<p>"If it hadn't been for the steel cross at Miss Swaffer's belt he would
not, he confessed, have known whether he was in a Christian country at
all. He used to cast stealthy glances at it, and feel comforted. There was
nothing here the same as in his country! The earth and the water were
different; there were no images of the Redeemer by the roadside. The very
grass was different, and the trees. All the trees but the three old Norway
pines on the bit of lawn before Swaffer's house, and these reminded him of
his country. He had been detected once, after dusk, with his forehead
against the trunk of one of them, sobbing, and talking to himself. They
had been like brothers to him at that time, he affirmed. Everything else
was strange. Conceive you the kind of an existence overshadowed,
oppressed, by the everyday material appearances, as if by the visions of a
nightmare. At night, when he could not sleep, he kept on thinking of the
girl who gave him the first piece of bread he had eaten in this foreign
land. She had been neither fierce nor angry, nor frightened. Her face he
remembered as the only comprehensible face amongst all these faces that
were as closed, as mysterious, and as mute as the faces of the dead who
are possessed of a knowledge beyond the comprehension of the living. I
wonder whether the memory of her compassion prevented him from cutting his
throat. But there! I suppose I am an old sentimentalist, and forget the
instinctive love of life which it takes all the strength of an uncommon
despair to overcome.</p>
<p>"He did the work which was given him with an intelligence which surprised
old Swaffer. By-and-by it was discovered that he could help at the
ploughing, could milk the cows, feed the bullocks in the cattle-yard, and
was of some use with the sheep. He began to pick up words, too, very fast;
and suddenly, one fine morning in spring, he rescued from an untimely
death a grand-child of old Swaffer.</p>
<p>"Swaffer's younger daughter is married to Willcox, a solicitor and the
Town Clerk of Colebrook. Regularly twice a year they come to stay with the
old man for a few days. Their only child, a little girl not three years
old at the time, ran out of the house alone in her little white pinafore,
and, toddling across the grass of a terraced garden, pitched herself over
a low wall head first into the horse-pond in the yard below.</p>
<p>"Our man was out with the waggoner and the plough in the field nearest to
the house, and as he was leading the team round to begin a fresh furrow,
he saw, through the gap of the gate, what for anybody else would have been
a mere flutter of something white. But he had straight-glancing, quick,
far-reaching eyes, that only seemed to flinch and lose their amazing power
before the immensity of the sea. He was barefooted, and looking as
outlandish as the heart of Swaffer could desire. Leaving the horses on the
turn, to the inexpressible disgust of the waggoner he bounded off, going
over the ploughed ground in long leaps, and suddenly appeared before the
mother, thrust the child into her arms, and strode away.</p>
<p>"The pond was not very deep; but still, if he had not had such good eyes,
the child would have perished—miserably suffocated in the foot or so
of sticky mud at the bottom. Old Swaffer walked out slowly into the field,
waited till the plough came over to his side, had a good look at him, and
without saying a word went back to the house. But from that time they laid
out his meals on the kitchen table; and at first, Miss Swaffer, all in
black and with an inscrutable face, would come and stand in the doorway of
the living-room to see him make a big sign of the cross before he fell to.
I believe that from that day, too, Swaffer began to pay him regular wages.</p>
<p>"I can't follow step by step his development. He cut his hair short, was
seen in the village and along the road going to and fro to his work like
any other man. Children ceased to shout after him. He became aware of
social differences, but remained for a long time surprised at the bare
poverty of the churches among so much wealth. He couldn't understand
either why they were kept shut up on week days. There was nothing to steal
in them. Was it to keep people from praying too often? The rectory took
much notice of him about that time, and I believe the young ladies
attempted to prepare the ground for his conversion. They could not,
however, break him of his habit of crossing himself, but he went so far as
to take off the string with a couple of brass medals the size of a
sixpence, a tiny metal cross, and a square sort of scapulary which he wore
round his neck. He hung them on the wall by the side of his bed, and he
was still to be heard every evening reciting the Lord's Prayer, in
incomprehensible words and in a slow, fervent tone, as he had heard his
old father do at the head of all the kneeling family, big and little, on
every evening of his life. And though he wore corduroys at work, and a
slop-made pepper-and-salt suit on Sundays, strangers would turn round to
look after him on the road. His foreignness had a peculiar and indelible
stamp. At last people became used to see him. But they never became used
to him. His rapid, skimming walk; his swarthy complexion; his hat cocked
on the left ear; his habit, on warm evenings, of wearing his coat over one
shoulder, like a hussar's dolman; his manner of leaping over the stiles,
not as a feat of agility, but in the ordinary course of progression—all
these peculiarities were, as one may say, so many causes of scorn and
offence to the inhabitants of the village. <i>They</i> wouldn't in their
dinner hour lie flat on their backs on the grass to stare at the sky.
