<h2 class='c009'>CHAPTER XXI</h2></div>
<p class='c006' ><span class='sc'>The</span> next day—it was just a week before their proposed trip
to the Tyrol—Marcia accompanied her uncle into Rome for
the sake of one or two important errands which might not be
intrusted to a man’s uncertain memory. Mr. Copley found
himself unready to return to the villa on the train they had
planned to take, and, somewhat to Marcia’s consternation,
he carried her off to the Embassy for tea. She mounted the
steps with a fast-beating heart. Would Laurence Sybert be
there? She had not so much as seen him since the night of
her birthday ball, and the thought of facing him before a
crowd, with no chance to explain away that awful moment
by the fountain, was more than disconcerting.</p>
<p class='c007' >Her first glance about the room assured her that he was
not in it, and the knowledge carried with it a mingled feeling
of relief and disappointment. The air was filled with an
excited buzz of conversation, the talk being all of riots and
<span class="pagenum"><SPAN name='Page_205' id='Page_205'>205</SPAN></span>
rumours of riots. Marcia drifted from one group to another,
and finally found herself sitting on a window-seat
beside a woman whose face was familiar, but whom for the
moment she could not place.</p>
<p class='c007' >‘You don’t remember me, Miss Copley?’ her companion
smiled.</p>
<p class='c007' >Marcia looked puzzled. ‘I was trying to place you,’ she
confessed. ‘I remember your face.’</p>
<p class='c007' >‘One day, early this spring, at Mr. Dessart’s studio——’</p>
<p class='c007' >‘To be sure! The lady who writes!’ she laughed. ‘I
never caught your name.’</p>
<p class='c007' >‘And the worst gossip in Rome? Ah, well, they slandered
me, Miss Copley. One is naturally interested in the
lives of the people one is interested in—but for the others!
They may make their fortunes and lose them again, and get
married, and elope and die, for all the attention I ever give.’</p>
<p class='c007' >Marcia smiled at her concise summary of the activities of
life, and put her down as a Frenchwoman.</p>
<p class='c007' >‘And the villa in the hills?’ she asked. ‘How did it go?
And the ghost of the Wicked Prince? Did Monsieur Benoit
paint him?’</p>
<p class='c007' >‘The ghost was a grievous disappointment. He turned
out to be the butler.’</p>
<p class='c007' >‘Ah—poor Monsieur Benoit! He has many disappointments.
<i>C’est triste, n’est-ce pas?</i>’</p>
<p class='c007' >‘Many disappointments?’ queried Marcia, quite in the
dark.</p>
<p class='c007' >‘The Miss Roystons, Mr. Dessart’s relatives,’ pursued the
lady; ‘they are friends of yours. I met them at the
Melvilles’ a few weeks ago. They are charming, are they not?’</p>
<p class='c007' >‘Very,’ said Marcia, wondering slightly at the turn the
conversation had taken.</p>
<p class='c007' >‘And this poor Monsieur Benoit—he has gone, all alone,
to paint moonlight in Venice. <i>Ce que c’est que l’amour!</i>’</p>
<p class='c007' >‘Ah!’ breathed Marcia. She was beginning to have an
inkling. Had he been added to the collection? It was too
bad of Eleanor!</p>
<p class='c007' >‘Miss Royston is charming, like all Americans,’ reiterated
the lady. ‘But, I fear, a little cruel. <i>Mais n’importe.</i>
He is young, and when one is young one’s heart is made of
india-rubber, is it not so?’ Her eyes rested on Marcia for
a moment.</p>
<p class='c007' >
<span class="pagenum"><SPAN name='Page_206' id='Page_206'>206</SPAN></span>
Marcia’s glance had wandered toward the door. Laurence
Sybert had just come in and joined the group about
her uncle, and she noted the fact with a quick thrill of
excitement. Would he come and speak to her? What
would he say? How would he act? She felt a strong
desire to study his face, but she was aware that the eyes of
‘the greatest gossip in Rome’ were upon her, and she rallied
herself to answer. Monsieur Benoit was commiserated for
the third time.</p>
<p class='c007' >‘Ah, well,’ finished the lady, philosophically, ‘perhaps it
is for the best. A young man <i>avec le cœur brisé</i> is far more
interesting than one who is heart-whole. There is that
Laurence Sybert over there.’ She nodded toward the group
on the other side of the room. ‘For the last ten years, when
the <i>forestieri</i> in Rome haven’t had anything else to talk
about, they’ve talked about him. And all because they
think that under that manner of his he’s carrying around a
broken heart for the pretty little Contessa Torrenieri.’</p>
<p class='c007' >Marcia laughed lightly. ‘Mr. Sybert at least carries his
broken heart easily. One would never suspect its presence.’</p>
<p class='c007' >The lady’s eyes rested upon her an appreciable instant before
she answered: ‘<i>Che vuole?</i> People must have something
to talk about, and a good many girls—yes, and with
<i>dots</i>—have sighed in vain for a smile from his dark eyes.
