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<h1> PICCADILLY JIM </h1>
<h2> By Pelham Grenville Wodehouse </h2>
<p><br/></p>
<hr />
<p><br/></p>
<h3> CONTENTS </h3>
<table summary="" style="margin-right: auto; margin-left: auto" cellpadding="4" border="3">
<tr>
<td>
<SPAN href="#link2HCH0001"> CHAPTER I </SPAN>
</td>
<td>
A RED-HAIRED GIRL
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0002"> CHAPTER II </SPAN>
</td>
<td>
THE EXILED FAN
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0003"> CHAPTER III </SPAN>
</td>
<td>
FAMILY JARS
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0004"> CHAPTER IV </SPAN>
</td>
<td>
JIMMY'S DISTURBING NEWS
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0005"> CHAPTER V </SPAN>
</td>
<td>
THE MORNING AFTER
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0006"> CHAPTER VI </SPAN>
</td>
<td>
JIMMY ABANDONS PICCADILLY
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0007"> CHAPTER VII </SPAN>
</td>
<td>
ON THE BOAT-DECK
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0008"> CHAPTER VIII </SPAN>
</td>
<td>
PAINFUL SCENE IN A CAFE
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0009"> CHAPTER IX </SPAN>
</td>
<td>
MRS. PETT IS SHOCKED
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0010"> CHAPTER X </SPAN>
</td>
<td>
INSTRUCTION IN DEPORTMENT
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0011"> CHAPTER XI </SPAN>
</td>
<td>
JIMMY DECIDES TO BE HIMSELF
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0012"> CHAPTER XII </SPAN>
</td>
<td>
JIMMY CATCHES THE BOSS'S EYE
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0013"> CHAPTER XIII </SPAN>
</td>
<td>
SLIGHT COMPLICATIONS
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0014"> CHAPTER XIV </SPAN>
</td>
<td>
LORD WISBEACH
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0015"> CHAPTER XV </SPAN>
</td>
<td>
A LITTLE BUSINESS CHAT
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0016"> CHAPTER XVI </SPAN>
</td>
<td>
MRS. PETT TAKES PRECAUTIONS
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0017"> CHAPTER XVII </SPAN>
</td>
<td>
MISS TRIMBLE, DETECTIVE
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0018"> CHAPTER XVIII </SPAN>
</td>
<td>
THE VOICE PROM THE PAST
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0019"> CHAPTER XIX </SPAN>
</td>
<td>
BETWEEN FATHER AND SON
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0020"> CHAPTER XX </SPAN>
</td>
<td>
CELESTINE IMPARTS INFORMATION
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0021"> CHAPTER XXI </SPAN>
</td>
<td>
CHICAGO ED.
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0022"> CHAPTER XXII </SPAN>
</td>
<td>
IN THE LIBRARY
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0023"> CHAPTER XXIII </SPAN>
</td>
<td>
STIRRING TIMES FOR THE PETTS
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0024"> CHAPTER XXIV </SPAN>
</td>
<td>
SENSATIONAL TURNING OF A WORM
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0025"> CHAPTER XXV </SPAN>
</td>
<td>
NEARLY EVERYBODY HAPPY
</td>
</tr>
<tr>
<td>
<SPAN href="#link2HCH0026"> CHAPTER XXVI </SPAN>
</td>
<td>
EVERYBODY HAPPY
</td>
</tr>
</table>
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<hr />
<p><SPAN name="link2HCH0001" id="link2HCH0001"> </SPAN></p>
<br/>
<h2> CHAPTER I — A RED-HAIRED GIRL </h2>
<p>The residence of Mr. Peter Pett, the well-known financier, on Riverside
Drive is one of the leading eyesores of that breezy and expensive
boulevard. As you pass by in your limousine, or while enjoying ten cents
worth of fresh air on top of a green omnibus, it jumps out and bites at
you. Architects, confronted with it, reel and throw up their hands
defensively, and even the lay observer has a sense of shock. The place
resembles in almost equal proportions a cathedral, a suburban villa, a
hotel and a Chinese pagoda. Many of its windows are of stained glass, and
above the porch stand two terra-cotta lions, considerably more repulsive
even than the complacent animals which guard New York's Public Library. It
is a house which is impossible to overlook: and it was probably for this
reason that Mrs. Pett insisted on her husband buying it, for she was a
woman who liked to be noticed.</p>
<p>Through the rich interior of this mansion Mr. Pett, its nominal
proprietor, was wandering like a lost spirit. The hour was about ten of a
fine Sunday morning, but the Sabbath calm which was upon the house had not
communicated itself to him. There was a look of exasperation on his
usually patient face, and a muttered oath, picked up no doubt on the
godless Stock Exchange, escaped his lips.</p>
<p>"Darn it!"</p>
<p>He was afflicted by a sense of the pathos of his position. It was not as
if he demanded much from life. He asked but little here below. At that
moment all that he wanted was a quiet spot where he might read his Sunday
paper in solitary peace, and he could not find one. Intruders lurked
behind every door. The place was congested.</p>
<p>This sort of thing had been growing worse and worse ever since his
marriage two years previously. There was a strong literary virus in Mrs.