Neither did they go about the fields screaming dismal tunes. Many times
have I heard his high-pitched voice from behind the ridge of some sloping
sheep-walk, a voice light and soaring, like a lark's, but with a
melancholy human note, over our fields that hear only the song of birds.
And I should be startled myself. Ah! He was different: innocent of heart,
and full of good will, which nobody wanted, this castaway, that, like a
man transplanted into another planet, was separated by an immense space
from his past and by an immense ignorance from his future. His quick,
fervent utterance positively shocked everybody. 'An excitable devil,' they
called him. One evening, in the tap-room of the Coach and Horses (having
drunk some whisky), he upset them all by singing a love song of his
country. They hooted him down, and he was pained; but Preble, the lame
wheelwright, and Vincent, the fat blacksmith, and the other notables too,
wanted to drink their evening beer in peace. On another occasion he tried
to show them how to dance. The dust rose in clouds from the sanded floor;
he leaped straight up amongst the deal tables, struck his heels together,
squatted on one heel in front of old Preble, shooting out the other leg,
uttered wild and exulting cries, jumped up to whirl on one foot, snapping
his fingers above his head—and a strange carter who was having a
drink in there began to swear, and cleared out with his half-pint in his
hand into the bar. But when suddenly he sprang upon a table and continued
to dance among the glasses, the landlord interfered. He didn't want any
'acrobat tricks in the taproom.' They laid their hands on him. Having had
a glass or two, Mr. Swaffer's foreigner tried to expostulate: was ejected
forcibly: got a black eye.</p>
<p>"I believe he felt the hostility of his human surroundings. But he was
tough—tough in spirit, too, as well as in body. Only the memory of
the sea frightened him, with that vague terror that is left by a bad
dream. His home was far away; and he did not want now to go to America. I
had often explained to him that there is no place on earth where true gold
can be found lying ready and to be got for the trouble of the picking up.
How then, he asked, could he ever return home with empty hands when there
had been sold a cow, two ponies, and a bit of land to pay for his going?
His eyes would fill with tears, and, averting them from the immense
shimmer of the sea, he would throw himself face down on the grass. But
sometimes, cocking his hat with a little conquering air, he would defy my
wisdom. He had found his bit of true gold. That was Amy Foster's heart;
which was 'a golden heart, and soft to people's misery,' he would say in
the accents of overwhelming conviction.</p>
<p>"He was called Yanko. He had explained that this meant little John; but as
he would also repeat very often that he was a mountaineer (some word
sounding in the dialect of his country like Goorall) he got it for his
surname. And this is the only trace of him that the succeeding ages may
find in the marriage register of the parish. There it stands—Yanko
Goorall—in the rector's handwriting. The crooked cross made by the
castaway, a cross whose tracing no doubt seemed to him the most solemn
part of the whole ceremony, is all that remains now to perpetuate the
memory of his name.</p>
<p>"His courtship had lasted some time—ever since he got his precarious
footing in the community. It began by his buying for Amy Foster a green
satin ribbon in Darnford. This was what you did in his country. You bought
a ribbon at a Jew's stall on a fair-day. I don't suppose the girl knew
what to do with it, but he seemed to think that his honourable intentions
could not be mistaken.</p>
<p>"It was only when he declared his purpose to get married that I fully
understood how, for a hundred futile and inappreciable reasons, how—shall
I say odious?—he was to all the countryside. Every old woman in the
village was up in arms. Smith, coming upon him near the farm, promised to
break his head for him if he found him about again. But he twisted his
little black moustache with such a bellicose air and rolled such big,
black fierce eyes at Smith that this promise came to nothing. Smith,
however, told the girl that she must be mad to take up with a man who was
surely wrong in his head. All the same, when she heard him in the gloaming
whistle from beyond the orchard a couple of bars of a weird and mournful
tune, she would drop whatever she had in her hand—she would leave
Mrs. Smith in the middle of a sentence—and she would run out to his
call. Mrs. Smith called her a shameless hussy. She answered nothing. She
said nothing at all to anybody, and went on her way as if she had been
deaf. She and I alone all in the land, I fancy, could see his very real
beauty. He was very good-looking, and most graceful in his bearing, with
that something wild as of a woodland creature in his aspect. Her mother
moaned over her dismally whenever the girl came to see her on her day out.
