<h2><SPAN name="CHAPTER_II" id="CHAPTER_II"></SPAN>CHAPTER II</h2>
<p>On going down-stairs, Thor looked about him for Rosie Fay. She was
nowhere to be seen, and the house was cheerless. He could imagine that
to an ambitious woman circumscribed by its dreary neatness Duck Rock
with its thirty feet of water might be a welcome change.</p>
<p>Continuing his search when he went outside, he gazed round what was left
of the old orchard. He remembered Fay—a slim fellow with a gentle,
dreamy face and starry eyes. He had seen him occasionally during the
past eighteen years, though rarely. As a matter of fact, Fay's
greenhouses lay on that part of the shore of Thorley's Pond most out of
the way of the pedestrian. Only of late had new roads wormed themselves
up the steep northern bank of the pond, bringing from the city
well-to-do, country-loving souls who desired space and sunshine. It was
a satisfaction to Thor's father, Archie Masterman, that only the best
type of suburban residence was going up among these sylvan glades, and
that the property was justifying his foresight as an investor.</p>
<p>The young man could understand that it should be so, for the spot was
picturesque. Sheltered from the north by a range of wooded hills, it was
like a great green cup held out to the sunshine. The region was
favorable, therefore, to the raising of early "garden-truck." Whenever
the frost was out of the ground, oblongs of green things growing in
straight lines gave a special freshness to the landscape, while from any
of the knolls over which the township clambered clusters of greenhouses
glinted like distant sheets of water. One had to get them in contrast to
the sparkling blue eye of Thorley's Pond to perceive that they were not
tiny lakes. With so pleasing a view, hemmed in by the haze of the city
toward the south, and a hint of the Atlantic south of that, there was
every reason why Fay's plot of land should appreciate in value.</p>
<p>On these grounds it became comprehensible to Thor that his father might
raise the rent and still not be an instrument of oppression. It was
consoling to him to perceive this. It helped to allay certain
uncomfortable suspicions that had risen in his mind since coming home,
and which were not easy to dispel.</p>
<p>He caught sight at last of Rosie's dull-green frock in the one hothouse
in which there were flowers. Through the glass roof he could see the red
disks of poinsettias and the crimson or white of azaleas coming into
bloom. The other two houses sheltered long, level rectangles of tender
green, representing lettuce in different stages of the crop. A
bow-legged Italian was closing the skylights that had been opened for
the milder part of the day; another Italian replaced the covers on
hot-beds that might have contained violets. From the high furnace
chimney a plume of yellow-brown smoke floated heavily on the windless
air. The place looked undermanned and forlorn.</p>
<p>On opening the door he was met by the sweet, warm odor of damp earth and
green things growing and blossoming. Pausing in her work, the girl
looked down the half-length of the greenhouse as a hint for him to
advance. He went toward her between feathery banks of gray-green
carnations, on which the long, oval, compact buds were loosening their
sheaths to display the dawn-pink within. Half covered up by a coarse
apron or pinafore, she stood at a high table, like a counter, against a
background of poinsettias.</p>
<p>"We don't go in for flowers, really," she explained to him, after he had
given her certain directions concerning her mother. "It would be better
if we didn't try to raise them at all."</p>
<p>Thor, whose ear was sensitive, noticed that her voice was pleasant to
listen to, and her speech marked by a simple, unaffected refinement. He
lingered because he was interested in her work. He found a kind of
fascination in watching her as she took a moist red flower-pot from one
end of the table, threw in a handful or two of earth from the heap at
the other end, then a root that looked like a cluster of yellow,
crescent-shaped onions, then a little more earth, after which she turned
to place the flower-pot as one of the row on the floor behind her. There
was something rhythmic in her movements. Each detail took the same
amount of action and time. She might have been working to music. Her
left hand made precisely the same gesture with each flower-pot she took
from the line in which they lay telescoped together. Her right hand
described the same graceful curve with every impatient, petulant handful
of earth.</p>
<p>"Why do you raise them, then?" he asked, for the sake of saying
something.</p>
<p>She answered, wearily: "Oh, it's father. He can't make up his mind what
to do. Or, rather, he makes up his mind both ways at once. Because some
people make a good thing out of raising flowers he thinks he'll do that.
And because others do a big business in garden-stuff, he thinks he'll do
that."</p>
<p>"And so he falls between two stools. I see."</p>
<p>"It's no use being a market-gardener," she went on, disdainfully tossing
the earth into another pot, "unless you're a big market-gardener, and
it's no use being a florist unless you're a big florist. Everything has
to be big nowadays to make it pay. And the trouble with father is that
he does so many things small. He sees big," she analyzed, continuing her
work—"so big that he goes all to pieces when he tries to carry his
ideas out."</p>
<p>"And you think that if he concentrated his forces on raising
garden-stuff—"</p>
<p>She explained further: People had to have lettuce and radishes and
carrots and cucumbers whatever happened, whereas flowers were a luxury.
