<SPAN name="startofbook"></SPAN>
<h1 class="title">THE JUDGMENT<br/> OF EVE</h1>
<p class="stopword">BY</p>
<p class="author">MAY SINCLAIR</p>
<p class="epigram">“‘I saw a ship a-sailing, a-sailing on the sea’”—<i>Nursery Rhyme</i>.</p>
<SPAN name="Chapter_I"></SPAN><h2><span class="pagenum"><SPAN name="page1" name="page1"></SPAN>1</span>I</h2>
<p>It was market-day in Queningford.
Aggie Purcell was wondering whether
Mr. Hurst would look in that afternoon
at the Laurels as he had looked
in on other market-days. Supposing
he did, and supposing Mr. Gatty were
to look in, too, why then, Aggie said,
it would be rather awkward. But
whether awkward for herself, or for
Mr. Gatty, or Mr. Hurst, or for all three
of them together, Aggie was unable to
<span class="pagenum"><SPAN name="page2" name="page2"></SPAN>2</span>explain to her own satisfaction or her
mother’s.</p>
<p>In Queningford there were not many
suitors for a young lady to choose from,
but it was understood that, such as
there were, Aggie Purcell would have
her pick of them. The other young
ladies were happy enough if they
could get her leavings. Miss Purcell
of the Laurels was by common consent
the prettiest, the best-dressed, and
the best-mannered of them all. To be
sure, she could only be judged by
Queningford standards; and, as the
railway nearest to Queningford is a
terminus that leaves the small gray
town stranded on the borders of the
unknown, Queningford standards are
not progressive. Neither are they imitative;
for imitation implies a certain
nearness, and between the young
ladies of Queningford and the daughters
<span class="pagenum"><SPAN name="page3" name="page3"></SPAN>3</span>of the county there is an immeasurable
void.</p>
<p>The absence of any effective rivalry
made courtship a rather tame and uninteresting
affair to Miss Purcell. She
had only to make up her mind whether
she would take the wine-merchant’s
son, or the lawyer’s nephew, or the
doctor’s assistant, or, perhaps, it would
be one of those mysterious enthusiasts
who sometimes came into the neighborhood
to study agriculture. Anyhow,
it was a foregone conclusion that
each of these doomed young men must
pass through Miss Purcell’s door before
he knocked at any other.</p>
<p>Pretty Aggie was rather a long time
in making up her mind. It could only
be done by a slow process of elimination,
till the embarrassing train of her
adorers was finally reduced to two.
At the age of five-and-twenty (five-and-twenty
<span class="pagenum"><SPAN name="page4" name="page4"></SPAN>4</span>is not young in Queningford),
she had only to solve the comparatively
simple problem: whether
it would be Mr. John Hurst or Mr.
Arthur Gatty. Mr. John Hurst was
a young farmer just home from Australia,
who had bought High Farm,
one of the biggest sheep-farming lands
in the Cotswolds. Mr. Arthur Gatty
was a young clerk in a solicitor’s office
in London; he was down at Queningford
on his Easter holiday, staying
with cousins at the County Bank.
Both had the merit of being young
men whom Miss Purcell had never
seen before. She was so tired of all
the young men whom she had seen.</p>
<p>Not that pretty Aggie was a flirt
and a jilt and a heartless breaker of
hearts. She wouldn’t have broken
anybody’s heart for the whole world;
it would have hurt her own too much.
<span class="pagenum"><SPAN name="page5" name="page5"></SPAN>5</span>She had never jilted anybody, because
she had never permitted herself to
become engaged to any of those young
men. As for flirting, pretty Aggie
couldn’t have flirted if she had tried.
The manners of Queningford are not
cultivated to that delicate pitch when
flirtation becomes a decorative art,
and Aggie would have esteemed it
vulgar. But Aggie was very superior
and fastidious. She wanted things
that no young man in Queningford
would ever be able to offer her. Aggie
had longings for music, better than
Queningford’s best, for beautiful pictures,
and for poetry. She had come
across these things at school. And
now, at five-and-twenty, she couldn’t
procure one of them for herself. The
arts were not encouraged by her family,
and she only had an “allowance” on
condition that she would spend it honorably
<span class="pagenum"><SPAN name="page6" name="page6"></SPAN>6</span>in clothes. Of course, at five-and-twenty,
she knew all the “pieces”
and songs that her friends knew, and
they knew all hers. She had read all
the romantic fiction in the lending
library, and all the works of light
popular science, and still lighter and
more popular theology, besides borrowing
all the readable books from the
vicarage. She had exhausted Queningford.
