<h2 class='c008'>CHAPTER XVIII</h2></div>
<p class='drop-capa0_0_6 c009'>Two hundred and thirteen Sloane Street. The
address, Rosie reflected, as she vaporized synthetic
lilies of the valley over all her sinuous
person, was decidedly a good one. It argued a reasonable
prosperity, attested a certain distinction. The knowledge
of his address confirmed her already high opinion of
the bearded stranger who had so surprisingly entered her
life, as though in fulfilment of all the fortune-tellers’
prophecies that ever were made; had entered, yes, and
intimately made himself at home. She had been delighted,
when the telegram came that morning, to think that at last
she was going to find out something more about this man of
mystery. For dark and mysterious he had remained,
remote even in the midst of the most intimate contacts.
Why, she didn’t even know his name. “Call me Toto,”
he had suggested, when she asked him what it was. And
Toto she had had to call him, for lack of anything more
definite or committal. But to-day he was letting her
further into his secret. Rosie was delighted. Her pink
underclothing, she decided, as she looked in the long glass,
was really ravishing. She examined herself, turning first
one way, then the other, looking over her shoulder to see
the effect from behind. She pointed a toe, bent and
straightened a knee, applauding the length of her legs
(“Most women,” Toto had said, “are like dachshunds”),
<span class='pageno' id='Page_250'>250</span>their slenderness and plump suavity of form. In their
white stockings of Milanese silk they looked delicious; and
how marvellously, by the way, those Selfridge people had
mended those stockings by their new patent process! Absolutely
like new, and only charged four shillings. Well,
it was time to dress. Good-bye, then, to the pink underclothing
and the long white legs. She opened the wardrobe
door. The moving glass reflected, as it swung through
its half-circle, pink bed, rose-wreathed walls, little friends
of her own age, and the dying saint at his last communion.
Rosie selected the frock she had bought the other day at
one of those little shops in Soho, there they sell such smart
things so cheaply to a clientage of minor actresses and
cocottes. Toto hadn’t seen it yet. She looked extremely
distinguished in it. The little hat, with its inch of veil
hanging like a mask, unconcealing and inviting, from the
brim, suited her to perfection. One last dab of powder,
one last squirt of synthetic lilies of the valley, and she
was ready. She closed the door behind her. St. Jerome
was left to communicate in the untenanted pinkness.</p>
<p class='c010'>Mr. Mercaptan sat at his writing-table—an exquisitely
amusing affair in papier mâché, inlaid with floral decorations
in mother-of-pearl and painted with views of Windsor
Castle and Tintern in the romantic manner of Prince
Albert’s later days—polishing to its final and gem-like
perfection one of his middle articles. It was on a splendid
subject—the ‘Jus Primæ Noctis, or Droit du Seigneur’—“that
delicious <i><span lang="fr" xml:lang="fr">droit</span></i>,” wrote Mr. Mercaptan, “on which,
one likes to think, the Sovereigns of England insist so firmly
in their motto, <i><span lang="fr" xml:lang="fr">Dieu et mon Droit—de Seigneur</span></i>.” That
was charming, Mr. Mercaptan thought, as he read it through.
And he liked that bit which began elegiacally: “But,
<span class='pageno' id='Page_251'>251</span>alas! the Right of the First Night belongs to a Middle Age
as mythical, albeit happily different, as those dismal epochs
invented by Morris or by Chesterton. The Lord’s right,
as we prettily imagine it, is a figment of the baroque imagination
of the seventeenth century. It never existed. Or at
least it did exist, but as something deplorably different
from what we love to picture it.” And he went on,
eruditely, to refer to that Council of Carthage which, in
398, demanded of the faithful that they should be continent
on their wedding-night. It was the Lord’s right—the
<i><span lang="fr" xml:lang="fr">droit</span></i> of a heavenly Seigneur. On this text of fact, Mr.
Mercaptan went on to preach a brilliant sermon on that
melancholy sexual perversion known as continence. How
much happier we all should be if the real historical <i><span lang="fr" xml:lang="fr">droit
du Seigneur</span></i> had in fact been the mythical right of our
‘pretty prurient imaginations’! He looked forward to a
golden age when all should be seigneurs possessing rights
that should have broadened down into universal liberty.
And so on. Mr. Mercaptan read through his creation with
a smile of satisfaction on his face. Every here and there
he made a careful correction in red ink. Over ‘pretty
prurient imaginations’ his pen hung for a full minute in
conscientious hesitation. Wasn’t it perhaps a little too
strongly alliterative, a shade, perhaps, cheap? Perhaps
‘pretty lascivious’ or ‘delicate prurient’ would be better.
He repeated the alternatives several times, rolling the sound
of them round his tongue, judicially, like a tea-taster.
In the end, he decided that ‘pretty prurient’ was right.