Whenever money was scarce they didn't buy them. If it were not for
weddings and funerals and Christmas and Easter they wouldn't buy them at
all. Then, too, they were expensive to raise, and difficult. You
couldn't do it by casting a little seed into the ground. Every azalea
was imported from Belgium; every lily-bulb from Japan. True, the
carnations were grown from slips, but if he only knew the trouble they
gave! Those at which he was looking, and which had the innocent air of
springing and blooming of their own accord, had been through no less
than four tedious processes since the slips were taken in the preceding
February. First they had been planted in sand for the root to strike;
then transferred to flats, or shallow wooden boxes; then bedded out in
the garden; and lastly brought into the house. If he would only consider
the labor involved in all that, to say nothing of the incessant watching
and watering, and keeping the house at the proper temperature by night
and by day—well, he could see for himself.</p>
<p>He did see for himself. He said so absently, because he was noting the
fact that her serious, earnest eyes were of the peculiar shade which,
when seen in eyes, is called green. It was still absently that he added,
"And you have to work pretty hard."</p>
<p>She shrugged her shoulders. "Oh, I don't mind that. Anything to live."</p>
<p>"What are you doing there?"</p>
<p>There was an exasperated note in her voice as she replied: "Oh, these
are the Easter lilies. We have to begin on them now."</p>
<p>"And do you do them all?"</p>
<p>"I do, when there's no one else. Father's men keep leaving." She flung
him a look he would have thought defiant if he hadn't found it frank. "I
don't blame them. Half the time they're not paid."</p>
<p>"I see. So that you fill in. Do you like it?"</p>
<p>"Would you like doing what isn't of any use?—what will never be of any
use? Would you like to be always running as hard as you can, just to
fall out of the race?"</p>
<p>He tried to smile. "I shouldn't like it for long."</p>
<p>"Well, there's that," she said, as though he had suggested a form of
consolation. "It won't be for long. It can't be. Father won't be able to
go on like this."</p>
<p>He decided to take the bull by the horns. "Is that because my father
doesn't want to renew the lease?"</p>
<p>She shrugged her shoulders again. "Oh no, not particularly. It <i>is</i>
that—and everything else."</p>
<p>He felt it the part of tact to make signs of going, uttering a few
parting injunctions with regard to the mother as he did so.</p>
<p>"And I wouldn't leave her too much alone," he advised. "She could easily
slip out without attracting any one's attention. Tell your father I said
so. I suppose he's not in the house."</p>
<p>"He's off somewhere trying to engage a night fireman."</p>
<p>He ignored this information to emphasize his counsels. "It's most
important that while she's in this state of mind some one should be with
her. And if we knew of anything she'd specially like—"</p>
<p>She continued to work industriously. "The thing she'd like best in this
world won't do her any good when it happens." She threw in a bulb with
impetuous vehemence. "It's to have Matt out of jail. He will be out in
the course of a few months. But he'll be—a jail-bird."</p>
<p>"We must try to help him live that down."</p>
<p>She turned her great greenish eyes on him again with that look which
struck him as both frank and pitiful. "That's one of the things people
in our position can't do. It's the first thing mother herself will think
of when she sees Matt hanging about the house—for he'll never get a
job."</p>
<p>"He can help your father. He can be the night fireman."</p>
<p>She shrugged her shoulders with the fatalistic movement he was beginning
to recognize. "Father won't need a night fireman by that time."</p>
<p>He could only say: "All the same, your mother must be watched. She can't
be allowed to throw herself from Duck Rock, now, can she?"</p>
<p>"I don't say allowed. But if she did—"</p>
<p>"Well, what then?"</p>
<p>"She'd be out of it. That would be something."</p>
<p>"Admitting that it would be something for her, what would it be for your
father and you?"</p>
<p>She relaxed the energy of her hands. He had time to notice them. It hurt
him to see anything so shapely coarsened with hard work. "Wouldn't it be
that much?" she asked, as if reaching a conclusion. "If she were out of
it, it would be a gain all round."</p>
<p>Never having heard a human being speak like this, he was shocked. "But
everything can't be so black. There must be something somewhere."</p>
<p>She glanced up at him obliquely. Months afterward he recalled the look.
Her tone, when she spoke, seemed to be throwing him a challenge as well
as making an admission. "Well, there is—one thing."</p>
<p>He spoke triumphantly. "Ah, there <i>is</i> one thing, then?"</p>
<p>"Yes, but it may not happen."</p>
<p>"Oh, lots of things may not happen. We just have to hope they will.
That's all we've got to live by."</p>
<p>There was a lovely solemnity about her. "And even if it did happen, so
many people would be opposed to it that I'm not sure it would do any
good, after all."</p>
<p>"Oh, but we won't think of the people who'd be opposed to it—"</p>
<p>"We should have to, because"—the sweet fixity of her gaze gave him an
odd thrill—"because you'd be one."</p>
<p>He laughed as he held out his hand to say good-by. "Don't be too sure.
And in any case it won't matter about me."</p>
<p>She declined to take his hand on the ground that her own was soiled with
loam, but she mystified him slightly when she said: "It will matter
about you; and if the thing ever happens I want you to remember that I
told you so. I can't play fair; but I'll play as fair as I can."</p>
<hr style="width: 65%;" />
<div style="break-after:column;"></div><br />