<h2 class='c008'>CHAPTER V</h2></div>
<p class='drop-capa0_0_6 c009'>One after another, they engaged themselves in the
revolving doors of the restaurant, trotted round
in the moving cage of glass and ejected themselves
into the coolness and darkness of the street. Shearwater
lifted up his large face and took two or three deep
breaths. “Too much carbon dioxide and ammonia in
there,” he said.</p>
<p class='c010'>“It is unfortunate that when two or three are
gathered together in God’s name, or even in the more
civilized name of Mercaptan of the delicious middle,”
Mercaptan dexterously parried the prod which Coleman
aimed at him, “it is altogether deplorable that they should
necessarily empest the air.”</p>
<p class='c010'>Lypiatt had turned his eyes heavenwards. “What
stars,” he said, “and what prodigious gaps between the
stars!”</p>
<p class='c010'>“A real light opera summer night.” And Mercaptan
began to sing, in fragmentary German, the ‘Barcarolle’
from the <cite>Tales of Hoffmann</cite>. “Liebe Nacht, du schöne
Nacht, oh stille mein tumpty-tum. Te, tum, Te tum....
Delicious Offenbach. Ah, if only we could have a third
Empire! Another comic Napoleon! That would make
Paris look like Paris again. Tiddy, tumpty-ti-tum.”</p>
<p class='c010'>They walked along without any particular destination,
but simply for the sake of walking through this soft cool
night. Coleman led the way, tapping the pavement at
<span class='pageno' id='Page_68'>68</span>every step with the ferrule of his stick. “The blind leading
the blind,” he explained. “Ah, if only there were a ditch,
a crevasse, a great hole full of stinging centipedes and dung.
How gleefully I should lead you all into it!”</p>
<p class='c010'>“I think you would do well,” said Shearwater gravely,
“to go and see a doctor.”</p>
<p class='c010'>Coleman gave vent to a howl of delight.</p>
<p class='c010'>“Does it occur to you,” he went on, “that at this
moment we are walking through the midst of seven million
distinct and separate individuals, each with distinct and
separate lives and all completely indifferent to our existence?
Seven million people, each one of whom thinks himself
quite as important as each of us does. Millions of them
are now sleeping in an empested atmosphere. Hundreds
of thousands of couples are at this moment engaged in
mutually caressing one another in a manner too hideous to
be thought of, but in no way differing from the manner
in which each of us performs, delightfully, passionately
and beautifully, his similar work of love. Thousands of
women are now in the throes of parturition, and of both
sexes thousands are dying of the most diverse and appalling
diseases, or simply because they have lived too long.
Thousands are drunk, thousands have over-eaten, thousands
have not had enough to eat. And they are all alive, all
unique and separate and sensitive, like you and me. It’s
a horrible thought. Ah, if I could lead them all into that
great hole of centipedes.”</p>
<p class='c010'>He tapped and tapped on the pavement in front of him,
as though searching for the crevasse. At the top of his
voice he began to chant: “O all ye Beasts and Cattle,
curse ye the Lord: curse him and vilify him for ever.”</p>
<p class='c010'>“All this religion,” sighed Mercaptan. “What with
<span class='pageno' id='Page_69'>69</span>Lypiatt on one side, being a muscular Christian artist, and
Coleman on the other, howling the black mass....
Really!” He elaborated an Italianate gesture, and turned
to Zoe. “What do you think of it all?” he asked.</p>
<p class='c010'>Zoe jerked her head in Coleman’s direction. “I think
e’s a bloody swine,” she said. They were the first words
she had spoken since she had joined the party.</p>
<p class='c010'>“Hear, hear!” cried Coleman, and he waved his
stick.</p>
<p class='c010'>In the warm yellow light of the coffee-stall at Hyde Park
Corner loitered a little group of people. Among the peaked
caps and the chauffeurs’ dust-coats, among the weather-stained
workmen’s jackets and the knotted handkerchiefs,
there emerged an alien elegance. A tall tubed hat and a
silk-faced overcoat, a cloak of flame-coloured satin, and in
bright, coppery hair a great Spanish comb of carved
tortoiseshell.</p>
<p class='c010'>“Well, I’m damned,” said Gumbril as they approached.