Pett's system. She not only wrote voluminously herself—the name
Nesta Ford Pett is familiar to all lovers of sensational fiction—but
aimed at maintaining a salon. Starting, in pursuance of this aim, with a
single specimen,—her nephew, Willie Partridge, who was working on a
new explosive which would eventually revolutionise war—she had
gradually added to her collections, until now she gave shelter beneath her
terra-cotta roof to no fewer than six young and unrecognised geniuses. Six
brilliant youths, mostly novelists who had not yet started and poets who
were about to begin, cluttered up Mr. Pett's rooms on this fair June
morning, while he, clutching his Sunday paper, wandered about, finding,
like the dove in Genesis, no rest. It was at such times that he was almost
inclined to envy his wife's first husband, a business friend of his named
Elmer Ford, who had perished suddenly of an apoplectic seizure: and the
pity which he generally felt for the deceased tended to shift its focus.</p>
<p>Marriage had certainly complicated life for Mr. Pett, as it frequently
does for the man who waits fifty years before trying it. In addition to
the geniuses, Mrs. Pett had brought with her to her new home her only son,
Ogden, a fourteen-year-old boy of a singularly unloveable type. Years of
grown-up society and the absence of anything approaching discipline had
given him a precocity on which the earnest efforts of a series of private
tutors had expended themselves in vain. They came, full of optimism and
self-confidence, to retire after a brief interval, shattered by the boy's
stodgy resistance to education in any form or shape. To Mr. Pett, never at
his ease with boys, Ogden Ford was a constant irritant. He disliked his
stepson's personality, and he more than suspected him of stealing his
cigarettes. It was an additional annoyance that he was fully aware of the
impossibility of ever catching him at it.</p>
<p>Mr. Pett resumed his journey. He had interrupted it for a moment to listen
at the door of the morning-room, but, a remark in a high tenor voice about
the essential Christianity of the poet Shelley filtering through the oak,
he had moved on.</p>
<p>Silence from behind another door farther down the passage encouraged him
to place his fingers on the handle, but a crashing chord from an unseen
piano made him remove them swiftly. He roamed on, and a few minutes later
the process of elimination had brought him to what was technically his own
private library—a large, soothing room full of old books, of which
his father had been a great collector. Mr. Pett did not read old books
himself, but he liked to be among them, and it is proof of his pessimism
that he had not tried the library first. To his depressed mind it had
seemed hardly possible that there could be nobody there.</p>
<p>He stood outside the door, listening tensely. He could hear nothing. He
went in, and for an instant experienced that ecstatic thrill which only
comes to elderly gentlemen of solitary habit who in a house full of their
juniors find themselves alone at last. Then a voice spoke, shattering his
dream of solitude.</p>
<p>"Hello, pop!"</p>
<p>Ogden Ford was sprawling in a deep chair in the shadows.</p>
<p>"Come in, pop, come in. Lots of room."</p>
<p>Mr. Pett stood in the doorway, regarding his step-son with a sombre eye.
He resented the boy's tone of easy patronage, all the harder to endure
with philosophic calm at the present moment from the fact that the latter
was lounging in his favourite chair. Even from an aesthetic point of view
the sight of the bulging child offended him. Ogden Ford was round and
blobby and looked overfed. He had the plethoric habit of one to whom
wholesome exercise is a stranger and the sallow complexion of the
confirmed candy-fiend. Even now, a bare half hour after breakfast, his
jaws were moving with a rhythmical, champing motion.</p>
<p>"What are you eating, boy?" demanded Mr. Pett, his disappointment turning
to irritability.</p>
<p>"Candy."</p>
<p>"I wish you would not eat candy all day."</p>
<p>"Mother gave it to me," said Ogden simply. As he had anticipated, the shot
silenced the enemy's battery. Mr. Pett grunted, but made no verbal
comment. Ogden celebrated his victory by putting another piece of candy in
his mouth.</p>
<p>"Got a grouch this morning, haven't you, pop?"</p>
<p>"I will not be spoken to like that!"</p>
<p>"I thought you had," said his step-son complacently. "I can always tell. I
don't see why you want to come picking on me, though. I've done nothing."</p>
<p>Mr. Pett was sniffing suspiciously.</p>
<p>"You've been smoking."</p>
<p>"Me!!"</p>
<p>"Smoking cigarettes."</p>
<p>"No, sir!"</p>
<p>"There are two butts in the ash-tray."</p>
<p>"I didn't put them there."</p>
<p>"One of them is warm."</p>
<p>"It's a warm day."</p>
<p>"You dropped it there when you heard me come in."</p>
<p>"No, sir! I've only been here a few minutes. I guess one of the fellows
was in here before me. They're always swiping your coffin-nails. You ought
to do something about it, pop. You ought to assert yourself."</p>
<p>A sense of helplessness came upon Mr. Pett. For the thousandth time he
felt himself baffled by this calm, goggle-eyed boy who treated him with
such supercilious coolness.</p>
<p>"You ought to be out in the open air this lovely morning," he said feebly.</p>
<p>"All right. Let's go for a walk. I will if you will."</p>
<p>"I—I have other things to do," said Mr. Pett, recoiling from the
prospect.</p>
<p>"Well, this fresh-air stuff is overrated anyway. Where's the sense of
having a home if you don't stop in it?"</p>
<p>"When I was your age, I would have been out on a morning like this—er—bowling
my hoop."</p>
<p>"And look at you now!"</p>
<p>"What do you mean?"</p>
<p>"Martyr to lumbago."</p>
<p>"I am not a martyr to lumbago," said Mr. Pett, who was touchy on the
subject.</p>
<p>"Have it your own way. All I know is—"</p>
<p>"Never mind!"</p>
<p>"I'm only saying what mother . . ."</p>
<p>"Be quiet!"</p>
<p>Ogden made further researches in the candy box.</p>
<p>"Have some, pop?"</p>
<p>"No."</p>
<p>"Quite right. Got to be careful at your age."</p>
<p>"What do you mean?"</p>
<p>"Getting on, you know. Not so young as you used to be. Come in, pop, if
you're coming in. There's a draft from that door."</p>
<p>Mr. Pett retired, fermenting. He wondered how another man would have
handled this situation. The ridiculous inconsistency of the human
character infuriated him. Why should he be a totally different man on
Riverside Drive from the person he was in Pine Street? Why should he be
able to hold his own in Pine Street with grown men—whiskered,
square-jawed financiers—and yet be unable on Riverside Drive to
eject a fourteen-year-old boy from an easy chair? It seemed to him
sometimes that a curious paralysis of the will came over him out of
business hours.</p>
<p>Meanwhile, he had still to find a place where he could read his Sunday
paper.</p>
<p>He stood for a while in thought. Then his brow cleared, and he began to
mount the stairs. Reaching the top floor, he walked along the passage and
knocked on a door at the end of it. From behind this door, as from behind
those below, sounds proceeded, but this time they did not seem to
discourage Mr. Pett. It was the tapping of a typewriter that he heard, and
he listened to it with an air of benevolent approval. He loved to hear the
sound of a typewriter: it made home so like the office.</p>
<p>"Come in," called a girl's voice.</p>
<p>The room in which Mr. Pett found himself was small but cosy, and its
cosiness—oddly, considering the sex of its owner—had that
peculiar quality which belongs as a rule to the dens of men. A large
bookcase almost covered one side of it, its reds and blues and browns
smiling cheerfully at whoever entered. The walls were hung with prints,
judiciously chosen and arranged. Through a window to the left, healthfully
