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Our Street

<hr class="full" /> <div class="figcenter"> <ANTIMG src="images/cover.jpg" width-obs="347" height-obs="500" alt="[Image unavailable.]" /></div> <div class="figcenter"> <ANTIMG src="images/frontis_sml.jpg" width-obs="406" height-obs="550" alt="[Image unavailable.]" /> <div class="caption">THE SIREN OF OUR STREET. </div> </div> <ANTIMG src="images/titlepage_sml.jpg" height-obs="550" alt="“OUR STREET.” BY MR. M. A. TITMARSH." /> <h1>“OUR STREET.”</h1> BY MR. M. A. TITMARSH. LONDON: CHAPMAN AND HALL, 186 STRAND. MDCCCXLVIII. {1} <h1>OUR STREET.</h1> <div class="figcenter"> <ANTIMG src="images/image001.jpg" width-obs="125" alt="" title="" /></div> Our Street, from the little nook which I occupy in it, and whence I and a fellow-lodger and friend of mine cynically observe it, presents a strange motley scene. We are in a state of transition. We are not as yet in the town, and we have left the country where we were when I came to lodge with Mrs. Cammysole, my excellent landlady. I then took second-floor apartments at No. 17 Waddilove Street, and since, although I have never moved (having various little comforts about me), I find myself living at No. 46 A Pocklington Gardens. Why is this? Why am I to pay eighteen shillings instead of fifteen? I was quite as happy in Waddilove Street; but the fact is, a great portion of that venerable old district has passed away, and we are being absorbed into the splendid new white-stuccoed{2} Doric-porticoed genteel Pocklington quarter. Sir Thomas Gibbs Pocklington, M.P. for the borough of Lathanplaster, is the founder of the district and his own fortune. The Pocklington Estate Office is in the Square, on a line with Waddil—with Pocklington Gardens, I mean. The old inn, the Ram and Magpie, where the market-gardeners used to bait, came out this year with a new white face and title, the shield, &c. of the Pocklington Arms. Such a shield it is! Such quarterings! Howard, Cavendish, De Ros, De la Zouche, all mingled together. Even our house, 46 A, which Mrs. Cammysole has had painted white in compliment to the Gardens of which it now forms part, is a sort of impostor, and has no business to be called Gardens at all. Mr. Gibbs, Sir Thomas’s agent and nephew, is furious at our daring to take the title which belongs to our betters. The very next door (No. 46, the Honourable Mrs. Mountnoddy) is a house of five stories, shooting up proudly into the air, thirty feet above our old high-roofed low-roomed old tenement. It belongs to Captain Bragg, not only the landlord but the son-in-law of Mrs. Cammysole, who lives a couple of hundred yards down the street, at “The Bungalow.” He was the Commander of the Ram Chunder East Indiaman, and has quarrelled with the Pocklingtons ever since he bought houses in the parish. He it is who will not sell or alter his houses to suit the spirit{3} of the times. He it is who, though he made the widow Cammysole change the name of her street, will not pull down the house next door, nor the baker’s next, nor the iron-bedstead and feather warehouse ensuing, nor the little barber’s with the pole, nor, I am ashamed to say, the tripe shop, still standing. The barber powders the heads of the great footmen from Pocklington Gardens; they are so big that they can scarcely sit in his little premises. And the old tavern, The East Indiaman, is kept by Bragg’s ship steward, and protests against the Pocklington Arms. Down the road is Pocklington Chapel, Rev. Oldham Slocum—in brick, with arched windows and a wooden belfry; sober, dingy, and hideous. In the centre of Pocklington Gardens rises St. Waltheof’s, the Rev. Cyril Thuryfer and assistants—a splendid Anglo-Norman edifice, vast, rich, elaborate, bran new, and intensely old. Down Avemary Lane you may hear the clink of the little Romish Chapel bell. And hard by is a large broad-shouldered Ebenezer (Rev. Jonas Gronow), out of the windows of which the hymns come booming all Sunday long. Going westward along the line we come presently to Comandine House (on a part of the gardens of which Comandine Gardens is about to be erected by his lordship); farther on, “The Pineries,” Mr. and Lady Mary Mango; and so we get into the country, and out of Our Street altogether, as I may say. But in the half mile, over which it may be said to extend, we find all{4} sorts and conditions of people—from the Right Honourable Lord Comandine down to the present topographer; who, being of no rank, as it were, has the fortune to be treated on almost friendly footing by all, from his lordship down to the tradesman.{5} <h2>OUR HOUSE IN OUR STREET.</h2> We must begin our little descriptions where, they say, Charity should begin—at home. Mrs. Cammysole, my landlady, will be rather surprised when she reads this, and finds that a good-natured tenant, who has never complained of her impositions for fifteen years, understands every one of her tricks, and treats them, not with anger, but with scorn—with silent scorn. On the 18th of December, 1837, for instance, coming gently down stairs, and before my usual wont, I saw you seated in my arm-chair, peeping into a letter that came from my aunt in the country, just as if it had been addressed to you, and not to “M. A. Titmarsh, Esq.” Did I make any disturbance? far from it; I slunk back to my bed-room (being enabled to walk silently in the beautiful pair of worsted slippers Miss Penelope J——s worked for me; they are worn out now, dear Penelope!), and then, rattling open the door with a great noise, descended the stairs, singing “Son vergin vezzosa” at the top of my voice. You were not in my sitting-room, Mrs. Cammysole, when I entered that apartment.{6} You have been reading all my letters, papers, manuscripts, brouillons of verses, inchoate articles for the Morning Post and Morning Chronicle, invitations to dinner and tea—all my family letters, all Eliza Townley’s letters, from the first, in which she declared that to be the bride of her beloved Michelagnolo was the fondest wish of her maiden heart, to the last, in which she announced that her Thomas was the best of husbands, and signed herself “Eliza Slogger;” all Mary Farmer’s letters, all Emily Delamere’s; all that poor foolish old Miss MacWhirter’s, whom I would as soon marry as——; in a word, I know that you, you hawk-beaked, keen-eyed, sleepless, indefatigable, old Mrs. Cammysole, have read all my papers for these ten years. I know that you cast your curious old eyes over all the manuscripts which you find in my coat pockets and those of my pantaloons, as they hang in a drapery over the door-handle of my bed-room. I know that you count the money in my green and gold purse, which Lucy Netterville gave me, and speculate on the manner in which I have laid out the difference between to-day and yesterday. I know that you have an understanding with the laundress (to whom you say that you are all-powerful with me), threatening to take away my practice from her, unless she gets up gratis some of your fine linen.