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<h2> XXXIX </h2>
<p>The evening had shaken Dick profoundly. David's appearance and Lucy's
grief and premonition, most of all the talk of Elizabeth, had depressed
and unnerved him. Even the possibility of his own innocence was
subordinated to an overwhelming yearning for the old house and the old
life.</p>
<p>Through a side window as he went toward the street he could see Reynolds
at his desk in the office, and he was possessed by a fierce jealousy and
resentment at his presence there. The laboratory window was dark, and he
stood outside and looked at it. He would have given his hope of
immortality just then to have been inside it once more, working over his
tubes and his cultures, his slides and microscope. Even the memory of
certain dearly-bought extravagances in apparatus revived in him, and sent
the blood to his head in a wave of unreasoning anger and bitterness.</p>
<p>He had a wild desire to go in at the front door, confront Reynolds in his
smug complacency and drive him out; to demand his place in the world and
take it. He could hardly tear himself away.</p>
<p>Under a street lamp he looked at his watch. It was eleven o'clock, and he
had a half hour to spare before train-time. Following an impulse he did
not analyze he turned toward the Wheeler house. Just so months ago had he
turned in that direction, but with this difference, that then he went with
a sort of hurried expectancy, and that now he loitered on the way. Yet
that it somehow drew him he knew. Not with the yearning he had felt toward
the old brick house, but with the poignancy of a long past happiness. He
did not love, but he remembered.</p>
<p>Yet, for a man who did not love, he was oddly angry at the sight of two
young figures on the doorstep. Their clear voices came to him across the
quiet street, vibrant and full of youth. It was the Sayre boy and
Elizabeth.</p>
<p>He half stopped, and looked across. They were quite oblivious of him,
intent and self-absorbed. As he had viewed Reynolds' unconscious figure
with jealous dislike, so he viewed Wallace Sayre. Here, everywhere, his
place was filled. He was angry with an unreasoning, inexplicable anger,
angry at Elizabeth, angry at the boy, and at himself.</p>
<p>He had but to cross the street and take his place there. He could drive
that beardless youngster away with a word. The furious possessive jealousy
of the male animal, which had nothing to do with love, made him stop and
draw himself up as he stared across.</p>
<p>Then he smiled wryly and went on. He could do it, but he did not want to.
He would never do it. Let them live their lives, and let him live his. But
he knew that there, across the street, so near that he might have raised
his voice and summoned her, he was leaving the best thing that had come
into his life; the one fine and good thing, outside of David and Lucy.
That against its loss he had nothing but an infatuation that had ruined
three lives already, and was not yet finished.</p>
<p>He stopped and, turning, looked back. He saw the girl bend down and put a
hand on Wallie Sayre's shoulder, and the boy's face upturned and looking
into hers. He shook himself and went on. After all, that was best. He felt
no anger now. She deserved better than to be used to help a man work out
his salvation. She deserved youth, and joyousness, and the forgetfulness
that comes with time. She was already forgetting.</p>
<p>He smiled again as he went on up the street, but his hands as he buttoned
his overcoat were shaking.</p>
<p>It was shortly after that that he met the rector, Mr. Oglethorpe. He
passed him quickly, but he was conscious that the clergyman had stopped
and was staring after him. Half an hour later, sitting in the empty smoker
of the train, he wondered if he had not missed something there. Perhaps
the church could have helped him, a good man's simple belief in right and
wrong. He was wandering in a gray no-man's land, without faith or compass.</p>
<p>David had given him the location of Bassett's apartment house, and he
found it quickly. He was in a state of nervous irritability by that time,
for the sense of being a fugitive was constantly stressed in the familiar
streets by the danger of recognition. It was in vain that he argued with
himself that only the police were interested in his movements, and the
casual roundsman not at all. He found himself shying away from them like a
nervous horse.</p>
<p>But if he expected any surprise from Bassett he was disappointed. He
greeted him as if he had seen him yesterday, and explained his lack of
amazement in his first words.</p>
<p>"Doctor Livingstone telephoned me. Sit down, man, and let me look at you.
You've given me more trouble than any human being on earth."</p>
<p>"Sorry," Dick said awkwardly, "I seem to have a faculty of involving other
people in my difficulties."</p>
<p>"Want a drink?"</p>
<p>"No, thanks. I'll smoke, if you have any tobacco. I've been afraid to risk
a shop."</p>
<p>Bassett talked cheerfully as he found cigarettes and matches. "The old boy
had a different ring to his voice to-night. He was going down pretty fast,
Livingstone; was giving up the fight. But I fancy you've given him a new
grip on the earth." When they were seated, however, a sort of awkwardness
developed. To Dick, Bassett had been a more or less shadowy memory,
clouded over with the details and miseries of the flight. And Bassett
found Dick greatly altered. He was older than he remembered him. The sort
of boyishness which had come with the resurrection of his early identity
had gone, and the man who sat before him was grave, weary, and much older.