open at the bottom, the sun streamed in, bringing with it the pleasantly
subdued whirring of automobiles out on the Drive. At a desk at right
angles to this window, her vivid red-gold hair rippling in the breeze from
the river, sat the girl who had been working at the typewriter. She turned
as Mr. Pett entered, and smiled over her shoulder.</p>
<p>Ann Chester, Mr. Pett's niece, looked her best when she smiled. Although
her hair was the most obviously striking feature of her appearance, her
mouth was really the most individual thing about her. It was a mouth that
suggested adventurous possibilities. In repose, it had a look of having
just finished saying something humorous, a kind of demure appreciation of
itself. When it smiled, a row of white teeth flashed out: or, if the lips
did not part, a dimple appeared on the right cheek, giving the whole face
an air of mischievous geniality. It was an enterprising, swashbuckling
sort of mouth, the mouth of one who would lead forlorn hopes with a jest
or plot whimsically lawless conspiracies against convention. In its
corners and in the firm line of the chin beneath it there lurked, too,
more than a hint of imperiousness. A physiognomist would have gathered,
correctly, that Ann Chester liked having her own way and was accustomed to
get it.</p>
<p>"Hello, uncle Peter," she said. "What's the trouble?"</p>
<p>"Am I interrupting you, Ann?"</p>
<p>"Not a bit. I'm only copying out a story for aunt Nesta. I promised her I
would. Would you like to hear some of it?"</p>
<p>Mr. Pett said he would not.</p>
<p>"You're missing a good thing," said Ann, turning the pages. "I'm all
worked up over it. It's called 'At Dead of Night,' and it's full of crime
and everything. You would never think aunt Nesta had such a feverish
imagination. There are detectives and kidnappers in it and all sorts of
luxuries. I suppose it's the effect of reading it, but you look to me as
if you were trailing something. You've got a sort of purposeful air."</p>
<p>Mr. Pett's amiable face writhed into what was intended to be a bitter
smile.</p>
<p>"I'm only trailing a quiet place to read in. I never saw such a place as
this house. It looks big enough outside for a regiment. Yet, when you're
inside, there's a poet or something in every room."</p>
<p>"What about the library? Isn't that sacred to you?"</p>
<p>"The boy Ogden's there."</p>
<p>"What a shame!"</p>
<p>"Wallowing in my best chair," said Mr. Pett morosely. "Smoking
cigarettes."</p>
<p>"Smoking? I thought he had promised aunt Nesta he wouldn't smoke."</p>
<p>"Well, he said he wasn't, of course, but I know he had been. I don't know
what to do with that boy. It's no good my talking to him. He—he
patronises me!" concluded Mr. Pett indignantly. "Sits there on his
shoulder blades with his feet on the table and talks to me with his mouth
full of candy as if I were his grandson."</p>
<p>"Little brute."</p>
<p>Ann was sorry for Mr. Pett. For many years now, ever since the death of
her mother, they had been inseparable. Her father, who was a traveller,
explorer, big-game hunter, and general sojourner in the lonelier and
wilder spots of the world and paid only infrequent visits to New York, had
left her almost entirely in Mr. Pett's care, and all her pleasantest
memories were associated with him. Mr. Chester's was in many ways an
admirable character, but not a domestic one; and his relations with his
daughter were confined for the most part to letters and presents. In the
past few years she had come almost to regard Mr. Pett in the light of a
father. Hers was a nature swiftly responsive to kindness; and because Mr.
Pett besides being kind was also pathetic she pitied as well as loved him.
There was a lingering boyishness in the financier, the boyishness of the
boy who muddles along in an unsympathetic world and can never do anything
right: and this quality called aloud to the youth in her. She was at the
valiant age when we burn to right wrongs and succour the oppressed, and
wild rebel schemes for the reformation of her small world came readily to
her. From the first she had been a smouldering spectator of the trials of
her uncle's married life, and if Mr. Pett had ever asked her advice and
bound himself to act on it he would have solved his domestic troubles in
explosive fashion. For Ann in her moments of maiden meditation had
frequently devised schemes to that end which would have made his grey hair
stand erect with horror.</p>
<p>"I've seen a good many boys," she said, "but Ogden is in a class by
himself. He ought to be sent to a strict boarding-school, of course."</p>
<p>"He ought to be sent to Sing-Sing," amended Mr. Pett.</p>
<p>"Why don't you send him to school?"</p>
<p>"Your aunt wouldn't hear of it. She's afraid of his being kidnapped. It
happened last time he went to school. You can't blame her for wanting to
keep her eye on him after that."</p>
<p>Ann ran her fingers meditatively over the keys.</p>
<p>"I've sometimes thought . . ."</p>
<p>"Yes?"</p>
<p>"Oh, nothing. I must get on with this thing for aunt Nesta."</p>
<p>Mr. Pett placed the bulk of the Sunday paper on the floor beside him, and
began to run an appreciative eye over the comic supplement. That lingering
boyishness in him which endeared him to Ann always led him to open his
Sabbath reading in this fashion. Grey-headed though he was, he still
retained both in art and in real life a taste for the slapstick. No one
had ever known the pure pleasure it had given him when Raymond Green, his
wife's novelist protege, had tripped over a loose stair-rod one morning
and fallen an entire flight.</p>
<p>From some point farther down the corridor came a muffled thudding. Ann
stopped her work to listen.</p>
<p>"There's Jerry Mitchell punching the bag."</p>
<p>"Eh?" said Mr. Pett.</p>
<p>"I only said I could hear Jerry Mitchell in the gymnasium."</p>
<p>"Yes, he's there."</p>
<p>Ann looked out of the window thoughtfully for a moment. Then she swung
round in her swivel-chair.</p>
<p>"Uncle Peter."</p>
<p>Mr. Pett emerged slowly from the comic supplement.</p>
<p>"Eh?"</p>
<p>"Did Jerry Mitchell ever tell you about that friend of his who keeps a
dogs' hospital down on Long Island somewhere? I forget his name. Smithers
or Smethurst or something. People—old ladies, you know, and people—bring
him their dogs to be cured when they get sick. He has an infallible
remedy, Jerry tells me. He makes a lot of money at it."</p>
<p>"Money?" Pett, the student, became Pett, the financier, at the magic word.
"There might be something in that if one got behind it. Dogs are
fashionable. There would be a market for a really good medicine."</p>
<p>"I'm afraid you couldn't put Mr. Smethurst's remedy on the market. It only
works when the dog has been overeating himself and not taking any
exercise."</p>
<p>"Well, that's all these fancy dogs ever have the matter with them. It
looks to me as if I might do business with this man. I'll get his address
from Mitchell."</p>
<p>"It's no use thinking of it, uncle Peter. You couldn't do business with
him—in that way. All Mr. Smethurst does when any one brings him a
fat, unhealthy dog is to feed it next to nothing—just the simplest
kind of food, you know—and make it run about a lot. And in about a
week the dog's as well and happy and nice as he can possibly be."</p>
<p>"Oh," said Mr. Pett, disappointed.</p>
<p>Ann touched the keys of her machine softly.</p>
<p>"Why I mentioned Mr. Smethurst," she said, "it was because we had been
talking of Ogden. Don't you think his treatment would be just what Ogden
needs?"</p>
<p>Mr. Pett's eyes gleamed.</p>
<p>"It's a shame he can't have a week or two of it!"</p>
<p>Ann played a little tune with her finger-tips on the desk.</p>
<p>"It would do him good, wouldn't it?"</p>
<p>Silence fell upon the room, broken only by the tapping of the typewriter.
