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<h1> TALES OF ST AUSTIN'S </h1>
<h2> By P. G. Wodehouse </h2>
<h3> 1903 — </h3>
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<h2> PREFACE </h2>
<p>Most of these stories originally appeared in <i>The Captain</i>. I am
indebted to the Editor of that magazine for allowing me to republish. The
rest are from the <i>Public School Magazine</i>. The story entitled 'A
Shocking Affair' appears in print for the first time. 'This was one of our
failures.'</p>
<p><i>P. G. Wodehouse</i></p>
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<h2> DEDICATION </h2>
<h3> AD MATREM </h3>
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<h3> CONTENTS </h3>
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<tr>
<td>
<SPAN href="#link2H_PREF"> PREFACE </SPAN>
</td>
</tr>
<tr>
<td>
<SPAN href="#link2H_4_0002"> DEDICATION </SPAN>
</td>
</tr>
<tr>
<td>
<SPAN href="#link2H_4_0003"> 1 — HOW PILLINGSHOT SCORED </SPAN>
</td>
</tr>
<tr>
<td>
<SPAN href="#link2H_4_0004"> 2 — THE ODD TRICK </SPAN>
</td>
</tr>
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<td>
<SPAN href="#link2H_4_0005"> 3 — L'AFFAIRE UNCLE JOHN </SPAN>
</td>
</tr>
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<td>
<SPAN href="#link2H_PART"> PART OF LETTER FROM RICHARD VENABLES </SPAN>
</td>
</tr>
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<td>
<SPAN href="#link2H_4_0007"> 4 — HARRISON'S SLIGHT ERROR </SPAN>
</td>
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<td>
<SPAN href="#link2H_4_0008"> 5 — BRADSHAW'S LITTLE STORY </SPAN>
</td>
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<td>
<SPAN href="#link2H_4_0009"> 6 — A SHOCKING AFFAIR </SPAN>
</td>
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<td>
<SPAN href="#link2H_4_0010"> 7 — THE BABE AND THE DRAGON </SPAN>
</td>
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<SPAN href="#link2H_4_0011"> 8 — THE MANOEUVRES OF CHARTERIS </SPAN>
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<SPAN href="#link2H_4_0012"> 9 — HOW PAYNE BUCKED UP </SPAN>
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<SPAN href="#link2H_4_0013"> 10 — AUTHOR! </SPAN>
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<SPAN href="#link2H_4_0014"> 11 — 'THE TABBY TERROR' </SPAN>
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<SPAN href="#link2H_4_0015"> 12 — THE PRIZE POEM </SPAN>
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<td>
<SPAN href="#link2H_4_0016"> 13 — WORK </SPAN>
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<SPAN href="#link2H_4_0018"> 14 — NOTES </SPAN>
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<td>
<SPAN href="#link2H_4_0019"> 15 — NOW, TALKING ABOUT CRICKET </SPAN>
</td>
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<td>
<SPAN href="#link2H_4_0020"> 16 — THE TOM BROWN QUESTION </SPAN>
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<h2> 1 — HOW PILLINGSHOT SCORED </h2>
<p>Pillingshot was annoyed. He was disgusted, mortified; no other word for
it. He had no objection, of course, to Mr Mellish saying that his work
during the term, and especially his Livy, had been disgraceful. A master
has the right to say that sort of thing if he likes. It is one of the
perquisites of the position. But when he went on to observe, without a
touch of shame, that there would be an examination in the Livy as far as
they had gone in it on the following Saturday, Pillingshot felt that he
exceeded. It was not playing the game. There were the examinations at the
end of term. Those were fair enough. You knew exactly when they were
coming, and could make your arrangements accordingly. But to spring an
examination on you in the middle of the term out of a blue sky, as it
were, was underhand and unsportsmanlike, and would not do at all.
Pillingshot wished that he could put his foot down. He would have liked to
have stalked up to Mr Mellish's desk, fixed him with a blazing eye, and
remarked, 'Sir, withdraw that remark. Cancel that statement instantly, or—!'
or words to that effect.</p>
<p>What he did say was: 'Oo, si-i-r!!'</p>
<p>'Yes,' said Mr Mellish, not troubling to conceal his triumph at
Pillingshot's reception of the news, 'there will be a Livy examination
next Saturday. And—' (he almost intoned this last observation)—'anybody
who does not get fifty per cent, Pillingshot, fifty per cent, will be
severely punished. Very severely punished, Pillingshot.'</p>
<p>After which the lesson had proceeded on its course.</p>
<p>'Yes, it is rather low, isn't it?' said Pillingshot's friend, Parker, as
Pillingshot came to the end of a stirring excursus on the rights of the
citizen, with special reference to mid-term Livy examinations. 'That's the
worst of Mellish. He always has you somehow.'</p>
<p>'But what am I to <i>do</i>?' raved Pillingshot.</p>
<p>'I should advise you to swot it up before Saturday,' said Parker.</p>
<p>'Oh, don't be an ass,' said Pillingshot, irritably.</p>
<p>What was the good of friends if they could only make idiotic suggestions
like that?</p>
<p>He retired, brooding, to his house.</p>
<p>The day was Wednesday. There were only two more days, therefore, in which
to prepare a quarter of a book of Livy. It couldn't be done. The thing was
not possible.</p>
<p>In the house he met Smythe.</p>
<p>'What are you going to do about it?' he inquired. Smythe was top of the
form, and if he didn't know how to grapple with a crisis of this sort, who
<i>could</i> know?</p>
<p>'If you'll kindly explain,' said Smythe, 'what the dickens you are talking
about, I might be able to tell you.'</p>
<p>Pillingshot explained, with unwonted politeness, that 'it' meant the Livy
examination.</p>
<p>'Oh,' said Smythe, airily, 'that! I'm just going to skim through it in
case I've forgotten any of it. Then I shall read up the notes carefully.
And then, if I have time, I shall have a look at the history of the
period. I should advise you to do that, too.'</p>
<p>'Oh, don't be a goat,' said Pillingshot.</p>
<p>And he retired, brooding, as before.</p>
<p>That afternoon he spent industriously, copying out the fourth book of <i>The
Aeneid</i>. At the beginning of the week he had had a slight disagreement
with M. Gerard, the French master.</p>
<p>Pillingshot's views on behaviour and deportment during French lessons did
not coincide with those of M. Gerard. Pillingshot's idea of a French
lesson was something between a pantomime rally and a scrum at football. To
him there was something wonderfully entertaining in the process of
'barging' the end man off the edge of the form into space, and upsetting
his books over him. M. Gerard, however, had a very undeveloped sense of
humour. He warned the humorist twice, and on the thing happening a third
time, suggested that he should go into extra lesson on the ensuing
Wednesday.</p>
<p>So Pillingshot went, and copied out Virgil.</p>
<p>He emerged from the room of detention at a quarter past four. As he came
out into the grounds he espied in the middle distance somebody being
carried on a stretcher in the direction of the School House. At the same
moment Parker loomed in sight, walking swiftly towards the School shop,
his mobile features shining with the rapt expression of one who sees much
ginger-beer in the near future.</p>
<p>'Hullo, Parker,' said Pillingshot, 'who's the corpse?'</p>
<p>'What, haven't you heard?' said Parker. 'Oh, no, of course, you were in
extra. It's young Brown. He's stunned or something.'</p>
<p>'How did it happen?'</p>
<p>'That rotter, Babington, in Dacre's. Simply slamming about, you know,
getting his eye in before going in, and Brown walked slap into one of his
drives. Got him on the side of the head.'</p>
<p>'Much hurt?'</p>
<p>'Oh, no, I don't think so. Keep him out of school for about a week.'</p>
<p>'Lucky beast. Wish somebody would come and hit me on the head. Come and
hit me on the head, Parker.'</p>
<p>'Come and have an ice,' said Parker.</p>
<p>'Right-ho,' said Pillingshot. It was one of his peculiarities, that
whatever the hour or the state of the weather, he was always equal to
consuming an ice. This was probably due to genius. He had an infinite
capacity for taking pains. Scarcely was he outside the promised ice when
another misfortune came upon him. Scott, of the First Eleven, entered the
shop. Pillingshot liked Scott, but he was not blind to certain flaws in
the latter's character. For one thing, he was too energetic. For another,
he could not keep his energy to himself. He was always making Pillingshot
do things. And Pillingshot's notion of the ideal life was complete <i>dolce
far niente</i>.</p>
<p>'Ginger-beer, please,' said Scott, with parched lips. He had been bowling
at the nets, and the day was hot. 'Hullo! Pillingshot, you young slacker,
why aren't you changed? Been bunking half-holiday games? You'd better
reform, young man.'</p>
<p>'I've been in extra,' said Pillingshot, with dignity.</p>
<p>'How many times does that make this term? You're going for the record,
aren't you? Jolly sporting of you. Bit slow in there, wasn't it? 'Nother
ginger-beer, please.'</p>
<p>'Just a bit,' said Pillingshot.</p>
<p>'I thought so. And now you're dying for some excitement. Of course you
are. Well, cut over to the House and change, and then come back and field
at the nets. The man Yorke is going to bowl me some of his celebrated slow
tosh, and I'm going to show him exactly how Jessop does it when he's in
form.'</p>
<p>Scott was the biggest hitter in the School. Mr Yorke was one of the
masters. He bowled slow leg-breaks, mostly half-volleys and long hops.
Pillingshot had a sort of instinctive idea that fielding out in the deep
with Mr Yorke bowling and Scott batting would not contribute largely to
the gaiety of his afternoon. Fielding deep at the nets meant that you
stood in the middle of the football field, where there was no telling what
a ball would do if it came at you along the ground. If you were lucky you
escaped without injury. Generally, however, the ball bumped and deprived
you of wind or teeth, according to the height to which it rose. He began
politely, but firmly, to excuse himself.</p>
<p>'Don't talk rot,' said Scott, complainingly, 'you must have some exercise
or you'll go getting fat. Think what a blow it would be to your family,
Pillingshot, if you lost your figure. Buck up. If you're back here in a
quarter of an hour you shall have another ice. A large ice, Pillingshot,
price sixpence. Think of it.'</p>
<p>The word ice, as has been remarked before, touched chords in Pillingshot's
nature to which he never turned a deaf ear. Within the prescribed quarter
of an hour he was back again, changed.</p>
<p>'Here's the ice,' said Scott, 'I've been keeping it warm for you. Shovel
it down. I want to be starting for the nets. Quicker, man, quicker! Don't
roll it round your tongue as if it was port. Go for it. Finished? That's
right. Come on.'</p>
<p>Pillingshot had not finished, but Scott so evidently believed that he had,
that it would have been unkind to have mentioned the fact. He followed the
smiter to the nets.</p>
<p>If Pillingshot had passed the earlier part of the afternoon in a sedentary
fashion, he made up for it now. Scott was in rare form, and Pillingshot
noticed with no small interest that, while he invariably hit Mr Yorke's
deliveries a quarter of a mile or so, he never hit two balls in succession
in the same direction. As soon as the panting fieldsman had sprinted to
one side of the football ground and returned the ball, there was a
beautiful, musical <i>plonk</i>, and the ball soared to the very opposite
quarter of the field. It was a fine exhibition of hitting, but Pillingshot
felt that he would have enjoyed it more if he could have watched it from a
deck-chair.</p>
<p>'You're coming on as a deep field, young Pillingshot,' said Scott, as he
took off his pads. 'You've got a knack of stopping them with your stomach,
which the best first-class fields never have. You ought to give lessons at
it. Now we'll go and have some tea.'</p>
<p>If Pillingshot had had a more intimate acquaintance with the classics, he
would have observed at this point, '<i>Timeo Danaos</i>', and made a last
dash for liberty in the direction of the shop. But he was deceived by the
specious nature of Scott's remark. Visions rose before his eyes of sitting
back in one of Scott's armchairs, watching a fag toasting muffins, which
he would eventually dispatch with languid enjoyment. So he followed Scott
to his study. The classical parallel to his situation is the well-known
case of the oysters. They, too, were eager for the treat.</p>
<p>They had reached the study, and Pillingshot was about to fling himself,
with a sigh of relief, into the most comfortable chair, when Scott
unmasked his batteries.</p>
<p>'Oh, by the way,' he said, with a coolness which to Pillingshot appeared
simply brazen, 'I'm afraid my fag won't be here today. The young crock's
gone and got mumps, or the plague, or something. So would you mind just
lighting that stove? It'll be rather warm, but that won't matter. There
are some muffins in the cupboard. You might weigh in with them. You'll
find the toasting-fork on the wall somewhere. It's hanging up. Got it?
Good man. Fire away.'</p>
<p>And Scott collected five cushions, two chairs, and a tin of mixed
biscuits, and made himself comfortable. Pillingshot, with feelings too
deep for words (in the then limited state of his vocabulary), did as he
was requested. There was something remarkable about the way Scott could
always get people to do things for him. He seemed to take everything for
granted. If he had had occasion to hire an assassin to make away with the
German Emperor, he would have said, 'Oh, I say, you might run over to
Germany and kill the Kaiser, will you, there's a good chap? Don't be
long.' And he would have taken a seat and waited, without the least doubt
in his mind that the thing would be carried through as desired.</p>
<p>Pillingshot had just finished toasting the muffins, when the door opened,
and Venables, of Merevale's, came in.</p>
<p>'I thought I heard you say something about tea this afternoon, Scott,'
said Venables. 'I just looked in on the chance. Good Heavens, man! Fancy
muffins at this time of year! Do you happen to know what the thermometer
is in the shade?'</p>
<p>'Take a seat,' said Scott. 'I attribute my entire success in life to the
fact that I never find it too hot to eat muffins. Do you know Pillingshot?
One of the hottest fieldsmen in the School. At least, he was just now.
He's probably cooled off since then. Venables—Pillingshot, and <i>vice
versa</i>. Buck up with the tea, Pillingshot. What, ready? Good man. Now
we might almost begin.'</p>
<p>'Beastly thing that accident of young Brown's, wasn't it?' said Scott.
'Chaps oughtn't to go slamming about like that with the field full of
fellows. I suppose he won't be right by next Saturday?'</p>
<p>'Not a chance. Why? Oh, yes, I forgot. He was to have scored for the team
at Windybury, wasn't he?'</p>
<p>'Who are you going to get now?'</p>
<p>Venables was captain of the St Austin's team. The match next Saturday was
at Windybury, on the latter's ground.</p>
<p>'I haven't settled,' said Venables. 'But it's easy to get somebody.
Scoring isn't one of those things which only one chap in a hundred
understands.'</p>
<p>Then Pillingshot had an idea—a great, luminous idea.</p>
<p>'May I score?' he asked, and waited trembling with apprehension lest the
request be refused.</p>
<p>'All right,' said Venables, 'I don't see any reason why you shouldn't. We
have to catch the 8.14 at the station. Don't you go missing it or
anything.'</p>
<p>'Rather <i>not</i>,' said Pillingshot. 'Not much.'</p>
<hr />
<p>On Saturday morning, at exactly 9.15, Mr Mellish distributed the Livy
papers. When he arrived at Pillingshot's seat and found it empty, an
expression passed over his face like unto that of the baffled villain in
transpontine melodrama.</p>
<p>'Where is Pillingshot?' he demanded tragically. 'Where is he?'</p>
<p>'He's gone with the team to Windybury, sir,' said Parker, struggling to
conceal a large size in grins. 'He's going to score.'</p>
<p>'No,' said Mr Mellish sadly to himself, 'he <i>has</i> scored.'</p>
<p><br/><br/></p>
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<h2> 2 — THE ODD TRICK </h2>
<p>The attitude of Philip St H. Harrison, of Merevale's House, towards his
fellow-man was outwardly one of genial and even sympathetic toleration.
Did his form-master intimate that his conduct was not <i>his</i> idea of
what Young England's conduct should be, P. St H. Harrison agreed
cheerfully with every word he said, warmly approved his intention of
laying the matter before the Headmaster, and accepted his punishment with
the air of a waiter booking an order for a chump chop and fried potatoes.
But the next day there would be a squeaking desk in the form-room, just to
show the master that he had not been forgotten. Or, again, did the captain
of his side at football speak rudely to him on the subject of kicking the
ball through in the scrum, Harrison would smile gently, and at the
earliest opportunity tread heavily on the captain's toe. In short, he was
a youth who made a practice of taking very good care of himself. Yet he
had his failures. The affair of Graham's mackintosh was one of them, and
it affords an excellent example of the truth of the proverb that a cobbler
should stick to his last. Harrison's <i>forte</i> was diplomacy. When he
forsook the arts of the diplomatist for those of the brigand, he naturally
went wrong. And the manner of these things was thus.</p>
<p>Tony Graham was a prefect in Merevale's, and part of his duties was to
look after the dormitory of which Harrison was one of the ornaments. It
was a dormitory that required a good deal of keeping in order. Such choice
spirits as Braithwaite of the Upper Fourth, and Mace, who was rapidly
driving the master of the Lower Fifth into a premature grave, needed a
firm hand. Indeed, they generally needed not only a firm hand, but a firm
hand grasping a serviceable walking-stick. Add to these Harrison himself,
and others of a similar calibre, and it will be seen that Graham's post
was no sinecure. It was Harrison's custom to throw off his mask at night
with his other garments, and appear in his true character of an abandoned
villain, willing to stick at nothing as long as he could do it strictly
incog. In this capacity he had come into constant contact with Graham.
Even in the dark it is occasionally possible for a prefect to tell where a
noise comes from. And if the said prefect has been harassed six days in
the week by a noise, and locates it suddenly on the seventh, it is wont to
be bad for the producer and patentee of same.</p>
<p>And so it came about that Harrison, enjoying himself one night, after the
manner of his kind, was suddenly dropped upon with violence. He had
constructed an ingenious machine, consisting of a biscuit tin, some
pebbles, and some string. He put the pebbles in the tin, tied the string
to it, and placed it under a chest of drawers. Then he took the other end
of the string to bed with him, and settled down to make a night of it. At
first all went well. Repeated inquiries from Tony failed to produce the
author of the disturbance, and when finally the questions ceased, and the
prefect appeared to have given the matter up as a bad job, P. St H.
Harrison began to feel that under certain circumstances life was worth
living. It was while he was in this happy frame of mind that the string,
with which he had just produced a triumphant rattle from beneath the chest
of drawers, was seized, and the next instant its owner was enjoying the
warmest minute of a chequered career. Tony, like Brer Rabbit, had laid low
until he was certain of the direction from which the sound proceeded. He
had then slipped out of bed, crawled across the floor in a snake-like
manner which would have done credit to a Red Indian, found the tin, and
traced the string to its owner. Harrison emerged from the encounter
feeling sore and unfit for any further recreation. This deed of the night
left its impression on Harrison. The account had to be squared somehow,
and in a few days his chance came. Merevale's were playing a 'friendly'
with the School House, and in default of anybody better, Harrison had been
pressed into service as umpire. This in itself had annoyed him. Cricket
was not in his line—he was not one of your flannelled fools—and
of all things in connection with the game he loathed umpiring most.</p>
<p>When, however, Tony came on to bowl at his end, <i>vice</i> Charteris, who
had been hit for three fours in an over by Scott, the School slogger, he
recognized that even umpiring had its advantages, and resolved to make the
most of the situation.</p>
<p>Scott had the bowling, and he lashed out at Tony's first ball in his usual
reckless style. There was an audible click, and what the sporting papers
call confident appeals came simultaneously from Welch, Merevale's captain,
who was keeping wicket, and Tony himself. Even Scott seemed to know that
his time had come. He moved a step or two away from the wicket, but
stopped before going farther to look at the umpire, on the off-chance of a
miracle happening to turn his decision in the batsman's favour.</p>
<p>The miracle happened.</p>
<p>'Not out,' said Harrison.</p>
<p>'Awfully curious,' he added genially to Tony, 'how like a bat those bits
of grass sound! You have to be jolly smart to know where a noise comes
from, don't you!'</p>
<p>Tony grunted disgustedly, and walked back again to the beginning of his
run.</p>
<p>If ever, in the whole history of cricket, a man was out leg-before-wicket,
Scott was so out to Tony's second ball. It was hardly worth appealing for
such a certainty. Still, the formality had to be gone through.</p>
<p>'How was <i>that</i>?' inquired Tony.</p>
<p>'Not out. It's an awful pity, don't you think, that they don't bring in
that new leg-before rule?'</p>
<p>'Seems to me,' said Tony bitterly, 'the old rule holds pretty good when a
man's leg's bang in front.'</p>
<p>'Rather. But you see the ball didn't pitch straight, and the rule says—'</p>
<p>'Oh, all right,' said Tony.</p>
<p>The next ball Scott hit for four, and the next after that for a couple.
The fifth was a yorker, and just grazed the leg stump. The sixth was a
beauty. You could see it was going to beat the batsman from the moment it
left Tony's hand. Harrison saw it perfectly.</p>
<p>'No ball,' he shouted. And just as he spoke Scott's off-stump ricocheted
towards the wicket-keeper.</p>
<p>'Heavens, man,' said Tony, fairly roused out of his cricket manners, a
very unusual thing for him. 'I'll swear my foot never went over the
crease. Look, there's the mark.'</p>
<p>'Rather not. Only, you see, it seemed to me you chucked that time. Of
course, I know you didn't mean to, and all that sort of thing, but still,
the rules—'</p>
<p>Tony would probably have liked to have said something very forcible about
the rules at this point, but it occurred to him that after all Harrison
was only within his rights, and that it was bad form to dispute the
umpire's decision. Harrison walked off towards square-leg with a holy joy.</p>
<p>But he was too much of an artist to overdo the thing. Tony's next over
passed off without interference. Possibly, however, this was because it
was a very bad one. After the third over he asked Welch if he could get
somebody else to umpire, as he had work to do. Welch heaved a sigh of
relief, and agreed readily.</p>
<p>'Conscientious sort of chap that umpire of yours,' said Scott to Tony,
after the match. Scott had made a hundred and four, and was feeling
pleased. 'Considering he's in your House, he's awfully fair.'</p>
<p>'You mean that we generally swindle, I suppose?'</p>
<p>'Of course not, you rotter. You know what I mean. But, I say, that catch
Welch and you appealed for must have been a near thing. I could have sworn
I hit it.'</p>
<p>'Of course you did. It was clean out. So was the lbw. I say, did you think
that ball that bowled you was a chuck? That one in my first over, you
know.'</p>
<p>'Chuck! My dear Tony, you don't mean to say that man pulled you up for
chucking? I thought your foot must have gone over the crease.'</p>
<p>'I believe the chap's mad,' said Tony.</p>
<p>'Perhaps he's taking it out of you this way for treading on his corns
somehow. Have you been milling with this gentle youth lately?'</p>
<p>'By Jove,' said Tony, 'you're right. I gave him beans only the other night
for ragging in the dormitory.'</p>
<p>Scott laughed.</p>
<p>'Well, he seems to have been getting a bit of his own back today. Lucky
the game was only a friendly. Why will you let your angry passions rise,
Tony? You've wrecked your analysis by it, though it's improved my average
considerably. I don't know if that's any solid satisfaction to you.'</p>
<p>'It isn't.'</p>
<p>'You don't say so! Well, so long. If I were you, I should keep an eye on
that conscientious umpire.'</p>
<p>'I will,' said Tony. 'Good-night.'</p>
<p>The process of keeping an eye on Harrison brought no results. When he
wished to behave himself well, he could. On such occasions Sandford and
Merton were literally not in it with him, and the hero of a Sunday-school
story would simply have refused to compete. But Nemesis, as the poets tell
us, though no sprinter, manages, like the celebrated Maisie, to get right
there in time. Give her time, and she will arrive. She arrived in the case
of Harrison. One morning, about a fortnight after the House-match
incident, Harrison awoke with a new sensation. At first he could not tell
what exactly this sensation was, and being too sleepy to discuss nice
points of internal emotion with himself, was just turning over with the
intention of going to sleep again, when the truth flashed upon him. The
sensation he felt was loneliness, and the reason he felt lonely was
because he was the only occupant of the dormitory. To right and left and
all around were empty beds.</p>
<p>As he mused drowsily on these portents, the distant sound of a bell came
to his ears and completed the cure. It was the bell for chapel. He dragged
his watch from under his pillow, and looked at it with consternation. Four
minutes to seven. And chapel was at seven. Now Harrison had been late for
chapel before. It was not the thought of missing the service that worried
him. What really was serious was that he had been late so many times
before that Merevale had hinted at serious steps to be taken if he were
late again, or, at any rate, until a considerable interval of punctuality
had elapsed.</p>
<p>That threat had been uttered only yesterday, and here he was in all
probability late once more.</p>
<p>There was no time to dress. He sprang out of bed, passed a sponge over his
face as a concession to the decencies, and looked round for something to
cover his night-shirt, which, however suitable for dormitory use, was, he
felt instinctively, scarcely the garment to wear in public.</p>
<p>Fate seemed to fight for him. On one of the pegs in the wall hung a
mackintosh, a large, blessed mackintosh. He was inside it in a moment.</p>
<p>Four minutes later he rushed into his place in chapel.</p>
<p>The short service gave him some time for recovering himself. He left the
building feeling a new man. His costume, though quaint, would not call for
comment. Chapel at St Austin's was never a full-dress ceremony.
Mackintoshes covering night-shirts were the rule rather than the
exception.</p>
<p>But between his costume and that of the rest there was this subtle
distinction. They wore their own mackintoshes. He wore somebody else's.</p>
<p>The bulk of the School had split up into sections, each section making for
its own House, and Merevale's was already in sight, when Harrison felt
himself grasped from behind. He turned, to see Graham.</p>
<p>'Might I ask,' enquired Tony with great politeness, 'who said you might
wear my mackintosh?'</p>
<p>Harrison gasped.</p>
<p>'I suppose you didn't know it was mine?'</p>
<p>'No, no, rather not. I didn't know.'</p>
<p>'And if you had known it was mine, you wouldn't have taken it, I suppose?'</p>
<p>'Oh no, of course not,' said Harrison. Graham seemed to be taking an
unexpectedly sensible view of the situation.</p>
<p>'Well,' said Tony, 'now that you know that it is mine, suppose you give it
up.'</p>
<p>'Give it up!'</p>
<p>'Yes; buck up. It looks like rain, and I mustn't catch cold.'</p>
<p>'But, Graham, I've only got on—'</p>
<p>'Spare us these delicate details. Mack up, please, I want it.'</p>
<p>Finally, Harrison appearing to be difficult in the matter, Tony took the
garment off for him, and went on his way.</p>
<p>Harrison watched him go with mixed feelings. Righteous indignation
struggled with the gravest apprehension regarding his own future. If
Merevale should see him! Horrible thought. He ran. He had just reached the
House, and was congratulating himself on having escaped, when the worst
happened. At the private entrance stood Merevale, and with him the
Headmaster himself. They both eyed him with considerable interest as he
shot in at the boys' entrance.</p>
<p>'Harrison,' said Merevale after breakfast.</p>
<p>'Yes, sir?'</p>
<p>'The Headmaster wishes to see you—again.'</p>
<p>'Yes, sir,' said Harrison.</p>
<p>There was a curious lack of enthusiasm in his voice.</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0005" id="link2H_4_0005"> </SPAN></p>
<br/>
<h2> 3 — L'AFFAIRE UNCLE JOHN </h2>
<p>(<i>A Story in Letters</i>)</p>
<h3> I </h3>
<p>From Richard Venables, of St Austin's School, to his brother Archibald
Venables, of King's College, Cambridge:</p>
<p>Dear Archie—I take up my pen to write to you, not as one hoping for
an answer, but rather in order that (you notice the Thucydidean
construction) I may tell you of an event the most important of those that
have gone before. You may or may not have heard far-off echoes of my
adventure with Uncle John, who has just come back from the diamond-mines—and
looks it. It happened thusly:</p>
<p>Last Wednesday evening I was going through the cricket field to meet Uncle
John, at the station, as per esteemed favour from the governor, telling me
to. Just as I got on the scene, to my horror, amazement, and disgust, I
saw a middle-aged bounder, in loud checks, who, from his looks, might have
been anything from a retired pawnbroker to a second-hand butler, sacked
from his last place for stealing the sherry, standing in the middle of the
field, on the very wicket the Rugborough match is to be played on next
Saturday (tomorrow), and digging—<i>digging</i>—I'll trouble
you. Excavating great chunks of our best turf with a walking-stick. I was
so unnerved, I nearly fainted. It's bad enough being captain of a School
team under any circs., as far as putting you off your game goes, but when
you see the wicket you've been rolling by day, and dreaming about by
night, being mangled by an utter stranger—well! They say a cow is
slightly irritated when her calf is taken away from her, but I don't
suppose the most maternal cow that ever lived came anywhere near the
frenzy that surged up in my bosom at that moment. I flew up to him,
foaming at the mouth. 'My dear sir,' I shrieked, '<i>are</i> you aware
that you're spoiling the best wicket that has ever been prepared since
cricket began?' He looked at me, in a dazed sort of way, and said, 'What?'
I said: 'How on earth do you think we're going to play Rugborough on a
ploughed field?' 'I don't follow, mister,' he replied. A man who calls you
'mister' is beyond the pale. You are justified in being a little rude to
him. So I said: 'Then you must be either drunk or mad, and I trust it's
the latter.' I believe that's from some book, though I don't remember
which. This did seem to wake him up a bit, but before he could frame his
opinion in words, up came Biffen, the ground-man, to have a last look at
his wicket before retiring for the night. When he saw the holes—they
were about a foot deep, and scattered promiscuously, just where two balls
out of three pitch—he almost had hysterics. I gently explained the
situation to him, and left him to settle with my friend of the check suit.
Biffen was just settling down to a sort of Philippic when I went, and I
knew that I had left the man in competent hands. Then I went to the
station. The train I had been told to meet was the 5.30. By the way, of
course, I didn't know in the least what Uncle John was like, not having
seen him since I was about one-and-a-half, but I had been told to look out
for a tall, rather good-looking man. Well, the 5.30 came in all right, but
none of the passengers seemed to answer to the description. The ones who
were tall were not good looking, and the only man who was good looking
stood five feet nothing in his boots. I did ask him if he was Mr John
Dalgliesh; but, his name happening to be Robinson, he could not oblige. I
sat out a couple more trains, and then went back to the field. The man had
gone, but Biffen was still there. 'Was you expecting anyone today, sir?'
he asked, as I came up. 'Yes. Why?' I said. 'That was 'im,' said Biffen.
By skilful questioning, I elicited the whole thing. It seems that the
fearsome bargee, in checks, was the governor's 'tall, good-looking man';
in other words, Uncle John himself. He had come by the 4.30, I suppose.
Anyway, there he was, and I had insulted him badly. Biffen told me that he
had asked who I was, and that he (Biffen) had given the information, while
he was thinking of something else to say to him about his digging. By the
way, I suppose he dug from force of habit. Thought he'd find diamonds,
perhaps. When Biffen told him this, he said in a nasty voice: 'Then, when
he comes back will you have the goodness to tell him that my name is John
Dalgliesh, and that he will hear more of this.' And I'm uncommonly afraid
I shall. The governor bars Uncle John awfully, I know, but he wanted me to
be particularly civil to him, because he was to get me a place in some
beastly firm when I leave. I haven't heard from home yet, but I expect to
soon. Still, I'd like to know how I could stand and watch him ruining the
wicket for our spot match of the season. As it is, it won't be as good as
it would have been. The Rugborough slow man will be unplayable if he can
find one of these spots. Altogether, it's a beastly business. Write soon,
though I know you won't—Yours ever, <i>Dick</i></p>
<h3> II </h3>
<p>Telegram from Major-General Sir Everard Venables, V.C., K.C.M.G., to his
son Richard Venables:</p>
<p>Venables, St Austin's. What all this about Uncle John. Says were grossly
rude. Write explanation next post—<i>Venables</i>.</p>
<h3> III </h3>
<p>Letter from Mrs James Anthony (nee Miss Dorothy Venables) to her brother
Richard Venables:</p>
<p>Dear Dick—What <i>have</i> you been doing to Uncle John? Jim and I
are stopping for a fortnight with father, and have just come in for the
whole thing. Uncle John—<i>isn't</i> he a horrible man?—says
you were grossly insolent to him when he went down to see you. <i>Do</i>
write and tell me all about it. I have heard no details as yet. Father
refuses to give them, and gets simply <i>furious</i> when the matter is
mentioned. Jim said at dinner last night that a conscientious boy would
probably feel bound to be rude to Uncle John. Father said 'Conscience be—';
I forget the rest, but it was awful. Jim says if he gets any worse we
shall have to sit on his head, and cut the traces. He is getting so
dreadfully <i>horsey</i>. Do write the very minute you get this. I want to
know all about it.—Your affectionate sister, <i>Dorothy</i></p>
<h3> IV </h3>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_PART" id="link2H_PART"> </SPAN></p>
<br/>
<h2> PART OF LETTER FROM RICHARD VENABLES, OF ST AUSTIN'S, TO HIS FATHER </h2>
<p>Major-General Sir Everard Venables, V.C., K.C.M.G.:</p>
<p>... So you see it was really his fault. The Emperor of Germany has no
right to come and dig holes in our best wicket. Take a parallel case.