But his gaze was clear and direct.</p>
<p>"Well, a good bit of water has gone over the dam since we met," Bassett
said. "I nearly broke a leg going down that infernal mountain again. And I
don't mind telling you that I came within an ace of landing in the Norada
jail. They knew I'd helped you get away. But they couldn't prove it."</p>
<p>"I got out, because I didn't see any need of dragging you down with me. I
was a good bit of a mess just then, but I could reason that out, anyhow.
It wasn't entirely unselfish, either. I had a better chance without you.
Or thought I did."</p>
<p>Bassett was watching him intently.</p>
<p>"Has it all come back?" he inquired.</p>
<p>"Practically all. Not much between the thing that happened at the ranch
and David Livingstone's picking me up at the cabin."</p>
<p>"Did it ever occur to you to wonder just how I got in on your secret?"</p>
<p>"I suppose you read Maggie Donaldson's confession."</p>
<p>"I came to see you before that came out."</p>
<p>"Then I don't know, I'm afraid."</p>
<p>"I suppose you would stake your life on the fact that Beverly Carlysle
knows nothing of what happened that night at the ranch?"</p>
<p>Dick's face twitched, but he returned Bassett's gaze steadily.</p>
<p>"She has no criminal knowledge, if that is what you mean."</p>
<p>"I am not so sure of it."</p>
<p>"I think you'd better explain that."</p>
<p>At the cold anger in Dick's voice Bassett stared at him. So that was how
the wind lay. Poor devil! And out of the smug complacence of his bachelor
peace Bassett thanked his stars for no women in his life.</p>
<p>"I'm afraid you misunderstand me, Livingstone," he said easily. "I don't
think that she shot Lucas. But I don't think she has ever told all she
knows. I've got the coroner's inquest here, and we'll go over it later.
I'll tell you how I got onto your trail. Do you remember taking Elizabeth
Wheeler to see 'The Valley?'"</p>
<p>"I had forgotten it. I remember now."</p>
<p>"Well, Gregory, the brother, saw you and recognized you. I was with him.
He tried to deny you later, but I was on. Of course he told her, and I
think she sent him to warn David Livingstone. They knew I was on the trail
of a big story. Then I think Gregory stayed here to watch me when the
company made its next jump. He knew I'd started, for he sent David
Livingstone the letter you got. By the way, that letter nearly got me
jailed in Norada."</p>
<p>"I'm not hiding behind her skirts," Dick said shortly. "And there's
nothing incriminating in what you say. She saw me as a fugitive, and she
sent me a warning. That's all."</p>
<p>"Easy, easy, old man. I'm not pinning anything on her. But I want, if you
don't mind, to carry this through. I have every reason to believe that,
some time before you got to Norada, the Thorwald woman was on my trail. I
know that I was followed to the cabin the night I stayed there, and that
she got a saddle horse from her son that night, her son by Thorwald,
either for herself or some one else."</p>
<p>"All right. I accept that, tentatively."</p>
<p>"That means that she knew I was coming to Norada. Think a minute; I'd kept
my movements quiet, but Beverly Carlysle knew, and her brother. When they
warned David they warned her."</p>
<p>"I don't believe it."</p>
<p>"If you had killed Lucas," Bassett asserted positively, "the Thorwald
woman would have let the sheriff get you, and be damned to you. She had no
reason to love you. You'd kept her son out of what she felt was his
birthright."</p>
<p>He got up and opened a table drawer.</p>
<p>"I've got a copy of the coroner's inquest here. It will bear going over.
And it may help you to remember, too. We needn't read it all. There's a
lot that isn't pertinent."</p>
<p>He got out a long envelope, and took from it a number of typed pages,
backed with a base of heavy paper.</p>
<p>"'Inquest in the Coroner's office on the body of Howard Lucas,'" he read.
"'October 10th, 1911.' That was the second day after. 'Examination of
witnesses by Coroner Samuel J. Burkhardt. Mrs. Lucas called and sworn.'"
