<h2 id="id00943" style="margin-top: 4em">XVI</h2>
<p id="id00944" style="margin-top: 2em">During the Dublin Season it is found convenient to give teas: the young
ladies have to be introduced to the men they will meet after at the
Castle. These gatherings take place at five o'clock in the afternoon;
and as Mrs. Barton started from the Shelbourne Hotel for Lady Georgina
Stapleton's, she fell to thinking that a woman is never really
vulnerable until she is bringing out her daughters. Till then the usual
shafts directed against her virtue fall harmlessly on either side, but
now they glance from the marriage buckler and strike the daughter in
full heart. In the ball-room, as in the forest, the female is most
easily assailed when guarding her young, and nowhere in the whole animal
kingdom is this fact so well exemplified as in Dublin Castle.</p>
<p id="id00945">Lady Georgina lived in Harcourt Street, and it was on her way thither
that something like a regret rose up in Mrs. Barton that she had (she
was forced to confess it) aroused the enmity of women, and persistently.</p>
<p id="id00946">Lady Georgina Stapleton was Lord Dungory's eldest sister. She, too,
hated Mrs. Barton; but, being poor (Milord used to call himself the
milch-cow), she found herself, like the Ladies Cullen, occasionally
obliged to smile upon and extend a welcoming hand to the family enemy;
and when Mrs. Barton came to Dublin for the Castle Season, a little
pressure was put upon Lady Georgina to obtain invitations from the
Chamberlain; the ladies exchanged visits, and there the matter ended, as
Mrs. Barton and her daughter passed through Stephen's Green, and she
remembered that she had never taken the trouble to conceal her dislike
of the house in Harcourt Street, and some of the hard things she had
said when standing on the box-seat of a drag at Punchestown Races had
travelled back and had found a lasting resting-place in Lady Georgina's
wrathful memory.</p>
<p id="id00947">'This is considered to be the most artistic house in Dublin,' said Mrs.<br/>
Barton, as the servant showed them upstairs.<br/></p>
<p id="id00948">'How lovely the camellias look,' said Olive.</p>
<p id="id00949">'And now, Alice, mind, none of your Liberalism in this house, or you
will ruin your sister's chances.'</p>
<p id="id00950">Lady Georgina wore a wig, or her hair was arranged so as to look like
one. Fifty years had rubbed away much of her youthful ugliness; and, in
the delicate twilight of her rooms, her aristocratic bearing might be
mistaken for good looks.</p>
<p id="id00951">Lady Georgina was a celebrated needlewoman, and she was now begging Lord
Kilcarney to assist her at a charity bazaar. Few people had yet arrived;
and when Harding was announced, Mrs. Barton whispered:</p>
<p id="id00952">'Here's your friend, Alice; don't miss your chance.'</p>
<p id="id00953">Then every moment bevies of girls came in and were accommodated with
seats, and if possible with young men. Teacups were sent down to be
washed, and the young men were passed from group to group. The young
ladies smiled and looked delightful, and spoke of dancing and tennis
until, replying to an imperative glance from their chaperons, from time
to time they rose to leave; but, obeying a look of supplication from
their hostess, the young men remained.</p>
<p id="id00954">Lord Kilcarney had been hunted desperately around screens and over every
ottoman in the room; and Lady Georgina had proved her goodwill in
proportion to the amount of assistance she had lent to her friends in
the chase. Long ago he had been forced away from Olive. Mrs. Barton
endured with stoical indifference the scowls of her hostess; but at
length, compelled to recognize that none of the accidents attendant on
the handing of teacups or the moving of chairs would bring him back, she
rose to take her leave. The little Marquis was on his feet in a moment,
and, shaking hands with her effusively, he promised to call to see them
at the Shelbourne. A glance went round; and of Mrs. Barton's triumph
there could be no doubt.</p>
<p id="id00955">'But to-day's success is often a prelude to to-morrow's defeat,' was Lady
Georgina's comment, and Mrs. Barton and her daughters were discussed as
they walked across the green to their hotel. Nor was Lady Georgina
altogether a false prophet, for next day Mrs. Barton found the Marquis's
