<h3>CHAPTER XV.</h3>
<h3>HOW A LADY AND A YOUTH, BEING SEPARATED FROM THEIR COMPANY, VISITED A SHIP THAT HELD NOTHING BUT WATER.</h3>
<br/>
<p>Mr. Fogo and Paul performed the journey back to Kit's House in silence; for Paul
was yet wondering at his sister's behaviour, and Mr. Fogo busy with thoughts he
could hardly have interpreted. As they drew near the little quay, they discerned
through the darkness, now fast creeping over the river, a boat pushed off by a
solitary figure that jumped aboard and began to pull towards them.</p>
<p>"Ahoy, there!" It was Caleb's voice.</p>
<p>"Ahoy, Caleb!" shouted Paul in answer; "anything wrong?"</p>
<p>"Have 'ee seen maaster?"</p>
<p>"Iss, an' got un safe an' sound."</p>
<p>Caleb peered through the gloom and descried Mr. Fogo. Whatever relief this may
have been to his feelings, it called forth no expression beyond a grunt. He turned
his boat and pulled back in time to help his master ashore. Paul was dismissed
with some words of thanks which he declared unnecessary. He would row back in
Mr. Fogo's boat, he said, if he might be allowed, and would bring her down in the
early morning. With this and a hearty "Good-night" he left the pair to walk up to
the house together.</p>
<p>Caleb was unusually silent during supper, and when his master grew cheery and
related the adventures of the day, offered no comment beyond a series of
mysterious sounds expressing mental discontent rather than sympathy. Finally,
when Mr. Fogo had finished he looked up and began abruptly—</p>
<p>"Ef you plaise, sir, I wants to gie warnin'."</p>
<p>"Give warning?"</p>
<p>"Iss, sir; notiss to go." And Caleb stared fiercely at his master.</p>
<p>"But, my dear Caleb, you surely don't mean—?"</p>
<p>"I do, tho'."</p>
<p>"Are you dissatisfied with the place or the wages?"</p>
<p>"That's et, sir—the wages."</p>
<p>"If they are too low—"</p>
<p>"They bain't; they be a darned sight too high."</p>
<p>Mr. Fogo leant back in his chair.</p>
<p>"Too high!" he gasped.</p>
<p>"Look 'ee here, sir: here be I, so lazy as La'rence, an' eatin' my head off 'pon a
pund a week an' my small-clothes, on condishun I looks arter 'ee. Very well; what
happens? 'Tes Dearlove, Dearlove, Dearlove all the time. Fust Tamsin brings 'ee
back, and then Paul, an' nex' time I reckon 'twill be Peter's turn. Where-<i>fore</i>,
sir, seein' I can't offer to share wages wi' the Twins, much less wi' Tamsin, I
wants to go."</p>
<p>Caleb knocked the ashes out of his pipe, and, rising, stared at his master for some
seconds and with much determination.</p>
<p>Mr. Fogo argued the case for some time without effect. But so sincerely did he
paint his helplessness, and nervous aversion to new faces, that at length, after many
pros and cons, Caleb consented to give him one more chance. "But mind, sir," he
added, "the nex' time you'm brought home by a Dearlove, 'go' 's the word." On
this understanding they retired to rest, but it was long before Mr. Fogo could shut
his memory upon the panorama of the day's experiences.</p>
<p>Let us return to the picnickers. After what had passed between Mrs.