The father was surly, but pretended not to know; and Mrs. Finn once told
her plainly that 'this man, my dear, will do you some harm some day yet.'
And so it went on. They could be seen on the roads, she tramping stolidly
in her finery—grey dress, black feather, stout boots, prominent
white cotton gloves that caught your eye a hundred yards away; and he, his
coat slung picturesquely over one shoulder, pacing by her side, gallant of
bearing and casting tender glances upon the girl with the golden heart. I
wonder whether he saw how plain she was. Perhaps among types so different
from what he had ever seen, he had not the power to judge; or perhaps he
was seduced by the divine quality of her pity.</p>
<p>"Yanko was in great trouble meantime. In his country you get an old man
for an ambassador in marriage affairs. He did not know how to proceed.
However, one day in the midst of sheep in a field (he was now Swaffer's
under-shepherd with Foster) he took off his hat to the father and declared
himself humbly. 'I daresay she's fool enough to marry you,' was all Foster
said. 'And then,' he used to relate, 'he puts his hat on his head, looks
black at me as if he wanted to cut my throat, whistles the dog, and off he
goes, leaving me to do the work.' The Fosters, of course, didn't like to
lose the wages the girl earned: Amy used to give all her money to her
mother. But there was in Foster a very genuine aversion to that match. He
contended that the fellow was very good with sheep, but was not fit for
any girl to marry. For one thing, he used to go along the hedges muttering
to himself like a dam' fool; and then, these foreigners behave very
queerly to women sometimes. And perhaps he would want to carry her off
somewhere—or run off himself. It was not safe. He preached it to his
daughter that the fellow might ill-use her in some way. She made no
answer. It was, they said in the village, as if the man had done something
to her. People discussed the matter. It was quite an excitement, and the
two went on 'walking out' together in the face of opposition. Then
something unexpected happened.</p>
<p>"I don't know whether old Swaffer ever understood how much he was regarded
in the light of a father by his foreign retainer. Anyway the relation was
curiously feudal. So when Yanko asked formally for an interview—'and
the Miss too' (he called the severe, deaf Miss Swaffer simply <i>Miss</i>)—it
was to obtain their permission to marry. Swaffer heard him unmoved,
dismissed him by a nod, and then shouted the intelligence into Miss
Swaffer's best ear. She showed no surprise, and only remarked grimly, in a
veiled blank voice, 'He certainly won't get any other girl to marry him.'</p>
<p>"It is Miss Swaffer who has all the credit of the munificence: but in a
very few days it came out that Mr. Swaffer had presented Yanko with a
cottage (the cottage you've seen this morning) and something like an acre
of ground—had made it over to him in absolute property. Willcox
expedited the deed, and I remember him telling me he had a great pleasure
in making it ready. It recited: 'In consideration of saving the life of my
beloved grandchild, Bertha Willcox.'</p>
<p>"Of course, after that no power on earth could prevent them from getting
married.</p>
<p>"Her infatuation endured. People saw her going out to meet him in the
evening. She stared with unblinking, fascinated eyes up the road where he
was expected to appear, walking freely, with a swing from the hip, and
humming one of the love-tunes of his country. When the boy was born, he
got elevated at the 'Coach and Horses,' essayed again a song and a dance,
and was again ejected. People expressed their commiseration for a woman
married to that Jack-in-the-box. He didn't care. There was a man now (he
told me boastfully) to whom he could sing and talk in the language of his
country, and show how to dance by-and-by.</p>
<p>"But I don't know. To me he appeared to have grown less springy of step,
heavier in body, less keen of eye. Imagination, no doubt; but it seems to
me now as if the net of fate had been drawn closer round him already.</p>
<p>"One day I met him on the footpath over the Talfourd Hill. He told me that
'women were funny.' I had heard already of domestic differences. People
were saying that Amy Foster was beginning to find out what sort of man she
had married. He looked upon the sea with indifferent, unseeing eyes. His
wife had snatched the child out of his arms one day as he sat on the
doorstep crooning to it a song such as the mothers sing to babies in his
mountains. She seemed to think he was doing it some harm. Women are funny.
