<h2> <SPAN name="Four" id="Four"></SPAN><i>Four</i> </h2>
<h2> TOWN </h2>
<p>John Taylor had written to his sister. He wanted information,
very definite information, about Tooms County cotton; about its
stores, its people—especially its people. He propounded a
dozen questions, sharp, searching questions, and he wanted the
answers tomorrow. Impossible! thought Miss Taylor. He had
calculated on her getting this letter yesterday, forgetting that
their mail was fetched once a day from the town, four miles away.
Then, too, she did not know all these matters and knew no one who
did. Did John think she had nothing else to do? And sighing at
the thought of to-morrow's drudgery, she determined to consult
Miss Smith in the morning.</p>
<p>Miss Smith suggested a drive to town—Bles could take her in
the top-buggy after school—and she could consult some of
the merchants and business men. She could then write her letter
and mail it there; it would be but a day or so late getting to
New York.</p>
<p>"Of course," said Miss Smith drily, slowly folding her napkin,
"of course, the only people here are the Cresswells."</p>
<p>"Oh, yes," said Miss Taylor invitingly. There was an allurement
about this all-pervasive name; it held her by a growing
fascination and she was anxious for the older woman to amplify.
Miss Smith, however, remained provokingly silent, so Miss Taylor
essayed further.</p>
<p>"What sort of people are the Cresswells?" she asked.</p>
<p>"The old man's a fool; the young one a rascal; the girl a ninny,"
was Miss Smith's succinct and acid classification of the county's
first family; adding, as she rose, "but they own us body and
soul." She hurried out of the dining-room without further remark.
Miss Smith was more patient with black folk than with white.</p>
<p>The sun was hanging just above the tallest trees of the swamp
when Miss Taylor, weary with the day's work, climbed into the
buggy beside Bles. They wheeled comfortably down the road,
leaving the sombre swamp, with its black-green, to the right, and
heading toward the golden-green of waving cotton fields. Miss
Taylor lay back, listlessly, and drank the soft warm air of the
languorous Spring. She thought of the golden sheen of the cotton,
and the cold March winds of New England; of her brother who
apparently noted nothing of leaves and winds and seasons; and of
the mighty Cresswells whom Miss Smith so evidently disliked.
Suddenly she became aware of her long silence and the silence of
the boy.</p>
<p>"Bles," she began didactically, "where are you from?"</p>
<p>He glanced across at her and answered shortly:</p>
<p>"Georgia, ma'am," and was silent.</p>
<p>The girl tried again.</p>
<p>"Georgia is a large State,"—tentatively.</p>
<p>"Yes, ma'am."</p>
<p>"Are you going back there when you finish?"</p>
<p>"I don't know."</p>
<p>"I think you ought to—and work for your people."</p>
<p>"Yes, ma'am."</p>
<p>She stopped, puzzled, and looked about. The old horse jogged
lazily on, and Bles switched him unavailingly. Somehow she had
missed the way today. The Veil hung thick, sombre, impenetrable.
Well, she had done her duty, and slowly she nestled back and
watched the far-off green and golden radiance of the cotton.</p>
<p>"Bles," she said impulsively, "shall I tell you of the Golden
Fleece?"</p>
<p>He glanced at her again.</p>
<p>"Yes'm, please," he said.</p>
<p>She settled herself almost luxuriously, and began the story of
Jason and the Argonauts.</p>
<p>The boy remained silent. And when she had finished, he still sat
silent, elbow on knee, absently flicking the jogging horse and
staring ahead at the horizon. She looked at him doubtfully with
some disappointment that his hearing had apparently shared so
little of the joy of her telling; and, too, there was mingled a
vague sense of having lowered herself to too familiar fellowship
with this—this boy. She straightened herself instinctively
and thought of some remark that would restore proper relations.