“I believe it’s Myra Viveash.”</p>
<p class='c010'>“So it is,” said Lypiatt, peering in his turn. He began
suddenly to walk with an affected swagger, kicking his heels
at every step. Looking at himself from outside, his divining
eyes pierced through the veil of cynical <i><span lang="fr" xml:lang="fr">je-m’en-fichisme</span></i> to
the bruised heart beneath. Besides, he didn’t want any
one to guess.</p>
<p class='c010'>“The Viveash is it?” Coleman quickened his rapping
along the pavement. “And who is the present incumbent?”
He pointed at the top hat.</p>
<p class='c010'>“Can it be Bruin Opps?” said Gumbril dubiously.</p>
<p class='c010'>“Opps!” Coleman yelled out the name. “Opps!”</p>
<p class='c010'>The top hat turned, revealing a shirt front, a long grey
face, a glitter of circular glass over the left eye. “Who
<span class='pageno' id='Page_70'>70</span>the devil are you?” The voice was harsh and arrogantly
offensive.</p>
<p class='c010'>“I am that I am,” said Coleman. “But I have with
me”—he pointed to Shearwater, to Gumbril, to Zoe—“a
physiologue, a pedagogue and a priapagogue; for I
leave out of account mere artists and journalists whose
titles do not end with the magic syllable. And finally,”
indicating himself, “plain Dog, which being interpreted
kabbalistically backwards, signifies God. All at your
service.” He took off his hat and bowed.</p>
<p class='c010'>The top hat turned back towards the Spanish comb.
“Who is this horrible drunk?” it inquired.</p>
<p class='c010'>Mrs. Viveash did not answer him, but stepped forward to
meet the newcomers. In one hand she held a peeled, hard-boiled
egg and a thick slice of bread and butter in the other,
and between her sentences she bit at them alternately.</p>
<p class='c010'>“Coleman!” she exclaimed, and her voice, as she spoke,
seemed always on the point of expiring, as though each
word were the last, utterly faintly and breakingly from a
death-bed—the last, with all the profound and nameless
significance of the ultimate word. “It’s a very long time
since I heard you raving last. And you, Theodore darling,
why do I never see you now?”</p>
<p class='c010'>Gumbril shrugged his shoulders. “Because you don’t
want to, I suppose,” he said.</p>
<p class='c010'>Myra laughed and took another bite at her bread and
butter.... She laid the back of her hand—for she was
still holding the butt end of her hard-boiled egg—on
Lypiatt’s arm. The Titan, who had been looking at the
sky, seemed to be surprised to find her standing there.
“You?” he said, smiling and wrinkling up his forehead
interrogatively.</p>
<p class='c010'><span class='pageno' id='Page_71'>71</span>“It’s to-morrow I’m sitting for you, Casimir, isn’t it?”</p>
<p class='c010'>“Ah, you remembered.” The veil parted for a moment.
Poor Lypiatt! “And happy Mercaptan? Always
happy?”</p>
<p class='c010'>Gallantly Mercaptan kissed the back of the hand which
held the egg. “I might be happier,” he murmured, rolling
up at her from the snouty face a pair of small brown eyes.
“<i><span lang="fr" xml:lang="fr">Puis-je espérer?</span></i>”</p>
<p class='c010'>Mrs. Viveash laughed expiringly from her inward death-bed
and turned on him, without speaking, her pale unwavering
glance. Her eyes had a formidable capacity for
looking and expressing nothing; they were like the pale
blue eyes which peer out of the Siamese cat’s black velvet
mask.</p>
<p class='c010'>“<span lang="it" xml:lang="it">Bellissima</span>,” murmured Mercaptan, flowering under
their cool light.</p>
<p class='c010'>Mrs. Viveash addressed herself to the company at large.
“We have had the most appalling evening,” she said.
“Haven’t we, Bruin?”</p>
<p class='c010'>Bruin Opps said nothing, but only scowled. He didn’t
like these damned intruders. The skin of his contracted
brows oozed over the rim of his monocle, on to the shining
glass.</p>
<p class='c010'>“I thought it would be fun,” Myra went on, “to go to
that place at Hampton Court, where you have dinner on
an island and dance....”</p>
<p class='c010'>“What is there about islands,” put in Mercaptan, in a
deliciously whimsical parenthesis, “that makes them so
peculiarly voluptuous? Cythera, Monkey Island, Capri.
<i><span lang="fr" xml:lang="fr">Je me demande.</span></i>”</p>
<p class='c010'>“Another charming middle.” Coleman pointed his stick
menacingly; Mr. Mercaptan stepped quickly out of range.</p>
<p class='c010'><span class='pageno' id='Page_72'>72</span>“So we took a cab,” Mrs. Viveash continued, “and set
out. And what a cab, my God! A cab with only one
gear and that the lowest. A cab as old as the century, a
museum specimen, a collector’s piece.” They had been
hours and hours on the way. And when they got there,
the food they were offered to eat, the wine they were
expected to drink! From her eternal death-bed Mrs.