Mr. Pett, having finished the comic supplement, turned to the sporting
section, for he was a baseball fan of no lukewarm order. The claims of
business did not permit him to see as many games as he could wish, but he
followed the national pastime closely on the printed page and had an
admiration for the Napoleonic gifts of Mr. McGraw which would have
gratified that gentleman had he known of it.</p>
<p>"Uncle Peter," said Ann, turning round again.</p>
<p>"Eh?"</p>
<p>"It's funny you should have been talking about Ogden getting kidnapped.
This story of aunt Nesta's is all about an angel-child—I suppose
it's meant to be Ogden—being stolen and hidden and all that. It's
odd that she should write stories like this. You wouldn't expect it of
her."</p>
<p>"Your aunt," said Mr. Pett, "lets her mind run on that sort of thing a
good deal. She tells me there was a time, not so long ago, when half the
kidnappers in America were after him. She sent him to school in England—or,
rather, her husband did. They were separated then—and, as far as I
can follow the story, they all took the next boat and besieged the place."</p>
<p>"It's a pity somebody doesn't smuggle him away now and keep him till he's
a better boy."</p>
<p>"Ah!" said Mr. Pett wistfully.</p>
<p>Ann looked at him fixedly, but his eyes were once more on his paper. She
gave a little sigh, and turned to her work again.</p>
<p>"It's quite demoralising, typing aunt Nesta's stories," she said. "They
put ideas into one's head."</p>
<p>Mr. Pett said nothing. He was reading an article of medical interest in
the magazine section, for he was a man who ploughed steadily through his
Sunday paper, omitting nothing. The typewriter began tapping again.</p>
<p>"Great Godfrey!"</p>
<p>Ann swung round, and gazed at her uncle in concern. He was staring blankly
at the paper.</p>
<p>"What's the matter?"</p>
<p>The page on which Mr. Pett's attention was concentrated was decorated with
a fanciful picture in bold lines of a young man in evening dress pursuing
a young woman similarly clad along what appeared to be a restaurant
supper-table. An enjoyable time was apparently being had by both. Across
the page this legend ran:</p>
<p>PICCADILLY JIM ONCE MORE<br/>
<br/>
The Recent Adventures of Young Mr. Crocker<br/>
<br/>
of New York and London<br/></p>
<p>It was not upon the title, however, nor upon the illustration that Mr.
Pett's fascinated eye rested. What he was looking at was a small
reproduction of a photograph which had been inserted in the body of the
article. It was the photograph of a woman in the early forties, rather
formidably handsome, beneath which were printed the words:</p>
<p>Mrs. Nesta Ford Pett<br/>
<br/>
Well-Known Society Leader and Authoress<br/></p>
<p>Ann had risen and was peering over his shoulder. She frowned as she caught
sight of the heading of the page. Then her eye fell upon the photograph.</p>
<p>"Good gracious! Why have they got aunt Nesta's picture there?"</p>
<p>Mr. Pett breathed a deep and gloomy breath.</p>
<p>"They've found out she's his aunt. I was afraid they would. I don't know
what she will say when she sees this."</p>
<p>"Don't let her see it."</p>
<p>"She has the paper downstairs. She's probably reading it now."</p>
<p>Ann was glancing through the article.</p>
<p>"It seems to be much the same sort of thing that they have published
before. I can't understand why the <i>Chronicle</i> takes such an interest
in Jimmy Crocker."</p>
<p>"Well, you see he used to be a newspaper man, and the <i>Chronicle</i> was
the paper he worked for."</p>
<p>Ann flushed.</p>
<p>"I know," she said shortly.</p>
<p>Something in her tone arrested Mr. Pett's attention.</p>
<p>"Yes, yes, of course," he said hastily. "I was forgetting."</p>
<p>There was an awkward silence. Mr. Pett coughed. The matter of young Mr.
Crocker's erstwhile connection with the New York <i>Chronicle</i> was one
which they had tacitly decided to refrain from mentioning.</p>
<p>"I didn't know he was your nephew, uncle Peter."</p>
<p>"Nephew by marriage," corrected Mr. Pett a little hurriedly. "Nesta's
sister Eugenia married his father."</p>
<p>"I suppose that makes me a sort of cousin."</p>
<p>"A distant cousin."</p>
<p>"It can't be too distant for me."</p>
<p>There was a sound of hurried footsteps outside the door. Mrs. Pett
entered, holding a paper in her hand. She waved it before Mr. Pett's
sympathetic face.</p>
<p>"I know, my dear," he said backing. "Ann and I were just talking about
it."</p>
<p>The little photograph had not done Mrs. Pett justice. Seen life-size, she
was both handsomer and more formidable than she appeared in reproduction.
She was a large woman, with a fine figure and bold and compelling eyes,
and her personality crashed disturbingly into the quiet atmosphere of the
room. She was the type of woman whom small, diffident men seem to marry
instinctively, as unable to help themselves as cockleshell boats sucked
into a maelstrom.</p>
<p>"What are you going to do about it?" she demanded, sinking heavily into
the chair which her husband had vacated.</p>
<p>This was an aspect of the matter which had not occurred to Mr. Pett. He
had not contemplated the possibility of actually doing anything. Nature
had made him out of office hours essentially a passive organism, and it
was his tendency, when he found himself in a sea of troubles, to float
plaintively, not to take arms against it. To pick up the slings and arrows
of outrageous fortune and fling them back was not a habit of his. He
scratched his chin and said nothing. He went on saying nothing.</p>
<p>"If Eugenia had had any sense, she would have foreseen what would happen
if she took the boy away from New York where he was working too hard to
get into mischief and let him run loose in London with too much money and
nothing to do. But, if she had had any sense, she would never have married
that impossible Crocker man. As I told her."</p>
<p>Mrs. Pett paused, and her eyes glowed with reminiscent fire. She was
recalling the scene which had taken place three years ago between her
sister and herself, when Eugenia had told her of her intention to marry an
obscure and middle-aged actor named Bingley Crocker. Mrs. Pett had never
seen Bingley Crocker, but she had condemned the proposed match in terms
which had ended definitely and forever her relations with her sister.