It had no more to give her.</p>
<p>Queningford would have considered
that a young lady who could do all
that had done enough to prove her
possession of brains. Not that Queningford
had ever wanted her to prove
it; its young men, at any rate, very
much preferred that she should leave
her brains and theirs alone. And
Aggie had brains enough to be aware
of this; and being a very well-behaved
young lady, and anxious to
<span class="pagenum"><SPAN name="page7" name="page7"></SPAN>7</span>please, she had never mentioned any
of her small achievements. Nature,
safeguarding her own interests, had
whispered to Aggie that young ladies
who live in Queningford are better
without intellects that show.</p>
<p>Now, John Hurst was sadly akin to
the young men of Queningford, in that
he was unable to offer her any of the
things which, Aggie felt, belonged to
the finer part of her that she dared
not show. On the other hand, he
could give her (beside himself), a good
income, a good house, a horse to ride,
and a trap to drive in. To marry
him, as her mother pointed out to her,
would be almost as good as “getting
in with the county.” Not that Mrs.
Purcell offered this as an inducement.
She merely threw it out as a vague
contribution to the subject. Aggie
didn’t care a rap about the county,
<span class="pagenum"><SPAN name="page8" name="page8"></SPAN>8</span>as her mother might have known; but,
though she wouldn’t have owned it,
she had been attracted by John’s personal
appearance. Glancing out of the
parlor window, she could see what a
gentleman he looked as he crossed the
market-place in his tweed suit, cloth
cap, and leather gaiters. He always
had the right clothes. When high collars
were the fashion, he wore them
very high. His rivals said that this
superstitious reverence for fashion suggested
a revulsion from a past of prehistoric
savagery.</p>
<p>Mr. Gatty, on the other hand, had
a soul that was higher than any collar.
That, Aggie maintained, was why he
always wore the wrong sort. There
was no wrong thing Mr. Gatty could
have worn that Aggie would not have
found an excuse for; so assiduously
did he minister to the finer part of
<span class="pagenum"><SPAN name="page9" name="page9"></SPAN>9</span>her. He shared all her tastes. If she
admired a picture or a piece of music
or a book, Mr. Gatty had admired it
ever since he was old enough to admire
anything. She was sure that he admired
her more for admiring them.
She wasn’t obliged to hide those things
from Mr. Gatty; besides, what would
have been the use? There was nothing
in the soul of Aggie that Mr.
Gatty had not found out and understood,
and she felt that there would
be no limit to his understanding.</p>
<p>But what she liked best about him
was his gentleness. She had never
seen any young man so gentle as Mr.
Gatty.</p>
<p>And his face was every bit as nice
as John’s. Nicer, for it was excessively
refined, and John’s wasn’t.
You could see that his head was full
of beautiful thoughts, whereas John’s
<span class="pagenum"><SPAN name="page10" name="page10"></SPAN>10</span>head was full of nothing in particular.
Then, Mr. Gatty’s eyes were large and
spiritual; yes, spiritual was the word
for them. John’s eyes were small,
and, well, spiritual would never be the
word for <em>them</em>.</p>
<p>Unfortunately, John had been on the
field first, before the unique appearance
of Mr. Gatty, and Aggie felt that she
was bound in honor to consider him.
