<SPAN name="chap16"></SPAN>
<h3> CHAPTER XVI. </h3>
<p>Dr. Fitzpiers lived on the slope of the hill, in a house of much less
pretension, both as to architecture and as to magnitude, than the
timber-merchant's. The latter had, without doubt, been once the
manorial residence appertaining to the snug and modest domain of Little
Hintock, of which the boundaries were now lost by its absorption with
others of its kind into the adjoining estate of Mrs. Charmond. Though
the Melburys themselves were unaware of the fact, there was every
reason to believe—at least so the parson said that the owners of that
little manor had been Melbury's own ancestors, the family name
occurring in numerous documents relating to transfers of land about the
time of the civil wars.</p>
<p>Mr. Fitzpiers's dwelling, on the contrary, was small, cottage-like, and
comparatively modern. It had been occupied, and was in part occupied
still, by a retired farmer and his wife, who, on the surgeon's arrival
in quest of a home, had accommodated him by receding from their front
rooms into the kitchen quarter, whence they administered to his wants,
and emerged at regular intervals to receive from him a not unwelcome
addition to their income.</p>
<p>The cottage and its garden were so regular in their arrangement that
they might have been laid out by a Dutch designer of the time of
William and Mary. In a low, dense hedge, cut to wedge-shape, was a
door over which the hedge formed an arch, and from the inside of the
door a straight path, bordered with clipped box, ran up the slope of
the garden to the porch, which was exactly in the middle of the house
front, with two windows on each side. Right and left of the path were
first a bed of gooseberry bushes; next of currant; next of raspberry;
next of strawberry; next of old-fashioned flowers; at the corners
opposite the porch being spheres of box resembling a pair of school
globes. Over the roof of the house could be seen the orchard, on yet
higher ground, and behind the orchard the forest-trees, reaching up to
the crest of the hill.</p>
<p>Opposite the garden door and visible from the parlor window was a
swing-gate leading into a field, across which there ran a footpath.
The swing-gate had just been repainted, and on one fine afternoon,
before the paint was dry, and while gnats were still dying thereon, the
surgeon was standing in his sitting-room abstractedly looking out at
the different pedestrians who passed and repassed along that route.
Being of a philosophical stamp, he perceived that the character of each
of these travellers exhibited itself in a somewhat amusing manner by
his or her method of handling the gate.</p>
<p>As regarded the men, there was not much variety: they gave the gate a
kick and passed through. The women were more contrasting. To them the
sticky wood-work was a barricade, a disgust, a menace, a treachery, as
the case might be.</p>
<p>The first that he noticed was a bouncing woman with her skirts tucked
up and her hair uncombed. She grasped the gate without looking, giving
it a supplementary push with her shoulder, when the white imprint drew
from her an exclamation in language not too refined. She went to the
green bank, sat down and rubbed herself in the grass, cursing the while.</p>
<p>"Ha! ha! ha!" laughed the doctor.</p>
<p>The next was a girl, with her hair cropped short, in whom the surgeon
recognized the daughter of his late patient, the woodman South.
Moreover, a black bonnet that she wore by way of mourning unpleasantly
reminded him that he had ordered the felling of a tree which had caused
her parent's death and Winterborne's losses. She walked and thought,
and not recklessly; but her preoccupation led her to grasp
unsuspectingly the bar of the gate, and touch it with her arm.
Fitzpiers felt sorry that she should have soiled that new black frock,
poor as it was, for it was probably her only one. She looked at her
hand and arm, seemed but little surprised, wiped off the disfigurement
with an almost unmoved face, and as if without abandoning her original
thoughts. Thus she went on her way.</p>
<p>Then there came over the green quite a different sort of personage.
She walked as delicately as if she had been bred in town, and as firmly
as if she had been bred in the country; she seemed one who dimly knew
her appearance to be attractive, but who retained some of the charm of
being ignorant of that fact by forgetting it in a general pensiveness.
