<SPAN name="chap19"></SPAN>
<h3> CHAPTER XIX. </h3>
<p>Instead of resuming his investigation of South's brain, which perhaps
was not so interesting under the microscope as might have been expected
from the importance of that organ in life, Fitzpiers reclined and
ruminated on the interview. Grace's curious susceptibility to his
presence, though it was as if the currents of her life were disturbed
rather than attracted by him, added a special interest to her general
charm. Fitzpiers was in a distinct degree scientific, being ready and
zealous to interrogate all physical manifestations, but primarily he
was an idealist. He believed that behind the imperfect lay the
perfect; that rare things were to be discovered amid a bulk of
commonplace; that results in a new and untried case might be different
from those in other cases where the conditions had been precisely
similar. Regarding his own personality as one of unbounded
possibilities, because it was his own—notwithstanding that the factors
of his life had worked out a sorry product for thousands—he saw
nothing but what was regular in his discovery at Hintock of an
altogether exceptional being of the other sex, who for nobody else
would have had any existence.</p>
<p>One habit of Fitzpiers's—commoner in dreamers of more advanced age
than in men of his years—was that of talking to himself. He paced
round his room with a selective tread upon the more prominent blooms of
the carpet, and murmured, "This phenomenal girl will be the light of my
life while I am at Hintock; and the special beauty of the situation is
that our attitude and relations to each other will be purely spiritual.
Socially we can never be intimate. Anything like matrimonial
intentions towards her, charming as she is, would be absurd. They
would spoil the ethereal character of my regard. And, indeed, I have
other aims on the practical side of my life."</p>
<p>Fitzpiers bestowed a regulation thought on the advantageous marriage he
was bound to make with a woman of family as good as his own, and of
purse much longer. But as an object of contemplation for the present,
as objective spirit rather than corporeal presence, Grace Melbury would
serve to keep his soul alive, and to relieve the monotony of his days.</p>
<p>His first notion—acquired from the mere sight of her without
converse—that of an idle and vulgar flirtation with a
timber-merchant's pretty daughter, grated painfully upon him now that
he had found what Grace intrinsically was. Personal intercourse with
such as she could take no lower form than intellectual communion, and
mutual explorations of the world of thought. Since he could not call
at her father's, having no practical views, cursory encounters in the
lane, in the wood, coming and going to and from church, or in passing
her dwelling, were what the acquaintance would have to feed on.</p>
<p>Such anticipated glimpses of her now and then realized themselves in
the event. Rencounters of not more than a minute's duration,
frequently repeated, will build up mutual interest, even an intimacy,
in a lonely place. Theirs grew as imperceptibly as the tree-twigs
budded. There never was a particular moment at which it could be said
they became friends; yet a delicate understanding now existed between
two who in the winter had been strangers.</p>
<p>Spring weather came on rather suddenly, the unsealing of buds that had
long been swollen accomplishing itself in the space of one warm night.
The rush of sap in the veins of the trees could almost be heard. The
flowers of late April took up a position unseen, and looked as if they
had been blooming a long while, though there had been no trace of them
the day before yesterday; birds began not to mind getting wet. In-door
people said they had heard the nightingale, to which out-door people
replied contemptuously that they had heard him a fortnight before.</p>
<p>The young doctor's practice being scarcely so large as a London
surgeon's, he frequently walked in the wood. Indeed such practice as
he had he did not follow up with the assiduity that would have been
necessary for developing it to exceptional proportions. One day, book
in hand, he walked in a part of the wood where the trees were mainly
oaks. It was a calm afternoon, and there was everywhere around that
sign of great undertakings on the part of vegetable nature which is apt
to fill reflective human beings who are not undertaking much themselves
with a sudden uneasiness at the contrast. He heard in the distance a
curious sound, something like the quack of a duck, which, though it was
common enough here about this time, was not common to him.</p>
<p>Looking through the trees Fitzpiers soon perceived the origin of the
noise. The barking season had just commenced, and what he had heard
was the tear of the ripping tool as it ploughed its way along the
sticky parting between the trunk and the rind. Melbury did a large
business in bark, and as he was Grace's father, and possibly might be
found on the spot, Fitzpiers was attracted to the scene even more than
he might have been by its intrinsic interest. When he got nearer he
recognized among the workmen the two Timothys, and Robert Creedle, who
probably had been "lent" by Winterborne; Marty South also assisted.</p>
<p>Each tree doomed to this flaying process was first attacked by Creedle.