Goodwyn-Sandys and Mr. Moggridge on the river's bank, it may seem strange that
the lady should have chosen Sam Buzza to row her home, for the two youths were
now declared rivals for her goodwill. But I think we may credit her with a purpose.</p>
<p>At any rate, when the lengthening shadows and retreating tide hinted return, Sam,
who had arrived late in a designedly small dingey, asked Mrs. Goodwyn-Sandys to
accompany him, and she, with little demur, complied. It did not matter greatly, as
propriety would be saved by their nearness to the larger boats; and so the party
started together.</p>
<p>But this arrangement, though excellent, did not last long; for, curiously enough,
the dingey soon began to take a formidable lead of the next boat, in which the
traitorous Moggridge was pulling stroke, and gazing, with what courage he could
summon, into Sophia's eyes. Indeed, so quickly was the lead increased, that at the
end of two miles the larger boats had shrunk to mere spots in the distance.</p>
<p>The declining sun shone in Sam's eyes as he rowed, and his companion, with her
sunshade so disposed as to throw her face into shadow, observed him in calm
silence. The sunshade was of scarlet silk, and in the softened light stealing through
it her cheek gained all the freshness of maidenhood. Her white gown, gathered
about the waist with a band of scarlet, not only fitted her figure to perfection, but
threw up the colour of her skin into glowing relief. To Sam she appeared a miracle
of coolness and warmth; and as yet no word was spoken.</p>
<p>At length, and not until they had passed the Dearloves' cottage, she asked—</p>
<p>"Why were you late?"</p>
<p>"Was I missed?"</p>
<p>"Of course. You younger men of Troy seem strangely blind to your duties—and
your chances."</p>
<p>The last three words came as if by after-thought; Sam looked up quickly.</p>
<p>"Chances? You said 'chances,' I believe?"</p>
<p>"I did. Was there not Miss Saunders, for instance?"</p>
<p>Sam's lip curled.</p>
<p>"Miss Saunders is not a chance; she is a certainty. Did she, for instance, announce
that the beauty of the day made her sad—that even amid the wealth of summer
something inside her whispered 'Autumn'?"</p>
<p>"She did."</p>
<p>"She always does; I have never picnicked with Miss Saunders but something inside
her whispered 'Autumn'!"</p>
<p>"A small bore," suggested Mrs. Goodwyn-Sandys, "that never misses fire."</p>
<p>Sam tittered and resumed—</p>
<p>"If it comes to duties, your husband sets the example; he hasn't moved from the
club window to-day."</p>
<p>"Oh!" she exclaimed shortly, "I never asked you to imitate my husband."</p>
<p>Sam ceased rowing and looked up; he was familiar with the tone, but had never
heard it so emphasised before.</p>
<p>"Look here," he said; "something's wrong, that's plain. It's a rude question,
but—does he neglect you?"</p>
<p>She laughed with some bitterness, and perhaps with a touch of self-contempt.</p>
<p>"You are right; it is a rude question: but—he does not."</p>
<p>There was a moment's silence, and then she added—</p>
<p>"So it's useless, is it not, to wish that he would?"</p>
<p>The blood about Sam's heart stood still. Were the words a confession or a sneer.
Did they refer to her or to him? He would have given worlds to know, but her
tone disclosed nothing.</p>
<p>"You mean—?"</p>
<p>She gave him no answer, but turned her head to look back. In the distant boats
they had fallen to singing glees. In this they obeyed tradition: for there is one
accomplishment which all Trojans possess—of fitting impromptu harmonies to the
most difficult air. And still in the pauses of the music Miss Limpenny would
exclaim—</p>
<p>"Did you ever see anything more lovely?"</p>
<p>And the Admiral would reply—</p>
<p>"Really, I never did."</p>
<p>Mrs. Goodwyn-Sandys could not, of course, hear this. But the voices of the
singers stole down the river and touched her, it may be, with some sense of
remorse for the part she was playing in this Arcadia.</p>
<p>"We are leaving the others a long way behind," she said irresolutely.</p>
<p>"Do you wish to wait for them?"</p>
<p>For a moment she seemed about to answer, but did not. Sam pulled a dozen
vigorous strokes, and the boat shot into the reach opposite Kit's House.</p>
<p>"That," she said, resting her eyes on the weather-stained front of Mr. Fogo's
dwelling, "is where the hermit lives, is it not? I should like to meet this man that
hates all women."</p>
<p>Sam essayed a gallant speech, but she paid no heed to it.</p>
<p>"What a charming creek that is, beyond the house! Let us row up there and wait
for the others."</p>
<p>The creek was wrapped in the first quiet of evening. There was still enough tide to
mirror the tall trees that bent towards it, and reflect with a grey gleam one gable of
the house behind. Two or three boats lay quietly here by their moorings; beside
them rested a huge red buoy, and an anchor protruding one rusty tooth above the
water. Where the sad-looking shingle ended, a few long timbers rotted in the ooze.
