<h2> <SPAN name="Thirty" id="Thirty"></SPAN><i>Thirty</i> </h2>
<h2> THE RETURN OF ZORA </h2>
<p>"I never realized before just what a lie meant," said Zora.</p>
<p>The paper in Mrs. Vanderpool's hands fell quickly to her lap, and
she gazed across the toilet-table.</p>
<p>As she gazed that odd mirage of other days haunted her again. She
did not seem to see her maid, nor the white and satin
morning-room. She saw, with some long inner sight, a vast hall
with mighty pillars; a smooth, marbled floor and a great throng
whose silent eyes looked curiously upon her. Strange carven
beasts gazed on from a setting of rich, barbaric splendor and she
herself—the Liar—lay in rags before the gold and
ivory of that lofty throne whereon sat Zora.</p>
<p>The foolish phantasy passed with the second of time that brought
it, and Mrs. Vanderpool's eyes dropped again to her paper, to
those lines,—</p>
<p>"The President has sent the following nominations to the Senate
... To be ambassador to France, John Vanderpool, Esq."</p>
<p>The first feeling of triumph thrilled faintly again until the low
voice of Zora startled her. It was so low and calm, it came as
though journeying from great distances and weary with travel.</p>
<p>"I used to think a lie a little thing, a convenience; but now I
see. It is a great No and it kills things. You remember that day
when Mr. Easterly called?"</p>
<p>"Yes," replied Mrs. Vanderpool, faintly.</p>
<p>"I heard all he said. I could not help it; my transom was open.
And then, too, after he mentioned—Mr. Alwyn's name, I
wanted to hear. I knew that his appointment would cost you the
embassy—unless Bles was tempted and should fall. So I came
to you to say—to say you mustn't pay the price."</p>
<p>"And I lied," said Mrs. Vanderpool. "I told you that he should be
appointed and remain a man. I meant to make him see that he could
yield without great cost. But I let you think I was giving up the
embassy when I never intended to."</p>
<p>She spoke coldly, yet Zora knew. She reached out and took the
white, still hands in hers, and over the lady's face again
flitted that stricken look of age.</p>
<p>"I do not blame you," said Zora gently. "I blame the world."</p>
<p>"I am the world," Mrs. Vanderpool uttered harshly, then suddenly
laughed. But Zora went on:</p>
<p>"It bewildered me when I first read the news early this morning;
the world—everything—seemed wrong. You see, my plan
was all so splendid. Just as I turned away from him, back to my
people, I was to help him to the highest. I was so afraid he
would miss it and think that Right didn't win in Life, that I
wrote him—"</p>
<p>"You wrote him? So did I."</p>
<p>Zora glanced at her quickly.</p>
<p>"Yes," said Mrs. Vanderpool. "I thought I knew him. He seemed an
ordinary, rather priggish, opinionated country boy, and I wrote
and said—Oh, I said that the world is the world; take it as
it is. You wrote differently, and he obeyed you."</p>
<p>"No; he did not know it was I. I was just a Voice from nowhere
calling to him. I thought I was right. I wrote each day,
sometimes twice, sending bits of verse, quotations, references,
all saying the same thing: Right always triumphs. But it doesn't,
does it?"</p>
<p>"No. It never does save by accident."</p>
<p>"I do not think that is quite so," Zora pondered aloud, "and I am
a little puzzled. I do not belong in this world where Right and
Wrong get so mixed. With us yonder there is wrong, but we call it
wrong—mostly. Oh, I don't know; even there things are
mixed." She looked sadly at Mrs. Vanderpool, and the fear that
had been hovering behind her mistress's eyes became visible.</p>
<p>"It was so beautiful," said Zora. "I expected a great thing of
you—a sacrifice. I do not blame you because you could not
do it; and yet—yet, after this,—don't you
see?—I cannot stay here."</p>
<p>Mrs. Vanderpool arose and walked over to her. She stood above
her, in her silken morning-gown, her brown and gray sprinkled
hair rising above the pale, strong-lined face.</p>
<p>"Zora," she faltered, "will you leave me?"</p>
<p>Zora answered, "Yes." It was a soft "yes," a "yes" full of pity
and regret, but a "yes" that Mrs. Vanderpool knew in her soul to
be final.</p>
<p>She sat down again on the lounge and her fingers crept along the
cushions.</p>
<p>"Ambassadorships come—high," she said with a catch in her
voice. Then after a pause: "When will you go, Zora?"</p>
<p>"When you leave for the summer."</p>
<p>Mrs. Vanderpool looked out upon the beautiful city. She was a
little surprised at herself. She had found herself willing to
sacrifice almost anything for Zora. No living soul had ever
raised in her so deep an affection, and yet she knew now that,
although the cost was great, she was willing to sacrifice Zora
for Paris. After all, it was not too late; a rapid ride even now
might secure high office for Alwyn and make Cresswell ambassador.
