<p><SPAN name="c25" id="c25"></SPAN> </p>
<p> </p>
<h3>CHAPTER XXV.</h3>
<h4>MISS MADALINA DEMOLINES.<br/> </h4>
<p><ANTIMG class="left" src="images/ch25.jpg" width-obs="310" alt="Illustration" />
don't think you care two straws about her," Conway Dalrymple said
to his friend John Eames, two days after the dinner-party at Mrs.
Dobbs Broughton's. The painter was at work in his studio, and the
private secretary from the Income-tax Office, who was no doubt
engaged on some special mission to the West End on the part of Sir
Raffle Buffle, was sitting in a lounging-chair and smoking a cigar.</p>
<p>"Because I don't go about with my stockings cross-gartered, and do
that kind of business?"</p>
<p>"Well, yes; because you don't do that kind of business, more or
less."</p>
<p>"It isn't in my line, my dear fellow. I know what you mean, very
well. I daresay, artistically
<span class="nowrap">speaking,—"</span></p>
<p>"Don't be an ass, Johnny."</p>
<p>"Well then, poetically, or romantically, if you like that better,— I
daresay that poetically or romantically I am deficient. I eat my
dinner very well, and I don't suppose I ought to do that; and, if
you'll believe me, I find myself laughing sometimes."</p>
<p>"I never knew a man who laughed so much. You're always laughing."</p>
<p>"And that, you think, is a bad sign?"</p>
<p>"I don't believe you really care about her. I think you are aware
that you have got a love-affair on hand, and that you hang on to it
rather persistently, having in some way come to a resolution that you
would be persistent. But there isn't much heart in it. I daresay
there was once."</p>
<p>"And that is your opinion?"</p>
<p>"You are just like some of those men who for years past have been
going to write a book on some new subject. The intention has been
sincere at first, and it never altogether dies away. But the would-be
author, though he still talks of his work, knows that it will never
be executed, and is very patient under the disappointment. All
enthusiasm about the thing is gone, but he is still known as the man
who is going to do it some day. You are the man who means to marry
Miss Dale in five, ten, or twenty years' time."</p>
<p>"Now, Conway, all that is thoroughly unfair. The would-be author
talks of his would-be book to everybody. I have never talked of Miss
Dale to any one but you, and one or two very old family friends. And
from year to year, and from month to month, I have done all that has
been in my power to win her. I don't think I shall ever succeed, and
yet I am as determined about it as I was when I first began it,—or
rather much more so. If I do not marry Lily, I shall never marry at
all, and if anybody were to tell me to-morrow that she had made up
her mind to have me, I should well nigh go mad for joy. But I am not
going to give up all my life for love. Indeed the less I can bring
myself to give up for it, the better I shall think of myself. Now
I'll go away and call on old lady Demolines."</p>
<p>"And flirt with her daughter."</p>
<p>"Yes;—flirt with her daughter, if I get the opportunity. Why
shouldn't I flirt with her daughter?"</p>
<p>"Why not, if you like it?"</p>
<p>"I don't like it,—not particularly, that is; because the young lady
is not very pretty, nor yet very graceful, nor yet very wise."</p>
<p>"She is pretty after a fashion," said the artist, "and if not wise,
she is at any rate clever."</p>
<p>"Nevertheless, I do not like her," said John Eames.</p>
<p>"Then why do you go there?"</p>
<p>"One has to be civil to people though they are neither pretty nor
wise. I don't mean to insinuate that Miss Demolines is particularly
bad, or indeed that she is worse than young ladies in general. I only
abused her because there was an insinuation in what you said, that I
was going to amuse myself with Miss Demolines in the absence of Miss
Dale. The one thing has nothing to do with the other thing. Nothing
that I shall say to Miss Demolines will at all militate against my
loyalty to Lily."</p>
<p>"All right, old fellow;—I didn't mean to put you on your purgation.