Viveash cried out in unaffected horror. Everything tasted
as though it has been kept soaking for a week in the river
before being served up—rather weedy, with that delicious
typhoid flavour of Thames water. There was Thames
even in the champagne. They had not been able to eat
so much as a crust of bread. Hungry and thirsty, they had
re-embarked in their antique taxi, and here, at last, they
were, at the first outpost of civilization, eating for dear
life.</p>
<p class='c010'>“Oh, a terrible evening,” Mrs. Viveash concluded.
“The only thing which kept up my spirits was the spectacle
of Bruin’s bad temper. You’ve no idea, Bruin, what an
incomparable comic you can be.”</p>
<p class='c010'>Bruin ignored the remark. With an expression of painfully
repressed disgust he was eating a hard-boiled egg.
Myra’s caprices were becoming more and more impossible.
That Hampton Court business had been bad enough;
but when it came to eating in the street, in the middle of
a lot of filthy workmen—well, really, that was rather too
much.</p>
<p class='c010'>Mrs. Viveash looked about her. “Am I never to know
who this mysterious person is?” She pointed to Shearwater,
who was standing a little apart from the group, his
back leaning against the Park railings and staring thoughtfully
at the ground.</p>
<p class='c010'><span class='pageno' id='Page_73'>73</span>“The physiologue,” Coleman explained, “and he has
the key. The key, the key!” He hammered the pavement
with his stick.</p>
<p class='c010'>Gumbril performed the introduction in more commonplace
style.</p>
<p class='c010'>“You don’t seem to take much interest in us, Mr. Shearwater,”
Myra called expiringly. Shearwater looked up;
Mrs. Viveash regarded him intently through pale, unwavering
eyes, smiling as she looked that queer, downward-turning
smile which gave to her face, through its mask of laughter, a
peculiar expression of agony. “You don’t seem to take
much interest in us,” she repeated.</p>
<p class='c010'>Shearwater shook his heavy head. “No,” he said, “I
don’t think I do.”</p>
<p class='c010'>“Why don’t you?”</p>
<p class='c010'>“Why should I? There’s not time to be interested in
everything. One can only be interested in what’s worth
while.”</p>
<p class='c010'>“And we’re not worth while?”</p>
<p class='c010'>“Not to me personally,” replied Shearwater with candour.
“The Great Wall of China, the political situation in Italy,
the habits of Trematodes—all these are most interesting
in themselves. But they aren’t interesting to me; I don’t
permit them to be. I haven’t the leisure.”</p>
<p class='c010'>“And what do you allow yourself to be interested in?”</p>
<p class='c010'>“Shall we go?” said Bruin impatiently; he had
succeeded in swallowing the last fragment of his hard-boiled
egg. Mrs. Viveash did not answer, did not even
look at him.</p>
<p class='c010'>Shearwater, who had hesitated before replying, was
about to speak. But Coleman answered for him. “Be
respectful,” he said to Mrs. Viveash. “This is a great man.
<span class='pageno' id='Page_74'>74</span>He reads no papers, not even those in which our Mercaptan
so beautifully writes. He does not know what a beaver
is. And he lives for nothing but the kidneys.”</p>
<p class='c010'>Mrs. Viveash smiled her smile of agony. “Kidneys?
But what a <i><span lang="la" xml:lang="la">memento mori</span></i>. There are other portions of
the anatomy.” She threw back her cloak revealing an arm,
a bare shoulder, a slant of pectoral muscle. She was wearing
a white dress that, leaving her back and shoulders bare,
came up, under either arm, to a point in front and was
held there by a golden thread about the neck. “For
example,” she said, and twisted her hand several times over
and over, making the slender arm turn at the elbow, as though
to demonstrate the movement of the articulations and the
muscular play.</p>
<p class='c010'>“<i><span lang="la" xml:lang="la">Memento vivere</span></i>,” Mr. Mercaptan aptly commented.