Eugenia was not a woman who welcomed criticism of her actions. She was
cast in the same formidable mould as Mrs. Pett and resembled her
strikingly both in appearance and character.</p>
<p>Mrs. Pett returned to the present. The past could look after itself. The
present demanded surgery.</p>
<p>"One would have thought it would have been obvious even to Eugenia that a
boy of twenty-one needed regular work."</p>
<p>Mr. Pett was glad to come out of his shell here. He was the Apostle of
Work, and this sentiment pleased him.</p>
<p>"That's right," he said. "Every boy ought to have work."</p>
<p>"Look at this young Crocker's record since he went to live in London. He
is always doing something to make himself notorious. There was that
breach-of-promise case, and that fight at the political meeting, and his
escapades at Monte Carlo, and—and everything. And he must be
drinking himself to death. I think Eugenia's insane. She seems to have no
influence over him at all."</p>
<p>Mr. Pett moaned sympathetically.</p>
<p>"And now the papers have found out that I am his aunt, and I suppose they
will print my photograph whenever they publish an article about him."</p>
<p>She ceased and sat rigid with just wrath. Mr. Pett, who always felt his
responsibilities as chorus keenly during these wifely monologues, surmised
that a remark from him was indicated.</p>
<p>"It's tough," he said.</p>
<p>Mrs. Pett turned on him like a wounded tigress.</p>
<p>"What is the use of saying that? It's no use saying anything."</p>
<p>"No, no," said Mr. Pett, prudently refraining from pointing out that she
had already said a good deal.</p>
<p>"You must do something."</p>
<p>Ann entered the conversation for the first time. She was not very fond of
her aunt, and liked her least when she was bullying Mr. Pett. There was
something in Mrs. Pett's character with which the imperiousness which lay
beneath Ann's cheerful attitude towards the world was ever at war.</p>
<p>"What can uncle Peter possibly do?" she inquired.</p>
<p>"Why, get the boy back to America and make him work. It's the only
possible thing."</p>
<p>"But is it possible?"</p>
<p>"Of course it is."</p>
<p>"Assuming that Jimmy Crocker would accept an invitation to come over to
America, what sort of work could he do here? He couldn't get his place on
the <i>Chronicle</i> back again after dropping out for all these years and
making a public pest of himself all that while. And outside of newspaper
work what is he fit for?"</p>
<p>"My dear child, don't make difficulties."</p>
<p>"I'm not. These are ready-made."</p>
<p>Mr. Pett interposed. He was always nervously apprehensive of a clash
between these two. Ann had red hair and the nature which generally goes
with red hair. She was impulsive and quick of tongue, and—as he
remembered her father had always been—a little too ready for combat.
She was usually as quickly remorseful as she was quickly pugnacious, like
most persons of her colour. Her offer to type the story which now lay on
her desk had been the amende honourable following on just such a scene
with her aunt as this promised to be. Mr. Pett had no wish to see the
truce thus consummated broken almost before it had had time to operate.</p>
<p>"I could give the boy a job in my office," he suggested.</p>
<p>Giving young men jobs in his office was what Mr. Pett liked doing best.
There were six brilliant youths living in his house and bursting with his
food at that very moment whom he would have been delighted to start
addressing envelopes down-town.</p>
<p>Notably his wife's nephew, Willie Partridge, whom he looked on as a
specious loafer. He had a stubborn disbelief in the explosive that was to
revolutionise war. He knew, as all the world did, that Willie's late
father had been a great inventor, but he did not accept the fact that
Willie had inherited the dead man's genius. He regarded the experiments on
Partridgite, as it was to be called, with the profoundest scepticism, and
considered that the only thing Willie had ever invented or was likely to
invent was a series of ingenious schemes for living in fatted idleness on
other people's money.</p>
<p>"Exactly," said Mrs. Pett, delighted at the suggestion. "The very thing."</p>
<p>"Will you write and suggest it?" said Mr. Pett, basking in the sunshine of
unwonted commendation.</p>
<p>"What would be the use of writing? Eugenia would pay no attention.
Besides, I could not say all I wished to in a letter. No, the only thing
is to go over to England and see her. I shall speak very plainly to her. I
shall point out what an advantage it will be to the boy to be in your
office and to live here. . . ."</p>
<p>Ann started.</p>
<p>"You don't mean live here—in this house?"</p>
<p>"Of course. There would be no sense in bringing the boy all the way over
from England if he was to be allowed to run loose when he got here."</p>
<p>Mr. Pett coughed deprecatingly.</p>
<p>"I don't think that would be very pleasant for Ann, dear."</p>
<p>"Why in the name of goodness should Ann object?"</p>
<p>Ann moved towards the door.</p>
<p>"Thank you for thinking of it, uncle Peter. You're always a dear. But
don't worry about me. Do just as you want to. In any case I'm quite
certain that you won't be able to get him to come over here. You can see
by the paper he's having far too good a time in London. You can call Jimmy
Crockers from the vasty deep, but will they come when you call for them?"</p>
<p>Mrs. Pett looked at the door as it closed behind her, then at her husband.</p>
<p>"What do you mean, Peter, about Ann? Why wouldn't it be pleasant for her
if this Crocker boy came to live with us?"</p>
<p>Mr. Pett hesitated.</p>
<p>"Well, it's like this, Nesta. I hope you won't tell her I told you. She's
sensitive about it, poor girl. It all happened before you and I were
married. Ann was much younger then. You know what schoolgirls are, kind of
foolish and sentimental. It was my fault really, I ought to have . . ."</p>
<p>"Good Heavens, Peter! What are you trying to tell me?"</p>
<p>"She was only a child."</p>
<p>Mrs. Pett rose in slow horror.</p>
<p>"Peter! Tell me! Don't try to break it gently."</p>
<p>"Ann wrote a book of poetry and I had it published for her."</p>
<p>Mrs. Pett sank back in her chair.</p>
<p>"Oh!" she said—it would have been hard to say whether with relief or
disappointment. "Whatever did you make such a fuss for? Why did you want
to be so mysterious?"</p>
<p>"It was all my fault, really," proceeded Mr. Pett. "I ought to have known
better. All I thought of at the time was that it would please the child to
see the poems in print and be able to give the book to her friends. She
did give it to her friends," he went on ruefully, "and ever since she's
been trying to live it down. I've seen her bite a young fellow's head off
when he tried to make a grand-stand play with her by quoting her poems
which he'd found in his sister's book-shelf."</p>
<p>"But, in the name of goodness, what has all this to do with young
Crocker?"</p>
<p>"Why, it was this way. Most of the papers just gave Ann's book a mention
among 'Volumes Received,' or a couple of lines that didn't amount to
anything, but the <i>Chronicle</i> saw a Sunday feature in it, as Ann was
going about a lot then and was a well-known society girl. They sent this
Crocker boy to get an interview from her, all about her methods of work
and inspirations and what not. We never suspected it wasn't the straight
goods. Why, that very evening I mailed an order for a hundred copies to be
sent to me when the thing appeared. And—" pinkness came upon Mr.
