<h2><SPAN name="CHAPTER_XXIX" id="CHAPTER_XXIX"></SPAN>CHAPTER XXIX</h2>
<p>It was with mixed feelings that Fairfield yielded at last to Foyle's
arguments and returned to see Eileen Meredith. To his consent he had
attached the condition that he was to be allowed to use his own judgment
as to how much of the interview he should communicate to the detective,
and with this Foyle had to be content.</p>
<p>The baronet found the girl waiting for him, her face alight with
eagerness. She was in her own boudoir, luxuriously ensconced in a big
arm-chair, and she smiled brightly at him—such a smile as he had not
seen since before the murder. He obeyed her invitation to sit down.</p>
<p>"You wanted to see me alone," he said.</p>
<p>She nodded. "Yes, I want to know if we are allies—or enemies. I know I
have treated you abominably, but I was driven half mad by the thought
that Bob was dead. Now we are working together—are we not?"</p>
<p>He made a little gesture with his hands, helplessly as one at a loss.</p>
<p>"In so far as we both wish to get Grell out of his difficulty—and I
wish I knew what that was—yes," he replied. "I don't believe him to be
a murderer, but why does he remain in hiding? He is not the sort of man
to do foolish things, and that is foolish on the face of it. He has some
strong reason for being out of the way. Can you explain?"<!-- Page 173 --><span class="pagenum"><SPAN name="Page_173" id="Page_173"></SPAN></span></p>
<p>She pulled her chair closer to him, and laid one slim hand on his.</p>
<p>"I cannot explain—I can only trust. He looked to us to help him. I know
that he wants money, for he sent a friend to tell me. I had none, but I
gave her my jewels. Detectives were watching her, and they, with the
connivance of my father, took them from her. Now, you, his most intimate
friend, must help him. He has given you the key to the cipher which will
appear, and then, I suppose, he will tell you how to get it to him."</p>
<p>She had apparently taken it for granted that the baronet was with her in
whole-souled devotion to her lover. His fingers beat a tattoo on his
knee.</p>
<p>"So that advertisement was the key to a cipher? Do you know when I shall
get a message?"</p>
<p>"I shall get one to-morrow. You—who knows?"</p>
<p>"Then you can tell me how to read it?"</p>
<p>She hesitated a moment, finger on chin. Then, animated by a quick
resolve, she moved to a little inlaid desk and unlocked a drawer. She
returned with a piece of paper in her hand.</p>
<p>"What was the number mentioned in your advertisement?"</p>
<p>"2315."</p>
<p>For a little the only sound in the room was the scratching of pencil on
paper. At last she finished, and handed the result to him. He wrinkled
his brows as he studied it.</p>
<table border="0" cellspacing="10" summary="key example">
<tr><td style="text-align: center;">THIS</td><td style="text-align: center;">IS</td><td style="text-align: center;">THE</td><td style="text-align: center;">KEY</td></tr>
<tr><td style="text-align: center;">2315</td><td style="text-align: center;">23</td><td style="text-align: center;">152</td><td style="text-align: center;">315</td></tr>
<tr><td style="text-align: center;">VKJX</td><td style="text-align: center;">KV</td><td style="text-align: center;">UMG</td><td style="text-align: center;">NFD</td></tr>
</table>
<p><!-- Page 174 --><span class="pagenum"><SPAN name="Page_174" id="Page_174"></SPAN></span>
"The bottom line is the top one turned into cipher," she explained. "The
middle line is the key number. In the first word you take the second
letter from T, the third from H, the first from I, and so on. It is a
cipher that cannot be unravelled without the key number. H becomes K
once and M once."</p>
<p>"I see." The simplicity of it at once dawned on him. "That was what
Foyle meant when he said that some ciphers could not be solved by the
recurring E," he said unthinkingly.</p>
<p>She had risen and flung away from him in quick revulsion. One glance at
her face told him what he had done.</p>
<p>"You spy!" There was stinging scorn in her tone. "You have talked it
over with Foyle, and that man knows all. You are here to worm out what I
know in order to betray your friend. Oh, don't trouble to lie,"—as he
would have spoken,—"I can see your object. And I nearly fell into the
trap."</p>
<p>The man was not without dignity, as he stood a little white but steady.