“<i><span lang="la" xml:lang="la">Vivamus, mea Lesbia, atque amemus.</span></i>”</p>
<p class='c010'>Mrs. Viveash dropped her arm and pulled the cloak back
into place. She looked at Shearwater, who had followed
all her movements with conscientious attention, and who
now nodded with an expression of interrogation on his
face, as though to ask: what next?</p>
<p class='c010'>“We all know that you’ve got beautiful arms,” said
Bruin angrily. “There’s no need for you to make an
exhibition of them in the street, at midnight. Let’s get
out of this.” He laid his hand on her shoulder and made
as if to draw her away. “We’d better be going. Goodness
knows what’s happening behind us.” He indicated
with a little movement of the head the loiterers round the
coffee-stall. “Some disturbance among the <i><span lang="fr" xml:lang="fr">canaille</span></i>.”</p>
<p class='c010'>Mrs. Viveash looked round. The cab-drivers and the
other consumers of midnight coffee had gathered in an
interested circle, curious and sympathetic, round the figure
<span class='pageno' id='Page_75'>75</span>of a woman who was sitting, like a limp bundle tied up in
black cotton and mackintosh, on the stall-keeper’s high
stool, leaning wearily against the wall of the booth. A man
stood beside her drinking tea out of a thick white cup.
Every one was talking at once.</p>
<p class='c010'>“Mayn’t the poor wretches talk?” asked Mrs. Viveash,
turning back to Bruin. “I never knew any one who
had the lower classes on the brain as much as you
have.”</p>
<p class='c010'>“I loathe them,” said Bruin. “I hate every one poor,
or ill, or old. Can’t abide them; they make me positively
sick.”</p>
<p class='c010'>“<i><span lang="fr" xml:lang="fr">Quelle âme bien-née</span></i>,” piped Mr. Mercaptan. “And
how well and frankly you express what we all feel and lack
the courage to say.”</p>
<p class='c010'>Lypiatt gave vent to indignant laughter.</p>
<p class='c010'>“I remember when I was a little boy,” Bruin went on,
“my old grandfather used to tell me stories about his
childhood. He told me that when he was about five or
six, just before the passing of the Reform Bill of ’thirty-two,
there was a song which all right-thinking people used to
sing, with a chorus that went like this: ‘Rot the People,
blast the People, damn the Lower Classes.’ I wish I
knew the rest of the words and the tune. It must have
been a good song.”</p>
<p class='c010'>Coleman was enraptured with the song. He shouldered
his walking-stick and began marching round and round the
nearest lamp-post chanting the words to a stirring march
tune. “Rot the People, blast the People....” He
marked the rhythm with heavy stamps of his feet.</p>
<p class='c010'>“Ah, if only they’d invent servants with internal combustion
engines,” said Bruin, almost pathetically. “However
<span class='pageno' id='Page_76'>76</span>well trained they are, they always betray their humanity
occasionally. And that is really intolerable.”</p>
<p class='c010'>“How tedious is a guilty conscience!” Gumbril murmured
the quotation.</p>
<p class='c010'>“But Mr. Shearwater,” said Myra, bringing back the
conversation to more congenial themes, “hasn’t told us
yet what he thinks of arms.”</p>
<p class='c010'>“Nothing at all,” said Shearwater. “I’m occupied with
the regulation of the blood at the moment.”</p>
<p class='c010'>“But is it true what he says, Theodore?” She appealed
to Gumbril.</p>
<p class='c010'>“I should think so.” Gumbril’s answer was rather dim
and remote. He was straining to hear the talk of Bruin’s
<i><span lang="fr" xml:lang="fr">canaille</span></i>, and Mrs. Viveash’s question seemed a little
irrelevant.</p>
<p class='c010'>“I used to do cartin’ jobs,” the man with the teacup
was saying. “’Ad a van and a nold pony of me own. And
didn’t do so badly neither. The only trouble was me
lifting furniture and ’eavy weights about the place. Because
I ’ad malaria out in India, in the war....”</p>
<p class='c010'>“Nor even—you compel me to violate the laws of
modesty—nor even,” Mrs. Viveash went on, smiling painfully,
speaking huskily, expiringly, “of legs?”</p>
<p class='c010'>A spring of blasphemy was touched in Coleman’s brain.
“Neither delighteth He in any man’s legs,” he shouted,
and with an extravagant show of affection he embraced
Zoe, who caught hold of his hand and bit it.</p>
<p class='c010'>“It comes back on you when you get tired like, malaria
does.” The man’s face was sallow and there was an air of
peculiar listlessness and hopelessness about his misery.