It would be difficult but possible. But she had not the slightest
inclination to attempt it, and she said aloud, half mockingly:</p>
<p>"You are right, Zora. I promised—and—I lied. Liars
have no place in heaven and heaven is doubtless a beautiful
place—but oh, Zora! you haven't seen Paris!"</p>
<p>Two months later they parted simply, knowing well it was forever.
Mrs. Vanderpool wrote a check.</p>
<p>"Use this in your work," she said. "Miss Smith asked for it long
ago. It is—my campaign contribution."</p>
<p>Zora smiled and thanked her. As she put the sealed envelope in
her trunk her hand came in contact with a long untouched package.
Zora took it out silently and opened it and the beauty of it
lightened the room.</p>
<p>"It is the Silver Fleece," said Zora, and Mrs. Vanderpool kissed
her and went.</p>
<p>Zora walked alone to the vaulted station. She did not try to buy
a Pullman ticket, although the journey was thirty-six hours. She
knew it would be difficult if not impossible and she preferred to
share the lot of her people. Once on the foremost car, she leaned
back and looked. The car seemed clean and comfortable but
strangely short. Then she realized that half of it was cut off
for the white smokers and as the door swung whiffs of the smoke
came in. But she was content for she was almost alone.</p>
<p>It was eighteen little months ago that she had ridden up to the
world with widening eyes. In that time what had happened?
Everything. How well she remembered her coming, the first
reflection of yonder gilded dome and the soaring of the capitol;
the swelling of her heart, with inarticulate wonder; the pain of
the thirst to know and understand. She did not know much now but
she had learned how to find things out. She did not understand
all, but some things she—</p>
<p>"Ticket"—the tone was harsh and abrupt. Zora started. She
had always noted how polite conductors were to her and Mrs.
Vanderpool—was it simply because Mrs. Vanderpool was
evidently a great and rich lady? She held up her ticket and he
snatched it from her muttering some direction.</p>
<p>"I beg your pardon?" she said.</p>
<p>"Change at Charlotte," he snapped as he went on.</p>
<p>It seemed to Zora that his discourtesy was almost forced: that he
was afraid he might be betrayed into some show of consideration
for a black woman. She felt no anger, she simply wondered what he
feared. The increasing smell of tobacco smoke started her
coughing. She turned. To be sure. Not only was the door to the
smoker standing open, but a white passenger was in her car,
sitting by the conductor and puffing heartily. As the black
porter passed her she said gently:</p>
<p>"Is smoking allowed in here?"</p>
<p>"It ain't non o' my business," he flung back at her and moved
away. All day white men passed back and forward through the car
as through a thoroughfare. They talked loudly and laughed and
joked, and if they did not smoke they carried their lighted
cigars. At her they stared and made comments, and one of them
came and lounged almost over her seat, inquiring where she was
going.</p>
<p>She did not reply; she neither looked nor stirred, but kept
whispering to herself with something like awe: "This is what they
must endure—my poor people!"</p>
<p>At Lynchburg a newsboy boarded the train with his wares. The
conductor had already appropriated two seats for himself, and the
newsboy routed out two colored passengers, and usurped two other
seats. Then he began to be especially annoying. He joked and
wrestled with the porter, and on every occasion pushed his wares
at Zora, insisting on her buying.</p>
<p>"Ain't you got no money?" he asked. "Where you going?"</p>
<p>"Say," he whispered another time, "don't you want to buy these
gold spectacles? I found 'em and I dassen't sell 'em open, see?