Between you and me, I don’t believe the man’s got any
heart—either broken or whole. But I mustn’t be slandering
him,’ she laughed. ‘I remember he’s a friend at Casa
Copley.’</p>
<p class='c007' >‘Mr. Sybert is my uncle’s friend; the rest of us see very
little of him,’ Marcia returned as she endeavoured to think
of a new theme. Her companion, however, saved her the
trouble.</p>
<p class='c007' >‘And were you not surprised at Mr. Dessart’s desertion?’</p>
<p class='c007' >‘Mr. Dessart’s desertion?’ Marcia repeated the question
with a slight quiver of the eyelids.</p>
<p class='c007' >‘Exchanging Rome for Pittsburg. You Americans do
things so suddenly! One loses one’s breath.’</p>
<p class='c007' >‘But his father was ill and they sent for him.’</p>
<p class='c007' >‘Yes; but the surprising part is that he goes for good.
The pictures and carvings and curios are packed; there is a
card in the window saying the studio is for rent—he is giving
up art to mine coal instead.’</p>
<p class='c007' >
<span class="pagenum"><SPAN name='Page_207' id='Page_207'>207</SPAN></span>
Marcia laughed. ‘It is a seven-league step from art to
coal,’ she acknowledged. ‘I had thought myself that he
was an artist to the end.’</p>
<p class='c007' >‘Ah—he was an artist because he was young, not because
he was called, and I suppose he got tired of the play. The
real artist for you—it is that poor young man painting
moonlight in Venice.’ The lady tapped Marcia’s arm gently
with her fan. ‘But you and I know, Miss Copley, that
Paul Dessart never went back to America just from homesickness;
when a young man hasn’t reached thirty yet, you
may be pretty sure of finding a woman behind most of his
motives.’</p>
<p class='c007' >Marcia had the uncomfortable feeling that the lady’s eyes
were fixed upon her with a speculative light in their depths.
She endeavoured to look disinterested as she again cast
about for a more propitious topic. Glancing up, she saw
that her uncle, accompanied by Laurence Sybert and Mr.
and Mrs. Melville, was crossing the room in their direction.
Sybert, who was laughing and chatting easily with Mrs.
Melville, apparently did not feel that there was any awkwardness
in the moment. He delivered a cordially indifferent
bow which was evidently meant to be divided between
Marcia and her companion. After a moment or so of general
greetings, Marcia found herself talking with Mrs. Melville,
while her uncle and the consul-general still discussed riots,
and the lady who wrote appropriated Sybert.</p>
<p class='c007' >‘We are sorry to hear you are leaving the villa so early,
though I suppose we shall all be following in a week or so,’
said Mrs. Melville. ‘One clings pretty closely to the shady
side of the street even now. Aren’t these riots dreadful?’
she rambled on. ‘Poor Laurence Sybert is working himself
thin over them. It is the only subject one hears nowadays.’</p>
<p class='c007' >Marcia achieved an intelligent reply, while at the same
time she found herself listening to the conversation on the
other side. To her intense discomfort, it was still of Paul
Dessart.</p>
<p class='c007' >‘Yes, I heard that he had been suddenly called home;
that was hard luck,’ said Sybert quietly.</p>
<p class='c007' >‘Between you and me, Paul Dessart never gave up art
and went back to Pittsburg because he was tired of Rome.