‘Pretty prurient’—they were the <i><span lang="fr" xml:lang="fr">mots justes</span></i>, decidedly,
without a question.</p>
<p class='c010'>Mr. Mercaptan had just come to this decision and his
poised pen was moving farther down the page, when he was
<span class='pageno' id='Page_252'>252</span>disturbed by the sound of arguing voices in the corridor,
outside his room.</p>
<p class='c010'>“What is it, Mrs. Goldie?” he called irritably, for it
was not difficult to distinguish his housekeeper’s loud and
querulous tones. He had given orders that he was not to be
disturbed. In these critical moments of correction one
needed such absolute tranquillity.</p>
<p class='c010'>But Mr. Mercaptan was to have no tranquillity this
afternoon. The door of his sacred boudoir was thrown
rudely open, and there strode in, like a Goth into the
elegant marble vomitorium of Petronius Arbiter, a haggard
and dishevelled person whom Mr. Mercaptan recognized,
with a certain sense of discomfort, as Casimir Lypiatt.</p>
<p class='c010'>“To what do I owe the <em>pleasure</em> of this unexpected...?”
Mr. Mercaptan began with an essay in
offensive courtesy.</p>
<p class='c010'>But Lypiatt, who had no feeling for the finer shades,
coarsely interrupted him. “Look here, Mercaptan,” he
said. “I want to have a talk with you.”</p>
<p class='c010'>“Delighted, I’m sure,” Mr. Mercaptan replied. “And
<em>what</em>, may I ask, about?” He knew, of course, perfectly
well; and the prospect of the talk disturbed him.</p>
<p class='c010'>“About this,” said Lypiatt; and he held out what looked
like a roll of paper.</p>
<p class='c010'>Mr. Mercaptan took the roll and opened it out. It was a
copy of the <cite>Weekly World</cite>. “Ah!” said Mr. Mercaptan,
in a tone of delighted surprise, “<cite>The World</cite>. You have
read my little article?”</p>
<p class='c010'>“That was what I wanted to talk to you about,” said
Lypiatt.</p>
<p class='c010'>Mr. Mercaptan modestly laughed. “It hardly deserves
it,” he said.</p>
<p class='c010'><span class='pageno' id='Page_253'>253</span>Preserving a calm of expression which was quite unnatural
to him, and speaking in a studiedly quiet voice, Lypiatt
pronounced with careful deliberation: “It is a disgusting,
malicious, ignoble attack on me,” he said.</p>
<p class='c010'>“Come, <em>come</em>!” protested Mr. Mercaptan. “A critic
must be allowed to criticize.”</p>
<p class='c010'>“But there are limits,” said Lypiatt.</p>
<p class='c010'>“Oh, I <em>quite</em> agree,” Mr. Mercaptan eagerly conceded.
“But, after all, Lypiatt, you can’t pretend that I have
come anywhere near those limits. If I had called you a
<em>mur</em>derer, or even an <em>adul</em>terer—then, I admit, you would
have some cause to complain. But I haven’t. There’s
nothing like a personality in the whole thing.”</p>
<p class='c010'>Lypiatt laughed derisively, and his face went all to pieces,
like a pool of water into which a stone is suddenly dropped.</p>
<p class='c010'>“You’ve merely said I was insincere, an actor, a mountebank,
a quack, raving fustian, spouting mock heroics. That’s
all.”</p>
<p class='c010'>Mr. Mercaptan put on the expression of one who feels
himself injured and misunderstood. He shut his eyes, he
flapped deprecatingly with his hand. “I <em>merely</em> suggested,”
he said, “that you protest <em>too</em> much. You defeat your
own ends; you lose emphasis by trying to be over-emphatic.
All this <i><span lang="fr" xml:lang="fr">folie de grandeur</span></i>, all this hankering after <em>terribiltà</em>——”
sagely Mr. Mercaptan shook his head, “it’s led
so <em>many</em> people astray. And, in any case, you can’t <em>really</em>
expect <em>me</em> to find it very sympathetic.” Mr. Mercaptan
uttered a little laugh and looked affectionately round his
boudoir, his retired and perfumed poutery within whose
walls so much civilization had finely flowered. He looked
at his magnificent sofa, gilded and carved, upholstered in
white satin, and so deep—for it was a great square piece of
<span class='pageno' id='Page_254'>254</span>furniture, almost as broad as it was long—that when you
sat right back, you had of necessity to lift your feet from
the floor and recline at length. It was under the white
satin that Crébillon’s spirit found, in these late degenerate
days, a sympathetic home. He looked at his exquisite
Condor fans over the mantelpiece; his lovely Marie
Laurencin of two young girls, pale-skinned and berry-eyed,
walking embraced in a shallow myopic landscape amid a
troop of bounding heraldic dogs. He looked at his cabinet
of <i><span lang="fr" xml:lang="fr">bibelots</span></i> in the corner where the nigger mask and the
superb Chinese phallus in sculptured rock crystal contrasted
so amusingly with the Chelsea china, the little ivory
Madonna, which might be a fake, but in any case was quite
as good as any mediæval French original, and the Italian
medals. He looked at his comical writing-desk in shining
black papier mâché and mother-of-pearl; he looked at his
article on the “Jus Primæ Noctis,” black and neat on the
page, with the red corrections attesting his tireless search
for, and his, he flattered himself, almost invariable discovery
of, the inevitable word. No, really, one couldn’t expect
<em>him</em> to find Lypiatt’s notions very sympathetic.</p>
<p class='c010'>“But I don’t expect you to,” said Lypiatt, “and, good
God! I don’t want you to. But you call me insincere.