She had been considering him for some
time without any compulsion. But
when things began to look so serious
that it really became a question which
of these two she would take, she called
in her mother to help her to decide.</p>
<p>Mrs. Purcell was a comfortable, fat
lady, who loved the state of peace she
had been born in, had married into,
and had never lost. Aggie was her
eldest daughter, and she was a little
vexed to think that she might have
<span class="pagenum"><SPAN name="page11" name="page11"></SPAN>11</span>married five years ago if she hadn’t
been so particular. Meanwhile, what
with her prettiness and her superiority,
she was spoiling her younger sisters’
chances. None of her rejected suitors
had ever turned to Kate or Susie or
Eliza. They were well enough, poor
girls, but as long as Aggie was there
they couldn’t help looking plain. But
as for deciding between John Hurst
and Mr. Gatty, Mrs. Purcell couldn’t
do it. And when Aggie said, in her
solemn way, “Mother, I think it’s
coming; and I don’t know how to
choose between them,” her mother
had nothing to say but:</p>
<p>“You must use your own judgment,
my dear.”</p>
<p>“My own judgment? I wonder if
I really have any? You see, I feel
as if I liked them both about the
same.”</p>
<p><span class="pagenum"><SPAN name="page12" name="page12"></SPAN>12</span>“Then just say to yourself that if
you marry John Hurst you’ll have a
big house in the country, and if you
marry Mr. Gatty you’ll have a little
one in town, and choose between the
houses. That’ll be easy enough.”</p>
<p>Secretly, Mrs. Purcell was all for
John Hurst, though he couldn’t be
considered as exactly Aggie’s equal in
station. (They were always saying
how like a gentleman he looked, which
showed that that was the last thing
they had expected of him. But in
Queningford one does as best one can.)
For all John’s merits, she was not
going to force him on Aggie in as many
words. Mrs. Purcell deeply desired
her daughter’s happiness, and she said
to herself: “If Aggie marries either
of them, and it turns out unhappily,
I don’t want her to be able to say I
over-persuaded her. If her poor father
<span class="pagenum"><SPAN name="page13" name="page13"></SPAN>13</span>were alive, <em>he</em>‘d have known how to
advise her.”</p>
<p>Then, all of a sudden, without anybody’s
advice, John was eliminated,
too. It was not Aggie’s doing. In
fact, he may be said to have eliminated
himself. It happened in this way:</p>
<p>Mr. Hurst had been taking tea with
Aggie one market-day. The others
were all out, and he had the field to
himself. She always remembered just
how he looked when he did it. He
was standing on the white mohair
rag in the drawing-room, and was
running his fingers through his hair
for the third time. He had been telling
her how he had first taken up
sheep-farming in Australia, how he’d
been a farm-hand before that in California,
how he’d always set his mind
on that one thing—sheep-farming—because
he had been born and bred
<span class="pagenum"><SPAN name="page14" name="page14"></SPAN>14</span>in the Cotswolds. Aggie’s dark-blue
eyes were fixed on him, serious and
intent. That flattered him, and the
gods, for his undoing, dowered him
with a disastrous fluency.</p>
<p>He had a way of thrusting out his
jaw when he talked, and Aggie noted
the singular determination of his chin.
It was so powerful as to be almost
brutal. (The same could certainly not
be said of Mr. Gatty’s.)</p>
<p>Then, in the light of his reminiscences,
a dreadful thought came to her.</p>
<p>“John,” she said, suddenly, “did
you ever kill a pig?”</p>
<div class="illo" id="illo_2">
<ANTIMG src="images/illo_2.jpg" width-obs="446" height-obs="547" alt="A seated woman talks to a standing man." />
<p class="illo_caption">“‘John,’ she said, suddenly, ‘did you ever kill a pig?’”</p>
</div>
<p>He answered, absently, as was his
way when directly addressed.</p>
<p>“A pig? Yes, I’ve killed one or
two in California.”</p>
<p>She drew back in her chair; but, as
she still gazed at him, he went on,
well pleased:</p>
<p><span class="pagenum"><SPAN name="page15" name="page15"></SPAN>15</span>“I can’t tell you much about California.