With a small billhook he carefully freed the collar of the tree from
twigs and patches of moss which incrusted it to a height of a foot or
two above the ground, an operation comparable to the "little toilet" of
the executioner's victim. After this it was barked in its erect
position to a point as high as a man could reach. If a fine product of
vegetable nature could ever be said to look ridiculous it was the case
now, when the oak stood naked-legged, and as if ashamed, till the
axe-man came and cut a ring round it, and the two Timothys finished the
work with the crosscut-saw.</p>
<p>As soon as it had fallen the barkers attacked it like locusts, and in a
short time not a particle of rind was left on the trunk and larger
limbs. Marty South was an adept at peeling the upper parts, and there
she stood encaged amid the mass of twigs and buds like a great bird,
running her tool into the smallest branches, beyond the farthest points
to which the skill and patience of the men enabled them to
proceed—branches which, in their lifetime, had swayed high above the
bulk of the wood, and caught the latest and earliest rays of the sun
and moon while the lower part of the forest was still in darkness.</p>
<p>"You seem to have a better instrument than they, Marty," said Fitzpiers.</p>
<p>"No, sir," she said, holding up the tool—a horse's leg-bone fitted
into a handle and filed to an edge—"'tis only that they've less
patience with the twigs, because their time is worth more than mine."</p>
<p>A little shed had been constructed on the spot, of thatched hurdles and
boughs, and in front of it was a fire, over which a kettle sung.
Fitzpiers sat down inside the shelter, and went on with his reading,
except when he looked up to observe the scene and the actors. The
thought that he might settle here and become welded in with this sylvan
life by marrying Grace Melbury crossed his mind for a moment. Why
should he go farther into the world than where he was? The secret of
quiet happiness lay in limiting the ideas and aspirations; these men's
thoughts were conterminous with the margin of the Hintock woodlands,
and why should not his be likewise limited—a small practice among the
people around him being the bound of his desires?</p>
<p>Presently Marty South discontinued her operations upon the quivering
boughs, came out from the reclining oak, and prepared tea. When it was
ready the men were called; and Fitzpiers being in a mood to join, sat
down with them.</p>
<p>The latent reason of his lingering here so long revealed itself when
the faint creaking of the joints of a vehicle became audible, and one
of the men said, "Here's he." Turning their heads they saw Melbury's
gig approaching, the wheels muffled by the yielding moss.</p>
<p>The timber-merchant was on foot leading the horse, looking back at
every few steps to caution his daughter, who kept her seat, where and
how to duck her head so as to avoid the overhanging branches. They
stopped at the spot where the bark-ripping had been temporarily
suspended; Melbury cursorily examined the heaps of bark, and drawing
near to where the workmen were sitting down, accepted their shouted
invitation to have a dish of tea, for which purpose he hitched the
horse to a bough. Grace declined to take any of their beverage, and
remained in her place in the vehicle, looking dreamily at the sunlight
that came in thin threads through the hollies with which the oaks were
interspersed.</p>
<p>When Melbury stepped up close to the shelter, he for the first time
perceived that the doctor was present, and warmly appreciated
Fitzpiers's invitation to sit down on the log beside him.</p>
<p>"Bless my heart, who would have thought of finding you here," he said,
obviously much pleased at the circumstance. "I wonder now if my
daughter knows you are so nigh at hand. I don't expect she do."</p>
<p>He looked out towards the gig wherein Grace sat, her face still turned
in the opposite direction. "She doesn't see us. Well, never mind: let
her be."</p>
<p>Grace was indeed quite unconscious of Fitzpiers's propinquity. She was
thinking of something which had little connection with the scene before
her—thinking of her friend, lost as soon as found, Mrs. Charmond; of
her capricious conduct, and of the contrasting scenes she was possibly
enjoying at that very moment in other climes, to which Grace herself
had hoped to be introduced by her friend's means. She wondered if this
patronizing lady would return to Hintock during the summer, and whether