Pett at the recollection "it was just a josh from start to finish. The
young hound made a joke of the poems and what Ann had told him about her
inspirations and quoted bits of the poems just to kid the life out of
them. . . . I thought Ann would never get over it. Well, it doesn't worry
her any more—she's grown out of the school-girl stage—but you
can bet she isn't going to get up and give three cheers and a tiger if you
bring young Crocker to live in the same house."</p>
<p>"Utterly ridiculous!" said Mrs. Pett. "I certainly do not intend to alter
my plans because of a trivial incident that happened years ago. We will
sail on Wednesday."</p>
<p>"Very well, my dear," said Mr. Pett resignedly.</p>
<p>"Just as you say. Er—just you and I?"</p>
<p>"And Ogden, of course."</p>
<p>Mr. Pett controlled a facial spasm with a powerful effort of the will. He
had feared this.</p>
<p>"I wouldn't dream of leaving him here while I went away, after what
happened when poor dear Elmer sent him to school in England that time."
The late Mr. Ford had spent most of his married life either quarrelling
with or separated from his wife, but since death he had been canonised as
'poor dear Elmer.' "Besides, the sea voyage will do the poor darling good.
He has not been looking at all well lately."</p>
<p>"If Ogden's coming, I'd like to take Ann."</p>
<p>"Why?"</p>
<p>"She can—" he sought for a euphemism.</p>
<p>"Keep in order" was the expression he wished to avoid. To his mind Ann was
the only known antidote for Ogden, but he felt it would be impolitic to
say so."—look after him on the boat," he concluded. "You know you
are a bad sailor."</p>
<p>"Very well. Bring Ann—Oh, Peter, that reminds me of what I wanted to
say to you, which this dreadful thing in the paper drove completely out of
my mind. Lord Wisbeach has asked Ann to marry him!"</p>
<p>Mr. Pett looked a little hurt. "She didn't tell me." Ann usually confided
in him.</p>
<p>"She didn't tell me, either. Lord Wisbeach told me. He said Ann had
promised to think it over, and give him his answer later. Meanwhile, he
had come to me to assure himself that I approved. I thought that so
charming of him."</p>
<p>Mr. Pett was frowning.</p>
<p>"She hasn't accepted him?"</p>
<p>"Not definitely."</p>
<p>"I hope she doesn't."</p>
<p>"Don't be foolish, Peter. It would be an excellent match."</p>
<p>Mr. Pett shuffled his feet.</p>
<p>"I don't like him. There's something too darned smooth about that fellow."</p>
<p>"If you mean that his manners are perfect, I agree with you. I shall do
all in my power to induce Ann to accept him."</p>
<p>"I shouldn't," said Mr. Pett, with more decision than was his wont. "You
know what Ann is if you try to force her to do anything. She gets her ears
back and won't budge. Her father is just the same. When we were boys
together, sometimes—"</p>
<p>"Don't be absurd, Peter. As if I should dream of trying to force Ann to do
anything."</p>
<p>"We don't know anything of this fellow. Two weeks ago we didn't know he
was on the earth."</p>
<p>"What do we need to know beyond his name?"</p>
<p>Mr. Pett said nothing, but he was not convinced. The Lord Wisbeach under
discussion was a pleasant-spoken and presentable young man who had called
at Mr. Pett's office a short while before to consult him about investing
some money. He had brought a letter of introduction from Hammond Chester,
Ann's father, whom he had met in Canada, where the latter was at present
engaged in the comparatively mild occupation of bass-fishing. With their
business talk the acquaintance would have begun and finished, if Mr. Pett
had been able to please himself, for he had not taken a fancy to Lord
Wisbeach. But he was an American, with an American's sense of hospitality,
and, the young man being a friend of Hammond Chester, he had felt bound to
invite him to Riverside Drive—with misgivings which were now, he
felt, completely justified.</p>
<p>"Ann ought to marry," said Mrs. Pett. "She gets her own way too much now.
However, it is entirely her own affair, and there is nothing that we can
do." She rose. "I only hope she will be sensible."</p>
<p>She went out, leaving Mr. Pett gloomier than she had found him. He hated
the idea of Ann marrying Lord Wisbeach, who, even if he had had no faults
at all, would be objectionable in that he would probably take her to live
three thousand miles away in his own country. The thought of losing Ann
oppressed Mr. Pett sorely.</p>
<p>Ann, meanwhile, had made her way down the passage to the gymnasium which
Mr. Pett, in the interests of his health, had caused to be constructed in
a large room at the end of the house—a room designed by the original
owner, who had had artistic leanings, for a studio. The <i>tap-tap-tap</i>
of the leather bag had ceased, but voices from within told her that Jerry
Mitchell, Mr. Pett's private physical instructor, was still there. She
wondered who was his companion, and found on opening the door that it was
Ogden. The boy was leaning against the wall and regarding Jerry with a
dull and supercilious gaze which the latter was plainly finding it hard to
bear.</p>
<p>"Yes, sir!" Ogden was saying, as Ann entered. "I heard Biggs asking her to
come for a joyride."</p>
<p>"I bet she turned him down," said Jerry Mitchell sullenly.</p>
<p>"I bet she didn't. Why should she? Biggs is an awful good-looking fellow."</p>
<p>"What are you talking about, Ogden?" said Ann.</p>
<p>"I was telling him that Biggs asked Celestine to go for a ride in the car
with him."</p>
<p>"I'll knock his block off," muttered the incensed Jerry.</p>
<p>Ogden laughed derisively.</p>
<p>"Yes, you will! Mother would fire you if you touched him. She wouldn't
stand for having her chauffeur beaten up."</p>
<p>Jerry Mitchell turned an appealing face to Ann. Ogden's revelations and
especially his eulogy of Biggs' personal appearance had tormented him. He
knew that, in his wooing of Mrs. Pett's maid, Celestine, he was
handicapped by his looks, concerning which he had no illusions. No Adonis
to begin with, he had been so edited and re-edited during a long and
prosperous ring career by the gloved fists of a hundred foes that in
affairs of the heart he was obliged to rely exclusively on moral worth and
charm of manner. He belonged to the old school of fighters who looked the
part, and in these days of pugilists who resemble matinee idols he had the
appearance of an anachronism. He was a stocky man with a round, solid