It was in Australia I learned
sheep-farming.”</p>
<p>“So, of course,” said Aggie, frigidly,
“you killed sheep, too?”</p>
<p>“For our own consumption—yes.”</p>
<p>He said it a little haughtily. He
wished her to understand the difference
between a grazier and a butcher.</p>
<p>“And lambs? Little lambs?”</p>
<p>“Well, yes. I’m afraid the little
lambs had to go, too, sometimes.”</p>
<p>“How could you? How could you?”</p>
<p>“How could I? Well, you see, I
just had to. I couldn’t shirk when
the other fellows didn’t. In time you
get not to mind.”</p>
<p>“Not to mind?”</p>
<p>“Well, I never exactly enjoyed doing
it.”</p>
<p>“No. But you did it. And you
didn’t mind.”</p>
<p><span class="pagenum"><SPAN name="page16" name="page16"></SPAN>16</span>She saw him steeped in butcheries,
in the blood of little lambs, and her
tender heart revolted against him.
She tried to persuade herself that it
was the lambs she minded most; but
it was the pig she minded. There was
something so low about killing a pig.
It seemed to mark him.</p>
<p>And it was marked, stained abominably,
that he went from her presence.
He said to himself: “I’ve dished myself
now with my silly jabber. Damn
those lambs!”</p>
<p>Young Arthur Gatty, winged by
some divine intuition, called at the
Laurels the next afternoon. The gods
were good to young Arthur, they
breathed upon him the spirit of refinement
and an indestructible gentleness
that day. There was no jarring
note in him. He rang all golden to
Aggie’s testing touch.</p>
<p><span class="pagenum"><SPAN name="page17" name="page17"></SPAN>17</span>When he had gone a great calm settled
upon her. It was all so simple
now. Nobody was left but Arthur
Gatty. She had just got to make up
her mind about <em>him</em>—which would
take a little time—and then—either
she was a happy married woman or,
said Aggie, coyly, a still happier old
maid in Queningford forever.</p>
<p>It was surprising how little the alternative
distressed her.</p>
<SPAN name="Chapter_II"></SPAN><h2><span class="pagenum"><SPAN name="page18" name="page18"></SPAN>18</span>II</h2>
<p>It was the last week in April, and
Mr. Gatty’s Easter holiday was
near its end. On the Monday, very
early in the morning, the young clerk
would leave Queningford for town.</p>
<p>By Friday his manner had become,
as Susie Purcell expressed it, “so
marked” that the most inexperienced
young lady could have suffered no
doubt as to the nature of his affections.
But no sooner had Aggie heard that
he was going than she had begun to
doubt, and had kept on doubting
(horribly) up to Saturday morning.
All Friday she had been bothering
<span class="pagenum"><SPAN name="page19" name="page19"></SPAN>19</span>Susie. Did Susie think there was any
one in town whom he was in a hurry
to get back to? Did Susie think such
a man as Mr. Gatty could think twice
about a girl like her? Did Susie think
he only thought her a forward little
minx? Or did she think he really was
beginning to care? And Susie said:
“You goose! How do I know, if you
don’t? He hasn’t said anything to
me.”</p>
<p>And on Saturday morning Aggie all
but knew. For that day he asked permission
to take her for a drive, having
borrowed a trap for the purpose.</p>
<p>They drove up to a northern slope
of the Cotswolds, by a road that took
them past High Farm; and there they
found John Hurst superintending his
sheep-shearing. Aggie, regardless of
his feelings, insisted on getting out of
the trap and looking on. John talked
<span class="pagenum"><SPAN name="page20" name="page20"></SPAN>20</span>all the time to the shepherd, while
Arthur talked to Aggie, and Aggie,
cruel little Aggie, made remarks about
the hard-heartedness of shearers.</p>
<p>Arthur (“that bald-faced young
Cockney snob,” as John called him)
was depressed by the dominating presence
of his rival and his visible efficiency.
He looked long and thoughtfully
at the sheep-shearing.</p>
<p>“Boni pastoris est,” he observed,
“tondere oves, non deglubere.”</p>
<p>Aggie shook her pretty head, as
much as to say Latin was beyond her;
and he was kind enough to translate.
“It is the part of a good shepherd to
shear, not flay, the sheep.”</p>
<p>“Is that from Virgil?” she asked,
looking up into his face with a smile
of unstained intellectual innocence.</p>
<p>A terrific struggle arose in young
Arthur’s breast. If he said it was
<span class="pagenum"><SPAN name="page21" name="page21"></SPAN>21</span>from Virgil (it was a thousand to one
against her knowing), he might leap
into her love at one high bound. If
he said he didn’t know where it came
from before it got into his Latin exercise,
he would be exactly where he
was before, which, he reflected, dismally,
was nowhere. Whereas, that
fellow Hurst was forever on the spot.</p>
<p>On the other hand, where would he
be if—if—supposing that she ever
found him out?</p>
<p>A thousand to one against it. He
who aims high must take high risks.