“It comes back on you, and then you go down with fever
and you’re as weak as a child.”</p>
<p class='c010'><span class='pageno' id='Page_77'>77</span>Shearwater shook his head.</p>
<p class='c010'>“Nor even of the heart?” Mrs. Viveash lifted her eyebrows.
“Ah, now the inevitable word has been pronounced,
the real subject of every conversation has appeared on the
scene. Love, Mr. Shearwater!”</p>
<p class='c010'>“But as I says,” recapitulated the man with the teacup,
“we didn’t do so badly after all. We ’ad nothing to
complain about. ’Ad we, Florrie?”</p>
<p class='c010'>The black bundle made an affirmative movement with its
upper extremity.</p>
<p class='c010'>“That’s one of the subjects,” said Shearwater, “like the
Great Wall of China and the habits of Trematodes, I don’t
allow myself to be interested in.”</p>
<p class='c010'>Mrs. Viveash laughed, breathed out a little “Good
God!” of incredulity and astonishment, and asked, “Why
not?”</p>
<p class='c010'>“No time,” he explained. “You people of leisure have
nothing else to do or think about. I’m busy and so naturally
less interested in the subject than you; and I take care,
what’s more, to limit such interest as I have.”</p>
<p class='c010'>“I was goin’ up Ludgate ’Ill one day with a vanload of
stuff for a chap in Clerkenwell. I was leadin’ Jerry up the
’ill—Jerry’s the name of our ole pony....”</p>
<p class='c010'>“One can’t have everything,” Shearwater was explaining,
“not all at the same time, in any case. I’ve arranged my
life for work now. I’m quietly married, I simmer away
domestically.”</p>
<p class='c010'>“<i><span lang="fr" xml:lang="fr">Quelle horreur!</span></i>” said Mr. Mercaptan. All the Louis
Quinze Abbé in him was shocked and revolted by the thought.</p>
<p class='c010'>“But love?” questioned Mrs. Viveash. “Love?”</p>
<p class='c010'>“Love!” Lypiatt echoed. He was looking up at the
Milky Way.</p>
<p class='c010'><span class='pageno' id='Page_78'>78</span>“All of a sudden out jumps a copper at me. ‘’Ow old is
that ’orse?’ ’e says. ‘It ain’t fit to drawr a load, it limps
in all four feet,’ ’e says. ‘No, it doesn’t,’ I says. ‘None
of your answerin’ back,’ ’e says. ‘Take it outer the shafts
at once.’”</p>
<p class='c010'>“But I know all about love already. I know precious
little still about kidneys.”</p>
<p class='c010'>“But, my good Shearwater, how can you know all about
love before you’ve made it with all women?”</p>
<p class='c010'>“Off we goes, me and the cop and the ’orse, up in front
of the police court magistrate....”</p>
<p class='c010'>“Or are you one of those imbeciles,” Mrs. Viveash went
on, “who speak of women with a large W and pretend we’re
all the same? Poor Theodore here might possibly think so
in his feebler moments.” Gumbril smiled vaguely from a
distance. He was following the man with the teacup into
the magistrate’s stuffy court. “And Mercaptan certainly
does, because all the women who ever sat on his <i><span lang="fr" xml:lang="fr">dix-huitième</span></i>
sofa certainly were exactly like one another. And
perhaps Casimir does too; all women look like his absurd
ideal. But you, Shearwater, you’re intelligent. Surely
you don’t believe anything so stupid?”</p>
<p class='c010'>Shearwater shook his head.</p>
<p class='c010'>“The cop, ’e gave evidence against me. ‘Limping in all
four feet,’ ’e says. ‘It wasn’t,’ I says, and the police court
vet, ’e bore me out. ‘The ’orse ’as been very well treated,’
’e says. ‘But ’e’s old, ’e’s very old.’ ‘I know ’e’s old,’ I
says. ‘But where am I goin’ to find the price for a young
one?’”</p>
<p class='c010'>“<em>x</em><sup>2</sup> – <em>y</em><sup>2</sup>,” Shearwater was saying, “= (<em>x</em> + <em>y</em>)(<em>x</em> – <em>y</em>).
And the equation holds good whatever the values of <em>x</em> and
<em>y</em>.... It’s the same with your love business, Mrs. Viveash.
<span class='pageno' id='Page_79'>79</span>The relation is still fundamentally the same, whatever the
value of the unknown personal quantities concerned. Little
individual tics and peculiarities—after all, what do they
matter?”</p>
<p class='c010'>“What indeed!” said Coleman. “Tics, mere tics.