She approached the gate. To let such a creature touch it even with a
tip of her glove was to Fitzpiers almost like letting her proceed to
tragical self-destruction. He jumped up and looked for his hat, but
was unable to find the right one; glancing again out of the window he
saw that he was too late. Having come up, she stopped, looked at the
gate, picked up a little stick, and using it as a bayonet, pushed open
the obstacle without touching it at all.</p>
<p>He steadily watched her till she had passed out of sight, recognizing
her as the very young lady whom he had seen once before and been unable
to identify. Whose could that emotional face be? All the others he had
seen in Hintock as yet oppressed him with their crude rusticity; the
contrast offered by this suggested that she hailed from elsewhere.</p>
<p>Precisely these thoughts had occurred to him at the first time of
seeing her; but he now went a little further with them, and considered
that as there had been no carriage seen or heard lately in that spot
she could not have come a very long distance. She must be somebody
staying at Hintock House? Possibly Mrs. Charmond, of whom he had heard
so much—at any rate an inmate, and this probability was sufficient to
set a mild radiance in the surgeon's somewhat dull sky.</p>
<p>Fitzpiers sat down to the book he had been perusing. It happened to be
that of a German metaphysician, for the doctor was not a practical man,
except by fits, and much preferred the ideal world to the real, and the
discovery of principles to their application. The young lady remained
in his thoughts. He might have followed her; but he was not
constitutionally active, and preferred a conjectural pursuit. However,
when he went out for a ramble just before dusk he insensibly took the
direction of Hintock House, which was the way that Grace had been
walking, it having happened that her mind had run on Mrs. Charmond that
day, and she had walked to the brow of a hill whence the house could be
seen, returning by another route.</p>
<p>Fitzpiers in his turn reached the edge of the glen, overlooking the
manor-house. The shutters were shut, and only one chimney smoked. The
mere aspect of the place was enough to inform him that Mrs. Charmond
had gone away and that nobody else was staying there. Fitzpiers felt a
vague disappointment that the young lady was not Mrs. Charmond, of whom
he had heard so much; and without pausing longer to gaze at a carcass
from which the spirit had flown, he bent his steps homeward.</p>
<p>Later in the evening Fitzpiers was summoned to visit a cottage patient
about two miles distant. Like the majority of young practitioners in
his position he was far from having assumed the dignity of being driven
his rounds by a servant in a brougham that flashed the sunlight like a
mirror; his way of getting about was by means of a gig which he drove
himself, hitching the rein of the horse to the gate post, shutter hook,
or garden paling of the domicile under visitation, or giving pennies to
little boys to hold the animal during his stay—pennies which were well
earned when the cases to be attended were of a certain cheerful kind
that wore out the patience of the little boys.</p>
<p>On this account of travelling alone, the night journeys which Fitzpiers
had frequently to take were dismal enough, a serious apparent
perversity in nature ruling that whenever there was to be a birth in a
particularly inaccessible and lonely place, that event should occur in
the night. The surgeon, having been of late years a town man, hated
the solitary midnight woodland. He was not altogether skilful with the
reins, and it often occurred to his mind that if in some remote depths
of the trees an accident were to happen, the fact of his being alone
might be the death of him. Hence he made a practice of picking up any
countryman or lad whom he chanced to pass by, and under the disguise of
treating him to a nice drive, obtained his companionship on the
journey, and his convenient assistance in opening gates.</p>
<p>The doctor had started on his way out of the village on the night in
question when the light of his lamps fell upon the musing form of
Winterborne, walking leisurely along, as if he had no object in life.
Winterborne was a better class of companion than the doctor usually
could get, and he at once pulled up and asked him if he would like a
drive through the wood that fine night.</p>
<p>Giles seemed rather surprised at the doctor's friendliness, but said
that he had no objection, and accordingly mounted beside Mr. Fitzpiers.</p>
<p>They drove along under the black boughs which formed a network upon the
stars, all the trees of a species alike in one respect, and no two of
them alike in another. Looking up as they passed under a horizontal
bough they sometimes saw objects like large tadpoles lodged
diametrically across it, which Giles explained to be pheasants there at
roost; and they sometimes heard the report of a gun, which reminded him
that others knew what those tadpole shapes represented as well as he.</p>
<p>Presently the doctor said what he had been going to say for some time:</p>
<p>"Is there a young lady staying in this neighborhood—a very attractive
girl—with a little white boa round her neck, and white fur round her
gloves?"</p>
<p>Winterborne of course knew in a moment that Grace, whom he had caught
the doctor peering at, was represented by these accessaries. With a
wary grimness, partly in his character, partly induced by the
circumstances, he evaded an answer by saying, "I saw a young lady
talking to Mrs. Charmond the other day; perhaps it was she."</p>
<p>Fitzpiers concluded from this that Winterborne had not seen him looking
over the hedge. "It might have been," he said. "She is quite a
gentlewoman—the one I mean. She cannot be a permanent resident in
Hintock or I should have seen her before. Nor does she look like one."</p>
<p>"She is not staying at Hintock House?"</p>
<p>"No; it is closed."</p>
<p>"Then perhaps she is staying at one of the cottages, or farmhouses?"</p>
<p>"Oh no—you mistake. She was a different sort of girl altogether." As