{7} I know that we both have a pennyworth of cream for breakfast, which is brought in in the same little can; and I know who has the most for her share. I know how many lumps of sugar you take from each pound as it arrives. I have counted the lumps, you old thief, and for years have never said a word, except to Miss Clapperclaw, the first-floor lodger. Once I put a bottle of pale brandy into that cupboard, of which you and I only have keys, and the liquor wasted and wasted away, until it was all gone. You drank the whole of it, you wicked old woman. You a lady, indeed! I know your rage when they did me the honour to elect me a member of the Poluphloisboiothalasses Club, and I ceased consequently to dine at home. When I did dine at home, on a beefsteak, let us say, I should like to know what you had for supper? You first amputated portions of the meat when raw; you abstracted more when cooked. Do you think I was taken in by your flimsy pretences? I wonder how you could dare to do such things before your maids (you, a clergyman’s daughter and widow, indeed!), whom you yourself were always charging with roguery. Yes, the insolence of the old woman is unbearable, and I must break out at last. If she goes off in a fit at reading this, I am sure I shan’t mind. She has two unhappy wenches, against whom her old tongue is clacking from morning till night;{8} she pounces on them at all hours. It was but this morning at eight, when poor Molly was brooming the steps, and the baker paying her by no means unmerited compliments, that my landlady came whirling out of the ground-floor front, and sent the poor girl whimpering into the kitchen. Were it but for her conduct to her maids I was determined publicly to denounce her. These poor wretches she causes to lead the lives of demons; and not content with bullying them all day, she sleeps at night in the same room with them, so that she may have them up before daybreak, and scold them while they are dressing. Certain it is, that between her and Miss Clapperclaw, on the first floor, the poor wenches led a dismal life. My dear Miss Clapperclaw, I hope you will excuse me for having placed you in the title-page of my little book, looking out of your accustomed window, and having your eye-glasses ready to spy the whole street, which you know better than any inhabitant of it. It is to you that I owe most of my knowledge of our neighbours; from you it is that most of the facts and observations contained in these brief pages are taken. Many a night, over our tea, have we talked amiably about our neighbours and their little failings; and as I know that you speak of mine pretty freely, why let me say, my dear Bessy, that if we have not built up Our Street between us, at least we have pulled it to pieces. <div class="figcenter"> <ANTIMG src="images/facing008_sml.jpg" width-obs="397" height-obs="550" alt="[Image unavailable.]" /> <div class="caption">A STREET COURTSHIP. <div class="poetry"> <div class="poem"><div class="stanza"> Baker. How them curl papers do become you, Miss Molly. Miss Molly. Git ’long now, Baker, do. </div> </div></div> </div></div> {9} <h2>THE BUNGALOW—CAPTAIN AND MRS. BRAGG.</h2> Long, long ago, when Our Street was the country—a stagecoach between us and London passing four times a-day—I do not care to own that it was a sight of Flora Cammysole’s face, under the card of her mamma’s “Lodgings to Let,” which first caused me to become a tenant of Our Street. A fine good-humoured lass she was then; and I gave her lessons (part out of the rent) in French and flower-painting. She has made a fine rich marriage since, although her eyes have often seemed to me to say, “Ah, Mr. T., why didn’t you, when there was yet time, and we both of us were free, propose—you know what?” “Psha! Where was the money, my dear madam?” Captain Bragg, then occupied in building Bungalow Lodge—Bragg, I say, living on the first floor, and entertaining sea-captains, merchants, and East Indian friends with his grand ship’s plate, being disappointed in a project of marrying a director’s daughter, who was also a second-cousin once removed of a peer, sent in a fury for Mrs. Cammysole, his landlady, and proposed to marry Flora off-hand, and settle four hundred a-year{10} upon her. Flora was ordered from the back parlour (the Ground-floor occupies the Second-floor bed-room), and was on the spot made acquainted with the splendid offer which the First-floor had made her. She has been Mrs. Captain Bragg these twelve years. You see her portrait, and that of the brute, her husband, on the opposite side of the page. Bragg to this day wears anchor-buttons, and has a dress-coat with a gold strap for epaulets, in case he should have a fancy to sport them. His house is covered with portraits, busts, and miniatures of himself. His wife is made to wear one of the latter. On his sideboard are pieces of plate, presented by the passengers of the Ram Chunder to Captain Bragg. “The Ram Chunder East Indiaman, in a gale, off Table Bay;” “The Outward-bound Fleet, under convoy of Her Majesty’s frigate Loblollyboy, Captain Gutch, beating off the French squadron, under Commodore Leloup (the Ram Chunder, S.E. by E., is represented engaged with the Mirliton corvette);” “The Ram Chunder standing into the Hooghly, with Captain Bragg, his telescope, and speaking-trumpet, on the poop;” “Captain Bragg presenting the Officers of the Ram Chunder to General Bonaparte at St. Helena”—Titmarsh (this fine piece was painted by me when I was in favour with Bragg); in a word, Bragg and the Ram Chunder are all over the house. <div class="figcenter"> <ANTIMG src="images/facing010_sml.jpg" width-obs="409" height-obs="550" alt="[Image unavailable.]" /> <div class="caption">CAPTAIN AND MRS. BRAGG OF OUR STREET. </div> </div> {11} Although I have eaten scores of dinners at Captain Bragg’s charge, yet his hospitality is so insolent that none of us who frequent his mahogany, feel any obligation to our braggart entertainer. After he has given one of his great heavy dinners he always takes an opportunity to tell you, in the most public way, how many bottles of wine were drunk. His pleasure is to make his guests tipsy, and to tell everybody how and when the period of inebriation arose. And Miss Clapperclaw tells me that he often comes over laughing and giggling to her, and pretending that he has brought me into this condition—a calumny which I fling contemptuously in his face. He scarcely gives any but men’s parties, and invites the whole club home to dinner. What is the compliment of being asked, when the whole club is asked too, I should like to know? Men’s parties are only good for boys. I hate a dinner where there are no women. Bragg sits at the head of his table, and bullies the solitary Mrs. Bragg. He entertains us with stories of storms which he, Bragg, encountered—of dinners which he, Bragg, has received from the Governor-General of India—of jokes which he, Bragg, has heard; and however stale or odious they may be, poor Mrs. B. is always expected to laugh. Woe be to her if she doesn’t, or if she laughs at anybody{12} else’s jokes. I have seen Bragg go up to her and squeeze her arm with a savage grind of his teeth, and say, with an oath, “Hang it, madam, how dare you laugh when any man but your husband speaks to you? I forbid you to grin in that way. I forbid you to look sulky. I forbid you to look happy, or to look up, or to keep your eyes down to the ground. I desire you will not be trapesing through the rooms. I order you not to sit as still as a stone.” He curses her if the wine is corked, or if the dinner is spoiled, or if she comes a minute too soon to the club for him, or arrives a minute too late. He forbids her to walk, except upon his arm. And the consequence of his ill-treatment is, that Mrs. Cammysole and Mrs. Bragg respect him beyond measure, and think him the first of human beings. “I never knew a woman who was constantly bullied by her husband who did not like him the better for it,” Miss Clapperclaw says. And though this speech has some of Clapp’s usual sardonic humour in it, I can’t but think there is some truth in the remark. <div class="figcenter"> <ANTIMG src="images/facing013_sml.jpg" width-obs="408" height-obs="550" alt="[Image unavailable.]" /> <div class="caption">A STUDIO IN OUR STREET. </div> </div> {13} <h2>LEVANT HOUSE CHAMBERS. MR. RUMBOLD, A.R.A., AND MISS RUMBOLD.