I want you to look at that sketch. Do you know for whom it is
intended?" Johnny took up a scrap of paper, and having scrutinized it
for a minute or two declared that he had not the slightest idea who
was represented. "You know the subject,—the story that is intended
to be told?" said Dalrymple.</p>
<p>"Upon my word I don't. There's some old fellow seems to be catching
it over the head; but it's all so confused I can't make much of it.
The woman seems to be uncommon angry."</p>
<p>"Do you ever read your Bible?"</p>
<p>"Ah, dear! not as often as I ought to do. Ah, I see; it's Sisera. I
never could quite believe that story. Jael might have killed Captain
Sisera in his sleep,—for which, by-the-by, she ought to have been
hung, and she might possibly have done it with a hammer and a nail.
But she could not have driven it through, and staked him to the
ground."</p>
<p>"I've warrant enough for putting it into a picture, at any rate. My
Jael there is intended for Miss Van Siever."</p>
<p>"Miss Van Siever! Well, it is like her. Has she sat for it?"</p>
<p>"O dear, no; not yet. I mean to get her to do so. There's a strength
about her, which would make her sit the part admirably. And I fancy
she would like to be driving a nail into a fellow's head. I think I
shall take Musselboro for a Sisera."</p>
<p>"You're not in earnest?"</p>
<p>"He would just do for it. But of course I shan't ask him to sit, as
my Jael would not like it. She would not consent to operate on so
base a subject. So you really are going down to Guestwick?"</p>
<p>"Yes; I start to-morrow. Good-by, old fellow. I'll come and sit for
Sisera if you'll let me;—only Miss Van Jael shall have a blunted
nail, if you please."</p>
<p>Then Johnny left the artist's room and walked across from Kensington
to Lady Demolines' house. As he went he partly accused himself, and
partly excused himself in that matter of his love for Lily Dale.
There were moments of his life in which he felt that he would
willingly die for her,—that life was not worth having without
her,—in which he went about inwardly reproaching fortune for having
treated him so cruelly. Why should she not be his? He half believed
that she loved him. She had almost told him so. She could not surely
still love that other man who had treated her with such vile
falsehood? As he considered the question in all its bearings he
assured himself over and over again that there would be now no fear
of that rival;—and yet he had such fears, and hated Crosbie almost
as much as ever. It was a thousand pities, certainly, that the man
should have been made free by the death of his wife. But it could
hardly be that he should seek Lily again, or that Lily, if so sought,
should even listen to him. But yet there he was, free once more,—an
odious being, whom Johnny was determined to sacrifice to his
vengeance, if cause for such sacrifice should occur. And thus
thinking of the real truth of his love, he endeavoured to excuse
himself to himself from that charge of vagueness and laxness which
his friend Conway Dalrymple had brought against him. And then again
he accused himself of the same sin. If he had been positively in
earnest, with downright manly earnestness, would he have allowed the
thing to drag itself on with a weak uncertain life, as it had done
for the last two or three years? Lily Dale had been a dream to him in
his boyhood; and he had made a reality of his dream as soon as he had
become a man. But before he had been able, as a man, to tell his love
to the girl whom he had loved as a child, another man had intervened,
and his prize had been taken from him. Then the wretched victor had
thrown his treasure away, and he, John Eames, had been content to
stoop to pick it up,—was content to do so now. But there was
something which he felt to be unmanly in the constant stooping.
Dalrymple had told him that he was like a man who is ever writing a
book and yet never writes it. He would make another attempt to get
his book written,—an attempt into which he would throw all his
strength and all his heart. He would do his very best to make Lily
his own. But if he failed now, he would have done with it. It seemed
to him to be below his dignity as a man to be always coveting a thing
which he could not obtain.</p>
<p>Johnny was informed by the boy in buttons, who opened the door for
him at Lady Demolines', that the ladies were at home, and he was
shown up into the drawing-room. Here he was allowed full ten minutes
to explore the knicknacks on the table, and open the photograph
book, and examine the furniture, before Miss Demolines made her
appearance. When she did come, her hair was tangled more marvellously
even than when he saw her at the dinner-party, and her eyes were darker,
and her cheeks thinner. "I'm afraid mamma won't be able to come
down," said Miss Demolines. "She will be so sorry; but she is not
quite well to-day. The wind is in the east, she says, and when she
says the wind is in the east she always refuses to be well."</p>
<p>"Then I should tell her it was in the west."</p>
<p>"But it is in the east."</p>
<p>"Ah, there I can't help you, Miss Demolines. I never know which is
east, and which west; and if I did, I shouldn't know from which
point the wind blew."</p>
<p>"At any rate mamma can't come downstairs, and you must excuse her.