Suppose some idiot of a fellow (not that Uncle John's that, of course, but
you know what I mean) came and began rooting up your azaleas. Wouldn't you
want to say something cutting? I will apologize to Uncle John, if you
like; but still, I do think he might have gone somewhere else if he really
wanted to dig. So you see, etc., etc.</p>
<h3> V </h3>
<p>Letter from Richard Venables, of St Austin's, to his sister Mrs James
Anthony:</p>
<p>Dear Dolly—Thanks awfully for your letter, and thank Jim for his
message. He's a ripper. I'm awfully glad you married him and not that
rotter, Thompson, who used to hang on so. I hope the most marvellous
infant on earth is flourishing. And now about Uncle John. Really, I am
jolly glad I did say all that to him. We played Rugborough yesterday, and
the wicket was simply vile. They won the toss, and made two hundred and
ten. Of course, the wicket was all right at one end, and that's where they
made most of their runs. I was wicket-keeping as usual, and I felt awfully
ashamed of the beastly pitch when their captain asked me if it was the
football-field. Of course, he wouldn't have said that if he hadn't been a
pal of mine, but it was probably what the rest of the team thought, only
they were too polite to say so. When we came to bat it was worse than
ever. I went in first with Welch—that's the fellow who stopped a
week at home a few years ago; I don't know whether you remember him. He
got out in the first over, caught off a ball that pitched where Uncle John
had been prospecting, and jumped up. It was rotten luck, of course, and
worse was to follow, for by half-past five we had eight wickets down for
just over the hundred, and only young Scott, who's simply a slogger, and
another fellow to come in. Well, Scott came in. I had made about sixty
then, and was fairly well set—and he started simply mopping up the
bowling. He gave a chance every over as regular as clockwork, and it was
always missed, and then he would make up for it with two or three
tremendous whangs—a safe four every time. It wasn't batting. It was
more like golf. Well, this went on for some time, and we began to get
hopeful again, having got a hundred and eighty odd. I just kept up my
wicket, while Scott hit. Then he got caught, and the last man, a fellow
called Moore, came in. I'd put him in the team as a bowler, but he could
bat a little, too, on occasions, and luckily this was one of them. There
were only eleven to win, and I had the bowling. I was feeling awfully fit,
and put their slow man clean over the screen twice running, which left us
only three to get. Then it was over, and Moore played the fast man in
grand style, though he didn't score. Well, I got the bowling again, and
half-way through the over I carted a half-volley into the Pav., and that
gave us the match. Moore hung on for a bit and made about ten, and then
got bowled. We made 223 altogether, of which I had managed to get
seventy-eight, not out. It pulls my average up a good bit. Rather decent,
isn't it? The fellows rotted about a good deal, and chaired me into the
Pav., but it was Scott who won us the match, I think. He made ninety-four.
But Uncle John nearly did for us with his beastly walking-stick. On a good
wicket we might have made any number. I don't know how the affair will
end. Keep me posted up in the governor's symptoms, and write again soon.—Your
affectionate brother, <i>Dick</i></p>
<p>PS.—On looking over this letter, I find I have taken it for granted
that you know all about the Uncle John affair. Probably you do, but, in
case you don't, it was this way. You see, I was going, etc., etc.</p>
<h3> VI </h3>
<p>From Archibald Venables, of King's College, Cambridge, to Richard
Venables, of St Austin's:</p>
<p>Dear Dick—Just a line to thank you for your letter, and to tell you
that since I got it I have had a visit from the great Uncle John, too. He
<i>is</i> an outsider, if you like. I gave him the best lunch I could in
my rooms, and the man started a long lecture on extravagance. He doesn't
seem to understand the difference between the 'Varsity and a private
school. He kept on asking leading questions about pocket-money and
holidays, and wanted to know if my master allowed me to walk in the
streets in that waistcoat—a remark which cut me to the quick, 'that
waistcoat' being quite the most posh thing of the sort in Cambridge. He
then enquired after my studies; and, finally, when I saw him off at the
station, said that he had decided not to tip me, because he was afraid
that I was inclined to be extravagant. I was quite kind to him, however,
in spite of everything; but I was glad you had spoken to him like a
father. The recollection of it soothed me, though it seemed to worry him.
He talked a good deal about it. Glad you came off against Rugborough.—Yours
ever, <i>A. Venables</i></p>
<h3> VII </h3>
<p>From Mr John Dalgliesh to Mr Philip Mortimer, of Penge:</p>
<p>Dear Sir—In reply to your letter of the 18th inst., I shall be happy
to recommend your son, Reginald, for the vacant post in the firm of Messrs
Van Nugget, Diomonde, and Mynes, African merchants. I have written them to
that effect, and you will, doubtless, receive a communication from them
shortly.—I am, my dear sir, yours faithfully, <i>J. Dalgliesh</i></p>
<h3> VIII </h3>
<p>From Richard Venables, of St Austin's, to his father Major-General Sir
Everard Venables, V.C., K.C.M.G.:</p>
<p>Dear Father—Uncle John writes, in answer to my apology, to say that
no apologies will meet the case; and that he has given his nomination in
that rotten City firm of his to a fellow called Mortimer. But rather a
decent thing has happened. There is a chap here I know pretty well, who is
the son of Lord Marmaduke Twistleton, and it appears that the dook himself
was down watching the Rugborough match, and liked my batting. He came and
talked to me after the match, and asked me what I was going to do when I
left, and I said I wasn't certain, and he said that, if I hadn't anything
better on, he could give me a place on his estate up in Scotland, as a
sort of land-agent, as he wanted a chap who could play cricket, because he
was keen on the game himself, and always had a lot going on in the summer
up there. So he says that, if I go up to the 'Varsity for three years, he
can guarantee me the place when I come down, with a jolly good screw and a
ripping open-air life, with lots of riding, and so on, which is just what
I've always wanted. So, can I? It's the sort of opportunity that won't
occur again, and you know you always said the only reason I couldn't go up
to the 'Varsity was, that it would be a waste of time. But in this case,
you see, it won't, because he wants me to go, and guarantees me the place
when I come down. It'll be awfully fine, if I may. I hope you'll see it.—Your
affectionate son, <i>Dick</i></p>
<p>PS.—I think he's writing to you. He asked your address. I think
Uncle John's a rotter. I sent him a rattling fine apology, and this is how
he treats it. But it'll be all right if you like this land-agent idea. If
you like, you might wire your answer.</p>
<h3> IX </h3>
<p>Telegram from Major-General Sir Everard Venables, V.C., K.C.M.G., to his
son Richard Venables, of St Austin's:</p>
<p>Venables, St Austin's. Very well.—<i>Venables</i></p>
<h3> X </h3>
<p>Extract from Letter from Richard Venables, of St Austin's, to his father
Major-General Sir Everard Venables, V.C., K.C.M.G.:</p>
<p>... Thanks, awfully—</p>
<p>Extract from <i>The Austinian</i> of October:</p>
<p>The following O.A.s have gone into residence this year: At Oxford, J.
Scrymgeour, Corpus Christi; R. Venables, Trinity; K. Crespigny-Brown,
Balliol.</p>
<p>Extract from the <i>Daily Mail</i>'s account of the 'Varsity match of the
following summer:</p>
<p>... The St Austin's freshman, Venables, fully justified his inclusion by
scoring a stylish fifty-seven. He hit eight fours, and except for a
miss-hit in the slips, at 51, which Smith might possibly have secured had
he started sooner, gave nothing like a chance. Venables, it will be
remembered, played several good innings for Oxford in the earlier matches,
notably, his not out contribution of 103 against Sussex—</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0007" id="link2H_4_0007"> </SPAN></p>
<br/>
<h2> 4 — HARRISON'S SLIGHT ERROR </h2>
<p>The one o'clock down express was just on the point of starting. The
engine-driver, with his hand on the lever, whiled away the moments, like
the watchman in <i>The Agamemnon</i>, by whistling. The guard endeavoured
to talk to three people at once. Porters flitted to and fro, cleaving a
path for themselves with trucks of luggage. The Usual Old Lady was asking
if she was right for some place nobody had ever heard of. Everybody was
saying good-bye to everybody else, and last, but not least, P. St H.
Harrison, of St Austin's, was strolling at a leisurely pace towards the
rear of the train. There was no need for him to hurry. For had not his
friend, Mace, promised to keep a corner-seat for him while he went to the
refreshment-room to lay in supplies? Undoubtedly he had, and Harrison, as
he watched the struggling crowd, congratulated himself that he was not as
other men. A corner seat in a carriage full of his own particular friends,
with plenty of provisions, and something to read in case he got tired of
talking—it would be perfect.</p>
<p>So engrossed was he in these reflections, that he did not notice that from
the opposite end of the platform a youth of about his own age was also
making for the compartment in question. The first intimation he had of his
presence was when the latter, arriving first at the door by a short head,
hurled a bag on to the rack, and sank gracefully into the identical corner
seat which Harrison had long regarded as his own personal property. And to
make matters worse, there was no other vacant seat in the compartment.
Harrison was about to protest, when the guard blew his whistle. There was
nothing for it but to jump in and argue the matter out <i>en route</i>.
Harrison jumped in, to be greeted instantly by a chorus of nine male
voices. 'Outside there! No room! Turn him out!' said the chorus. Then the
chorus broke up into its component parts, and began to address him one by
one.</p>
<p>'You rotter, Harrison,' said Babington, of Dacre's, 'what do you come
barging in here for? Can't you see we're five aside already?'</p>
<p>'Hope you've brought a sardine-opener with you, old chap,' said Barrett,
the peerless pride of Philpott's, ''cos we shall jolly well need one when
we get to the good old Junct-i-on. Get up into the rack, Harrison, you're
stopping the ventilation.'</p>
<p>The youth who had commandeered Harrison's seat so neatly took another
unpardonable liberty at this point. He grinned. Not the timid, deprecating
smile of one who wishes to ingratiate himself with strangers, but a good,
six-inch grin right across his face. Harrison turned on him savagely.</p>
<p>'Look here,' he said, 'just you get out of that. What do you mean by
bagging my seat?'</p>
<p>'Are you a director of this line?' enquired the youth politely. Roars of
applause from the interested audience. Harrison began to feel hot and
uncomfortable.</p>
<p>'Or only the Emperor of Germany?' pursued his antagonist.</p>
<p>More applause, during which Harrison dropped his bag of provisions, which
were instantly seized and divided on the share and share alike system,
among the gratified Austinians.</p>
<p>'Look here, none of your cheek,' was the shockingly feeble retort which
alone occurred to him. The other said nothing. Harrison returned to the
attack.</p>
<p>'Look here,' he said, 'are you going to get out, or have I got to make
you?'</p>
<p>Not a word did his opponent utter. To quote the bard: 'The stripling
smiled.' To tell the truth, the stripling smiled inanely.</p>
<p>The other occupants of the carriage were far from imitating his reserve.
These treacherous friends, realizing that, for those who were themselves
comfortably seated, the spectacle of Harrison standing up with aching
limbs for a journey of some thirty miles would be both grateful and
comforting, espoused the cause of the unknown with all the vigour of which
they were capable.</p>
<p>'Beastly bully, Harrison,' said Barrett. 'Trying to turn the kid out of
his seat! Why can't you leave the chap alone? Don't you move, kid.'</p>
<p>'Thanks,' said the unknown, 'I wasn't going to.'</p>
<p>'Now you see what comes of slacking,' said Grey. 'If you'd bucked up and
got here in time you might have bagged this seat I've got. By Jove,
Harrison, you've no idea how comfortable it is in this corner.'</p>
<p>'Punctuality,' said Babington, 'is the politeness of princes.'</p>
<p>And again the unknown maddened Harrison with a 'best-on-record' grin.</p>
<p>'But, I say, you chaps,' said he, determined as a last resource to appeal
to their better feelings (if any), 'Mace was keeping this seat for me,
while I went to get some grub. Weren't you, Mace?' He turned to Mace for
corroboration. To his surprise, Mace was nowhere to be seen.</p>
<p>His sympathetic school-fellows grasped the full humour of the situation as
one man, and gave tongue once more in chorus.</p>
<p>'You weed,' they yelled joyfully, 'you've got into the wrong carriage.
Mace is next door.'</p>
<p>And then, with the sound of unquenchable laughter ringing in his ears,
Harrison gave the thing up, and relapsed into a disgusted silence. No
single word did he speak until the journey was done, and the carriage
emptied itself of its occupants at the Junction. The local train was in
readiness to take them on to St Austin's, and this time Harrison managed
to find a seat without much difficulty. But it was a bitter moment when
Mace, meeting him on the platform, addressed him as a rotter, for that he
had not come to claim the corner seat which he had been reserving for him.
They had had, said Mace, a rattling good time coming down. What sort of a
time had Harrison had in <i>his</i> carriage? Harrison's reply was not
remarkable for its clearness.</p>
<p>The unknown had also entered the local train. It was plain, therefore,
that he was coming to the School as a new boy. Harrison began to wonder
if, under these circumstances, something might not be done in the matter
by way of levelling up things. He pondered. When St Austin's station was
reached, and the travellers began to stream up the road towards the
College, he discovered that the newcomer was a member of his own House. He
was standing close beside him, and heard Babington explaining to him the
way to Merevale's. Merevale was Harrison's House-master.</p>
<p>It was two minutes after he had found out this fact that the Grand Idea
came to Harrison. He saw his way now to a revenge so artistic, so
beautifully simple, that it was with some difficulty that he restrained
himself from bursting into song. For two pins, he felt, he could have done
a cake-walk.</p>
<p>He checked his emotion. He beat it steadily back, and quenched it. When he
arrived at Merevale's, he went first to the matron's room. 'Has Venables
come back yet?' he asked.</p>
<p>Venables was the head of Merevale's House, captain of the School cricket,
wing three-quarter of the School Fifteen, and a great man altogether.</p>
<p>'Yes,' said the matron, 'he came back early this afternoon.'</p>
<p>Harrison knew it. Venables always came back early on the last day of the
holidays.</p>
<p>'He was upstairs a short while ago,' continued the matron. 'He was putting
his study tidy.'</p>
<p>Harrison knew it. Venables always put his study tidy on the last day of
the holidays. He took a keen and perfectly justifiable pride in his study,
which was the most luxurious in the House.</p>
<p>'Is he there now?' asked Harrison.</p>
<p>'No. He has gone over to see the Headmaster.'</p>
<p>'Thanks,' said Harrison, 'it doesn't matter. It wasn't anything
important.'</p>
<p>He retired triumphant. Things were going excellently well for his scheme.</p>
<p>His next act was to go to the fags' room, where, as he had expected, he
found his friend of the train. Luck continued to be with him. The unknown
was alone.</p>
<p>'Hullo!' said Harrison.</p>
<p>'Hullo!' said the fellow-traveller. He had resolved to follow Harrison's
lead. If Harrison was bringing war, then war let it be. If, however, his
intentions were friendly, he would be friendly too.</p>
<p>'I didn't know you were coming to Merevale's. It's the best House in the
School.'</p>
<p>'Oh!'</p>
<p>'Yes, for one thing, everybody except the kids has a study.'</p>
<p>'What? Not really? Why, I thought we had to keep to this room. One of the
chaps told me so.'</p>
<p>'Trying to green you, probably. You must look out for that sort of thing.
I'll show you the way to your study, if you like. Come along upstairs.'</p>
<p>'Thanks, awfully. It's awfully good of you,' said the gratified unknown,
and they went upstairs together.</p>
<p>One of the doors which they passed on their way was open, disclosing to
view a room which, though bare at present, looked as if it might be made
exceedingly comfortable.</p>
<p>'That's my den,' said Harrison. It was perhaps lucky that Graham, to whom
the room belonged, in fact, as opposed to fiction, did not hear the
remark. Graham and Harrison were old and tried foes. 'This is yours.'
Harrison pushed open another door at the end of the passage.</p>
<p>His companion stared blankly at the Oriental luxury which met his eye.
'But, I say,' he said, 'are you sure? This seems to be occupied already.'</p>
<p>'Oh, no, that's all right,' said Harrison, airily. 'The chap who used to
be here left last term. He didn't know he was going to leave till it was
too late to pack up all his things, so he left his study as it was. All
you've got to do is to cart the things out into the passage and leave them
there. The Moke'll take 'em away.'</p>
<p>The Moke was the official who combined in a single body the duties of
butler and bootboy at Merevale's House. 'Oh, right-ho!' said the unknown,
and Harrison left him.</p>
<p>Harrison's idea was that when Venables returned and found an absolute
stranger placidly engaged in wrecking his carefully-tidied study, he would
at once, and without making inquiries, fall upon that absolute stranger
and blot him off the face of the earth. Afterwards it might possibly come
out that he, Harrison, had been not altogether unconnected with the
business, and then, he was fain to admit, there might be trouble. But he
was a youth who never took overmuch heed for the morrow. Sufficient unto
the day was his motto. And, besides, it was distinctly worth risking. The
main point, and the one with which alone the House would concern itself,
was that he had completely taken in, scored off, and overwhelmed the youth
who had done as much by him in the train, and his reputation as one not to
be lightly trifled with would be restored to its former brilliance.
Anything that might happen between himself and Venables subsequently would
be regarded as a purely private matter between man and man, affecting the
main point not at all.</p>
<p>About an hour later a small Merevalian informed Harrison that Venables
wished to see him in his study. He went. Experience had taught him that
when the Head of the House sent for him, it was as a rule as well to
humour his whim and go. He was prepared for a good deal, for he had come
to the conclusion that it was impossible for him to preserve his incognito
in the matter, but he was certainly not prepared for what he saw.</p>
<p>Venables and the stranger were seated in two armchairs, apparently on the
very best of terms with one another. And this, in spite of the fact that
these two armchairs were the only furniture left in the study. The rest,
as he had noted with a grin before he had knocked at the door, was
picturesquely scattered about the passage.</p>
<p>'Hullo, Harrison,' said Venables, 'I wanted to see you. There seems to
have been a slight mistake somewhere. Did you tell my brother to shift all
the furniture out of the study?'</p>
<p>Harrison turned a delicate shade of green.</p>
<p>'Your—er—brother?' he gurgled.</p>
<p>'Yes. I ought to have told you my brother was coming to the Coll. this
term. I told the Old Man and Merevale and the rest of the authorities.
Can't make out why I forgot you. Slipped my mind somehow. However, you
seem to have been doing the square thing by him, showing him round and so
on. Very good of you.'</p>
<p>Harrison smiled feebly. Venables junior grinned. What seemed to Harrison a
mystery was how the brothers had managed to arrive at the School at
different times. The explanation of which was in reality very simple. The
elder Venables had been spending the last week of the holidays with
MacArthur, the captain of the St Austin's Fifteen, the same being a day
boy, suspended within a mile of the School.</p>
<p>'But what I can't make out,' went on Venables, relentlessly, 'is this
furniture business. To the best of my knowledge I didn't leave suddenly at
the end of last term. I'll ask if you like, to make sure, but I fancy
you'll find you've been mistaken. Must have been thinking of someone else.
Anyhow, we thought you must know best, so we lugged all the furniture out
into the passage, and now it appears there's been a mistake of sorts, and
the stuff ought to be inside all the time. So would you mind putting it
back again? We'd help you, only we're going out to the shop to get some
tea. You might have it done by the time we get back. Thanks, awfully.'</p>
<p>Harrison coughed nervously, and rose to a point of order.</p>
<p>'I was going out to tea, too,' he said.</p>
<p>'I'm sorry, but I think you'll have to scratch the engagement,' said
Venables.</p>
<p>Harrison made a last effort.</p>
<p>'I'm fagging for Welch this term,' he protested.</p>
<p>It was the rule at St Austin's that every fag had the right to refuse to
serve two masters. Otherwise there would have been no peace for that
down-trodden race.</p>
<p>'That,' said Venables, 'ought to be awfully jolly for Welch, don't you
know, but as a matter of fact term hasn't begun yet. It doesn't start till
tomorrow. Weigh in.'</p>
<p>Various feelings began to wage war beneath Harrison's Eton waistcoat. A
profound disinclination to undertake the suggested task battled briskly
with a feeling that, if he refused the commission, things might—nay,
would—happen.</p>
<p>'Harrison,' said Venables gently, but with meaning, as he hesitated, 'do
you know what it is to wish you had never been born?'</p>
<p>And Harrison, with a thoughtful expression on his face, picked up a
photograph from the floor, and hung it neatly in its place over the
mantelpiece.</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0008" id="link2H_4_0008"> </SPAN></p>
<br/>
<h2> 5 — BRADSHAW'S LITTLE STORY </h2>
<p>The qualities which in later years rendered Frederick Wackerbath Bradshaw
so conspicuous a figure in connection with the now celebrated affair of
the European, African, and Asiatic Pork Pie and Ham Sandwich Supply
Company frauds, were sufficiently in evidence during his school career to
make his masters prophesy gloomily concerning his future. The boy was in
every detail the father of the man. There was the same genial
unscrupulousness, upon which the judge commented so bitterly during the
trial, the same readiness to seize an opportunity and make the most of it,
the same brilliance of tactics. Only once during those years can I
remember an occasion on which Justice scored a point against him. I can
remember it, because I was in a sense responsible for his failure. And he
can remember it, I should be inclined to think, for other reasons. Our
then Headmaster was a man with a straight eye and a good deal of muscular
energy, and it is probable that the talented Frederick, in spite of the
passage of years, has a tender recollection of these facts.</p>
<p>It was the eve of the Euripides examination in the Upper Fourth. Euripides
is not difficult compared to some other authors, but he does demand a
certain amount of preparation. Bradshaw was a youth who did less
preparation than anybody I have ever seen, heard of, or read of, partly
because he preferred to peruse a novel under the table during prep., but
chiefly, I think, because he had reduced cribbing in form to such an exact
science that he loved it for its own sake, and would no sooner have come
tamely into school with a prepared lesson than a sportsman would shoot a
sitting bird. It was not the marks that he cared for. He despised them.
What he enjoyed was the refined pleasure of swindling under a master's
very eye. At the trial the judge, who had, so ran report, been himself
rather badly bitten by the Ham Sandwich Company, put the case briefly and
neatly in the words, 'You appear to revel in villainy for villainy's
sake,' and I am almost certain that I saw the beginnings of a gratified
smile on Frederick's expressive face as he heard the remark. The rest of
our study—the juniors at St Austin's pigged in quartettes—were
in a state of considerable mental activity on account of this Euripides
examination. There had been House-matches during the preceding fortnight,
and House-matches are not a help to study, especially if you are on the
very fringe of the cock-house team, as I was. By dint of practising every
minute of spare time, I had got the eleventh place for my fielding. And,
better still, I had caught two catches in the second innings, one of them
a regular gallery affair, and both off the captain's bowling. It was
magnificent, but it was not Euripides, and I wished now that it had been.
Mellish, our form-master, had an unpleasant habit of coming down with both
feet, as it were, on members of his form who failed in the book-papers.</p>
<p>We were working, therefore, under forced draught, and it was distinctly
annoying to see the wretched Bradshaw lounging in our only armchair with
one of Rider Haggard's best, seemingly quite unmoved at the prospect of
Euripides examinations. For all he appeared to care, Euripides might never
have written a line in his life.</p>
<p>Kendal voiced the opinion of the meeting.</p>
<p>'Bradshaw, you worm,' he said. 'Aren't you going to do <i>any</i> work?'</p>
<p>'Think not. What's the good? Can't get up a whole play of Euripides in two
hours.'</p>
<p>'Mellish'll give you beans.'</p>
<p>'Let him.'</p>
<p>'You'll get a jolly bad report.'</p>
<p>'Shan't get a report at all. I always intercept it before my guardian can
get it. He never says anything.'</p>
<p>'Mellish'll probably run you in to the Old Man,' said White, the fourth
occupant of the study.</p>
<p>Bradshaw turned on us with a wearied air.</p>
<p>'Oh, do give us a rest,' he said. 'Here you are just going to do a most
important exam., and you sit jawing away as if you were paid for it. Oh, I
say, by the way, who's setting the paper tomorrow?'</p>
<p>'Mellish, of course,' said White.</p>
<p>'No, he isn't,' I said. 'Shows what a lot you know about it. Mellish is
setting the Livy paper.'</p>
<p>'Then, who's doing this one?' asked Bradshaw.</p>
<p>'Yorke.'</p>
<p>Yorke was the master of the Upper Fifth. He generally set one of the upper
fourth book-papers.</p>
<p>'Certain?' said Bradshaw.</p>
<p>'Absolutely.'</p>
<p>'Thanks. That's all I wanted to know. By Jove, I advise you chaps to read
this. It's grand. Shall I read out this bit about a fight?'</p>
<p>'No!' we shouted virtuously, all together, though we were dying to hear
it, and we turned once more to the loathsome inanities of the second
chorus. If we had been doing Homer, we should have felt more in touch with
Bradshaw. There's a good deal of similarity, when you come to compare
them, between Homer and Haggard. They both deal largely in bloodshed, for
instance. As events proved, the Euripides paper, like many things which
seem formidable at a distance, was not nearly so bad as I had expected. I
did a fair-to-moderate paper, and Kendal and White both seemed satisfied
with themselves. Bradshaw confessed without emotion that he had only
attempted the last half of the last question, and on being pressed for
further information, merely laughed mysteriously, and said vaguely that it
would be all right.</p>
<p>It now became plain that he had something up his sleeve. We expressed a
unanimous desire to know what it was.</p>
<p>'You might tell a chap,' I said.</p>
<p>'Out with it, Bradshaw, or we'll lynch you,' added Kendal.</p>
<p>Bradshaw, however, was not to be drawn. Much of his success in the paths
of crime, both at school and afterwards, was due to his secretive habits.
He never permitted accomplices.</p>
<p>On the following Wednesday the marks were read out. Out of a possible
hundred I had obtained sixty—which pleased me very much indeed—White,
fifty-five, Kendal, sixty-one. The unspeakable Bradshaw's net total was
four.</p>
<p>Mellish always read out bad marks in a hushed voice, expressive of disgust
and horror, but four per cent was too much for him. He shouted it, and the
form yelled applause, until Ponsonby came in from the Upper Fifth next
door with Mr Yorke's compliments, 'and would we recollect that his form
were trying to do an examination'.</p>
<p>When order had been restored, Mellish settled his glasses and glared
through them at Bradshaw, who, it may be remarked, had not turned a hair.</p>
<p>'Bradshaw,' he said, 'how do you explain this?'</p>
<p>It was merely a sighting shot, so to speak. Nobody was ever expected to
answer the question. Bradshaw, however, proved himself the exception to
the rule.</p>
<p>'I can explain, sir,' he said, 'if I may speak to you privately
afterwards.'</p>
<p>I have seldom seen anyone so astonished as Mellish was at these words. In
the whole course of his professional experience, he had never met with a
parallel case. It was hard on the poor man not to be allowed to speak his
mind about a matter of four per cent in a book-paper, but what could he
do? He could not proceed with his denunciation, for if Bradshaw's
explanation turned out a sufficient excuse, he would have to withdraw it
all again, and vast stores of golden eloquence would be wasted. But, then,
if he bottled up what he wished to say altogether, it might do him a
serious internal injury. At last he hit on a compromise. He said, 'Very
well, Bradshaw, I will hear what you have to say,' and then sprang, like
the cat in the poem, 'all claws', upon an unfortunate individual who had
scored twenty-nine, and who had been congratulating himself that
Bradshaw's failings would act as a sort of lightning-conductor to him.
Bradshaw worked off his explanation in under five minutes. I tried to stay
behind to listen, on the pretext of wanting to tidy up my desk, but was
ejected by request. Bradshaw explained that his statement was private.</p>
<p>After a time they came out together like long-lost brothers, Mellish with
his hand on Bradshaw's shoulder. It was some small comfort to me to
remember that Bradshaw had the greatest dislike to this sort of thing.</p>
<p>It was evident that Bradshaw, able exponent of the art of fiction that he
was, must have excelled himself on this occasion. I tried to get the story
out of him in the study that evening. White and Kendal assisted. We tried
persuasion first. That having failed, we tried taunts. Then we tried
kindness. Kendal sat on his legs, and I sat on his head, and White twisted
his arm. I think that we should have extracted something soon, either his
arm from its socket or a full confession, but we were interrupted. The
door flew open, and Prater (the same being our House-master, and rather a
good sort) appeared.</p>
<p>'Now then, now then,' he said. Prater's manner is always abrupt.</p>
<p>'What's this? I can't have this. I can't have this. Get up at once.
Where's Bradshaw?'</p>
<p>I rose gracefully to my feet, thereby disclosing the classic features of
the lost one.</p>
<p>'The Headmaster wants to see you at once, Bradshaw, at the School House.
You others had better find something to do, or you will be getting into
trouble.'</p>
<p>He and Bradshaw left together, while we speculated on the cause of the
summons.</p>
<p>We were not left very long in suspense. In a quarter of an hour Bradshaw
returned, walking painfully, and bearing what, to the expert's eye, are
the unmistakable signs of a 'touching up', which, being interpreted, is
corporal punishment.</p>
<p>'Hullo,' said White, as he appeared, 'what's all this?'</p>
<p>'How many?' enquired the statistically-minded Kendal. 'You'll be thankful
for this when you're a man, Bradshaw.'</p>
<p>'That's what I always say to myself when I'm touched up,' added Kendal.</p>
<p>I said nothing, but it was to me that the wounded one addressed himself.</p>
<p>'You utter ass,' he said, in tones of concentrated venom.</p>
<p>'Look here, Bradshaw—' I began, protestingly.</p>
<p>'It's all through you—you idiot,' he snarled. 'I got twelve.'</p>
<p>'Twelve isn't so dusty,' said White, critically. 'Most I ever got was
six.'</p>
<p>'But why was it?' asked Kendal. 'That's what we want to know. What have
you been and gone and done?'</p>
<p>'It's about that Euripides paper,' said Bradshaw.</p>
<p>'Ah!' said Kendal.</p>
<p>'Yes, I don't mind telling you about it now. When Mellish had me up after
school today, I'd got my yarn all ready. There wasn't a flaw in it
anywhere as far as I could see. My idea was this. I told him I'd been to
Yorke's room the day before the exam, to ask him if he had any marks for
us. That was all right. Yorke was doing the two Unseen papers, and it was
just the sort of thing a fellow would do to go and ask him about the
marks.'</p>
<p>'Well?'</p>
<p>'Then when I got there he was out, and I looked about for the marks, and
on the table I saw the Euripides paper.'</p>
<p>'By Jove!' said Kendal. We began to understand, and to realize that here
was a master-mind.</p>
<p>'Well, of course, I read it, not knowing what it was, and then, as the
only way of not taking an unfair advantage, I did as badly as I could in
the exam. That was what I told Mellish. Any beak would have swallowed it.'</p>
<p>'Well, didn't he?'</p>
<p>'Mellish did all right, but the rotter couldn't keep it to himself. Went
and told the Old Man. The Old Man sent for me. He was as decent as
anything at first. That was just his guile. He made me describe exactly
where I had seen the paper, and so on. That was rather risky, of course,
but I put it as vaguely as I could. When I had finished, he suddenly
whipped round, and said, "Bradshaw, why are you telling me all these
lies?" That's the sort of thing that makes you feel rather a wreck. I was
too surprised to say anything.'</p>
<p>'I can guess the rest,' said Kendal. 'But how on earth did he know it was
all lies? Why didn't you stick to your yarn?'</p>
<p>'And, besides,' I put in, 'where do I come in? I don't see what I've got
to do with it.'</p>
<p>Bradshaw eyed me fiercely. 'Why, the whole thing was your fault,' he said.
'You told me Yorke was setting the paper.'</p>
<p>'Well, so he did, didn't he?'</p>
<p>'No, he didn't. The Old Man set it himself,' said Bradshaw, gloomily.</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0009" id="link2H_4_0009"> </SPAN></p>
<br/>
<h2> 6 — A SHOCKING AFFAIR </h2>
<p>The Bradshaw who appears in the following tale is the same youth who
figures as the hero—or villain, label him as you like—of the
preceding equally veracious narrative. I mention this because I should not
care for you to go away with the idea that a waistcoat marked with the
name of Bradshaw must of necessity cover a scheming heart. It may,
however, be noticed that a good many members of the Bradshaw family
possess a keen and rather sinister sense of the humorous, inherited
doubtless from their great ancestor, the dry wag who wrote that monument
of quiet drollery, <i>Bradshaw's Railway Guide</i>. So with the hero of my
story.</p>
<p>Frederick Wackerbath Bradshaw was, as I have pointed out, my contemporary
at St Austin's. We were in the same House, and together we sported on the
green—and elsewhere—and did our best to turn the majority of
the staff of masters into confirmed pessimists, they in the meantime
endeavouring to do the same by us with every weapon that lay to their
hand. And the worst of these weapons were the end-of-term examination
papers. Mellish was our form-master, and once a term a demon entered into
Mellish. He brooded silently apart from the madding crowd. He wandered
through dry places seeking rest, and at intervals he would smile evilly,
and jot down a note on the back of an envelope. These notes, collected and
printed closely on the vilest paper, made up the examination questions.</p>
<p>Our form read two authors a term, one Latin and one Greek. It was the
Greek that we feared most. Mellish had a sort of genius for picking out
absolutely untranslatable passages, and desiring us (in print) to render
the same with full notes. This term the book had been Thucydides, Book II,
with regard to which I may echo the words of a certain critic when called
upon to give his candid opinion of a friend's first novel, 'I dare not say
what I think about that book.'</p>
<p>About a week before the commencement of the examinations, the ordinary
night-work used to cease, and we were supposed, during that week, to be
steadily going over the old ground and arming ourselves for the
approaching struggle. There were, I suppose, people who actually did do
this, but for my own part I always used to regard those seven days as a
blessed period of rest, set apart specially to enable me to keep abreast
of the light fiction of the day. And most of the form, so far as I know,
thought the same. It was only on the night before the examination that one
began to revise in real earnest. One's methods on that night resolved
themselves into sitting in a chair and wondering where to begin. Just as
one came to a decision, it was bedtime.</p>
<p>'Bradshaw,' I said, as I reached page 103 without having read a line, 'do
you know any likely bits?'</p>
<p>Bradshaw looked up from his book. He was attempting to get a general idea
of Thucydides' style by reading <i>Pickwick</i>.</p>
<p>'What?' he said.</p>
<p>I obliged with a repetition of my remark.</p>
<p>'Likely bits? Oh, you mean for the Thucydides. I don't know. Mellish never
sets the bits any decent ordinary individual would set. I should take my
chance if I were you.'</p>
<p>'What are you going to do?'</p>
<p>'I'm going to read <i>Pickwick</i>. Thicksides doesn't come within a mile
of it.'</p>
<p>I thought so too.</p>
<p>'But how about tomorrow?'</p>
<p>'Oh, I shan't be there,' he said, as if it were the most ordinary of
statements.</p>
<p>'Not there! Why, have you been sacked?'</p>
<p>This really seemed the only possible explanation. Such an event would not
have come as a surprise. It was always a matter for wonder to me <i>why</i>
the authorities never sacked Bradshaw, or at the least requested him to
leave. Possibly it was another case of the ass and the bundles of hay.
