<p><SPAN name="link2H_4_0041" id="link2H_4_0041"></SPAN></p>
<h2> XLII </h2>
<p>Elizabeth had quite definitely put Dick out of her heart. On the evening
of the day she learned he had come back and had not seen her, she
deliberately killed her love and decently interred it. She burned her
notes and his one letter and put away her ring, performing the rites not
as rites but as a shameful business to be done with quickly. She tore his
photograph into bits and threw them into her waste basket, and having thus
housecleaned her room set to work to houseclean her heart.</p>
<p>She found very little to do. She was numb and totally without feeling. The
little painful constriction in her chest which had so often come lately
with her thoughts of him was gone. She felt extraordinarily empty, but not
light, and her feet dragged about the room.</p>
<p>She felt no sense of Dick's unworthiness, but simply that she was up
against something she could not fight, and no longer wanted to fight. She
was beaten, but the strange thing was that she did not care. Only, she
would not be pitied. As the days went on she resented the pity that had
kept her in ignorance for so long, and had let her wear her heart on her
sleeve; and she even wondered sometimes whether the story of Dick's loss
of memory had not been false, evolved out of that pity and the desire to
save her pain.</p>
<p>David sent for her, but she wrote him a little note, formal and
restrained. She would come in a day or two, but now she must get her
bearings. He was, to know that she was not angry, and felt it all for the
best, and she was very lovingly his, Elizabeth.</p>
<p>She knew now that she would eventually marry Wallie Sayre if only to get
away from pity. He would have to know the truth about her, that she did
not love any one; not even her father and her mother. She pretended to
care for fear of hurting them, but she was actually frozen quite hard. She
did not believe in love. It was a terrible thing, to be avoided by any one
who wanted to get along, and this avoiding was really quite simple. One
simply stopped feeling.</p>
<p>On the Sunday after she had come to this comfortable knowledge she sat in
the church as usual, in the choir stalls, and suddenly she hated the
church. She hated the way the larynx of Henry Wallace, the tenor, stuck
out like a crabapple over his low collar. She hated the fat double chin of
the bass. She hated the talk about love and the certain rewards of virtue,
and the faces of the congregation, smug and sure of salvation.</p>
<p>She went to the choir master after the service to hand in her resignation.
And did not, because it had occurred to her that it might look, to use
Nina's word, as though she were crushed. Crushed! That was funny.</p>
<p>Wallie Sayre was waiting for her outside, and she went up with him to
lunch, and afterwards they played golf. They had rather an amusing game,
and once she had to sit down on a bunker and laugh until she was weak,
while he fought his way out of a pit. Crushed, indeed!</p>
<p>So the weaving went on, almost completed now. With Wallie Sayre biding his
time, but fairly sure of the result. With Jean Melis happening on a
two-days' old paper, and reading over and over a notice addressed to him.
With Leslie Ward, neither better nor worse than his kind, seeking
adventure in a bypath, which was East 56th Street. And with Dick wandering
the streets of New York after twilight, and standing once with his coat
collar turned up against the rain outside of the Metropolitan Club, where
the great painting of his father hung over a mantelpiece.</p>
<p>Now that he was near Beverly, Dick hesitated to see her. He felt no
resentment at her long silence, nor at his exile which had resulted from
it. He made excuses for her, recognized his own contribution to the
catastrophe, knew, too, that nothing was to be gained by seeing her again.