He took them.</p>
<p>“Yes,” he said, “it’s Virgil.” And
he added, to clinch the matter, “From
the ‘Georgics.’”</p>
<p>The light in her believing eyes told
him how inspired he had been.</p>
<p>The more he thought of it the more
likely it seemed. A flash of reminiscence
<span class="pagenum"><SPAN name="page22" name="page22"></SPAN>22</span>from his school-days visited him;
he remembered that Virgil did write
some things called “Georgics,” and
that Georgics were a kind of pastoral,
and that pastorals always had sheep in
them, and shepherds. It was a good
risk, anyhow, and he could see that
it was justified by success. When his
conscience reproached him for
pretending he knew more Latin than he
did, he told it that he would soon
know heaps. If all by himself, in cold
blood, and for no particular reason, he
could keep slogging away at a difficult
language evening after evening, what
couldn’t he do with Aggie’s love as
an incentive? Why, he could learn
enough Latin to read Virgil in two
months, and to teach Aggie, too.
And if any one had asked him what
good that would do either of them,
he would have replied, contemptuously,
<span class="pagenum"><SPAN name="page23" name="page23"></SPAN>23</span>that some things were ends in
themselves.</p>
<p>Still, he longed to prove his quality
in some more honorable way. He
called at the Laurels again that evening
after supper. And, while Mrs.
Purcell affected to doze, and Susie, as
confidante, held Kate and Eliza well
in play, he found another moment.
With a solemnity impaired by extreme
nervousness, he asked Miss Purcell if
she would accept a copy of <i>Browning’s
Poems</i>, which he had ventured to
order for her from town. He hadn’t
brought it with him, because he wished
to multiply pretexts for calling; besides,
as he said, he didn’t know whether
she would really care—</p>
<p>Aggie cared very much, indeed, and
proved it by blushing as she said so.
She had no need now to ask Susie anything.
She knew.</p>
<p><span class="pagenum"><SPAN name="page24" name="page24"></SPAN>24</span>And yet, in spite of the Browning
and the Virgil, it was surprising how
cool and unexcited she felt in the face
of her knowledge, now she had it.
She felt—she wouldn’t have owned
it—but she felt something remarkably
like indifference. She wondered
whether she had seemed indifferent to
him (the thought gave her a pang that
she had not experienced when John
Hurst laid his heart out to be trampled
on). She wondered whether she <em>were</em>
indifferent, really. How could you
tell when you really loved a man?
She had looked for great joy and glory
and uplifting. And they hadn’t come.
It was as if she had held her heart in
her hand and looked at it, and, because
she felt no fluttering, had argued
that love had never touched it;
for she did not yet know that love’s
deepest dwelling-place is in the quiet
<span class="pagenum"><SPAN name="page25" name="page25"></SPAN>25</span>heart. Aggie had never loved before,
and she thought that she was in the
sanctuary on Saturday, when she was
only standing on the threshold, waiting
for her hour.</p>
<p>It came, all of a sudden, on the Sunday.</p>
<p>Aggie’s memory retained every detail
of that blessed day—a day of
spring sunshine, warm with the breath
of wall-flowers and violets. Arthur,
walking in the garden with her, was
so mixed up with those delicious scents
that Aggie could never smell them
afterwards without thinking of him.
A day that was not only all
wall-flowers and violets, but all Arthur.
For Arthur called first thing before
breakfast to bring her the Browning,
and first thing after breakfast to go
with her to church, and first thing after
dinner to take her for a walk.</p>
<p><span class="pagenum"><SPAN name="page26" name="page26"></SPAN>26</span>They went into the low-lying Queningford
fields beside the river. They
took the Browning with them; Arthur
carried it under his arm. In his loose,
gray overcoat and soft hat he looked
like a poet himself, or a Socialist, or
Something. He always looked like
Something. As for Aggie, she had
never looked prettier than she looked
that day. He had never known before
how big and blue her eyes were, nor
that her fawn-colored hair had soft
webs of gold all over it. She, in her
clean new clothes, was like a young
Spring herself, all blue and white and
green, dawn-rose and radiant gold.
