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<h2> CHAPTER IX </h2>
<p>Sidney never forgot her early impressions of the hospital, although they
were chaotic enough at first. There were uniformed young women coming and
going, efficient, cool-eyed, low of voice. There were medicine-closets
with orderly rows of labeled bottles, linen-rooms with great stacks of
sheets and towels, long vistas of shining floors and lines of beds. There
were brisk internes with duck clothes and brass buttons, who eyed her with
friendly, patronizing glances. There were bandages and dressings, and
great white screens behind which were played little or big dramas, baths
or deaths, as the case might be. And over all brooded the mysterious
authority of the superintendent of the training-school, dubbed the Head,
for short.</p>
<p>Twelve hours a day, from seven to seven, with the off-duty intermission,
Sidney labored at tasks which revolted her soul. She swept and dusted the
wards, cleaned closets, folded sheets and towels, rolled bandages—did
everything but nurse the sick, which was what she had come to do.</p>
<p>At night she did not go home. She sat on the edge of her narrow white bed
and soaked her aching feet in hot water and witch hazel, and practiced
taking pulses on her own slender wrist, with K.'s little watch.</p>
<p>Out of all the long, hot days, two periods stood out clearly, to be waited
for and cherished. One was when, early in the afternoon, with the ward in
spotless order, the shades drawn against the August sun, the tables
covered with their red covers, and the only sound the drone of the
bandage-machine as Sidney steadily turned it, Dr. Max passed the door on
his way to the surgical ward beyond, and gave her a cheery greeting. At
these times Sidney's heart beat almost in time with the ticking of the
little watch.</p>
<p>The other hour was at twilight, when, work over for the day, the night
nurse, with her rubber-soled shoes and tired eyes and jangling keys,
having reported and received the night orders, the nurses gathered in
their small parlor for prayers. It was months before Sidney got over the
exaltation of that twilight hour, and never did it cease to bring her
healing and peace. In a way, it crystallized for her what the day's work
meant: charity and its sister, service, the promise of rest and peace.
Into the little parlor filed the nurses, and knelt, folding their tired
hands.</p>
<p>“The Lord is my shepherd,” read the Head out of her worn Bible; “I shall
not want.”</p>
<p>And the nurses: “He maketh me to lie down in green pastures: he leadeth me
beside the still waters.”</p>
<p>And so on through the psalm to the assurance at the end, “And I will dwell
in the house of the Lord forever.” Now and then there was a death behind
one of the white screens. It caused little change in the routine of the
ward. A nurse stayed behind the screen, and her work was done by the
others. When everything was over, the time was recorded exactly on the
record, and the body was taken away.</p>
<p>At first it seemed to Sidney that she could not stand this nearness to
death. She thought the nurses hard because they took it quietly. Then she
found that it was only stoicism, resignation, that they had learned. These
things must be, and the work must go on. Their philosophy made them no
less tender. Some such patient detachment must be that of the angels who
keep the Great Record.</p>
<p>On her first Sunday half-holiday she was free in the morning, and went to
church with her mother, going back to the hospital after the service. So
it was two weeks before she saw Le Moyne again. Even then, it was only for
a short time. Christine and Palmer Howe came in to see her, and to inspect
the balcony, now finished.</p>
<p>But Sidney and Le Moyne had a few words together first.</p>
<p>There was a change in Sidney. Le Moyne was quick to see it. She was a
trifle subdued, with a puzzled look in her blue eyes. Her mouth was
tender, as always, but he thought it drooped. There was a new atmosphere
of wistfulness about the girl that made his heart ache.</p>
<p>They were alone in the little parlor with its brown lamp and blue silk
shade, and its small nude Eve—which Anna kept because it had been a
gift from her husband, but retired behind a photograph of the minister, so
that only the head and a bare arm holding the apple appeared above the
reverend gentleman.</p>
<p>K. never smoked in the parlor, but by sheer force of habit he held the
pipe in his teeth.</p>
<p>“And how have things been going?” asked Sidney practically.</p>
<p>“Your steward has little to report. Aunt Harriet, who left you her love,
has had the complete order for the Lorenz trousseau. She and I have picked
out a stunning design for the wedding dress. I thought I'd ask you about
the veil. We're rather in a quandary. Do you like this new fashion of
draping the veil from behind the coiffure in the back—”</p>
<p>Sidney had been sitting on the edge of her chair, staring.</p>
<p>“There,” she said—“I knew it! This house is fatal! They're making an
old woman of you already.” Her tone was tragic.</p>
<p>“Miss Lorenz likes the new method, but my personal preference is for the
old way, with the bride's face covered.”</p>
<p>He sucked calmly at his dead pipe.</p>
<p>“Katie has a new prescription—recipe—for bread. It has more
bread and fewer air-holes. One cake of yeast—”</p>
<p>Sidney sprang to her feet.</p>
<p>“It's perfectly terrible!” she cried. “Because you rent a room in this
house is no reason why you should give up your personality and your—intelligence.