And she had objected to him praying aloud in the evening. Why? He expected
the boy to repeat the prayer aloud after him by-and-by, as he used to do
after his old father when he was a child—in his own country. And I
discovered he longed for their boy to grow up so that he could have a man
to talk with in that language that to our ears sounded so disturbing, so
passionate, and so bizarre. Why his wife should dislike the idea he
couldn't tell. But that would pass, he said. And tilting his head
knowingly, he tapped his breastbone to indicate that she had a good heart:
not hard, not fierce, open to compassion, charitable to the poor!</p>
<p>"I walked away thoughtfully; I wondered whether his difference, his
strangeness, were not penetrating with repulsion that dull nature they had
begun by irresistibly attracting. I wondered...."</p>
<p>The Doctor came to the window and looked out at the frigid splendour of
the sea, immense in the haze, as if enclosing all the earth with all the
hearts lost among the passions of love and fear.</p>
<p>"Physiologically, now," he said, turning away abruptly, "it was possible.
It was possible."</p>
<p>He remained silent. Then went on—"At all events, the next time I saw
him he was ill—lung trouble. He was tough, but I daresay he was not
acclimatised as well as I had supposed. It was a bad winter; and, of
course, these mountaineers do get fits of home sickness; and a state of
depression would make him vulnerable. He was lying half dressed on a couch
downstairs.</p>
<p>"A table covered with a dark oilcloth took up all the middle of the little
room. There was a wicker cradle on the floor, a kettle spouting steam on
the hob, and some child's linen lay drying on the fender. The room was
warm, but the door opens right into the garden, as you noticed perhaps.</p>
<p>"He was very feverish, and kept on muttering to himself. She sat on a
chair and looked at him fixedly across the table with her brown, blurred
eyes. 'Why don't you have him upstairs?' I asked. With a start and a
confused stammer she said, 'Oh! ah! I couldn't sit with him upstairs,
Sir.'</p>
<p>"I gave her certain directions; and going outside, I said again that he
ought to be in bed upstairs. She wrung her hands. 'I couldn't. I couldn't.
He keeps on saying something—I don't know what.' With the memory of
all the talk against the man that had been dinned into her ears, I looked
at her narrowly. I looked into her shortsighted eyes, at her dumb eyes
that once in her life had seen an enticing shape, but seemed, staring at
me, to see nothing at all now. But I saw she was uneasy.</p>
<p>"'What's the matter with him?' she asked in a sort of vacant trepidation.
'He doesn't look very ill. I never did see anybody look like this
before....'</p>
<p>"'Do you think,' I asked indignantly, 'he is shamming?'</p>
<p>"'I can't help it, sir,' she said stolidly. And suddenly she clapped her
hands and looked right and left. 'And there's the baby. I am so
frightened. He wanted me just now to give him the baby. I can't understand
what he says to it.'</p>
<p>"'Can't you ask a neighbour to come in tonight?' I asked.</p>
<p>"'Please, sir, nobody seems to care to come,' she muttered, dully resigned
all at once.</p>
<p>"I impressed upon her the necessity of the greatest care, and then had to
go. There was a good deal of sickness that winter. 'Oh, I hope he won't
talk!' she exclaimed softly just as I was going away.</p>
<p>"I don't know how it is I did not see—but I didn't. And yet, turning
in my trap, I saw her lingering before the door, very still, and as if
meditating a flight up the miry road.</p>
<p>"Towards the night his fever increased.</p>
<p>"He tossed, moaned, and now and then muttered a complaint. And she sat
with the table between her and the couch, watching every movement and
every sound, with the terror, the unreasonable terror, of that man she
could not understand creeping over her. She had drawn the wicker cradle
close to her feet. There was nothing in her now but the maternal instinct
and that unaccountable fear.</p>
<p>"Suddenly coming to himself, parched, he demanded a drink of water. She
did not move. She had not understood, though he may have thought he was
speaking in English. He waited, looking at her, burning with fever, amazed
at her silence and immobility, and then he shouted impatiently, 'Water!