As I told Miss Copley, when a young man decides to settle
down and be serious, you may mark my words there’s a
<span class="pagenum"><SPAN name='Page_208' id='Page_208'>208</SPAN></span>
woman in the case. Oh, I knew it all the time.’ She
lowered her tone. ‘We’ll be reading of an engagement in
the Paris <i>Herald</i> one of these days.’</p>
<p class='c007' >‘I dare say, as usual, you’re right,’ Sybert said dryly;
while Marcia, inwardly raging and outwardly smiling, gave
ear to Mrs. Melville again.</p>
<p class='c007' >‘Oh, did I tell you,’ Mrs. Melville asked, ‘that we are
coming out to the villa next Saturday for “week-end”?
It’s a long-standing invitation, that we’ve never found a
chance to accept. But it’s so charming out there that we
can’t bear to miss it, and so we are throwing over all our
other engagements in order to get out this week before you
break up.’</p>
<p class='c007' >Marcia murmured some polite phrases while she tried to
catch the gist of the conversation on the other side. It was
not of Paul Dessart, she reassured herself. The woman
who wrote was narrating an adventure with some ‘bread-tickets’
of the anti-begging society, and the two men—Melville
and Sybert—were chaffing her uncle. The point
of the story appeared to be against him. He finally broke
away, and with a glance at his watch turned back to his
niece.</p>
<p class='c007' >‘Well, Marcia, if we are to catch that six-o’clock train, I
think it is time that we were off.’</p>
<p class='c007' >Sybert accompanied them to the door, talking riots to her
uncle, while she went on ahead, feeling forgotten and overlooked.
Melville joined them again in the vestibule, and the
three fell to discussing barricades and soldiers until Copley,
with another look at his watch, laughingly declared that
they must run.</p>
<p class='c007' >Sybert for the first time, Marcia thought, gave any sign of
being aware of her presence.</p>
<p class='c007' >‘Well, Miss Marcia,’ he said, turning toward her with a
friendly smile. ‘Your uncle says that you are talking of
going back to America next winter. That is too bad, but
we shall hope to see a little of you in the autumn before you
leave. You are going to the Tyrol for the summer, I hear.
That will be pleasant, at least.’</p>
<p class='c007' >‘You talk as if America were a terrible hardship,’ said
Marcia, taking her tone from him.</p>
<p class='c007' >Sybert laughed, with his old shrug. ‘Ah, well, it depends
on where one’s interests are, I suppose.’</p>
<p class='c007' >
<span class="pagenum"><SPAN name='Page_209' id='Page_209'>209</SPAN></span>
She suddenly flushed again, with the thought that he was
referring to Paul Dessart, and she plunged blindly into
another subject to cover her confusion.</p>
<p class='c007' >‘Did Uncle Howard tell you that we have decided to take
Gervasio with us for the summer? He wanted to find a
home for him in Rome; I wanted to take him with us;
Aunt Katherine hadn’t made up her mind until Gerald cried
at the thought of parting with him, and, as usual, Gerald’s
tears decided the matter.’</p>
<p class='c007' >‘It was a most fortunate whipping for Gervasio the night
that we drove by,’ he returned as he held out his hand.
‘Well, Miss Marcia, as you break up next week, I shall
probably not see you again. I hope that you will have a
delightful summer.’</p>
<p class='c007' >Marcia shook hands smilingly, with her heart sunk
fathoms deep.</p>
<p class='c007' >He followed them to the carriage for a last word with her
uncle.</p>
<p class='c007' >‘You’d better change your mind, Sybert, and come out to
the villa Saturday night with the Melvilles,’ Copley called as
the carriage started.</p>
<p class='c007' >‘I’m sorry, but I’m afraid there’s too much excitement
elsewhere for me to afford a vacation just now,’ and he
bowed a smiling good-bye to Marcia.</p>
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