What a very nice woman Mrs. Dobbs Broughton is." Johnny acknowledged
that Mrs. Dobbs Broughton was charming. "And Mr. Broughton is so
good-natured!" Johnny again assented. "I like him of all things,"
said Miss Demolines. "So do I," said Johnny;—"I never liked anybody
so much in my life. I suppose one is bound to say that kind of
thing." "Oh, you ill-natured man," said Miss Demolines. "I suppose
you think that poor Mr. Broughton is a little—just a little,—you
know what I mean."</p>
<p>"Not exactly," said Johnny.</p>
<p>"Yes, you do; you know very well what I mean. And of course he is.
How can he help it?"</p>
<p>"Poor fellow,—no. I don't suppose he can help it, or he
would;—wouldn't he?"</p>
<p>"Of course Mr. Broughton had not the advantage of birth or much early
education. All his friends know that, and make allowance accordingly.
When she married him, she was aware of his deficiency, and made up
her mind to put up with it."</p>
<p>"It was very kind of her; don't you think so?"</p>
<p>"I knew Maria Clutterbuck for years before she was married. Of course
she was very much my senior, but, nevertheless, we were friends. I
think I was hardly more than twelve years old when I first began to
correspond with Maria. She was then past twenty. So you see, Mr.
Eames, I make no secret of my age."</p>
<p>"Why should you?"</p>
<p>"But never mind that. Everybody knows that Maria Clutterbuck was very
much admired. Of course I'm not going to tell you or any other
gentleman all her history."</p>
<p>"I was in hopes you were."</p>
<p>"Then certainly your hopes will be frustrated, Mr. Eames. But
undoubtedly when she told us that she was going to take Dobbs
Broughton, we were a little disappointed. Maria Clutterbuck had been
used to a better kind of life. You understand what I mean, Mr. Eames?"</p>
<p>"Oh, exactly;—and yet it's not a bad kind of life, either."</p>
<p>"No, no; that is true. It has its attractions. She keeps her
carriage, sees a good deal of company, has an excellent house, and
goes abroad for six weeks every year. But you know, Mr. Eames, there
is, perhaps, a little uncertainty about it."</p>
<p>"Life is always uncertain, Miss Demolines."</p>
<p>"You're quizzing now, I know. But don't you feel now, really, that
City money is always very chancy? It comes and goes so quick."</p>
<p>"As regards the going, I think that's the same with all money," said
Johnny.</p>
<p>"Not with land, or the funds. Mamma has every shilling laid out in a
first-class mortgage on land at four per cent. That does make one
feel so secure! The land can't run away."</p>
<p>"But you think poor Broughton's money may?"</p>
<p>"It's all speculation, you know. I don't believe she minds it; I
don't, indeed. She lives that kind of fevered life now that she likes
excitement. Of course we all know that Mr. Dobbs Broughton is not what
we can call an educated gentleman. His manners are against him, and
he is very ignorant. Even dear Maria would admit that."</p>
<p>"One would perhaps let that pass without asking her opinion at all."</p>
<p>"She has acknowledged it to me, twenty times. But he is very
good-natured, and lets her do pretty nearly anything that she likes.