</h2> When Lord Levant quitted the country and this neighbourhood, in which the tradesmen still deplore him, No. 56, known as Levantine House, was let to the Pococurante Club, which was speedily bankrupt (for we are too far from the centre of town to support a club of our own); it was subsequently hired by the West Diddlesex Railroad; and is now divided into sets of Chambers, superintended by an acrimonious housekeeper, and by a porter in a sham livery, who, if you won’t find him at the door, you may as well seek at the Grapes public-house, in the little lane round the corner. He varnishes the japan-boots of the dandy lodgers; reads Mr. Pinkney’s Morning Post before he lets him have it; and neglects the letters of the inmates of the Chambers generally. The great rooms, which were occupied as the salons of the noble Levant, the coffee-rooms of the Pococurante (a club where the play was furious, as I am told), and the board-room and{14} manager’s-room of the West Diddlesex, are tenanted now by a couple of artists; young Pinkney the miniaturist, and George Rumbold the historical-painter. Miss Rumbold, his sister, lives with him, by the way; but with that young lady of course we have nothing to do. I knew both these gentlemen at Rome, when George wore a velvet doublet and a beard down to his chest, and used to talk about high art at the Café Greco. How it smelled of smoke, that velveteen doublet of his, with which his stringy red beard was likewise perfumed! It was in his studio that I had the honour to be introduced to his sister, the fair Miss Clara; she had a large casque with a red horse-hair plume (I thought it had been a wisp of her brother’s beard at first), and held a tin-headed spear in her hand, representing a Roman warrior in the great picture of Caractacus George was painting—a piece sixty-four feet by eighteen. The Roman warrior blushed to be discovered in that attitude: the tin-headed spear trembled in the whitest arm in the world. So she put it down, and taking off the helmet also, went and sat in a far corner of the studio, mending George’s stockings; whilst we smoked a couple of pipes, and talked about Raphael being a good deal overrated. I think he is; and have never disguised my opinion about the “Transfiguration.” And all the time we talked, there were Clara’s eyes looking lucidly out from the dark corner in which{15} she was sitting, working away at the stockings. The lucky fellow! They were in a dreadful state of bad repair when she came out to him at Rome, after the death of their father, the Reverend Miles Rumbold. George while at Rome painted “Caractacus;” a picture of “Non Angli sed Angeli,” of course; a picture of “Alfred in the Neat-herd’s Cottage,” seventy-two feet by forty-eight; (an idea of the gigantic size and Michael-Angelesque proportions of this picture may be formed, when I state that the mere muffin, of which the outcast king is spoiling the baking, is two feet three in diameter); and the deaths of Socrates, of Remus, and of the Christians under Nero respectively. I shall never forget how lovely Clara looked in white muslin, with her hair down, in this latter picture, giving herself up to a ferocious Carnifex (for which Bob Gaunter the architect sat), and refusing to listen to the mild suggestions of an insinuating Flamen; which character was a gross caricature of myself. None of George’s pictures sold. He has enough to tapestry Trafalgar Square. He has painted since he came back to England “The flaying of Marsyas;” “The smothering of the little boys in the Tower;” “A plague scene during the great pestilence;” “Ugolino on the seventh day after he was deprived of victuals,” &c. For although these pictures have great merit, and the writhings of Marsyas, the convulsions of the little{16} prince, the look of agony of St. Lawrence on the gridiron, &c., are quite true to nature, yet the subjects somehow are not agreeable; and if he hadn’t a small patrimony, my friend George would starve. Fondness for art leads me a great deal to this studio. George is a gentleman, and has very good friends, and good pluck too. When we were at Rome there was a great row between him and young Heeltap, Lord Boxmoor’s son, who was uncivil to Miss Rumbold; (the young scoundrel—had I been a fighting man I should like to have shot him myself!) Lady Betty Bulbul is very fond of Clara, and Tom Bulbul, who took George’s message to Heeltap, is always hanging about the studio. At least I know that I find the young jackanapes there almost every day; bringing a new novel, or some poisonous French poetry, or a basket of flowers, or grapes, with Lady Betty’s love to her dear Clara—a young rascal with white kids, and his hair curled every morning. What business has he to be dangling about George Rumbold’s premises, and sticking up his ugly pug-face as a model for all George’s pictures? Miss Clapperclaw says Bulbul is evidently smitten, and Clara too. What! would she put up with such a little fribble as that, when there is a man of intellect and taste who—but I won’t believe it. It is all the jealousy of women. <div class="figcenter"> <ANTIMG src="images/facing017_sml.jpg" width-obs="403" height-obs="550" alt="[Image unavailable.]" /> <div class="caption">SOME OF OUR GENTLEMEN. </div> </div> {17} <h2>SOME OF THE SERVANTS IN OUR STREET.</h2> These gentlemen have two clubs in our quarter—for the butlers at the Indiaman, and for the gents in livery at the Paddington Arms—of either of which societies I should like to be a member. I am sure they could not be so dull as Our Club at the Poluphloisboio, where one meets the same neat clean respectable old fogies every day. But with the best wishes, it is impossible for the present writer to join either the Plate Club or the Uniform Club (as these réunions are designated), for one could not shake hands with a friend who was standing behind your chair—or nod a how-dye-do to the batter who was pouring you out a glass of wine;—so that what I know about the gents in our neighbourhood is from mere casual observation. For instance, I have a slight acquaintance with, 1, Thomas Spavin, who commonly wears the above air of injured innocence, and is groom to Mr. Joseph Green, of Our Street. “I tell why the Brougham oss is out of condition, and why Desperation broke out all in a lather! Osses will this eavy weather; and{18} Desperation was always the most mystest hoss I ever see.—I take him out with Mr. Anderson’s ounds—I’m above it. I allis was too timid to ride to ounds by natur; and Colonel Sprigs’ groom as says he saw me, is a liar,” &c., &c. Such is the tenor of Mr. Spavin’s remarks to his master. Whereas all the world in Our Street knows that Mr. Spavin spends at least a hundred a-year in beer; that he keeps a betting-book; that he has lent Mr. Green’s black Brougham horse to the omnibus driver; and at a time when Mr. G. supposed him at the veterinary surgeon’s, has lent him to a livery stable, which has let him out to that gentleman himself, and actually driven him to dinner behind his own horse. This conduct I can understand, but I cannot excuse—Mr. Spavin may; and I leave the matter to be settled betwixt himself and Mr. Green. The second is Monsieur Sinbad, Mr. Clarence Bulbul’s man, whom we all hate Clarence for keeping. Mr. Sinbad is a foreigner, speaking no known language, but a mixture of every European dialect—so that he may be an Italian brigand, or a Tyrolese minstrel, or a Spanish smuggler, for what we know. I have heard say that he is neither of these, but an Irish Jew. He wears studs, hair-oil, jewellery, and linen shirt fronts, very finely embroidered but not particular for whiteness. He generally{19} appears in faded velvet waistcoats of a morning, and is always perfumed with stale tobacco. He wears large rings on his hands, which look as if he kept them up the chimney. He does not appear to do anything earthly for Clarence Bulbul, except to smoke his cigars, and to practise on his guitar. He will not answer a bell, nor fetch a glass of water, nor go of an errand, on which, au reste, Clarence dares not send him, being entirely afraid of his servant, and not daring to use him, or to abuse him, or to send him away. 3. Adams—Mr. Champignon’s man—a good old man in an old livery coat with old worsted lace—so very old, deaf, surly, and faithful, that you wonder how he should have got into the family at all, who never kept a footman till last year, when they came into the street. Miss Clapperclaw says she believes Adams to be Mrs. Champignon’s father, and he certainly has a look of that lady, as Miss C. pointed out to me at dinner one night, whilst old Adams was blundering about amongst the hired men from Gunter’s, and falling over the silver dishes. 