Not but that it's good for you. But Katie has made bread without masculine
assistance for a good many years, and if Christine can't decide about her
own veil she'd better not get married. Mother says you water the flowers
every evening, and lock up the house before you go to bed. I—I never
meant you to adopt the family!”</p>
<p>K. removed his pipe and gazed earnestly into the bowl.</p>
<p>“Bill Taft has had kittens under the porch,” he said. “And the groceryman
has been sending short weight. We've bought scales now, and weigh
everything.”</p>
<p>“You are evading the question.”</p>
<p>“Dear child, I am doing these things because I like to do them. For—for
some time I've been floating, and now I've got a home. Every time I lock
up the windows at night, or cut a picture out of a magazine as a
suggestion to your Aunt Harriet, it's an anchor to windward.”</p>
<p>Sidney gazed helplessly at his imperturbable face. He seemed older than
she had recalled him: the hair over his ears was almost white. And yet, he
was just thirty. That was Palmer Howe's age, and Palmer seemed like a boy.
But he held himself more erect than he had in the first days of his
occupancy of the second-floor front.</p>
<p>“And now,” he said cheerfully, “what about yourself? You've lost a lot of
illusions, of course, but perhaps you've gained ideals. That's a step.”</p>
<p>“Life,” observed Sidney, with the wisdom of two weeks out in the world,
“life is a terrible thing, K. We think we've got it, and—it's got
us.”</p>
<p>“Undoubtedly.”</p>
<p>“When I think of how simple I used to think it all was! One grew up and
got married, and—and perhaps had children. And when one got very
old, one died. Lately, I've been seeing that life really consists of
exceptions—children who don't grow up, and grown-ups who die before
they are old. And”—this took an effort, but she looked at him
squarely—“and people who have children, but are not married. It all
rather hurts.”</p>
<p>“All knowledge that is worth while hurts in the getting.”</p>
<p>Sidney got up and wandered around the room, touching its little familiar
objects with tender hands. K. watched her. There was this curious element
in his love for her, that when he was with her it took on the guise of
friendship and deceived even himself. It was only in the lonely hours that
it took on truth, became a hopeless yearning for the touch of her hand or
a glance from her clear eyes.</p>
<p>Sidney, having picked up the minister's picture, replaced it absently, so
that Eve stood revealed in all her pre-apple innocence.</p>
<p>“There is something else,” she said absently. “I cannot talk it over with
mother. There is a girl in the ward—”</p>
<p>“A patient?”</p>
<p>“Yes. She is quite pretty. She has had typhoid, but she is a little
better. She's—not a good person.”</p>
<p>“I see.”</p>
<p>“At first I couldn't bear to go near her. I shivered when I had to
straighten her bed. I—I'm being very frank, but I've got to talk
this out with someone. I worried a lot about it, because, although at
first I hated her, now I don't. I rather like her.”</p>
<p>She looked at K. defiantly, but there was no disapproval in his eyes.</p>
<p>“Yes.”</p>
<p>“Well, this is the question. She's getting better. She'll be able to go
out soon. Don't you think something ought to be done to keep her from—going
back?”</p>
<p>There was a shadow in K.'s eyes now. She was so young to face all this;
and yet, since face it she must, how much better to have her do it
squarely.</p>
<p>“Does she want to change her mode of life?”</p>
<p>“I don't know, of course. There are some things one doesn't discuss. She
cares a great deal for some man. The other day I propped her up in bed and
gave her a newspaper, and after a while I found the paper on the floor,
and she was crying. The other patients avoid her, and it was some time
before I noticed it. The next day she told me that the man was going to
marry some one else. 'He wouldn't marry me, of course,' she said; 'but he
might have told me.'”</p>
<p>Le Moyne did his best, that afternoon in the little parlor, to provide
Sidney with a philosophy to carry her through her training. He told her
that certain responsibilities were hers, but that she could not reform the
world. Broad charity, tenderness, and healing were her province.</p>
<p>“Help them all you can,” he finished, feeling inadequate and hopelessly
didactic. “Cure them; send them out with a smile; and—leave the rest
to the Almighty.”</p>
<p>Sidney was resigned, but not content. Newly facing the evil of the world,
she was a rampant reformer at once. Only the arrival of Christine and her
fiance saved his philosophy from complete rout. He had time for a question
between the ring of the bell and Katie's deliberate progress from the
kitchen to the front door.</p>
<p>“How about the surgeon, young Wilson? Do you ever see him?” His tone was
carefully casual.</p>
<p>“Almost every day. He stops at the door of the ward and speaks to me. It
makes me quite distinguished, for a probationer. Usually, you know, the
staff never even see the probationers.”</p>
<p>“And—the glamour persists?” He smiled down at her.</p>
<p>“I think he is very wonderful,” said Sidney valiantly.</p>
<p>Christine Lorenz, while not large, seemed to fill the little room. Her
voice, which was frequent and penetrating, her smile, which was wide and
showed very white teeth that were a trifle large for beauty, her
all-embracing good nature, dominated the entire lower floor. K., who had
met her before, retired into silence and a corner. Young Howe smoked a
cigarette in the hall.</p>
<p>“You poor thing!” said Christine, and put her cheek against Sidney's.
