<h3>CHAPTER IV.</h3>
<h3>OF CERTAIN LEPERS; AND TWO BROTHERS,<br/> WHO, BEING MUCH ALIKE, LOVED THEIR SISTER,<br/> AND RECOMMENDED THE USE OF GLOBES.</h3>
<br/>
<p>I must here clear myself on a point which has no doubt caused the reader some
indignation. "We remarked," he or she will say, "that, some chapters back, the
Admiral described Troy as a 'beautiful little town.' Why, then, have we had no
description of it, no digressions on scenery, no word-painting?"</p>
<p>To this I answer—Dear sir, or madam, no one who has known Troy was ever yet
capable of describing it. If you doubt me, visit the town and see for yourself. I
will for the moment suppose you to do so. What happens?</p>
<p>On the first day you take a boat and row about the harbour. "Scenery!" you
exclaim, "why, what could you have more? Here is a lovely harbour flanked by
bold hills to right and left; here are the ruined castles, witnesses of the great days
when Troy sent ships to carry the English army to Agincourt; here axe grey houses
huddled at the water's edge, hoary, battered walls and quay-doors coated with ooze
and green weed. Such is Troy, and on the further shore quaint Penpoodle faces it,
where a silver creek, dividing, runs up to Lanbeg; further up, the harbour melts
into a river where the old ferry-boat plies to and from the foot of a tiny village
straggling up the hill; further yet, and the jetties mingle with the steep woods
beside the roads, where the vessels lie thickest; ships of all builds and of all
nations, from the trim Canadian timber-ship to the corpulent Billy-boy. Why, the
very heart of the picturesque is here. What more can you want?"</p>
<p>On the second day you will see all this from the harbour again, or perhaps you will
cross the ferry and climb the King's Walk on the opposite bank; you will see it all,
but with a change. It is more lovely, but not the same.</p>
<p>On the third day you will cast about in your mind to explain this; and so in time
you will come to find that it is the spirit of Troy that plays this trick upon you.
For you will have learnt to love the place, and love, as you know, dear sir or
madam, is apt to affect the eyesight.</p>
<p>The eyes of Mr. Fogo, as Caleb pulled sturdily up with the tide, were passing
through the first of these stages.</p>
<p>"This," he said at length, reflectively, "is one of the loveliest spots I have looked
upon."</p>
<p>Caleb, in whom humanity and Trojanity were nicely compounded, flushed a bright
copper-colour with pleasure.</p>
<p>"'Tes reckoned a tidy spot," he answered modestly, "by them as cares for voos an'
such-like."</p>
<p>"There, now," he went on, after a pause, and turning round, "yonder's Kit's
House, wi' Kit's Cottage, next door. You can't see the house so plain, 'cos 'tes
behind the trees. But there 'tes, right enough."</p>
<p>"Is the cottage uninhabited, too?"</p>
<p>"Both on 'em. Ha'nted they <i>do</i> say. By the way, I niver axed 'ee whether you
minded ghostes?"</p>
<p>"Ghosts?"</p>
<p>"Iss, ghostes. This 'ere place was a Lazarus one time, where they kept leppards."</p>
<p>"Leopards? How very singular!" murmured Mr. Fogo.</p>
<p>"Ay, leppards as white as snow, as the sayin' goes."</p>
<p>"Oh, I see," said Mr. Fogo, suddenly enlightened. "You mean that this was a
Lazar-house."</p>
<p>"That's so—a Lazarus. The leppards used to live there together, and when they
died, they was berried at dead o' night down at thicky spit you sees yonder. No
one had dealin's wi' 'em nor went nigh 'em, 'cept that they was allowed to make
ropes. 'Tesn' so many years that the rope-walk was moved down to th' harbour
mouth."</p>
<p>Caleb stopped rowing, and leant forward on his paddles.</p>
<p>"These 'ere leppards in time got to be quite a happy famb'ly—'cept, of course, they
warn't happy, 'cos nobody wudn' have nuthin' to say to 'em. Well, the story goes
as one on 'em got falled in love wi' by a very nice gal down in Troy, and one fine
day she ups an' tells her sorrowin' parents that she's agoin' to marry a leppard.