the acquaintance which had been nipped on the last occasion of her
residence there would develop on the next.</p>
<p>Melbury told ancient timber-stories as he sat, relating them directly
to Fitzpiers, and obliquely to the men, who had heard them often
before. Marty, who poured out tea, was just saying, "I think I'll take
out a cup to Miss Grace," when they heard a clashing of the
gig-harness, and turning round Melbury saw that the horse had become
restless, and was jerking about the vehicle in a way which alarmed its
occupant, though she refrained from screaming. Melbury jumped up
immediately, but not more quickly than Fitzpiers; and while her father
ran to the horse's head and speedily began to control him, Fitzpiers
was alongside the gig assisting Grace to descend. Her surprise at his
appearance was so great that, far from making a calm and independent
descent, she was very nearly lifted down in his arms. He relinquished
her when she touched ground, and hoped she was not frightened.</p>
<p>"Oh no, not much," she managed to say. "There was no danger—unless he
had run under the trees where the boughs are low enough to hit my head."</p>
<p>"Which was by no means an impossibility, and justifies any amount of
alarm."</p>
<p>He referred to what he thought he saw written in her face, and she
could not tell him that this had little to do with the horse, but much
with himself. His contiguity had, in fact, the same effect upon her as
on those former occasions when he had come closer to her than
usual—that of producing in her an unaccountable tendency to
tearfulness. Melbury soon put the horse to rights, and seeing that
Grace was safe, turned again to the work-people. His daughter's
nervous distress had passed off in a few moments, and she said quite
gayly to Fitzpiers as she walked with him towards the group, "There's
destiny in it, you see. I was doomed to join in your picnic, although
I did not intend to do so."</p>
<p>Marty prepared her a comfortable place, and she sat down in the circle,
and listened to Fitzpiers while he drew from her father and the
bark-rippers sundry narratives of their fathers', their grandfathers',
and their own adventures in these woods; of the mysterious sights they
had seen—only to be accounted for by supernatural agency; of white
witches and black witches; and the standard story of the spirits of the
two brothers who had fought and fallen, and had haunted Hintock House
till they were exorcised by the priest, and compelled to retreat to a
swamp in this very wood, whence they were returning to their old
quarters at the rate of a cock's stride every New-year's Day, old
style; hence the local saying, "On New-year's tide, a cock's stride."</p>
<p>It was a pleasant time. The smoke from the little fire of peeled
sticks rose between the sitters and the sunlight, and behind its blue
veil stretched the naked arms of the prostrate trees The smell of the
uncovered sap mingled with the smell of the burning wood, and the
sticky inner surface of the scattered bark glistened as it revealed its
pale madder hues to the eye. Melbury was so highly satisfied at having
Fitzpiers as a sort of guest that he would have sat on for any length
of time, but Grace, on whom Fitzpiers's eyes only too frequently
alighted, seemed to think it incumbent upon her to make a show of
going; and her father thereupon accompanied her to the vehicle.</p>
<p>As the doctor had helped her out of it he appeared to think that he had
excellent reasons for helping her in, and performed the attention
lingeringly enough.</p>
<p>"What were you almost in tears about just now?" he asked, softly.</p>
<p>"I don't know," she said: and the words were strictly true.</p>
<p>Melbury mounted on the other side, and they drove on out of the grove,
their wheels silently crushing delicate-patterned mosses, hyacinths,
primroses, lords-and-ladies, and other strange and ordinary plants, and
cracking up little sticks that lay across the track. Their way
homeward ran along the crest of a lofty hill, whence on the right they
beheld a wide valley, differing both in feature and atmosphere from
that of the Hintock precincts. It was the cider country, which met the
woodland district on the axis of this hill. Over the vale the air was
blue as sapphire—such a blue as outside that apple-valley was never
seen. Under the blue the orchards were in a blaze of bloom, some of
the richly flowered trees running almost up to where they drove along.