They could not make up their minds which special misdemeanour of his to
attack first.</p>
<p>'No, I've not been sacked,' said Bradshaw.</p>
<p>A light dawned upon me.</p>
<p>'Oh,' I said, 'you're going to slumber in.' For the benefit of the
uninitiated, I may mention that to slumber in is to stay in the House
during school on a pretence of illness.</p>
<p>'That,' replied the man of mystery, with considerable asperity, 'is
exactly the silly rotten kid's idea that would come naturally to a
complete idiot like you.'</p>
<p>As a rule, I resent being called a complete idiot, but this was not the
time for asserting one's personal dignity. I had to know what Bradshaw's
scheme for evading the examination was. Perhaps there might be room for
two in it; in which case I should have been exceedingly glad to have lent
my moral support to it. I pressed for an explanation.</p>
<p>'You may jaw,' said Bradshaw at last, 'as much as you jolly well please,
but I'm not going to give this away. All you're going to know is that I
shan't be there tomorrow.'</p>
<p>'I bet you are, and I bet you do a jolly rank paper too,' I said,
remembering that the sceptic is sometimes vouchsafed revelations to which
the most devout believer may not aspire. It is, for instance, always the
young man who scoffs at ghosts that the family spectre chooses as his
audience. But it required more than a mere sneer or an empty gibe to pump
information out of Bradshaw. He took me up at once.</p>
<p>'What'll you bet?' he said.</p>
<p>Now I was prepared to wager imaginary sums to any extent he might have
cared to name, but as my actual worldly wealth at that moment consisted of
one penny, and my expectations were limited to the shilling pocket-money
which I should receive on the following Saturday—half of which was
already mortgaged—it behoved me to avoid doing anything rash with my
ready money. But, since a refusal would have meant the downfall of my
arguments, I was obliged to name a figure. I named an even sixpence. After
all, I felt, I must win. By what means, other than illness, could Bradshaw
possibly avoid putting in an appearance at the Thucydides examination?</p>
<p>'All right,' said Bradshaw, 'an even sixpence. You'll lose.'</p>
<p>'Slumbering in barred.'</p>
<p>'Of course.'</p>
<p>'Real illness barred too,' I said. Bradshaw is a man of resource, and has
been known to make himself genuinely ill in similar emergencies.</p>
<p>'Right you are. Slumbering in and real illness both barred. Anything else
you'd like to bar?'</p>
<p>I thought.</p>
<p>'No. Unless—' an idea struck me—'You're not going to run
away?'</p>
<p>Bradshaw scorned to answer the question.</p>
<p>'Now you'd better buck up with your work,' he said, opening his book
again. 'You've got about as long odds as anyone ever got. But you'll lose
all the same.'</p>
<p>It scarcely seemed possible. And yet—Bradshaw was generally right.
If he said he had a scheme for doing—though it was generally for not
doing—something, it rarely failed to come off. I thought of my
sixpence, my only sixpence, and felt a distinct pang of remorse. After
all, only the other day the chaplain had said how wrong it was to bet. By
Jove, so he had. Decent man the chaplain. Pity to do anything he would
disapprove of. I was on the point of recalling my wager, when before my
mind's eye rose a vision of Bradshaw rampant and sneering, and myself
writhing in my chair a crushed and scored-off wreck. I drew the line at
that. I valued my self-respect at more than sixpence. If it had been a
shilling now—. So I set my teeth and turned once more to my
Thucydides. Bradshaw, having picked up the thread of his story again,
emitted hoarse chuckles like minute guns, until I very nearly rose and
fell upon him. It is maddening to listen to a person laughing and not to
know the joke.</p>
<p>'You will be allowed two hours for this paper,' said Mellish on the
following afternoon, as he returned to his desk after distributing the
Thucydides questions. 'At five minutes to four I shall begin to collect
your papers, but those who wish may go on till ten past. Write only on one
side of the paper, and put your names in the top right-hand corner. Marks
will be given for neatness. Any boy whom I see looking at his neighbour's—<i>where's
Bradshaw?</i>'</p>
<p>It was already five minutes past the hour. The latest of the late always
had the decency to appear at least by three minutes past.</p>
<p>'Has anybody seen Bradshaw?' repeated Mellish. 'You, what's-your-name—'
(I am what's-your-name, very much at your service) '—you are in his
House. Have you seen him?'</p>
<p>I could have pointed out with some pleasure at this juncture that if Cain
expressed indignation at being asked where his brother was, I, by a simple
sum in proportion, might with even greater justice feel annoyed at having
to locate a person who was no relative of mine at all. Did Mr Mellish
expect me to keep an eye on every member of my House? Did Mr Mellish—in
short, what did he mean by it?</p>
<p>This was what I thought. I said, 'No, sir.'</p>
<p>'This is extraordinary,' said Mellish, 'most extraordinary. Why, the boy
was in school this morning.'</p>
<p>This was true. The boy had been in school that morning to some purpose,
having beaten all records (his own records) in the gentle sport of
Mellish-baiting. This evidently occurred to Mellish at the time, for he
dropped the subject at once, and told us to begin our papers.</p>
<p>Now I have remarked already that I dare not say what I think of
Thucydides, Book II. How then shall I frame my opinion of that examination
paper? It was Thucydides, Book II, with the few easy parts left out. It
was Thucydides, Book II, with special home-made difficulties added. It was—well,
in its way it was a masterpiece. Without going into details—I
dislike sensational and realistic writing—I may say that I
personally was not one of those who required an extra ten minutes to
finish their papers. I finished mine at half-past two, and amused myself
for the remaining hour and a half by writing neatly on several sheets of
foolscap exactly what I thought of Mr Mellish, and precisely what I hoped
would happen to him some day. It was grateful and comforting.</p>
<p>At intervals I wondered what had become of Bradshaw. I was not surprised
at his absence. At first I had feared that he would keep his word in that
matter. As time went on I knew that he would. At more frequent intervals I
wondered how I should enjoy being a bankrupt.</p>
<p>Four o'clock came round, and found me so engrossed in putting the
finishing touches to my excursus of Mr Mellish's character, that I stayed
on in the form-room till ten past. Two other members of the form stayed
too, writing with the despairing energy of those who had five minutes to
say what they would like to spread over five hours. At last Mellish
collected the papers. He seemed a trifle surprised when I gave up my
modest three sheets. Brown and Morrison, who had their eye on the form
prize, each gave up reams. Brown told me subsequently that he had only had
time to do sixteen sheets, and wanted to know whether I had adopted
Rutherford's emendation in preference to the old reading in Question II.
My prolonged stay had made him regard me as a possible rival.</p>
<p>I dwell upon this part of my story, because it has an important bearing on
subsequent events. If I had not waited in the form-room I should not have
gone downstairs just behind Mellish. And if I had not gone downstairs just
behind Mellish, I should not have been in at the death, that is to say the
discovery of Bradshaw, and this story would have been all beginning and
middle, and no ending, for I am certain that Bradshaw would never have
told me a word. He was a most secretive animal.</p>
<p>I went downstairs, as I say, just behind Mellish. St Austin's, you must
know, is composed of three blocks of buildings, the senior, the middle,
and the junior, joined by cloisters. We left the senior block by the door.
To the captious critic this information may seem superfluous, but let me
tell him that I have left the block in my time, and entered it, too,
though never, it is true, in the company of a master, in other ways. There
are windows.</p>
<p>Our procession of two, Mellish leading by a couple of yards, passed
through the cloisters, and came to the middle block, where the Masters'
Common Room is. I had no particular reason for going to that block, but it
was all on my way to the House, and I knew that Mellish hated having his
footsteps dogged. That Thucydides paper rankled slightly.</p>
<p>In the middle block, at the top of the building, far from the haunts of
men, is the Science Museum, containing—so I have heard, I have never
been near the place myself—two stuffed rats, a case of mouldering
butterflies, and other objects of acute interest. The room has a staircase
all to itself, and this was the reason why, directly I heard shouts
proceeding from that staircase, I deduced that they came from the Museum.
I am like Sherlock Holmes, I don't mind explaining my methods.</p>
<p>'Help!' shouted the voice. 'Help!'</p>
<p>The voice was Bradshaw's.</p>
<p>Mellish was talking to M. Gerard, the French master, at the moment. He had
evidently been telling him of Bradshaw's non-appearance, for at the sound
of his voice they both spun round, and stood looking at the staircase like
a couple of pointers.</p>
<p>'Help,' cried the voice again.</p>
<p>Mellish and Gerard bounded up the stairs. I had never seen a French master
run before. It was a pleasant sight. I followed. As we reached the door of
the Museum, which was shut, renewed shouts filtered through it. Mellish
gave tongue.</p>
<p>'Bradshaw!'</p>
<p>'Yes, sir,' from within.</p>
<p>'Are you there?' This I thought, and still think, quite a superfluous
question.</p>
<p>'Yes, sir,' said Bradshaw.</p>
<p>'What are you doing in there, Bradshaw? Why were you not in school this
afternoon? Come out at once.' This in deep and thrilling tones.</p>
<p>'Please, sir,' said Bradshaw complainingly, 'I can't open the door.' Now,
the immediate effect of telling a person that you are unable to open a
door is to make him try his hand at it. Someone observes that there are
three things which everyone thinks he can do better than anyone else,
namely poking a fire, writing a novel, and opening a door.</p>
<p>Gerard was no exception to the rule.</p>
<p>'Can't open the door?' he said. 'Nonsense, nonsense.' And, swooping at the
handle, he grasped it firmly, and turned it.</p>
<p>At this point he made an attempt, a very spirited attempt, to lower the
world's record for the standing high jump. I have spoken above of the
pleasure it gave me to see a French master run. But for good, square
enjoyment, warranted free from all injurious chemicals, give me a French
master jumping.</p>
<p>'My dear Gerard,' said the amazed Mellish.</p>
<p>'I have received a shock. Dear me, I have received a most terrible shock.'</p>
<p>So had I, only of another kind. I really thought I should have expired in
my tracks with the effort of keeping my enjoyment strictly to myself. I
saw what had happened. The Museum is lit by electric light. To turn it on
one has to shoot the bolt of the door, which, like the handle, is made of
metal. It is on the killing two birds with one stone principle. You lock
yourself in and light yourself up with one movement. It was plain that the
current had gone wrong somehow, run amock, as it were. Mellish meanwhile,
instead of being warned by Gerard's fate, had followed his example, and
tried to turn the handle. His jump, though quite a creditable effort, fell
short of Gerard's by some six inches. I began to feel as if some sort of
round game were going on. I hoped that they would not want me to take a
hand. I also hoped that the thing would continue for a good while longer.
The success of the piece certainly warranted the prolongation of its run.
But here I was disappointed. The disturbance had attracted another
spectator, Blaize, the science and chemistry master. The matter was
hastily explained to him in all its bearings. There was Bradshaw entombed
within the Museum, with every prospect of death by starvation, unless he
could support life for the next few years on the two stuffed rats and the
case of butterflies. The authorities did not see their way to adding a
human specimen (youth's size) to the treasures in the Museum, <i>so</i>—how
was he to be got out?</p>
<p>The scientific mind is equal to every emergency.</p>
<p>'Bradshaw,' shouted Blaize through the keyhole.</p>
<p>'Sir?'</p>
<p>'Are you there?'</p>
<p>I should imagine that Bradshaw was growing tired of this question by this
time. Besides, it cast aspersions on the veracity of Gerard and Mellish.
Bradshaw, with perfect politeness, hastened to inform the gentleman that
he was there.</p>
<p>'Have you a piece of paper?'</p>
<p>'Will an envelope do, sir?'</p>
<p>'Bless the boy, anything will do so long as it is paper.'</p>
<p>Dear me, I thought, is it as bad as all that? Is Blaize, in despair of
ever rescuing the unfortunate prisoner, going to ask him to draw up a
'last dying words' document, to be pushed under the door and despatched to
his sorrowing guardian?</p>
<p>'Put it over your hand, and then shoot back the bolt.'</p>
<p>'But, sir, the electricity.'</p>
<p>'Pooh, boy!'</p>
<p>The scientific mind is always intolerant of lay ignorance.</p>
<p>'Pooh, boy, paper is a non-conductor. You won't get hurt.'</p>
<p>Bradshaw apparently acted on his instructions. From the other side of the
door came the sharp sound of the bolt as it was shot back, and at the same
time the light ceased to shine through the keyhole. A moment later the
handle turned, and Bradshaw stepped forth—free!</p>
<p>'Dear me,' said Mellish. 'Now I never knew that before, Blaize.
Remarkable. But this ought to be seen to. In the meantime, I had better
ask the Headmaster to give out that the Museum is closed until further
notice, I think.'</p>
<p>And closed the Museum has been ever since. That further notice has never
been given. And yet nobody seems to feel as if an essential part of their
life had ceased to be, so to speak. Curious. Bradshaw, after a short
explanation, was allowed to go away without a stain—that is to say,
without any additional stain—on his character. We left the
authorities discussing the matter, and went downstairs.</p>
<p>'Sixpence isn't enough,' I said, 'take this penny. It's all I've got. You
shall have the sixpence on Saturday.'</p>
<p>'Thanks,' said Bradshaw.' Was the Thucydides paper pretty warm?'</p>
<p>'Warmish. But, I say, didn't you get a beastly shock when you locked the
door?'</p>
<p>'I did the week before last, the first time I ever went to the place. This
time I was more or less prepared for it. Blaize seems to think that paper
dodge a special invention of his own. He'll be taking out a patent for it
one of these days. Why, every kid knows that paper doesn't conduct
electricity.'</p>
<p>'I didn't,' I said honestly.</p>
<p>'You don't know much,' said Bradshaw, with equal honesty.</p>
<p>'I don't,' I replied. 'Bradshaw, you're a great man, but you missed the
best part of it all.'</p>
<p>'What, the Thucydides paper?' asked he with a grin.</p>
<p>'No, you missed seeing Gerard jump quite six feet.'</p>
<p>Bradshaw's face expressed keen disappointment.</p>
<p>'No, did he really? Oh, I say, I wish I'd seen it.'</p>
<p>The moral of which is that the wicked do not always prosper. If Bradshaw
had not been in the Museum, he might have seen Gerard jump six feet, which
would have made him happy for weeks. On second thoughts, though, that does
not work out quite right, for if Bradshaw had not been in the Museum,
Gerard would not have jumped at all. No, better put it this way. I was
virtuous, and I had the pleasure of witnessing the sight I have referred
to. But then there was the Thucydides paper, which Bradshaw missed but
which I did not. No. On consideration, the moral of this story shall be
withdrawn and submitted to a committee of experts. Perhaps they will be
able to say what it is.</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0010" id="link2H_4_0010"> </SPAN></p>
<br/>
<h2> 7 — THE BABE AND THE DRAGON </h2>
<p>The annual inter-house football cup at St Austin's lay between Dacre's,
who were the holders, and Merevale's, who had been runner-up in the
previous year, and had won it altogether three times out of the last five.
The cup was something of a tradition in Merevale's, but of late Dacre's
had become serious rivals, and, as has been said before, were the present
holders.</p>
<p>This year there was not much to choose between the two teams. Dacre's had
three of the First Fifteen and two of the Second; Merevale's two of the
First and four of the Second. St Austin's being not altogether a
boarding-school, many of the brightest stars of the teams were day boys,
and there was, of course, always the chance that one of these would
suddenly see the folly of his ways, reform, and become a member of a
House.</p>
<p>This frequently happened, and this year it was almost certain to happen
again, for no less a celebrity than MacArthur, commonly known as the Babe,
had been heard to state that he was negotiating with his parents to that
end. Which House he would go to was at present uncertain. He did not know
himself, but it would, he said, probably be one of the two favourites for
the cup. This lent an added interest to the competition, for the presence
of the Babe would almost certainly turn the scale. The Babe's nationality
was Scots, and, like most Scotsmen, he could play football more than a
little. He was the safest, coolest centre three-quarter the School had, or
had had for some time. He shone in all branches of the game, but
especially in tackling. To see the Babe spring apparently from nowhere, in
the middle of an inter-school match, and bring down with violence a man
who had passed the back, was an intellectual treat. Both Dacre's and
Merevale's, therefore, yearned for his advent exceedingly. The reasons
which finally decided his choice were rather curious. They arose in the
following manner:</p>
<p>The Babe's sister was at Girton. A certain Miss Florence Beezley was also
at Girton. When the Babe's sister revisited the ancestral home at the end
of the term, she brought Miss Beezley with her to spend a week. What she
saw in Miss Beezley was to the Babe a matter for wonder, but she must have
liked her, or she would not have gone out of her way to seek her company.
Be that as it may, the Babe would have gone a very long way out of his way
to avoid her company. He led a fine, healthy, out-of-doors life during
that week, and doubtless did himself a lot of good. But times will occur
when it is imperative that a man shall be under the family roof.
Meal-times, for instance. The Babe could not subsist without food, and he
was obliged, Miss Beezley or no Miss Beezley, to present himself on these
occasions. This, by the way, was in the Easter holidays, so that there was
no school to give him an excuse for absence.</p>
<p>Breakfast was a nightmare, lunch was rather worse, and as for dinner, it
was quite unspeakable. Miss Beezley seemed to gather force during the day.
It was not the actual presence of the lady that revolted the Babe, for
that was passable enough. It was her conversation that killed. She refused
to let the Babe alone. She was intensely learned herself, and seemed to
take a morbid delight in dissecting his ignorance, and showing everybody
the pieces. Also, she persisted in calling him Mr MacArthur in a way that
seemed somehow to point out and emphasize his youthfulness. She added it
to her remarks as a sort of after-thought or echo.</p>
<p>'Do you read Browning, Mr MacArthur?' she would say suddenly, having
apparently waited carefully until she saw that his mouth was full.</p>
<p>The Babe would swallow convulsively, choke, blush, and finally say—</p>
<p>'No, not much.'</p>
<p>'Ah!' This in a tone of pity not untinged with scorn.</p>
<p>'When you say "not much", Mr MacArthur, what exactly do you mean? Have you
read any of his poems?'</p>
<p>'Oh, yes, one or two.'</p>
<p>'Ah! Have you read "Pippa Passes"?'</p>
<p>'No, I think not.'</p>
<p>'Surely you must know, Mr MacArthur, whether you have or not. Have you
read "Fifine at the Fair"?'</p>
<p>'No.'</p>
<p>'Have you read "Sordello"?'</p>
<p>'No.'</p>
<p>'What <i>have</i> you read, Mr MacArthur?'</p>
<p>Brought to bay in this fashion, he would have to admit that he had read
'The Pied Piper of Hamelin', and not a syllable more, and Miss Beezley
would look at him for a moment and sigh softly. The Babe's subsequent
share in the conversation, provided the Dragon made no further onslaught,
was not large.</p>
<p>One never-to-be-forgotten day, shortly before the end of her visit, a
series of horrible accidents resulted in their being left to lunch
together alone. The Babe had received no previous warning, and when he was
suddenly confronted with this terrible state of affairs he almost swooned.
The lady's steady and critical inspection of his style of carving a
chicken completed his downfall. His previous experience of carving had
been limited to those entertainments which went by the name of
'study-gorges', where, if you wanted to help a chicken, you took hold of
one leg, invited an accomplice to attach himself to the other, and pulled.</p>
<p>But, though unskilful, he was plucky and energetic. He lofted the bird out
of the dish on to the tablecloth twice in the first minute. Stifling a mad
inclination to call out 'Fore!' or something to that effect, he laughed a
hollow, mirthless laugh, and replaced the errant fowl. When a third attack
ended in the same way, Miss Beezley asked permission to try what she could
do. She tried, and in two minutes the chicken was neatly dismembered. The
Babe re-seated himself in an over-wrought state.</p>
<p>'Tell me about St Austin's, Mr MacArthur,' said Miss Beezley, as the Babe
was trying to think of something to say—not about the weather. 'Do
you play football?'</p>
<p>'Yes.'</p>
<p>'Ah!'</p>
<p>A prolonged silence.</p>
<p>'Do you—' began the Babe at last.</p>
<p>'Tell me—' began Miss Beezley, simultaneously.</p>
<p>'I beg your pardon,' said the Babe; 'you were saying—?'</p>
<p>'Not at all, Mr MacArthur. <i>You</i> were saying—?'</p>
<p>'I was only going to ask you if you played croquet?'</p>
<p>'Yes; do you?'</p>
<p>'No.'</p>
<p>'Ah!'</p>
<p>'If this is going to continue,' thought the Babe, 'I shall be reluctantly
compelled to commit suicide.'</p>
<p>There was another long pause.</p>
<p>'Tell me the names of some of the masters at St Austin's, Mr MacArthur,'
said Miss Beezley. She habitually spoke as if she were an examination
paper, and her manner might have seemed to some to verge upon the
autocratic, but the Babe was too thankful that the question was not on
Browning or the higher algebra to notice this. He reeled off a list of
names.</p>
<p>'... Then there's Merevale—rather a decent sort—and Dacre.'</p>
<p>'What sort of a man is Mr Dacre?'</p>
<p>'Rather a rotter, I think.'</p>
<p>'What is a rotter, Mr MacArthur?'</p>
<p>'Well, I don't know how to describe it exactly. He doesn't play cricket or
anything. He's generally considered rather a crock.'</p>
<p>'Really! This is very interesting, Mr MacArthur. And what is a crock? I
suppose what it comes to,' she added, as the Babe did his best to find a
definition, 'is this, that you yourself dislike him.' The Babe admitted
the impeachment. Mr Dacre had a finished gift of sarcasm which had made
him writhe on several occasions, and sarcastic masters are rarely very
popular.</p>
<p>'Ah!' said Miss Beezley. She made frequent use of that monosyllable. It
generally gave the Babe the same sort of feeling as he had been accustomed
to experience in the happy days of his childhood when he had been caught
stealing jam.</p>
<p>Miss Beezley went at last, and the Babe felt like a convict who has just
received a free pardon.</p>
<p>One afternoon in the following term he was playing fives with Charteris, a
prefect in Merevale's House. Charteris was remarkable from the fact that
he edited and published at his own expense an unofficial and highly
personal paper, called <i>The Glow Worm</i>, which was a great deal more
in demand than the recognized School magazine, <i>The Austinian</i>, and
always paid its expenses handsomely.</p>
<p>Charteris had the journalistic taint very badly. He was always the first
to get wind of any piece of School news. On this occasion he was in
possession of an exclusive item. The Babe was the first person to whom he
communicated it.</p>
<p>'Have you heard the latest romance in high life, Babe?' he observed, as
they were leaving the court. 'But of course you haven't. You never do hear
anything.'</p>
<p>'Well?' asked the Babe, patiently.</p>
<p>'You know Dacre?'</p>
<p>'I seem to have heard the name somewhere.'</p>
<p>'He's going to be married.'</p>
<p>'Yes. Don't trouble to try and look interested. You're one of those
offensive people who mind their own business and nobody else's. Only I
thought I'd tell you. Then you'll have a remote chance of understanding my
quips on the subject in next week's <i>Glow Worm</i>. You laddies frae the
north have to be carefully prepared for the subtler flights of wit.'</p>
<p>'Thanks,' said the Babe, placidly. 'Good-night.'</p>
<p>The Headmaster intercepted the Babe a few days after he was going home
after a scratch game of football. 'MacArthur,' said he, 'you pass Mr
Dacre's House, do you not, on your way home? Then would you mind asking
him from me to take preparation tonight? I find I shall be unable to be
there.' It was the custom at St Austin's for the Head to preside at
preparation once a week; but he performed this duty, like the celebrated
Irishman, as often as he could avoid it.</p>
<p>The Babe accepted the commission. He was shown into the drawing-room. To
his consternation, for he was not a society man, there appeared to be a
species of tea-party going on. As the door opened, somebody was just
finishing a remark.</p>
<p>'... faculty which he displayed in such poems as "Sordello",' said the
voice.</p>
<p>The Babe knew that voice.</p>
<p>He would have fled if he had been able, but the servant was already
announcing him. Mr Dacre began to do the honours.</p>
<p>'Mr MacArthur and I have met before,' said Miss Beezley, for it was she.
'Curiously enough, the subject which we have just been discussing is one
in which he takes, I think, a great interest. I was saying, Mr MacArthur,
when you came in, that few of Tennyson's works show the poetic faculty
which Browning displays in "Sordello".'</p>
<p>The Babe looked helplessly at Mr Dacre.</p>
<p>'I think you are taking MacArthur out of his depth there,' said Mr Dacre.
'Was there something you wanted to see me about, MacArthur?'</p>
<p>The Babe delivered his message.</p>
<p>'Oh, yes, certainly,' said Mr Dacre. 'Shall you be passing the School
House tonight? If so, you might give the Headmaster my compliments, and
say I shall be delighted.'</p>
<p>The Babe had had no intention of going out of his way to that extent, but
the chance of escape offered by the suggestion was too good to be missed.
He went.</p>
<p>On his way he called at Merevale's, and asked to see Charteris.</p>
<p>'Look here, Charteris,' he said, 'you remember telling me that Dacre was
going to be married?'</p>
<p>'Yes.'</p>
<p>'Well, do you know her name by any chance?'</p>
<p>'I ken it weel, ma braw Hielander. She is a Miss Beezley.'</p>
<p>'Great Scott!' said the Babe.</p>
<p>'Hullo! Why, was your young heart set in that direction? You amaze and
pain me, Babe. I think we'd better have a story on the subject in <i>The
Glow Worm</i>, with you as hero and Dacre as villain. It shall end
happily, of course. I'll write it myself.'</p>
<p>'You'd better,' said the Babe, grimly. 'Oh, I say, Charteris.'</p>
<p>'Well?'</p>
<p>'When I come as a boarder, I shall be a House-prefect, shan't I, as I'm in
the Sixth?'</p>
<p>'Yes.'</p>
<p>'And prefects have to go to breakfast and supper, and that sort of thing,
pretty often with the House-beak, don't they?'</p>
<p>'Such are the facts of the case.'</p>
<p>'Thanks. That's all. Go away and do some work. Good-night.'</p>
<p>The cup went to Merevale's that year. The Babe played a singularly
brilliant game for them.</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0011" id="link2H_4_0011"> </SPAN></p>
<br/>
<h2> 8 — THE MANOEUVRES OF CHARTERIS </h2>
<p><i>Chapter 1</i></p>
<p>'Might I observe, sir—'</p>
<p>'You may observe whatever you like,' said the referee kindly.
'Twenty-five.'</p>
<p>'The rules say—'</p>
<p>'I have given my decision. Twenty-<i>five</i>!' A spot of red appeared on
the official cheek. The referee, who had been heckled since the kick-off,
was beginning to be annoyed.</p>
<p>'The ball went behind without bouncing, and the rules say—'</p>
<p>'Twenty-FIVE!!' shouted the referee. 'I am perfectly well aware what the
rules say.' And he blew his whistle with an air of finality. The secretary
of the Bargees' F.C. subsided reluctantly, and the game was restarted.</p>
<p>The Bargees' match was a curious institution. Their real name was the Old
Crockfordians. When, a few years before, the St Austin's secretary had
received a challenge from them, dated from Stapleton, where their
secretary happened to reside, he had argued within himself as follows:
'This sounds all right. Old Crockfordians? Never heard of Crockford.
Probably some large private school somewhere. Anyhow, they're certain to
be decent fellows.' And he arranged the fixture. It then transpired that
Old Crockford was a village, and, from the appearance of the team on the
day of battle, the Old Crockfordians seemed to be composed exclusively of
the riff-raff of same. They wore green shirts with a bright yellow leopard
over the heart, and C.F.C. woven in large letters about the chest. One or
two of the outsides played in caps, and the team to a man criticized the
referee's decisions with point and pungency. Unluckily, the first year saw
a weak team of Austinians rather badly beaten, with the result that it
became a point of honour to wipe this off the slate before the fixture
could be cut out of the card. The next year was also unlucky. The Bargees
managed to score a penalty goal in the first half, and won on that. The
match resulted in a draw in the following season, and by this time the
thing had become an annual event.</p>
<p>Now, however, the School was getting some of its own back. The Bargees had
brought down a player of some reputation from the North, and were as
strong as ever in the scrum. But St Austin's had a great team, and were
carrying all before them. Charteris and Graham at half had the ball out to
their centres in a way which made Merevale, who looked after the football
of the School, feel that life was worth living. And when once it was out,
things happened rapidly. MacArthur, the captain of the team, with Thomson
as his fellow-centre, and Welch and Bannister on the wings, did what they
liked with the Bargees' three-quarters. All the School outsides had
scored, even the back, who dropped a neat goal. The player from the North
had scarcely touched the ball during the whole game, and altogether the
Bargees were becoming restless and excited.</p>
<p>The kick-off from the twenty-five line which followed upon the small
discussion alluded to above, reached Graham. Under ordinary circumstances
he would have kicked, but in a winning game original methods often pay. He
dodged a furious sportsman in green and yellow, and went away down the
touch-line. He was almost through when he stumbled. He recovered himself,
but too late. Before he could pass, someone was on him. Graham was not
heavy, and his opponent was muscular. He was swung off his feet, and the
next moment the two came down together, Graham underneath. A sharp pain
shot through his shoulder.</p>
<p>A doctor emerged from the crowd—there is always a doctor in a crowd—and
made an examination.</p>
<p>'Anything bad?' asked the referee.</p>
<p>'Collar-bone,' said the doctor. 'The usual, you know. Rather badly
smashed. Nothing dangerous, of course. Be all right in a month or so. Stop
his playing. Rather a pity. Much longer before half-time?'</p>
<p>'No. I was just going to blow the whistle when this happened.'</p>
<p>The injured warrior was carried off, and the referee blew his whistle for
half-time.</p>
<p>'I say, Charteris,' said MacArthur, 'who the deuce am I to put half
instead of Graham?'</p>
<p>'Rogers used to play half in his childhood, I believe. But, I say, did you
ever see such a scrag? Can't you protest, or something?'</p>
<p>'My dear chap, how can I? It's on our own ground. These Bargee beasts are
visitors, if you come to think of it. I'd like to wring the chap's neck
who did it. I didn't spot who it was. Did you see?'</p>
<p>'Rather. Their secretary. That man with the beard. I'll get Prescott to
mark him this half.'</p>
<p>Prescott was the hardest tackler in the School. He accepted the commission
cheerfully, and promised to do his best by the bearded one.</p>
<p>Charteris certainly gave him every opportunity. When he threw the ball out
of touch, he threw it neatly to the criminal with the beard, and Prescott,
who stuck to him closer than a brother, had generally tackled him before
he knew what had happened. After a time he began to grow thoughtful, and
when there was a line-out went and stood among the three-quarters. In this
way much of Charteris's righteous retribution miscarried, but once or
twice he had the pleasure and privilege of putting in a piece of tackling
on his own account. The match ended with the enemy still intact, but
considerably shaken. He was also rather annoyed. He spoke to Charteris on
the subject as they were leaving the field.</p>
<p>'I was watching you,' he said, <i>apropos</i> of nothing apparently.</p>
<p>'That must have been nice for you,' said Charteris.</p>
<p>'You wait.'</p>
<p>'Certainly. Any time you're passing, I'm sure—'</p>
<p>'You ain't 'eard the last of me yet.'</p>
<p>'That's something of a blow,' said Charteris cheerfully, and they parted.</p>
<p>Charteris, having got into his blazer, ran after Welch and MacArthur, and
walked back with them to the House. All three of them were at Merevale's.</p>
<p>'Poor old Tony,' said MacArthur. 'Where have they taken him to? The
House?'</p>
<p>'Yes,' said Welch. 'I say, Babe, you ought to scratch this match next
year. Tell 'em the card's full up or something.'</p>
<p>'Oh, I don't know. One expects fairly rough play in this sort of game.
After all, we tackle pretty hard ourselves. I know I always try and go my
hardest. If the man happens to be brittle, that's his lookout,' concluded
the bloodthirsty Babe.</p>
<p>'My dear man,' said Charteris, 'there's all the difference between a
decent tackle and a bally scrag like the one that doubled Tony up. You
can't break a chap's collar-bone without trying to.'</p>
<p>'Well, if you come to think of it, I suppose the man must have been fairly
riled. You can't expect a man to be in an angelic temper when his side's
been licked by thirty points.'</p>
<p>The Babe was one of those thoroughly excellent persons who always try,
when possible, to make allowances for everybody.</p>
<p>'Well, dash it,' said Charteris indignantly, 'if he had lost his hair he
might have drawn the line at falling on Tony like that. It wasn't the
tackling part of it that crocked him. The beast simply jumped on him like
a Hooligan. Anyhow, I made him sit up a bit before we finished. I gave
Prescott the tip to mark him out of touch. Have you ever been collared by
Prescott? It's a liberal education. Now, there you are, you see. Take
Prescott. He's never crocked a man seriously in his life. I don't count
being winded. That's absolutely an accident. Well, there you are, then.
