<b>The text of this book is not available in this moment.</b><br/><img src="/Content/books/thumbs/2938.jpg" style="margin-top:15px;margin-right:15px;margin-bottom:25px;float:left"><u>Beetle</u><br><span>A story about a mysterious oriental figure who pursues a British politician to London, where he wreaks havoc with his powers of hypnosis and shape-shifting, Marsh's novel is of a piece with other sensational turn-of-the-century fictions such as Stoker's Dracula, George du Maurier's Trilby, and Sax Rohmer's Fu Manchu novels. Like <em>Dracula</em> and many of the sensation novels pioneered by Wilkie Collins and others in the 1860s, <em>The Beetle</em> is narrated from the perspectives of multiple characters, a technique used in many late nineteenth-century novels (those of Wilkie Collins and Stoker, for example) to create suspense.<br/><br/>Richard Marsh was the pseudonym of the British author born Richard Bernard Heldmann. </span><div style="break-after:column;"></div><br />