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Master of the Vineyard

<h2 class="gap3 chaphead">V</h2> <h2 class="chaphead">The House of the Broken Heart</h2> <div class="sidenote">Climbing in the Dark</div> The road was steep and very dark, but some unseen Power compelled her to climb. Dimly, through the shadow, she saw shafts of broken marbles and heard the sound of slow-falling waters. The desolation oppressed her, and, as she climbed, she pressed her hands tightly to her heart. She was alone in an empty world. All traces of human occupation had long since vanished. Brambles and thorns grew thickly about her, and her brown gingham dress was torn to shreds. Rosemary shuddered in her dream, for Grandmother and Aunt Matilda would be displeased. And yet, where were they? She had not seen them since she entered the darkness below. At first she had been unable to see anything, for the darkness was not merely absence of light but had a positive, palpable quality, it enshrouded her as by heavy folds of black velvet that suffocated her, but, as she climbed, the air became lighter and the darkness less.[Pg 62] <div class="sidenote">The Path in the Garden</div> She longed to stop for a few moments and rest, but the pitiless Power continually urged her on. Bats fluttered past her and ghostly wings brushed her face, but, strangely, she had no fear. As her eyes became accustomed to the all-encompassing night, she saw into it for a little distance on either side, but never ahead. On the left was a vast, empty garden, neglected and dead. The hedge that surrounded it was only a tangled mass of undergrowth, and the paths were buried and choked by weeds. The desolate house beyond it loomed up whitely in the shadow. It was damp and cold in the garden, but she went in, mutely obeying the blind force that impelled her to go. She struggled up the path that led to the house, falling once into a mass of thistles that pricked and stung. The broken marbles, as she saw now, were statues that had been placed about the garden and had fallen into decay. The slow-falling water was a fountain that still murmured, choked though it was by the dense undergrowth. One of the steps that led to the house had fallen inward, so she put her knee on the one above that and climbed up. She tested each step of the long flight carefully before she trusted herself to it. When she reached the broad porch, her footsteps echoed strangely[Pg 63] upon the floor. Each slight sound was caught up and repeated until it sounded like the tread of a marching army, vanishing into the distance. <div class="sidenote">The Desolate House</div> The heavy door creaked on its hinges when she opened it. That sound, too, echoed and re-echoed in rhythmic pulsations that beat painfully upon her ears, but, after she was once inside, all the clamour ceased. She could see clearly now, though it was still dark. A long, wide stairway wound up from the hall, and there were two great rooms upon either side. She turned into the wide doorway at the right. Windows, grey with cobwebs, stretched from floor to ceiling, but very little light came through them. The wall paper, of indistinguishable pattern, was partially torn from the walls and the hanging portions swayed in the same current of air that waved the cobwebs. There was no furniture of any description in the room, except the heavy, gilt-framed mirror over the mantel. It was cracked and much of the gilt frame had fallen away. She went into the next room, then into the one beyond that, which seemed to stretch across the back of the house, and so through the door at the left of the room into the two on the other side of the house, at the left of the hall. In the centre of the largest room was a[Pg 64] small table, upon which rested a small object covered with a dome-shaped glass shade, precisely like that which covered the basket of wax flowers in Grandmother's parlour. Rosemary went to it with keen interest and leaned over the table to peer in. <div class="sidenote">The Broken Heart</div> At first she could see nothing, for the glass was cloudy. She noted, with a pang of disgust, that the table-cover was made of brown alpaca, fringed all around by the fabric itself, cut unskilfully into shreds with the scissors. As she looked, the glass slowly cleared. The small object was heart-shaped and made of wax in some dull colour half-way between red and brown. At length she saw that it was broken and the pieces had been laid together, carefully. Unless she had looked very closely she would not have