"You may call me what you like," he said in a low voice. "Spy, if you
will. Believe me or not, I have acted for the best, for you and for
Grell. You once called me a murderer—with what justification you now
know. Are you so ready to judge hastily again?"</p>
<p>If he had hoped to move her from her gust of passion, he quickly learned
his mistake. Her lips curled in contempt, and, drawing her skirts aside
as she passed him as though a touch might contaminate her, she swept to
the doorway. For one instant she stood posed.<!-- Page 175 --><span class="pagenum"><SPAN name="Page_175" id="Page_175"></SPAN></span></p>
<p>"You call yourself a spy. It is a good name. For a police spy there is
no room in this house."</p>
<p>With that she was gone. The man had flushed under the biting contempt in
her voice and words, and now stood for a little with hands tightly
clenched, gazing after her. He felt that, from her point of view at
least, there was some truth in her words. He was—whatever his
motives—a police spy. And yet he was but concerned to clear up the
horrible tangle in which his friend and the girl had become involved.</p>
<p>He did not know that he was watched from behind the curtains as he
walked blindly into the street. Eileen, with lips firmly set and face
tense, was concealed behind curtains. No sooner had he gone than she
hurriedly dressed herself and ordered an electric brougham. She had come
to believe that her lover's safety depended on her actions that day.
Foyle knew the secret of the cipher, and Grell's advertisement told her
that he intended communicating something to her by that method the next
day. At all costs she must prevent him betraying himself.</p>
<p>Only one course occurred to her. She must go to the office of the <i>Daily
Wire</i> and prevent his advertisement from appearing. How she was to do it
she had not the slightest idea. That she left for later reflection.</p>
<p>The car rolled smoothly towards Fleet Street, but no inspiration came to
her. She alighted at the advertisement office, with its plate glass and
gilded letters, and was attended by an obsequious clerk. Outwardly calm,
but with her heart beating quickly beneath her furs, she put her inquiry
to a sleek-haired clerk. He<!-- Page 176 --><span class="pagenum"><SPAN name="Page_176" id="Page_176"></SPAN></span> was polite but firm. It was quite possible
that such an advertisement as she mentioned had been sent for insertion
the following day, and again it might not. In any case he was forbidden
to give any information. It would be quite out of the question to stop
any advertisement unless she held the receipt.</p>
<p>"But if the advertisement has not already been given in, can you give a
note to whoever brings it?" she asked, in a flash of inspiration.</p>
<p>"Yes, that could be done." She tore off her glove, and with slim,
nervous fingers wrote hurriedly. The sleek clerk supplied her with an
envelope, and as she placed her message in it and handed it to him she
felt it was a forlorn hope. There was only one other way of outwitting
the detectives. Should Grell give any address in his message, she must
reach him early in the morning before the police could act. A couple of
questions elicited the fact that the paper would be on sale by four the
next morning. That would mean another journey to Fleet Street, for the
ordinary news-agents' shops would not be open at that time. The brougham
turned about and began the homeward journey.</p>
<p>A respectably dressed working man, who had apparently been absorbed in a
page of advertisements of situations vacant displayed on a slab in the
window, slouched into the office, and a man bareheaded and wearing a
frock-coat moved briskly forward, apparently to attend to him. Yet it
was more than coincidence that they met at a deserted end of the
counter.</p>
<p>"That was Lady Eileen Meredith," said the workman, in a quick, low
voice. "What did she want?"<!-- Page 177 --><span class="pagenum"><SPAN name="Page_177" id="Page_177"></SPAN></span></p>
<p>"She's guessed that we know the cipher," retorted the other. "She gave a
letter to be handed over to whoever brings the advertisement. Here is
what she says." He pulled the letter which Eileen had written five
minutes before from its envelope: "'The police know the cipher. Be very
cautious. R. F. is acting with them.' I'll telephone to Mr. Foyle at
once. You had better stay outside."</p>
<p>The second man went back to the pavement and resumed his study of the
advertisement board, but a close observer might have seen that his eyes
wandered past it now and again to the persons inside the office. Half an
hour went by. Then the frock-coated man inside took a silk hat from a
peg and placed it on his head. Simultaneously a woman went out. A dozen
paces behind her went the workman, and a dozen paces behind him the
frock-coated man.</p>
<p>Heldon Foyle had selected his subordinates well for their work. Acting
on the policy of leaving nothing to chance, he had taken a hint from the
advertisement addressed to Eileen, and had the office watched from the
time it opened. It was simple to get the manager's permission to place
one man within, and to get him to direct the clerks to pass through his
hands all cipher advertisements for the personal column. If the
advertisement came through the post, their time would be thrown away. If
it was delivered by hand, there was a chance of learning whence it had
been dispatched. The intervention of Lady Eileen was an accident that
could not have been foreseen. In that matter luck had played into
Foyle's hands.<!-- Page 178 --><span class="pagenum"><SPAN name="Page_178" id="Page_178"></SPAN></span></p>
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