Prescott weighs thirteen-ten, and he's all muscle, and he goes like a
battering-ram. You'll own that. He goes as hard as he jolly well knows
how, and yet the worst he has ever done is to lay a man out for a couple
of minutes while he gets his wind back. Well, compare him with this Bargee
man. The Bargee weighs a stone less and isn't nearly as strong, and yet he
smashes Tony's collar-bone. It's all very well, Babe, but you can't get
away from it. Prescott tackles fairly and the Bargee scrags.'</p>
<p>'Yes,' said MacArthur, 'I suppose you're right.'</p>
<p>'Rather,' said Charteris. 'I wish I'd broken his neck.'</p>
<p>'By the way,' said Welch, 'you were talking to him after the match. What
was he saying?'</p>
<p>Charteris laughed.</p>
<p>'By Jove, I'd forgotten; he said I hadn't heard the last of him, and that
I was to wait.'</p>
<p>'What did you say?'</p>
<p>'Oh, I behaved beautifully. I asked him to be sure and look in any time he
was passing, and after a few chatty remarks we parted.'</p>
<p>'I wonder if he meant anything.'</p>
<p>'I believe he means to waylay me with a buckled belt. I shan't stir out
except with the Old Man or some other competent bodyguard. "'Orrible
outrage, shocking death of a St Austin's schoolboy." It would look rather
well on the posters.'</p>
<p>Welch stuck strenuously to the point.</p>
<p>'No, but, look here, Charteris,' he said seriously, 'I'm not rotting. You
see, the man lives in Stapleton, and if he knows anything of School rules—'</p>
<p>'Which he doesn't probably. Why should he? Well?'—'If he knows
anything of the rules, he'll know that Stapleton's out of bounds, and he
may book you there and run you in to Merevale.'</p>
<p>'Yes,' said MacArthur. 'I tell you what, you'd do well to knock off a few
of your expeditions to Stapleton. You know you wouldn't go there once a
month if it wasn't out of bounds. You'll be a prefect next term. I should
wait till then, if I were you.'</p>
<p>'My dear chap, what does it matter? The worst that can happen to you for
breaking bounds is a couple of hundred lines, and I've got a capital of
four hundred already in stock. Besides, things would be so slow if you
always kept in bounds. I always feel like a cross between Dick Turpin and
Machiavelli when I go to Stapleton. It's an awfully jolly feeling. Like
warm treacle running down your back. It's cheap at two hundred lines.'</p>
<p>'You're an awful fool,' said Welch, rudely but correctly.</p>
<p>Welch was a youth who treated the affairs of other people rather too
seriously. He worried over them. This is not a particularly common trait
in the character of either boy or man, but Welch had it highly developed.
He could not probably have explained exactly why he was worried, but he
undoubtedly was. Welch had a very grave and serious mind. He shared a
study with Charteris—for Charteris, though not yet a School-prefect,
was part owner of a study—and close observation had convinced him
that the latter was not responsible for his actions, and that he wanted
somebody to look after him. He had therefore elected himself to the post
of a species of modified and unofficial guardian angel to him. The duties
were heavy, and the remuneration exceedingly light.</p>
<p>'Really, you know,' said MacArthur, 'I don't see what the point of all
your lunacy is. I don't know if you're aware of it, but the Old Man's
getting jolly sick with you.'</p>
<p>'I didn't know,' said Charteris, 'but I'm very glad to hear it. For hist!
I have a ger-rudge against the person. Beneath my ban that mystic man
shall suffer, <i>coute que coute</i>, Matilda. He sat upon me—publicly,
and the resultant blot on my scutcheon can only be wiped out with blood,
or broken rules,' he added.</p>
<p>This was true. To listen to Charteris on the subject, one might have
thought that he considered the matter rather amusing than otherwise. This,
however, was simply due to the fact that he treated everything flippantly
in conversation. But, like the parrot, he thought the more. The actual <i>casus
belli</i> had been trivial. At least the mere spectator would have
considered it trivial. It had happened after this fashion. Charteris was a
member of the School corps. The orderly-room of the School corps was in
the junior part of the School buildings. Charteris had been to replace his
rifle in that shrine of Mars after a mid-day drill, and on coming out into
the passage had found himself in the middle of a junior school 'rag' of
the conventional type. Somebody's cap had fallen off, and two hastily
picked teams were playing football with it (Association rules). Now,
Charteris was not a prefect (that, it may be observed in passing, was
another source of bitterness in him towards the Powers, for he was fairly
high up in the Sixth, and others of his set, Welch, Thomson, and Tony
Graham, who were also in the Sixth—the two last below him in form
order—had already received their prefects' caps). Not being a
prefect, it would have been officious in him to have stopped the game. So
he was passing on with what Mr Hurry Bungsho Jabberjee, B.A., would have
termed a beaming simper of indescribable suavity, when a member of one of
the opposing teams, in effecting a G. O. Smithian dribble, cannoned into
him. To preserve his balance—this will probably seem a very thin
line of defence, but 'I state but the facts'—he grabbed at the
disciple of Smith amidst applause, and at that precise moment a new actor
appeared on the scene—the Headmaster. Now, of all the things that
lay in his province, the Headmaster most disliked to see a senior
'ragging' with a junior. He had a great idea of the dignity of the senior
school, and did all that in him lay to see that it was kept up. The
greater number of the juniors with whom the senior was found ragging, the
more heinous the offence. Circumstantial evidence was dead against
Charteris. To all outward appearances he was one of the players in the
impromptu football match. The soft and fascinating beams of the simper, to
quote Mr Jabberjee once more, had not yet faded from the act. A
well-chosen word or two from the Headmagisterial lips put a premature end
to the football match, and Charteris was proceeding on his way when the
Headmaster called him. He stopped. The Headmaster was angry. So angry,
indeed, that he did what in a more lucid interval he would not have done.
He hauled a senior over the coals in the hearing of a number of juniors,
one of whom (unidentified) giggled loudly. As Charteris had on previous
occasions observed, the Old Man, when he did start to take a person's
measure, didn't leave out much. The address was not long, but it covered a
great deal of ground. The section of it which chiefly rankled in
Charteris's mind, and which had continued to rankle ever since, was that
in which the use of the word 'buffoon' had occurred. Everybody who has a
gift of humour and (very naturally) enjoys exercising it, hates to be
called a buffoon. It was Charteris's one weak spot. Every other abusive
epithet in the language slid off him without penetrating or causing him
the least discomfort. The word 'buffoon' went home, right up to the hilt.
And, to borrow from Mr Jabberjee for positively the very last time, he had
observed (mentally): 'Henceforward I will perpetrate heaps of the lowest
dregs of vice.' He had, in fact, started a perfect bout of breaking rules,
simply because they were rules. The injustice of the thing rankled. No one
so dislikes being punished unjustly as the person who might have been
punished justly on scores of previous occasions, if he had only been found
out. To a certain extent, Charteris ran amok. He broke bounds and did
little work, and—he was beginning gradually to find this out—got
thoroughly tired of it all. Offended dignity, however, still kept him at
it, and much as he would have preferred to have resumed a less feverish
type of existence, he did not do so.</p>
<p>'I have a ger-rudge against the man,' he said.</p>
<p>'You <i>are</i> an idiot, really,' said Welch.</p>
<p>'Welch,' said Charteris, by way of explanation to MacArthur, 'is a lad of
coarse fibre. He doesn't understand the finer feelings. He can't see that
I am doing this simply for the Old Man's good. Spare the rod, spile the
choild. Let's go and have a look at Tony when we're changed. He'll be in
the sick-room if he's anywhere.'</p>
<p>'All right,' said the Babe, as he went into his study. 'Buck up. I'll toss
you for first bath in a second.'</p>
<p>Charteris walked on with Welch to their sanctum.</p>
<p>'You know,' said Welch seriously, stooping to unlace his boots, 'rotting
apart, you really are a most awful ass. I wish I could get you to see it.'</p>
<p>'Never you mind, ducky,' said Charteris, 'I'm all right. I'll look after
myself.'</p>
<p><i>Chapter 2</i></p>
<p>It was about a week after the Bargees' match that the rules respecting
bounds were made stricter, much to the popular indignation. The penalty
for visiting Stapleton without leave was increased from two hundred lines
to two extra lessons. The venomous characteristic of extra lesson was that
it cut into one's football, for the criminal was turned into a form-room
from two till four on half-holidays, and so had to scratch all athletic
engagements for the day, unless he chose to go for a solitary run
afterwards. In the cricket term the effect of this was not so deadly. It
was just possible that you might get an innings somewhere after four
o'clock, even if only at the nets. But during the football season—it
was now February—to be in extra lesson meant a total loss of
everything that makes life endurable, and the School protested (to one
another, in the privacy of their studies) with no uncertain voice against
this barbarous innovation.</p>
<p>The reason for the change had been simple. At the corner of the High
Street at Stapleton was a tobacconist's shop, and Mr Prater, strolling in
one evening to renew his stock of Pioneer, was interested to observe P. St
H. Harrison, of Merevale's, purchasing a consignment of 'Girl of my Heart'
cigarettes (at twopence-halfpenny the packet of twenty, including a
coloured picture of Lord Kitchener). Now, Mr Prater was one of the most
sportsmanlike of masters. If he had merely met Harrison out of bounds, and
it had been possible to have overlooked him, he would have done so. But
such a proceeding in the interior of a small shop was impossible. There
was nothing to palliate the crime. The tobacconist also kept the wolf from
the door, and lured the juvenile population of the neighbourhood to it, by
selling various weird brands of sweets, but it was only too obvious that
Harrison was not after these. Guilt was in his eye, and the packet of
cigarettes in his hand. Also Harrison's House cap was fixed firmly at the
back of his head. Mr Prater finished buying his Pioneer, and went out
without a word. That night it was announced to Harrison that the
Headmaster wished to see him. The Headmaster saw him, though for a certain
period of the interview he did not see the Headmaster, having turned his
back on him by request. On the following day Stapleton was placed doubly
out of bounds.</p>
<p>Tony, who was still in bed, had not heard the news when Charteris came to
see him on the evening of the day on which the edict had gone forth.</p>
<p>'How are you getting on?' asked Charteris.</p>
<p>'Oh, fairly well. It's rather slow.'</p>
<p>'The grub seems all right.' Charteris absently reached out for a slice of
cake.</p>
<p>'Not bad.'</p>
<p>'And you don't have to do any work.'</p>
<p>'No.'</p>
<p>'Well, then, it seems to me you're having a jolly good time. What don't
you like about it?'</p>
<p>'It's so slow, being alone all day.'</p>
<p>'Makes you appreciate intellectual conversation all the more when you get
it. Mine, for instance.'</p>
<p>'I want something to read.'</p>
<p>'I'll bring you a Sidgwick's <i>Greek Prose Composition</i>, if you like.
Full of racy stories.'</p>
<p>'I've read 'em, thanks.'</p>
<p>'How about Jebb's <i>Homer</i>? You'd like that. Awfully interesting.
Proves that there never was such a man as Homer, you know, and that the <i>Iliad</i>
and the <i>Odyssey</i> were produced by evolution. General style, quietly
funny. Make you roar.'</p>
<p>'Don't be an idiot. I'm simply starving for something to read. Haven't you
got anything?'</p>
<p>'You've read all mine.'</p>
<p>'Hasn't Welch got any books?'</p>
<p>'Not one. He bags mine when he wants to read. I'll tell you what I will do
if you like.'</p>
<p>'What?'</p>
<p>'Go into Stapleton, and borrow something from Adamson.' Adamson was the
College doctor.</p>
<p>'By Jove, that's not a bad idea.'</p>
<p>'It's a dashed good idea, which wouldn't have occurred to anybody but a
genius. I've been quite a pal of Adamson's ever since I had the flu. I go
to tea with him occasionally, and we talk medical shop. Have you ever
tried talking medical shop during tea? Nothing like it for giving you an
appetite.'</p>
<p>'Has he got anything readable?'</p>
<p>'Rather. Have you ever tried anything of James Payn's?'</p>
<p>'I've read <i>Terminations</i>, or something,' said Tony doubtfully, 'but
he's so obscure.'</p>
<p>'Don't,' said Charteris sadly, 'please don't. <i>Terminations</i> is by
one Henry James, and there is a substantial difference between him and
James Payn. Anyhow, if you want a short biography of James Payn, he wrote
a hundred books, and they're all simply ripping, and Adamson has got a
good many of them, and I'm hoping to borrow a couple—any two will do—and
you're going to read them. I know one always bars a book that's
recommended to one, but you've got no choice. You're not going to get
anything else till you've finished those two.'</p>
<p>'All right,' said Tony. 'But Stapleton's out of bounds. I suppose
Merevale'll give you leave to go in.'</p>
<p>'He won't,' said Charteris. 'I shan't ask him. On principle. So long.'</p>
<p>On the following afternoon Charteris went into Stapleton. The distance by
road was almost exactly one mile. If you went by the fields it was longer,
because you probably lost your way.</p>
<p>Dr Adamson's house was in the High Street. Charteris knocked at the door.
The servant was sorry, but the doctor was out. Her tone seemed to suggest
that, if she had had any say in the matter, he would have remained in.
Would Charteris come in and wait? Charteris rather thought he would. He
waited for half an hour, and then, as the absent medico did not appear to
be coming, took two books from the shelf, wrote a succinct note explaining
what he had done, and why he had done it, hoping the doctor would not
mind, and went out with his literary trophies into the High Street again.</p>
<p>The time was now close on five o'clock. Lock-up was not till a quarter
past six—six o'clock nominally, but the doors were always left open
till a quarter past. It would take him about fifteen minutes to get back,
less if he trotted. Obviously, the thing to do here was to spend a
thoughtful quarter of an hour or so inspecting the sights of the town.
These were ordinarily not numerous, but this particular day happened to be
market day, and there was a good deal going on. The High Street was full
of farmers, cows, and other animals, the majority of the former well on
the road to intoxication. It is, of course, extremely painful to see a man
in such a condition, but when such a person is endeavouring to count a
perpetually moving drove of pigs, the onlooker's pain is sensibly
diminished. Charteris strolled along the High Street observing these and
other phenomena with an attentive eye. Opposite the Town Hall he was
button-holed by a perfect stranger, whom, by his conversation, he soon
recognized as the Stapleton 'character'. There is a 'character' in every
small country town. He is not a bad character; still less is he a good
character. He is just a 'character' pure and simple. This particular man—or
rather, this man, for he was anything but particular—apparently took
a great fancy to Charteris at first sight. He backed him gently against a
wall, and insisted on telling him an interminable anecdote of his shady
past, when, it seemed, he had been a 'super' in some travelling company.
The plot of the story, as far as Charteris could follow it, dealt with a
theatrical tour in Dublin, where some person or persons unknown had, with
malice prepense, scattered several pounds of snuff on the stage previous
to a performance of <i>Hamlet</i>; and, according to the 'character', when
the ghost of Hamlet's father sneezed steadily throughout his great scene,
there was not a dry eye in the house. The 'character' had concluded that
anecdote, and was half-way through another, when Charteris, looking at his
watch, found that it was almost six o'clock. He interrupted one of the
'character's' periods by diving past him and moving rapidly down the
street. The historian did not seem to object. Charteris looked round and
saw that he had button-holed a fresh victim. He was still gazing in one
direction and walking in another, when he ran into somebody.</p>
<p>'Sorry,' said Charteris hastily. 'Hullo!'</p>
<p>It was the secretary of the Old Crockfordians, and, to judge from the
scowl on that gentleman's face, the recognition was mutual.</p>
<p>'It's you, is it?' said the secretary in his polished way.</p>
<p>'I believe so,' said Charteris.</p>
<p>'Out of bounds,' observed the man.</p>
<p>Charteris was surprised. This grasp of technical lore on the part of a
total outsider was as unexpected as it was gratifying.</p>
<p>'What do you know about bounds?' said Charteris.</p>
<p>'I know you ain't allowed to come 'ere, and you'll get it 'ot from your
master for coming.'</p>
<p>'Ah, but he won't know. I shan't tell him, and I'm sure you will respect
my secret.'</p>
<p>Charteris smiled in a winning manner.</p>
<p>'Ho!' said the man, 'Ho indeed!'</p>
<p>There is something very clinching about the word 'Ho'. It seems definitely
to apply the closure to any argument. At least, I have never yet met
anyone who could tell me the suitable repartee.</p>
<p>'Well,' said Charteris affably, 'don't let me keep you. I must be going
on.'</p>
<p>'Ho!' observed the man once more. 'Ho indeed!'</p>
<p>'That's a wonderfully shrewd remark,' said Charteris. 'I can see that, but
I wish you'd tell me exactly what it means.'</p>
<p>'You're out of bounds.'</p>
<p>'Your mind seems to run in a groove. You can't get off that bounds
business. How do you know Stapleton's out of bounds?'</p>
<p>'I have made enquiries,' said the man darkly.</p>
<p>'By Jove,' said Charteris delightedly, 'this is splendid. You're a regular
sleuth-hound. I dare say you've found out my name and House too?'</p>
<p>'I may 'ave,' said the man, 'or I may not 'ave.'</p>
<p>'Well, now you mention it, I suppose one of the two contingencies is
probable. Well, I'm awfully glad to have met you. Good-bye. I must be
going.'</p>
<p>'You're goin' with me.'</p>
<p>'Arm in arm?'</p>
<p>'I don't want to <i>'ave</i> to take you.'</p>
<p>'No,' said Charteris, 'I should jolly well advise you not to try. This is
my way.'</p>
<p>He walked on till he came to the road that led to St Austin's. The
secretary of the Old Crockfordians stalked beside him with determined
stride.</p>
<p>'Now,' said Charteris, when they were on the road, 'you mustn't mind if I
walk rather fast. I'm in a hurry.'</p>
<p>Charteris's idea of walking rather fast was to dash off down the road at
quarter-mile pace. The move took the man by surprise, but, after a moment,
he followed with much panting. It was evident that he was not in training.
Charteris began to feel that the walk home might be amusing in its way.
After they had raced some three hundred yards he slowed down to a walk
again. It was at this point that his companion evinced a desire to do the
rest of the journey with a hand on the collar of his coat.</p>
<p>'If you touch me,' observed Charteris with a surprising knowledge of legal
<i>minutiae</i>, 'it'll be a technical assault, and you'll get run in; and
you'll get beans anyway if you try it on.'</p>
<p>The man reconsidered matters, and elected not to try it on.</p>
<p>Half a mile from the College Charteris began to walk rather fast again. He
was a good half-miler, and his companion was bad at every distance. After
a game struggle he dropped to the rear, and finished a hundred yards
behind in considerable straits. Charteris shot in at Merevale's door with
five minutes to spare, and went up to his study to worry Welch by telling
him about it.</p>
<p>'Welch, you remember the Bargee who scragged Tony? Well, there have been
all sorts of fresh developments. He's just been pacing me all the way from
Stapleton.'</p>
<p>'Stapleton! Have you been to Stapleton? Did Merevale give you leave?'</p>
<p>'No. I didn't ask him.'</p>
<p>'You <i>are</i> an idiot. And now this Bargee man will go straight to the
Old Man and run you in. I wonder you didn't think of that.'</p>
<p>'Curious I didn't.'</p>
<p>'I suppose he saw you come in here?'</p>
<p>'Rather. He couldn't have had a better view if he'd paid for a seat. Half
a second; I must just run up with these volumes to Tony.'</p>
<p>When he came back he found Welch more serious than ever.</p>
<p>'I told you so,' said Welch. 'You're to go to the Old Man at once. He's
just sent over for you. I say, look here, if it's only lines I don't mind
doing some of them, if you like.'</p>
<p>Charteris was quite touched by this sporting offer.</p>
<p>'It's awfully good of you,' he said, 'but it doesn't matter, really. I
shall be all right.'</p>
<p>Ten minutes later he returned, beaming.</p>
<p>'Well,' said Welch, 'what's he given you?'</p>
<p>'Only his love, to give to you. It was this way. He first asked me if I
wasn't perfectly aware that Stapleton was out of bounds. "Sir," says I,
"I've known it from childhood's earliest hour." "Ah," says he to me, "did
Mr Merevale give you leave to go in this afternoon?" "No," says I, "I
never consulted the gent you mention."'</p>
<p>'Well?'</p>
<p>'Then he ragged me for ten minutes, and finally told me I must go into
extra the next two Saturdays.'</p>
<p>'I thought so.'</p>
<p>'Ah, but mark the sequel. When he had finished, I said that I was sorry I
had mistaken the rules, but I had thought that a chap was allowed to go
into Stapleton if he got leave from a master. "But you said that Mr
Merevale did not give you leave," said he. "Friend of my youth," I replied
courteously, "you are perfectly correct. As always. Mr Merevale did not
give me leave, but," I added suavely, "Mr Dacre did." And I came away,
chanting hymns of triumph in a mellow baritone, and leaving him in a dead
faint on the sofa. And the Bargee, who was present during the conflict,
swiftly and silently vanished away, his morale considerably shattered. And
that, my gentle Welch,' concluded Charteris cheerfully, 'put me one up. So
pass the biscuits, and let us rejoice if we never rejoice again.'</p>
<p><i>Chapter 3</i></p>
<p>The Easter term was nearing its end. Football, with the exception of the
final House-match, which had still to come off, was over, and life was in
consequence a trifle less exhilarating than it might have been. In some
ways the last few weeks before the Easter holidays are quite pleasant. You
can put on running shorts and a blazer and potter about the grounds,
feeling strong and athletic, and delude yourself into the notion that you
are training for the sports. Ten minutes at the broad jump, five with the
weight, a few sprints on the track—it is all very amusing and
harmless, but it is apt to become monotonous after a time. And if the
weather is at all inclined to be chilly, such an occupation becomes
impossible.</p>
<p>Charteris found things particularly dull. He was a fair average runner,
but there were others far better at every distance, so that he saw no use
in mortifying the flesh with strict training. On the other hand, in view
of the fact that the final House-match had yet to be played, and that
Merevale's was one of the two teams that were going to play it, it behoved
him to keep himself at least moderately fit. The genial muffin and the
cheery crumpet were still things to be avoided. He thus found himself in a
position where, apparently, the few things which it was possible for him
to do were barred, and the net result was that he felt slightly dull.</p>
<p>To make matters worse, all the rest of his set were working full time at
their various employments, and had no leisure for amusing him. Welch
practised hundred-yard sprints daily, and imagined that it would be quite
a treat for Charteris to be allowed to time him. So he gave him the
stopwatch, saw him safely to the end of the track, and at a given signal
dashed off in the approved American style. By the time he reached the
tape, dutifully held by two sporting Merevalian juniors, Charteris's
attention had generally been attracted elsewhere. 'What time?' Welch would
pant. 'By Jove,' Charteris would observe blandly, 'I forgot to look. About
a minute and a quarter, I fancy.' At which Welch, who always had a notion
that he had done it in ten and a fifth <i>that</i> time, at any rate,
would dissemble his joy, and mildly suggest that somebody else should hold
the watch. Then there was Jim Thomson, generally a perfect mine of
elevating conversation. He was in for the mile and also the half, and
refused to talk about anything except those distances, and the best
methods for running them in the minimum of time. Charteris began to feel a
blue melancholy stealing over him. The Babe, again. He might have helped
to while away the long hours, but unfortunately the Babe had been taken
very bad with a notion that he was going to win the 'cross-country run,
and when, in addition to this, he was seized with a panic with regard to
the prospects of the House team in the final, and began to throw out hints
concerning strict training, Charteris regarded him as a person to be
avoided. If he fled to the Babe for sympathy now, the Babe would be just
as likely as not to suggest that he should come for a ten-mile spin with
him, to get him into condition for the final Houser. The very thought of a
ten-mile spin made Charteris feel faint. Lastly, there was Tony. But
Tony's company was worse than none at all. He went about with his arm in a
sling, and declined to be comforted. But for his injury, he would by now
have been training hard for the Aldershot Boxing Competition, and the fact
that he was now definitely out of it had a very depressing effect upon
him. He lounged moodily about the gymnasium, watching Menzies, who was to
take his place, sparring with the instructor, and refused consolation.
Altogether, Charteris found life a distinct bore.</p>
<p>He was reduced to such straits for amusement, that one Wednesday
afternoon, finding himself with nothing else to do, he was working at a
burlesque and remarkably scurrilous article on 'The Staff, by one who has
suffered', which he was going to insert in <i>The Glow Worm</i>, an
unofficial periodical which he had started for the amusement of the School
and his own and his contributors' profit. He was just warming to his work,
and beginning to enjoy himself, when the door opened without a preliminary
knock. Charteris deftly slid a piece of blotting-paper over his MS., for
Merevale occasionally entered a study in this manner. And though there was
nothing about Merevale himself in the article, it would be better perhaps,
thought Charteris, if he did not see it. But it was not Merevale. It was
somebody far worse. The Babe.</p>
<p>The Babe was clothed as to his body in football clothes, and as to face,
in a look of holy enthusiasm. Charteris knew what that look meant. It
meant that the Babe was going to try and drag him out for a run.</p>
<p>'Go away, Babe,' he said, 'I'm busy.'</p>
<p>'Why on earth are you slacking in here on this ripping afternoon?'</p>
<p>'Slacking!' said Charteris. 'I like that. I'm doing berrain work, Babe.
I'm writing an article on masters and their customs, which will cause a
profound sensation in the Common Room. At least it would, if they ever saw
it, but they won't. Or I hope they won't for their sake <i>and</i> mine.
So run away, my precious Babe, and don't disturb your uncle when he's
busy.'</p>
<p>'Rot,' said the Babe firmly, 'you haven't taken any exercise for a week.'</p>
<p>Charteris replied proudly that he had wound up his watch only last night.
The Babe refused to accept the remark as relevant to the matter in hand.</p>
<p>'Look here, Alderman,' he said, sitting down on the table, and gazing
sternly at his victim, 'it's all very well, you know, but the final comes
on in a few days, and you know you aren't in any too good training.'</p>
<p>'I am,' said Charteris, 'I'm as fit as a prize fighter. Simply full of
beans. Feel my ribs.'</p>
<p>The Babe declined the offer.</p>
<p>'No, but I say,' he said plaintively, 'I wish you'd treat it seriously.
It's getting jolly serious, really. If Dacre's win that cup again this
year, that'll make four years running.'</p>
<p>'Not so,' said Charteris, like the mariner of
infinite-resource-and-sagacity; 'not so, but far otherwise. It'll only
make three.'</p>
<p>'Well, three's bad enough.'</p>
<p>'True, oh king, three is quite bad enough.'</p>
<p>'Well, then, there you are. Now you see.'</p>
<p>Charteris looked puzzled.</p>
<p>'Would you mind explaining that remark?' he said. 'Slowly.'</p>
<p>But the Babe had got off the table, and was prowling round the room,
opening cupboards and boxes.</p>
<p>'What are you playing at?' enquired Charteris.</p>
<p>'Where do you keep your footer things?'</p>
<p>'What do you want with my footer things, if you don't mind my asking?'</p>
<p>'I'm going to help you put them on, and then you're coming for a run.'</p>
<p>'Ah,' said Charteris.</p>
<p>'Yes. Just a gentle spin to keep you in training. Hullo, this looks like
them.'</p>
<p>He plunged both hands into a box near the window and flung out a mass of
football clothes. It reminded Charteris of a terrier digging at a
rabbit-hole.</p>
<p>He protested.</p>
<p>'Don't, Babe. Treat 'em tenderly. You'll be spoiling the crease in those
bags if you heave 'em about like that. I'm very particular about how I
look on the football field. <i>I</i> was always taught to dress myself
like a little gentleman, so to speak. Well, now you've seen them, put 'em
away.'</p>
<p>'Put 'em on,' said the Babe firmly.</p>
<p>'You are a beast, Babe. I don't want to go for a run. I'm getting too old
for violent exercise.'</p>
<p>'Buck up,' said the Babe. 'We mustn't chuck any chances away. Now that
Tony can't play, we shall have to do all we know if we want to win.'</p>
<p>'I don't see what need there is to get nervous about it. Considering we've
got three of the First three-quarter line, and the Second Fifteen back, we
ought to do pretty well.'</p>
<p>'But look at Dacre's scrum. There's Prescott, to start with. He's worth
any two of our men put together. Then they've got Carter, Smith, and
Hemming out of the first, and Reeve-Jones out of the second. And their
outsides aren't so very bad, if you come to think of it. Bannister's in
the first, and the other three-quarters are all good. And they've got both
the second halves. You'll have practically to look after both of them now
that Tony's crocked. And Baddeley has come on a lot this term.'</p>
<p>'Babe,' said Charteris, 'you have reason. I will turn over a new leaf. I
<i>will</i> be good. Give me my things and I'll come for a run. Only
please don't let it be anything over twenty miles.'</p>
<p>'Good man,' said the gratified Babe. 'We won't go far, and will take it
quite easy.'</p>
<p>'I tell you what,' said Charteris. 'Do you know a place called Worbury? I
thought you wouldn't, probably. It's only a sort of hamlet, two cottages,
three public-houses, and a duck-pond, and that sort of thing. I only know
it because Welch and I ran there once last year. It's in the Badgwick
direction, about three miles by road, mostly along the level. I vote we
muffle up fairly well, blazers and sweaters and so on, run to Worbury, tea
at one of the cottages, and back in time for lock-up. How does that strike
you?'</p>
<p>'It sounds all right. How about tea though? Are you certain you can get
it?'</p>
<p>'Rather. The Oldest Inhabitant is quite a pal of mine.'</p>
<p>Charteris's circle of acquaintances was a standing wonder to the Babe and
other Merevalians. He seemed to know everybody in the county.</p>
<p>When once he was fairly started on any business, physical or mental,
Charteris generally shaped well. It was the starting that he found the
difficulty. Now that he was actually in motion, he was enjoying himself
thoroughly. He wondered why on earth he had been so reluctant to come for
this run. The knowledge that there were three miles to go, and that he was
equal to them, made him feel a new man. He felt fit. And there is nothing
like feeling fit for dispelling boredom. He swung along with the Babe at a
steady pace.</p>
<p>'There's the cottage,' he said, as they turned a bend of the road, and
Worbury appeared a couple of hundred yards away. 'Let's sprint.' They
sprinted, and arrived at the door of the cottage with scarcely a yard
between them, much to the admiration of the Oldest Inhabitant, who was
smoking a thoughtful pipe in his front garden. Mrs Oldest Inhabitant came
out of the cottage at the sound of voices, and Charteris broached the
subject of tea. The menu was sumptuous and varied, and even the Babe, in
spite of his devotion to strict training, could scarce forbear to smile
happily at the mention of hot cakes.</p>
<p>During the <i>mauvais quart d'heure</i> before the meal, Charteris kept up
an animated conversation with the Oldest Inhabitant, the Babe joining in
from time to time when he could think of anything to say. Charteris
appeared to be quite a friend of the family. He enquired after the Oldest
Inhabitant's rheumatics. It was gratifying to find that they were
distinctly better. How had Mrs O. I. been since his last visit? Prarper
hearty? Excellent. How was the O. I.'s nevvy?</p>
<p>At the mention of his nevvy the O. I. became discursive. He told his
audience everything that had happened in connection with the said nevvy
for years back. After which he started to describe what he would probably
do in the future. Amongst other things, there were going to be some sports
at Rutton today week, and his nevvy was going to try and win the cup for
what the Oldest Inhabitant vaguely described as 'a race'. He had won it
last year. Yes, prarper good runner, his nevvy. Where was Rutton? the Babe
wanted to know. About eight miles out of Stapleton, said Charteris, who
was well up in local geography. You got there by train. It was the next
station.</p>
<p>Mrs O. I. came out to say that tea was ready, and, being drawn into the
conversation on the subject of the Rutton sports, produced a programme of
the same, which her nevvy had sent them. From this it seemed that the
nevvy's 'spot' event was the egg and spoon race. An asterisk against his
name pointed him out as the last year's winner.</p>
<p>'Hullo,' said Charteris, 'I see there's a strangers' mile. I'm a demon at
the mile when I'm roused. I think I shall go in for it.'</p>
<p>He handed the programme back and began his tea.</p>
<p>'You know, Babe,' he said, as they were going back that evening, 'I really
think I shall go in for that race. It would be a most awful rag. It's the
day before the House-match, so it'll just get me fit.'</p>
<p>'Don't be a fool,' said the Babe. 'There would be a fearful row about it
if you were found out. You'd get extras for the rest of your life.'</p>
<p>'Well, the final Houser comes off on a Thursday, so it won't affect that.'</p>
<p>'Yes, but still—'</p>
<p>'I shall think about it,' said Charteris. 'You needn't go telling anyone.'</p>
<p>'If you'll take my advice, you'll drop it.'</p>
<p>'Your suggestion has been noted, and will receive due attention,' said
Charteris. 'Put on the pace a bit.'</p>
<p>They lengthened their stride, and conversation came to an abrupt end.</p>
<p><i>Chapter 4</i></p>
<p>'I shall go, Babe,' said Charteris on the following night.</p>
<p>The Sixth Form had a slack day before them on the morrow, there being a
temporary lull in the form-work which occurred about once a week, when
there was no composition of any kind to be done. The Sixth did four
compositions a week, two Greek and two Latin, and except for these did not
bother themselves very much about overnight preparation. The Latin authors
which the form were doing were Livy and Virgil, and when either of these
were on the next day's programme, most of the Sixth considered that they
were justified in taking a night off. They relied on their ability to
translate both authors at sight and without previous acquaintance. The
popular notion that Virgil is hard rarely appeals to a member of a public
school. There are two ways of translating Virgil, the conscientious and
the other. He prefers the other.</p>
<p>On this particular night, therefore, work was 'off'. Merevale was over at
the Great Hall, taking preparation, and the Sixth-Form Merevalians had
assembled in Charteris's study to talk about things in general. It was
after a pause of some moments, that had followed upon a lively discussion
of the House's prospects in the forthcoming final, that Charteris had
spoken.</p>
<p>'I shall go, Babe,' said he.</p>
<p>'Go where?' asked Tony, from the depths of a deck-chair.</p>
<p>'Babe knows.'</p>
<p>The Babe turned to the company and explained.</p>
<p>'The lunatic's going in for the strangers' mile at some sports at Rutton
next week. He'll get booked for a cert. He can't see that. I never saw
such a man.'</p>
<p>'Rally round,' said Charteris, 'and reason with me. I'll listen. Tony,
what do you think about it?'</p>
<p>Tony expressed his opinion tersely, and Charteris thanked him. Welch, who
had been reading, now awoke to the fact that a discussion was in progress,
and asked for details. The Babe explained once more, and Welch heartily
corroborated Tony's remarks. Charteris thanked him too.</p>
<p>'You aren't really going, are you?' asked Welch.</p>
<p>'Rather,' said Charteris.</p>
<p>'The Old Man won't give you leave.'</p>
<p>'Shan't worry the poor man with such trifles.'</p>
<p>'But it's miles out of bounds. Stapleton station is out of bounds to start
with. It's against rules to go in a train, and Rutton's even more out of
bounds than Stapleton.'</p>
<p>'And as there are sports there,' said Tony, 'the Old Man is certain to put
Rutton specially out of bounds for that day. He always bars a St Austin's
chap going to a place when there's anything going on there.'</p>
<p>'I don't care. What have I to do with the Old Man's petty prejudices? Now,
let me get at my time-table. Here we are. Now then.'</p>
<p>'Don't be a fool,' said Tony,</p>
<p>'Certainly not. Look here, there's a train starts from Stapleton at three.