cards on her table. 'I'm sorry we missed him,' she said, 'but we haven't
a minute;' and, calling on her daughters to follow, she dashed again
into the whirl of a day that would not end for many hours, though it had
begun twelve hours ago—a day of haste and anticipation it had been,
filled with cries of 'Mamma,' telegrams, letters, and injunctions not to
forget this and that—a day whose skirts trailed in sneers and
criticisms, a hypocritical and deceitful day, a day of intrigue, a day
in which the post-box was the chief factor—a great day withal.</p>
<p id="id00956">But above this day, and above all other days, was the day that took them
spellbound to the foot of a narrow staircase, a humble flight seemingly,
but leading to a temple of tightly-stretched floorcloth, tall wardrobes,
and groups and lines of lay figures in eternally ladylike attitudes.</p>
<p id="id00957">'Oh! how do you do, Mrs. Barton? We have been expecting you for the last
two or three days. I will run upstairs and tell Mrs. Symond that you are
here; she will be so glad to see you.'</p>
<p id="id00958">'That is Miss Cooper!' explained Mrs. Barton. 'Everyone knows her; she
has been with Mrs. Symond many years. And, as for dear Mrs. Symond,
there is no one like her. She knows the truth about everybody. Here she
comes,' and Mrs. Barton rushed forward and embraced a thin woman with
long features.</p>
<p id="id00959">'And how do you do, dear Mrs. Barton, and how well you are looking, and
the young ladies? I see Miss Olive has improved since she was in
Dublin.' (In an audible whisper.) 'Everyone is talking about her. There
is no doubt but that she'll be the belle of the season.' (In a still
audible, but lower tone of voice.) 'But tell me, is it true that—'</p>
<p id="id00960">'Now, now, now!' said Mrs. Barton, drowning her words in cascades of
silvery laughter, 'I know nothing of what you're saying; ha! ha! ha! no,
no—I assure you. I will not—'</p>
<p id="id00961">Then, as soon as the ladies had recovered their composure, a few
questions were asked about her Excellency, the prospects of the Castle
season, and the fashions of the year.</p>
<p id="id00962">'And now tell me,' said Mrs. Barton, 'what pretty things have you that
would make up nicely for trains?'</p>
<p id="id00963">'Trains, Mrs. Barton? We have some sweet things that would make up
beautifully for trains. Miss Cooper, will you kindly fetch over that
case of silks that we had over yesterday from Paris?'</p>
<p id="id00964">'The young ladies must be, of course, in white; for Miss Olive I should
like, I think, snowdrops; for you, Mrs. Barton, I am uncertain which of
two designs I shall recommend. Now, this is a perfectly regal material.'</p>
<p id="id00965">With words of compliment and solicitation, the black-dressed assistant
displayed the armouries of Venus—armouries filled with the deep blue of
midnight, with the faint tints of dawn, with strange flowers and birds,
with moths, and moons, and stars. Lengths of white silk clear as the
notes of violins playing in a minor key; white poplin falling into folds
statuesque as the bass of a fugue by Bach; yards of ruby velvet, rich as
an air from Verdi played on the piano; tender green velvet, pastoral as
hautboys heard beneath trees in a fair Arcadian vale; blue turquoise
faille fanciful as the tinkling of a guitar twanged by a Watteau
shepherd; gold brocade, sumptuous as organ tones swelling through the
jewelled twilight of a nave; scarves and trains of midnight-blue
profound as the harmonic snoring of a bassoon; golden daffodils violent
as the sound of a cornet; bouquets of pink roses and daisies, charmful
and pure as the notes of a flute; white faille, soft draperies of tulle,
garlands of white lilac, sprays of white heather, delicate and resonant
as the treble voices of children singing carols in dewy English woods;
berthas, flounces, plumes, stomachers, lappets, veils, frivolous as the
strains of a German waltz played on Liddell's band.</p>
<p id="id00966">An hour passed, but the difficulty of deciding if Olive's dress should
be composed of silk or Irish poplin was very great, for, determined that
all should be humiliated, Mrs. Barton laid her plans amid designs for
night and morning; birds fluttering through leafy trees, birds drowsing
on bending boughs, and butterflies folding their wings. At a critical
moment, however, an assistant announced that Mrs. Scully was waiting.