4. Fipps, the buttoniest page in all the street, walks behind Mrs. Grimsby with her prayer-book, and protects her. “If that woman wants a protector” (a female acquaintance remarks), “Heaven be good to us—she is as big as an ogress, and has an upper lip which many a Cornet of the Life Guards might{20} envy. Her poor dear husband was a big man, and she could beat him easily, and did too. Mrs. Grimsby, indeed! Why, my dear Mr. Titmarsh, it is Glumdalca walking with Tom Thumb.” This observation of Miss C.’s is very true, and Mrs. Grimsby might carry her prayer-book to church herself. But Miss Clapperclaw, who is pretty well able to take care of herself too, was glad enough to have the protection of the page when she went out in the fly to pay visits: and before Mrs. Grimsby and she quarrelled at whist at Lady Pocklington’s. After this merely parenthetic observation, we come to 4, one of her ladyship’s large men, Mr. Jeames—a gentleman of vast stature and proportions, who is almost nose to nose with us as we pass her ladyship’s door on the outside of the omnibus. I think Jeames has a contempt for a man whom he witnesses in that position. I have fancied something like that feeling showed itself (as far as it may in a well-bred gentleman accustomed to society) in his behaviour, while waiting behind my chair at dinner. But I take Jeames to be, like most giants, good-natured, lazy, stupid, soft-hearted, and extremely fond of drink. One night, his lady being engaged to dinner at Nightingale House, I saw Mr. Jeames resting himself on a bench at the Pocklington Arms: where, as he had no liquor before him, he had probably exhausted his credit. Little Spitfire, Mr. Clarence Bulbul’s boy, the wickedest little varlet that ever hung on to a cab, was “chaffing” Mr. Jeames, <div class="figcenter"> <ANTIMG src="images/facing021_sml.jpg" width-obs="403" height-obs="550" alt="[Image unavailable.]" /> <div class="caption">WHY OUR NURSEMAIDS LIKE KENSINGTON GARDENS. </div> </div> {21} holding up to his face a pot of porter almost as big as the young potifer himself. “Vill you now, Bigun, or vont you?” Spitfire said; “if you’re thursty, vy dont you say so and squench it, old boy?” “Dont ago on makin fun of me—I can’t abear chaffin,” was the reply of Mr. Jeames, and tears actually stood in his fine eyes, as he looked at the porter and the screeching little imp before him. Spitfire (real name unknown) gave him some of the drink: I am happy to say Jeames’s face wove quite a different look when it rose gasping out of the porter; and I judge of his dispositions from the above trivial incident. The last boy in the sketch, 6, need scarcely be particularized. Doctor’s boy; was a charity boy; stripes evidently added on to a pair of the doctor’s clothes of last year—Miss Clapperclaw pointed this out to me with a giggle.—Nothing escapes that old woman. As we were walking in Kensington Gardens she pointed me out Mrs. Braggs nursery-maid, who sings so loud at church, engaged with a Life Guardsman, whom she was trying to convert probably. My virtuous friend rose indignant at the sight. “That’s why these minxes like Kensington Gardens,” she cried. “Look at the woman: she leaves the baby on the grass, for the giant to trample upon; and that little wretch of a Hastings Bragg is riding on the monster’s cane.” Miss C. flew up and seized the infant, waking it out of its sleep,{22} and causing all the gardens to echo with its squalling. “I’ll teach you to be impudent to me,” she said to the nursery-maid, with whom my vivacious old friend, I suppose, has had a difference; and she would not release the infant until she had rung the bell of Bungalow Lodge, where she gave it up to the footman. The giant in scarlet had slunk down toward Knightsbridge meanwhile. The big rogues are always crossing the Park and the Gardens, and hankering about Our Street. <div class="figcenter"> <ANTIMG src="images/facing023_sml.jpg" width-obs="396" height-obs="550" alt="[Image unavailable.]" /> <div class="caption">A STREET CEREMONY. </div> </div> {23} <h2>WHAT SOMETIMES HAPPENS IN OUR STREET.</h2> It was before old Hunkington’s house that the mutes were standing, as I passed and saw this group at the door. The charity-boy with the hoop is the son of the jolly-looking mute; he admires his father, who admires himself too, in those bran-new, sables. The other infants are the spawn of the alleys about Our Street. Only the parson and the typhus fever visit those mysterious haunts, which lie couched about our splendid houses like Lazarus at the threshold of Dives. Those little ones come crawling abroad in the sunshine, to the annoyance of the beadles, and the horror of a number of good people in the street. They will bring up the rear of the procession anon, when the grand omnibus with the feathers, and the fine coaches with the long-tailed black horses, and the gentlemen’s private carriages with the shutters up, pass along to Saint Waltheof’s. You can hear the slow bell tolling clear in the sunshine already, mingling with the crowing of Punch, who is passing down{24} the street with his show; and the two musics make a queer medley. Not near so many people, I remark, engage Punch now as in the good old times. I suppose our quarter is growing too genteel for him. Miss Bridget Jones, a poor curate’s daughter in Wales, comes into all Hunkington’s property, and will take his name, as I am told. Nobody ever heard of her before. I am sure Captain Hunkington, and his brother Barnwell Hunkington, must wish that the lucky young lady had never been heard of to the present day. But they will have the consolation of thinking that they did their duty by their uncle, and consoled his declining years. It was but last month that Millwood Hunkington (the Captain) sent the old gentleman a service of plate; and Mrs. Barnwell got a reclining carriage at a great expense, from Hobbs and Dobbs’s, in which the old gentleman went out only once. “It is a punishment on those Hunkingtons,” Miss Clapperclaw remarks; “upon those people who have been always living beyond their little incomes, and always speculating upon what the old man would leave them, and always coaxing him with presents which they could not afford, and he did not want. It is a punishment upon those Hunkingtons to be so disappointed.” “Think of giving him plate,” Miss C. justly says, “who{25} had chests-full; and sending him a carriage, who could afford to buy all Long Acre. And everything goes to Miss Jones Hunkington. I wonder will she give the things back?” Miss Clapperclaw asks. “I wouldn’t.” And indeed I don’t think Miss Clapperclaw would.{26} <h2>SOMEBODY WHOM NOBODY KNOWS.</h2> That pretty little house, the last in Pocklington Square, was lately occupied by a young widow lady who wore a pink bonnet, a short silk dress, sustained by crinoline, and a light blue mantle, or over-jacket (Miss C. is not here to tell me the name of the garment); or else a black velvet pelisse, a yellow shawl, and a white bonnet; or else—but never mind the dress, which seemed to be of the handsomest sort money could buy—and who had very long glossy black ringlets, and a peculiarly brilliant complexion,—No. 96 Pocklington Square, I say, was lately occupied by a widow lady named Mrs. Stafford Molyneux. The very first day on which an intimate and valued female friend of mine saw Mrs. Stafford Molyneux stepping into a Brougham, with a splendid bay horse, and without a footman (mark, if you please, that delicate sign of respectability), and after a moment’s examination of Mrs. S. M.’s toilette, her manners, little dog, carnation-coloured parasol, &c., Miss Elizabeth Clapperclaw clapped to the opera-glass with which she had been regarding the new inhabitant of Our Street, came away from the window in a{27} great flurry, and began poking her fire in a fit of virtuous indignation. “She’s very pretty,” said I, who had been looking over Miss C.’s shoulder at the widow with the flashing eyes and drooping ringlets. “Hold your tongue, sir,” said Miss Clapperclaw, tossing up her virgin head with an indignant blush on her nose. “It’s a sin and a shame that such a creature should be riding in her carriage, forsooth, when honest people must go on foot.” Subsequent observations confirmed my revered fellow-lodger’s anger and opinion. We have watched Hansom cabs standing before that lady’s house for hours; we have seen Broughams, with great