He glanced at Dick and hesitated. "I don't know about this to-night,
Livingstone. You look pretty well shot to pieces."</p>
<p>"I didn't sleep last night. I'm all right. Go on."</p>
<p>During the reading that followed he sat back in his deep chair, his eyes
closed. Except that once or twice he clenched his hands he made no
movement whatever.</p>
<p>Q. "What is your name?"</p>
<p>A. "Anne Elizabeth Lucas. My stage name is Beverly Carlysle."</p>
<p>Q. "Where do you live, Mrs. Lucas?"</p>
<p>A. "At 26 East 56th Street, New York City."</p>
<p>Q. "I shall have to ask you some questions that are necessarily painful at
this time. I shall be as brief as possible. Perhaps it will be easier for
you to tell so much as you know of what happened the night before last at
the Clark ranch."</p>
<p>A. "I cannot tell very much. I am confused, too. I was given a sleeping
powder last night. I can only say that I heard a shot, and thought at
first that it was fired from outside. I ran down the stairs, and back to
the billiard room. As I entered the room Mr. Donaldson came in through a
window. My husband was lying on the floor. That is all."</p>
<p>Q. "Where was Judson Clark?"</p>
<p>A. "He was leaning on the roulette table, staring at the—at my
husband."</p>
<p>Q. "Did you see him leave the room?"</p>
<p>A. "No. I was on my knees beside Mr. Lucas. I think when I got up he was
gone. I didn't notice."</p>
<p>Q. "Did you see a revolver?"</p>
<p>A. "No. I didn't look for one."</p>
<p>Q. "Now I shall ask you one more question, and that is all. Had there been
any quarrel between Mr. Lucas and Mr. Clark that evening in your
presence?"</p>
<p>A. "No. But I had quarreled with them both. They were drinking too much. I
had gone to my room to pack and go home. I was packing when I heard the
shot."</p>
<p>Witness excused and Mr. John Donaldson called.</p>
<p>Q. "What is your name?"</p>
<p>A. "John Donaldson."</p>
<p>Q. "Where do you live?"</p>
<p>A. "At the Clark ranch."</p>
<p>Q. "What is your business?"</p>
<p>A. "You know all about me. I'm foreman of the ranch."</p>
<p>Q. "I want you to tell what you know, Jack, about last night. Begin with
where you were when you heard the shot."</p>
<p>A. "I was on the side porch. The billiard room opens on to it. I'd been
told by the corral boss earlier in the evening that he'd seen a man
skulking around the house. There'd been a report like that once or twice
before, and I set a watch. I put Ben Haggerty at the kitchen wing with a
gun, and I took up a stand on the porch. Before I did that I told Judson,
but I don't think he took it in. He'd been lit up like a house afire all
evening. I asked for his gun, but he said he didn't know where it was, and
I went back to my house and got my own. Along about eight o'clock I
thought I saw some one in the shrubbery, and I went out as quietly as I
could. But it was a woman, Hattie Thorwald, who was working at the ranch.</p>
<p>"When I left the men were playing roulette. I looked in as I went back,
and Judson had a gun in his hand. He said; 'I found it, Jack.' I saw he
was very drunk, and I told him to put it up, I'd got mine. It had occurred
to me that I'd better warn Haggerty to be careful, and I started along the
verandah to tell him not to shoot except to scare. I had only gone a few
steps when I heard a shot, and ran back. Mr. Lucas was on the floor dead,
and Judson was as the lady said. He must have gone out while I was bending
over the body."</p>
<p>Q. "Did you see the revolver in his hand?"</p>
<p>A. "No."</p>
<p>Q. "How long between your warning Mr. Clark and the shot?"</p>
<p>A. "I suppose I'd gone a dozen yards."</p>
<p>Q. "Were you present when the revolver was found?"</p>
<p>A. "No, sir."</p>
<p>Q. "Did you see Judson Clark again?"</p>
<p>A. "No, sir. From what I gather he went straight to the corral and got his
horse."</p>
<p>Q. "You entered the room as Mrs. Lucas came in the door?"</p>
<p>A. "Well, she's wrong about that. She was there a little ahead of me.
She'd reached the body before I got in. She was stooping over it."</p>
<p>Bassett looked up from his reading.</p>
<p>"I want you to get this, Livingstone," he said. "How did she reach the
billiard room? Where was it in the house?"</p>
<p>"Off the end of the living-room."</p>
<p>"A large living-room?"</p>
<p>"Forty or forty-five feet, about."</p>
<p>"Will you draw it for me, roughly?"</p>
<p>He passed over a pad and pencil, and Dick made a hasty outline. Bassett
watched with growing satisfaction.</p>
<p>"Here's the point," he said, when Dick had finished. "She was there before
Donaldson, or at the same time," as Dick made an impatient movement. "But
he had only a dozen yards to go. She was in her room, upstairs. To get
down in that time she had to leave her room, descend a staircase, cross a
hall and run the length of the living-room, forty-five feet. If the case
had ever gone to trial she'd have had to do some explaining."</p>
<p>"She or Donaldson," Dick said obstinately.</p>
<p>Bassett read on:</p>
<p>Jean Melis called and sworn.</p>
<p>Q. "Your name?"</p>
<p>A. "Jean Melis."</p>
<p>Q. "Have you an American residence, Mr. Melis?"</p>
<p>A. "Only where I am employed. I am now living at the Clark ranch."</p>
<p>Q. "What is your business?"</p>
<p>A. "I am Mr. Clark's valet."</p>
<p>Q. "It was you who found Mr. Clark's revolver?"</p>
<p>A. "Yes."</p>
<p>Q. "Tell about how and where you found it."</p>
<p>A. "I made a search early in the evening. I will not hide from you that I
meant to conceal it if I discovered it. A man who is drunk is not guilty
of what he does. I did not find it. I went back that night, when the
people had gone, and found it beneath the carved woodbox, by the
fireplace. I did not know that the sheriff had placed a man outside the
window."</p>
<p>"Get that, too," Bassett said, putting down the paper. "The Frenchman was
fond of you, and he was doing his blundering best. But the sheriff
expected you back and had had the place watched, so they caught him. But
that's not the point. A billiard room is a hard place to hide things in. I
take it yours was like the average."</p>
<p>Dick nodded.</p>
<p>"All right. This poor boob of a valet made a search and didn't find it.