But he determined finally to see her once more, and then to go away,
leaving her to peace and to success.</p>
<p>She would know now that she had nothing to fear from him. All he wanted
was to satisfy the hunger that was in him by seeing her, and then to go
away.</p>
<p>Curiously, that hunger to see her had been in abeyance while Bassett was
with him. It was only when he was alone again that it came up; and
although he knew that, he was unconscious of another fact, that every
word, every picture of her on the great boardings which walled in every
empty lot, everything, indeed, which brought her into the reality of the
present, loosened by so much her hold on him out of the past.</p>
<p>When he finally went to the 56th Street house it was on impulse. He had
meant to pass it, but he found himself stopping, and half angrily made his
determination. He would follow the cursed thing through now and get it
over. Perhaps he had discounted it too much in advance, waited too long,
hoped too much. Perhaps it was simply that that last phase was already
passing. But he felt no thrill, no expectancy, as he rang the bell and was
admitted to the familiar hall.</p>
<p>It was peopled with ghosts, for him. Upstairs, in the drawing-room that
extended across the front of the house, she had told him of her engagement
to Howard Lucas. Later on, coming back from Europe, he had gone back there
to find Lucas installed in the house, his cigars on the table, his
photographs on the piano, his books scattered about. And Lucas himself,
smiling, handsome and triumphant on the hearth rug, dressed for dinner
except for a brocaded dressing-gown, putting his hand familiarly on
Beverly's shoulder, and calling her "old girl."</p>
<p>He wandered into the small room to the right of the hall, where in other
days he had waited to be taken upstairs, and stood looking out of the
window. He heard some one, a caller, come down, get into his overcoat in
the hall and go out, but he was not interested. He did not know that
Leslie Ward had stood outside the door for a minute, had seen and
recognized him, and had then slammed out.</p>
<p>He was quite steady as the butler preceded him up the stairs. He even
noticed certain changes in the house, the door at the landing converted
into an arch, leaded glass in the dining-room windows beyond it. But he
caught a glimpse of himself in a mirror, and saw himself a shabby contrast
to the former days.</p>
<p>He faced her, still with that unexpected composure, and he saw her very
little changed. Even the movement with which she came toward him with both
hands out was familiar.</p>
<p>"Jud!" she said. "Oh, my dear!"</p>
<p>He saw that she was profoundly moved, and suddenly he was sorry for her.
Sorry for the years behind them both, for the burden she had carried, for
the tears in her eyes.</p>
<p>"Dear old Bev!" he said.</p>
<p>She put her head against his shoulder, and cried unrestrainedly; and he
held her there, saying small, gentle, soothing things, smoothing her hair.
But all the time he knew that life had been playing him another trick; he
felt a great tenderness for her and profound pity, but he did not love
her, or want her. He saw that after all the suffering and waiting, the
death and exile, he was left at the end with nothing. Nothing at all.</p>
<p>When she was restored to a sort of tense composure he found to his
discomfort that woman-like she intended to abase herself thoroughly and
completely. She implored his forgiveness for his long exile, gazing at him
humbly, and when he said in a matter-of-fact tone that he had been happy,
giving him a look which showed that she thought he was lying to save her
unhappiness.</p>
<p>"You are trying to make it easier for me. But I know, Jud."</p>
<p>"I'm telling you the truth," he said, patiently. "There's one point I
didn't think necessary to tell your brother. For a good while I didn't
remember anything about it. If it hadn't been for that-well, I don't know.