The heart of the young man was quick
with love of her.</p>
<p>They found a sheltered place for
Aggie to sit in, while <SPAN name="text_for_frontis"></SPAN>Arthur lay at her
feet and read aloud to her. He read
“Abt Vogler,” “Prospice,” selections
<span class="pagenum"><SPAN name="page27" name="page27"></SPAN>27</span>from “The Death in the Desert” (the
day being Sunday); and then, with
a pause and a shy turning of the
leaves, and a great break in his
voice, “Oh, Lyric Love, Half Angel
and Half Bird,” through to the
end.</p>
<p>Their hearts beat very fast in the
silence afterwards.</p>
<p>He turned to the fly-leaf where he
had inscribed her name.</p>
<p>“I should like to have written something
more. May I?”</p>
<p>“Oh yes. Please write anything
you like.”</p>
<p>And now the awful question for
young Arthur was: Whatever should
he write? “With warmest regards”
was too warm; “kind regards” were
too cold; “good wishes” sounded like
Christmas or a birthday; “remembrances”
implied that things were at
<span class="pagenum"><SPAN name="page28" name="page28"></SPAN>28</span>an end instead of a beginning. All
these shades, the warmth, the reticence,
the inspired audacity, might be
indicated under the veil of verse. If
he dared—</p>
<p>“I wish,” said Aggie, “you’d write
me something of your own.” (She
knew he did it.)</p>
<p>What more could he want than that
she should divine him thus?</p>
<p>For twenty minutes (he thought
they were only seconds), young Arthur
lay flat on his stomach and brooded
over the Browning. Aggie sat quiet
as a mouse, lest the rustle of her gown
should break the divine enchantment.
At last it came.</p>
<p>“Dear, since you loved this book, it
is your own—” That was how it began.
Long afterwards Arthur would
turn pale when he thought of how it
went on; for it was wonderful how
<span class="pagenum"><SPAN name="page29" name="page29"></SPAN>29</span>bad it was, especially the lines that
<em>had</em> to rhyme.</p>
<p>He did not know it when he gave
her back the book.</p>
<p>She read it over and over again,
seeing how bad it was, and not caring.
For her the beginning, middle, and end
of that delicate lyric were in the one
word “Dear.”</p>
<p>“Do you mind?” He had risen
and was standing over her as she
read.</p>
<p>“Mind?”</p>
<p>“What I’ve called you?”</p>
<p>She looked up suddenly. His face
met hers, and before she knew it
Aggie’s initiation came.</p>
<p>“Ah,” said Arthur, rising solemn
from the consecration of the primal
kiss, and drawing himself up like
a man for the first time aware of
his full stature, “that makes <em>that</em>
<span class="pagenum"><SPAN name="page30" name="page30"></SPAN>30</span>seem pretty poor stuff, doesn’t
it?”</p>
<p>Young Arthur had just looked
upon Love himself, and for that
moment his vision was purged of
vanity.</p>
<p>“Not Browning?” asked Aggie, a
little anxiously.</p>
<p>“No—Not Browning. Me. Browning
could write poetry. I can’t. I
know that now.”</p>
<p>And she knew it, too; but that
made no difference. It was not for
his poetry she loved him.</p>
<p>“And so,” said her mother, after
Arthur had stayed for tea and supper,
and said his good-bye and gone—“so
that’s the man you’ve been waiting
for all this time?”</p>
<p>“Yes, that’s the man I’ve been
waiting for,” said Aggie.</p>
<p>Three days later Queningford knew
<span class="pagenum"><SPAN name="page31" name="page31"></SPAN>31</span>that Aggie was going to marry Arthur
Gatty, and that John Hurst was going
to marry Susie.</p>
<p>Susie was not pretty, but she had
eyes like Aggie’s.</p>
<SPAN name="Chapter_III"></SPAN><h2><span class="pagenum"><SPAN name="page32" name="page32"></SPAN>32</span>III</h2>
<p>After all, Susie was married before
her eldest sister; for Aggie
had to wait till Arthur’s salary rose.