I only hope she won't trespass on his good-nature. I do, indeed."</p>
<p>"You mean, spend too much money?"</p>
<p>"No; I didn't mean that exactly. Of course she ought to be moderate,
and I hope she is. To that kind of fevered existence profuse
expenditure is perhaps necessary. But I was thinking of something
else. I fear she is a little giddy."</p>
<p>"Dear me! I should have thought she
was too—too—too<span class="nowrap">—"</span></p>
<p>"You mean too old for anything of that kind. Maria Broughton must be
thirty-three if she's a day."</p>
<p>"That would make you just twenty-five," said Johnny, feeling
perfectly sure as he said so that the lady whom he was addressing was
at any rate past thirty!</p>
<p>"Never mind my age, Mr. Eames; whether I am twenty-five, or a
hundred-and-five, has nothing to do with poor Maria Clutterbuck. But
now I'll tell you why I mention all this to you. You must have seen
how foolish she is about your friend Mr. Dalrymple?"</p>
<p>"Upon my word, I haven't."</p>
<p>"Nonsense, Mr. Eames; you have. If she were your wife, would you like
her to call a man Conway? Of course you would not. I don't mean to
say that there's anything in it. I know Maria's principles too well
to suspect that. It's merely because she's flighty and fevered."</p>
<p>"That fevered existence accounts for it all," said Johnny.</p>
<p>"No doubt it does," said Miss Demolines, with a nod of her head,
which was intended to show that she was willing to give her friend
the full benefit of any excuse which could be offered for her. "But
don't you think you could do something, Mr. Eames?"</p>
<p>"I do something?"</p>
<p>"Yes, you. You and Mr. Dalrymple are such friends! If you were just to
point out to him you know<span class="nowrap">—"</span></p>
<p>"Point out what? Tell him that he oughtn't to be called Conway?
Because, after all, I suppose that's the worst of it. If you mean to
say that Dalrymple is in love with Mrs. Broughton, you never made a
greater mistake in your life."</p>
<p>"Oh, no; not in love. That would be terrible, you know." And Miss
Demolines shook her head sadly. "But there may be so much mischief
done without anything of that kind! Thoughtlessness, you know, Mr.
Eames,—pure thoughtlessness! Think of what I have said, and if you
can speak a word to your friend, do. And now I want to ask you
something else. I'm so glad you are come, because circumstances have
seemed to make it necessary that you and I should know each other. We
may be of so much use if we put our heads together." Johnny bowed
when he heard this, but made no immediate reply. "Have you heard
anything about a certain picture that is being planned?" Johnny did
not wish to answer this question, but Miss Demolines paused so long,
and looked so earnestly into his face, that he found himself forced
to say something.</p>
<p>"What picture?"</p>
<p>"A certain picture that is—, or, perhaps, that is not to be, painted
by Mr. Dalrymple?"</p>
<p>"I hear so much about Dalrymple's pictures! You don't mean the
portrait of Lady Glencora Palliser? That is nearly finished, and will
be in the Exhibition this year."</p>
<p>"I don't mean that at all. I mean a picture that has not yet been
begun."</p>
<p>"A portrait, I suppose?"</p>
<p>"As to that I cannot quite say. It is at any rate to be a likeness. I
am sure you have heard of it. Come, Mr. Eames; it would be better that
we should be candid with each other. You remember Miss Van Siever, of
course?"</p>
<p>"I remember that she dined at the Broughtons'."</p>
<p>"And you have heard of Jael, I suppose, and Sisera?"</p>
<p>"Yes; in a general way,—in the Bible."</p>
<p>"And now will you tell me whether you have not heard the names of
Jael and Miss Van Siever coupled together? I see you know all about
it."</p>
<p>"I have heard of it, certainly."</p>
<p>"Of course you have. So have I, as you perceive. Now, Mr. Eames,"—and
Miss Demolines' voice became tremulously eager as she addressed
him,—"it is your duty, and it is my duty, to take care that that
picture shall never be painted."</p>
<p>"But why should it not be painted?"</p>
<p>"You don't know Miss Van Siever, yet."</p>
<p>"Not in the least."</p>
<p>"Nor Mrs. Van Siever."</p>
<p>"I never spoke a word to her."</p>
<p>"I do. I know them both,—well." There was something almost grandly
tragic in Miss Demolines' voice as she thus spoke. "Yes, Mr. Eames, I
know them well. If that scheme be continued, it will work terrible
mischief. You and I must prevent it."</p>
<p>"But I don't see what harm it will do."</p>
<p>"Think of Conway Dalrymple passing so many hours in Maria's
sitting-room upstairs! The picture is to be painted there, you know."</p>
<p>"But Miss Van Siever will be present. Won't that make it all right?