seen that it was broken. Suddenly she felt a Presence in the room, and looked up quickly, with terror clutching at her inmost soul. A tall, grey figure, mysteriously shrouded, stood motionless beside her. Only the eyes were unveiled and visible amid the misty folds of the fabric. The eyes held her strangely. They were deep and dark and burning with secret fires. Hunger and longing were in their depths, and yet there was a certain exaltation, as of hope persisting against the knowledge of defeat. Rosemary's terror gradually vanished. She[Pg 65] felt an all-pervading calmness, a sense of acceptance, of fulfilment. <div class="sidenote">Not of One's Own Choice</div> For a long time she stood there, transfixed by the eyes that never for an instant wavered from hers. They searched her inmost soul; they saw all things past and to come. They questioned her, challenged her, urged something upon her, and yet she was not afraid. At last, with dry lips, she spoke. "Who are you?" She did not recognise the sound of her own voice. "The Lord of Life," the figure answered, in low, deep tones that vibrated through the empty rooms like the swept strings of a harp. "And this is—?" "The House of the Broken Heart. I live here." "Why?" she asked. "Not of my own choice. Why have you come?" "Not of my own choice," she repeated, dully. "I came because I had to." "They all do. That is why I myself am here." "Do—do many come?" "Yes." Rosemary looked back over her shoulder, then lifted her eyes to those of the grey figure. "Then it is strange," she said, "that I am here alone." "You are not alone. These rooms are full,[Pg 66] but no one sees another in the House of the Broken Heart. Each one is absorbed in his own grief to the exclusion of all else. Only I may see them, with bowed heads, pacing to and fro. <div class="sidenote">Selfish Grief</div> "On the stairway," he went on, "is a young mother who has lost her child. She goes up and down endlessly, thinking first she hears it crying for her in the room above, and then in the room below. Her husband sits at the foot of the stairs with his face hidden in his hands, but she has no thought for him. He has lost wife and child too." "Poor man!" said Rosemary, softly. "Poor woman!" "Yonder is a grey-haired woman, reaping the bitterness that she has sown. There are a husband and wife who have always been jealous of one another, and will be, until the end of time. There is a girl who has trusted and been betrayed, but she will go out again when her courage comes back. Just behind you is a woman who has estranged her husband from his family and has found his heart closed to her in the hour of her greatest need. Coming toward you is a man who was cruel to his wife, and never knew it until after she was dead." "But," Rosemary asked, "is there no punishment?" "None whatever, except this. The consciousness of a sin is its own punishment."[Pg 67] <div class="sidenote">Some One Gift</div> She stood there perplexed, leaning against the table. "Have all who are here, then, sinned?" "No, some have been sinned against, and a few, like yourself, have come in by mistake." "Then I may go?" The Lord of Life bent his head graciously. "Whenever you choose. You have only to take your gift and depart." "Is there a gift here for me? Nobody ever gave me anything." "Some one gift is yours for the asking, and, because you have not sinned, you have the right to choose. What shall it be?" "Love," returned Rosemary, very wistfully. "Oh, give me love!" The Lord of Life sighed. "So many ask for that," he said. "They all confuse the end with the means. What they really want is joy, but they ask for love." "Is there a greater joy than love?" "No, but love in itself is not joy. It is always service and it may be sacrifice. It means giving, not receiving; asking, not answer." "None the less," said Rosemary, stubbornly, "I will take love." "They all do," he returned. "Wait." He vanished so quickly that she could not tell which way he had gone. As she leaned against the table, the brown alpaca cover slipped back on the marble table and the glass[Pg 68] case tottered. She caught it hurriedly and saved it from falling, but the waxen pieces of the heart quivered underneath. <div class="sidenote">The Symbol of Hope</div> The grey figure was coming back, muffled to the eyes as before, but his footsteps made no sound. He moved slowly, yet with a certain authority. He laid a letter on the table and Rosemary snatched it up eagerly. It was addressed to Mrs. Virginia Marsh. "That is not for me," she