That’s what I can’t and won’t stand. How dare you do
that?” His voice was growing louder.</p>
<p class='c010'>Once more Mr. Mercaptan deprecatingly flapped. “At
the most,” he corrected, “I said that there was a certain
look of insincerity about some of the pictures. Hardly
avoidable, indeed, in work of this kind.”</p>
<p class='c010'>Quite suddenly, Lypiatt lost his self-control. All the
accumulated anger and bitterness of the last days burst out.
His show had been a hopeless failure. Not a picture sold,
<span class='pageno' id='Page_255'>255</span>a press that was mostly bad, or, when good, that had praised
for the wrong, the insulting reasons. “Bright and effective
work.” “Mr. Lypiatt would make an excellent stage
designer.” Damn them! damn them! And then, when
the dailies had all had their yelp, here was Mercaptan in
the <cite>Weekly World</cite> taking him as a text for what was practically
an essay on insincerity in art. “How dare you?” he
furiously shouted. “You—how dare you talk about sincerity?
What can you know about sincerity, you disgusting
little bug!” And avenging himself on the person of Mr.
Mercaptan against the world that had neglected him,
against the fate that had denied him his rightful share of
talent, Lypiatt sprang up and, seizing the author of the
“Jus Primæ Noctis” by the shoulders, he shook him, he
bumped him up and down in his chair, he cuffed him over
the head. “How can you have the impudence,” he asked,
letting go of his victim, but still standing menacingly over
him, “to touch anything that even attempts to be decent
and big?” All these years, these wretched years of poverty
and struggle and courageous hope and failure and repeated
disappointment; and now this last failure, more complete
than all. He was trembling with anger; at least one forgot
unhappiness while one was angry.</p>
<p class='c010'>Mr. Mercaptan had recovered from his first terrified
surprise. “Really, <em>really</em>” he repeated, “<em>too</em> barbarous.
Scuffling like hobbledehoys.”</p>
<p class='c010'>“If you knew,” Lypiatt began; but he checked himself.
If you knew, he was going to say, what those things had cost
me, what they meant, what thought, what passion——But
how could Mercaptan understand? And it would sound
as though he were appealing to this creature’s sympathy.
“Bug!” he shouted instead, “bug!” And he struck out
<span class='pageno' id='Page_256'>256</span>again with the flat of his hand. Mr. Mercaptan put up his
hands and ducked away from the slaps, blinking.</p>
<p class='c010'>“Really,” he protested, “<em>really</em>....”</p>
<p class='c010'>Insincere? Perhaps it was half true. Lypiatt seized his
man more furiously than before and shook him, shook him.
“And then that vile insult about the vermouth advertisement,”
he cried out. That had rankled. Those flaring,
vulgar posters! “You thought you could mock me and
spit at me with impunity, did you? I’ve stood it so long,
you thought I’d always stand it? Was that it? But
you’re mistaken.” He lifted his fist. Mr. Mercaptan
cowered away, raising his arm to protect his head. “Vile
bug of a coward,” said Lypiatt, “why don’t you defend
yourself like a man? You can only be dangerous with
words. Very witty and spiteful and cutting about those
vermouth posters, wasn’t it? But you wouldn’t dare to
fight me if I challenged you.”</p>
<p class='c010'>“Well, as a matter of <em>fact</em>,” said Mr. Mercaptan, peering
up from under his defences, “I didn’t invent <em>that</em> particular
piece of criticism. I borrowed the <i><span lang="fr" xml:lang="fr">apéritif</span></i>.” He laughed
feebly, more canary than bull.</p>
<p class='c010'>“You borrowed it, did you?” Lypiatt contemptuously
repeated. “And who from, may I ask?” Not that it
interested him in the least to know.</p>
<p class='c010'>“Well, if you really <em>want</em> to know,” said Mr. Mercaptan,
“it was from our friend Myra Viveash.”</p>
<p class='c010'>Lypiatt stood for a moment without speaking, then
putting his menacing hand in his pocket, he turned away.
“Oh!” he said noncommittally, and was silent again.</p>
<p class='c010'>Relieved, Mr. Mercaptan sat up in his chair; with the
palm of his right hand he smoothed his dishevelled head.</p>
<p class='c010'>Airily, outside in the sunshine, Rosie walked down Sloane
<span class='pageno' id='Page_257'>257</span>Street, looking at the numbers on the doors of the houses.
