
late. She was not, however, angry, or even vexed, but simply pleased
that her girl had at last come back to her. "Oh, mamma, I'm afraid it
has been very hard upon you, waiting for me!" said Rachel; "but I did
come away as soon as I could." Mrs. Ray declared that she had not
found it all hard, and then,—with a laudable curiosity, seeing how
little she had known about balls,—desired to have an immediate
account of Rachel's doings.</p>
<p>"And did you get anybody to dance with you?" asked the mother,
feeling a mother's ambition that her daughter should have been
"respectit like the lave."</p>
<p>"Oh, yes; plenty of people asked me to dance."</p>
<p>"And did you find it come easy?"</p>
<p>"Quite easy. I was frightened about the waltzing, at first."</p>
<p>"Do you mean that you waltzed, Rachel?"</p>
<p>"Yes, mamma. Everybody did it. Mrs. Cornbury said she always waltzed
when she was a girl; and as the things turned out I could not help
myself. I began with her cousin. I didn't mean to do it, but I got so
ashamed of myself that I couldn't refuse."</p>
<p>Mrs. Ray still was not angry; but she was surprised, and perhaps a
little dismayed. "And did you like it?"</p>
<p>"Yes, mamma."</p>
<p>"Were they all kind to you?"</p>
<p>"Yes, mamma."</p>
<p>"You seem to have very little to say about it; but I suppose you're
tired."</p>
<p>"I am tired, but it isn't that. It seems that there is so much to
think about. I'll tell you everything to-morrow, when I get quiet
again. Not that there is much to tell."</p>
<p>"Then I'll wish you good-night, dear."</p>
<p>"Good-night, mamma. Mrs. Cornbury was so kind,—you can have no idea
how good-natured she is."</p>
<p>"She always was a good creature."</p>
<p>"If I'd been her sister she couldn't have done more for me. I feel as
though I were really quite fond of her. But she isn't a bit like what
I expected. She chooses to have her own way; but then she is so
good-humoured! And when I got into any little trouble
<span class="nowrap">she—"</span></p>
<p>"Well, what else did she do; and what trouble had you?"</p>
<p>"I can't quite describe what I mean. She seemed to make so much of
me;—just as she might have done if I'd been some grand young lady
down from London, or any, any;—you know what I mean."</p>
<p>Mrs. Ray sat with her candle in her hand, receiving great comfort
from the knowledge that her daughter had been "respectit." She knew
well what Rachel meant, and reflected, with perhaps a pardonable
pride, that she herself had "come of decent people." The Tappitts
were higher than her in the world, and so were the Griggses. But she
knew that her forbears had been gentlefolk, when there were, so to
speak, no Griggses and no Tappitts in existence. It was pleasant to
her to think that her daughter had been treated as a lady.</p>
<p>"And she did do me such a kindness. That horrid Mr. Griggs was going
to dance with me, and she wouldn't let him."</p>
<p>"I don't like that young man at all."</p>
<p>"Poor Cherry! you should hear her talk of him! And she would have
stayed ever so much longer if I had not pressed her to go; and then
she has such a nice way of saying things."</p>
<p>"She always had that, when she was quite a young girl."</p>
<p>"I declare I feel that I quite love her. And there was such a grand
supper. Champagne!"</p>
<p>"No!"</p>
<p>"I got some cold turkey. Mr. Rowan took me down to supper." These
last words were spoken very mildly, and Rachel, as she uttered them,
did not dare to look into her mother's face.</p>
<p>"Did you dance with him?"</p>
<p>"Yes, mamma, three times. I should have stayed later only I was
engaged to dance with him twice more; and I didn't choose to do so."</p>
<p>"Was he—? Did he—?"</p>
<p>"Oh, mamma; I can't tell you. I don't know how to tell you. I wish
you knew it all without my saying anything. He says he shall come
here to-morrow if I don't go up to the brewery; and I can't possibly
go there now, after that."</p>
<p>"Did he say anything more than that, Rachel?"</p>
<p>"He calls me Rachel, and speaks—I can't tell you how he speaks. If
you think it wrong, mamma, I won't ever see him again."</p>
<p>Mrs. Ray didn't know whether she ought to think it wrong or not. She
was inclined to wish that it was right and to believe that it was
wrong. A few minutes ago Rachel was unable to open her mouth, and was
anxious to escape to bed; but, now that the ice was broken between
her and her mother, they sat up for more than an hour talking about
Luke Rowan.</p>
<p>"I wonder whether he will really come?" Rachel said to herself, as
she laid her head upon her pillow—"and why does he want to come?"</p>
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