I can catch that all right. Gets to Rutton at three-twenty. Sports begin
at three-fifteen. At least, they are supposed to. Over before five, I
should think. At least, my race will be, though I must stop to see the
Oldest Inhabitant's nevvy win the egg and spoon canter. But that ought to
come on before the strangers' race. Train back at a quarter past five.
Arrives at a quarter to six. Lock up six-fifteen. That gives me half an
hour to get here from Stapleton. What more do you want? I shall do it
easily, and ... the odds against my being booked are about twenty-five to
one. At which price if any gent present cares to deposit his money, I am
willing to take him. Now I'll treat you to a tune, if you're good.'</p>
<p>He went to the cupboard and produced his gramophone. Charteris's musical
instruments had at one time been strictly suppressed by the authorities,
and, in consequence, he had laid in a considerable stock of them. At last,
when he discovered that there was no rule against the use of musical
instruments in the House, Merevale had yielded. The stipulation that
Charteris should play only before prep. was rigidly observed, except when
Merevale was over at the Hall, and the Sixth had no work. On such
occasions Charteris felt justified in breaking through the rule. He had a
gramophone, a banjo, a penny whistle, and a mouth organ. The banjo, which
he played really well, was the most in request, but the gramophone was
also popular.</p>
<p>'Turn on "Whistling Rufus",' observed Thomson.</p>
<p>'Whistling Rufus' was duly turned on, giving way after an encore to
'Bluebells'.</p>
<p>'I always weep when I hear this,' said Tony.</p>
<p>'It <i>is</i> beautiful, isn't it?' said Charteris.</p>
<p>I'll be your sweetheart, if you—will be—mine,<br/>
All my life, I'll be your valentine.<br/>
Bluebells I've gathered—grrhhrh.<br/></p>
<p>The needle of the gramophone, after the manner of its kind, slipped
raspingly over the surface of the wax, and the rest of the ballad was
lost.</p>
<p>'That,' said Charteris, 'is how I feel with regard to the Old Man. I'd be
his sweetheart, if he'd be mine. But he makes no advances, and the stain
on my scutcheon is not yet wiped out. I must say I haven't tried gathering
bluebells for him yet, nor have I offered my services as a perpetual
valentine, but I've been very kind to him in other ways.'</p>
<p>'Is he still down on you?' asked the Babe.</p>
<p>'He hasn't done much lately. We're in a state of truce at present. Did I
tell you how I scored about Stapleton?'</p>
<p>'You've only told us about a hundred times,' said the Babe brutally. 'I
tell you what, though, he'll score off you if he finds you going to
Rutton.'</p>
<p>'Let's hope he won't.'</p>
<p>'He won't,' said Welch suddenly.</p>
<p>'Why?'</p>
<p>'Because you won't go. I'll bet you anything you like that you won't go.'</p>
<p>That settled Charteris. It was the sort of remark that always acted on him
like a tonic. He had been intending to go all the time, but it was this
speech of Welch's that definitely clinched the matter. One of his mottoes
for everyday use was 'Let not thyself be scored off by Welch.'</p>
<p>'That's all right,' he said. 'Of course I shall go. What's the next item
you'd like on this machine?'</p>
<p>The day of the sports arrived, and the Babe, meeting Charteris at
Merevale's gate, made a last attempt to head him off from his purpose.</p>
<p>'How are you going to take your things?' he asked. 'You can't carry a bag.
The first beak you met would ask questions.'</p>
<p>If he had hoped that this would be a crushing argument, he was
disappointed.</p>
<p>Charteris patted a bloated coat pocket.</p>
<p>'Bags,' he said laconically. 'Vest,' he added, doing the same to his other
pocket. 'Shoes,' he concluded, 'you will observe I am carrying in a handy
brown paper parcel, and if anybody wants to know what's in it, I shall
tell them it's acid drops. Sure you won't come, too?'</p>
<p>'Quite, thanks.'</p>
<p>'All right. So long then. Be good while I'm gone.'</p>
<p>And he passed on down the road that led to Stapleton.</p>
<p>The Rutton Recreation Ground presented, as the <i>Stapleton Herald</i>
justly remarked in its next week's issue, 'a gay and animated appearance'.
There was a larger crowd than Charteris had expected. He made his way
through them, resisting without difficulty the entreaties of a hoarse
gentleman in a check suit to have three to two on 'Enery something for the
hundred yards, and came at last to the dressing-tent.</p>
<p>At this point it occurred to him that it would be judicious to find out
when his race was to start. It was rather a chilly day, and the less time
he spent in the undress uniform of shorts the better. He bought a correct
card for twopence, and scanned it. The strangers' mile was down for
four-fifty. There was no need to change for an hour yet. He wished the
authorities could have managed to date the event earlier.</p>
<p>Four-fifty was running it rather fine. The race would be over by about
five to five, and it was a walk of some ten minutes to the station, less
if he hurried. That would give him ten minutes for recovering from the
effects of the race, and changing back into his ordinary clothes again. It
would be quick work. But, having come so far, he was not inclined to go
back without running in the race. He would never be able to hold his head
up again if he did that. He left the dressing-tent, and started on a tour
of the field.</p>
<p>The scene was quite different from anything he had ever witnessed before
in the way of sports. The sports at St Austin's were decorous to a degree.
These leaned more to the rollickingly convivial. It was like an ordinary
race-meeting, except that men were running instead of horses. Rutton was a
quiet little place for the majority of the year, but it woke up on this
day, and was evidently out to enjoy itself. The Rural Hooligan was a good
deal in evidence, and though he was comparatively quiet just at present,
the frequency with which he visited the various refreshment stalls that
dotted the ground gave promise of livelier times in the future. Charteris
felt that the afternoon would not be dull.</p>
<p>The hour soon passed, and Charteris, having first seen the Oldest
Inhabitant's nevvy romp home in the egg and spoon event, took himself off
to the dressing-tent, and began to get into his running clothes. The bell
for his race was just ringing when he left the tent. He trotted over to
the starting place.</p>
<p>Apparently there was not a very large 'field'. Two weedy-looking youths of
about Charteris's age, dressed in blushing pink, put in an appearance, and
a very tall, thin man came up almost immediately afterwards. Charteris had
just removed his coat, and was about to get to his place on the line, when
another competitor arrived, and, to judge by the applause that greeted his
appearance, he was evidently a favourite in the locality. It was with
shock that Charteris recognized his old acquaintance, the Bargees'
secretary.</p>
<p>He was clad in running clothes of a bright orange and a smile of conscious
superiority, and when somebody in the crowd called out 'Go it, Jarge!' he
accepted the tribute as his due, and waved a condescending hand in the
speaker's direction.</p>
<p>Some moments elapsed before he recognized Charteris, and the latter had
time to decide upon his line of action. If he attempted concealment in any
way, the man would recognize that on this occasion, at any rate, he had,
to use an adequate if unclassical expression, got the bulge, and then
there would be trouble. By brazening things out, however, there was just a
chance that he might make him imagine that there was more in the matter
than met the eye, and that, in some mysterious way, he had actually
obtained leave to visit Rutton that day. After all, the man didn't know
very much about School rules, and the recollection of the recent fiasco in
which he had taken part would make him think twice about playing the
amateur policeman again, especially in connection with Charteris.</p>
<p>So he smiled genially, and expressed a hope that the man enjoyed robust
health.</p>
<p>The man replied by glaring in a simple and unaffected manner.</p>
<p>'Looked up the Headmaster lately?' asked Charteris.</p>
<p>'What are you doing here?'</p>
<p>'I'm going to run. Hope you don't mind.'</p>
<p>'You're out of bounds.'</p>
<p>'That's what you said before. You'd better enquire a bit before you make
rash statements. Otherwise, there's no knowing what may happen. Perhaps Mr
Dacre has given me leave.'</p>
<p>The man said something objurgatory under his breath, but forbore to
continue the discussion. He was wondering, as Charteris had expected that
he would, whether the latter had really got leave or not. It was a
difficult problem.</p>
<p>Whether such a result was due to his mental struggles, or whether it was
simply to be attributed to his poor running, is open to question, but the
fact remains that the secretary of the Old Crockfordians did not shine in
the strangers' mile. He came in last but one, vanquishing the pink
sportsman by a foot. Charteris, after a hot finish, was beaten on the tape
by one of the weedy youths, who exhibited astounding sprinting powers in
the last two hundred yards, overhauling Charteris, who had led all the
time, in fine style, and scoring what the <i>Stapleton Herald</i>
described as a 'highly popular victory'.</p>
<p>As soon as he had recovered his normal stock of wind—which was not
immediately—it was borne in upon Charteris that if he wanted to
catch the five-fifteen back to Stapleton, he had better be beginning to
change. He went to the dressing-tent, and on examining his watch was
horrified to find that he had just ten minutes in which to do everything,
and the walk to the station, he reflected, was a long five minutes. He
literally hurled himself into his clothes, and, disregarding the Bargee,
who had entered the tent and seemed to wish to continue the discussion at
the point where they had left off, shot off towards the gate nearest the
station. He had exactly four minutes and twenty-five seconds in which to
complete the journey, and he had just run a mile.</p>
<p><i>Chapter 5</i></p>
<p>Fortunately the road was mainly level. On the other hand, he was hampered
by an overcoat. After the first hundred yards he took this off, and
carried it in an unwieldy parcel. This, he found, answered admirably.
Running became easier. He had worked the stiffness out of his legs by this
time, and was going well. Three hundred yards from the station it was
anybody's race. The exact position of the other competitor, the train,
could not be defined. It was at any rate not yet within earshot, which
meant that it still had at least a quarter of a mile to go. Charteris
considered that he had earned a rest. He slowed down to a walk, but after
proceeding at this pace for a few yards, thought that he heard a distant
whistle, and dashed on again. Suddenly a raucous bellow of laughter
greeted his ears from a spot in front of him, hidden from his sight by a
bend in the road.</p>
<p>'Somebody slightly tight,' thought Charteris, rapidly diagnosing the case.
'By Jove, if he comes rotting about with me I'll kill him.' Having to do
anything in a desperate hurry always made Charteris's temper slightly
villainous. He turned the corner at a sharp trot, and came upon two youths
who seemed to be engaged in the harmless occupation of trying to ride a
bicycle. They were of the type which he held in especial aversion, the
Rural Hooligan type, and one at least of the two had evidently been
present at a recent circulation of the festive bowl. He was wheeling the
bicycle about the road in an aimless manner, and looked as if he wondered
what was the matter with it that it would not stay in the same place for
two consecutive seconds. The other youth was apparently of the
'Charles-his-friend' variety, content to look on and applaud, and
generally to play chorus to his companion's 'lead'. He was standing at the
side of the road, smiling broadly in a way that argued feebleness of mind.
Charteris was not quite sure which of the two types he loathed the more.
He was inclined to call it a tie.</p>
<p>However, there seemed to be nothing particularly lawless in what they were
doing now. If they were content to let him pass without hindrance, he, for
his part, was content generously to overlook the insult they offered him
in daring to exist, and to maintain a state of truce. But, as he drew
nearer, he saw that there was more in this business than the casual
spectator might at first have supposed. A second and keener inspection of
the reptiles revealed fresh phenomena. In the first place, the bicycle
which Hooligan number one was playing with was a lady's bicycle, and a
small one at that. Now, up to the age of fourteen and the weight of ten
stone, a beginner at cycling often finds it more convenient to learn to
ride on a lady's machine than on a gentleman's. The former offers greater
facilities for rapid dismounting, a quality not to be despised in the
earlier stages of initiation. But, though this is undoubtedly the case,
and though Charteris knew that it was so, yet he felt instinctively that
there was something wrong here. Hooligans of twenty years and twelve stone
do not learn to ride on small ladies' machines, or, if they do, it is
probably without the permission of the small lady who owns the same.
Valuable as his time was, Charteris felt that it behoved him to spend a
thoughtful minute or so examining into this affair. He slowed down once
again to a walk, and, as he did so, his eye fell upon the character in the
drama whose absence had puzzled him, the owner of the bicycle. And from
that moment he felt that life would be a hollow mockery if he failed to
fall upon those revellers and slay them. She stood by the hedge on the
right, a forlorn little figure in grey, and she gazed sadly and helplessly
at the manoeuvres that were going on in the middle of the road. Her age
Charteris put down at a venture at twelve—a correct guess. Her state
of mind he also conjectured. She was letting 'I dare not' wait upon 'I
would', like the late Macbeth, the cat i' the adage, and numerous other
celebrities. She evidently had plenty of remarks to make on the subject in
hand, but refrained from motives of prudence.</p>
<p>Charteris had no such scruples. The feeling of fatigue that had been upon
him had vanished, and his temper, which had been growing steadily worse
for some twenty minutes, now boiled over gleefully at the prospect of
something solid to work itself off upon. Even without a cause Charteris
detested the Rural Hooligan. Now that a real, copper-bottomed motive for
this dislike had been supplied to him, he felt himself capable of dealing
with a whole regiment of the breed. The criminal with the bicycle had just
let it fall with a crash to the ground when Charteris went for him low, in
the style which the Babe always insisted on seeing in members of the First
Fifteen on the football field, and hove him without comment into a damp
ditch. 'Charles his friend' uttered a shout of disapproval and rushed into
the fray. Charteris gave him the straight left, of the type to which the
great John Jackson is reported to have owed so much in the days of the old
Prize Ring, and Charles, taking it between the eyes, stopped in a
discouraged and discontented manner, and began to rub the place. Whereupon
Charteris dashed in, and, to use an expression suitable to the deed,
'swung his right at the mark'. The 'mark', it may be explained for the
benefit of the non-pugilistic, is that portion of the anatomy which lies
hid behind the third button of the human waistcoat. It covers—in a
most inadequate way—the wind, and even a gentle tap in the locality
is apt to produce a fleeting sense of discomfort. A genuine flush hit on
the spot, shrewdly administered by a muscular arm with the weight of the
body behind it, causes the passive agent in the transaction to wish
fervently, as far as he is at the moment physically capable of wishing
anything, that he had never been born. 'Charles his friend' collapsed like
an empty sack, and Charteris, getting a grip of the outlying portions of
his costume, dragged him to the ditch and rolled him in on top of his
friend, who had just recovered sufficiently to be thinking about getting
out again. The pair of them lay there in a tangled heap. Charteris picked
up the bicycle and gave it a cursory examination. The enamel was a good
deal scratched, but no material damage had been done. He wheeled it across
to its owner.</p>
<p>'It isn't much hurt,' he said, as they walked on slowly together. 'Bit
scratched, that's all.'</p>
<p>'Thanks <i>awfully</i>,' said the small lady.</p>
<p>'Oh, not at all,' replied Charteris. 'I enjoyed it.' (He felt he had said
the right thing there. Your real hero always 'enjoys it'.) 'I'm sorry
those bargees frightened you.'</p>
<p>'They did rather. But'—she added triumphantly after a pause—'I
didn't cry.'</p>
<p>'Rather not,' said Charteris. 'You were awfully plucky. I noticed. But
hadn't you better ride on? Which way were you going?'</p>
<p>'I wanted to get to Stapleton.'</p>
<p>'Oh. That's simple enough. You've merely got to go straight on down this
road, as straight as ever you can go. But, look here, you know, you
shouldn't be out alone like this. It isn't safe. Why did they let you?'</p>
<p>The lady avoided his eye. She bent down and inspected the left pedal.</p>
<p>'They shouldn't have sent you out alone,' said Charteris, 'why did they?'</p>
<p>'They—they didn't. I came.'</p>
<p>There was a world of meaning in the phrase. Charteris felt that he was in
the same case. They had not let <i>him</i>. He had come. Here was a
kindred spirit, another revolutionary soul, scorning the fetters of
convention and the so-called authority of self-constituted rules, aha!
Bureaucrats!</p>
<p>'Shake hands,' he said, 'I'm in just the same way.'</p>
<p>They shook hands gravely.</p>
<p>'You know,' said the lady, 'I'm awfully sorry I did it now. It was very
naughty.'</p>
<p>'I'm not sorry yet,' said Charteris, 'I'm rather glad than otherwise. But
I expect I shall be sorry before long.'</p>
<p>'Will you be sent to bed?'</p>
<p>'I don't think so.'</p>
<p>'Will you have to learn beastly poetry?'</p>
<p>'Probably not.'</p>
<p>She looked at him curiously, as if to enquire, 'then if you won't have to
learn poetry and you won't get sent to bed, what on earth is there for you
to worry about?'</p>
<p>She would probably have gone on to investigate the problem further, but at
that moment there came the sound of a whistle. Then another, closer this
time. Then a faint rumbling, which increased in volume steadily. Charteris
looked back. The railway line ran by the side of the road. He could see
the smoke of a train through the trees. It was quite close now, and coming
closer every minute, and he was still quite a hundred and fifty yards from
the station gates.</p>
<p>'I say,' he cried. 'Great Scott, here comes my train. I must rush.
Good-bye. You keep straight on.'</p>
<p>His legs had had time to grow stiff again. For the first few strides
running was painful. But his joints soon adapted themselves to the strain,
and in ten seconds he was sprinting as fast as he had ever sprinted off
the running-track. When he had travelled a quarter of the distance the
small cyclist overtook him.</p>
<p>'Be quick,' she said, 'it's just in sight.'</p>
<p>Charteris quickened his stride, and, paced by the bicycle, spun along in
fine style. Forty yards from the station the train passed him. He saw it
roll into the station. There were still twenty yards to go, exclusive of
the station's steps, and he was already running as fast as it lay in him
to run. Now there were only ten. Now five. And at last, with a hurried
farewell to his companion, he bounded up the steps and on to the platform.
At the end of the platform the line took a sharp curve to the left. Round
that curve the tail end of the guard's van was just disappearing.</p>
<p>'Missed it, sir,' said the solitary porter, who managed things at Rutton,
cheerfully. He spoke as if he was congratulating Charteris on having done
something remarkably clever.</p>
<p>'When's the next?' panted Charteris.</p>
<p>'Eight-thirty,' was the porter's appalling reply.</p>
<p>For a moment Charteris felt quite ill. No train till eight-thirty! Then
was he indeed lost. But it couldn't be true. There must be some sort of a
train between now and then.</p>
<p>'Are you certain?' he said. 'Surely there's a train before that?'</p>
<p>'Why, yes, sir,' said the porter gleefully, 'but they be all exprusses.
Eight-thirty be the only 'un what starps at Rootton.'</p>
<p>'Thanks,' said Charteris with marked gloom, 'I don't think that'll be<br/>
much good to me. My aunt, what a hole I'm in.'<br/>
<br/>
The porter made a sympathetic and interrogative noise at the back of<br/>
his throat, as if inviting him to explain everything. But Charteris<br/>
felt unequal to conversation. There are moments when one wants to be<br/>
alone. He went down the steps again. When he got out into the road, his<br/>
small cycling friend had vanished. Charteris was conscious of a feeling<br/>
of envy towards her. She was doing the journey comfortably on a<br/>
bicycle. He would have to walk it. Walk it! He didn't believe he could.<br/>
The strangers' mile, followed by the Homeric combat with the two<br/>
Hooligans and that ghastly sprint to wind up with, had left him<br/>
decidedly unfit for further feats of pedestrianism. And it was eight<br/>
miles to Stapleton, if it was a yard, and another mile from Stapleton<br/>
to St Austin's. Charteris, having once more invoked the name of his<br/>
aunt, pulled himself together with an effort, and limped gallantly on<br/>
in the direction of Stapleton. But fate, so long hostile to him, at<br/>
last relented. A rattle of wheels approached him from behind. A thrill<br/>
of hope shot through him at the sound. There was the prospect of a<br/>
lift. He stopped, and waited for the dog-cart—it sounded like a<br/>
dog-cart—to arrive. Then he uttered a shout of rapture, and began to<br/>
wave his arms like a semaphore. The man in the dog-cart was Dr Adamson.<br/></p>
<p>'Hullo, Charteris,' said the Doctor, pulling up his horse, 'what are you
doing here?'</p>
<p>'Give me a lift,' said Charteris, 'and I'll tell you. It's a long yarn.
Can I get in?'</p>
<p>'Come along. Plenty of room.'</p>
<p>Charteris climbed up, and sank on to the cushioned seat with a sigh of
pleasure. What glorious comfort. He had never enjoyed anything more in his
life.</p>
<p>'I'm nearly dead,' he said, as the dog-cart went on again. 'This is how it
all happened. You see, it was this way—'</p>
<p>And he embarked forthwith upon his narrative.</p>
<p><i>Chapter 6</i></p>
<p>By special request the Doctor dropped Charteris within a hundred yards of
Merevale's door.</p>
<p>'Good-night,' he said. 'I don't suppose you will value my advice at all,
but you may have it for what it is worth. I recommend you stop this sort
of game. Next time something will happen.'</p>
<p>'By Jove, yes,' said Charteris, climbing painfully down from the dog-cart,
'I'll take that advice. I'm a reformed character from this day onwards.
This sort of thing isn't good enough. Hullo, there's the bell for lock-up.
Good-night, Doctor, and thanks most awfully for the lift. It was
frightfully kind of you.'</p>
<p>'Don't mention it,' said Dr Adamson, 'it is always a privilege to be in
your company. When are you coming to tea with me again?'</p>
<p>'Whenever you'll have me. I must get leave, though, this time.'</p>
<p>'Yes. By the way, how's Graham? It is Graham, isn't it? The fellow who
broke his collar-bone?'</p>
<p>'Oh, he's getting on splendidly. Still in a sling, but it's almost well
again now. But I must be off. Good-night.'</p>
<p>'Good-night. Come to tea next Monday.'</p>
<p>'Right,' said Charteris; 'thanks awfully.'</p>
<p>He hobbled in at Merevale's gate, and went up to his study. The Babe was
in there talking to Welch.</p>
<p>'Hullo,' said the Babe, 'here's Charteris.'</p>
<p>'What's left of him,' said Charteris.</p>
<p>'How did it go off?'</p>
<p>'Don't, please.'</p>
<p>'Did you win?' asked Welch.</p>
<p>'No. Second. By a yard. Oh, Lord, I am dead.'</p>
<p>'Hot race?'</p>
<p>'Rather. It wasn't that, though. I had to sprint all the way to the
station, and missed my train by ten seconds at the end of it all.'</p>
<p>'Then how did you get here?'</p>
<p>'That was the one stroke of luck I've had this afternoon. I started to
walk back, and after I'd gone about a quarter of a mile, Adamson caught me
up in his dog-cart. I suggested that it would be a Christian act on his
part to give me a lift, and he did. I shall remember Adamson in my will.'</p>
<p>'Tell us what happened.'</p>
<p>'I'll tell thee everything I can,' said Charteris. 'There's little to
relate. I saw an aged, aged man a-sitting on a gate. Where do you want me
to begin?'</p>
<p>'At the beginning. Don't rot.'</p>
<p>'I was born,' began Charteris, 'of poor but honest parents, who sent me to
school at an early age in order that I might acquire a grasp of the Greek
and Latin languages, now obsolete. I—'</p>
<p>'How did you lose?' enquired the Babe.</p>
<p>'The other man beat me. If he hadn't, I should have won hands down. Oh, I
say, guess who I met at Rutton.'</p>
<p>'Not a beak?'</p>
<p>'No. Almost as bad, though. The Bargee man who paced me from Stapleton.
Man who crocked Tony.'</p>
<p>'Great <i>Scott</i>!' cried the Babe. 'Did he recognize you?'</p>
<p>'Rather. We had a very pleasant conversation.'</p>
<p>'If he reports you,' began the Babe.</p>
<p>'Who's that?'</p>
<p>Charteris looked up. Tony Graham had entered the study.</p>
<p>'Hullo, Tony! Adamson told me to remember him to you.'</p>
<p>'So you've got back?'</p>
<p>Charteris confirmed the hasty guess.</p>
<p>'But what are you talking about, Babe?' said Tony. 'Who's going to be
reported, and who's going to report?'</p>
<p>The Babe briefly explained the situation.</p>
<p>'If the man,' he said, 'reports Charteris, he may get run in tomorrow, and
then we shall have both our halves away against Dacre's. Charteris, you
are a fool to go rotting about out of bounds like this.'</p>
<p>'Nay, dry the starting tear,' said Charteris cheerfully. 'In the first
place, I shouldn't get kept in on a Thursday anyhow. I should be shoved
into extra on Saturday. Also, I shrewdly conveyed to the Bargee the
impression that I was at Rutton by special permission.'</p>
<p>'He's bound to know that that can't be true,' said Tony.</p>
<p>'Well, I told him to think it over. You see, he got so badly left last
time he tried to compass my downfall, that I shouldn't be a bit surprised
if he let the job alone this journey.'</p>
<p>'Let's hope so,' said the Babe gloomily.</p>
<p>'That's right, Babby,' remarked Charteris encouragingly, nodding at the
pessimist.</p>
<p>'You buck up and keep looking on the bright side. It'll be all right. You
see if it won't. If there's any running in to be done, I shall do it. I
shall be frightfully fit tomorrow after all this dashing about today. I
haven't an ounce of superfluous flesh on me. I'm a fine, strapping
specimen of sturdy young English manhood. And I'm going to play a <i>very</i>
selfish game tomorrow, Babe.'</p>
<p>'Oh, my dear chap, you mustn't.' The Babe's face wore an expression of
horror. The success of the House-team in the final was very near to his
heart. He could not understand anyone jesting on the subject. Charteris
respected his anguish, and relieved it speedily.</p>
<p>'I was only ragging,' he said. 'Considering that our three-quarter line is
our one strong point, I'm not likely to keep the ball from it, if I get a
chance of getting it out. Make your mind easy, Babe.'</p>
<p>The final House-match was always a warmish game. The rivalry between the
various Houses was great, and the football cup especially was fought for
with immense keenness. Also, the match was the last fixture of the season,
and there was a certain feeling in the teams that if they <i>did</i>
happen to disable a man or two, it would not matter much. The injured
sportsman would not be needed for School-match purposes for another six
months. As a result of which philosophical reflection, the tackling was
ruled slightly energetic, and the handing-off was done with vigour.</p>
<p>This year, to add a sort of finishing touch, there was just a little
ill-feeling between Dacre's and Merevale's. The cause of it was the Babe.
Until the beginning of the term he had been a day boy. Then the news began
to circulate that he was going to become a boarder, either at Dacre's or
at Merevale's. He chose the latter, and Dacre's felt slightly aggrieved.
Some of the less sportsmanlike members of the House had proposed that a
protest should be made against his being allowed to play, but, fortunately
for the credit of Dacre's, Prescott, the captain of the House Fifteen, had
put his foot down with an emphatic bang at the suggestion. As he sagely
pointed out, there were some things which were bad form, and this was one
of them. If the team wanted to express their disapproval, said he, let
them do it on the field by tackling their very hardest. He personally was
going to do his best, and he advised them to do the same.</p>
<p>The rumour of this bad blood had got about the School in some mysterious
manner, and when Swift, Merevale's only First Fifteen forward, kicked off
up the hill, a large crowd was lining the ropes. It was evident from the
outset that it would be a good game.</p>
<p>Dacre's were the better side—as a team. They had no really weak
spot. But Merevale's extraordinarily strong three-quarter line somewhat
made up for an inferior scrum. And the fact that the Babe was in the
centre was worth much.</p>
<p>At first Dacre's pressed. Their pack was unusually heavy for a House-team,
and they made full use of it. They took the ball down the field in short
rushes till they were in Merevale's twenty-five. Then they began to heel,
and, if things had been more or less exciting for the Merevalians before,
they became doubly so now. The ground was dry, and so was the ball, and
the game consequently waxed fast. Time after time the ball went along
Dacre's three-quarter line, only to end by finding itself hurled, with the
wing who was carrying it, into touch. Occasionally the centres, instead of
feeding their wings, would try to dodge through themselves. And that was
where the Babe came in. He was admittedly the best tackler in the School,
but on this occasion he excelled himself. His man never had a chance of
getting past. At last a lofty kick into touch over the heads of the
spectators gave the players a few seconds' rest.</p>
<p>The Babe went up to Charteris.</p>
<p>'Look here,' he said, 'it's risky, but I think we'll try having the ball
out a bit.'</p>
<p>'In our own twenty-five?' said Charteris.</p>
<p>'Wherever we are. I believe it will come off all right. Anyway, we'll try
it. Tell the forwards.'</p>
<p>For forwards playing against a pack much heavier than themselves, it is
easier to talk about letting the ball out than to do it. The first half
dozen times that Merevale's scrum tried to heel they were shoved off their
feet, and it was on the enemy's side that the ball went out. But the
seventh attempt succeeded. Out it came, cleanly and speedily. Daintree,
who was playing instead of Tony, switched it across to Charteris.
Charteris dodged the half who was marking him, and ran. Heeling and
passing in one's own twenty-five is like smoking—an excellent
practice if indulged in in moderation. On this occasion it answered
perfectly. Charteris ran to the half-way line, and handed the ball on to
the Babe. The Babe was tackled from behind, and passed to Thomson. Thomson
dodged his man, and passed to Welch on the wing. Welch was the fastest
sprinter in the School. It was a pleasure—if you did not happen to
be one of the opposing side—to see him race down the touch-line. He
was off like an arrow. Dacre's back made a futile attempt to get at him.
Welch could have given the back fifteen yards in a hundred. He ran round
him, and, amidst terrific applause from the Merevale's-supporting section
of the audience, scored between the posts. The Babe took the kick and
converted without difficulty. Five minutes afterwards the whistle blew for
half-time.</p>
<p>The remainder of the game does not call for detailed description. Dacre's
pressed nearly the whole of the last half hour, but twice more the ball
came out and went down Merevale's three-quarter line. Once it was the Babe
who scored with a run from his own goal-line, and once Charteris, who got
in from half-way, dodging through the whole team. The last ten minutes of
the game was marked by a slight excess of energy on both sides. Dacre's
forwards were in a decidedly bad temper, and fought like tigers to break
through, and Merevale's played up to them with spirit. The Babe seemed
continually to be precipitating himself at the feet of rushing forwards,
and Charteris felt as if at least a dozen bones were broken in various
portions of his anatomy. The game ended on Merevale's line, but they had
won the match and the cup by two goals and a try to nothing.</p>
<p>Charteris limped off the field, cheerful but damaged. He ached all over,
and there was a large bruise on his left cheek-bone. He and Babe were
going to the House, when they were aware that the Headmaster was beckoning
to them.</p>
<p>'Well, MacArthur, and what was the result of the match?'</p>
<p>'We won, sir,' boomed the Babe. 'Two goals and a try to <i>nil</i>.'</p>
<p>'You have hurt your cheek, Charteris?'</p>
<p>'Yes, sir.'</p>
<p>'How did you do that?'</p>
<p>'I got a kick, sir, in one of the rushes.'</p>
<p>'Ah. I should bathe it, Charteris. Bathe it well. I hope it will not be
very painful. Bathe it well in warm water.'</p>
<p>He walked on.</p>
<p>'You know,' said Charteris to the Babe, as they went into the House, 'the
Old Man isn't such a bad sort after all. He has his points, don't you
think?'</p>
<p>The Babe said that he did.</p>
<p>'I'm going to reform, you know,' continued Charteris confidentially.</p>
<p>'It's about time,' said the Babe. 'You can have the bath first if you
like. Only buck up.'</p>
<p>Charteris boiled himself for ten minutes, and then dragged his weary limbs
to his study. It was while he was sitting in a deck-chair eating mixed
biscuits, and wondering if he would ever be able to summon up sufficient
energy to put on garments of civilization, that somebody knocked at the
door.</p>
<p>'Yes,' shouted Charteris. 'What is it? Don't come in. I'm changing.'</p>
<p>The melodious treble of Master Crowinshaw, his fag, made itself heard
through the keyhole.</p>
<p>'The Head told me to tell you that he wanted to see you at the School
House as soon as you can go.'</p>
<p>'All right,' shouted Charteris. 'Thanks.'</p>
<p>'Now what,' he continued to himself, 'does the Old Man want to see me for?