said, much disappointed. "My name is Rosemary Starr." "It must have something to do with you," he returned, unmoved. "However, I will keep it until the owner comes." "She doesn't belong here," Rosemary answered, somewhat resentfully. "She's the dearest, sweetest woman in the world. She's Alden's mother." "The one who wrote it may be here, or coming," he explained, patiently. "Sometimes it happens that way. There are many letters in this place." As he spoke, he placed a green wreath upon Rosemary's head and gave her a white lily, on a long stem. "Go," he said, kindly. "But my gift?" "Go and find it. Carry your symbol of Hope and wear your wreath of rue. You will come to it." "But where? How shall I go from here? I'm afraid I shall lose my way."[Pg 69] <div class="sidenote">On the Upward Trail</div> The stern eyes fixed themselves upon her steadily. "Do not question Life too much," he warned her. "Accept it. Have I not told you to go?" Her fear suddenly returned. She went backward, slowly, toward the door, away from the table and the tall grey figure that stood by it, holding the letter addressed to Mrs. Virginia Marsh. When she was outside, she drew a long breath of relief. It was daybreak, and grey lights on the far horizon foreshadowed the sunrise. She ran down the steps, stumbling as she passed the broken one, and went hurriedly down the weed-choked path. The broken marble statues were green with mould and the falling waters seemed to move with difficulty, like the breath of one about to die. The stillness of the place was vast and far-reaching; it encompassed her as the night had previously done. She soon found the trail that led upward, though she did not recognise the point at which she had turned into the garden. She had no doubt, now, about the path she must take. It led up, up, through thorns and brambles, past the crags upon which the first light shone, and around the crest of the peak to—what? Drawing a long breath, Rosemary started, carrying her lily and wearing her wreath of rue.[Pg 70] <div class="sidenote">The Coming Dawn</div> The brown gingham hung in tatters and her worn shoes threatened to drop from her feet, but the divine fragrance of the lily she bore sustained her as she climbed. She was glad she had chosen as she had, though his words still puzzled her. "It is always service," she repeated, "and it may be sacrifice. It means giving, not receiving; asking, not answer." "And yet," she mused, "he said they all asked for it. I should have taken the letter," she continued, to herself. "Alden could have given it to his mother." It seemed strange to be thinking of him as "Alden" instead of "Mr. Marsh," and yet it was supremely sweet. She felt the colour burning in her cheeks, for she knew, now, that he awaited her, somewhere on the height. Had he not chosen Love too? Were they not to find it together? Dull, prismatic fires glowed upon the distant clouds—dawn-jewels laid upon the breast of Night. Violet and blue mellowed into opal and turquoise, then, as the spectrum may merge into white light, a shaft of sunrise broke from the mysterious East, sending a javelin of glory half-way across the world. The first light lay upon the crags, then deepened and spread, penetrating the darkness below, which was no longer black, but dusky purple. Rosemary's heart sang as she climbed, and the fragrance of the lily thrilled her soul[Pg 71] with pure delight. The path was smooth, now, and thorns no longer hurt her feet. The hand that held the lily, however, was bleeding, from some sharp thorn or projection of rock. <div class="sidenote">The Blood-Stained Lily</div> She wiped her hand upon her torn dress, and, as she did so, a drop of blood stained the lily. She tried to get it off, but all her efforts were fruitless. The crimson spread and darkened until half of the white petals were dyed. She noted, with a queer lump in her throat, that the lily was the same colour as the waxen heart that lay under the glass case in the house she had so recently left. But she still held it tightly, though it was stained and no longer fragrant. Up somewhere in the sunrise Alden was waiting for her, and she climbed breathlessly. She was exhausted when she reached the summit, and the wreath of rue pressed heavily upon her temples. She paused for a moment, realising that she had reached the end of her journey. Rainbow mists surrounded the height, but, as she looked, they lifted. She was not surprised to see Alden standing there. He had been hidden by the mists. With a little laugh of joy, Rosemary tried to run toward him, but her feet refused to move. Then she called: "Alden!" and again, in a troubled tone: "Mr. Marsh!"