They're worth ten dollars—take 'em for a dollar."</p>
<p>Zora sat still, keeping her eyes on the window; but her hands
worked nervously, and when he threw a book with a picture of a
man and half-dressed woman directly under her eyes, she took it
and dropped it out the window.</p>
<p>The boy started to storm and demanded pay, while the conductor
glared at her; but a white man in the conductor's seat whispered
something, and the row suddenly stopped.</p>
<p>A gang of colored section hands got on, dirty and loud. They
sprawled about and smoked, drank, and bought candy and cheap
gewgaws. They eyed her respectfully, and with one of them she
talked a little as he awkwardly fingered his cap.</p>
<p>As the day wore on Zora found herself strangely weary. It was not
simply the unpleasant things that kept happening, but the
continued apprehension of unknown possibilities. Then, too, she
began to realize that she had had nothing to eat. Travelling with
Mrs. Vanderpool there was always a dainty lunch to be had at
call. She did not expect this, but she asked the porter:</p>
<p>"Do you know where I can get a lunch?"</p>
<p>"Search me," he answered, lounging into a seat. "Ain't no chance
betwixt here and Danville as I knows on."</p>
<p>Zora viewed her plight with a certain dismay—twelve hours
without food! How foolish of her not to have thought of this. The
hours passed. She turned desperately to the gruff conductor.</p>
<p>"Could I buy a lunch from the dining-car?" she inquired.</p>
<p>"No," was the curt reply.</p>
<p>She made herself as comfortable as she could, and tried to put
the matter from her mind. She remembered how, forgotten years
ago, she had often gone a day without eating and thought little
of it. Night came slowly, and she fell to dreaming until the cry
came, "Charlotte! Change cars!" She scrambled out. There was no
step to the platform, her bag was heavy, and the porter was busy
helping the white folks to alight. She saw a dingy lunchroom
marked "Colored," but she had no time to go to it for her train
was ready.</p>
<p>There was another colored porter on this, and he was very polite
and affable.</p>
<p>"Yes, Miss; certainly I'll fetch you a lunch—plenty of
time." And he did. It did not look clean but Zora was ravenous.</p>
<p>The white smoker now had few occupants, but the white train crew
proceeded to use the colored coach as a lounging-room and
sleeping-car. There was no passenger except Zora. They took off
their coats, stretched themselves on the seats, and exchanged
jokes; but Zora was too tired to notice much, and she was dozing
wearily when she felt a touch on the arm and found the porter in
the seat beside her with his arm thrown familiarly behind her
along the top of the back. She rose abruptly to her feet and he
started up.</p>
<p>"I beg pardon," he said, grinning.</p>
<p>Zora sat slowly down as he got up and left. She determined to
sleep no more. Yet a vast vision sank on her weary
spirit—the vision of a dark cloud that dropped and dropped
upon her, and lay as lead along her straining shoulders. She must
lift it, she knew, though it were big as a world, and she put her
strength to it and groaned as the porter cried in the ghostly
morning light:</p>
<p>"Atlanta! All change!"</p>
<p>Away yonder at the school near Toomsville, Miss Smith sat waiting
for the coming of Zora, absently attending the duties of the
office. Dark little heads and hands bobbed by and soft voices
called:</p>
<p>"Miss Smith, I wants a penny pencil."</p>
<p>"Miss Smith, is yo' got a speller fo' ten cents?"</p>
<p>"Miss Smith, mammy say please lemme come to school this week and
she'll sho' pay Sata'day."</p>
<p>Yet the little voices that summoned her back to earth were less
clamorous than in other years, for the school was far from full,
and Miss Smith observed the falling off with grave eyes. This
condition was patently the result of the cotton corner and the
subsequent manipulation. When cotton rose, the tenants had
already sold their cotton; when cotton fell the landlords