flaring eyes, keeping watch there in the darkness; we have seen the vans from the comestible shops drive up and discharge loads of wines, groceries, French plums, and other articles of luxurious horror. We have seen Count Wowski’s drag, Lord Martingale’s carriage, Mr. Deuceace’s cab drive up there time after time; and (having remarked previously the pastry-cook’s men arrive with the trays and entrées) we have known that this widow was giving dinners at the little house in Pocklington Square—dinners such as decent people could not hope to enjoy. My excellent friend has been in a perfect fury when Mrs. Stafford Molyneux, in a black velvet riding-habit, with a hat{28} and feather, has come out and mounted an odious grey horse, and has cantered down the street, followed by her groom upon a bay. “It won’t last long—it must end in shame and humiliation,” my dear Miss C. has remarked, disappointed that the tiles and chimney-pots did not fall down upon Mrs. Stafford Molyneux’s head, and crush that cantering audacious woman. But it was a consolation to see her when she walked out with a French maid, a couple of children, and a little dog hanging on to her by a blue ribbon. She always held down her head then—her head with the drooping black ringlets. The virtuous and well-disposed avoided her. I have seen the Square-keeper himself look puzzled as she passed; and Lady Kicklebury walking by with Miss K., her daughter, turn away from Mrs. Stafford Molyneux, and fling back at her a ruthless Parthian glance that ought to have killed any woman of decent sensibility. That wretched woman, meanwhile, with her rouged cheeks (for rouge it is, Miss Clapperclaw swears, and who is a better judge?) has walked on conscious, and yet somehow braving out the Street. You could read pride of her beauty, pride of her fine clothes, shame of her position, in her downcast black eyes. As for Mademoiselle Trampoline, her French maid, she would stare the sun itself out of countenance. One day she tossed up her head as she passed under our windows with a look <div class="figcenter"> <ANTIMG src="images/facing028_sml.jpg" width-obs="406" height-obs="550" alt="[Image unavailable.]" /> <div class="caption">THE LADY WHOM NOBODY KNOWS. </div> </div> {29} of scorn that drove Miss Clapperclaw back to the fire-place again. It was Mrs. Stafford Molyneux’s children, however, whom I pitied the most. Once her boy, in a flaring tartan, went up to speak to Master Roderick Lacy, whose maid was engaged ogling a policeman; and the children were going to make friends, being united with a hoop which Master Molyneux had, when Master Roderick’s maid, rushing up, clutched her charge to her arms, and hurried away, leaving little Molyneux sad and wondering. “Why won’t he play with me, mamma?” Master Molyneux asked—and his mother’s face blushed purple as she walked away. “Ah—Heaven help us and forgive us!” said I; but Miss C. can never forgive the mother or child; and she clapped her hands for joy one day when we saw the shutters up, bills in the windows, a carpet hanging out over the balcony, and a crowd of shabby Jews about the steps—giving token that the reign of Mrs. Stafford Molyneux was over. The pastry-cooks and their trays, the bay and the grey, the Brougham and the groom, the noblemen and their cabs, were all gone; and the tradesmen in the neighbourhood were crying out that they were done. “Serve the odious minx right!” says Miss C.; and she{30} played at picquet that night with more vigour than I have known her manifest for these last ten years. What is it that makes certain old ladies so savage upon certain subjects? Miss C. is a good woman; pays her rent and her tradesmen; gives plenty to the poor; is brisk with her tongue—kind-hearted in the main; but if Mrs. Stafford Molyneux and her children were plunged into a cauldron of boiling vinegar, I think my revered friend would not take her out.{31} <h2>THE MAN IN POSSESSION.</h2> For another misfortune which occurred in Our Street we were much more compassionate. We liked Danby Dixon, and his wife Fanny Dixon still more. Miss C. had a paper of biscuits, and a box of preserved apricots always in the cupboard, ready for Dixon’s children—provisions by the way which she locked up under Mrs. Cammysole’s nose, so that our landlady could by no possibility lay a hand on them. Dixon and his wife had the neatest little house possible (No. 16, opposite 96), and were liked and respected by the whole street. He was called Dandy Dixon when he was in the Dragoons, and was a light weight, and rather famous as a gentleman rider. On his marriage, he sold out and got fat; and was indeed a florid, contented, and jovial gentleman. His little wife was charming—to see her in pink, with some miniature Dixons in pink too, round about her, or in that beautiful grey dress, with the deep black lace flounces, which she wore at my Lord Comandine’s on the night of the private{32} theatricals, would have done any man good. To hear her sing any of my little ballads, “Know’st thou the Willow-tree?” for instance, or “The Rose upon my balcony,” or “The Humming of the Honey-bee” (far superior, in my judgment, and in that of some good judges likewise, to that humbug Clarence Bulbul’s ballads)—to hear her, I say, sing these, was to be in a sort of small Elysium. Dear, dear, little Fanny Dixon! she was like a little chirping bird of Paradise. It was a shame that storms should ever ruffle such a tender plumage. Well, never mind about sentiment.—Danby Dixon, the owner of this little treasure, an ex-captain of dragoons, and having nothing to do, and a small income, wisely thought he would employ his spare time, and increase his revenue. He became a Director of the Cornaro Life Insurance Company, of the Tregulpho tin-mines, and of four or five railroad companies. It was amusing to see him swaggering about the City in his clinking boots, and with his high and mighty dragoon manners. For a time his talk about shares after dinner was perfectly intolerable; and I for one was always glad to leave him in the company of sundry very dubious capitalists who frequented his house, and walk up to hear Mrs. Fanny warbling at the piano, with her little children about her knees. It was only last season that they set up a carriage—the modestest little vehicle conceivable—driven by Kirby, who had <div class="figcenter"> <ANTIMG src="images/facing033_sml.jpg" width-obs="401" height-obs="550" alt="[Image unavailable.]" /> <div class="caption">THE MAN IN POSSESSION. </div> </div> {33} been in Dixon’s troop in the regiment, and had followed him into private life as coachman, footman, and page. One day lately I went into Dixon’s house, hearing that some calamities had befallen him, the particulars of which Miss Clapperclaw was desirous to know. The creditors of the Tregulpho mines had got a verdict against him as one of the directors of that company; the engineer of the Little Diddlesex Junction had sued him for two thousand three hundred pounds—the charges of that scientific man for six weeks’ labour in surveying the line. His brother directors were to be discovered nowhere; Windham, Dodgin, Mizzlington, and the rest, were all gone long ago. When I entered, the door was open—there was a smell of smoke in the dining-room, where a gentleman at noon-day was seated with a pipe and a pot of beer—a man in possession indeed, in that comfortable pretty parlour, by that snug round table where I have so often seen Fanny Dixon’s smiling face. Kirby, the ex-dragoon, was scowling at the fellow, who lay upon a little settee reading the newspaper, with an evident desire to kill him. Mrs. Kirby, his wife, held little Danby, poor Dixon’s son and heir. Dixon’s portrait smiled over the sideboard still, and his wife was up stairs in an agony of fear, with the poor little daughters of this bankrupt, broken family. This poor soul had actually come down and paid a visit{34} to the man in possession. She had sent wine and dinner to “the gentleman down stairs,” as she called him in her terror. She had tried to move his heart, by representing to him how innocent Captain Dixon was, and how he had