He thought it was going to rise at
midsummer, or if not at midsummer,
then at Michaelmas. But midsummer
and Michaelmas passed, Christmas and
Easter, too, and Arthur’s salary showed
no sign of rising. He daren’t tell Aggie
that he had been obliged to leave
off reading Latin in the evenings,
and was working feverishly at shorthand
in order to increase his efficiency.
His efficiency increased, but not his
salary.</p>
<p><span class="pagenum"><SPAN name="page33" name="page33"></SPAN>33</span>Meanwhile he spent all his holidays
at Queningford, and Aggie had been
twice to town. They saw so little of
each other that every meeting was a
divine event, a spiritual adventure.
If each was not exactly an undiscovered
country to the other, there was
always some territory left over from
last time, endlessly alluring to the pilgrim
lover. Whenever Arthur found
in Aggie’s mind a little bare spot that
needed cultivating, he planted there a
picture or a poem, that instantly took
root, and began to bloom as it had
never (to his eyes) bloomed in any
other soil. Aggie, for her part, yielded
all the treasure of her little kingdom
as tribute to the empire that had
won her.</p>
<p>Many things were uncertain, the
rise of Arthur’s salary among them;
but of one thing they were sure, that
<span class="pagenum"><SPAN name="page34" name="page34"></SPAN>34</span>they would lead the intellectual life
together. Whatever happened, they
would keep it up.</p>
<p>They were keeping it up as late as
August, when Arthur came down for
the Bank Holiday. He was still enthusiastic,
but uncertainty had dimmed
his hope. Marriage had become a
magnificent phantasm, superimposed
upon a dream, a purely supposititious
rise of salary. The prospect had removed
itself so far in time that it had
parted with its substance, like an object
retired modestly into space.</p>
<p>They were walking together in the
Queningford fields, when Arthur stopped
suddenly and turned to her.</p>
<p>“Aggie,” he said, “supposing, after
all, we can never marry?”</p>
<p>“Well,” said Aggie, calmly, “if we
don’t we shall still lead our real life
together.</p>
<p><span class="pagenum"><SPAN name="page35" name="page35"></SPAN>35</span>“But how, if we’re separated?”</p>
<p>“It would go on just the same.
But we sha’n’t be separated. I shall
get something to do in town and live
there. I’ll be a clerk, or go into a
shop—or something.”</p>
<p>“My darling, that would never
do.”</p>
<p>“Wouldn’t it, though!”</p>
<p>“I couldn’t let you do it.”</p>
<p>“Why ever not? We should see
each other every evening, and every
Saturday and Sunday. We should
always be learning something new,
and learning it together. We should
have a heavenly time.”</p>
<p>But Arthur shook his head sadly.
“It wouldn’t work, my sweetheart.
We aren’t made like that.”</p>
<p>“I am,” said Aggie, stoutly, and
there was silence.</p>
<p>“Anyhow,” she said, presently,
<span class="pagenum"><SPAN name="page36" name="page36"></SPAN>36</span>“whatever happens, we’re not going
to let it drop.”</p>
<p>“Rather not,” said he, with incorruptible
enthusiasm.</p>
<p>Then, just because he had left off
thinking about it, he was told that in
the autumn of that year he might
expect a rise.</p>
<p>And in the autumn they were married.</p>
<p>Aggie left the sweet gardens, the
white roads and green fields of Queningford,
to live in a side street in
Camden Town, in a creaking little
villa built of sulphurous yellow brick
furred with soot.</p>
<p>They had come back from their
brilliant fortnight on the south coast,
and were standing together in the
atrocious bow-window of their little
sitting room looking out on the
street. A thick gray rain was
<span class="pagenum"><SPAN name="page37" name="page37"></SPAN>37</span>falling, and a dust-cart was in
sight.</p>
<p>“Aggie,” he said, “I’m afraid you’ll
miss the country.”</p>
<p>She said nothing; she was lost in
thought.</p>
<p>“It looks rather a brute of a place,
doesn’t it? But it won’t be so bad
when the rain clears off. And you
know, dear, there are the museums
and picture-galleries in town, and
there’ll be the concerts, and lectures
on all sorts of interesting subjects,
two or three times a week. Then
there’s our Debating Society at Hampstead—just
a few of us who meet together
to discuss big questions. Every
month it meets, and you’ll get to know
all the intellectual people—”</p>
<p>Aggie nodded her head at each exciting
item of the programme as he
reeled it off. His heart smote him; he
<span class="pagenum"><SPAN name="page38" name="page38"></SPAN>38</span>felt that he hadn’t prepared her properly
for Camden Town. He thought
she was mourning the first perishing
of her illusions.</p>
<p>His voice fell, humbly. “And I
really think, in time, you know, you
won’t find it quite so bad.”</p>
<p>She turned on him the face of one
risen rosy from the embraces of her
dream. She put a hand on each of
his shoulders, and looked at him with
shining eyes.</p>
<p>“Oh, Arthur, <em>dear</em>, it’s all too beautiful.