squeezed the rations and lowered the wages. When cotton rose
again, up went the new Spring rent contracts. So it was that the
bewildered black serf dawdled in listless inability to
understand. The Cresswells in their new wealth, the Maxwells and
Tollivers in the new pinch of poverty, stretched long arms to
gather in the tenants and their children. Excuse after excuse
came to the school.</p>
<p>"I can't send the chilluns dis term, Miss Smith; dey has to
work."</p>
<p>"Mr. Cresswell won't allow Will to go to school this term."</p>
<p>"Mr. Tolliver done put Sam in the field."</p>
<p>And so Miss Smith contemplated many empty desks.</p>
<p>Slowly a sort of fatal inaction seized her. The school went on;
daily the dark little cloud of scholars rose up from hill and
vale and settled in the white buildings; the hum of voices and
the busy movements of industrious teachers filled the day; the
office work went on methodically; but back of it all Miss Smith
sat half hopeless. It cost five thousand a year to run the
school, and this sum she raised with increasingly greater
difficulty. Extra and heart-straining effort had been needed to
raise the eight hundred dollars additional for interest money on
the mortgage last year. Next year it might have to come out of
the regular income and thus cut off two teachers. Beyond all this
the raising of ten thousand dollars to satisfy the mortgage
seemed simply impossible, and Miss Smith sat in fatal
resignation, awaiting the coming day.</p>
<p>"It's the Lord's work. I've done what I could. I guess if He
wants it to go on, He'll find a way. And if He doesn't—"
She looked off across the swamp and was silent.</p>
<p>Then came Zora's letter, simple and brief, but breathing youth
and strength of purpose. Miss Smith seized upon it as an omen of
salvation. In vain her shrewd New England reason asked: "What can
a half-taught black girl do in this wilderness?" Her heart
answered back: "What is impossible to youth and resolution?" Let
the shabbiness increase; let the debts pile up; let the boarders
complain and the teachers gossip—Zora was coming. And
somehow she and Zora would find a way.</p>
<p>And Zora came just as the sun threw its last crimson through the
black swamp; came and gathered the frail and white-haired woman
in her arms; and they wept together. Long and low they talked,
far into the soft Southern night; sitting shaded beneath the
stars, while nearby blinked the drowsy lights of the girls'
dormitory. At last Miss Smith said, rising stiffly:</p>
<p>"I forgot to ask about Mrs. Vanderpool. How is she, and where?"</p>
<p>Zora murmured some answer; but as she went to bed in her little
white room she sat wondering sadly. Where was the poor spoiled
woman? Who was putting her to bed and smoothing the pillow? Who
was caring for her, and what was she doing? And Zora strained her
eyes Northward through the night.</p>
<p>At this moment, Mrs. Vanderpool, rising from a gala dinner in the
brilliant drawing-room of her Lake George mansion, was reading
the evening paper which her husband had put into her hands. With
startled eyes she caught the impudent headlines:</p>
<p class='center'>
VANDERPOOL DROPPED</p>
<p class='center'>
Senate Refuses to Confirm</p>
<p class='center'>
Todd Insurgents Muster Enough Votes to Defeat</p>
<p class='center'>
Confirmation of President's Nominee</p>
<p class='center'>
Rumored Revenge for Machine's Defeat of Child Labor</p>
<p class='center'>
Bill Amendment.</p>
<p>The paper trembled in her jewelled hands. She glanced down the
column.</p>
<p>"Todd asks: Who is Vanderpool, anyhow? What did he ever do? He is
known only as a selfish millionaire who thinks more of horses
than of men."</p>
<p>Carelessly Mrs. Vanderpool threw the paper to the floor and bit
her lips as the angry blood dyed her face.</p>
<p>"They <i>shall</i> confirm him," she whispered, "if I have to
mortgage my immortal soul!" And she rang up long distance on the
telephone.</p>
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