always paid, and always remained at home when everybody else had fled. As if her tears, and simple tales and entreaties, could move that man in possession out of the house, or induce him to pay the costs of the action which her husband had lost. Danby meanwhile was at Boulogne, sickening after his wife and children. They sold everything in his house—all his smart furniture, and neat little stock of plate; his wardrobe and his linen, “the property of a gentleman gone abroad;” his carriage by the best maker; and his wine selected without regard to expense. His house was shut up as completely as his opposite neighbour’s; and a new tenant is just having it fresh painted inside and out, as if poor Dixon had left an infection behind. Kirby and his wife went across the water with the children and Mrs. Fanny—she has a small settlement; and I am bound to say that our mutual friend Miss Elizabeth C. went down with Mrs. Dixon in the fly to the Tower Stairs, and stopped in Lombard Street by the way. So it is that the world wags: that honest men and knaves alike are always having ups and downs of fortune, and that we are perpetually changing tenants in Our Street. <div class="figcenter"> <ANTIMG src="images/facing035_sml.jpg" width-obs="403" height-obs="550" alt="[Image unavailable.]" /> <div class="caption">THE LION OF THE STREET. </div> </div> {35} <h2>THE LION OF THE STREET.</h2> What people can find in Clarence Bulbul, who has lately taken upon himself the rank and dignity of Lion of our Street, I have always been at a loss to conjecture. “He has written an Eastern book of considerable merit,” Miss Clapperclaw says; but hang it, has not everybody written an Eastern book? I should like to meet anybody in society now who has not been up to the second cataract. An Eastern book, forsooth! My Lord Castleroyal has done one—an honest one; my Lord Youngent another—an amusing one; my Lord Woolsey another—a pious one; there is “The Cutlet and the Cabob”—a sentimental one; “Timbuctoothen”—a humorous one, all ludicrously overrated, in my opinion, not including my own little book, of which a copy or two is still to be had by the way. Well, then, Clarence Bulbul, because he has made part of the little tour that all of us know, comes back and gives himself airs, forsooth, and howls as if he were just out of the great Libyan desert. When we go and see him, that Irish Jew courier, whom I{36} have before had the honour to describe, looks up from the novel which he is reading in the ante-room, and says, “Mon maitre est au Divan,” or, “Monsieur trouvera Monsieur dans son serail,” and relapses into the Comte de Montechristo again. Yes, the impudent wretch has actually a room in his apartments on the ground-floor of his mother’s house, which he calls his harem. When Lady Betty Bulbul (they are of the Nightingale family) or Miss Blanche comes down to visit him, their slippers are placed at the door, and he receives them on an ottoman, and these infatuated women will actually light his pipe for him. Little Spitfire, the groom, hangs about the drawing-room, outside the harem forsooth! so that he may be ready when Clarence Bulbul claps hands for him to bring the pipes and coffee. He has coffee and pipes for everybody. I should like you to have seen the face of old Bowly, his college-tutor, called upon to sit cross-legged on a divan, a little cup of bitter black Mocha put into his hand, and a large amber-muzzled pipe stuck into his mouth by Spitfire, before he could so much as say it was a fine day. Bowly almost thought he had compromised his principles by consenting so far to this Turkish manner. Bulbul’s dinners are, I own, very good; his pilaffs and curries excellent. He tried to make us eat rice with our fingers, it is true;{37} but he scalded his own hands in the business, and invariably bedizened his shirt, so he has left off the Turkish practice, for dinner at least, and uses a fork like a Christian. But it is in society that he is most remarkable; and here he would, I own, be odious, but he becomes delightful, because all the men hate him so. A perfect chorus of abuse is raised round about him. “Confounded impostor,” says one; “Impudent jackass,” says another; “Miserable puppy,” cries a third; “I’d like to wring his neck,” says Bruff, scowling over his shoulder at him. Clarence meanwhile nods, winks, smiles, and patronises them all with the easiest good-humour. He is a fellow who would poke an archbishop in the apron, or clap a duke on the shoulder, as coolly as he would address you and me. I saw him the other night, at Mrs. Bumpsher’s grand let off. He flung himself down cross-legged upon a pink satin sofa, so that you could see Mrs. Bumpsher quiver with rage in the distance, Bruff growl with fury from the further room, and Miss Pim, on whose frock Bulbul’s feet rested, look up like a timid fawn. “Fan me, Miss Pim,” said he of the cushion. “You look like a perfect Peri to-night. You remind me of a girl I once knew in Circassia—Ameena, the sister of Schamyle Bey. Do you know, Miss Pim, that you would fetch twenty thousand piastres in the market at Constantinople?{38}” “Law, Mr. Bulbul!” is all Miss Pim can ejaculate; and having talked over Miss Pim, Clarence goes off to another houri, whom he fascinates in a similar manner. He charmed Mrs. Waddy by telling her that she was the exact figure of the Pacha of Egypt’s second wife. He gave Miss Tokely a piece of the sack in which Zuleikah was drowned; and he actually persuaded that poor little silly Miss Vain to turn Mahometan, and sent her up to the Turkish Ambassador’s, to look out for a mufti. <div class="figcenter"> <ANTIMG src="images/facing039_sml.jpg" width-obs="405" height-obs="550" alt="[Image unavailable.]" /> <div class="caption">THE DOVE OF THE STREET. </div> </div> {39} <h2>THE DOVE OF OUR STREET.</h2> If Bulbul is our Lion, Young Oriel may be described as The Dove of our Colony. He is almost as great a pasha among the ladies as Bulbul. They crowd in flocks to see him at Saint Waltheof’s, where the immense height of his forehead, the rigid asceticism of his surplice, the twang with which he intones the service, and the namby-pamby mysticism of his sermons, has turned all the dear girls’ heads for some time past. While we were having a rubber at Mrs. Chauntry’s, whose daughters are following the new mode, I heard the following talk (which made me revoke by the way) going on, in what was formerly called the young lady’s room, but is now styled the Oratory. <h3>THE ORATORY.</h3> <table border="0" cellpadding="2" cellspacing="2" summary=""> <tr><td>    MISS CHAUNTRY.     MISS DE L’AISLE. </td> <td> </td> <td>    MISS ISABEL CHAUNTRY.     MISS PYX. </td></tr> <tr><td>REV. L. ORIEL. </td><td> </td> <td>REV. O. SLOCUM—[In the further room.]</td></tr> </table> Miss Chauntry (sighing).—Is it wrong to be in the Guards, dear Mr. Oriel?{40} Miss Pyx.—She will make Frank de Boots sell out when he marries. Mr. Oriel.—To be in the Guards, dear sister? The church has always encouraged the army. Saint Martin of Tours was in the army; Saint Louis was in the army; Saint Waltheof, our patron, Saint Witikind of Aldermanbury, Saint Wamba, and Saint Walloff were in the army. Saint Wapshot was captain of the guard of Queen Boadicea; and Saint Werewolf was a major in the Danish cavalry. The holy Saint Ignatius of Loyola carried a pike, as we know; and—— Miss de l’Aisle.—Will you take some tea, dear Mr. Oriel? Oriel.—This is not one of my feast days, Sister Emma. It is the feast of Saint Wagstaff of Walthamstow. The Young Ladies.—And we must not even take tea! Oriel.—Dear sisters, I said not so. You may do as you list; but I am strong (with a heart-broken sigh); don’t ply me (he reels). I took a little water and a parched pea after matins. To-morrow is a flesh day, and—and I shall be better then. Rev. O. Slocum (from within).—Madam, I take your heart with my small trump. Oriel.—Yes, better! dear sister; it is only a passing—a—weakness. Miss I. Chauntry.—He’s dying of fever.{41} Miss Chauntry.—I’m so glad De Boots need not leave the Blues. Miss Pyx.—He wears sackcloth and cinders inside his waistcoat. Miss De l’Aisle.