[Pg 72] <div class="sidenote">Calling in Vain</div> But only the echo of her own voice came back to her, for Alden did not move. Strong and finely-moulded, his youth surrounded him like some radiant garment of immortality. Every line of his figure was eloquent of his lusty manhood, and his face glowed not only from the sunrise, but from some inner light. "Service, sacrifice. Giving, not receiving; asking, not answer." The words reverberated through her consciousness like a funeral knell. She dropped the stained lily and called again, weakly: "Alden!" But, as before, he did not answer. His eyes were fixed upon a distant point where the coloured mists were slowly lifting. Rosemary, cold and still, could only stand there and watch, for her feet refused to stir. Hungrily, she gazed upon him, but he did not see, for he was watching the drifting rainbow beyond. Then a cry of rapture broke from him and he started eagerly toward the insurmountable crags that divided him from the Vision. Rosemary saw it, too, at the same instant—a woman whose white gown shimmered and shone, and whose face was hidden by the blinding glory of her sunlit hair. <hr style="width: 45%;" /> She woke, murmuring his name, then rubbed her eyes. It took her several minutes to realise that it was all a dream. She was in her[Pg 73] own little room in the brown house, and the sun was peeping through the shutters. The holes in the rag carpet, the cheap, cracked mirror, the braided mat in front of her washstand, and the broken pitcher all contrived to reassure her. <div class="sidenote">The Fair Future</div> She sat up in bed, knowing that it was time to get up, but desperately needing a few moments in which to adjust herself to her realities. What had happened? Nothing, indeed, since yesterday—ah, that dear yesterday, when life had begun! What could ever happen now, when all the future lay fair before her and the miseries of her twenty-five years were overwhelmed by one deep intoxicating joy? "Dreams," thought Rosemary, laughing to herself. "Ah, what are dreams!" She opened the shutters wide and the daylight streamed in. It was not fraught with colour, like the mists of her dream, but was the clear, sane light of every day. A robin outside her window chirped cheerily, and a bluebird flashed across the distant meadow, then paused on the rushes at the bend of the river and swayed there for a moment, like some unfamiliar flower. "Rosemary!" The shrill voice sounded just outside her door. "Yes, Aunt Matilda," she answered, happily; "I'm coming!" She sang to herself as she moved about her[Pg 74] room, loving the dear, common things of every day—the splash of cool water on her face and throat, the patchwork quilt, and even the despised brown gingham, which was, at least, fresh and clean. <div class="sidenote">Service and Sacrifice</div> "Service," she said to herself, "and sacrifice. Giving, not receiving; asking, and not answer. I wonder if it's true!" For an instant she was afraid, then her soul rallied as to a bugle call. "Even so," she thought, "I'll take it, and gladly. I'll serve and sacrifice and give, and never mind the answer." She hurried down-stairs, where the others were waiting. "You're late, Rosemary," said Grandmother, sourly. "Yes, I know," laughed the girl, stooping to kiss the withered cheek. "I'm sorry! I won't let it happen again!" Out in the kitchen, she sang as she worked, and the clatter of pots and pans kept up a merry accompaniment. She had set the table the night before, as usual, so it was not long before she had breakfast ready. Her cheeks were flushed and her eyes were shining when she came in with the oatmeal. "This is for you, Aunt Matilda—it isn't cooked quite so much. This is for you, Grandmother. It's nice and soft, for I soaked it over night. I'll have the eggs ready in just a minute." When she went out, the other two exchanged[Pg 75] glances. "What," asked Grandmother, "do you reckon has got into Rosemary?" <div class="sidenote">What Has Happened?</div> "I don't know," returned Aunt Matilda, gloomily. "Do you suppose it's religion?" "I ain't never seen religion affect anybody like that, have you?' "No, I ain't," Aunt Matilda admitted, after a moment's pondering. "She reminds me of her ma," said Grandmother, reminiscently, "the day Frank brought her home." [Pg 76] <div style="break-after:column;"></div>

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