Perhaps he wants to make certain that I've bathed my cheek in warm water.
Anyhow, I suppose I must go.'</p>
<p>A quarter of an hour later he presented himself at the Headmagisterial
door. The sedate Parker, the Head's butler, who always filled Charteris
with a desire to dig him hard in the ribs just to see what would happen,
ushered him into the study.</p>
<p>The Headmaster was reading by the light of a lamp when Charteris came in.
He laid down his book, and motioned him to a seat; after which there was
an awkward pause.</p>
<p>'I have just received,' began the Head at last, 'a most unpleasant
communication. Most unpleasant. From whom it comes I do not know. It is,
in fact—er—anonymous. I am sorry that I ever read it.'</p>
<p>He stopped. Charteris made no comment. He guessed what was coming. He,
too, was sorry that the Head had ever read the letter.</p>
<p>'The writer says that he saw you, that he actually spoke to you, at the
athletic sports at Rutton yesterday. I have called you in to tell me if
that is true.' The Head fastened an accusing eye on his companion.</p>
<p>'It is quite true, sir,' said Charteris steadily.</p>
<p>'What!' said the Head sharply. 'You were at Rutton?'</p>
<p>'Yes, sir.'</p>
<p>'You were perfectly aware, I suppose, that you were breaking the School
rules by going there, Charteris?' enquired the Head in a cold voice.</p>
<p>'Yes, sir.' There was another pause.</p>
<p>'This is very serious,' began the Head. 'I cannot overlook this. I—'</p>
<p>There was a slight scuffle of feet in the passage outside. The door flew
open vigorously, and a young lady entered. It was, as Charteris recognized
in a minute, his acquaintance of the afternoon, the young lady of the
bicycle.</p>
<p>'Uncle,' she said, 'have you seen my book anywhere?'</p>
<p>'Hullo!' she broke off as her eye fell on Charteris.</p>
<p>'Hullo!' said Charteris, affably, not to be outdone in the courtesies.</p>
<p>'Did you catch your train?'</p>
<p>'No. Missed it.'</p>
<p>'Hullo! what's the matter with your cheek?'</p>
<p>'I got a kick on it.'</p>
<p>'Oh, does it hurt?'</p>
<p>'Not much, thanks.'</p>
<p>Here the Head, feeling perhaps a little out of it, put in his oar.</p>
<p>'Dorothy, you must not come here now. I am busy. And how, may I ask, do
you and Charteris come to be acquainted?'</p>
<p>'Why, he's him,' said Dorothy lucidly.</p>
<p>The Head looked puzzled.</p>
<p>'Him. The chap, you know.'</p>
<p>It is greatly to the Head's credit that he grasped the meaning of these
words. Long study of the classics had quickened his faculty for seeing
sense in passages where there was none. The situation dawned upon him.</p>
<p>'Do you mean to tell me, Dorothy, that it was Charteris who came to your
assistance yesterday?'</p>
<p>Dorothy nodded energetically.</p>
<p>'He gave the men beans,' she said. 'He did, really,' she went on,
regardless of the Head's look of horror. 'He used right and left with
considerable effect.'</p>
<p>Dorothy's brother, a keen follower of the Ring, had been good enough some
days before to read her out an extract from an account in <i>The Sportsman</i>
of a match at the National Sporting Club, and the account had been much to
her liking. She regarded it as a masterpiece of English composition.</p>
<p>'Dorothy,' said the Headmaster, 'run away to bed.' A suggestion which she
treated with scorn, it wanting a clear two hours to her legal bedtime. 'I
must speak to your mother about your deplorable habit of using slang. Dear
me, I must certainly speak to her.'</p>
<p>And, shamefully unabashed, Dorothy retired.</p>
<p>The Head was silent for a few minutes after she had gone; then he turned
to Charteris again.</p>
<p>'In consideration of this, Charteris, I shall—er—mitigate
slightly the punishment I had intended to give you.'</p>
<p>Charteris murmured his gratification.</p>
<p>'But,' continued the Head sternly, 'I cannot overlook the offence. I have
my duty to consider. You will therefore write me—er—ten lines
of Virgil by tomorrow evening, Charteris.'</p>
<p>'Yes, sir.'</p>
<p>'Latin <i>and</i> English,' said the relentless pedagogue.</p>
<p>'Yes, sir.'</p>
<p>'And, Charteris—I am speaking now—er—unofficially, not
as a headmaster, you understand—if in future you would cease to
break School rules simply as a matter of principle, for that, I fancy, is
what it amounts to, I—er—well, I think we should get on better
together. And that is, on my part at least, a consummation—er—devoutly
to be wished. Good-night, Charteris.'</p>
<p>'Good-night, sir.'</p>
<p>The Head extended a large hand. Charteris took it, and his departure.</p>
<p>The Headmaster opened his book again, and turned over a new leaf.
Charteris at the same moment, walking slowly in the direction of
Merevale's, was resolving for the future to do the very same thing. And he
did.</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0012" id="link2H_4_0012"> </SPAN></p>
<br/>
<h2> 9 — HOW PAYNE BUCKED UP </h2>
<p>It was Walkinshaw's affair from the first. Grey, the captain of the St
Austin's Fifteen, was in the infirmary nursing a bad knee. To him came
Charles Augustus Walkinshaw with a scheme. Walkinshaw was football
secretary, and in Grey's absence acted as captain. Besides these two there
were only a couple of last year's team left—Reade and Barrett, both
of Philpott's House.</p>
<p>'Hullo, Grey, how's the knee?' said Walkinshaw.</p>
<p>'How's the team getting on?' he said.</p>
<p>'Well, as far as I can see,' said Walkinshaw, 'we ought to have a rather
good season, if you'd only hurry up and come back. We beat a jolly hot lot
of All Comers yesterday. Smith was playing for them. The Blue, you know.
And lots of others. We got a goal and a try to <i>nil</i>.'</p>
<p>'Good,' said Grey. 'Who did anything for us? Who scored?'</p>
<p>'I got in once. Payne got the other.'</p>
<p>'By Jove, did he? What sort of a game is he playing this year?'</p>
<p>The moment had come for Walkinshaw to unburden himself to his scheme. He
proceeded to do so.</p>
<p>'Not up to much,' he said. 'Look here, Grey, I've got rather an idea. It's
my opinion Payne's not bucking up nearly as much as he might. Do you mind
if I leave him out of the next game?'</p>
<p>Grey stared. The idea was revolutionary.</p>
<p>'What! Leave him out? My good man, he'll be the next chap to get his
colours. He's a cert. for his cap.'</p>
<p>'That's just it. He knows he's a cert., and he's slacking on the strength
of it. Now, my idea is that if you slung him out for a match or two, he'd
buck up extra hard when he came into the team again. Can't I have a shot
at it?'</p>
<p>Grey weighed the matter. Walkinshaw pressed home his arguments.</p>
<p>'You see, it isn't like cricket. At cricket, of course, it might put a
chap off awfully to be left out, but I don't see how it can hurt a man's
play at footer. Besides, he's beginning to stick on side already.'</p>
<p>'Is he, by Jove?' said Grey. This was the unpardonable sin. 'Well, I'll
tell you what you can do if you like. Get up a scratch game, First Fifteen
<i>v.</i> Second, and make him captain of the Second.'</p>
<p>'Right,' said Walkinshaw, and retired beaming.</p>
<p>Walkinshaw, it may be remarked at once, to prevent mistakes, was a
well-meaning idiot. There was no doubt about his being well-meaning. Also,
there was no doubt about his being an idiot. He was continually getting
insane ideas into his head, and being unable to get them out again. This
matter of Payne was a good example of his customary methods. He had put
his hand on the one really first-class forward St Austin's possessed, and
proposed to remove him from the team. And yet through it all he was
perfectly well-meaning. The fact that personally he rather disliked Payne
had, to do him justice, no weight at all with him. He would have done the
same by his bosom friend under like circumstances. This is the only excuse
that can be offered for him. It was true that Payne regarded himself as a
certainty for his colours, as far as anything can be considered certain in
this vale of sorrow. But to accuse him of trading on this, and, to use the
vernacular, of putting on side, was unjust to a degree.</p>
<p>On the afternoon following this conversation Payne, who was a member of
Dacre's House, came into his study and banged his books down on the table
with much emphasis. This was a sign that he was feeling dissatisfied with
the way in which affairs were conducted in the world. Bowden, who was
asleep in an armchair—he had been staying in with a cold—woke
with a start. Bowden shared Payne's study. He played centre three-quarter
for the Second Fifteen.</p>
<p>'Hullo!' he said.</p>
<p>Payne grunted. Bowden realized that matters had not been going well with
him. He attempted to soothe him with conversation, choosing what he
thought would be a congenial topic.</p>
<p>'What's on on Saturday?' he asked.</p>
<p>'Scratch game. First <i>v.</i> Second.'</p>
<p>Bowden groaned.</p>
<p>'I know those First <i>v.</i> Second games,' he said. 'They turn the
Second out to get butchered for thirty-five minutes each way, to improve
the First's combination. It may be fun for the First, but it's not nearly
so rollicking for us. Look here, Payne, if you find me with the pill at
any time, you can let me down easy, you know. You needn't go bringing off
any of your beastly gallery tackles.'</p>
<p>'I won't,' said Payne. 'To start with, it would be against rules. We
happen to be on the same side.'</p>
<p>'Rot, man; I'm not playing for the First.' This was the only explanation
that occurred to him.</p>
<p>'I'm playing for the Second.'</p>
<p>'What! Are you certain?'</p>
<p>'I've seen the list. They're playing Babington instead of me.'</p>
<p>'But why? Babington's no good.'</p>
<p>'I think they have a sort of idea I'm slacking or something. At any rate,
Walkinshaw told me that if I bucked up I might get tried again.'</p>
<p>'Silly goat,' said Bowden. 'What are you going to do?'</p>
<p>'I'm going to take his advice, and buck up.'</p>
<h3> II </h3>
<p>He did. At the beginning of the game the ropes were lined by some thirty
spectators, who had come to derive a languid enjoyment from seeing the
First pile up a record score. By half-time their numbers had risen to an
excited mob of something over three hundred, and the second half of the
game was fought out to the accompaniment of a storm of yells and counter
yells such as usually only belonged to school-matches. The Second Fifteen,
after a poor start, suddenly awoke to the fact that this was not going to
be the conventional massacre by any means. The First had scored an
unconverted try five minutes after the kick-off, and it was after this
that the Second began to get together. The school back bungled the drop
out badly, and had to find touch in his own twenty-five, and after that it
was anyone's game. The scrums were a treat to behold. Payne was a monument
of strength. Time after time the Second had the ball out to their
three-quarters, and just after half-time Bowden slipped through in the
corner. The kick failed, and the two teams, with their scores equal now,
settled down grimly to fight the thing out to a finish. But though they
remained on their opponents' line for most of the rest of the game, the
Second did not add to their score, and the match ended in a draw of three
points all.</p>
<p>The first intimation Grey received of this came to him late in the
evening. He had been reading a novel which, whatever its other merits may
have been, was not interesting, and it had sent him to sleep. He awoke to
hear a well-known voice observe with some unction: 'Ah! M'yes. Leeches and
hot fomentations.' This effectually banished sleep. If there were two
things in the world that he loathed, they were leeches and hot
fomentations, and the School doctor apparently regarded them as a panacea
for every kind of bodily ailment, from a fractured skull to a cold in the
head. It was this gentleman who had just spoken, but Grey's alarm vanished
as he perceived that the words had no personal application to himself. The
object of the remark was a fellow-sufferer in the next bed but one. Now
Grey was certain that when he had fallen asleep there had been nobody in
that bed. When, therefore, the medical expert had departed on his fell
errand, the quest of leeches and hot fomentations, he sat up and gave
tongue.</p>
<p>'Who's that in that bed?' he asked.</p>
<p>'Hullo, Grey,' replied a voice. 'Didn't know you were awake. I've come to
keep you company.'</p>
<p>'That you, Barrett? What's up with you?'</p>
<p>'Collar-bone. Dislocated it or something. Reade's over in that corner. He
has bust his ankle. Oh, yes, we've been having a nice, cheery afternoon,'
concluded Barrett bitterly.</p>
<p>'Great Scott! How did it happen?'</p>
<p>'Payne.'</p>
<p>'Where? In your collar-bone?'</p>
<p>'Yes. That wasn't what I meant, though. What I was explaining was that
Payne got hold of me in the middle of the field, and threw me into touch.
After which he fell on me. That was enough for my simple needs. I'm not
grasping.'</p>
<p>'How about Reade?'</p>
<p>'The entire Second scrum collapsed on top of Reade. When we dug him out
his ankle was crocked. Mainspring gone, probably. Then they gathered up
the pieces and took them gently away. I don't know how it all ended.'</p>
<p>Just then Walkinshaw burst into the room. He had a large bruise over one
eye, his arm was in a sling, and he limped. But he was in excellent
spirits.</p>
<p>'I knew I was right, by Jove,' he observed to Grey. 'I knew he could buck
up if he liked.'</p>
<p>'I know it now,' said Barrett.</p>
<p>'Who's this you're talking about?' said Grey.</p>
<p>'Payne. I've never seen anything like the game he played today. He was
everywhere. And, by Jove, his <i>tackling</i>!'</p>
<p>'Don't,' said Barrett, wearily.</p>
<p>'It's the best match I ever played in,' said Walkinshaw, bubbling over
with enthusiasm. 'Do you know, the Second had all the best of the game.'</p>
<p>'What was the score?'</p>
<p>'Draw. One try all.'</p>
<p>'And now I suppose you're satisfied?' enquired Barrett. The great scheme
for the regeneration of Payne had been confided to him by its proud
patentee.</p>
<p>'Almost,' said Walkinshaw. 'We'll continue the treatment for one more
game, and then we'll have him simply fizzing for the Windybury match.
That's next Saturday. By the way, I'm afraid you'll hardly be fit again in
time for that, Barrett, will you?'</p>
<p>'I may possibly,' said Barrett, coldly, 'be getting about again in time
for the Windybury match of the year after next. This year I'm afraid I
shall not have the pleasure. And I should strongly advise you, if you
don't want to have to put a team of cripples into the field, to
discontinue the treatment, as you call it.'</p>
<p>'Oh, I don't know,' said Walkinshaw.</p>
<p>On the following Wednesday evening, at five o'clock, something was carried
in on a stretcher, and deposited in the bed which lay between Grey and
Barrett. Close scrutiny revealed the fact that it was what had once been
Charles Augustus Walkinshaw. He was slightly broken up.</p>
<p>'Payne?' enquired Grey in chilly tones.</p>
<p>Walkinshaw admitted the impeachment.</p>
<p>Grey took a pencil and a piece of paper from the table at his side. 'If
you want to know what I'm doing,' he said, 'I'm writing out the team for
the Windybury match, and I'm going to make Payne captain, as the senior
Second Fifteen man. And if we win I'm jolly well going to give him his cap
after the match. If we don't win, it'll be the fault of a raving lunatic
of the name of Walkinshaw, with his beastly Colney Hatch schemes for
reforming slack forwards. You utter rotter!'</p>
<p>Fortunately for the future peace of mind of C. A. Walkinshaw, the latter
contingency did not occur. The School, in spite of its absentees,
contrived to pull the match off by a try to <i>nil</i>. Payne, as was only
right and proper, scored the try, making his way through the ranks of the
visiting team with the quiet persistence of a steam-roller. After the game
he came to tea, by request, at the infirmary, and was straightaway
invested by Grey with his First Fifteen colours. On his arrival he
surveyed the invalids with interest.</p>
<p>'Rough game, footer,' he observed at length.</p>
<p>'Don't mention it,' said Barrett politely. 'Leeches,' he added dreamily.
'Leeches and hot fomentations. <i>Boiling</i> fomentations. Will somebody
kindly murder Walkinshaw!'</p>
<p>'Why?' asked Payne, innocently.</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0013" id="link2H_4_0013"> </SPAN></p>
<br/>
<h2> 10 — AUTHOR! </h2>
<p>J. S. M. Babington, of Dacre's House, was on the horns of a dilemma.
Circumstances over which he had had no control had brought him, like
another Hercules, to the cross-roads, and had put before him the choice
between pleasure and duty, or, rather, between pleasure and what those in
authority called duty. Being human, he would have had little difficulty in
making his decision, had not the path of pleasure been so hedged about by
danger as to make him doubt whether after all the thing could be carried
through.</p>
<p>The facts in the case were these. It was the custom of the mathematical
set to which J. S. M. Babington belonged, 4B to wit, to relieve the tedium
of the daily lesson with a species of round game which was played as
follows. As soon as the master had taken his seat, one of the players
would execute a manoeuvre calculated to draw attention on himself, such as
dropping a book or upsetting the blackboard. Called up to the desk to give
explanation, he would embark on an eloquent speech for the defence. This
was the cue for the next player to begin. His part consisted in making his
way to the desk and testifying to the moral excellence of his companion,
and giving in full the reasons why he should be discharged without a stain
upon his character. As soon as he had warmed to his work he would be
followed by a third player, and so on until the standing room around the
desk was completely filled with a great cloud of witnesses. The duration
of the game varied, of course, considerably. On some occasions it could be
played through with such success, that the master would enter into the
spirit of the thing, and do his best to book the names of all offenders at
one and the same time, a feat of no inconsiderable difficulty. At other
times matters would come to a head more rapidly. In any case, much
innocent fun was to be derived from it, and its popularity was great. On
the day, however, on which this story opens, a new master had been
temporarily loosed into the room in place of the Rev. Septimus Brown, who
had been there as long as the oldest inhabitant could remember. The Rev.
Septimus was a wrangler, but knew nothing of the ways of the human boy.
His successor, Mr Reginald Seymour, was a poor mathematician, but a good
master. He had been, moreover, a Cambridge Rugger Blue. This fact alone
should have ensured him against the customary pleasantries, for a Blue is
a man to be respected. It was not only injudicious, therefore, but
positively wrong of Babington to plunge against the blackboard on his way
to his place. If he had been a student of Tennyson, he might have
remembered that the old order is in the habit of changing and yielding
place to the new.</p>
<p>Mr Seymour looked thoughtfully for a moment at the blackboard.</p>
<p>'That was rather a crude effort,' he said pleasantly to Babington, 'you
lack <i>finesse</i>. Pick it up again, please.'</p>
<p>Babington picked it up without protest. Under the rule of the Rev.
Septimus this would have been the signal for the rest of the class to
leave their places and assist him, but now they seemed to realize that
there was a time for everything, and that this was decidedly no time for
indoor games.</p>
<p>'Thank you,' said Mr Seymour, when the board was in its place again. 'What
is your name? Eh, what? I didn't quite hear.'</p>
<p>'Babington, sir.'</p>
<p>'Ah. You had better come in tomorrow at two and work out examples three
hundred to three-twenty in "Hall and Knight". There is really plenty of
room to walk in between that desk and the blackboard. It only wants
practice.'</p>
<p>What was left of Babington then went to his seat. He felt that his
reputation as an artistic player of the game had received a shattering
blow. Then there was the imposition. This in itself would have troubled
him little. To be kept in on a half-holiday is annoying, but it is one of
those ills which the flesh is heir to, and your true philosopher can
always take his gruel like a man.</p>
<p>But it so happened that by the evening post he had received a letter from
a cousin of his, who was a student at Guy's, and from all accounts was
building up a great reputation in the medical world. From this letter it
appeared that by a complicated process of knowing people who knew other
people who had influence with the management, he had contrived to obtain
two tickets for a morning performance of the new piece that had just been
produced at one of the theatres. And if Mr J. S. M. Babington wished to
avail himself of the opportunity, would he write by return, and be at
Charing Cross Underground bookstall at twenty past two.</p>
<p>Now Babington, though he objected strongly to the drama of ancient Greece,
was very fond of that of the present day, and he registered a vow that if
the matter could possibly be carried through, it should be. His choice was
obvious. He could cut his engagement with Mr Seymour, or he could keep it.
The difficulty lay rather in deciding upon one or other of the
alternatives. The whole thing turned upon the extent of the penalty in the
event of detection.</p>
<p>That was his dilemma. He sought advice.</p>
<p>'I should risk it,' said his bosom friend Peterson.</p>
<p>'I shouldn't advise you to,' remarked Jenkins.</p>
<p>Jenkins was equally a bosom friend, and in the matter of wisdom in no way
inferior to Peterson.</p>
<p>'What would happen, do you think?' asked Babington.</p>
<p>'Sack,' said one authority.</p>
<p>'Jaw, and double impot,' said another.</p>
<p>'The <i>Daily Telegraph</i>,' muttered the tempter in a stage aside,
'calls it the best comedy since Sheridan.'</p>
<p>'So it does,' thought Babington. 'I'll risk it.'</p>
<p>'You'll be a fool if you do,' croaked the gloomy Jenkins. 'You're bound to
be caught.' But the Ayes had it. Babington wrote off that night accepting
the invitation.</p>
<p>It was with feelings of distinct relief that he heard Mr Seymour express
to another master his intention of catching the twelve-fifteen train up to
town. It meant that he would not be on the scene to see him start on the
'Hall and Knight'. Unless luck were very much against him, Babington might
reasonably hope that he would accept the imposition without any questions.
He had taken the precaution to get the examples finished overnight, with
the help of Peterson and Jenkins, aided by a weird being who actually
appeared to like algebra, and turned out ten of the twenty problems in an
incredibly short time in exchange for a couple of works of fiction (down)
and a tea (at a date). He himself meant to catch the one-thirty, which
would bring him to town in good time. Peterson had promised to answer his
name at roll-call, a delicate operation, in which long practice had made
him, like many others of the junior members of the House, no mean
proficient.</p>
<p>It would be pleasant for a conscientious historian to be able to say that
the one-thirty broke down just outside Victoria, and that Babington
arrived at the theatre at the precise moment when the curtain fell and the
gratified audience began to stream out. But truth, though it crush me. The
one-thirty was so punctual that one might have thought that it belonged to
a line other than the line to which it did belong. From Victoria to
Charing Cross is a journey that occupies no considerable time, and
Babington found himself at his destination with five minutes to wait. At
twenty past his cousin arrived, and they made their way to the theatre. A
brief skirmish with a liveried menial in the lobby, and they were in their
seats.</p>
<p>Some philosopher, of extraordinary powers of intuition, once informed the
world that the best of things come at last to an end. The statement was
tested, and is now universally accepted as correct. To apply the general
to the particular, the play came to an end amidst uproarious applause, to
which Babington contributed an unstinted quotum, about three hours after
it had begun.</p>
<p>'What do you say to going and grubbing somewhere?' asked Babington's
cousin, as they made their way out.</p>
<p>'Hullo, there's that man Richards,' he continued, before Babington could
reply that of all possible actions he considered that of going and
grubbing somewhere the most desirable. 'Fellow I know at Guy's, you know,'
he added, in explanation. 'I'll get him to join us. You'll like him, I
expect.'</p>
<p>Richards professed himself delighted, and shook hands with Babington with
a fervour which seemed to imply that until he had met him life had been a
dreary blank, but that now he could begin to enjoy himself again. 'I
should like to join you, if you don't mind including a friend of mine in
the party,' said Richards. 'He was to meet me here. By the way, he's the
author of that new piece—<i>The Way of the World.'</i></p>
<p>'Why, we've just been there.'</p>
<p>'Oh, then you will probably like to meet him. Here he is.'</p>
<p>As he spoke a man came towards them, and, with a shock that sent all the
blood in his body to the very summit of his head, and then to the very
extremities of his boots, Babington recognized Mr Seymour. The assurance
of the programme that the play was by Walter Walsh was a fraud. Nay worse,
a downright and culpable lie. He started with the vague idea of making a
rush for safety, but before his paralysed limbs could be induced to work,
Mr Seymour had arrived, and he was being introduced (oh, the tragic irony
of it) to the man for whose benefit he was at that very moment supposed to
be working out examples three hundred to three-twenty in 'Hall and
Knight'.</p>
<p>Mr Seymour shook hands, without appearing to recognize him. Babington's
blood began to resume its normal position again, though he felt that this
seeming ignorance of his identity might be a mere veneer, a wile of guile,
as the bard puts it. He remembered, with a pang, a story in some magazine
where a prisoner was subjected to what the light-hearted inquisitors
called the torture of hope. He was allowed to escape from prison, and pass
guards and sentries apparently without their noticing him. Then, just as
he stepped into the open air, the chief inquisitor tapped him gently on
the shoulder, and, more in sorrow than in anger, reminded him that it was
customary for condemned men to remain <i>inside</i> their cells. Surely
this was a similar case. But then the thought came to him that Mr Seymour
had only seen him once, and so might possibly have failed to remember him,
for there was nothing special about Babington's features that arrested the
eye, and stamped them on the brain for all time. He was rather ordinary
than otherwise to look at. At tea, as bad luck would have it, the two sat
opposite one another, and Babington trembled. Then the worst happened. Mr
Seymour, who had been looking attentively at him for some time, leaned
forward and said in a tone evidently devoid of suspicion: 'Haven't we met
before somewhere? I seem to remember your face.'</p>
<p>'Er—no, no,' replied Babington. 'That is, I think not. We may have.'</p>
<p>'I feel sure we have. What school are you at?'</p>
<p>Babington's soul began to writhe convulsively.</p>
<p>'What, what school? Oh, what <i>school</i>? Why, er—I'm at—er—Uppingham.'</p>
<p>Mr Seymour's face assumed a pleased expression.</p>
<p>'Uppingham? Really. Why, I know several Uppingham fellows. Do you know Mr
Morton? He's a master at Uppingham, and a great friend of mine.'</p>
<p>The room began to dance briskly before Babington's eyes, but he clutched
at a straw, or what he thought was a straw.</p>
<p>'Uppingham? Did I say Uppingham? Of course, I mean Rugby, you know, Rugby.
One's always mixing the two up, you know. Isn't one?'</p>
<p>Mr Seymour looked at him in amazement. Then he looked at the others as if
to ask which of the two was going mad, he or the youth opposite him.
Babington's cousin listened to the wild fictions which issued from his
lips in equal amazement. He thought he must be ill. Even Richards had a
fleeting impression that it was a little odd that a fellow should forget
what school he was at, and mistake the name Rugby for that of Uppingham,
or <i>vice versa</i>. Babington became an object of interest.</p>
<p>'I say, Jack,' said the cousin, 'you're feeling all right, aren't you? I
mean, you don't seem to know what you're talking about. If you're going to
be ill, say so, and I'll prescribe for you.'</p>
<p>'Is he at Rugby?' asked Mr Seymour.</p>
<p>'No, of course he's not. How could he have got from Rugby to London in
time for a morning performance? Why, he's at St Austin's.'</p>
<p>Mr Seymour sat for a moment in silence, taking this in. Then he chuckled.
'It's all right,' he said, 'he's not ill. We have met before, but under
such painful circumstances that Master Babington very thoughtfully
dissembled, in order not to remind me of them.'</p>
<p>He gave a brief synopsis of what had occurred. The audience, exclusive of
Babington, roared with laughter.</p>
<p>'I suppose,' said the cousin, 'you won't prosecute, will you? It's really
such shocking luck, you know, that you ought to forget you're a master.'</p>
<p>Mr Seymour stirred his tea and added another lump of sugar very carefully
before replying. Babington watched him in silence, and wished that he
would settle the matter quickly, one way or the other.</p>
<p>'Fortunately for Babington,' said Mr Seymour, 'and unfortunately for the
cause of morality, I am not a master. I was only a stop-gap, and my term
of office ceased today at one o'clock. Thus the prisoner at the bar gets
off on a technical point of law, and I trust it will be a lesson to him. I
suppose you had the sense to do the imposition?'</p>
<p>'Yes, sir, I sat up last night.'</p>
<p>'Good. Now, if you'll take my advice, you'll reform, or another day you'll
come to a bad end. By the way, how did you manage about roll-call today?'</p>
<p>'I thought that was an awfully good part just at the end of the first
act,' said Babington.</p>
<p>Mr Seymour smiled. Possibly from gratification.</p>
<p>'Well, how did it go off?' asked Peterson that night.</p>
<p>'Don't, old chap,' said Babington, faintly.</p>
<p>'I told you so,' said Jenkins at a venture.</p>
<p>But when he had heard the whole story he withdrew the remark, and
commented on the wholly undeserved good luck some people seemed to enjoy.</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0014" id="link2H_4_0014"> </SPAN></p>
<br/>
<h2> 11 — 'THE TABBY TERROR' </h2>
<p>The struggle between Prater's cat and Prater's cat's conscience was short,
and ended in the hollowest of victories for the former. The conscience
really had no sort of chance from the beginning. It was weak by nature and
flabby from long want of exercise, while the cat was in excellent
training, and was, moreover, backed up by a strong temptation. It pocketed
the stakes, which consisted of most of the contents of a tin of sardines,
and left unostentatiously by the window. When Smith came in after
football, and found the remains, he was surprised, and even pained. When
Montgomery entered soon afterwards, he questioned him on the subject.</p>
<p>'I say, have you been having a sort of preliminary canter with the
banquet?'</p>
<p>'No,' said Montgomery. 'Why?'</p>
<p>'Somebody has,' said Smith, exhibiting the empty tin. 'Doesn't seem to
have had such a bad appetite, either.'</p>
<p>'This reminds me of the story of the great bear, the medium bear, and the
little ditto,' observed Montgomery, who was apt at an analogy. 'You may
remember that when the great bear found his porridge tampered with, he—'</p>
<p>At this point Shawyer entered. He had been bidden to the feast, and was
feeling ready for it.</p>
<p>'Hullo, tea ready?' he asked.</p>
<p>Smith displayed the sardine tin in much the same manner as the conjurer
shows a pack of cards when he entreats you to choose one, and remember the
number.</p>
<p>'You haven't finished already, surely? Why, it's only just five.'</p>
<p>'We haven't even begun,' said Smith. 'That's just the difficulty. The
question is, who has been on the raid in here?'</p>
<p>'No human being has done this horrid thing,' said Montgomery. He always
liked to introduce a Holmes-Watsonian touch into the conversation. 'In the
first place, the door was locked, wasn't it, Smith?'</p>
<p>'By Jove, so it was. Then how on earth—?'</p>
<p>'Through the window, of course. The cat, equally of course. I should like
a private word with that cat.'</p>
<p>'I suppose it must have been.'</p>
<p>'Of course it was. Apart from the merely circumstantial evidence, which is
strong enough to hang it off its own bat, we have absolute proof of its
guilt. Just cast your eye over that butter. You follow me, Watson?'</p>
<p>The butter was submitted to inspection. In the very centre of it there was
a footprint.</p>
<p>'<i>I</i> traced his little footprints in the butter,' said Montgomery.
'Now, is that the mark of a human foot?'</p>
<p>The jury brought in a unanimous verdict of guilty against the missing
animal, and over a sorrowful cup of tea, eked out with bread and jam—butter
appeared to be unpopular—discussed the matter in all its bearings.
The cat had not been an inmate of Prater's House for a very long time, and
up till now what depredation it had committed had been confined to the
official larder. Now, however, it had evidently got its hand in, and was
about to commence operations upon a more extensive scale. The Tabby Terror
had begun. Where would it end? The general opinion was that something
would have to be done about it. No one seemed to know exactly what to do.