“Why, you're positively thin! Palmer gives you a month to tire of it all;
but I said—”</p>
<p>“I take that back,” Palmer spoke indolently from the corridor. “There is
the look of willing martyrdom in her face. Where is Reginald? I've brought
some nuts for him.”</p>
<p>“Reginald is back in the woods again.”</p>
<p>“Now, look here,” he said solemnly. “When we arranged about these rooms,
there were certain properties that went with them—the lady next door
who plays Paderewski's 'Minuet' six hours a day, and K. here, and
Reginald. If you must take something to the woods, why not the minuet
person?”</p>
<p>Howe was a good-looking man, thin, smooth-shaven, aggressively well
dressed. This Sunday afternoon, in a cutaway coat and high hat, with an
English malacca stick, he was just a little out of the picture. The Street
said that he was “wild,” and that to get into the Country Club set
Christine was losing more than she was gaining.</p>
<p>Christine had stepped out on the balcony, and was speaking to K. just
inside.</p>
<p>“It's rather a queer way to live, of course,” she said. “But Palmer is a
pauper, practically. We are going to take our meals at home for a while.
You see, certain things that we want we can't have if we take a house—a
car, for instance. We'll need one for running out to the Country Club to
dinner. Of course, unless father gives me one for a wedding present, it
will be a cheap one. And we're getting the Rosenfeld boy to drive it. He's
crazy about machinery, and he'll come for practically nothing.”</p>
<p>K. had never known a married couple to take two rooms and go to the
bride's mother's for meals in order to keep a car. He looked faintly
dazed. Also, certain sophistries of his former world about a cheap
chauffeur being costly in the end rose in his mind and were carefully
suppressed.</p>
<p>“You'll find a car a great comfort, I'm sure,” he said politely.</p>
<p>Christine considered K. rather distinguished. She liked his graying hair
and steady eyes, and insisted on considering his shabbiness a pose. She
was conscious that she made a pretty picture in the French window, and
preened herself like a bright bird.</p>
<p>“You'll come out with us now and then, I hope.”</p>
<p>“Thank you.”</p>
<p>“Isn't it odd to think that we are going to be practically one family!”</p>
<p>“Odd, but very pleasant.”</p>
<p>He caught the flash of Christine's smile, and smiled back. Christine was
glad she had decided to take the rooms, glad that K. lived there. This
thing of marriage being the end of all things was absurd. A married woman
should have men friends; they kept her up. She would take him to the
Country Club. The women would be mad to know him. How clean-cut his
profile was!</p>
<p>Across the Street, the Rosenfeld boy had stopped by Dr. Wilson's car, and
was eyeing it with the cool, appraising glance of the street boy whose
sole knowledge of machinery has been acquired from the clothes-washer at
home. Joe Drummond, eyes carefully ahead, went up the Street. Tillie, at
Mrs. McKee's, stood in the doorway and fanned herself with her apron. Max
Wilson came out of the house and got into his car. For a minute, perhaps,
all the actors, save Carlotta and Dr. Ed, were on the stage. It was that
bete noir of the playwright, an ensemble; K. Le Moyne and Sidney, Palmer
Howe, Christine, Tillie, the younger Wilson, Joe, even young Rosenfeld,
all within speaking distance, almost touching distance, gathered within
and about the little house on a side street which K. at first grimly and
now tenderly called “home.”</p>
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