A hundred and ninety-nine, two hundred, two hundred and
one—she was getting near now. Perhaps all the people
who passed, strolling so easily and elegantly and disengagedly
along, perhaps they all of them carried behind their eyes
a secret, as delightful and amusing as hers. Rosie liked to
think so; it made life more exciting. How nonchalantly
distinguished, Rosie reflected, she herself must look. Would
any one who saw her now, sauntering along like this, would
any one guess that, ten houses farther down the street, a
young poet, or at least very nearly a young poet, was waiting,
on the second floor, eagerly for her arrival? Of course
they wouldn’t and couldn’t guess! That was the fun and
the enormous excitement of the whole thing. Formidable
in her light-hearted detachment, formidable in the passion
which at will she could give rein to and check again, the
great lady swam beautifully along through the sunlight to
satisfy her caprice. Like Diana, she stooped over the
shepherd boy. Eagerly the starving young poet waited,
waited in his garret. Two hundred and twelve, two hundred
and thirteen. Rosie looked at the entrance and was reminded
that the garret couldn’t after all be very sordid,
nor the young poet absolutely starving. She stepped in
and, standing in the hall, looked at the board with the
names. Ground floor: Mrs. Budge. First floor: F. de
M. Rowbotham. Second floor: P. Mercaptan.</p>
<p class='c010'>P. Mercaptan.... But it was a charming name, a
romantic name, a real young poet’s name! Mercaptan—she
felt more than ever pleased with her selection. The
fastidious lady could not have had a happier caprice. Mercaptan ...
Mercaptan.... She wondered what the P.
stood for. Peter, Philip, Patrick, Pendennis even? She
<span class='pageno' id='Page_258'>258</span>could hardly have guessed that Mr. Mercaptan’s father,
the eminent bacteriologist, had insisted, thirty-four years
ago, on calling his first-born ‘Pasteur.’</p>
<p class='c010'>A little tremulous, under her outward elegant calm, Rosie
mounted the stairs. Twenty-five steps to the first floor—one
flight of thirteen, which was rather disagreeably
ominous, and one of twelve. Then two flights of eleven,
and she was on the second landing, facing a front door, a
bell-push like a round eye, a brass name-plate. For a
great lady thoroughly accustomed to this sort of thing, she
felt her heart beating rather unpleasantly fast. It was
those stairs, no doubt. She halted a moment, took two deep
breaths, then pushed the bell.</p>
<p class='c010'>The door was opened by an aged servant of the most
forbiddingly respectable appearance.</p>
<p class='c010'>“Mr. Mercaptan at home?”</p>
<p class='c010'>The person at the door burst at once into a long, rambling,
angry complaint, but precisely about what Rosie could not
for certain make out. Mr. Mercaptan had left orders,
she gathered, that he wasn’t to be disturbed. But some
one had come and disturbed him, “fairly shoved his way
in, so rude and inconsiderate,” all the same. And now he’d
been once disturbed, she didn’t see why he shouldn’t be
disturbed again. But she didn’t know what things were
coming to if people fairly shoved their way in like that.
Bolshevism, she called it.</p>
<p class='c010'>Rosie murmured her sympathies, and was admitted into
a dark hall. Still querulously denouncing the Bolsheviks
who came shoving in, the person led the way down a corridor
and, throwing open a door, announced, in a tone of
grievance: “A lady to see you, Master Paster”—for Mrs.
Goldie was an old family retainer, and one of the few who
<span class='pageno' id='Page_259'>259</span>knew the Secret of Mr. Mercaptan’s Christian name, one
of the fewer still who were privileged to employ it. Then,
as soon as Rosie had stepped across the threshold, she cut
off her retreat with a bang and went off, muttering all the
time, towards her kitchen.</p>
<p class='c010'>It certainly wasn’t a garret. Half a glance, the first
whiff of pot-pourri, the feel of the carpet beneath her feet,
had been enough to prove that. But it was not the room
which occupied Rosie’s attention, it was its occupants.
One of them, thin, sharp-featured and, in Rosie’s very young
eyes, quite old, was standing with an elbow on the mantelpiece.
The other, sleeker and more genial in appearance,
was sitting in front of a writing-desk near the window.
And neither of them—Rosie glanced desperately from
one to the other, hoping vainly that she might have overlooked
a blond beard—neither of them was Toto.</p>
<p class='c010'>The sleek man at the writing-desk got up, advanced to
meet her.</p>
<p class='c010'>“An unexpected pleasure,” he said, in a voice that alternately
boomed and fluted. “<em>Too</em> delightful! But to
what do I owe——? <em>Who</em>, may I ask——?”</p>
<p class='c010'>He had held out his hand; automatically Rosie proffered
hers. The sleek man shook it with cordiality, almost with
tenderness.</p>
<p class='c010'>“I ... I think I must have made a mistake,” she said.
“Mr. Mercaptan...?”</p>
<p class='c010'>The sleek man smiled. “I am Mr. Mercaptan.”</p>
<p class='c010'>“You live on the second floor?”</p>
<p class='c010'>“I never laid claims to being a mathematician,” said
the sleek man, smiling as though to applaud himself, “but
I have always calculated that ...” he hesitated ...
“<i><span lang="fr" xml:lang="fr">enfin, que ma demeure se trouve, en effet</span></i>, on the second
<span class='pageno' id='Page_260'>260</span>floor. Lypiatt will bear me out, I’m sure.” He turned
to the thin man, who had not moved from the fireplace,
but had stood all the time motionlessly, his elbow on the
mantelpiece, looking gloomily at the ground.</p>
<p class='c010'>Lypiatt looked up. “I must be going,” he said abruptly.
And he walked towards the door. Like vermouth posters,
like vermouth posters!—so that was Myra’s piece of mockery!
