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<h2> VI. </h2>
<p>Philip put up his horse at the Hibernian, a mile farther on the high-road,
and the tongue of the landlady, Mistress Looney went like a mill-race
while he ate his dinner. She had known three generations of his family,
and was full of stories of his grandfather, of his father, and of himself
in his childhood. Full of faceti�, too, about his looks, which were
"rasonable promising," and about the girls of Douglas, who were "neither
good nor middling." She was also full of sage counsel, advising marriage
with a warm girl having "nice things at her—nice lands and pigs and
things"—as a ready way to square the "bobbery" of thirty years ago
at Ballawhaine.</p>
<p>Philip left his plate half full, and rose from the table to go down to
Port Mooar.</p>
<p>"But, boy veen, you've destroyed nothing,", cried the landlady. And then
coaxingly, as if he had been a child, "You'll be ateing bits for me, now,
come, come! No more at all? Aw, it's failing you are, Mr. Philip! Going
for a walk is it? Take your topcoat then, for the clover is closing."</p>
<p>He took the road that Pete had haunted as a boy on returning home from
school in the days when Kate lived at Cornaa, going through the network of
paths by the mill, and over the brow by Ballajora. The new miller was
pulling down the thatched cottage in which Kate had been born to put up a
slate house. They had built a porch for shelter to the chapel, and carved
the figure of a slaughtered lamb on a stone in the gable. Another lamb—a
living lamb—was being killed by the butcher of Ballajora as Philip
went by the shambles. The helpless creature, with its inverted head swung
downwards from the block, looked at him with its piteous eyes, and gave
forth that distressful cry which is the last wild appeal of the stricken
animal when it sees death near, and has ceased to fight for life.</p>
<p>The air was quiet, and the sea was calm, but across the Channel a leaden
sky seemed to hover over the English mountains, though they were still
light and apparently in sunshine. As Philip reached Port Mooar, a cart was
coming out of it with a load of sea-wrack for the land, and a
lobster-fisher on the beach was shipping his gear for sea.</p>
<p>"Quiet day," said Philip in passing.</p>
<p>"I'm not much liking the look of it, though," said the fisherman. "Mortal
thick surf coming up for the wind that's in." But he slipped his boat,
pulled up sail, and rode away.</p>
<p>Philip looked at his watch and then walked down the beach. Coming to a
cave, he entered it. The sea-wrack was banked up in the darkness behind,
and between two stones at the mouth there were the remains of a recent
fire. Suddenly he remembered the cave. It was the cave of the Carasdhoo
men. He �ould hear the voice of Pete in its rumbling depths; he could hear
and see himself. "Shall we save the women, Pete?—we always do." "Aw,
yes, the women—and the boys." The tenderness of that memory was too
much for Philip. He came out of the cave, and walked back over the shore.</p>
<p>"She will come by the church," he thought, and he climbed the cliffs to
look out. A line of fir-trees grew there, a comb of little misshapen
ghoul-like things, stunted by the winds that swept over the seas in
winter. In a fork of one of these a bird's nest of last year was still
hanging; but it was now empty, songless, joyless, and dead.</p>
<p>"She's here." he told himself, and he drew his breath noisily. A white
figure had turned the road by the sundial, and was coming on with the step
of a greyhound.</p>
<p>The black clouds above the English mountains were heeling down on the
land. There was a storm on the other coast, though the sky over the island
was still fine. The steamship had risen above the horizon, and was heading
towards the bay.</p>
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