Montgomery spoke darkly of bricks, bits of string, and horse-ponds. Smith
rolled the word 'rat-poison' luxuriously round his tongue. Shawyer, who
was something of an expert on the range, babbled of air-guns.</p>
<p>At tea on the following evening the first really serious engagement of the
campaign took place. The cat strolled into the tea-room in the patronizing
way characteristic of his kind, but was heavily shelled with lump-sugar,
and beat a rapid retreat. That was the signal for the outbreak of serious
hostilities. From that moment its paw was against every man, and the tale
of the things it stole is too terrible to relate in detail. It scored all
along the line. Like Death in the poem, it knocked at the doors of the
highest and the lowest alike. Or rather, it did not exactly knock. It came
in without knocking. The palace of the prefect and the hovel of the fag
suffered equally. Trentham, the head of the House, lost sausages to an
incredible amount one evening, and the next day Ripton, of the Lower
Third, was robbed of his one ewe lamb in the shape of half a tin of
anchovy paste. Panic reigned.</p>
<p>It was after this matter of the sausages that a luminous idea occurred to
Trentham. He had been laid up with a slight football accident, and his
family, reading between the lines of his written statement that he 'had
got crocked at footer, nothing much, only (rather a nuisance) might do him
out of the House-matches', a notification of mortal injuries, and seeming
to hear a death-rattle through the words 'felt rather chippy yesterday',
had come down <i>en masse</i> to investigate. <i>En masse,</i> that is to
say, with the exception of his father, who said he was too busy, but felt
sure it was nothing serious. ('Why, when I was a boy, my dear, I used to
think nothing of an occasional tumble. There's nothing the matter with
Dick. Why, etc., etc.')</p>
<p>Trentham's sister was his first visitor.</p>
<p>'I say,' said he, when he had satisfied her on the subject of his health,
'would you like to do me a good turn?'</p>
<p>She intimated that she would be delighted, and asked for details.</p>
<p><i>'Buy the beak's cat,'</i> hissed Trentham, in a hoarse whisper.</p>
<p>'Dick, it <i>was</i> your leg that you hurt, wasn't it? Not—not your
head?' she replied. 'I mean—'</p>
<p>'No, I really mean it. Why can't you? It's a perfectly simple thing to
do.'</p>
<p>'But what <i>is</i> a beak? And why should I buy its cat?'</p>
<p>'A beak's a master. Surely you know that. You see, Prater's got a cat
lately, and the beast strolls in and raids the studies. Got round over
half a pound of prime sausages in here the other night, and he's always
bagging things everywhere. You'd be doing everyone a kindness if you would
take him on. He'll get lynched some day if you don't. Besides, you want a
cat for your new house, surely. Keep down the mice, and that sort of
thing, you know. This animal's a demon for mice.' This was a telling
argument. Trentham's sister had lately been married, and she certainly had
had some idea of investing in a cat to adorn her home. 'As for beetles,'
continued the invalid, pushing home his advantage, 'they simply daren't
come out of their lairs for fear of him.'</p>
<p>'If he eats beetles,' objected his sister, 'he can't have a very good
coat.'</p>
<p>'He doesn't eat them. Just squashes them, you know, like a policeman. He's
a decent enough beast as far as looks go.'</p>
<p>'But if he steals things—'</p>
<p>'No, don't you see, he only does that here, because the Praters don't
interfere with him and don't let us do anything to him. He won't try that
sort of thing on with you. If he does, get somebody to hit him over the
head with a boot-jack or something. He'll soon drop it then. You might as
well, you know. The House'll simply black your boots if you do.'</p>
<p>'But would Mr Prater let me have the cat?'</p>
<p>'Try him, anyhow. Pitch it fairly warm, you know. Only cat you ever loved,
and that sort of thing.'</p>
<p>'Very well. I'll try.'</p>
<p>'Thanks, awfully. And, I say, you might just look in here on your way out
and report.'</p>
<p>Mrs James Williamson, nee Miss Trentham, made her way dutifully to the
Merevale's part of the House. Mrs Prater had expressed a hope that she
would have some tea before catching her train. With tea it is usual to
have milk, and with milk it is usual, if there is a cat in the house, to
have feline society. Captain Kettle, which was the name thought suitable
to this cat by his godfathers and godmothers, was on hand early. As he
stood there pawing the mat impatiently, and mewing in a minor key, Mrs
Williamson felt that here was the cat for her. He certainly was good to
look upon. His black heart was hidden by a sleek coat of tabby fur, which
rendered stroking a luxury. His scheming brain was out of sight in a
shapely head.</p>
<p>'Oh, what a lovely cat!' said Mrs Williamson.</p>
<p>'Yes, isn't he,' agreed Mrs Prater. 'We are very proud of him.'</p>
<p>'Such a beautiful coat!'</p>
<p>'And such a sweet purr!'</p>
<p>'He looks so intelligent. Has he any tricks?'</p>
<p>Had he any tricks! Why, Mrs Williamson, he could do everything except
speak. Captain Kettle, you bad boy, come here and die for your country.
Puss, puss.</p>
<p>Captain Kettle came at last reluctantly, died for his country in record
time, and flashed back again to the saucer. He had an important
appointment. Sorry to appear rude and all that sort of thing, don't you
know, but he had to see a cat about a mouse.</p>
<p>'Well?' said Trentham, when his sister looked in upon him an hour later.</p>
<p>'Oh, Dick, it's the nicest cat I ever saw. I shall never be happy if I
don't get it.'</p>
<p>'Have you bought it?' asked the practical Trentham.</p>
<p>'My dear Dick, I couldn't. We couldn't bargain about a cat during tea.
Why, I never met Mrs Prater before this afternoon.'</p>
<p>'No, I suppose not,' admitted Trentham, gloomily. 'Anyhow, look here, if
anything turns up to make the beak want to get rid of it, I'll tell him
you're dead nuts on it. See?'</p>
<p>For a fortnight after this episode matters went on as before. Mrs
Williamson departed, thinking regretfully of the cat she had left behind
her.</p>
<p>Captain Kettle died for his country with moderate regularity, and on one
occasion, when he attempted to extract some milk from the very centre of a
fag's tea-party, almost died for another reason. Then the end came
suddenly.</p>
<p>Trentham had been invited to supper one Sunday by Mr Prater. When he
arrived it became apparent to him that the atmosphere was one of subdued
gloom. At first he could not understand this, but soon the reason was made
clear. Captain Kettle had, in the expressive language of the man in the
street, been and gone and done it. He had been left alone that evening in
the drawing-room, while the House was at church, and his eye, roaming
restlessly about in search of evil to perform, had lighted upon a cage. In
that cage was a special sort of canary, in its own line as accomplished an
artiste as Captain Kettle himself. It sang with taste and feeling, and
made itself generally agreeable in a number of little ways. But to Captain
Kettle it was merely a bird. One of the poets sings of an acquaintance of
his who was so constituted that 'a primrose by the river's brim a simple
primrose was to him, and it was nothing more'. Just so with Captain
Kettle. He was not the cat to make nice distinctions between birds. Like
the cat in another poem, he only knew they made him light and salutary
meals. So, with the exercise of considerable ingenuity, he extracted that
canary from its cage and ate it. He was now in disgrace.</p>
<p>'We shall have to get rid of him,' said Mr Prater.</p>
<p>'I'm afraid so,' said Mrs Prater.</p>
<p>'If you weren't thinking of giving him to anyone in particular, sir,' said
Trentham, 'my sister would be awfully glad to take him, I know. She was
very keen on him when she came to see me.'</p>
<p>'That's excellent,' said Prater. 'I was afraid we should have to send him
to a home somewhere.'</p>
<p>'I suppose we can't keep him after all?' suggested Mrs Prater.</p>
<p>Trentham waited in suspense.</p>
<p>'No,' said Prater, decidedly. 'I think <i>not</i>.' So Captain Kettle
went, and the House knew him no more, and the Tabby Terror was at an end.</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0015" id="link2H_4_0015"> </SPAN></p>
<br/>
<h2> 12 — THE PRIZE POEM </h2>
<p>Some quarter of a century before the period with which this story deals, a
certain rich and misanthropic man was seized with a bright idea for
perpetuating his memory after death, and at the same time harassing a
certain section of mankind. So in his will he set aside a portion of his
income to be spent on an annual prize for the best poem submitted by a
member of the Sixth Form of St Austin's College, on a subject to be
selected by the Headmaster. And, he added—one seems to hear him
chuckling to himself—every member of the form must compete. Then he
died. But the evil that men do lives after them, and each year saw a fresh
band of unwilling bards goaded to despair by his bequest. True, there were
always one or two who hailed this ready market for their sonnets and odes
with joy. But the majority, being barely able to rhyme 'dove' with 'love',
regarded the annual announcement of the subject chosen with feelings of
the deepest disgust.</p>
<p>The chains were thrown off after a period of twenty-seven years in this
fashion.</p>
<p>Reynolds of the Remove was indirectly the cause of the change. He was in
the infirmary, convalescing after an attack of German measles, when he
received a visit from Smith, an ornament of the Sixth.</p>
<p>'By Jove,' remarked that gentleman, gazing enviously round the sick-room,
'they seem to do you pretty well here.'</p>
<p>'Yes, not bad, is it? Take a seat. Anything been happening lately?'</p>
<p>'Nothing much. I suppose you know we beat the M.C.C. by a wicket?'</p>
<p>'Yes, so I heard. Anything else?'</p>
<p>'Prize poem,' said Smith, without enthusiasm. He was not a poet.</p>
<p>Reynolds became interested at once. If there was one role in which he
fancied himself (and, indeed, there were a good many), it was that of a
versifier. His great ambition was to see some of his lines in print, and
he had contracted the habit of sending them up to various periodicals,
with no result, so far, except the arrival of rejected MSS. at meal-times
in embarrassingly long envelopes. Which he blushingly concealed with all
possible speed.</p>
<p>'What's the subject this year?' he asked.</p>
<p>'The College—of all idiotic things.'</p>
<p>'Couldn't have a better subject for an ode. By Jove, I wish I was in the
Sixth.'</p>
<p>'Wish I was in the infirmary,' said Smith.</p>
<p>Reynolds was struck with an idea.</p>
<p>'Look here, Smith,' he said, 'if you like I'll do you a poem, and you can
send it up. If it gets the prize—'</p>
<p>'Oh, it won't get the prize,' Smith put in eagerly. 'Rogers is a cert. for
that.'</p>
<p>'If it gets the prize,' repeated Reynolds, with asperity, 'you'll have to
tell the Old Man all about it. He'll probably curse a bit, but that can't
be helped. How's this for a beginning?</p>
<p>"Imposing pile, reared up 'midst pleasant grounds,<br/>
The scene of many a battle, lost or won,<br/>
At cricket or at football; whose red walls<br/>
Full many a sun has kissed 'ere day is done."'<br/></p>
<p>'Grand. Couldn't you get in something about the M.C.C. match? You could
make cricket rhyme with wicket.' Smith sat entranced with his ingenuity,
but the other treated so material a suggestion with scorn.</p>
<p>'Well,' said Smith, 'I must be off now. We've got a House-match on. Thanks
awfully about the poem.'</p>
<p>Left to himself, Reynolds set himself seriously to the composing of an ode
that should do him justice. That is to say, he drew up a chair and table
to the open window, wrote down the lines he had already composed, and
began chewing a pen. After a few minutes he wrote another four lines,
crossed them out, and selected a fresh piece of paper. He then copied out
his first four lines again. After eating his pen to a stump, he jotted
down the two words 'boys' and 'joys' at the end of separate lines. This
led him to select a third piece of paper, on which he produced a sort of
<i>edition de luxe</i> in his best handwriting, with the title 'Ode to the
College' in printed letters at the top. He was admiring the neat effect of
this when the door opened suddenly and violently, and Mrs Lee, a lady of
advanced years and energetic habits, whose duty it was to minister to the
needs of the sick and wounded in the infirmary, entered with his tea. Mrs
Lee's method of entering a room was in accordance with the advice of the
Psalmist, where he says, 'Fling wide the gates'. She flung wide the gate
of the sick-room, and the result was that what is commonly called 'a
thorough draught' was established. The air was thick with flying papers,
and when calm at length succeeded storm, two editions of 'Ode to the
College' were lying on the grass outside.</p>
<p>Reynolds attacked the tea without attempting to retrieve his vanished
work. Poetry is good, but tea is better. Besides, he argued within
himself, he remembered all he had written, and could easily write it out
again. So, as far as he was concerned, those three sheets of paper were a
closed book.</p>
<p>Later on in the afternoon, Montgomery of the Sixth happened to be passing
by the infirmary, when Fate, aided by a sudden gust of wind, blew a piece
of paper at him. 'Great Scott,' he observed, as his eye fell on the words
'Ode to the College'. Montgomery, like Smith, was no expert in poetry. He
had spent a wretched afternoon trying to hammer out something that would
pass muster in the poem competition, but without the least success. There
were four lines on the paper. Two more, and it would be a poem, and
capable of being entered for the prize as such. The words 'imposing pile',
with which the fragment in his hand began, took his fancy immensely. A
poetic afflatus seized him, and in less than three hours he had added the
necessary couplet,</p>
<p>How truly sweet it is for such as me<br/>
To gaze on thee.<br/></p>
<p>'And dashed neat, too,' he said, with satisfaction, as he threw the
manuscript into his drawer. 'I don't know whether "me" shouldn't be "I",
but they'll have to lump it. It's a poem, anyhow, within the meaning of
the act.' And he strolled off to a neighbour's study to borrow a book.</p>
<p>Two nights afterwards, Morrison, also of the Sixth, was enjoying his usual
during prep siesta in his study. A tap at the door roused him. Hastily
seizing a lexicon, he assumed the attitude of the seeker after knowledge,
and said, 'Come in.' It was not the House-master, but Evans, Morrison's
fag, who entered with pride on his face and a piece of paper in his hand.</p>
<p>'I say,' he began, 'you remember you told me to hunt up some tags for the
poem. Will this do?'</p>
<p>Morrison took the paper with a judicial air. On it were the words:</p>
<p>Imposing pile, reared up 'midst pleasant grounds,<br/>
The scene of many a battle, lost or won,<br/>
At cricket or at football; whose red walls<br/>
Full many a sun has kissed 'ere day is done.<br/></p>
<p>'That's ripping, as far as it goes,' said Morrison. 'Couldn't be better.
You'll find some apples in that box. Better take a few. But look here,'
with sudden suspicion, 'I don't believe you made all this up yourself. Did
you?'</p>
<p>Evans finished selecting his apples before venturing on a reply. Then he
blushed, as much as a member of the junior school is capable of blushing.</p>
<p>'Well,' he said, 'I didn't exactly. You see, you only told me to get the
tags. You didn't say how.'</p>
<p>'But how did you get hold of this? Whose is it?'</p>
<p>'Dunno. I found it in the field between the Pavilion and the infirmary.'</p>
<p>'Oh! well, it doesn't matter much. They're just what I wanted, which is
the great thing. Thanks. Shut the door, will you?' Whereupon Evans
retired, the richer by many apples, and Morrison resumed his siesta at the
point where he had left off.</p>
<p>'Got that poem done yet?' said Smith to Reynolds, pouring out a cup of tea
for the invalid on the following Sunday.</p>
<p>'Two lumps, please. No, not quite.'</p>
<p>'Great Caesar, man, when'll it be ready, do you think? It's got to go in
tomorrow.'</p>
<p>'Well, I'm really frightfully sorry, but I got hold of a grand book. Ever
read—?'</p>
<p>'Isn't any of it done?' asked Smith.</p>
<p>'Only the first verse, I'm afraid. But, look here, you aren't keen on
getting the prize. Why not send in only the one verse? It makes a fairly
decent poem.'</p>
<p>'Hum! Think the Old 'Un'll pass it?'</p>
<p>'He'll have to. There's nothing in the rules about length. Here it is if
you want it.'</p>
<p>'Thanks. I suppose it'll be all right? So long! I must be off.'</p>
<p>The Headmaster, known to the world as the Rev. Arthur James Perceval,
M.A., and to the School as the Old 'Un, was sitting at breakfast, stirring
his coffee, with a look of marked perplexity upon his dignified face. This
was not caused by the coffee, which was excellent, but by a letter which
he held in his left hand.</p>
<p>'Hum!' he said. Then 'Umph!' in a protesting tone, as if someone had
pinched him. Finally, he gave vent to a long-drawn 'Um-m-m,' in a deep
bass. 'Most extraordinary. Really, most extraordinary. Exceedingly. Yes.
Um. Very.' He took a sip of coffee.</p>
<p>'My dear,' said he, suddenly. Mrs Perceval started violently. She had been
sketching out in her mind a little dinner, and wondering whether the cook
would be equal to it.</p>
<p>'Yes,' she said.</p>
<p>'My dear, this is a very extraordinary communication. Exceedingly so. Yes,
very.'</p>
<p>'Who is it from?'</p>
<p>Mr Perceval shuddered. He was a purist in speech. '<i>From whom</i>, you
should say. It is from Mr Wells, a great College friend of mine. I—ah—submitted
to him for examination the poems sent in for the Sixth Form Prize. He
writes in a very flippant style. I must say, very flippant. This is his
letter:—"Dear Jimmy (really, really, he should remember that we are
not so young as we were); dear—ahem—Jimmy. The poems to hand.
I have read them, and am writing this from my sick-bed. The doctor tells
me I may pull through even yet. There was only one any good at all, that
was Rogers's, which, though—er—squiffy (tut!) in parts, was a
long way better than any of the others. But the most taking part of the
whole programme was afforded by the three comedians, whose efforts I
enclose. You will notice that each begins with exactly the same four
lines. Of course, I deprecate cribbing, but you really can't help admiring
this sort of thing. There is a reckless daring about it which is simply
fascinating. A horrible thought—have they been pulling your
dignified leg? By the way, do you remember"—the rest of the letter
is—er—on different matters.'</p>
<p>'James! How extraordinary!'</p>
<p>'Um, yes. I am reluctant to suspect—er—collusion, but really
here there can be no doubt. No doubt at all. No.'</p>
<p>'Unless,' began Mrs Perceval, tentatively. 'No doubt at all, my dear,'
snapped Reverend Jimmy. He did not wish to recall the other possibility,
that his dignified leg was being pulled.</p>
<p>'Now, for what purpose did I summon you three boys?' asked Mr Perceval, of
Smith, Montgomery, and Morrison, in his room after morning school that
day. He generally began a painful interview with this question. The method
had distinct advantages. If the criminal were of a nervous disposition, he
would give himself away upon the instant. In any case, it was likely to
startle him. 'For what purpose?' repeated the Headmaster, fixing Smith
with a glittering eye.</p>
<p>'I will tell you,' continued Mr Perceval. 'It was because I desired
information, which none but you can supply. How comes it that each of your
compositions for the Poetry Prize commences with the same four lines?' The
three poets looked at one another in speechless astonishment.</p>
<p>'Here,' he resumed, 'are the three papers. Compare them. Now,'—after
the inspection was over—' what explanation have you to offer? Smith,
are these your lines?'</p>
<p>'I—er—ah—<i>wrote</i> them, sir.'</p>
<p>'Don't prevaricate, Smith. Are you the author of those lines?'</p>
<p>'No, sir.'</p>
<p>'Ah! Very good. Are you, Montgomery?'</p>
<p>'No, sir.'</p>
<p>'Very good. Then you, Morrison, are exonerated from all blame. You have
been exceedingly badly treated. The first-fruit of your brain has been—ah—plucked
by others, who toiled not neither did they spin. You can go, Morrison.'</p>
<p>'But, sir—'</p>
<p>'Well, Morrison?'</p>
<p>'I didn't write them, sir.'</p>
<p>'I—ah—don't quite understand you, Morrison. You say that you
are indebted to another for these lines?'</p>
<p>'Yes, sir.'</p>
<p>'To Smith?'</p>
<p>'No, sir.'</p>
<p>'To Montgomery?'</p>
<p>'No, sir.'</p>
<p>'Then, Morrison, may I ask to whom you are indebted?'</p>
<p>'I found them in the field on a piece of paper, sir.' He claimed the
discovery himself, because he thought that Evans might possibly prefer to
remain outside this tangle.</p>
<p>'So did I, sir.' This from Montgomery. Mr Perceval looked bewildered, as
indeed he was.</p>
<p>'And did you, Smith, also find this poem on a piece of paper in the
field?' There was a metallic ring of sarcasm in his voice.</p>
<p>'No, sir.'</p>
<p>'Ah! Then to what circumstance were you indebted for the lines?'</p>
<p>'I got Reynolds to do them for me, sir.'</p>
<p>Montgomery spoke. 'It was near the infirmary that I found the paper, and
Reynolds is in there.'</p>
<p>'So did I, sir,' said Morrison, incoherently.</p>
<p>'Then am I to understand, Smith, that to gain the prize you resorted to
such underhand means as this?'</p>
<p>'No, sir, we agreed that there was no danger of my getting the prize. If I
had got it, I should have told you everything. Reynolds will tell you
that, sir.'</p>
<p>'Then what object had you in pursuing this deception?'</p>
<p>'Well, sir, the rules say everyone must send in something, and I can't
write poetry at all, and Reynolds likes it, so I asked him to do it.'</p>
<p>And Smith waited for the storm to burst. But it did not burst. Far down in
Mr Perceval's system lurked a quiet sense of humour. The situation
penetrated to it. Then he remembered the examiner's letter, and it dawned
upon him that there are few crueller things than to make a prosaic person
write poetry.</p>
<p>'You may go,' he said, and the three went.</p>
<p>And at the next Board Meeting it was decided, mainly owing to the
influence of an exceedingly eloquent speech from the Headmaster, to alter
the rules for the Sixth Form Poetry Prize, so that from thence onward no
one need compete unless he felt himself filled with the immortal fire.</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0016" id="link2H_4_0016"> </SPAN></p>
<br/>
<h2> 13 — WORK </h2>
<p>With a pleasure that's emphatic<br/>
We retire to our attic<br/>
With the satisfying feeling that our duty has been done.<br/>
<br/>
Oh! philosophers may sing<br/>
Of the troubles of a king<br/>
But of pleasures there are many and of troubles there are none,<br/>
And the culminating pleasure<br/>
Which we treasure beyond measure<br/>
Is the satisfying feeling that our duty has been done.<br/>
<br/>
<i>W. S. Gilbert</i><br/></p>
<p>Work is supposed to be the centre round which school life revolves—the
hub of the school wheel, the lode-star of the schoolboy's existence, and a
great many other things. 'You come to school to work', is the formula used
by masters when sentencing a victim to the wailing and gnashing of teeth
provided by two hours' extra tuition on a hot afternoon. In this, I think,
they err, and my opinion is backed up by numerous scholars of my
acquaintance, who have even gone so far—on occasions when they
themselves have been the victims—as to express positive disapproval
of the existing state of things. In the dear, dead days (beyond recall), I
used often to long to put the case to my form-master in its only fair
aspect, but always refrained from motives of policy. Masters are so apt to
take offence at the well-meant endeavours of their form to instruct them
in the way they should go.</p>
<p>What I should have liked to have done would have been something after this
fashion. Entering the sanctum of the Headmaster, I should have motioned
him to his seat—if he were seated already, have assured him that to
rise was unnecessary. I should then have taken a seat myself, taking care
to preserve a calm fixity of demeanour, and finally, with a preliminary
cough, I should have embarked upon the following moving address: 'My dear
sir, my dear Reverend Jones or Brown (as the case may be), believe me when
I say that your whole system of work is founded on a fallacious dream and
reeks of rottenness. No, no, I beg that you will not interrupt me. The
real state of the case, if I may say so, is briefly this: a boy goes to
school to enjoy himself, and, on arriving, finds to his consternation that
a great deal more work is expected of him than he is prepared to do. What
course, then, Reverend Jones or Brown, does he take? He proceeds to do as
much work as will steer him safely between the, ah—I may say, the
Scylla of punishment and the Charybdis of being considered what my, er—fellow-pupils
euphoniously term a swot. That, I think, is all this morning. <i>Good</i>
day. Pray do not trouble to rise. I will find my way out.' I should then
have made for the door, locked it, if possible, on the outside, and,
rushing to the railway station, have taken a through ticket to Spitzbergen
or some other place where Extradition treaties do not hold good.</p>
<p>But 'twas not mine to play the Tib. Gracchus, to emulate the O. Cromwell.
So far from pouring my opinions like so much boiling oil into the ear of
my task-master, I was content to play the part of audience while <i>he</i>
did the talking, my sole remark being 'Yes'r' at fixed intervals.</p>
<p>And yet I knew that I was in the right. My bosom throbbed with the justice
of my cause. For why? The ambition of every human new boy is surely to
become like J. Essop of the First Eleven, who can hit a ball over two
ponds, a wood, and seven villages, rather than to resemble that pale young
student, Mill-Stuart, who, though he can speak Sanskrit like a native of
Sanskritia, couldn't score a single off a slow long-hop.</p>
<p>And this ambition is a laudable one. For the athlete is the product of
nature—a step towards the more perfect type of animal, while the
scholar is the outcome of artificiality. What, I ask, does the scholar
gain, either morally or physically, or in any other way, by knowing who
was tribune of the people in 284 BC or what is the precise difference
between the various constructions of <i>cum</i>? It is not as if ignorance
of the tribune's identity caused him any mental unrest. In short, what
excuse is there for the student? 'None,' shrieks Echo enthusiastically.
'None whatever.'</p>
<p>Our children are being led to ruin by this system. They will become dons
and think in Greek. The victim of the craze stops at nothing. He puns in
Latin. He quips and quirks in Ionic and Doric. In the worst stages of the
disease he will edit Greek plays and say that Merry quite misses the fun
of the passage, or that Jebb is mediocre. Think, I beg of you,
paterfamilias, and you, mater ditto, what your feelings would be were you
to find Henry or Archibald Cuthbert correcting proofs of <i>The Agamemnon</i>,
and inventing 'nasty ones' for Mr Sidgwick! Very well then. Be warned.</p>
<p>Our bright-eyed lads are taught insane constructions in Greek and Latin
from morning till night, and they come for their holidays, in many cases,
without the merest foundation of a batting style. Ask them what a Yorker
is, and they will say: 'A man from York, though I presume you mean a
Yorkshireman.' They will read Herodotus without a dictionary for pleasure,
but ask them to translate the childishly simple sentence: 'Trott was soon
in his timber-yard with a length 'un that whipped across from the off,'
and they'll shrink abashed and swear they have not skill at that, as
Gilbert says.</p>
<p>The papers sometimes contain humorous forecasts of future education, when
cricket and football shall come to their own. They little know the
excellence of the thing they mock at. When we get schools that teach
nothing but games, then will the sun definitely refuse to set on the roast
beef of old England. May it be soon. Some day, mayhap, I shall gather my
great-great-grandsons round my knee, and tell them—as one tells
tales of Faery—that I can remember the time when Work was considered
the be-all and the end-all of a school career. Perchance, when my
great-great-grandson John (called John after the famous Jones of that
name) has brought home the prize for English Essay on 'Rugby <i>v.</i>
Association', I shall pat his head (gently) and the tears will come to my
old eyes as I recall the time when I, too, might have won a prize—for
that obsolete subject, Latin Prose—and was only prevented by the
superior excellence of my thirty-and-one fellow students, coupled, indeed,
with my own inability to conjugate <i>sum.</i></p>
<p>Such days, I say, may come. But now are the Dark Ages. The only thing that
can possibly make Work anything but an unmitigated nuisance is the
prospect of a 'Varsity scholarship, and the thought that, in the event of
failure, a 'Varsity career will be out of the question.</p>
<p>With this thought constantly before him, the student can put a certain
amount of enthusiasm into his work, and even go to the length of rising at
five o'clock o' mornings to drink yet deeper of the cup of knowledge. I
have done it myself. 'Varsity means games and yellow waistcoats and
Proctors, and that sort of thing. It is worth working for.</p>
<p>But for the unfortunate individual who is barred by circumstances from
participating in these joys, what inducement is there to work? Is such a
one to leave the school nets in order to stew in a stuffy room over a
Thucydides? I trow not.</p>
<p>Chapter one of my great forthcoming work, <i>The Compleat Slacker</i>,
contains minute instructions on the art of avoiding preparation from
beginning to end of term. Foremost among the words of advice ranks this
maxim: Get an official list of the books you are to do, and examine them
carefully with a view to seeing what it is possible to do unseen. Thus, if
Virgil is among these authors, you can rely on being able to do him with
success. People who ought to know better will tell you that Virgil is
hard. Such a shallow falsehood needs little comment. A scholar who cannot
translate ten lines of <i>The Aeneid</i> between the time he is put on and
the time he begins to speak is unworthy of pity or consideration, and if I
meet him in the street I shall assuredly cut him. Aeschylus, on the other
hand, is a demon, and needs careful watching, though in an emergency you
can always say the reading is wrong.</p>
<p>Sometimes the compleat slacker falls into a trap. The saddest case I can
remember is that of poor Charles Vanderpoop. He was a bright young lad,
and showed some promise of rising to heights as a slacker. He fell in this
fashion. One Easter term his form had half-finished a speech of
Demosthenes, and the form-master gave them to understand that they would
absorb the rest during the forthcoming term. Charles, being naturally
anxious to do as little work as possible during the summer months, spent
his Easter holidays carefully preparing this speech, so as to have it
ready in advance. What was his horror, on returning to School at the
appointed date, to find that they were going to throw Demosthenes over
altogether, and patronize Plato. Threats, entreaties, prayers—all
were accounted nothing by the master who had led him into this morass of
troubles. It is believed that the shock destroyed his reason. At any rate,
the fact remains that that term (the summer term, mark you) he won two
prizes. In the following term he won three. To recapitulate his outrages
from that time to the present were a harrowing and unnecessary task.
Suffice it that he is now a Regius Professor, and I saw in the papers a
short time ago that a lecture of his on 'The Probable Origin of the Greek
Negative', created quite a <i>furore</i>. If this is not Tragedy with a
big T, I should like to know what it is.</p>
<p>As an exciting pastime, unseen translation must rank very high. Everyone
who has ever tried translating unseen must acknowledge that all other
forms of excitement seem but feeble makeshifts after it. I have, in the
course of a career of sustained usefulness to the human race, had my share
of thrills. I have asked a strong and busy porter, at Paddington, when the
Brighton train started. I have gone for the broad-jump record in trying to
avoid a motor-car. I have played Spillikins and Ping-Pong. But never again
have I felt the excitement that used to wander athwart my moral backbone
when I was put on to translate a passage containing a notorious <i>crux</i>
and seventeen doubtful readings, with only that innate genius, which is
the wonder of the civilized world, to pull me through. And what a glow of
pride one feels when it is all over; when one has made a glorious, golden
guess at the <i>crux</i>, and trampled the doubtful readings under foot
with inspired ease. It is like a day at the seaside.</p>
<p>Work is bad enough, but Examinations are worse, especially the Board
Examinations. By doing from ten to twenty minutes prep every night, the
compleat slacker could get through most of the term with average success.
Then came the Examinations. The dabbler in unseen translations found
himself caught as in a snare. Gone was the peaceful security in which he
had lulled to rest all the well-meant efforts of his guardian angel to
rouse him to a sense of his duties. There, right in front of him, yawned
the abyss of Retribution.</p>
<p>Alas! poor slacker. I knew him, Horatio; a fellow of infinite jest, of
most excellent fancy. Where be his gibes now? How is he to cope with the
fiendish ingenuity of the examiners? How is he to master the contents of a
book of Thucydides in a couple of days? It is a fearsome problem. Perhaps
he will get up in the small hours and work by candle light from two till
eight o'clock. In this case he will start his day a mental and physical
wreck. Perhaps he will try to work and be led away by the love of light
reading.</p>
<p>In any case he will fail to obtain enough marks to satisfy the examiners,
though whether examiners ever are satisfied, except by Harry the hero of
the school story (Every Lad's Library, uniform edition, 2s 6d), is rather
a doubtful question.</p>
<p>In such straits, matters resolve themselves into a sort of drama with
three characters. We will call our hero Smith.</p>
<p><i>Scene:</i> a Study</p>
<p><i>Dramatis Personae:</i><br/>
SMITH<br/>
CONSCIENCE<br/>
MEPHISTOPHELES<br/></p>
<p><i>Enter</i> SMITH (<i>down centre</i>)</p>
<p><i>He seats himself at table and opens a Thucydides.</i></p>
<p><i>Enter</i> CONSCIENCE <i>through ceiling</i> (R.), MEPHISTOPHELES <i>through
floor</i> (L.).</p>
<p>CONSCIENCE (<i>with a kindly smile</i>): Precisely what I was about to
remark, my dear lad. A little Thucydides would be a very good thing.
Thucydides, as you doubtless know, was a very famous Athenian historian.
Date?</p>
<p>SMITH: Er—um—let me see.</p>
<p>MEPH. (<i>aside</i>): Look in the Introduction and pretend you did it by
accident.</p>
<p>SMITH (<i>having done so</i>): 431 B.C. <i>circ</i>.</p>
<p>CONSCIENCE <i>wipes away a tear</i>.</p>
<p>CONSCIENCE: Thucydides made himself a thorough master of the concisest of
styles.</p>
<p>MEPH.: And in doing so became infernally obscure. Excuse shop.</p>
<p>SMITH (<i>gloomily</i>): Hum!</p>
<p>MEPH. (<i>sneeringly</i>): Ha!</p>
<p><i>Long pause</i>.</p>
<p>CONSCIENCE (<i>gently</i>): Do you not think, my dear lad, that you had
better begin? Time and tide, as you are aware, wait for no man. And—</p>
<p>SMITH: Yes?</p>
<p>CONSCIENCE: You have not, I fear, a very firm grasp of the subject.
However, if you work hard till eleven—</p>
<p>SMITH (<i>gloomily</i>): Hum! Three hours!</p>
<p>MEPH. (<i>cheerily</i>): Exactly so. Three hours. A little more if
anything. By the way, excuse me asking, but have you prepared the subject
thoroughly during the term?</p>
<p>SMITH: My <i>dear</i> sir! Of <i>course!</i></p>
<p>CONSCIENCE (<i>reprovingly</i>):???!!??!</p>
<p>SMITH: Well, perhaps, not quite so much as I might have done. Such a lot
of things to do this term. Cricket, for instance.</p>
<p>MEPH.: Rather. Talking of cricket, you seemed to be shaping rather well
last Saturday. I had just run up on business, and someone told me you made
eighty not out. Get your century all right?</p>
<p>SMITH (<i>brightening at the recollection</i>): Just a bit—117 not
out. I hit—but perhaps you've heard?</p>
<p>MEPH.: Not at all, not at all. Let's hear all about it.</p>
<p><i>CONSCIENCE seeks to interpose, but is prevented by MEPH., who eggs
SMITH on to talk cricket for over an hour.</i></p>
<p>CONSCIENCE <i>(at last; in an acid voice)</i>: That is a history of the
Peloponnesian War by Thucydides on the table in front of you. I thought I
would mention it, in case you had forgotten.</p>
<p>SMITH: Great Scott, yes! Here, I say, I must start.</p>
<p>CONSCIENCE: Hear! Hear!</p>
<p>MEPH. <i>(insinuatingly)</i>: One moment. Did you say you <i>had</i>
prepared this book during the term? Afraid I'm a little hard of hearing.