All his anger had sunk like a quenched flame. He was altogether
quenched, put out with unhappiness.</p>
<p class='c010'>Politely Mr. Mercaptan hurried across the room and
opened the door for him. “<em>Good</em>-bye, then,” he said
airily.</p>
<p class='c010'>Lypiatt did not speak, but walked out into the hall. The
front door banged behind him.</p>
<p class='c010'>“Well, <em>well</em>,” said Mr. Mercaptan, coming back across
the room to where Rosie was still irresolutely standing.
“Talk about the <i><span lang="la" xml:lang="la">furor poeticus</span></i>! But <em>do</em> sit down, I beg
you. On Crébillon.” He indicated the vast white satin
sofa. “I call it Crébillon,” he explained, “because the
soul of that great writer undoubtedly tenants it, <em>undoubtedly</em>.
You know his book, of course? You know <cite>Le Sopha</cite>?”</p>
<p class='c010'>Sinking into Crébillon’s soft lap, Rosie had to admit that
she didn’t know <cite>Le Sopha</cite>. She had begun to recover her
self-possession. If this wasn’t <em>the</em> young poet, it was certainly
<em>a</em> young poet. And a very peculiar one, too. As a
great lady she laughingly accepted the odd situation.</p>
<p class='c010'>“Not know <cite>Le Sopha</cite>?” exclaimed Mr. Mercaptan.
“Oh! but, my dear and mysterious young lady, let me
lend you a copy of it at once. <em>No</em> education can be called
<em>complete</em> without a knowledge of that divine book.” He
darted to the bookshelf and came back with a small volume
bound in white vellum. “The hero’s soul,” he explained,
<span class='pageno' id='Page_261'>261</span>handing her the volume, “passes, by the laws of metempsychosis,
into a sofa. He is doomed to remain a sofa until
such time as two persons consummate upon his bosom their
reciprocal and equal loves. The book is the record of the
poor sofa’s hopes and disappointments.”</p>
<p class='c010'>“Dear me!” said Rosie, looking at the title-page.</p>
<p class='c010'>“But now,” said Mr. Mercaptan, sitting down beside her
on the edge of Crébillon, “won’t you please explain? To
what happy quiproquo do I owe this sudden and altogether
delightful invasion of my privacy?”</p>
<p class='c010'>“Well,” said Rosie, and hesitated. It was really rather
difficult to explain. “I was to meet a friend of mine.”</p>
<p class='c010'>“Quite so,” said Mr. Mercaptan encouragingly.</p>
<p class='c010'>“Who sent me a telegram,” Rosie went on.</p>
<p class='c010'>“He sent you a telegram!” Mr. Mercaptan echoed.</p>
<p class='c010'>“Changing the—the place we had fixed and telling me
to meet him at this address.”</p>
<p class='c010'>“Here?”</p>
<p class='c010'>Rose nodded. “On the s—second floor,” she made it
more precise.</p>
<p class='c010'>“But <em>I</em> live on the second floor,” said Mr. Mercaptan.
“You don’t mean to say your friend is also called Mercaptan
and lives here too?”</p>
<p class='c010'>Rosie smiled. “I don’t know what he’s called,” she said
with a cool ironical carelessness that was genuinely <i><span lang="fr" xml:lang="fr">grande
dame</span></i>.</p>
<p class='c010'>“You don’t know his name?” Mr. Mercaptan gave a
roar and a squeal of delighted laughter. “But that’s <em>too</em>
good,” he said.</p>
<p class='c010'>“S—second floor, he wrote in the telegram.” Rosie was
now perfectly at her ease. “When I saw your name, I
thought it was his name. I must say,” she added, looking
<span class='pageno' id='Page_262'>262</span>sideways at Mr. Mercaptan and at once dropping the
magnolia petals of her eyelids, “it seemed to me a very
charming name.”</p>
<p class='c010'>“You overwhelm me,” said Mr. Mercaptan, smiling all
over his cheerful, snouty face. “As for <em>your</em> name—I am
too discreet a <i><span lang="it" xml:lang="it">galantuomo</span></i> to ask. And, in any case, what
<em>does</em> it matter? A rose by any other name....”</p>
<p class='c010'>“But, as a matter of fact,” she said, raising and lowering
once again her smooth, white lids, “my name does happen
to be Rose; or, at any rate, Rosie.”</p>
<p class='c010'>“So you are sweet by right!” exclaimed Mr. Mercaptan,
with a pretty gallantry which he was the first to appreciate.
“Let’s order tea on the strength of it.” He jumped up
and rang the bell. “How I congratulate myself on this
astonishing piece of good fortune!”</p>
<p class='c010'>Rosie said nothing. This Mr. Mercaptan, she thought,
seemed to be even more a man of the great artistic world
than Toto.</p>
<p class='c010'>“What puzzles me,” he went on, “is why your anonymous
friend should have chosen my address out of all the
millions of others. He must know me, or, at any rate,
know about me.”</p>
<p class='c010'>“I should imagine,” said Rosie, “that you have a lot
of friends.”</p>
<p class='c010'>Mr. Mercaptan laughed—the whole orchestra, from
bassoon to piccolo. “<i><span lang="fr" xml:lang="fr">Des amis, des amies</span></i>—with and without
the mute ‘e,’” he declared.</p>
<p class='c010'>The aged and forbidding servant appeared at the door.</p>
<p class='c010'>“Tea for two, Mrs. Goldie.”</p>
<p class='c010'>Mrs. Goldie looked round the room suspiciously. “The
other gentleman’s gone, has he?” she asked. And having
assured herself of his absence, she renewed her complaint.