head, small eyes, an undershot jaw, and a nose which ill-treatment had
reduced to a mere scenario. A narrow strip of forehead acted as a kind of
buffer-state, separating his front hair from his eyebrows, and he bore
beyond hope of concealment the badge of his late employment, the
cauliflower ear. Yet was he a man of worth and a good citizen, and Ann had
liked him from their first meeting. As for Jerry, he worshipped Ann and
would have done anything she asked him. Ever since he had discovered that
Ann was willing to listen to and sympathise with his outpourings on the
subject of his troubled wooing, he had been her slave.</p>
<p>Ann came to the rescue in characteristically direct fashion.</p>
<p>"Get out, Ogden," she said.</p>
<p>Ogden tried to meet her eye mutinously, but failed. Why he should be
afraid of Ann he had never been able to understand, but it was a fact that
she was the only person of his acquaintance whom he respected. She had a
bright eye and a calm, imperious stare which never failed to tame him.</p>
<p>"Why?" he muttered. "You're not my boss."</p>
<p>"Be quick, Ogden."</p>
<p>"What's the big idea—ordering a fellow—"</p>
<p>"And close the door gently behind you," said Ann. She turned to Jerry, as
the order was obeyed.</p>
<p>"Has he been bothering you, Jerry?"</p>
<p>Jerry Mitchell wiped his forehead.</p>
<p>"Say, if that kid don't quit butting in when I'm working in the gym—You
heard what he was saying about Maggie, Miss Ann?"</p>
<p>Celestine had been born Maggie O'Toole, a name which Mrs. Pett stoutly
refused to countenance in any maid of hers.</p>
<p>"Why on earth do you pay any attention to him, Jerry? You must have seen
that he was making it all up. He spends his whole time wandering about
till he finds some one he can torment, and then he enjoys himself. Maggie
would never dream of going out in the car with Biggs."</p>
<p>Jerry Mitchell sighed a sigh of relief.</p>
<p>"It's great for a fellow to have you in his corner, Miss Ann."</p>
<p>Ann went to the door and opened it. She looked down the passage, then,
satisfied as to its emptiness, returned to her seat.</p>
<p>"Jerry, I want to talk to you. I have an idea. Something I want you to do
for me."</p>
<p>"Yes, Miss Ann?"</p>
<p>"We've got to do something about that child, Ogden. He's been worrying
uncle Peter again, and I'm not going to have it. I warned him once that,
if he did it again, awful things would happen to him, but he didn't
believe me. I suppose, Jerry—what sort of a man is your friend, Mr.
Smethurst?"</p>
<p>"Do you mean Smithers, Miss Ann?"</p>
<p>"I knew it was either Smithers or Smethurst. The dog man, I mean. Is he a
man you can trust?"</p>
<p>"With my last buck. I've known him since we were kids."</p>
<p>"I don't mean as regards money. I am going to send Ogden to him for
treatment, and I want to know if I can rely on him to help me."</p>
<p>"For the love of Mike."</p>
<p>Jerry Mitchell, after an instant of stunned bewilderment, was looking at
her with worshipping admiration. He had always known that Miss Ann
possessed a mind of no common order, but this, he felt, was genius. For a
moment the magnificence of the idea took his breath away.</p>
<p>"Do you mean that you're going to kidnap him, Miss Ann?"</p>
<p>"Yes. That is to say, <i>you</i> are—if I can persuade you to do it
for me."</p>
<p>"Sneak him away and send him to Bud Smithers' dog-hospital?"</p>
<p>"For treatment. I like Mr. Smithers' methods. I think they would do Ogden
all the good in the world."</p>
<p>Jerry was enthusiastic.</p>
<p>"Why, Bud would make him part-human. But, say, isn't it taking big
chances? Kidnapping's a penitentiary offence."</p>
<p>"This isn't that sort of kidnapping."</p>
<p>"Well, it's mighty like it."</p>
<p>"I don't think you need be afraid of the penitentiary. I can't see aunt
Nesta prosecuting, when it would mean that she would have to charge us
with having sent Ogden to a dogs' hospital. She likes publicity, but it
has to be the right kind of publicity. No, we do run a risk, but it isn't
that one. You run the risk of losing your job here, and I should certainly
be sent to my grandmother for an indefinite sentence. You've never seen my
grandmother, have you, Jerry? She's the only person in the world I'm
afraid of! She lives miles from anywhere and has family prayers at
seven-thirty sharp every morning. Well, I'm ready to risk her, if you're
ready to risk your job, in such a good cause. You know you're just as fond
of uncle Peter as I am, and Ogden is worrying him into a breakdown. Surely
you won't refuse to help me, Jerry?"</p>
<p>Jerry rose and extended a calloused hand.</p>
<p>"When do we start?"</p>
<p>Ann shook the hand warmly.</p>
<p>"Thank you, Jerry. You're a jewel. I envy Maggie. Well, I don't think we
can do anything till they come back from England, as aunt Nesta is sure to
take Ogden with her."</p>
<p>"Who's going to England?"</p>
<p>"Uncle Peter and aunt Nesta were talking just now of sailing to try and
persuade a young man named Crocker to come back here."</p>
<p>"Crocker? Jimmy Crocker? Piccadilly Jim?"</p>
<p>"Yes. Why, do you know him?"</p>
<p>"I used to meet him sometimes when he was working on the <i>Chronicle</i>
here. Looks as if he was cutting a wide swathe in dear old London. Did you
see the paper to-day?"</p>
<p>"Yes, that's what made aunt Nesta want to bring him over. Of course, there
isn't the remotest chance that she will be able to make him come. Why
should he come?"</p>
<p>"Last time I saw Jimmy Crocker," said Jerry, "it was a couple of years
ago, when I went over to train Eddie Flynn for his go with Porky Jones at
the National. I bumped into him at the N. S. C. He was a good deal
tanked."</p>
<p>"He's always drinking, I believe."</p>
<p>"He took me to supper at some swell joint where they all had the
soup-and-fish on but me. I felt like a dirty deuce in a clean deck. He
used to be a regular fellow, Jimmy Crocker, but from what you read in the
papers it begins to look as if he was hitting it up too swift. It's always
the way with those boys when you take them off a steady job and let them
run around loose with their jeans full of mazuma."</p>
<p>"That's exactly why I want to do something about Ogden. If he's allowed to
go on as he is at present, he will grow up exactly like Jimmy Crocker."</p>
<p>"Aw, Jimmy Crocker ain't in Ogden's class," protested Jerry.</p>
<p>"Yes, he is. There's absolutely no difference between them."</p>
<p>"Say! You've got it in for Jim, haven't you, Miss Ann?" Jerry looked at