I couldn’t say anything, because
I was so happy. Come, and
let’s look at everything all over again.”</p>
<p>And they went, and looked at everything
all over again, reviving the delight
that had gone to the furnishing
of that innocent interior. She cried
out with joy over the cheap art serges,
the brown-paper backgrounds, the
<span class="pagenum"><SPAN name="page39" name="page39"></SPAN>39</span>blue-and-gray drugget, the oak chairs
with their rush bottoms, the Borne-Jones
photogravures, the “Hope”
and the “Love Leading Life,” and
the “Love Triumphant.” Their home
would be the home of a material poverty,
but to Aggie’s mind it was also
a shrine whose austere beauty sheltered
the priceless spiritual ideal.</p>
<p>Their wedded ardor flamed when he
showed her for the tenth time his
wonderful contrivance for multiplying
bookshelves, as their treasures accumulated
year by year. They spoke with
confidence of a day when the shelves
would reach from floor to ceiling, to
meet the inevitable expansion of the
intellectual life.</p>
<p>They went out that very evening
to a lecture on “Appearance and
Reality,” an inspiring lecture. They
lived in it again (sitting over their
<span class="pagenum"><SPAN name="page40" name="page40"></SPAN>40</span>cocoa in the tiny dining-room), each
kindling the other with the same
sacred flame. She gazed with adoration
at his thin, flushed face, as, illumined
by the lecture, he developed
with excitement his theory of life.</p>
<div class="illo" id="illo_3">
<ANTIMG src="images/illo_3.jpg" width-obs="442" height-obs="399" alt="A man and a woman sit at a table." />
<p class="illo_caption">“Over their cocoa he developed his theory of life”</p>
</div>
<p>“Only think,” he said, “how people
wreck their lives just because they
don’t know the difference between appearance
and reality! Now we do
know. We’re poor; but we don’t
care a rap, because we know, you and
I, that that doesn’t matter. It’s the
immaterial that matters.”</p>
<p>Spiritually he flamed.</p>
<p>“I wouldn’t change with my boss,
though he’s got five thousand a year.
He’s a slave—a slave to his carriage
and horses, a slave to his house, a
slave to the office—”</p>
<p>“So are you. You work hard
enough.”</p>
<p><span class="pagenum"><SPAN name="page41" name="page41"></SPAN>41</span>“I work harder than he does. But
I keep myself detached.”</p>
<p>“Some more cocoa, dearie?”</p>
<p>“Rather. Yes, three lumps, please.
Just think what we can get out of life,
you and I, with our tiny income. We
get what we put into it—and that’s
something literally priceless, and we
mustn’t let it go. Whatever happens
we must stick to it.”</p>
<p>“Nothing can take it away from
us,” said Aggie, rapt in her dream.</p>
<p>“No; no outside thing can. But,
Aggie—we can take it from each
other, if we let ourselves get slack.
Whatever we do,” he said, solemnly,
“we mustn’t get slack. We must keep
it up.”</p>
<p>“Yes,” said Aggie, “we must keep
it up.”</p>
<p>They had pledged themselves to
that.</p>
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