<span class='pageno' id='Page_263'>263</span>“Shoving in like that,” she said. “Bolshevism, that’s
what I——”</p>
<p class='c010'>“All right, all right, Mrs. Goldie. Let’s have our tea
as quickly as possible.” Mr. Mercaptan held up his hand,
authoritatively, with the gesture of a policeman controlling
the traffic.</p>
<p class='c010'>“Very well, Master Paster.” Mrs. Goldie spoke with
resignation and departed.</p>
<p class='c010'>“But tell me,” Mr. Mercaptan went on, “if it <em>isn’t</em> indiscreet—what
does your friend look like?”</p>
<p class='c010'>“W—well,” Rosie answered, “he’s fair, and though he’s
quite young he wears a beard.” With her two hands she
indicated on her own unemphatic bosom the contours of
Toto’s broad blond fan.</p>
<p class='c010'>“A beard! But, good heavens,” Mr. Mercaptan slapped
his thigh, “it’s Coleman, it’s obviously and undoubtedly
Coleman!”</p>
<p class='c010'>“Well, whoever it was,” said Rosie severely, “he played
a very stupid sort of joke.”</p>
<p class='c010'>“For which I thank him. <i><span lang="fr" xml:lang="fr">De tout mon cœur.</span></i>”</p>
<p class='c010'>Rosie smiled and looked sideways. “All the same,” she
said, “I shall give him a piece of my mind.”</p>
<p class='c010'>Poor Aunt Aggie! Oh, poor Aunt Aggie, indeed! In
the light of Mr. Mercaptan’s boudoir her hammered copper
and her leadless glaze certainly did look a bit comical.</p>
<p class='c010'>After tea Mr. Mercaptan played cicerone in a tour of
inspection round the room. They visited the papier
mâché writing-desk, the Condor fans, the Marie Laurencin,
the 1914 edition of <i><span lang="fr" xml:lang="fr">Du Côté de chez Swann</span></i>, the Madonna
that probably was a fake, the nigger mask, the Chelsea
figures, the Chinese object of art in sculptured crystal,
the scale model of Queen Victoria in wax under a glass
<span class='pageno' id='Page_264'>264</span>bell. Toto, it became clear, had been no more than a
forerunner; the definitive revelation was Mr. Mercaptan’s.
Yes, poor Aunt Aggie! And indeed, when Mr. Mercaptan
began to read her his little middle on the “Droit du
Seigneur,” it was poor everybody. Poor mother, with her
absurd, old-fashioned, prudish views; poor, earnest father,
with his Unitarianism, his <cite>Hibbert Journal</cite>, his letters to
the papers about the necessity for a spiritual regeneration.</p>
<p class='c010'>“Bravo!” she cried from the depths of Crébillon. She
was leaning back in one corner, languid, serpentine, and at
ease, her feet in their mottled snake’s leather tucked up
under her. “Bravo!” she cried as Mr. Mercaptan finished
his reading and looked up for his applause.</p>
<p class='c010'>Mr. Mercaptan bowed.</p>
<p class='c010'>“You express so exquisitely what we——” and waving
her hand in a comprehensive gesture, she pictured to herself
all the other fastidious ladies, all the marchionesses of
fable, reclining, as she herself at this moment reclined, on
upholstery of white satin, “what we all only feel and aren’t
clever enough to say.”</p>
<p class='c010'>Mr. Mercaptan was charmed. He got up from before
his writing-desk, crossed the room and sat down beside her
on Crébillon. “Feeling,” he said, “is the im<em>port</em>ant
thing.”</p>
<p class='c010'>Rosie remembered that her father had once remarked,
in blank verse: ‘The things that matter happen in the
heart.’</p>
<p class='c010'>“I quite agree,” she said.</p>
<p class='c010'>Like movable raisins in the suet of his snouty face, Mr.
Mercaptan’s brown little eyes rolled amorous avowals.
He took Rosie’s hand and kissed it. Crébillon creaked
discreetly as he moved a little nearer.</p>
<p class='c010'><span class='pageno' id='Page_265'>265</span>It was only the evening of the same day. Rosie lay on her
sofa—a poor, hire-purchase thing indeed, compared with
Mr. Mercaptan’s grand affair in white satin and carved
and gilded wood, but still a sofa—lay with her feet on the
arm of it and her long suave legs exposed, by the slipping
of the kimono, to the top of her stretched stockings. She
was reading the little vellum-jacketed volume of Crébillon,
which Mr. Mercaptan had given her when he said ‘good-bye’
(or rather, ‘<i><span lang="fr" xml:lang="fr">À bientôt, mon amie</span></i>’); given, not lent,
as he had less generously offered at the beginning of their
afternoon; given with the most graceful of allusive dedications
inscribed on the fly-leaf:</p>
<div class='nf-center-c0'>
<div class='nf-center'>
<div>To</div>
<div class='c006'>BY-NO-OTHER-NAME-AS-SWEET,</div>
<div class='c006'><span class='sc'>With Gratitude</span>,</div>
<div class='c006'><span class='fss'>FROM</span></div>
<div class='c006'>CRÉBILLON DELIVERED.</div>
</div></div>
<p class='c010'><i><span lang="fr" xml:lang="fr">À bientôt</span></i>—she had promised to come again very soon.