Sheep ticks, horse ticks, bed bugs, tape worms, taint worms,
guinea worms, liver flukes....”</p>
<p class='c010'>“‘The ’orse must be destroyed,” says the beak. “’E’s too
old for work.’ ‘But I’m not,’ I says. ‘I can’t get a old
age pension at thirty-two, can I? ’Ow am I to earn my
living if you take away what I earns my living by?’”</p>
<p class='c010'>Mrs. Viveash smiled agonizingly. “Here’s a man who
thinks personal peculiarities are trivial and unimportant,”
she said. “You’re not even interested in people,
then?”</p>
<p class='c010'>“‘I don’t know what you can do,’ ’e says. ‘I’m only
’ere to administer the law.’ ‘Seems a queer sort of law,’
I says. ‘What law is it?’”</p>
<p class='c010'>Shearwater scratched his head. Under his formidable
black moustache he smiled at last his ingenuous, childish
smile. “No,” he said. “No, I suppose I’m not. It
hadn’t occurred to me, until you said it. But I suppose
I’m not. No.” He laughed, quite delighted, it seemed,
by this discovery about himself.</p>
<p class='c010'>“‘What law is it?’ ’e says. ‘The Croolty to Animals
law. That’s what it is,’ ’e says.”</p>
<p class='c010'>The smile of mockery and suffering appeared and faded.
“One of these days,” said Mrs. Viveash, “you may find
them more absorbing than you do now.”</p>
<p class='c010'>“Meanwhile,” said Shearwater....</p>
<p class='c010'>“I couldn’t find a job ’ere, and ’aving been workin’ on my
own, my own master like, couldn’t get unemployment pay.
<span class='pageno' id='Page_80'>80</span>So when we ’eard of jobs at Portsmouth, we thought we’d
try to get one, even if it did mean walkin’ there.”</p>
<p class='c010'>“Meanwhile, I have my kidneys.”</p>
<p class='c010'>“‘’Opeless,’ ’e says to me, ‘quite ’opeless. More than
two hundred come for three vacancies.’ So there was
nothing for it but to walk back again. Took us four days
it did, this time. She was very bad on the way, very bad.
Being nearly six months gone. Our first it is. Things
will be ’arder still, when it comes.”</p>
<p class='c010'>From the black bundle there issued a sound of quiet
sobbing.</p>
<p class='c010'>“Look here,” said Gumbril, making a sudden irruption
into the conversation. “This is really too awful.” He
was consumed with indignation and pity; he felt like a
prophet in Nineveh.</p>
<p class='c010'>“There are two wretched people here,” and Gumbril
told them breathlessly, what he had overheard. It was
terrible, terrible. “All the way to Portsmouth and back
again; on foot; without proper food; and the woman’s
with child.”</p>
<p class='c010'>Coleman exploded with delight. “Gravid,” he kept
repeating, “gravid, gravid. The laws of gravidy, first
formulated by Newton, now recodified by the immortal
Einstein. God said, Let Newstein be, and there was light.
And God said, Let there be Light; and there was darkness
o’er the face of the earth.” He roared with laughter.</p>
<p class='c010'>Between them they raised five pounds. Mrs. Viveash
undertook to give them to the black bundle. The cabmen
made way for her as she advanced; there was an uncomfortable
silence. The black bundle lifted a face that was
old and worn, like the face of a statue in the portal of a
cathedral; an old face, but one was aware somehow, that
<span class='pageno' id='Page_81'>81</span>it belonged to a woman still young by the reckoning of
years. Her hands trembled as she took the notes, and when
she opened her mouth to speak her hardly articulate whisper
of gratitude, one saw that she had lost several of her teeth.</p>
<p class='c010'>The party disintegrated. All went their ways: Mr.
Mercaptan to his rococo boudoir, his sweet <span lang="it" xml:lang="it">barocco</span> bedroom
in Sloane Street; Coleman and Zoe towards goodness
only knew what scenes of intimate life in Pimlico; Lypiatt
to his studio off the Tottenham Court Road, alone, silently
brooding and perhaps too consciously bowed with unhappiness.
But the unhappiness, poor Titan! was real
enough, for had he not seen Mrs. Viveash and the insufferable,
the stupid and loutish Opps driving off in one taxi?