—He’s told me to-night he is going to—to—Ro-o-ome. [Miss De l’Aisle bursts into tears.] Rev. O. Slocum.—My lord, I have the highest club, which gives the trick and two by honours.   Thus, you see, we have a variety of clergymen in Our Street. Mr. Oriel is of the pointed Gothic school, while old Slocum is of the good old tawny port-wine school; and it must be confessed that Mr. Gronow, at Ebenezer, has a hearty abhorrence for both. As for Gronow, I pity him, if his future lot should fall where Mr Oriel supposes that it will. And as for Oriel, he has not even the benefit of purgatory, which he would accord to his neighbour Ebenezer; while old Slocum pronounces both to be a couple of humbugs; and Mr. Mole, the demure little beetle-browed chaplain of the little church of Avemary Lane, keeps his sly eyes down to the ground when he passes any one of his black-coated brethren. There is only one point on which, my friends, they seem agreed. Slocum likes port, but who ever heard that he neglected his poor? Gronow, if he comminates his neighbour’s congrega{42}tion, is the affectionate father of his own. Oriel, if he loves pointed Gothic and parched peas for breakfast, has a prodigious soup-kitchen for his poor; and as for little Father Mole, who never lifts his eyes from the ground, ask our doctor at what bedsides he finds him, and how he soothes poverty and braves misery and infection.{43} <h2>THE BUMPSHERS.</h2> No. 6 Pocklington Gardens (the house with the quantity of flowers in the windows, and the awning over the entrance), George Bumpsher, Esquire, M.P. for Humborough (and the Beaustalks, Kent). For some time after this gorgeous family came into our quarter, I mistook a bald-headed stout person, whom I used to see looking through the flowers on the upper windows, for Bumpsher himself or for the butler of the family; whereas it was no other than Mrs. Bumpsher, without her chesnut wig; and who is at least three times the size of her husband. The Bumpshers and the house of Mango at the Pineries vie together in their desire to dominate over the neighbourhood; and each votes the other a vulgar and purse-proud family. The fact is, both are City people. Bumpsher, in his mercantile capacity, is a wholesale stationer in Thames Street; and his wife was daughter of an eminent bill-broking firm, not a thousand miles from Lombard Street.{44} He does not sport a coronet and supporters upon his London plate and carriages; but his country-house is emblazoned all over with those heraldic decorations. He puts on an order when he goes abroad, and is Count Bumpsher of the Roman States—which title he purchased from the late Pope (through Prince Polonia the banker) for a couple of thousand scudi. It is as good as a coronation to see him and Mrs. Bumpsher go to Court. I wonder the carriage can hold them both. On those days Mrs. Bumpsher holds her own drawing-room before her Majesty’s; and we are invited to come and see her sitting in state, upon the largest sofa in her rooms. She has need of a stout one, I promise you. Her very feathers must weigh something considerable. The diamonds on her stomacher would embroider a full-sized carpet-bag. She has rubies, ribbons, cameos, emeralds, gold serpents, opals, and Valenciennes lace, as if she were an immense sample out of Howell and James’s shop. She took up with little Pinkney at Rome, where he made a charming picture of her, representing her as about eighteen, with a cherub in her lap, who has some liking to Bryanstone Bumpsher, her enormous, vulgar son; now a Cornet in the Blues, and anything but a cherub, as those would say who saw him in his uniform jacket. I remember Pinkney when he was painting the picture, Bryanstone being then a youth in what they call a skeleton suit <div class="figcenter"> <ANTIMG src="images/facing044_sml.jpg" width-obs="414" height-obs="550" alt="[Image unavailable.]" /> <div class="caption">VENUS AND CUPID. </div> </div> {45} (as if such a pig of a child could ever have been dressed in anything resembling a skeleton)—I remember, I say, Mrs. B. sitting to Pinkney in a sort of Egerian costume, her boy by her side, whose head the artist turned round and directed it towards a piece of gingerbread, which he was to have at the end of the sitting. Pinkney, indeed, a painter!—a contemptible little humbug, and parasite of the great! He has painted Mrs. Bumpsher younger every year for these last ten years—and you see in the advertisements of all her parties his odious little name stuck in at the end of the list. I’m sure, for my part, I’d scorn to enter her doors, or be the toady of any woman. <div class="figcenter"> <ANTIMG src="images/image045.jpg" width-obs="300" alt="[Image unavailable.]" /></div> {46} <h2>JOLLY NEWBOY, ESQ., M.P.</h2> How different it is with the Newboys, now, where I have an entrée—(having indeed had the honour in former days to give lessons to both the ladies)—and where such a quack as Pinkney would never be allowed to enter! A merrier house the whole quarter cannot furnish. It is there you meet people of all ranks and degrees, not only from our quarter but from the rest of the town. It is there that our great man, the Right Honourable Lord Comandine, came up and spoke to me in so encouraging a manner that I hope to be invited to one of his lordship’s excellent dinners (of which I shall not fail to give a very flattering description) before the season is over. It is there you find yourself talking to statesmen, poets, and artists—not sham poets like Bulbul, or quack artists like that Pinkney—but to the best members of all society. It is there I made the sketch in the frontispiece while Miss Chesterforth was singing a deep-toned tragic ballad, and her mother scowling behind her. What a buzz and clack and{47} chatter there was in the room to be sure! When Miss Chesterforth sings everybody begins to talk. Hicks and old Fogy were on Ireland; Bass was roaring into old Pump’s ears (or into his horn rather) about the Navigation Laws; I was engaged talking to the charming Mrs. Short; while Charley Bonham (a mere prig, in whom I am surprised that the women can see anything) was pouring out his fulsome rhapsodies in the ears of Diana White. Lovely, lovely Diana White! were it not for three or four other engagements, I know a heart that would suit you to a T. Newboy’s I pronounce to be the jolliest house in the street. He has only of late had a rush of prosperity, and turned Parliament man; for his distant cousin, of the ancient house of Newboy of ——shire dying, Fred—then making believe to practice at the bar, and living with the utmost modesty in Gray’s Inn Road—found himself master of a fortune, and a great house in the country, of which getting tired, as in the course of nature he should, he came up to London, and took that fine mansion in our Gardens. He represents Mumborough in Parliament, a seat which has been time out of mind occupied by a Newboy. Though he does not speak, being a great deal too rich, sensible, and lazy, he somehow occupies himself with reading blue books, and indeed talks a great deal too much good sense{48} of late over his dinner-table, where there is always a cover for the present writer. He falls asleep pretty assiduously too after that meal—a practice which I can well pardon in him—for, between ourselves, his wife, Maria Newboy, and his sister, Clarissa, are the loveliest and kindest of their sex, and I would rather hear their innocent prattle, and lively talk about their neighbours, than the best wisdom from the wisest man that ever wore a beard. Like a wise and good man he leaves the question of his household entirely to the woman. They like going to the play. They like going to Greenwich. They like coming to a party at bachelor’s hall. They are up to all sorts of fun, in a word; in which taste the good-natured Newboy acquiesces, provided he is left to follow his own. It was only on the 17th of the month that, having had the honour to dine at the house, when, after dinner, which took place at eight, we left Newboy to his blue books, and went up stairs and sang a little to the guitar afterwards—it was only on the 17th December, the night of Lady Sowerby’s party, that the following dialogue took place in the boudoir, whither Newboy, blue books in hand, had ascended. He was curled up with his House of Commons boots on his wife’s arm-chair, reading his eternal blue books, when Mrs. N. entered from her apartment, dressed for the evening. <div class="figcenter"> <ANTIMG src="images/facing049_sml.jpg" width-obs="406" height-obs="550" alt="[Image unavailable.]" /> <div class="caption">THE STREET DOOR KEY. </div> </div> {49} Mrs. N.