Anyhow, don't look at me as though I willfully saved you. I didn't."</p>
<p>She sat still, pondering that, and twisting a ring on her finger.</p>
<p>"What do you mean to do?" she asked, after a pause.</p>
<p>"I don't know. I'll find something."</p>
<p>"You won't go back to your work?"</p>
<p>"I don't see how I can. I'm in hiding, in a sort of casual fashion."</p>
<p>To his intense discomfiture she began to cry again. She couldn't go
through with it. She would go back to Norada and tell the whole thing. She
had let Fred influence her, but she saw now she couldn't do it. But for
the first time he felt that in this one thing she was not sincere. Her
grief and abasement had been real enough, but now he felt she was acting.</p>
<p>"Suppose we don't go into that now," he said gently. "You've had about all
you can stand." He got up awkwardly. "I suppose you are playing to-night?"</p>
<p>She nodded, looking up at him dumbly.</p>
<p>"Better lie down, then, and—forget me." He smiled down at her.</p>
<p>"I've never forgotten you, Jud. And now, seeing you again—I—"</p>
<p>Her face worked. She continued to look up at him, piteously. The appalling
truth came to him then, and that part of him which had remained detached
and aloof, watching, almost smiled at the irony. She cared for him. Out of
her memories she had built up something to care for, something no more
himself than she was the woman of his dreams; but with this difference,
that she was clinging, woman-fashion, to the thing she had built, and he
had watched it crumble before his eyes.</p>
<p>"Will you promise to go and rest?"</p>
<p>"Yes. If you say so."</p>
<p>She was acquiescent and humble. Her eyes were soft, faithful, childlike.</p>
<p>"I've suffered so, Jud."</p>
<p>"I know."</p>
<p>"You don't hate me, do you?"</p>
<p>"Why should I? Just remember this: while you were carrying this burden, I
was happier than I'd ever been. I'll tell you about it some time."</p>
<p>She got up, and he perceived that she expected him again to take her in
his arms. He felt ridiculous and resentful, and rather as though he was
expected to kiss the hand that had beaten him, but when she came close to
him he put an arm around her shoulders.</p>
<p>"Poor Bev!" he said. "We've made pretty much a mess of it, haven't we?"</p>
<p>He patted her and let her go, and her eyes followed him as he left the
room. The elder brotherliness of that embrace had told her the truth as he
could never have hurt her in words. She went back to the chair where he
had sat, and leaned her cheek against it.</p>
<p>After a time she went slowly upstairs and into her room. When her maid
came in she found her before the mirror of her dressing-table, staring at
her reflection with hard, appraising eyes.</p>
<p>Leslie's partner, wandering into the hotel at six o'clock, found from the
disordered condition of the room that Leslie had been back, had apparently
bathed, shaved and made a careful toilet, and gone out again. Joe found
himself unexpectedly at a loose end. Filled, with suppressed indignation
he commenced to dress, getting out a shirt, hunting his evening studs, and
lining up what he meant to say to Leslie over his defection.</p>
<p>Then, at a quarter to seven, Leslie came in, top-hatted and
morning-coated, with a yellowing gardenia in his buttonhole and his shoes
covered with dust.</p>
<p>"Hello, Les," Joe said, glancing up from a laborious struggle with a stud.
"Been to a wedding?"</p>
<p>"Why?"</p>
<p>"You look like it."</p>
<p>"I made a call, and since then I've been walking."</p>
<p>"Some walk, I'd say," Joe observed, looking at him shrewdly. "What's
wrong, Les? Fair one turn you down?"</p>
<p>"Go to hell," Leslie said irritably.</p>
<p>He flung off his coat and jerked at his tie. Then, with it hanging loose,
he turned to Joe.</p>
<p>"I'm going to tell you something. I know it's safe with you, and I need
some advice. I called on a woman this afternoon. You know who she is.
Beverly Carlysle."</p>
<p>Joe whistled softly.</p>
<p>"That's not the point," Leslie declaimed, in a truculent voice. "I'm not
defending myself. She's a friend; I've got a right to call there if I want
to."</p>
<p>"Sure you have," soothed Joe.</p>
<p>"Well, you know the situation at home, and who Livingstone actually is.