Later he found it. Why did he search? Wasn't it the likely thing that
you'd carried it away with you? Do you suppose for a moment that with
Donaldson and the woman in the room you hid it there, and then went back
and stood behind the roulette table, leaning on it with both hands, and
staring? Not at all. Listen to this:</p>
<p>Q. "You recognize this revolver as the one you found?"</p>
<p>A. "Yes."</p>
<p>Q. "You are familiar with it?"</p>
<p>A. "Yes. It is Mr. Clark's."</p>
<p>Q. "You made the second search because you had not examined the woodbox
earlier?"</p>
<p>A. "No. I had examined the woodbox. I had a theory that—"</p>
<p>Q. "The Jury cannot listen to any theories. This is an inquiry into
facts."</p>
<p>"I'm going to find Melis," the reporter said thoughtfully, as he folded up
the papers. "The fact is, I mailed an advertisement to the New York papers
to-day. I want to get that theory of his. It's the servants in the house
who know what is going on. I've got an idea that he'd stumbled onto
something. He'd searched for the revolver, and it wasn't there. He went
back and it was. All that conflicting evidence, and against it, what? That
you'd run away!"</p>
<p>But he saw that Dick was very tired, and even a little indifferent. He
would be glad to know that his hands were clean, but against the
intimation that Beverly Carlysle had known more than she had disclosed he
presented a dogged front of opposition. After a time Bassett put the
papers away and essayed more general conversation, and there he found
himself met half way and more. He began to get Dick as a man, for the
first time, and as a strong man. He watched his quiet, lined face, and
surmised behind it depths of tenderness and gentleness. No wonder the
little Wheeler girl had worshipped him.</p>
<p>It was settled that Dick was to spend the night there, and such plans as
he had Bassett left until morning. But while he was unfolding the
bed-lounge on which Dick was to sleep, Dick opened a line of discussion
that cost the reporter an hour or two's sleep before he could suppress his
irritation.</p>
<p>"I must have caused you considerable outlay, one way and another," he
said. "I want to defray that, Bassett, as soon as I've figured out some
way to get at my bank account."</p>
<p>Bassett jerked out a pillow and thumped it.</p>
<p>"Forget it." Then he grinned. "You can fix that when you get your estate,
old man. Buy a newspaper and let me run it!"</p>
<p>He bent over the davenport and put the pillow in place. "All you'll have
to do is to establish your identity. The institutions that got it had to
give bond. I hope you're not too long for this bed."</p>
<p>But he looked up at Dick's silence, to see him looking at him with a faint
air of amusement over his pipe.</p>
<p>"They're going to keep the money, Bassett."</p>
<p>Bassett straightened and stared at him.</p>
<p>"Don't be a damned fool," he protested. "It's your money. Don't tell me
you're going to give it to suffering humanity. That sort of drivel makes
me sick. Take it, give it away if you like, but for God's sake don't shirk
your job."</p>
<p>Dick got up and took a turn or two around the room. Then, after an old
habit, he went to the window and stood looking out, but seeing nothing.</p>
<p>"It's not that, Bassett. I'm afraid of the accursed thing. I might talk a
lot of rot about wanting to work with my hands. I wouldn't if I didn't
have to, any more than the next fellow. I might fool myself, too, with
thinking I could work better without any money worries. But I've got to
remember this. It took work to make a man of me before, and it will take
work to keep me going the way I intend to go, if I get my freedom."</p>
<p>Sometime during the night Bassett saw that the light was still burning by
the davenport, and went in. Dick was asleep with a volume of Whitman open
on his chest, and Bassett saw what he had been reading.</p>
<p>"You broken resolutions, you racking angers, you short-lived ennuis; Ah,
think not you shall finally triumph, my real self has yet to come forth.
It shall march forth over-mastering, till all lie beneath me, It shall
stand up, the soldier of unquestioned victory."</p>
<p>Bassett took the book away and stood rereading the paragraph. For the
first time he sensed the struggle going on at that time behind Dick's
quiet face, and he wondered. Unquestioned victory, eh? That was a pretty
large order.</p>
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