“Must finish up with a little dancing,” Myra had huskily
uttered from that death-bed on which her restless spirit
for ever and wearily exerted itself. Obediently, Bruin had
given an address and they had driven off. But after the
dancing? Oh, was it possible that that odious, bad-blooded
young cad was her lover? And that she should
like him? It was no wonder that Lypiatt should have
walked, bent like Atlas under the weight of a world. And
when, in Piccadilly, a belated and still unsuccessful prostitute
sidled out of the darkness, as he strode by unseeing
in his misery when she squeaked up at him a despairing
“Cheer up, duckie,” Lypiatt suddenly threw up his head
and laughed titanically, with the terrible bitterness of a
noble soul in pain. Even the poor drabs at the street
corners were affected by the unhappiness that radiated
out from him, wave after throbbing wave, like music, he
liked to fancy, into the night. Even the wretched drabs.
He walked on, more desperately bowed than ever; but
met no further adventure on his way.</p>
<p class='c010'><span class='pageno' id='Page_82'>82</span>Gumbril and Shearwater both lived in Paddington; they
set off in company up Park Lane, walking in silence. Gumbril
gave a little skip to get himself into step with his
companion. To be out of step, when steps so loudly and
flat-footedly flapped on empty pavements, was disagreeable,
he found, was embarrassing, was somehow dangerous.
Stepping, like this, out of time, one gave oneself away, so
to speak, one made the night aware of two presences, when
there might, if steps sounded in unison, be only one, heavier,
more formidable, more secure than either of the separate
two. In unison, then, they flapped up Park Lane. A
policeman and the three poets, sulking back to back on their
fountain, were the only human things besides themselves
under the mauve electric moons.</p>
<p class='c010'>“It’s appalling, it’s horrible,” said Gumbril at last, after
a long, long silence, during which he had, indeed, been
relishing to the full the horror of it all. Life, don’t you
know.</p>
<p class='c010'>“What’s appalling?” Shearwater inquired. He walked
with his big head bowed, his hands clasped behind his back
and clutching his hat; walked clumsily, with sudden
lurches of his whole massive anatomy. Wherever he was,
Shearwater always seemed to take up the space that two
or three ordinary people would normally occupy. Cool
fingers of wind passed refreshingly through his hair. He
was thinking of the experiment he meant to try, in the next
few days, down at the physiological laboratory. You’d
put a man on an ergometer in a heated chamber and set
him to work—hours at a time. He’d sweat, of course,
prodigiously. You’d make arrangements for collecting
the sweat, weighing it, analysing it and so on. The interesting
thing would be to see what happened at the end of a
<span class='pageno' id='Page_83'>83</span>few days. The man would have got rid of so much of his
salts, that the blood composition might be altered and all
sorts of delightful consequences might follow. It ought to
be a capital experiment. Gumbril’s exclamation disturbed
him. “What’s appalling?” he asked rather irritably.</p>
<p class='c010'>“Those people at the coffee-stall,” Gumbril answered.
“It’s appalling that human beings should have to live
like that. Worse than dogs.”</p>
<p class='c010'>“Dogs have nothing to complain of.” Shearwater
went off at a tangent. “Nor guinea-pigs, nor rats. It’s
these blasted anti-vivisection maniacs who make all the
fuss.”</p>
<p class='c010'>“But think,” cried Gumbril, “what these wretched
people have had to suffer! Walking all the way to Portsmouth
in search of work; and the woman with child. It’s
horrifying. And then, the way people of that class are
habitually treated. One has no idea of it until one has
actually been treated that way oneself. In the war, for
example, when one went to have one’s mitral murmurs
listened to by the medical board—they treated one then
as though one belonged to the lower orders, like all the rest
of the poor wretches. It was a real eye-opener. One felt
like a cow being got into a train. And to think that the
majority of one’s fellow-beings pass their whole lives being
shoved about like maltreated animals!”</p>
<p class='c010'>“H’m,” said Shearwater. If you went on sweating indefinitely,
he supposed, you would end by dying.</p>
<p class='c010'>Gumbril looked through the railings at the profound
darkness of the park. Vast it was and melancholy, with a
string, here and there, of receding lights. “Terrible,” he
said, and repeated the word several times. “Terrible, terrible.”
All the legless soldiers grinding barrel-organs, all
<span class='pageno' id='Page_84'>84</span>the hawkers of toys stamping their leaky boots in the gutters
of the Strand; at the corner of Cursitor Street and
Chancery Lane, the old woman with matches, for ever
holding to her left eye a handkerchief as yellow and dirty
as the winter fog. What was wrong with the eye? He had
never dared to look, but hurried past as though she were
not there, or sometimes, when the fog was more than
ordinarily cold and stifling, paused for an instant with
averted eyes to drop a brown coin into her tray of matches.