She had not found it before he said, slowly:</p>
<p>"All yon is Jason's."</p>
<p>"What?" she asked, puzzled.</p>
<p>He pointed with one sweep of his long arm to the quivering mass
of green-gold foliage that swept from swamp to horizon.</p>
<p>"All yon golden fleece is Jason's now," he repeated.</p>
<p>"I thought it was—Cresswell's," she said.</p>
<p>"That's what I mean."</p>
<p>She suddenly understood that the story had sunk deeply.</p>
<p>"I am glad to hear you say that," she said methodically, "for
Jason was a brave adventurer—"</p>
<p>"I thought he was a thief."</p>
<p>"Oh, well—those were other times."</p>
<p>"The Cresswells are thieves now."</p>
<p>Miss Taylor answered sharply.</p>
<p>"Bles, I am ashamed to hear you talk so of your neighbors simply
because they are white."</p>
<p>But Bles continued.</p>
<p>"This is the Black Sea," he said, pointing to the dull cabins
that crouched here and there upon the earth, with the dark
twinkling of their black folk darting out to see the strangers
ride by.</p>
<p>Despite herself Miss Taylor caught the allegory and half
whispered, "Lo! the King himself!" as a black man almost rose
from the tangled earth at their side. He was tall and thin and
sombre-hued, with a carven face and thick gray hair.</p>
<p>"Your servant, mistress," he said, with a sweeping bow as he
strode toward the swamp. Miss Taylor stopped him, for he looked
interesting, and might answer some of her brother's questions. He
turned back and stood regarding her with sorrowful eyes and ugly
mouth.</p>
<p>"Do you live about here?" she asked.</p>
<p>"I'se lived here a hundred years," he answered. She did not
believe it; he might be seventy, eighty, or even
ninety—indeed, there was about him that indefinable sense
of age—some shadow of endless living; but a hundred seemed
absurd.</p>
<p>"You know the people pretty well, then?"</p>
<p>"I knows dem all. I knows most of 'em better dan dey knows
demselves. I knows a heap of tings in dis world and in de next."</p>
<p>"This is a great cotton country?"</p>
<p>"Dey don't raise no cotton now to what dey used to when old
Gen'rel Cresswell fust come from Carolina; den it was a bale and
a half to the acre on stalks dat looked like young brushwood. Dat
was cotton."</p>
<p>"You know the Cresswells, then?"</p>
<p>"Know dem? I knowed dem afore dey was born."</p>
<p>"They are—wealthy people?"</p>
<p>"Dey rolls in money and dey'se quality, too. No shoddy upstarts
dem, but born to purple, lady, born to purple. Old Gen'ral
Cresswell had niggers and acres no end back dere in Carolina. He
brung a part of dem here and here his son, de father of dis
Colonel Cresswell, was born. De son—I knowed him
well—he had a tousand niggers and ten tousand acres afore
de war."</p>
<p>"Were they kind to their slaves?"</p>
<p>"Oh, yaas, yaas, ma'am, dey was careful of de're niggers and
wouldn't let de drivers whip 'em much."</p>
<p>"And these Cresswells today?"</p>
<p>"Oh, dey're quality—high-blooded folks—dey'se lost
some land and niggers, but, lordy, nuttin' can buy de Cresswells,
dey naturally owns de world."</p>
<p>"Are they honest and kind?"</p>
<p>"Oh, yaas, ma'am—dey'se good white folks."</p>
<p>"Good white folk?"</p>
<p>"Oh, yaas, ma'am—course you knows white folks will be white
folks—white folks will be white folks. Your servant,
ma'am." And the swamp swallowed him.</p>
<p>The boy's eyes followed him as he whipped up the horse.</p>
<p>"He's going to Elspeth's," he said.</p>
<p>"Who is he?"</p>
<p>"We just call him Old Pappy—he's a preacher, and some folks
say a conjure man, too."</p>
<p>"And who is Elspeth?"</p>
<p>"She lives in the swamp—she's a kind of witch, I reckon,
like—like—"</p>
<p>"Like Medea?"</p>
<p>"Yes—only—I don't know—" and he grew
thoughtful.</p>
<p>The road turned now and far away to the eastward rose the first
straggling cabins of the town. Creeping toward them down the road
rolled a dark squat figure. It grew and spread slowly on the
horizon until it became a fat old black woman, hooded and
aproned, with great round hips and massive bosom. Her face was
heavy and homely until she looked up and lifted the drooping
cheeks, and then kindly old eyes beamed on the young teacher, as
she curtsied and cried:</p>
<p>"Good-evening, honey! Good-evening! You sure is pretty dis
evening."</p>
<p>"Why, Aunt Rachel, how are you?" There was genuine pleasure in
the girl's tone.</p>