She thought of the essay on the “Jus Primæ Noctis”—ah!
what we’ve all been feeling and none of us clever
enough to say. We on the sofas, ruthless, lovely and
fastidious....</p>
<p class='c010'>“I am proud to constitute myself”—Mr. Mercaptan
had said of it—“<i><span lang="fr" xml:lang="fr">l’esprit d’escalier des dames galantes</span></i>.”</p>
<p class='c010'>Rosie was not quite sure what he meant; but it certainly
sounded very witty indeed.</p>
<p class='c010'>She read the book slowly. Her French, indeed, wasn’t
good enough to permit her to read it anyhow else. She
wished it were better. Perhaps it if were better she wouldn’t
be yawning like this. It was disgraceful: she pulled herself
<span class='pageno' id='Page_266'>266</span>together. Mr. Mercaptan had said that, it was a
masterpiece.</p>
<p class='c010'>In his study, Shearwater was trying to write his paper
on the regulative functions of the kidneys. He was not
succeeding.</p>
<p class='c010'>Why wouldn’t she see me yesterday? he kept wondering.
With anguish he suspected other lovers; desired her, in
consequence, the more. Gumbril had said something, he
remembered, that night they had met her by the coffee-stall.
What was it? He wished now that he had listened
more attentively.</p>
<p class='c010'>She’s bored with me. Already. It was obvious.</p>
<p class='c010'>Perhaps he was too rustic for her. Shearwater looked
at his hands. Yes, the nails <em>were</em> dirty. He took an orange
stick out of his waistcoat pocket and began to clean them.
He had bought a whole packet of orange sticks that
morning.</p>
<p class='c010'>Determinedly he took up his pen. “The hydrogen ion
concentration in the blood ...” he began a new paragraph.
But he got no further than the first seven words.</p>
<p class='c010'>If, he began thinking with a frightful confusion, if—if—if——
Past conditionals, hopelessly past. He might
have been brought up more elegantly; his father, for
example, might have been a barrister instead of a barrister’s
clerk. He mightn’t have had to work so hard when he was
young; might have been about more, danced more, seen
more young women. If he had met her years ago—during
the war, should one say, dressed in the uniform of a lieutenant
in the Guards....</p>
<p class='c010'>He had pretended that he wasn’t interested in women;
that they had no effect on him; that, in fact, he was above
that sort of thing. Imbecile! He might as well have said
<span class='pageno' id='Page_267'>267</span>that he was above having a pair of kidneys. He had only
consented to admit, graciously, that they were a physiological
necessity.</p>
<p class='c010'>O God, what a fool he had been!</p>
<p class='c010'>And then, what about Rosie? What sort of a life had
she been having while he was being above that sort of thing?
Now he came to think of it, he really knew nothing about
her, except that she had been quite incapable of learning
correctly, even by heart, the simplest facts about the
physiology of frogs. Having found that out, he had really
given up exploring further. How could he have been so
stupid?</p>
<p class='c010'>Rosie had been in love with him, he supposed. Had he
been in love with her? No. He had taken care not to
be. On principle. He had married her as a measure of
intimate hygiene; out of protective affection, too, certainly
out of affection; and a little for amusement, as
one might buy a puppy.</p>
<p class='c010'>Mrs. Viveash had opened his eyes; seeing her, he had
also begun to notice Rosie. It seemed to him that he had
been a loutish cad as well as an imbecile.</p>
<p class='c010'>What should he do about it? He sat for a long time
wondering.</p>
<p class='c010'>In the end he decided that the best thing would be to go
and tell Rosie all about it, all about everything.</p>
<p class='c010'>About Mrs. Viveash too? Yes, about Mrs. Viveash too.
He would get over Mrs. Viveash more easily and more
rapidly if he did. And he would begin to try and find out
about Rosie. He would explore her. He would discover
all the other things besides an incapacity to learn physiology
that were in her. He would discover her, he would quicken
his affection for her into something livelier and more urgent.
<span class='pageno' id='Page_268'>268</span>And they would begin again; more satisfactorily this time;
with knowledge and understanding; wise from their
experience.</p>
<p class='c010'>Shearwater got up from his chair before the writing-table,
lurched pensively towards the door, bumping into
the revolving bookcase and the arm-chair as he went, and
walked down the passage to the drawing-room. Rosie
did not turn her head as he came in, but went on reading
without changing her position, her slippered feet still
higher than her head, her legs still charmingly avowing
themselves.</p>
<p class='c010'>Shearwater came to a halt in front of the empty fireplace.