—Frederic, wont you come? Mr. N.—Where? Mrs. N.—To Lady Sowerby’s. Mr. N.—I’d rather go to the black hole in Calcutta. Besides, this Sanitary Report is really the most interesting—[he begins to read.] Mrs. N. (piqued)—Well; Mr. Titmarsh will go with us. Mr. N.—Will he? I wish him joy! At this puncture Miss Clarissa Newboy enters in a pink paletôt, trimmed with swansdown—looking like an angel—and we exchange glances of—what shall I say?—of sympathy on both parts, and consummate rapture on mine. But this is by-play. Mrs. N.—Good night, Frederic. I think we shall be late. Mr. N.—You won’t wake me, I daresay; and you don’t expect a public man to sit up. Mrs. N.—It’s not you, it’s the servants. Cocker sleeps very heavily. The maids are best in bed, and are all ill with the influenza. I say, Frederic dear, don’t you think you had better give me YOUR CHUBB KEY? This astonishing proposal, which violates every recognised law of society—this demand which alters all the existing state of things—this fact of a woman asking for a door-key, struck me with a terror which I cannot describe, and impressed me{50} with the fact of the vast progress of Our Street. The door-key! What would our grandmother, who dwelt in this place when it was a rustic suburb, think of its condition now, when husbands stay at home, and wives go abroad with the latch-key? The evening at Lady Sowerby’s was the most delicious we have spent for long, long days. Thus it will be seen that everybody of any consideration in Our Street takes a line. Mrs. Minimy (34) takes the homœopathic line, and has soirées of doctors of that faith. Lady Pocklington takes the capitalist line; and those stupid and splendid dinners of hers are devoured by loan-contractors, and railroad princes. Mrs. Trimmer (38) comes out in the scientific line, and indulges us in rational evenings, where history is the lightest subject admitted, and geology and the sanitary condition of the metropolis form the general themes of conversation. Mrs. Brumby plays finely on the bassoon, and has evenings dedicated to Sebastian Bach, and enlivened with Handel. At Mrs. Maskleyn’s they are mad for charades and theatricals. They performed last Christmas in a French piece, by Alexandre Dumas, I believe—“La Duchesse de Montefiasco,” of which I forget the plot, but everybody was in love with everybody else’s wife, except the hero, Don Alonzo, who was ardently attached to the Duchess, who turned out to be his grandmother. The piece was translated by Lord Fiddle-faddle, Tom Bulbul <div class="figcenter"> <ANTIMG src="images/facing051_sml.jpg" width-obs="406" height-obs="550" alt="[Image unavailable.]" /> <div class="caption">A SCENE OF PASSION. </div> </div> {51} being the Don Alonzo; and Mrs. Roland Calidore (who never misses an opportunity of acting in a piece in which she can let down her hair) was the Duchess. <div class="poetry"> <div class="poem"><div class="stanza"> Alonzo. </div> <div class="stanza"> You know how well he loves you, and you wonder To see Alonzo suffer, Cunegunda?— Ask if the chamois suffer when they feel Plunged in their panting sides the hunter’s steel? Or when the soaring heron or eagle proud, Pierced by my shaft, comes tumbling from the cloud, Ask if the royal birds no anguish know, The victims of Alonzo’s twanging bow? Then ask him if he suffers—him who dies, Pierced by the poisoned glance that glitters from your eyes! [He staggers from the effect of the poison. </div> <div class="stanza"> The Duchess. </div> <div class="stanza"> Alonzo loves—Alonzo loves! and whom? His grandmother! O hide me gracious tomb! [Her Grace faints away. </div> </div></div> Such acting as Tom Bulbul’s I never saw. Tom lisps atrociously, and uttered the passage, “You athk me if I thuffer,” in the most absurd way. Miss Clapperclaw says he acted pretty well, and that I only joke about him because I am envious, and wanted to act a part myself.—I envious indeed! But of all the assemblies, feastings, junkettings, déjeunes, soirées, conversaziones, dinner-parties, in Our Street, I know of none pleasanter than the banquets at Tom Fairfax’s; one of{52} which this enormous provision-consumer gives seven times a-week. He lives in one of the little houses of the old Waddilove Street quarter, built long before Pocklington Square and Pocklington Gardens and the Pocklington family itself had made their appearance in this world. Tom, though he has a small income, and lives in a small house, yet sits down one of a party of twelve to dinner every day of his life; these twelve consisting of Mrs. Fairfax, the nine Misses Fairfax, and Master Thomas Fairfax—the son and heir to twopence-halfpenny a-year. It is awkward just now to go and beg pot-luck from such a family as this; because, though a guest is always welcome, we are thirteen at table—an unlucky number, it is said. This evil is only temporary, and will be remedied presently, when the family will be thirteen without the occasional guest, to judge from all appearances. Early in the morning Mrs. Fairfax rises, and cuts bread and butter from six o’clock till eight; during which time the nursery operations upon the nine little graces are going on. We only see a half dozen of them at this present moment, and in the present authentic picture, the remainder dwindling off upon little chairs by their mamma. The two on either side of Fairfax are twins—awarded to him by singular good fortune; and he only knows Nancy from Fanny <div class="figcenter"> <ANTIMG src="images/facing053_sml.jpg" width-obs="404" height-obs="550" alt="[Image unavailable.]" /> <div class="caption">THE HAPPY FAMILY. </div> </div> {53} by having a piece of tape round the former’s arm. There is no need to give you the catalogue of the others. She, in the pinafore in front, is Elizabeth, goddaughter to Miss Clapperclaw, who has been very kind to the whole family; that young lady with the ringlets is engaged by the most solemn ties to the present writer, and it is agreed that we are to be married as soon as she is as tall as my stick. If his wife has to rise early to cut the bread and butter, I warrant Fairfax must be up betimes to earn it. He is a clerk in a Government Office; to which duty he trudges daily, refusing even twopenny omnibuses. Every time he goes to the shoemaker’s he has to order eleven pairs of shoes, and so can’t afford to spare his own. He teaches the children Latin every morning, and is already thinking when Tom shall he inducted into that language. He works in his garden for an hour before breakfast. His work over by three o’clock, he tramps home at four, and exchanges his dapper coat for that dressing-gown in which he appears before you,—a ragged but honourable garment in which he stood (unconsciously) to the present designer. Which is the best, his old coat or Sir John’s bran new one? Which is the most comfortable and becoming, Mrs. Fairfax’s black velvet gown, (which she has worn at the Pocklington Square parties these twelve years, and in which I protest she looks like a queen), or that new robe which the milliner has{54} has just brought home to Mrs. Bumpsher’s, and into which she will squeeze herself on Christmas day? Miss Clapperclaw says that we are all so charmingly contented with ourselves that not one of us would change with his neighbour; and so, rich and poor, high and low, one person is about as happy as another in Our Street. <div class="figcenter"> <ANTIMG src="images/backcover.jpg" width-obs="371" height-obs="500" alt="" title="" /></div> <hr class="full" /> <div style="break-after:column;"></div>

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