Over a gate which opened down the incline a man leaned on his arms,
regarding this fair promise so intently that he did not observe their
passing.</p>
<p>"That was Giles," said Melbury, when they had gone by.</p>
<p>"Was it? Poor Giles," said she.</p>
<p>"All that blooth means heavy autumn work for him and his hands. If no
blight happens before the setting the apple yield will be such as we
have not had for years."</p>
<p>Meanwhile, in the wood they had come from, the men had sat on so long
that they were indisposed to begin work again that evening; they were
paid by the ton, and their time for labor was as they chose. They
placed the last gatherings of bark in rows for the curers, which led
them farther and farther away from the shed; and thus they gradually
withdrew as the sun went down.</p>
<p>Fitzpiers lingered yet. He had opened his book again, though he could
hardly see a word in it, and sat before the dying fire, scarcely
knowing of the men's departure. He dreamed and mused till his
consciousness seemed to occupy the whole space of the woodland around,
so little was there of jarring sight or sound to hinder perfect unity
with the sentiment of the place. The idea returned upon him of
sacrificing all practical aims to live in calm contentment here, and
instead of going on elaborating new conceptions with infinite pains, to
accept quiet domesticity according to oldest and homeliest notions.
These reflections detained him till the wood was embrowned with the
coming night, and the shy little bird of this dusky time had begun to
pour out all the intensity of his eloquence from a bush not very far
off.</p>
<p>Fitzpiers's eyes commanded as much of the ground in front as was open.
Entering upon this he saw a figure, whose direction of movement was
towards the spot where he sat. The surgeon was quite shrouded from
observation by the recessed shadow of the hut, and there was no reason
why he should move till the stranger had passed by. The shape resolved
itself into a woman's; she was looking on the ground, and walking
slowly as if searching for something that had been lost, her course
being precisely that of Mr. Melbury's gig. Fitzpiers by a sort of
divination jumped to the idea that the figure was Grace's; her nearer
approach made the guess a certainty.</p>
<p>Yes, she was looking for something; and she came round by the prostrate
trees that would have been invisible but for the white nakedness which
enabled her to avoid them easily. Thus she approached the heap of
ashes, and acting upon what was suggested by a still shining ember or
two, she took a stick and stirred the heap, which thereupon burst into
a flame. On looking around by the light thus obtained she for the
first time saw the illumined face of Fitzpiers, precisely in the spot
where she had left him.</p>
<p>Grace gave a start and a scream: the place had been associated with him
in her thoughts, but she had not expected to find him there still.
Fitzpiers lost not a moment in rising and going to her side.</p>
<p>"I frightened you dreadfully, I know," he said. "I ought to have
spoken; but I did not at first expect it to be you. I have been
sitting here ever since."</p>
<p>He was actually supporting her with his arm, as though under the
impression that she was quite overcome, and in danger of falling. As
soon as she could collect her ideas she gently withdrew from his grasp,
and explained what she had returned for: in getting up or down from the
gig, or when sitting by the hut fire, she had dropped her purse.</p>
<p>"Now we will find it," said Fitzpiers.</p>
<p>He threw an armful of last year's leaves on to the fire, which made the
flame leap higher, and the encompassing shades to weave themselves into
a denser contrast, turning eve into night in a moment. By this
radiance they groped about on their hands and knees, till Fitzpiers
rested on his elbow, and looked at Grace. "We must always meet in odd
circumstances," he said; "and this is one of the oddest. I wonder if
it means anything?"</p>
<p>"Oh no, I am sure it doesn't," said Grace in haste, quickly assuming an
erect posture. "Pray don't say it any more."</p>
<p>"I hope there was not much money in the purse," said Fitzpiers, rising
to his feet more slowly, and brushing the leaves from his trousers.</p>
<p>"Scarcely any. I cared most about the purse itself, because it was
given me. Indeed, money is of little more use at Hintock than on
Crusoe's island; there's hardly any way of spending it."</p>
<p>They had given up the search when Fitzpiers discerned something by his
foot. "Here it is," he said, "so that your father, mother, friend, or
ADMIRER will not have his or her feelings hurt by a sense of your
negligence after all."</p>
<p>"Oh, he knows nothing of what I do now."</p>
<p>"The admirer?" said Fitzpiers, slyly.</p>
<p>"I don't know if you would call him that," said Grace, with simplicity.