And then there were the murderers hanged at eight o’clock,
while one was savouring, almost with voluptuous consciousness,
the final dream-haunted doze. There was the
phthisical charwoman who used to work at his father’s
house, until she got too weak and died. There were the
lovers who turned on the gas and the ruined shopkeepers
jumping in front of trains. Had one a right to be contented
and well-fed, had one a right to one’s education and
good taste, a right to knowledge and conversation and the
leisurely complexities of love?</p>
<p class='c010'>He looked once more through the railings at the park’s
impenetrable, rustic night, at the lines of beaded lamps.
He looked, and remembered another night, years ago, during
the war, when there were no lights in the park and the
electric moons above the roadway were in almost total
eclipse. He had walked up this street alone, full of melancholy
emotions which, though the cause of them was
different, were in themselves much the same as the melancholy
emotions which swelled windily up within him to-night.
He had been most horribly in love.</p>
<p class='c010'>“What did you think,” he asked abruptly, “of Myra
Viveash?”</p>
<p class='c010'>“Think?” said Shearwater. “I don’t know that I
<span class='pageno' id='Page_85'>85</span>thought very much about her. Not a case for ratiocination
exactly, is she? She seemed to me entertaining
enough, as women go. I said I’d lunch with her on
Thursday.”</p>
<p class='c010'>Gumbril felt, all of a sudden, the need to speak confidentially.
“There was a time,” he said in a tone that
was quite unreally airy, off-hand and disengaged, “years
ago, when I totally lost my head about her. Totally.”
Those tear-wet patches on his pillow, cold against his cheek
in the darkness; and oh, the horrible pain of weeping,
vainly, for something that was nothing, that was everything
in the world! “Towards the end of the war it was. I
remember walking up this dismal street one night, in the
pitch darkness, writhing with jealousy.” He was silent.
Spectrally, like a dim, haunting ghost, he had hung about
her; dumbly, dumbly imploring, appealing. “The weak,
silent man,” she used to call him. And once for two or
three days, out of pity, out of affection, out of a mere desire,
perhaps, to lay the tiresome ghost, she had given him what
his mournful silence implored—only to take it back, almost
as soon as accorded. That other night, when he had walked
up this street before, desire had eaten out his vitals and
his body seemed empty, sickeningly and achingly void;
jealousy was busily reminding him, with an unflagging
malice, of her beauty—of her beauty and the hateful, ruffian
hands which now caressed, the eyes which looked on it.
That was all long ago.</p>
<p class='c010'>“She is certainly handsome,” said Shearwater, commenting,
at one or two removes, on Gumbril’s last remark. “I
can see that she might make any one who got involved in
her decidedly uncomfortable.” After a day or two’s continuous
sweating, it suddenly occurred to him, one might
<span class='pageno' id='Page_86'>86</span>perhaps find sea-water more refreshing than fresh water.
That would be queer.</p>
<p class='c010'>Gumbril burst out ferociously laughing. “But there
were other times,” he went on jauntily, “when other
people were jealous of me.” Ah, revenge, revenge. In the
better world of the imagination it was possible to get one’s
own back. What fiendish vendettas were there carried to
successful ends! “I remember once writing her a quatrain
in French.” (He had written it years after the whole thing
was over, he had never sent it to any one at all; but that
was all one.) “How did it go? Ah, yes.” And he
recited, with suitable gestures:</p>
<div class='lg-container-b c011'>
<div class='linegroup'>
<div class='group'>
<div class='line'>“‘<span lang="fr" xml:lang="fr">Puisque nous sommes là, je dois,</span></div>
<div class='line in2'><span lang="fr" xml:lang="fr">Vous avertir, sans trop de honte,</span></div>
<div class='line'><span lang="fr" xml:lang="fr">Que je n’égale pas le Comte</span></div>
<div class='line in2'><span lang="fr" xml:lang="fr">Casanovesque de Sixfois.</span>’</div>
</div></div>
</div>
<p class='c012'>Rather prettily turned, I flatter myself. Rather elegantly
gross.”</p>
<p class='c010'>Gumbril’s laughter went hooting past the Marble Arch.
It stopped rather suddenly, however, at the corner of the
Edgware Road. He had suddenly remembered Mr. Mercaptan,
and the thought depressed him.</p>
<div class='chapter'>
<span class='pageno' id='Page_87'>87</span>
<div style="break-after:column;"></div><br />