He stood there with his back to it, as though warming
himself before an imaginary flame. It was, he felt, the
safest, the most strategic point from which to talk.</p>
<p class='c010'>“What are you reading?” he asked.</p>
<p class='c010'>“<cite>Le Sopha</cite>,” said Rosie.</p>
<p class='c010'>“What’s that?”</p>
<p class='c010'>“What’s that?” Rosie scornfully echoed. “Why, it’s
one of the great French classics.”</p>
<p class='c010'>“Who by?”</p>
<p class='c010'>“Crébillon the younger.”</p>
<p class='c010'>“Never heard of him,” said Shearwater. There was a
silence. Rosie went on reading.</p>
<p class='c010'>“It just occurred to me,” Shearwater began again in his
rather ponderous, infelicitous way, “that you mightn’t
be very happy, Rosie.”</p>
<p class='c010'>Rosie looked up at him and laughed. “What put that
into your head?” she asked. “<em>I</em>’m perfectly happy.”</p>
<p class='c010'>Shearwater was left a little at a loss. “Well, I’m very
glad to hear it,” he said. “I only thought ... that
perhaps <em>you</em> might think ... that <em>I</em> rather neglected you.”</p>
<p class='c010'><span class='pageno' id='Page_269'>269</span>Rosie laughed again. “What is all this about?” she
said.</p>
<p class='c010'>“I have it rather on my conscience,” said Shearwater.
“I begin to see ... something has made me see ...
that I’ve not.... I don’t treat you very well....”</p>
<p class='c010'>“But I don’t n—notice it, I assure you,” put in Rosie,
still smiling.</p>
<p class='c010'>“I leave you out too much,” Shearwater went on with
a kind of desperation, running his fingers through his thick
brown hair. “We don’t share enough together. You’re
too much outside my life.”</p>
<p class='c010'>“But after all,” said Rosie, “we are a civ—vilized
couple. We don’t want to live in one another’s pockets,
do we?”</p>
<p class='c010'>“No, but we’re really no more than strangers,” said
Shearwater. “That isn’t right. And it’s my fault.
I’ve never tried to get into touch with your life. But you
did your best to understand mine ... at the beginning
of our marriage.”</p>
<p class='c010'>“Oh, <em>then—n</em>!” said Rosie, laughing. “You found
out what a little idiot I was.”</p>
<p class='c010'>“Don’t make a joke of it,” said Shearwater. “It isn’t
a joke. It’s very serious. I tell you, I’ve come to see how
stupid and inconsiderate and un-understanding I’ve been
with you. I’ve come to see quite suddenly. The fact is,”
he went on with a rush, like an uncorked fountain, “I’ve
been seeing a woman recently whom I like very much, and
who doesn’t like me.” Speaking of Mrs. Viveash, unconsciously
he spoke her language. For Mrs. Viveash
people always euphemistically ‘liked’ one another rather a
lot, even when it was a case of the most frightful and
excruciating passion, the most complete abandonments.
<span class='pageno' id='Page_270'>270</span>“And somehow that’s made me see a lot of things which
I’d been blind to before—blind deliberately, I suppose.
It’s made me see, among other things, that I’ve really been
to blame towards you, Rosie.”</p>
<p class='c010'>Rosie listened with an astonishment which she perfectly
disguised. So James was embarking on his little affairs,
was he? It seemed incredible, and also, as she looked at
her husband’s face—the face behind its bristlingly manly
mask of a harassed baby—also rather pathetically absurd.
She wondered who it could be. But she displayed no
curiosity. She would find out soon enough.</p>
<p class='c010'>“I’m sorry you should have been unhappy about it,”
she said.</p>
<p class='c010'>“It’s finished now.” Shearwater made a decided little
gesture.</p>
<p class='c010'>“Ah, no!” said Rosie. “You should persevere.”
She looked at him, smiling.</p>
<p class='c010'>Shearwater was taken aback by this display of easy detachment.
He had imagined the conversation so very differently,
as something so serious, so painful and, at the same time,
so healing and soothing, that he did not know how to go on.
“But I thought,” he said hesitatingly, “that you ... that
we ... after this experience ... I would try to get
closer to you....” (Oh, it sounded ridiculous!) ...
“We might start again, from a different place, so to speak.”</p>
<p class='c010'>“But, <i><span lang="fr" xml:lang="fr">cher ami</span></i>,” protested Rosie, with the inflection
and in the preferred tongue of Mr. Mercaptan, “you can’t
seriously expect us to do the Darby and Joan business,
can you? You’re distressing yourself quite unnecessarily
on my account. I don’t find you neglect me or anything
like it. You have your life—naturally. And I have
mine. We don’t get in one another’s way.”</p>
<p class='c010'><span class='pageno' id='Page_271'>271</span>“But do you think that’s the ideal sort of married life?”
asked Shearwater.</p>
<p class='c010'>“It’s obviously the most civ—vilized,” Rosie answered,
laughing.</p>
<p class='c010'>Confronted by Rosie’s civilization, Shearwater felt
helpless.</p>
<p class='c010'>“Well, if you don’t want,” he said. “I’d hoped ...
I’d thought....”</p>
<p class='c010'>He went back to his study to think things over. The
more he thought them over, the more he blamed himself.
And incessantly the memory of Mrs. Viveash tormented
him.</p>
<div class='chapter'>
<span class='pageno' id='Page_272'>272</span>
<div style="break-after:column;"></div><br />