Give me water!'</p>
<p>"She jumped to her feet, snatched up the child, and stood still. He spoke
to her, and his passionate remonstrances only increased her fear of that
strange man. I believe he spoke to her for a long time, entreating,
wondering, pleading, ordering, I suppose. She says she bore it as long as
she could. And then a gust of rage came over him.</p>
<p>"He sat up and called out terribly one word—some word. Then he got
up as though he hadn't been ill at all, she says. And as in fevered
dismay, indignation, and wonder he tried to get to her round the table,
she simply opened the door and ran out with the child in her arms. She
heard him call twice after her down the road in a terrible voice—and
fled.... Ah! but you should have seen stirring behind the dull, blurred
glance of these eyes the spectre of the fear which had hunted her on that
night three miles and a half to the door of Foster's cottage! I did the
next day.</p>
<p>"And it was I who found him lying face down and his body in a puddle, just
outside the little wicket-gate.</p>
<p>"I had been called out that night to an urgent case in the village, and on
my way home at daybreak passed by the cottage. The door stood open. My man
helped me to carry him in. We laid him on the couch. The lamp smoked, the
fire was out, the chill of the stormy night oozed from the cheerless
yellow paper on the wall. 'Amy!' I called aloud, and my voice seemed to
lose itself in the emptiness of this tiny house as if I had cried in a
desert. He opened his eyes. 'Gone!' he said distinctly. 'I had only asked
for water—only for a little water....'</p>
<p>"He was muddy. I covered him up and stood waiting in silence, catching a
painfully gasped word now and then. They were no longer in his own
language. The fever had left him, taking with it the heat of life. And
with his panting breast and lustrous eyes he reminded me again of a wild
creature under the net; of a bird caught in a snare. She had left him. She
had left him—sick—helpless—thirsty. The spear of the
hunter had entered his very soul. 'Why?' he cried in the penetrating and
indignant voice of a man calling to a responsible Maker. A gust of wind
and a swish of rain answered.</p>
<p>"And as I turned away to shut the door he pronounced the word 'Merciful!'
and expired.</p>
<p>"Eventually I certified heart-failure as the immediate cause of death. His
heart must have indeed failed him, or else he might have stood this night
of storm and exposure, too. I closed his eyes and drove away. Not very far
from the cottage I met Foster walking sturdily between the dripping hedges
with his collie at his heels.</p>
<p>"'Do you know where your daughter is?' I asked.</p>
<p>"'Don't I!' he cried. 'I am going to talk to him a bit. Frightening a poor
woman like this.'</p>
<p>"'He won't frighten her any more,' I said. 'He is dead.'</p>
<p>"He struck with his stick at the mud.</p>
<p>"'And there's the child.'</p>
<p>"Then, after thinking deeply for a while—"'I don't know that it
isn't for the best.'</p>
<p>"That's what he said. And she says nothing at all now. Not a word of him.
Never. Is his image as utterly gone from her mind as his lithe and
striding figure, his carolling voice are gone from our fields? He is no
longer before her eyes to excite her imagination into a passion of love or
fear; and his memory seems to have vanished from her dull brain as a
shadow passes away upon a white screen. She lives in the cottage and works
for Miss Swaffer. She is Amy Foster for everybody, and the child is 'Amy
Foster's boy.' She calls him Johnny—which means Little John.</p>
<p>"It is impossible to say whether this name recalls anything to her. Does
she ever think of the past? I have seen her hanging over the boy's cot in
a very passion of maternal tenderness. The little fellow was lying on his
back, a little frightened at me, but very still, with his big black eyes,
with his fluttered air of a bird in a snare. And looking at him I seemed
to see again the other one—the father, cast out mysteriously by the
sea to perish in the supreme disaster of loneliness and despair." <br/><br/><br/><br/></p>
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