Nothing in this haunted corner spoke of life, unless it were the midges that danced
and wheeled over the waveless tide.</p>
<p>"Yonder lies the lepers' burial-ground," said Sam, and pointed.</p>
<p>"I have heard of them" (she shivered); "and that?"</p>
<p>She nodded towards the saddest ruin in this sad spot, the hull of what was once a
queenly schooner, now slowly rotting to annihilation beside the further shore. She
lay helplessly canted to starboard, her head pointing up the creek. Her timbers had
started, her sides were coated with green weed; her rudder, wrenched from its
pintle, lay hopelessly askew. On her stern could still be read, in blistered paint,
her name, "<i>The Seven Sisters</i> of Troy." There she lay dismantled, with a tangle
of useless rigging, not fit for saving, left to dangle from her bulwarks; and a quick
fancy might liken her, as the tide left her, and the water in her hold gushed out
through a dozen gaping seams, to some noble animal that had crept to this corner
to bleed to death.</p>
<p>Mrs. Goodwyn-Sandys looked towards the wreck with curious interest.</p>
<p>"I should like to examine it more closely," she said.</p>
<p>For answer Sam pulled round the schooner, and let the boat drift under her
overhanging side.</p>
<p>"You can climb aboard if you like," he said, as he shipped the sculls and, standing
up, grasped the schooner's bulwarks. "Stop, let me make the painter fast."</p>
<p>He took up the rope, swung himself aboard, and looped it round the stump of a
broken davit; then bent down and gave a hand to his companion. She was agile,
and the step was of no great height; but Sam had to take both her hands before she
stood beside him, and ah! but his heart beat cruelly quick.</p>
<p>Once on board Mrs. Goodwyn-Sandys displayed the most eager inquisitiveness,
almost endangering her beautiful neck as she peered down into the hole where the
water lay, black and gloomy. She turned and walked aft with her feet in the
scuppers, and her right hand pressed against the deck, so great was the cant on the
vessel. It was uphill walking too, for the schooner was sagged in the waist, and the
stern tilted up to a considerable height. Nevertheless she reached the poop at last.
Sam followed.</p>
<p>"I want to see the captain's cabin," she explained.</p>
<p>Sam wondered, but led the way. It was no easy matter to descend the crazy ladder,
and in the cabin itself the light was so dim that he struck a match. Its flare
revealed a broken table, a horsehair couch, and a row of cupboards along the
walls. On the port side these had mostly fallen open, and the doors in some cases
hung by a single hinge. There was a terrible smell in the place. Mrs.
Goodwyn-Sandys looked around.</p>
<p>"Does the water ever come up here?" she asked.</p>
<p>Sam lit another match.</p>
<p>"No," he said, stooping and examining the floor.</p>
<p>"You are quite sure?"</p>
<p>Her tone was so eager that he looked up.</p>
<p>"Yes, I am quite sure; but why do you ask?"</p>
<p>She did not answer: nor, in the faint light, could he see her face. After a moment's
silence she said, as if to herself—</p>
<p>"This is just the place."</p>
<p>"For what?"</p>
<p>"For—for an Irish jig," she laughed with sudden merriment. "Come, try a step
upon these old timbers."</p>
<p>"For heaven's sake take care!" cried Sam. "There may be a trap-hatch where you
stand, and these boards are rotten through and through. Ten minutes ago you were
mournful," he added, in wonder at her change of mood.</p>
<p>"Was I?" She broke out suddenly into elfish song—</p>
<blockquote><blockquote>
<p>"'Och! Pathrick O'Hea, but I'm sad, Bedad!<br/>
Och! darlint, 'tis bad to be sad.'<br/>
<span class="ind2">'Hwat's this?' says he.</span><br/>
<span class="ind2">'Why, a kiss,' says she.</span><br/>
<span class="ind2">''Tis a cure,' says he.</span><br/>
<span class="ind2">'An' that's sure,' says she.</span><br/>
'Och! Pat, you're a sinsible lad, Bedad!<br/>
Troth, Pat, you're a joole uv a lad!'"</p>
</blockquote></blockquote>
<p>She broke off suddenly and shivered.</p>
<p>"Come, let us go; this place suffocates me."</p>
<p>She turned and ran up the crazy ladder. At the top she turned and peered down
upon the dumbfounded Sam.</p>
<p>"Nobody comes here, I suppose?"</p>
<p>"I should think not."</p>
<p>"I mean, the owner never comes to—"</p>
<p>"To visit his cargo?" laughed Sam. "No, the owner is dead. He was a wicked old
miser, and I guess in the place where he is now he'd give a deal for the water in
this ship; but I never heard he was allowed to come back for it."</p>
<p>She leant her hands on the taffrail, and looked over the stern.</p>
<p>"Hark! There are the other boats. Don't you hear the voices? They have passed us