"The admirer is a superficial, conditional creature, and this person is
quite different."</p>
<p>"He has all the cardinal virtues."</p>
<p>"Perhaps—though I don't know them precisely."</p>
<p>"You unconsciously practise them, Miss Melbury, which is better.
According to Schleiermacher they are Self-control, Perseverance,
Wisdom, and Love; and his is the best list that I know."</p>
<p>"I am afraid poor—" She was going to say that she feared
Winterborne—the giver of the purse years before—had not much
perseverance, though he had all the other three; but she determined to
go no further in this direction, and was silent.</p>
<p>These half-revelations made a perceptible difference in Fitzpiers. His
sense of personal superiority wasted away, and Grace assumed in his
eyes the true aspect of a mistress in her lover's regard.</p>
<p>"Miss Melbury," he said, suddenly, "I divine that this virtuous man you
mention has been refused by you?"</p>
<p>She could do no otherwise than admit it.</p>
<p>"I do not inquire without good reason. God forbid that I should kneel
in another's place at any shrine unfairly. But, my dear Miss Melbury,
now that he is gone, may I draw near?"</p>
<p>"I—I can't say anything about that!" she cried, quickly. "Because when
a man has been refused you feel pity for him, and like him more than
you did before."</p>
<p>This increasing complication added still more value to Grace in the
surgeon's eyes: it rendered her adorable. "But cannot you say?" he
pleaded, distractedly.</p>
<p>"I'd rather not—I think I must go home at once."</p>
<p>"Oh yes," said Fitzpiers. But as he did not move she felt it awkward
to walk straight away from him; and so they stood silently together. A
diversion was created by the accident of two birds, that had either
been roosting above their heads or nesting there, tumbling one over the
other into the hot ashes at their feet, apparently engrossed in a
desperate quarrel that prevented the use of their wings. They speedily
parted, however, and flew up, and were seen no more.</p>
<p>"That's the end of what is called love!" said some one.</p>
<p>The speaker was neither Grace nor Fitzpiers, but Marty South, who
approached with her face turned up to the sky in her endeavor to trace
the birds. Suddenly perceiving Grace, she exclaimed, "Oh, Miss
Melbury! I have been following they pigeons, and didn't see you. And
here's Mr. Winterborne!" she continued, shyly, as she looked towards
Fitzpiers, who stood in the background.</p>
<p>"Marty," Grace interrupted. "I want you to walk home with me—will
you? Come along." And without lingering longer she took hold of Marty's
arm and led her away.</p>
<p>They went between the spectral arms of the peeled trees as they lay,
and onward among the growing trees, by a path where there were no oaks,
and no barking, and no Fitzpiers—nothing but copse-wood, between
which the primroses could be discerned in pale bunches. "I didn't know
Mr. Winterborne was there," said Marty, breaking the silence when they
had nearly reached Grace's door.</p>
<p>"Nor was he," said Grace.</p>
<p>"But, Miss Melbury, I saw him."</p>
<p>"No," said Grace. "It was somebody else. Giles Winterborne is nothing
to me."</p>
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