<p>"Just tolerable, honey, bless de Lord! Rumatiz is kind o' bad and
Aunt Rachel ain't so young as she use ter be."</p>
<p>"And what brings you to town afoot this time of day?"</p>
<p>The face fell again to dull care and the old eyes crept away. She
fumbled with her cane.</p>
<p>"It's de boys again, honey," she returned solemnly; "dey'se good
boys, dey is good to de're old mammy, but dey'se high strung and
dey gits fighting and drinking and—and—last Saturday
night dey got took up again. I'se been to Jedge Grey—I use
to tote him on my knee, honey—I'se been to him to plead him
not to let 'em go on de gang, 'cause you see, honey," and she
stroked the girl's sleeve as if pleading with her, too, "you see
it done ruins boys to put 'em on de gang."</p>
<p>Miss Taylor tried hard to think of something comforting to say,
but words seemed inadequate to cheer the old soul; but after a
few moments they rode on, leaving the kind face again beaming and
dimpling.</p>
<p>And now the country town of Toomsville lifted itself above the
cotton and corn, fringed with dirty straggling cabins of black
folk. The road swung past the iron watering trough, turned
sharply and, after passing two or three pert cottages and a
stately house, old and faded, opened into the wide square. Here
pulsed the very life and being of the land. Yonder great bales of
cotton, yellow-white in its soiled sacking, piled in lofty, dusty
mountains, lay listening for the train that, twice a day, ran out
to the greater world. Round about, tied to the well-gnawed
hitching rails, were rows of mules—mules with back cloths;
mules with saddles; mules hitched to long wagons, buggies, and
rickety gigs; mules munching golden ears of corn, and mules
drooping their heads in sorrowful memory of better days.</p>
<p>Beyond the cotton warehouse smoked the chimneys of the seed-mill
and the cotton-gin; a red livery-stable faced them and all about
three sides of the square ran stores; big stores and small
wide-windowed, narrow stores. Some had old steps above the worn
clay side-walks, and some were flush with the ground. All had a
general sense of dilapidation—save one, the largest and
most imposing, a three-story brick. This was Caldwell's
"Emporium"; and here Bles stopped and Miss Taylor entered.</p>
<p>Mr. Caldwell himself hurried forward; and the whole store, clerks
and customers, stood at attention, for Miss Taylor was yet new to
the county.</p>
<p>She bought a few trifles and then approached her main business.</p>
<p>"My brother wants some information about the county, Mr.
Caldwell, and I am only a teacher, and do not know much about
conditions here."</p>
<p>"Ah! where do you teach?" asked Mr. Caldwell. He was certain he
knew the teachers of all the white schools in the county. Miss
Taylor told him. He stiffened slightly but perceptibly, like a
man clicking the buckles of his ready armor, and two townswomen
who listened gradually turned their backs, but remained near.</p>
<p>"Yes—yes," he said, with uncomfortable haste.
"Any—er—information—of course—" Miss
Taylor got out her notes.</p>
<p>"The leading land-owners," she began, sorting the notes
searchingly, "I should like to know something about them."</p>
<p>"Well, Colonel Cresswell is, of course, our greatest
landlord—a high-bred gentleman of the old school. He and
his son—a worthy successor to the name—hold some
fifty thousand acres. They may be considered representative
types. Then, Mr. Maxwell has ten thousand acres and Mr. Tolliver
a thousand."</p>
<p>Miss Taylor wrote rapidly. "And cotton?" she asked.</p>
<p>"We raise considerable cotton, but not nearly what we ought to;
nigger labor is too worthless."</p>
<p>"Oh! The Negroes are not, then, very efficient?"</p>
<p>"Efficient!" snorted Mr. Caldwell; at last she had broached a
phase of the problem upon which he could dilate with fervor.
"They're the lowest-down, ornriest—begging your
pardon—good-for-nothing loafers you ever heard of. Why, we
just have to carry them and care for them like children. Look
yonder," he pointed across the square to the court-house. It was
an old square brick-and-stucco building, sombre and stilted and
very dirty. Out of it filed a stream of men—some black and
shackled; some white and swaggering and liberal with
tobacco-juice; some white and shaven and stiff. "Court's just
out," pursued Mr. Caldwell, "and them niggers have just been sent
to the gang—young ones, too; educated but good for nothing.