The point is that, while that poor kid at home is sitting around killing
herself with grief, Clark's gone back to her. To Beverly Carlysle."</p>
<p>"How do you know?"</p>
<p>"Know? I saw him this afternoon, at her house."</p>
<p>He sat still, moodily reviewing the situation. His thoughts were a chaotic
and unpleasant mixture of jealousy, fear of Nina, anxiety over Elizabeth,
and the sense of a lost romantic adventure. After a while he got up.</p>
<p>"She's a nice kid," he said. "I'm fond of her. And I don't know what to
do."</p>
<p>Suddenly Joe grinned.</p>
<p>"I see," he said. "And you can't tell her, or the family, where you saw
him!"</p>
<p>"Not without raising the deuce of a row."</p>
<p>He began, automatically, to dress for dinner. Joe moved around the room,
rang for a waiter, ordered orange juice and ice, and produced a bottle of
gin from his bag. Leslie did not hear him, nor the later preparation of
the cocktails. He was reflecting bitterly on the fact that a man who
married built himself a wall against romance, a wall, compounded of his
own new sense of responsibility, of family ties, and fear.</p>
<p>Joe brought him a cocktail.</p>
<p>"Drink it, old dear," he said. "And when it's down I'll tell you a few
little things about playing around with ladies who have a past. Here's to
forgetting 'em."</p>
<p>Leslie took the glass.</p>
<p>"Right-o," he said.</p>
<p>He went home the following day, leaving Joe to finish the business in New
York. His going rather resembled a flight. Tossing sleepless the night
before, he had found what many a man had discovered before him, that his
love of clandestine adventure was not as strong as his caution. He had had
a shock. True, his affair with Beverly had been a formless thing, a matter
of imagination and a desire to assure himself that romance, for him, was
not yet dead. True, too, that he had nothing to fear from Dick
Livingstone. But the encounter had brought home to him the danger of this
old-new game he was playing. He was running like a frightened child.</p>
<p>He thought of various plans. One of them was to tell Nina the truth, take
his medicine of tears and coldness, and then go to Mr. Wheeler. One was to
go to Mr. Wheeler, without Nina, and make his humiliating admission. But
Walter Wheeler had his own rigid ideas, was uncompromising in rectitude,
and would understand as only a man could that while so far he had been
only mentally unfaithful, he had been actuated by at least subconscious
desire.</p>
<p>His own awareness of that fact made him more cautious than he need have
been, perhaps more self-conscious. And he genuinely cared for Elizabeth.
It was, on the whole, a generous and kindly impulse that lay behind his
ultimate resolution to tell her that her desertion was both wilful and
cruel.</p>
<p>Yet, when the time came, he found it hard to tell her. He took her for a
drive one evening soon after his return, forcibly driving off Wallie Sayre
to do so, and eying surreptitiously now and then her pale, rather set
face. He found a quiet lane and stopped the car there, and then turned and
faced her.</p>
<p>"How've you been, little sister, while I've been wandering the gay white
way?" he asked.</p>
<p>"I've been all right, Leslie."</p>
<p>"Not quite all right, I think. Have you ever thought, Elizabeth, that no
man on earth is worth what you've been going through?"</p>
<p>"I'm all right, I tell you," she said impatiently. "I'm not grieving any
more. That's the truth, Les. I know now that he doesn't intend to come
back, and I don't care. I never even think about him, now."</p>
<p>"I see," he said. "Well, that's that."</p>
<p>But he had not counted on her intuition, and was startled to hear her say:</p>
<p>"Well? Go on."</p>
<p>"What do you mean, go on?"</p>
<p>"You brought me out here to tell me something."</p>
<p>"Not at all. I simply—"</p>
<p>"Where is he? You've seen him."</p>
<p>He tried to meet her eyes, failed, cursed himself for a fool. "He's alive
and well, Elizabeth. I saw him in New York." It was a full minute before
she spoke again, and then her lips were stiff and her voice strained.</p>
<p>"Has he gone back to her? To the actress he used to care for?"</p>
<p>He hesitated, but he knew he would have to go on.</p>
<p>"I'm going to tell you something, Elizabeth. It's not very creditable to
me, but I'll have to trust you. I don't want to see you wasting your life.
You've got plenty of courage and a lot of spirit. And you've got to forget
him."</p>
<p>He told her, and then he took her home. He was a little frightened, for
there was something not like her in the way she had taken it, a sort of
immobility that might, he thought, cover heartbreak. But she smiled when
she thanked him, and went very calmly into the house.</p>
<p>That night she accepted Wallie Sayre.</p>
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