'Not ef we knows et,' says they; 'we forbids the banns'; and wi' that they went off
to bed thinkin' as they'd settled et. 'But,' says Parson Lasky—"</p>
<p>"Who was he?" interrupted Mr. Fogo.</p>
<p>"On'y a figger o' speech, sir, and nothin' to do wi' the yarn, as the strollin' actor
said when his theayter cotched a-fire. Wot I meant was, that very night the gal
gets a boat an' rows up to Kit's House, arter leavin' a letter to say as she'd
drownded hersel'. An' there she lived in hidin', 'long wi' the leppards for the rest
of her days, which, by the tale, warn't many, an' she an' her sweetheart was
berried in wan grave." Caleb paused for breath.</p>
<p>"And the ghosts?" said Mr. Fogo, much interested.</p>
<p>"Some ha' seed her rowin' about here in a boat, o' dark nights; and others swear to
seein' all the leppards a-marchin' down wi' her corpse to the berryin'-ground.
Leastways, that's the tale. Jan Spettigue was the last as seed 'em, but as he be'eld
three devils on his own chimbly-piece the week arter, along o' too much rum,
p'r'aps he made a mistake. Anyways, 'tes a moral yarn, an' true to natur'. These
young wimmen es a very detarmined sex, whether 'tes a leppard in the case or a
Rooshan."</p>
<p>Mr. Fogo had fallen into a reflective silence.</p>
<p>"'Tes a thousand pities this 'ere place should be empty, wi' a lean-to Crystal
Pallis—by which I means a conserva-tory, sir—an' gardens, an' room for a cow, an'
a Pyll o' ets own—"</p>
<p>"A what?"</p>
<p>"Pyll, sir, otherwise a creek—'c, r, double e, k—an arm o' the sea,' as the spellin'
book says."</p>
<p>A curious fascination stole over Mr. Fogo as he looked earnestly at the house
round which these memories hung. Standing on an angle formed by the bending
river, and the little creek, and behind a screen of trees—elms almost too old to feel
the sap of spring, a chestnut or two, and a few laurels and sombre firs, that had
cracked with their roots the grey garden wall and sprawled down to the beach
below—the stained and yellow frontage looked down towards the busy harbour, as
it seemed with a sense of serene decay, haunted but without disquietude, like the
face of an old lady who has memories and lives in them, though she deigns to
contemplate a life from which her hopes, with her old friends and lovers, have
dropped out. Perhaps Mr. Fogo had some sympathy with this mood; for Caleb,
after waiting some time for his reply, took to his paddles again with a will, and
presently the boat, sweeping round a projecting rock, passed into a very different
scene.</p>
<p>Here the river, shut in on the one side with budding trees to the water's edge, on
the other with bracken and patches of ploughed land to where the cliffs broke sheer
away, stretched for some miles without bend or break. Far ahead a blue bank of
woodland closed the view. Not a sound disturbed the stillness, not a sail broke the
placid expanse of water.</p>
<p>But a true Trojan must still be talking. Presently Caleb resumed.</p>
<p>"'Tes a luvly spot, as you said, sir. Mr. Moggridge down at the customs—he's a
poet, as maybe you know—has written a mint o' verses about this 'ere place.