Eh, what?</p>
<p>SMITH: Well—er—no, I have not. Have you ever played billiards
with a walking-stick and five balls?</p>
<p>MEPH.: Quite so, quite so. I quite understand. Don't you distress
yourself, old chap. You obviously can't get through a whole book of
Thucydides in under two hours, can you?</p>
<p>CONSCIENCE <i>(severely)</i>: He might, by attentive application to study,
master a considerable portion of the historian's <i>chef d'oeuvre</i> in
that time.</p>
<p>MEPH.: Yes, and find that not one of the passages he had prepared was set
in the paper.</p>
<p>CONSCIENCE: At the least, he would, if he were to pursue the course which
I have indicated, greatly benefit his mind.</p>
<p>MEPH. <i>gives a short, derisive laugh. Long pause.</i></p>
<p>MEPH. <i>(looking towards bookshelf)</i>: Hullo, you've got a decent lot
of books, pommy word you have. <i>Rodney Stone, Vice Versa, Many Cargoes.</i>
Ripping. Ever read <i>Many Cargoes?</i></p>
<p>CONSCIENCE <i>(glancing at his watch)</i>: I am sorry, but I must really
go now. I will see you some other day.</p>
<p><i>Exit sorrowfully.</i></p>
<p>MEPH.: Well, thank goodness <i>he's</i> gone. Never saw such a fearful old
bore in my life. Can't think why you let him hang on to you so. We may as
well make a night of it now, eh? No use your trying to work at this time
of night.</p>
<p>SMITH: Not a bit.</p>
<p>MEPH.: Did you say you'd not read <i>Many Cargoes?</i></p>
<p>SMITH: Never. Only got it today. Good?</p>
<p>MEPH.: Simply ripping. All short stories. Make you yell.</p>
<p>SMITH <i>(with a last effort)</i>: But don't you think—</p>
<p>MEPH.: Oh no. Besides, you can easily get up early tomorrow for the
Thucydides.</p>
<p>SMITH: Of course I can. Never thought of that. Heave us <i>Many Cargoes.</i>
Thanks.</p>
<p><i>Begins to read. MEPH. grins fiendishly, and vanishes through floor
enveloped in red flame. Sobbing heard from the direction of the ceiling.
</i></p>
<p>Scene closes.</p>
<p>Next morning, of course, he will oversleep himself, and his Thucydides
paper will be of such a calibre that that eminent historian will writhe in
his grave.</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0018" id="link2H_4_0018"> </SPAN></p>
<br/>
<h2> 14 — NOTES </h2>
<p>Of all forms of lettered effusiveness, that which exploits the<br/>
original work of others and professes to supply us with right<br/>
opinions thereanent is the least wanted.<br/>
<br/>
<i>Kenneth Grahame</i><br/></p>
<p>It has always seemed to me one of the worst flaws in our mistaken social
system, that absolutely no distinction is made between the master who
forces the human boy to take down notes from dictation and the rest of
mankind. I mean that, if in a moment of righteous indignation you rend
such a one limb from limb, you will almost certainly be subjected to the
utmost rigour of the law, and you will be lucky if you escape a heavy fine
of five or ten shillings, exclusive of the costs of the case. Now, this is
not right on the face of it. It is even wrong. The law should take into
account the extreme provocation which led to the action. Punish if you
will the man who travels second-class with a third-class ticket, or who
borrows a pencil and forgets to return it; but there are occasions when
justice should be tempered with mercy, and this murdering of pedagogues is
undoubtedly such an occasion.</p>
<p>It should be remembered, however, that there are two varieties of notes.
The printed notes at the end of your Thucydides or Homer are distinctly
useful when they aim at acting up to their true vocation, namely, the
translating of difficult passages or words. Sometimes, however, the author
will insist on airing his scholarship, and instead of translations he
supplies parallel passages, which neither interest, elevate, nor amuse the
reader. This, of course, is mere vanity. The author, sitting in his
comfortable chair with something short within easy reach, recks nothing of
the misery he is inflicting on hundreds of people who have done him no
harm at all. He turns over the pages of his book of <i>Familiar Quotations</i>
with brutal callousness, and for every tricky passage in the work which he
is editing, finds and makes a note of three or four even trickier ones
from other works. Who has not in his time been brought face to face with a
word which defies translation? There are two courses open to you on such
an occasion, to look the word up in the lexicon, or in the notes. You, of
course, turn up the notes, and find: 'See line 80.' You look up line 80,
hoping to see a translation, and there you are told that a rather similar
construction occurs in Xenophades' <i>Lyrics from a Padded Cell</i>. On
this, the craven of spirit will resort to the lexicon, but the man of
mettle will close his book with an emphatic bang, and refuse to have
anything more to do with it. Of a different sort are the notes which
simply translate the difficulty and subside. These are a boon to the
scholar. Without them it would be almost impossible to prepare one's work
during school, and we should be reduced to the prosaic expedient of
working in prep. time. What we want is the commentator who translates <i>mensa</i>
as 'a table' without giving a page and a half of notes on the uses of the
table in ancient Greece, with an excursus on the habit common in those
times of retiring underneath it after dinner, and a list of the passages
in Apollonius Rhodius where the word 'table' is mentioned.</p>
<p>These voluminous notes are apt to prove a nuisance in more ways than one.
Your average master is generally inordinately fond of them, and will
frequently ask some member of the form to read his note on so-and-so out
to his fellows. This sometimes leads to curious results, as it is hardly
to be expected that the youth called upon will be attending, even if he is
awake, which is unlikely. On one occasion an acquaintance of mine, 'whose
name I am not at liberty to divulge', was suddenly aware that he was being
addressed, and, on giving the matter his attention, found that it was the
form-master asking him to read out his note on <i>Balbus murum aedificavit</i>.
My friend is a kind-hearted youth and of an obliging disposition, and
would willingly have done what was asked of him, but there were obstacles,
first and foremost of which ranked the fact that, taking advantage of his
position on the back desk (whither he thought the basilisk eye of
Authority could not reach), he had substituted <i>Bab Ballads</i> for the
words of Virgil, and was engrossed in the contents of that modern classic.
The subsequent explanations lasted several hours. In fact, it is probable
that the master does not understand the facts of the case thoroughly even
now. It is true that he called him a 'loathsome, slimy, repulsive toad',
but even this seems to fall short of the grandeur of the situation.</p>
<p>Those notes, also, which are, alas! only too common nowadays, that deal
with peculiarities of grammar, how supremely repulsive they are! It is
impossible to glean any sense from them, as the Editor mixes up
Nipperwick's view with Sidgeley's reasoning and Spreckendzedeutscheim's
surmise with Donnerundblitzendorf's conjecture in a way that seems to
argue a thorough unsoundness of mind and morals, a cynical insanity
combined with a blatant indecency. He occasionally starts in a reasonable
manner by giving one view as (1) and the next as (2). So far everyone is
happy and satisfied. The trouble commences when he has occasion to refer
back to some former view, when he will say: 'Thus we see (1) and (14)
that,' etc. The unlucky student puts a finger on the page to keep the
place, and hunts up view one. Having found this, and marked the spot with
another finger, he proceeds to look up view fourteen. He places another
finger on this, and reads on, as follows: 'Zmpe, however, maintains that
Schrumpff (see 3) is practically insane, that Spleckzh (see 34) is only a
little better, and that Rswkg (see 97 a (b) C3) is so far from being right
that his views may be dismissed as readily as those of Xkryt (see 5x).' At
this point brain-fever sets in, the victim's last coherent thought being a
passionate wish for more fingers. A friend of mine who was the wonder of
all who knew him, in that he was known to have scored ten per cent in one
of these papers on questions like the above, once divulged to an
interviewer the fact that he owed his success to his methods of learning
rather than to his ability. On the night before an exam, he would retire
to some secret, solitary place, such as the boot-room, and commence
learning these notes by heart. This, though a formidable task, was not so
bad as the other alternative. The result was that, although in the
majority of cases he would put down for one question an answer that would
have been right for another, yet occasionally, luck being with him, he
would hit the mark. Hence his ten per cent.</p>
<p>Another fruitful source of discomfort is provided by the type of master
who lectures on a subject for half an hour, and then, with a bland smile,
invites, or rather challenges, his form to write a 'good, long note' on
the quintessence of his discourse. For the inexperienced this is an awful
moment. They must write something—but what? For the last half hour
they have been trying to impress the master with the fact that they belong
to the class of people who can always listen best with their eyes closed.
Nor poppy, nor mandragora, nor all the drowsy syrups of the world can ever
medicine them to that sweet sleep that they have just been enjoying. And
now they must write a 'good, long note'. It is in such extremities that
your veteran shows up well. He does not betray any discomfort. Not he. He
rather enjoys the prospect, in fact, of being permitted to place the
master's golden eloquence on paper. So he takes up his pen with alacrity.
No need to think what to write. He embarks on an essay concerning the
master, showing up all his flaws in a pitiless light, and analysing his
thorough worthlessness of character. On so congenial a subject he can, of
course, write reams, and as the master seldom, if ever, desires to read
the 'good, long note', he acquires a well-earned reputation for attending
in school and being able to express himself readily with his pen. <i>Vivat
floreatque</i>.</p>
<p>But all these forms of notes are as nothing compared with the notes that
youths even in this our boasted land of freedom are forced to take down
from dictation. Of the 'good, long note' your French scholar might well
remark: '<i>C'est terrible</i>', but justice would compel him to add, as
he thought of the dictation note: '<i>mais ce n'est pas le diable</i>'.
For these notes from dictation are, especially on a warm day, indubitably
<i>le diable</i>.</p>
<p>Such notes are always dictated so rapidly that it is impossible to do
anything towards understanding them as you go. You have to write your
hardest to keep up. The beauty of this, from one point of view, is that,
if you miss a sentence, you have lost the thread of the whole thing, and
it is useless to attempt to take it up again at once. The only plan is to
wait for some perceptible break in the flow of words, and dash in like
lightning. It is much the same sort of thing as boarding a bus when in
motion. And so you can take a long rest, provided you are in an obscure
part of the room. In passing, I might add that a very pleasing indoor game
can be played by asking the master, 'what came after so-and-so?'
mentioning a point of the oration some half-hour back. This always
provides a respite of a few minutes while he is thinking of some bitter
repartee worthy of the occasion, and if repeated several times during an
afternoon may cause much innocent merriment.</p>
<p>Of course, the real venom that lurks hid within notes from dictation does
not appear until the time for examination arrives. Then you find yourself
face to face with sixty or seventy closely and badly written pages of a
note-book, all of which must be learnt by heart if you would aspire to the
dizzy heights of half-marks. It is useless to tell your examiner that you
had no chance of getting up the subject. 'Why,' he will reply, 'I gave you
notes on that very thing myself.' 'You did, sir,' you say, as you advance
stealthily upon him, 'but as you dictated those notes at the rate of two
hundred words a minute, and as my brain, though large, is not capable of
absorbing sixty pages of a note-book in one night, how the suggestively
asterisked aposiopesis do you expect me to know them? Ah-h-h!' The last
word is a war-cry, as you fling yourself bodily on him, and tear him
courteously, but firmly, into minute fragments. Experience, which, as we
all know, teaches, will in time lead you into adopting some method by
which you may evade this taking of notes. A good plan is to occupy
yourself with the composition of a journal, an unofficial magazine not
intended for the eyes of the profane, but confined rigidly to your own
circle of acquaintances. The chief advantage of such a work is that you
will continue to write while the notes are being dictated. To throw your
pen down with an air of finality and begin reading some congenial work of
fiction would be a gallant action, but impolitic. No, writing of some sort
is essential, and as it is out of the question to take down the notes,
what better substitute than an unofficial journal could be found? To one
whose contributions to the School magazine are constantly being cut down
to mere skeletons by the hands of censors, there is a rapture otherwise
unattainable in a page of really scurrilous items about those in
authority. Try it yourselves, my beamish lads. Think of something really
bad about somebody. Write it down and gloat over it. Sometimes, indeed, it
is of the utmost use in determining your future career. You will probably
remember those Titanic articles that appeared at the beginning of the war
in <i>The Weekly Luggage-Train</i>, dealing with all the crimes of the War
Office—the generals, the soldiers, the enemy—of everybody, in
fact, except the editor, staff and office-boy of <i>The W.L.T.</i> Well,
the writer of those epoch-making articles confesses that he owes all his
skill to his early training, when, a happy lad at his little desk in
school, he used to write trenchantly in his note-book on the subject of
the authorities. There is an example for you. Of course we can never be
like him, but let, oh! let us be as like him as we're able to be. A final
word to those lost ones who dictate the notes. Why are our ears so
constantly assailed with unnecessary explanations of, and opinions on,
English literature? Prey upon the Classics if you will. It is a revolting
habit, but too common to excite overmuch horror. But surely anybody,
presupposing a certain bias towards sanity, can understand the Classics of
our own language, with the exception, of course, of Browning. Take
Tennyson, for example. How often have we been forced to take down from
dictation the miserable maunderings of some commentator on the subject of
<i>Maud</i>. A person reads <i>Maud</i>, and either likes it or dislikes
it. In any case his opinion is not likely to be influenced by writing down
at express speed the opinions of somebody else concerning the methods or
objectivity and subjectivity of the author when he produced the work.</p>
<p>Somebody told me a short time ago that Shelley was an example of supreme,
divine, superhuman genius. It is the sort of thing Mr Gilbert's 'rapturous
maidens' might have said: 'How Botticellian! How Fra Angelican! How
perceptively intense and consummately utter!' There is really no material
difference.</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0019" id="link2H_4_0019"> </SPAN></p>
<br/>
<h2> 15 — NOW, TALKING ABOUT CRICKET </h2>
<p>In the days of yore, when these white hairs were brown—or was it
black? At any rate, they were not white—and I was at school, it was
always my custom, when Fate obliged me to walk to school with a casual
acquaintance, to whom I could not unburden my soul of those profound
thoughts which even then occupied my mind, to turn the struggling
conversation to the relative merits of cricket and football.</p>
<p>'Do you like cricket better than footer?' was my formula. Now, though at
the time, in order to save fruitless argument, I always agreed with my
companion, and praised the game he praised, in the innermost depths of my
sub-consciousness, cricket ranked a long way in front of all other forms
of sport. I may be wrong. More than once in my career it has been
represented to me that I couldn't play cricket for nuts. My captain said
as much when I ran him out in <i>the</i> match of the season after he had
made forty-nine and looked like stopping. A bowling acquaintance heartily
endorsed his opinion on the occasion of my missing three catches off him
in one over. This, however, I attribute to prejudice, for the man I missed
ultimately reached his century, mainly off the deliveries of my bowling
acquaintance. I pointed out to him that, had I accepted any one of the
three chances, we should have missed seeing the prettiest century made on
the ground that season; but he was one of those bowlers who sacrifice all
that is beautiful in the game to mere wickets. A sordid practice.</p>
<p>Later on, the persistence with which my county ignored my claims to
inclusion in the team, convinced me that I must leave cricket fame to
others. True, I did figure, rather prominently, too, in one county match.
It was at the Oval, Surrey <i>v</i>. Middlesex. How well I remember that
occasion! Albert Trott was bowling (Bertie we used to call him); I forget
who was batting. Suddenly the ball came soaring in my direction. I was not
nervous. I put down the sandwich I was eating, rose from my seat, picked
the ball up neatly, and returned it with unerring aim to a fieldsman who
was waiting for it with becoming deference. Thunders of applause went up
from the crowded ring.</p>
<p>That was the highest point I ever reached in practical cricket. But, as
the historian says of Mr Winkle, a man may be an excellent sportsman in
theory, even if he fail in practice. That's me. Reader (if any), have you
ever played cricket in the passage outside your study with a walking-stick
and a ball of paper? That's the game, my boy, for testing your skill of
wrist and eye. A century <i>v</i>. the M.C.C. is well enough in its way,
but give me the man who can watch 'em in a narrow passage, lit only by a
flickering gas-jet—one for every hit, four if it reaches the end,
and six if it goes downstairs full-pitch, any pace bowling allowed. To
make double figures in such a match is to taste life. Only you had better
do your tasting when the House-master is out for the evening.</p>
<p>I like to watch the young cricket idea shooting. I refer to the lower
games, where 'next man in' umpires with his pads on, his loins girt, and a
bat in his hand. Many people have wondered why it is that no budding
umpire can officiate unless he holds a bat. For my part, I think there is
little foundation for the theory that it is part of a semi-religious rite,
on the analogy of the Freemasons' special handshake and the like. Nor do I
altogether agree with the authorities who allege that man, when standing
up, needs something as a prop or support. There is a shadow of reason, I
grant, in this supposition, but after years of keen observation I am
inclined to think that the umpire keeps his bat by him, firstly, in order
that no unlicensed hand shall commandeer it unbeknownst, and secondly, so
that he shall be ready to go in directly his predecessor is out. There is
an ill-concealed restiveness about his movements, as he watches the
batsmen getting set, that betrays an overwrought spirit. Then of a sudden
one of them plays a ball on to his pad. '<i>'s that</i>?' asks the bowler,
with an overdone carelessness. 'Clean out. Now <i>I'm</i> in,' and already
he is rushing up the middle of the pitch to take possession. When he gets
to the wicket a short argument ensues. 'Look here, you idiot, I hit it
hard.' 'Rot, man, out of the way.' '!!??!' 'Look here, Smith, <i>are</i>
you going to dispute the umpire's decision?' Chorus of fieldsmen: 'Get
out, Smith, you ass. You've been given out years ago.' Overwhelmed by
popular execration, Smith reluctantly departs, registering in the black
depths of his soul a resolution to take on the umpireship at once, with a
view to gaining an artistic revenge by giving his enemy run out on the
earliest possible occasion. There is a primeval <i>insouciance</i> about
this sort of thing which is as refreshing to a mind jaded with the stiff
formality of professional umpires as a cold shower-bath.</p>
<p>I have made a special study of last-wicket men; they are divided into two
classes, the deplorably nervous, or the outrageously confident. The
nervous largely outnumber the confident. The launching of a last-wicket
man, when there are ten to make to win, or five minutes left to make a
draw of a losing game, is fully as impressive a ceremony as the launching
of the latest battleship. An interested crowd harasses the poor victim as
he is putting on his pads. 'Feel in a funk?' asks some tactless friend.
'N-n-no, norrabit.' 'That's right,' says the captain encouragingly,
'bowling's as easy as anything.'</p>
<p>This cheers the wretch up a little, until he remembers suddenly that the
captain himself was distinctly at sea with the despised trundling, and
succumbed to his second ball, about which he obviously had no idea
whatever. At this he breaks down utterly, and, if emotional, will sob into
his batting glove. He is assisted down the Pavilion steps, and reaches the
wickets in a state of collapse. Here, very probably, a reaction will set
in. The sight of the crease often comes as a positive relief after the
vague terrors experienced in the Pavilion.</p>
<p>The confident last-wicket man, on the other hand, goes forth to battle
with a light quip upon his lips. The lot of a last-wicket batsman, with a
good eye and a sense of humour, is a very enviable one. The incredulous
disgust of the fast bowler, who thinks that at last he may safely try that
slow head-ball of his, and finds it lifted genially over the leg-boundary,
is well worth seeing. I remember in one school match, the last man,
unfortunately on the opposite side, did this three times in one over,
ultimately retiring to a fluky catch in the slips with forty-one to his
name. Nervousness at cricket is a curious thing. As the author of <i>Willow
the King</i>, himself a county cricketer, has said, it is not the fear of
getting out that causes funk. It is a sort of intangible <i>je ne sais
quoi</i>. I trust I make myself clear. Some batsmen are nervous all
through a long innings. With others the feeling disappears with the first
boundary.</p>
<p>A young lady—it is, of course, not polite to mention her age to the
minute, but it ranged somewhere between eight and ten—was taken to
see a cricket match once. After watching the game with interest for some
time, she gave out this profound truth: 'They all attend specially to one
man.' It would be difficult to sum up the causes of funk more lucidly and
concisely. To be an object of interest is sometimes pleasant, but when ten
fieldsmen, a bowler, two umpires, and countless spectators are eagerly
watching your every movement, the thing becomes embarrassing.</p>
<p>That is why it is, on the whole, preferable to be a cricket spectator
rather than a cricket player. No game affords the spectator such unique
opportunities of exerting his critical talents. You may have noticed that
it is always the reporter who knows most about the game. Everyone,
moreover, is at heart a critic, whether he represent the majesty of the
Press or not. From the lady of Hoxton, who crushes her friend's latest
confection with the words, 'My, wot an 'at!' down to that lowest class of
all, the persons who call your attention (in print) to the sinister
meaning of everything Clytemnestra says in <i>The Agamemnon</i>, the whole
world enjoys expressing an opinion of its own about something.</p>
<p>In football you are vouchsafed fewer chances. Practically all you can do
is to shout 'off-side' whenever an opponent scores, which affords but
meagre employment for a really critical mind. In cricket, however, nothing
can escape you. Everything must be done in full sight of everybody. There
the players stand, without refuge, simply inviting criticism.</p>
<p>It is best, however, not to make one's remarks too loud. If you do, you
call down upon yourself the attention of others, and are yourself
criticized. I remember once, when I was of tender years, watching a school
match, and one of the batsmen lifted a ball clean over the Pavilion. This
was too much for my sensitive and critical young mind. 'On the carpet,
sir,' I shouted sternly, well up in the treble clef, 'keep 'em on the
carpet.' I will draw a veil. Suffice it to say that I became a sport and
derision, and was careful for the future to criticize in a whisper. But
the reverse by no means crushed me. Even now I take a melancholy pleasure
in watching school matches, and saying So-and-So will make quite a fair <i>school-boy</i>
bat in time, but he must get rid of that stroke of his on the off, and
that shocking leg-hit, and a few of those <i>awful</i> strokes in the
slips, but that on the whole, he is by no means lacking in promise. I find
it refreshing. If, however, you feel compelled not merely to look on, but
to play, as one often does at schools where cricket is compulsory, it is
impossible to exaggerate the importance of white boots. The game you play
before you get white boots is not cricket, but a weak imitation. The
process of initiation is generally this. One plays in shoes for a few
years with the most dire result, running away to square leg from fast
balls, and so on, till despair seizes the soul. Then an angel in human
form, in the very effective disguise of the man at the school boot-shop,
hints that, for an absurdly small sum in cash, you may become the sole
managing director of a pair of <i>white buckskin</i> boots with real
spikes. You try them on. They fit, and the initiation is complete. You no
longer run away from fast balls. You turn them neatly off to the boundary.
In a word, you begin for the first time to play the game, the whole game,
and nothing but the game.</p>
<p>There are misguided people who complain that cricket is becoming a
business more than a game, as if that were not the most fortunate thing
that could happen. When it ceases to be a mere business and becomes a
religious ceremony, it will be a sign that the millennium is at hand. The
person who regards cricket as anything less than a business is no fit
companion, gentle reader, for the likes of you and me. As long as the game
goes in his favour the cloven hoof may not show itself. But give him a
good steady spell of leather-hunting, and you will know him for what he
is, a mere <i>dilettante</i>, a dabbler, in a word, a worm, who ought
never to be allowed to play at all. The worst of this species will
sometimes take advantage of the fact that the game in which they happen to
be playing is only a scratch game, upon the result of which no very great
issues hang, to pollute the air they breathe with verbal, and the ground
they stand on with physical, buffooneries. Many a time have I, and many a
time have you, if you are what I take you for, shed tears of blood, at the
sight of such. Careless returns, overthrows—but enough of a painful
subject. Let us pass on.</p>
<p>I have always thought it a better fate for a man to be born a bowler than
a bat. A batsman certainly gets a considerable amount of innocent fun by
snicking good fast balls just off his wicket to the ropes, and standing
stolidly in front against slow leg-breaks. These things are good, and help
one to sleep peacefully o' nights, and enjoy one's meals. But no batsman
can experience that supreme emotion of 'something attempted, something
done', which comes to a bowler when a ball pitches in a hole near point's
feet, and whips into the leg stump. It is one crowded second of glorious
life. Again, the words 'retired hurt' on the score-sheet are far more
pleasant to the bowler than the batsman. The groan of a batsman when a
loose ball hits him full pitch in the ribs is genuine. But the
'Awfully-sorry-old-chap-it-slipped' of the bowler is not. Half a loaf is
better than no bread, as Mr Chamberlain might say, and if he cannot hit
the wicket, he is perfectly contented with hitting the man. In my opinion,
therefore, the bowler's lot, in spite of billiard table wickets, red marl,
and such like inventions of a degenerate age, is the happier one.</p>
<p>And here, glowing with pride of originality at the thought that I have
written of cricket without mentioning Alfred Mynn or Fuller Pilch, I heave
a reminiscent sigh, blot my MS., and thrust my pen back into its sheath.</p>
<p><br/><br/></p>
<hr />
<p><SPAN name="link2H_4_0020" id="link2H_4_0020"> </SPAN></p>
<br/>
<h2> 16 — THE TOM BROWN QUESTION </h2>
<p>The man in the corner had been trying to worry me into a conversation for
some time. He had asked me if I objected to having the window open. He had
said something rather bitter about the War Office, and had hoped I did not
object to smoking. Then, finding that I stuck to my book through
everything, he made a fresh attack.</p>
<p>'I see you are reading <i>Tom Brown's Schooldays</i>,' he said.</p>
<p>This was a plain and uninteresting statement of fact, and appeared to me
to require no answer. I read on.</p>
<p>'Fine book, sir.'</p>
<p>'Very.'</p>
<p>'I suppose you have heard of the Tom Brown Question?'</p>
<p>I shut my book wearily, and said I had not.</p>
<p>'It is similar to the Homeric Question. You have heard of that, I
suppose?'</p>
<p>I knew that there was a discussion about the identity of the author of the
Iliad. When at school I had been made to take down notes on the subject
until I had grown to loathe the very name of Homer.</p>
<p>'You see,' went on my companion, 'the difficulty about <i>Tom Brown's
Schooldays</i> is this. It is obvious that part one and part two were
written by different people. You admit that, I suppose?'</p>
<p>'I always thought Mr Hughes wrote the whole book.'</p>
<p>'Dear me, not really? Why, I thought everyone knew that he only wrote the
first half. The question is, who wrote the second. I know, but I don't
suppose ten other people do. No, sir.'</p>
<p>'What makes you think he didn't write the second part?'</p>
<p>'My dear sir, just read it. Read part one carefully, and then read part
two. Why, you can see in a minute.'</p>
<p>I said I had read the book three times, but had never noticed anything
peculiar about it, except that the second half was not nearly so
interesting as the first.</p>
<p>'Well, just tell me this. Do you think the same man created East and
Arthur? Now then.'</p>
<p>I admitted that it was difficult to understand such a thing.</p>
<p>'There was a time, of course,' continued my friend, 'when everybody
thought as you do. The book was published under Hughes's name, and it was
not until Professor Burkett-Smith wrote his celebrated monograph on the
subject that anybody suspected a dual, or rather a composite, authorship.
Burkett-Smith, if you remember, based his arguments on two very
significant points. The first of these was a comparison between the
football match in the first part and the cricket match in the second.
After commenting upon the truth of the former description, he went on to
criticize the latter. Do you remember that match? You do? Very well. You
recall how Tom wins the toss on a plumb wicket?'</p>
<p>'Yes.'</p>
<p>'Then with the usual liberality of young hands (I quote from the book) he
put the M.C.C. in first. Now, my dear sir, I ask you, would a school
captain do that? I am young, says one of Gilbert's characters, the Grand
Duke, I think, but, he adds, I am not so young as that. Tom may have been
young, but would he, <i>could</i> he have been young enough to put his
opponents in on a true wicket, when he had won the toss? Would the Tom
Brown of part one have done such a thing?'</p>
<p>'Never,' I shouted, with enthusiasm.</p>
<p>'But that's nothing to what he does afterwards. He permits, he actually
sits there and permits, comic songs and speeches to be made during the
luncheon interval. Comic Songs! Do you hear me, sir? COMIC SONGS!! And
this when he wanted every minute of time he could get to save the match.
Would the Tom Brown of part one have done such a thing?'</p>
<p>'Never, never.' I positively shrieked the words this time.</p>
<p>'Burkett-Smith put that point very well. His second argument is founded on
a single remark of Tom's, or rather—'</p>
<p>'Or rather,' I interrupted, fiercely,' or rather of the wretched miserable—'</p>
<p>'Contemptible,' said my friend.</p>
<p>'Despicable, scoundrelly, impostor who masquerades as Tom in the second
half of the book.'</p>
<p>'Exactly,' said he. 'Thank you very much. I have often thought the same
myself. The remark to which I refer is that which he makes to the master
while he is looking on at the M.C.C. match. In passing, sir, might I ask
you whether the Tom Brown of part one would have been on speaking terms
with such a master?'</p>
<p>I shook my head violently. I was too exhausted to speak.</p>
<p>'You remember the remark? The master commented on the fact that Arthur is
a member of the first eleven. I forget Tom's exact words, but the
substance of them is this, that, though on his merits Arthur was not worth
his place, he thought it would do him such a lot of good being in the
team. Do I make myself plain, sir? He—thought—it—would—do—
him—such—a—lot—of—good—being—in—the—team!!!'</p>
<p>There was a pause. We sat looking at one another, forming silently with
our lips the words that still echoed through the carriage.</p>
<p>'Burkett-Smith,' continued my companion, 'makes a great deal of that
remark. His peroration is a very fine piece of composition. "Whether
(concludes he) the captain of a school cricket team who could own
spontaneously to having been guilty of so horrible, so terrible an act of
favouritismical jobbery, who could sit unmoved and see his team being
beaten in the most important match of the season (and, indeed, for all
that the author tells us it may have been the only match of the season),
for no other reason than that he thought a first eleven cap would prove a
valuable tonic to an unspeakable personal friend of his, whether, I say,
the Tom Brown who acted thus could have been the Tom Brown who headed the
revolt of the fags in part one, is a question which, to the present
writer, offers no difficulties. I await with confidence the verdict of a
free, enlightened, and conscientious public of my fellow-countrymen." Fine
piece of writing, that, sir?'</p>
<p>'Very,' I said.</p>
<p>'That pamphlet, of course, caused a considerable stir. Opposing parties
began to be formed, some maintaining that Burkett-Smith was entirely
right, others that he was entirely wrong, while the rest said he might
have been more wrong if he had not been so right, but that if he had not
been so mistaken he would probably have been a great deal more correct.
The great argument put forward by the supporters of what I may call the
"One Author" view, was, that the fight in part two could not have been
written by anyone except the author of the fight with Flashman in the
school-house hall. And this is the point which has led to all the
discussion. Eliminate the Slogger Williams episode, and the whole of the
second part stands out clearly as the work of another hand. But there is
one thing that seems to have escaped the notice of everybody.'</p>
<p>'Yes?' I said.</p>
<p>He leant forward impressively, and whispered. 'Only the actual fight is
the work of the genuine author. The interference of Arthur has been
interpolated!'</p>
<p>'By Jove!' I said. 'Not really?'</p>
<p>'Yes. Fact, I assure you. Why, think for a minute. Could a man capable of
describing a fight as that fight is described, also be capable of stopping
it just as the man the reader has backed all through is winning? It would
be brutal. Positively brutal, sir!'</p>
<p>'Then, how do you explain it?'</p>
<p>'A year ago I could not have told you. Now I can. For five years I have
been unravelling the mystery by the aid of that one clue. Listen. When Mr
Hughes had finished part one, he threw down his pen and started to Wales
for a holiday. He had been there a week or more, when one day, as he was
reclining on the peak of a mountain looking down a deep precipice, he was
aware of a body of men approaching him. They were dressed soberly in
garments of an inky black. Each had side whiskers, and each wore
spectacles. "Mr Hughes, I believe?" said the leader, as they came up to
him.</p>
<p>'"Your servant, sir," said he.</p>
<p>'"We have come to speak to you on an important matter, Mr Hughes. We are
the committee of the Secret Society For Putting Wholesome Literature
Within The Reach Of Every Boy, And Seeing That He Gets It. I, sir, am the
president of the S.S.F.P.W.L.W.T.R.O.E.B.A.S.T.H.G.I." He bowed.</p>
<p>'"Really, sir, I—er—don't think I have the pleasure," began Mr
Hughes.</p>
<p>'"You shall have the pleasure, sir. We have come to speak to you about
your book. Our representative has read Part I, and reports unfavourably
upon it. It contains no moral. There are scenes of violence, and your hero
is far from perfect."</p>
<p>'"I think you mistake my object," said Mr Hughes; "Tom is a boy, not a
patent medicine. In other words, he is not supposed to be perfect."</p>
<p>'"Well, I am not here to bandy words. The second part of your book must be
written to suit the rules of our Society. Do you agree, or shall we throw
you over that precipice?"</p>
<p>'"Never. I mean, I don't agree."</p>
<p>'"Then we must write it for you. Remember, sir, that you will be
constantly watched, and if you attempt to write that second part yourself—"'
(he paused dramatically). 'So the second part was written by the committee
of the Society. So now you know.'</p>
<p>'But,' said I, 'how do you account for the fight with Slogger Williams?'</p>
<p>'The president relented slightly towards the end, and consented to Mr
Hughes inserting a chapter of his own, on condition that the Society
should finish it. And the Society did. See?'</p>
<p>'But—'</p>
<p>'Ticket.'</p>
<p>'Eh?'</p>
<p>'Ticket, please, sir.'</p>
<p>I looked up. The guard was standing at the open door. My companion had
vanished.</p>
<p>'Guard,' said I, as I handed him my ticket, 'where's the gentleman who
travelled up with me?'</p>
<p>'Gentleman, sir? I haven't seen nobody.'</p>
<p>'Not a man in tweeds with red hair? I mean, in tweeds and owning red
hair.'</p>
<p>'No, sir. You've been alone in the carriage all the way up. Must have
dreamed it, sir.'</p>
<p>Possibly I did.</p>
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