They're all that way."</p>
<p>Miss Taylor looked up a little puzzled, and became aware of a
battery of eyes and ears. Everybody seemed craning and listening,
and she felt a sudden embarrassment and a sense of half-veiled
hostility in the air. With one or two further perfunctory
questions, and a hasty expression of thanks, she escaped into the
air.</p>
<p>The whole square seemed loafing and lolling—the white world
perched on stoops and chairs, in doorways and windows; the black
world filtering down from doorways to side-walk and curb. The
hot, dusty quadrangle stretched in dreary deadness toward the
temple of the town, as if doing obeisance to the court-house.
Down the courthouse steps the sheriff, with Winchester on
shoulder, was bringing the last prisoner—a curly-headed boy
with golden face and big brown frightened eyes.</p>
<p>"It's one of Dunn's boys," said Bles. "He's drunk again, and they
say he's been stealing. I expect he was hungry." And they wheeled
out of the square.</p>
<p>Miss Taylor was tired, and the hastily scribbled letter which she
dropped into the post in passing was not as clearly expressed as
she could wish.</p>
<p>A great-voiced giant, brown and bearded, drove past them, roaring
a hymn. He greeted Bles with a comprehensive wave of the hand.</p>
<p>"I guess Tylor has been paid off," said Bles, but Miss Taylor was
too disgusted to answer. Further on they overtook a tall young
yellow boy walking awkwardly beside a handsome, bold-faced girl.
Two white men came riding by. One leered at the girl, and she
laughed back, while the yellow boy strode sullenly ahead. As the
two white riders approached the buggy one said to the other:</p>
<p>"Who's that nigger with?"</p>
<p>"One of them nigger teachers."</p>
<p>"Well, they'll stop this damn riding around or they'll hear
something," and they rode slowly by.</p>
<p>Miss Taylor felt rather than heard their words, and she was
uncomfortable. The sun fell fast; the long shadows of the swamp
swept soft coolness on the red road. Then afar in front a curled
cloud of white dust arose and out of it came the sound of
galloping horses.</p>
<p>"Who's this?" asked Miss Taylor.</p>
<p>"The Cresswells, I think; they usually ride to town about this
time." But already Miss Taylor had descried the brown and tawny
sides of the speeding horses.</p>
<p>"Good gracious!" she thought. "The Cresswells!" And with it came
a sudden desire not to meet them—just then. She glanced
toward the swamp. The sun was sifting blood-red lances through
the trees. A little wagon-road entered the wood and disappeared.
Miss Taylor saw it.</p>
<p>"Let's see the sunset in the swamp," she said suddenly. On came
the galloping horses. Bles looked up in surprise, then silently
turned into the swamp. The horses flew by, their hoof-beats dying
in the distance. A dark green silence lay about them lit by
mighty crimson glories beyond. Miss Taylor leaned back and
watched it dreamily till a sense of oppression grew on her. The
sun was sinking fast.</p>
<p>"Where does this road come out?" she asked at last.</p>
<p>"It doesn't come out."</p>
<p>"Where does it go?"</p>
<p>"It goes to Elspeth's."</p>
<p>"Why, we must turn back immediately. I thought—" But Bles
was already turning. They were approaching the main road again
when there came a fluttering as of a great bird beating its wings
amid the forest. Then a girl, lithe, dark brown, and tall, leaped
lightly into the path with greetings on her lips for Bles. At the
sight of the lady she drew suddenly back and stood motionless
regarding Miss Taylor, searching her with wide black liquid eyes.
Miss Taylor was a little startled.</p>
<p>"Good—good-evening," she said, straightening herself.</p>
<p>The girl was still silent and the horse stopped. One tense moment
pulsed through all the swamp. Then the girl, still
motionless—still looking Miss Taylor through and
through—said with slow deliberateness:</p>
<p>"I hates you."</p>
<p>The teacher in Miss Taylor strove to rebuke this unconventional
greeting but the woman in her spoke first and asked almost before
she knew it—</p>
<p>"Why?"</p>
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