'Natur', he says:—"</p>
<blockquote><blockquote>
<p>"Natur' has 'ere assoomed her softest garb;<br/>
'Ere would I live an' die</p>
</blockquote></blockquote>
<p>"—which I calls a very touchin' sentiment, an' like what they says in a nigger
song."</p>
<p>With such conversation Mr. Trotter beguiled the way until they came abreast of a
tiny village almost buried in apple trees and elms. On the opposite bank, a thin
column of blue smoke was curling up from among the dense woodland.</p>
<p>Caleb headed the boat for this smoke, ran her nose on the pebbles beneath a low
cliff, and stepped out.</p>
<p>"'Ere we are, sir."</p>
<p>"But I don't see any house," said Mr. Fogo, perplexed.</p>
<p>"All in good time, sir," replied Mr. Trotter, and having fastened up the boat, led
the way.</p>
<p>A narrow flight of steps, hewn out of the rock, led up to the little cliff. At the top,
and almost hidden by bushes, stood a low gate. Thence the path wound for a space
between walls of budding hazel, and at its end quite unexpectedly a tiny cottage
burst upon Mr. Fogo's view.</p>
<p>Little dreaming that the owner of Kit's House could live in such humility, he was
considerably surprised when Caleb stepped up and struck a rousing knock upon the
door.</p>
<p>It was opened by a comely girl with a white apron pinned before her neat stuff
gown, and a face as fresh and healthful as a spring day.</p>
<p>"Why, Caleb," she cried, "who would have thought it? Come inside; you're as
welcome as flowers in May."</p>
<p>"And you," replied Caleb gallantly, "are a-lookin' so sweet as blossom. Here's a
gentlem'n come to call upon 'ee, my dear. An' how's Peter an' Paul? Brave, I
hopes."</p>
<p>"Both, thank you, Caleb," said the maiden, curtseying without embarrassment to
Mr. Fogo. "Won't you come in, sir?"</p>
<p>It was noticeable that Mr. Fogo at this point became very nervous, but he crossed
the threshold in answer to this invitation. Mr. Trotter followed.</p>
<p>The fragrant smoke of a wood fire filled the room in which Mr. Fogo found
himself. It was a rude kitchen, with white limeash floor, and for ceiling, a few
whitewashed beams and the planching of the bedroom above. All was scrupulously
clean. In the flickering obscurity of the chimney depended a line of black
pot-hooks and hangers; a trivet and a pair of bellows furnished the hearth; from the
capacious rack hung a rich stock of hams and sides of bacon, curing in the smoke;
an English clock stood in one corner, a tall cupboard in another, and a geranium in
the window-seat. Along the side opposite the door, and parallel to a dresser of
shining crockery, ran a strong deal table. Some high-backed chairs, a pair of brass
candlesticks with snuffers, a book or two, a few old hats, and a lanthorn, on
various pegs, completed the furniture of the place.</p>
<p>But Mr. Fogo's gaze was riveted on two men who rose together at his entrance
from the table where they were seated, side by side, at their tea.</p>
<p>Both tall, both adorned with crisp curls of black hair—with clean-shaven, mahogany
faces, and the gentlest of possible smiles, the twins came forward to greet the
stranger. So appallingly alike were they that Mr. Fogo felt a ridiculous desire to
run away, nor could help fancying himself the victim of a disordered dream.</p>
<p>The Twins advanced upon him simultaneously with outstretched horny palms. He
noticed that even their dress was precisely similar, with the single exception that
one wore a red, the other a yellow bandanna handkerchief loosely knotted about his
throat.</p>
<br/>
<br/>
<center>
<ANTIMG src="images/FIG5.JPG" alt="The Twins advanced upon him simultaneously."><br/>
<span class="caption">The Twins advanced upon him
simultaneously.</span>
</center>
<br/>
<br/>
<p>"You'm kindly welcome, sir," said the Twin with the red bandanna; and the Twin
with the yellow neck-cloth murmured "kindly welcome," like an echo.</p>
<p>"Stop a bit," interposed Caleb, "let's do a bit of introducin'. This here es Mr.
Fogo, gent, as es thinkin' of rentin' Kit's House, and es come for that puppos'.
That there es Peter Dearlove—him wi' the red neckercher; likewise Paul
Dearlove—him wi' the yaller. An', beggin' yer pardon for passin' over the ladies,
this es Tamsin Dearlove (christ'n'd Thomasina), dearly beloved sister o' the
same," concluded Caleb, with a sudden recollection of having read something like
this on a tombstone.</p>
<p>Tamsin curtseyed, and the two horny palms were again presented. Not knowing
which to take first,</p>
<p>Mr. Fogo held his umbrella between his knees and gave them a hand a-piece.</p>
<p>"I am afraid, Mr.—" He hesitated with a suspicion that he ought to say "Messrs."</p>
<p>"Dearlove," suggested Caleb; "an' reckoned a purty name, too."</p>
<p>"I am afraid, Mr. Dearlove," repeated Mr. Fogo, compromising matters by staring
hard between the Twins, "that we have interrupted you."</p>
<p>"Not at all, sir," said Peter. "Sit down, sir, ef you'm not proud. Tamsin, bring a
cup for the gentleman. A piece o' pasty, sir? Tamsin es famous for pasties."</p>
<p>Mr. Fogo, remembering that, with the exception of the mug of beer at the "King of
Prussia," he had not broken his fast since the morning, and seeing also that the
hospitality was anxiously sincere, complied. In a few moments both he and Caleb
were seated before a steaming pasty.</p>
<p>Tamsin poured out the tea. She was a full twenty years younger than her brothers,
as could be seen notwithstanding their boyish look, which came from innocence
and clean-shaven faces. It was pleasant to see their almost fatherly pride in her.