Giles was nobody, Fitzpiers treated him accordingly, and apostrophized
the night in continuation:</p>
<p class="poem">
"'She moved upon this earth a shape of brightness,<br/>
A power, that from its objects scarcely drew<br/>
One impulse of her being—in her lightness<br/>
Most like some radiant cloud of morning dew,<br/>
Which wanders through the waste air's pathless blue,<br/>
To nourish some far desert: she did seem<br/>
Beside me, gathering beauty as she grew,<br/>
Like the bright shade of some immortal dream<br/>
Which walks, when tempests sleep, the wave of life's dark stream.'"<br/></p>
<br/>
<p>The consummate charm of the lines seemed to Winterborne, though he
divined that they were a quotation, to be somehow the result of his
lost love's charms upon Fitzpiers.</p>
<p>"You seem to be mightily in love with her, sir," he said, with a
sensation of heart-sickness, and more than ever resolved not to mention
Grace by name.</p>
<p>"Oh no—I am not that, Winterborne; people living insulated, as I do by
the solitude of this place, get charged with emotive fluid like a
Leyden-jar with electric, for want of some conductor at hand to
disperse it. Human love is a subjective thing—the essence itself of
man, as that great thinker Spinoza the philosopher says—ipsa hominis
essentia—it is joy accompanied by an idea which we project against any
suitable object in the line of our vision, just as the rainbow iris is
projected against an oak, ash, or elm tree indifferently. So that if
any other young lady had appeared instead of the one who did appear, I
should have felt just the same interest in her, and have quoted
precisely the same lines from Shelley about her, as about this one I
saw. Such miserable creatures of circumstance are we all!"</p>
<p>"Well, it is what we call being in love down in these parts, whether or
no," said Winterborne.</p>
<p>"You are right enough if you admit that I am in love with something in
my own head, and no thing in itself outside it at all."</p>
<p>"Is it part of a country doctor's duties to learn that view of things,
may I ask, sir?" said Winterborne, adopting the Socratic {Greek word:
irony} with such well-assumed simplicity that Fitzpiers answered,
readily,</p>
<p>"Oh no. The real truth is, Winterborne, that medical practice in
places like this is a very rule-of-thumb matter; a bottle of bitter
stuff for this and that old woman—the bitterer the better—compounded
from a few simple stereotyped prescriptions; occasional attendance at
births, where mere presence is almost sufficient, so healthy and strong
are the people; and a lance for an abscess now and then. Investigation
and experiment cannot be carried on without more appliances than one
has here—though I have attempted it a little."</p>
<p>Giles did not enter into this view of the case; what he had been struck
with was the curious parallelism between Mr. Fitzpiers's manner and
Grace's, as shown by the fact of both of them straying into a subject
of discourse so engrossing to themselves that it made them forget it
was foreign to him.</p>
<p>Nothing further passed between himself and the doctor in relation to
Grace till they were on their way back. They had stopped at a way-side
inn for a glass of brandy and cider hot, and when they were again in
motion, Fitzpiers, possibly a little warmed by the liquor, resumed the
subject by saying, "I should like very much to know who that young lady
was."</p>
<p>"What difference can it make, if she's only the tree your rainbow falls
on?"</p>
<p>"Ha! ha! True."</p>
<p>"You have no wife, sir?"</p>
<p>"I have no wife, and no idea of one. I hope to do better things than
marry and settle in Hintock. Not but that it is well for a medical man
to be married, and sometimes, begad, 'twould be pleasant enough in this
place, with the wind roaring round the house, and the rain and the
boughs beating against it. I hear that you lost your life-holds by the
death of South?"</p>
<p>"I did. I lost in more ways than one."</p>
<p>They had reached the top of Hintock Lane or Street, if it could be
called such where three-quarters of the road-side consisted of copse
and orchard. One of the first houses to be passed was Melbury's. A
light was shining from a bedroom window facing lengthwise of the lane.
Winterborne glanced at it, and saw what was coming. He had withheld an
answer to the doctor's inquiry to hinder his knowledge of Grace; but,
as he thought to himself, "who hath gathered the wind in his fists? who
hath bound the waters in a garment?" he could not hinder what was
doomed to arrive, and might just as well have been outspoken. As they
came up to the house, Grace's figure was distinctly visible, drawing
the two white curtains together which were used here instead of blinds.</p>
<p>"Why, there she is!" said Fitzpiers. "How does she come there?"</p>
<p>"In the most natural way in the world. It is her home. Mr. Melbury is
her father."</p>
<p>"Oh, indeed—indeed—indeed! How comes he to have a daughter of that
stamp?"</p>
<p>Winterborne laughed coldly. "Won't money do anything," he said, "if
you've promising material to work upon? Why shouldn't a Hintock girl,
taken early from home, and put under proper instruction, become as
finished as any other young lady, if she's got brains and good looks to
begin with?"</p>
<p>"No reason at all why she shouldn't," murmured the surgeon, with
reflective disappointment. "Only I didn't anticipate quite that kind
of origin for her."</p>
<p>"And you think an inch or two less of her now." There was a little
tremor in Winterborne's voice as he spoke.</p>
<p>"Well," said the doctor, with recovered warmth, "I am not so sure that
I think less of her. At first it was a sort of blow; but, dammy! I'll
stick up for her. She's charming, every inch of her!"</p>
<p>"So she is," said Winterborne, "but not to me."</p>
<p>From this ambiguous expression of the reticent woodlander's, Dr.
Fitzpiers inferred that Giles disliked Miss Melbury because of some
haughtiness in her bearing towards him, and had, on that account,
withheld her name. The supposition did not tend to diminish his
admiration for her.</p>
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