by, and we must make haste after them."</p>
<p>She turned upon him with a smile. Without well knowing what he did he laid his
hand softly on her arm.</p>
<p>"Stop, I want a word before you go."</p>
<p>"Well?"</p>
<p>Her large eyes, gleaming on him through the dusk, compelled and yet frightened
him. He trembled and stammered vaguely—</p>
<p>"You said just now—you hinted, I mean—that you were unhappy with Mr.—with
your husband. Is that so?"</p>
<p>It was the second time she had been asked the question to-day. A faint smile
crossed her face.</p>
<p>"Well?" she said again.</p>
<p>"I mean," he answered with a nervous laugh, "I don't like to see it— and—I meant,
if I could help you—"</p>
<p>"To run away? Will you help me to run away?" Her eyes suddenly blazed upon
him, and as she bent forward, and almost hissed the words, he involuntarily drew
back a step.</p>
<p>"Well," he stammered, "he's a good fellow, really, is your husband— he's been
very good to me and all that—"</p>
<p>"Ah!" she exclaimed, turning away, "I thought so. Come, we are wasting time."</p>
<p>"Stop!" cried Sam.</p>
<p>But she had passed swiftly down the sloping deck and dropped into the boat
without his assistance. He followed unsteadily, untied the painter, and jumped
down after her. They rowed for some time in silence after the retreating
picnickers. Before they came abreast of the hindmost boat, however, Sam spoke—</p>
<p>"Look here. I can't help myself, and that's the truth. If you want to run away I'll
help you." He groaned inwardly as he said it.</p>
<p>She made no reply, but kept her eyes fixed on his face, as if weighing his words.
Nor, beyond a cool "Good-night" at parting on the quay, did another word pass
between them.</p>
<p>"What luck?" asked the Honourable Frederic as his wife entered the drawing-room
of "The Bower." He was stretched in an arm-chair before the fire, and turned with
a glance of some anxiety at her entrance.</p>
<p>She looked about her wearily, took off her hat, tossed it across to a table, and,
sinking into the armchair opposite, began to draw off her gloves.</p>
<p>"I'm sick to death of all this, me dear—of 'the Cause,' of Brady, of these people, of
meself."</p>
<p>Her face wore a grey look that made her seem a full ten years older.</p>
<p>"Won't you include me in the list, my love?" asked her husband amiably.</p>
<p>"I would," she replied, "only I've already said as much twice this very afternoon."</p>
<p>She laughed a fatigued little laugh, and looked around her again. The
drawing-room had greatly changed since first we visited it with Admiral Buzza,
and the local tradesmen regarded Mr. Goodwyn-Sandys' account with some
complacency as they thought of payment after Midsummer. For the strangers were
not of the class that goes to the Metropolis or to the Co-operative Stores; from the
outset they had announced a warm desire to benefit the town of Troy. This pretty
drawing-room was one of the results, and it only wanted a certain number of
cheques from the Honourable Frederic to make the excellence of the arrangement
complete.</p>
<p>Mrs. Goodwyn-Sandys took a leisurely survey of the room while her husband
awaited information.</p>
<p>"The pote is hooked," she said at last, "an' so's Master Sam."</p>
<p>"The poet is our first card," replied her husband, searching his pocket and
producing a letter. "The <i>Maryland</i> should be here to-morrow or next day.
Upon my word, Nellie, I don't want to ask questions, but you've done exceedingly
well."</p>
<p>"Better than well, me dear. I've found a <i>place</i>—an illigant hidin' in an owld
schooner up the river."</p>
<p>"Safe?"</p>
<p>"As a church. I'll take yez to't to-morra. Master Sam tells me sorra a sowl goes
nigh ut. He tuk me to see ut. I say, me darlint, I'd be lettin' that young fool down
aisier than the pote. He's a poor little snob, but he's more like a man than
Moggridge."</p>
<p>"He's a bad ass, is Moggridge," assented the Honourable Frederic. "Come, Nellie,
we've a day's work before us, remember."</p>
<p>A friend of mine, the son of steady-going Nihilist parents, and therefore an
authority, assures me that the Honourable Frederic cannot have been a conspirator
for the simple reason that he shaved his chin regularly. Be this as it may, to-night
he smiled mysteriously as he rose, and winked at his wife in a most plebeian way.
I regret to say that both smile and wink were returned.</p>
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<center>
<ANTIMG src="images/FIG13.JPG" alt="Winked . . . in a most plebeian way."><br/>
<span class="caption">Winked … in a most plebeian way.</span>
</center>
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