Mr. Fogo noted it vaguely, but an inexplicable nervousness seemed to have
overtaken him since entering the cottage.</p>
<p>"I came," he said at last, "to inquire about Kit's House, which I hear is to let."</p>
<p>"Thankin' you kindly, sir," answered Peter; "an' I won't say but what we shall be
glad to let et. But Paul and I ha' been puttin' our heads togither, and we allow 'tes
for Tamsin to say."</p>
<p>Here he looked at Paul, who nodded gravely and repeated, in his former
mechanical tone, "for Tamsin to say."</p>
<p>Mr. Fogo looked more distressed than ever.</p>
<p>"I beg your pardon, I'm sure," he began, with a quick glance at the girl, who was
quietly pouring tea; "I did not know."</p>
<p>"No offence, sir. On'y, don't you see, 'tes this way. Kit's House es a gran' place
wi' a slaty roof an' a I-talian garden, and a mighty deal too fine for the likes of
Paul an' me. But wi' Tamsin 'tes another thing. We both agree she ought to be a
leddy—not but what she's a better gal than tens o' thousands o' leddies—an' more
than once we've offered to get her larnt the pi-anner an' callysthenics, an' the use
o' globes, an' all such things which we knows to be usual in gran' sussiety; on'y
she sticks to et to bide along wi' we. God bless her! I say, an' a rough life et must
be for her."</p>
<p>Tamsin turned away towards the fireplace, and became very busy among the
pot-hooks and hangers. Her brother pulled out a red handkerchief—a fellow to the
one around his neck—mopped his face and proceeded—</p>
<p>"Well, as I was a-saying, seein' she was bent on bein' wi' us, Paul and me allowed
to each other that we'd set up in fine style at Kit's House, so as not to rob her of
what es her doo: that es to say—one of us wou'd live down there wi' a car'ge and
pair o' hosses, and cut a swell wi' dinner parties an' what-not, while the other
bided here an' tilled 'taties, turn and turn about. But she wudn' hear o' that,
neither. She's a terrible stubborn gal, bless her!"</p>
<p>"We shou'd ha' been slow at larnin' the ropes, just at fust," he resumed after a
moment's silence, "not bein' scholards, partikler at the use o' globes, which I
<i>have</i> heerd es diffycult, though very entertainin' in company when you knows
how 'tes done. But we was ready to try a hand—on'y she wudn' have et, an' so et
has gone on. But, beggin' your pardon, sir, and hopin' no offence, she shall give
her answer afore 'tes too late. Eh, Paul?"</p>
<p>"You have spoken, Peter," said the other twin, very slowly, "like a printed book.
Let Tamsin speak her mind about et."</p>
<p>The girl came forward from the fireplace, and Mr. Fogo, as he stole a glance at
her, could see that her eyes were red.</p>
<p>"What do 'ee say, Tamsin? Must we let Kit's House, or shall we leave th' ould
place an' go an' make a leddy of 'ee?"</p>
<p>Tamsin's reply was to fall on her knees before the speaker and break into a fit of
weeping.</p>
<p>"Don't ask me, don't ask me! I don't want to be a lady, an' I <i>won't</i> leave you.
Don't ask me, my dear, dear brothers!"</p>
<p>Peter stroked the dark head buried in his lap, while Paul blew his nose violently in
a yellow bandanna, and replied to Mr. Fogo.</p>
<p>"Very well, sir, so be et. There's the key of Kit's House yonder on the nail. Ef
you likes to look over the place, one of us will follow you presently, and then,
supposin' et to be to your likin', us can talk over terms."</p>
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