What is there wrong about Miss Van Siever?"</p>
<p>"I won't deny that Clara Van Siever has a certain beauty of her own.
To me she is certainly the most unattractive woman that I ever came
near. She is simply repulsive!" Hereupon Miss Demolines held up her
hand as though she were banishing Miss Van Siever for ever from her
sight, and shuddered slightly. "Men think her handsome, and she is
handsome. But she is false, covetous, malicious, cruel, and
dishonest."</p>
<p>"What a fiend in petticoats!"</p>
<p>"You may say that, Mr. Eames. And then her mother! Her mother is not
so bad. Her mother is very different. But the mother is an odious woman,
too. It was an evil day for Maria Clutterbuck when she first saw
either the mother or the daughter. I tell you that in confidence."</p>
<p>"But what can I do?" said Johnny, who began to be startled and almost
interested by the eagerness of the woman.</p>
<p>"I'll tell you what you can do. Don't let your friend go to Mr.
Broughton's house to paint the picture. If he does do it, there will
mischief come of it. Of course you can prevent him."</p>
<p>"I should not think of trying to prevent him unless I knew why."</p>
<p>"She's a nasty proud minx, and it would set her up ever so high,—to
think that she was being painted by Mr. Dalrymple! But that isn't the
reason. Maria would get into terrible trouble about it, and there
would be no end of mischief. I must not tell you more now, and if you
do not believe me, I cannot help it. Surely, Mr. Eames, my word may be
taken as going for something? And when I ask you to help me in this,
I do expect that you will not refuse me." By this time Miss Demolines
was sitting close to him, and had more than once put her hand upon
his arm in the energy of her eloquence. Then as he remembered that he
had never seen Miss Demolines till the other day, or Miss Van Siever,
or even Mrs. Dobbs Broughton, he bethought himself that it was all
very droll. Nevertheless he had no objection to Miss Demolines
putting her hand upon his arm.</p>
<p>"I never like to interfere in anything that does not seem to be my
own business," said Johnny.</p>
<p>"Is not your friend's business your own business? What does
friendship mean if it is not so? And when I tell you that it is my
business, mine of right, does that go for nothing with you? I thought
I might depend upon you, Mr. Eames; I did indeed." Then again she put
her hand upon his arm, and as he looked into her eyes he began to
think that after all she was good-looking in a certain way. At any
rate she had fine eyes, and there was something picturesque about the
entanglement of her hair. "Think of it, and then come back and talk
to me again," said Miss Demolines.</p>
<p>"But I am going out of town to-morrow."</p>
<p>"For how long?"</p>
<p>"For ten days."</p>
<p>"Nothing can be done during that time. Clara Van Siever is going away
in a day, and will not be back for three weeks. I happen to know
that; so we have plenty of time for working. It would be very
desirable that she should never even hear of it; but that cannot be
hoped, as Maria has such a tongue! Couldn't you see Mr. Dalrymple
to-night?"</p>
<p>"Well, no; I don't think I could."</p>
<p>"Mind, at least, that you come to me as soon as ever you return."</p>
<p>Before he got out of the house, which he did after a most
affectionate farewell, Johnny felt himself compelled to promise that
he would come to Miss Demolines again as soon as he got back to town;
and as the door was closed behind him by the boy in buttons, he made
up his mind that he certainly would call as soon as he returned to
London. "It's as good as a play," he said to himself. Not that he
cared in the least for Miss Demolines, or that he would take any
steps with the intention of preventing the painting of the picture.
Miss Demolines had some battle to fight, and he would leave her to
fight it with her own weapons. If his friend chose to paint a picture
of Jael, and take Miss Van Siever as a model, it was no business of
his. Nevertheless he would certainly go and see Miss Demolines again,
because, as he said, she was as good as a play.</p>
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