her wonderingly. "What's your kick against him?"</p>
<p>Ann bit her lip. "I object to him on principle," she said. "I don't like
his type. . . . Well, I'm glad we've settled this about Ogden, Jerry. I
knew I could rely on you. But I won't let you do it for nothing. Uncle
Peter shall give you something for it—enough to start that
health-farm you talk about so much. Then you can marry Maggie and live
happily ever afterwards."</p>
<p>"Gee! Is the boss in on this, too?"</p>
<p>"Not yet. I'm going to tell him now. Hush! There's some one coming."</p>
<p>Mr. Pett wandered in. He was still looking troubled.</p>
<p>"Oh, Ann—good morning, Mitchell—your aunt has decided to go to
England. I want you to come, too."</p>
<p>"You want me? To help interview Jimmy Crocker?"</p>
<p>"No, no. Just to come along and be company on the voyage. You'll be such a
help with Ogden, Ann. You can keep him in order. How you do it, I don't
know. You seem to make another boy of him."</p>
<p>Ann stole a glance at Jerry, who answered with an encouraging grin. Ann
was constrained to make her meaning plainer than by the language of the
eye.</p>
<p>"Would you mind just running away for half a moment, Jerry?" she said
winningly. "I want to say something to uncle Peter."</p>
<p>"Sure. Sure."</p>
<p>Ann turned to Mr. Pett as the door closed.</p>
<p>"You'd like somebody to make Ogden a different boy, wouldn't you, uncle
Peter?"</p>
<p>"I wish it was possible."</p>
<p>"He's been worrying you a lot lately, hasn't he?" asked Ann
sympathetically.</p>
<p>"Yes," sighed Mr. Pett.</p>
<p>"Then that's all right," said Ann briskly. "I was afraid that you might
not approve. But, if you do, I'll go right ahead."</p>
<p>Mr. Pett started violently. There was something in Ann's voice and, as he
looked at her, something in her face which made him fear the worst. Her
eyes were flashing with an inspired light of a highly belligerent nature,
and the sun turned the red hair to which she owed her deplorable want of
balance to a mass of flame. There was something in the air. Mr. Pett
sensed it with every nerve of his apprehensive person. He gazed at Ann,
and as he did so the years seemed to slip from him and he was a boy again,
about to be urged to lawless courses by the superior will of his boyhood's
hero, Hammond Chester. In the boyhood of nearly every man there is a
single outstanding figure, some one youthful hypnotic Napoleon whose will
was law and at whose bidding his better judgment curled up and died. In
Mr. Pett's life Ann's father had filled this role. He had dominated Mr.
Pett at an age when the mind is most malleable. And now—so true is
it that though Time may blunt our boyish memories the traditions of
boyhood live on in us and an emotional crisis will bring them to the
surface as an explosion brings up the fish that lurk in the nethermost mud—it
was as if he were facing the youthful Hammond Chester again and being
irresistibly impelled to some course of which he entirely disapproved but
which he knew that he was destined to undertake. He watched Ann as a
trapped man might watch a ticking bomb, bracing himself for the explosion
and knowing that he is helpless. She was Hammond Chester's daughter, and
she spoke to him with the voice of Hammond Chester. She was her father's
child and she was going to start something.</p>
<p>"I've arranged it all with Jerry," said Ann. "He's going to help me
smuggle Ogden away to that friend of his I told you about who keeps the
dog-hospital: and the friend is going to keep him until he reforms. Isn't
it a perfectly splendid idea?"</p>
<p>Mr. Pett blanched. The frightfulness of reality had exceeded anticipation.</p>
<p>"But, Ann!"</p>
<p>The words came from him in a strangled bleat. His whole being was
paralysed by a clammy horror. This was beyond the uttermost limit of his
fears. And, to complete the terror of the moment, he knew, even while he
rebelled against the insane lawlessness of her scheme, that he was going
to agree to it, and—worst of all—that deep, deep down in him
there was a feeling toward it which did not dare to come to the surface
but which he knew to be approval.</p>
<p>"Of course Jerry would do it for nothing," said Ann, "but I promised him
that you would give him something for his trouble. You can arrange all
that yourselves later."</p>
<p>"But, Ann! . . . But, Ann! . . . Suppose your aunt finds out who did it!"</p>
<p>"Well, there will be a tremendous row!" said Ann composedly. "And you will
have to assert yourself. It will be a splendid thing for you. You know you
are much too kind to every one, uncle Peter. I don't think there's any one
who would put up with what you do. Father told me in one of his letters
that he used to call you Patient Pete as a boy."</p>
<p>Mr. Pett started. Not for many a day had a nickname which he considered
the most distasteful of all possible nicknames risen up from its grave to
haunt him. Patient Pete! He had thought the repulsive title buried forever
in the same tomb as his dead youth. Patient Pete! The first faint glimmer
of the flame of rebellion began to burn in his bosom.</p>
<p>"Patient Pete!"</p>
<p>"Patient Pete!" said Ann inexorably.</p>
<p>"But, Ann,"—there was pathos in Mr. Pett's voice—"I like a
peaceful life."</p>
<p>"You'll never have one if you don't stand up for yourself. You know quite
well that father is right. You do let every one trample on you. Do you
think father would let Ogden worry him and have his house filled with
affected imitation geniuses so that he couldn't find a room to be alone
in?"</p>
<p>"But, Ann, your father is different. He likes fusses. I've known your
father contradict a man weighing two hundred pounds out of sheer
exuberance. There's a lot of your father in you, Ann. I've often noticed
it."</p>
<p>"There is! That's why I'm going to make you put your foot down sooner or
later. You're going to turn all these loafers out of the house. And first
of all you're going to help us send Ogden away to Mr. Smithers."</p>
<p>There was a long silence.</p>
<p>"It's your red hair!" said Mr. Pett at length, with the air of a man who
has been solving a problem. "It's your red hair that makes you like this,
Ann. Your father has red hair, too."</p>
<p>Ann laughed.</p>
<p>"It's not my fault that I have red hair, uncle Peter. It's my misfortune."</p>
<p>Mr. Pett shook his head.</p>
<p>"Other people's misfortune, too!" he said.</p>
<p><br/><br/></p>
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