The ladies started; desperate effort was made; rosy clouds and veils of
silver tissue were spoken of; but nothing could be settled, and on the
staircase the ladies had to squeeze into a corner to allow Violet and
Mrs. Scully to pass.</p>
<p id="id00967">'How do you do, Olive? How do you do, Alice? and you, Mrs. Barton, how
do you do? And what are you going to wear? Have you decided on your
dress?'</p>
<p id="id00968">'Oh! That is a secret that could be told to no one; oh, not for worlds!'
said Mrs. Barton.</p>
<p id="id00969">'I'm sure it will be very beautiful,' replied Mrs. Scully, with just a
reminiscence of the politeness of the Galway grocery business in her
voice.</p>
<p id="id00970">'I hear you have taken a house in Fitzwilliam Square for the season?'
said Mrs. Barton.</p>
<p id="id00971">'Yes, we are very comfortable; you must come and see us. You are at the<br/>
Shelbourne, I believe?'<br/></p>
<p id="id00972">'Come to tea with us,' cried Violet. 'We are always at home about five.'</p>
<p id="id00973">'We shall be delighted,' returned Mrs. Barton.</p>
<p id="id00974">Mrs. Scully's acquaintance with Mrs. Symond was of the slightest; but,
knowing that claims to fashion in Dublin are judged by the intimacy you
affect with the dressmaker, she shook her warmly by the hand, and
addressed her as dear Mrs. Symond. To the Christian name of Helen none
less than a Countess dare to aspire.</p>
<p id="id00975">'And how well you are looking, dear Mrs. Symond; and when are you going
to take your daughters to the Castle?'</p>
<p id="id00976">'Oh, not for some time yet; my eldest is only sixteen.'</p>
<p id="id00977">Mrs. Symonds had three daughters to bring out, and she hoped when her
feet were set on the redoubtable ways of Cork Hill, her fashionable
customers would extend to her a cordial helping hand. Mrs. Symonds' was
one of the myriad little schemes with which Dublin is honeycombed, and
although she received Mrs. Scully's familiarities somewhat coldly, she
kept her eyes fixed upon Violet. The insidious thinness of the girl's
figure, and her gay, winsome look interested her, and, as if speaking to
herself, she said:</p>
<p id="id00978">'You will want something very sweet; something quite pure and lovely for<br/>
Miss Scully?'<br/></p>
<p id="id00979">Mother and daughter were instantly all attention, and Mrs. Symond
continued:</p>
<p id="id00980">'Let me see, I have some Surat silk that would make up sweetly. Miss
Cooper, will you have the kindness to fetch those rolls of Surat silk we
received yesterday from Paris?'</p>
<p id="id00981">Then, beautiful as a flower harvesting, the hues and harmonies of earth,
ocean, and sky fell before the ravished eyes. The white Surat silk,
chaste, beautiful, delicious as that presentiment of shared happiness
which fills a young girl's mind when her fancy awakens in the soft
spring sunlight; the white faille with tulle and garlands of white
lilac, delicate and only as sensuous as the first meetings of
sweethearts, when the may is white in the air and the lilac is in bloom
on the lawn; trains of blue sapphire broché looped with blue ostrich
feathers, seductive and artificial as a boudoir plunged in a dream of
Ess. bouquet; dove-coloured velvet trains adorned with tulips and tied
with bows of brown and pink—temperate as the love that endures when the
fiery day of passion has gone down; bodices and trains of daffodil silk,
embroidered with shaded maple-leaves, impure as lamp-lit and
patchouli-scented couches; trains of white velouture festooned with
tulle; trails of snowdrops, icy as lips that have been bought, and cold
as a life that lives in a name.</p>
<p id="id00982">The beautiful silks hissed as they came through the hands of the
assistants, cat-like the velvet footfalls of the velvet fell; it was a
witches' Sabbath, and out of this terrible caldron each was to draw her
share of the world's gifts. Smiling and genial, Mrs. Symond stirred the
ingredients with a yard measure; the girls came trembling, doubting,
hesitating; and the anxious mothers saw what remained of their
jeopardized fortunes sliding in a thin golden stream into the flaming
furnace that the demon of Cork Hill blew with unintermittent breath.</p>
<p id="id00983">Secrets, what secrets were held on the subject of the presentation
dresses! The obscure Hill was bound with a white frill of anticipation.
Olive's fame had gone forth. She was admitted to be the new Venus, and
Lord Kilcarney was spoken of as likely to yield to her the coveted
coronet. Would he marry her without so much as looking at another girl?
was the question on every lip, and in the jealousy thus created the
appraisers of Violet's beauty grew bolder. Her thinness was condoned,
and her refinement insisted upon. Nor were May Gould and her chances
overlooked by the gossips of Merrion Square. Her flirtation with Fred
Scully was already a topic of conversation.</p>
<p id="id00984">Alice knew she was spoken of pityingly, but she hungered little after
the praise of the Dubliners, and preferred to stay at home and talk to
Harding in the ladies' drawing-room rather than follow her mother and
sister in their wild hunt after Lord Kilcarney. Through the afternoon
teas of Merrion Square and Stephen's Green the chase went merrily.</p>
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